Original subtitles

GEORGIE...

HEY.

HOW YOU HOLDING UP?

GOOD. BUT I GOTTA ADMIT,

I CAN'T WAIT FOR THIS TO BE OVER.

YEAH, YOU'VE BEEN UNDERCOVER FOR A LONG TIME.

14 MONTHS. AND BY NEXT WEEK,

WE'LL HAVE EVERYTHING WE NEED

TO PUT SONNY TANTERO AWAY FOR GOOD.

Trivette: WHAT DO YOU GOT FOR US?

THE TANTERO CRIME SYNDICATE

HAS BEGUN SHIPPING DRUGS ACROSS THE BORDER...

PACKING CLASSIC CARS WITH COCAINE AND HEROIN,

DRIVING THEM STRAIGHT TO DALLAS.

CLASSIC CARS?

THEY'VE GOT A BIG SHIPMENT COMING IN THIS AFTERNOON...

TO A WAREHOUSE IN DEEP ELLUM.

YOU GOT AN ADDRESS?

4247 COMMERCE STREET.

TEXAS RANGERS! NOBODY MOVE!

DON'T MOVE!

BEHIND YOUR BACK, COME ON!

DON'T MOVE!

Man: CAN WE MAKE IT OUT THE BACK?

I DON'T KNOW. CHECK IT OUT.

[MUSIC PLAYS]

♪ WELL, IF YOUR BABY LEAVES YA ♪

♪ THEN YOU'VE GOT A TALE TO TELL ♪

♪ JUST TAKE A WALK DOWN LONELY STREET ♪

♪ TO HEARTBREAK HOTEL ♪

♪ YOU MAKE ME SO LONELY, BABY ♪

♪ YOU MAKE ME SO LONELY ♪

♪ YOU MAKE ME SO LONELY I COULD DIE ♪

THANK YOU.

THANK YOU VERY MUCH.

AN ELVIS PRESLEY CONVENTION

RIGHT HERE IN THE METROPLEX?

YEP. FIRST ANNUAL LONE STAR TRIBUTE

TO THE KING.

FIRST PRIZE IS $10,000

AND AN APPEARANCE CONTRACT

AT THE NEW ELVIS WORLD HOTEL AND CASINO IN LAS VEGAS.

ELVIS WORLD HOTEL AND CASINO

RIGHT THERE IN VEGAS? MY GOODNESS.

YEP. AT THE ELVIS WORLD, YOU DON'T HIT THE JACKPOT,

YOU HIT THE KINGPOT.

YOU MUST BE SO EXCITED.

I SURE AM, ALEX, I REALLY AM.

BUT IT'S GONNA BE TOUGH, THOUGH.

SOME OF THE BEST ELVISES IN THE COUNTRY

ARE GONNA COMPETE.

YOU DON'T HAVE TO WORRY.

YOU DO WHAT YOU DID HERE TONIGHT,

SHINE UP YOUR BLUE SUEDE SHOES,

THOSE FELLAS WON'T HAVE A CHANCE IN HELL.

THAT'S RIGHT. THAT'S A FACT.

I'LL DO MY VERY BEST.

HOUND DOG. HANDS DOWN.

NO, NO, NO. COME ON,

BLUE SUEDE SHOES WALKS ALL OVER HOUND DOG.

GAGE?

WHAT?

SO DISAPPOINTING.

WE'LL ASK SYDNEY. FINE.

ASK SYDNEY WHAT?

WHAT IS THE BEST ELVIS SONG EVER?

ELVIS? THAT'S EASY.

IN THE GHETTO.

[LAUGHS] IN THE GHETTO?

WHAT? SYDNEY, SOMETIMES I WORRY ABOUT YOU.

WHATEVER.

WHATEVER?!

WOW. VERY GOOD.

WHERE DID YOU LEARN TO SIGN?

OH, ALEX AND I TOOK SOME CLASSES.

I'M NOT VERY GOOD AT IT.

AW, YOU'RE DOING FINE.

AND BESIDES, JUST THE FACT

THAT YOU'RE TRYING TO TALK TO MELISSA IN HER LANGUAGE

MEANS SO MUCH.

OH, THANKS.

WHOA!

WHAT'S THE SIGN FOR "RINGER"?

LOOKS LIKE WE HAVE A PROBLEM, GENTLEMEN.

SECURITY ON THAT DRUG DELIVERY WAS TOP SHELF.

THERE'S NO WAY THE RANGERS COULD HAVE KNOWN ABOUT IT...

UNLESS THEY HAD INSIDE INFORMATION.

WHAT?

YOU MEAN WE GOT A RAT?

YEAH.

I WANT HIM FOUND.

AND WHEN WE FIND HIM, I WANT HIM DEAD.

♪ IN THE EYES OF A RANGER ♪

♪ THE UNSUSPECTIN' STRANGER ♪

♪ HAD BETTER KNOW THE TRUTH OF WRONG FROM RIGHT ♪

♪ 'CAUSE THE EYES OF THE RANGER ♪

♪ ARE UPON YOU ♪

♪ ANY WRONG YOU DO HE'S GONNA SEE ♪

♪ WHEN YOU'RE IN TEXAS, LOOK BEHIND YOU ♪

♪ 'CAUSE THAT'S WHERE THE RANGER'S GONNA BE ♪

I TELL YA, ALEX. YOUR ELVIS FRIENDS ARE GONNA LOVE THIS.

AND HERE THEY ARE, THE OFFICIAL, UNABRIDGED VERSION

OF THE C.D. PARKER TOUR OF THE METROPLEX.

WELL, YOU KNOW, C.D.,

HELEN IS ONE OF MY OLDEST FRIENDS,

AND THIS IS THEIR FIRST TRIP TO THE METROPLEX,

SO I WAS KIND OF LOOKING FOR SOME MORE TRADITIONAL IDEAS.

TRADITIONAL?

YOU CAN'T GET MORE TRADITIONAL THAN THESE CARDS,

GUARANTEED TO PLEASE ANY ELVIS FAN.

ALL YOU'VE GOT TO DO IS TAKE THEM TO THE PLACE AND READ THE CARD.

OK, LET'S SEE.

"THE FORT WORTH STOCKYARDS."

OK, IT'S A GOOD START.

THERE'S A LOT OF HISTORY IN THE STOCKYARDS.

"ON THIS SPOT IN MARCH OF 1993--"

AHEM!

THAT COULD HAVE BEEN "83."

"TEXAS RANGER C.D. PARKER

"SINGLE-HANDEDLY TOOK DOWN THE NOTORIOUS LARSON GANG.

"NOT WANTING TO USE HIS GUN FOR FEAR OF HARMING A GROUP OF NEARBY SCHOOLCHILDREN,

"RANGER PARKER RELIED ON HIS COWBOY WAYS TO LASSO THE LARSON BOYS

AND HOG-TIE THE BUNCH OF VARMINTS UNTIL HELP ARRIVED."

C.D., THIS IS, UH...

GOLD. PURE GOLD.

[LAUGHTER]

ELVIS.

ELVIS PRESLEY.

YOU'RE RELATED TO ELVIS PRESLEY?

THAT'S RIGHT. OH, YEAH.

YOU ARE NOT.

OK, THEN I'M NOT.

HOW ARE YOU RELATED TO ELVIS PRESLEY?

WELL, ELVIS' GREAT-GREAT-GRANDMOTHER WAS CHEROKEE,

AND HER NAME WAS--

MORNING WHITE DOVE. EVERYBODY KNOWS THAT.

WELL, MORNING WHITE DOVE WAS THE HALF-SISTER OF GRAY WOLF FIREWALKER.

THAT'S YOUR GREAT-GREAT-GREAT-GRANDFATHER.

RIGHT.

WOW.

WELL, HOW COME YOU NEVER TOLD ME THAT BEFORE?

BECAUSE YOU NEVER ASKED ME.

WELL, HOW WAS I SUPPOSED TO KNOW?

WELL, I WAS GOING TO TELL YOU, BUT...

I DIDN'T WANT TO BRAG.

OH.

GEORGIE.

SONNY'S GETTING PRETTY HOT.

THE BUST AT THE WAREHOUSE REALLY THREW HIM.

HE KNOWS THE INFORMATION HAD TO COME FROM INSIDE HIS OPERATION.

HOW'S YOUR COVER?

I'M OK.

SONNY KNOWS THERE'S A SNAKE IN THE WOODPILE,

BUT HE DOESN'T KNOW WHO.

MAYBE IT'S TIME YOU PULLED OUT.

RANGER WALKER, NORMALLY,

SONNY'S REAL SMART ABOUT NOT GETTIN' HIS OWN HANDS DIRTY,

BUT NEXT WEEK, THERE'S A FACE-TO-FACE MEETING

WITH SOME REPRESENTATIVES OF THE VENTANA DRUG CARTEL OUT OF COLOMBIA.

IF WE BUST SONNY AT THE MEETING,

WE CAN NOT ONLY PUT HIM AWAY FOR A GOOD LONG TIME, BUT WE'VE GOT A CHANCE

TO SHUT DOWN ONE OF THE MAJOR PIPELINES

OF ILLEGAL DRUGS COMIN' INTO THE STATES.

JUST LET ME WAIT TILL THEN.

ALL RIGHT, AGAINST MY BETTER JUDGMENT.

THANKS.

SO WHAT'VE YA GOT?

BIG GUNS-FOR-CASH DEAL GOIN' DOWN AT A FACTORY ON THE EDGE OF TOWN.

MAYBE WE SHOULD PASS ON THIS ONE

AND WAIT FOR SONNY'S MEETING WITH THE CARTEL.

WALKER, I'M IN TIGHT WITH SONNY.

THERE'S NO WAY HE'D SUSPECT ME,

AND IF WE DON'T MAKE THAT BUST...

THOSE GUNS ARE GONNA WIND UP ON THE STREET.

ALL RIGHT. WATCH YOURSELF.

GREAT.

THE DEAL'S GONNA TAKE PLACE NEAR DOWNTOWN

ON THE WEST SIDE OF 35.

[ELVIS MUSIC PLAYING]

WELL, I THOUGHT WE'D START RIGHT HERE IN FORT WORTH,

AND THEN MAYBE WE'LL HEAD OVER TO DALLAS FOR LUNCH.

THAT SOUNDS GREAT.

Woman: IT'S ELVIS. [SCREAMING]

IT'S ELVIS! IT'S ELVIS!

TAKE PICTURE WITH YOU?

WHY, YOU SURE CAN, LITTLE DARLIN'.

Alex: HERE. LET ME.

OK, SAY 1, 2, 3...

ELVIS! ELVIS! ELVIS! ELVIS!

AAH! AAH! AAH!

THANK YOU.

THANK YOU VERY MUCH.

YOU'RE VERY WELCOME.

AAH! HA HA HA! AAH!

WE'LL SEE.

SHE WANTS TO KNOW IF WE'RE GOING TO SEE ANY REAL COWBOYS LATER.

YOU BET WE WILL.

OK, "ON THIS SPOT ON AUGUST OF 1978,

"TEXAS RANGER C.D. PARKER SINGLE-HANDEDLY

"STOPPED A STAMPEDE OF ANGRY CATTLE

"WITH NOTHING MORE THAN A HANDFUL OF HAY

AND A CHARMING SMILE."

THAT C.D. SURE IS A CHARACTER.

OH, YEAH.

ALL RIGHT.

WE GOT 35O PER,

3 LARGE FOR A CASE.

AND WITH THE HOLIDAYS COMING UP,

THESE BABIES MAKE A WONDERFUL CHRISTMAS PRESENT.

YEAH. EVERY BOY'S DREAM.

WHAT DO YOU SAY, 7,500 FOR THE 3 CASES?

HOW ABOUT 10...

TO 15 IN THE STATE PEN?

HEY! YOU'RE GOIN' THE WRONG DIRECTION.

AH!

JOHNNY BOY, YOU GOTTA WAKE UP.

WE GOTCHA, ALL RIGHT?

ILLEGAL WEAPONS, INTENT TO SELL,

RESISTING ARREST,

THERE'S SOMETHING ELSE.

ATTEMPTED MURDER ON A PEACE OFFICER.

ATTEMPTED MURDER? ARE YOU GUYS NUTS?

NO. JAVIER PULLED THE TRIGGER,

BUT THE ACT WAS COMMITTED

DURING COMMISSION OF A FELONY.

AH!

A FELONY INVOLVING YOU,

SO IN THE EYES OF THE LAW, PAL,

YOU'RE JUST AS GUILTY.

ALL RIGHT, WHAT DO YOU WANT?

SONNY TANTERO.

SONNY TANTERO?

I DON'T DO BUSINESS WITH THAT WHACK JOB.

I GOT THESE GUNS FROM BIG JOE McARTHUR.

OH, MY GOD.

IT WAS A SETUP.

GEORGIE?

GEORGIE'S A RAT?

YEAH.

YOU SURE?

YEAH, I'M SURE.

I PLANTED A DIFFERENT STORY WITH TWO OF THE TOP GUYS.

THE RANGERS ONLY BIT ON ONE OF 'EM.

GEORGIE'S?

YEAH.

I TRUSTED HIM LIKE A BROTHER.

SO WHAT DO WE DO?

YOU HAVE HIM MEET YOU AT THE CONSTRUCTION SITE.

YOU KNOW WHAT TO DO.

REMEMBER, HE'S A COP.

I DON'T WANT THAT BODY TURNIN' UP.

YOU UNDERSTAND?

YEAH.

I UNDERSTAND.

DEALEY PLAZA.

HEY, THIS IS WHERE JFK WAS SHOT.

AND IT ALSO HAPPENS TO BE WHERE C.D. PARKER

"SINGLE-HANDEDLY TOOK OUT THE MELROSE PARK JEWEL THIEVES,

USING ONLY A SHOELACE AND SOME BUBBLEGUM."

NO. WE'LL BE RIGHT HERE.

NOTHIN' ON HIS CELL PHONE.

I'VE PAGED HIM TWICE.

SURVEILLANCE VAN AT TANTERO'S

SAY THEY HAVEN'T SEEN HIM SINCE YESTERDAY AFTERNOON.

WHAT DO WE DO?

PUT OUT AN APB: OFFICER IN TROUBLE.

I WANT EVERYONE OUT THERE LOOKIN' FOR HIM.

YOU GOT IT. GREAT.

OK, I'LL GO WITH YOU.

I KNOW YOU'RE A BIG GIRL,

HELEN?

OK.

DO YOU KNOW WHERE IT IS?

OK.

DON'T FORGET TO WASH YOUR HANDS.

IT MUST BE REALLY HARD.

YEAH. I GET A LITTLE WORRIED.

EH...TERRIFIED.

BUT WE ARE TRYING TO LET HER BE A LITTLE MORE INDEPENDENT.

THAT'S WHY THIS CONVENTION IS SO IMPORTANT.

WITH THE PRIZE MONEY, WE CAN ENROLL MELISSA IN A SPECIAL SCHOOL.

THEY'RE MAKING SUCH AMAZING PROGRESS THESE DAYS.

[MEOW]

[MEOW]

[MEOW]

I HAD NO IDEA THAT ELVIS MANIA WAS STILL SO BIG.

ARE YOU KIDDING? IT IS HUGE.

THERE ARE PERFORMERS AND CONVENTIONS ALL ACROSS THE COUNTRY.

I THINK A LOT OF IT GOES BACK TO A MUCH MORE INNOCENT TIME.

I MEAN, WHEN ELVIS WAS FIRST ON TV,

THEY COULD ONLY SHOOT HIM FROM THE WAIST UP.

AND NOW YOU'VE GOT DENNIS FRANZ

SHOWING HIS WHOLE NAKED REAR END.

BUT IT'S ALSO-- IT'S ABOUT THE MUSIC.

ELVIS SANG ABOUT LOVE.

TODAY'S MUSIC IS ABOUT LUST.

AND I JUST SOUNDED LIKE MY MOTHER.

HA HA HA! YES, YOU DID.

HA HA HA! HA HA HA!

HEY, GEORGIE.

HEY, GUYS.

SO WHAT'S THE BIG NEWS THAT COULDN'T WAIT?

YOU KNOW THAT RAT SONNY'S BEEN LOOKIN' FOR?

YEAH.

[COCKS GUN]

LOOKS LIKE HE FOUND 'IM.

[MEOW]

SHE'S NOT THERE!

WHAT DO YOU MEAN ? WHERE DID SHE GO?

I DON'T KNOW!

NOW, WE ALL JUST HAVE TO STAY CALM.

SHE PROBABLY JUST WANDERED OFF.

[MEOW]

Georgie: YOU GUYS ARE MAKIN' A BIG MISTAKE.

NO. YOU'RE THE ONE THAT MADE A MISTAKE.

SONNY TRUSTED YOU.

HE THOUGHT OF YOU LIKE A BROTHER

TILL HE FOUND OUT YOU WERE A LOUSY COP.

RICO!

LET'S GO GET HER!

WE'LL THROW HER IN THE HOLE WITH THE COP!

THERE SHE IS!

LET'S GET OUTTA HERE.

OK, CALM DOWN. CALM DOWN.

A MAN WAS SHOT?

IT'S OK, HONEY. IT'S OK.

SINCE WE KNOW THAT SONNY TANTERO HAD GEORGIE KILLED,

WHY DON'T WE PULL HIM IN AND SQUEEZE HIM TILL IT HURTS?

THERE'S NOTHING I'D LIKE BETTER,

BUT HIS LAWYERS WOULD HAVE HIM OUT IN 20 MINUTES.

HOW'S MELISSA?

SHE'S PRETTY SHAKEN UP.

POOR KID.

Sonny: YOU CAN'T CATCH A KID? WHAT IS THAT, HARD?

WE WENT AFTER HER, BUT SHE RAN ACROSS THE LOT,

AND SHE WAS RESCUED BY ELVIS.

ELVIS? WHAT ARE YOU TALKING ABOUT--ELVIS?

YOU KNOW, ELVIS...PRESLEY.

I MEAN, NOT THE ELVIS PRESLEY,

ONE OF THOSE IMPENETRATORS.

YOU MEAN IMPERSONATORS, IS THAT WHAT YOU MEAN?

WHAT'D I SAY?

LOOK, BOSS, YOU GOT NOTHIN' TO WORRY ABOUT.

I GOT NOTHIN' TO WORRY? YOU LEFT A WITNESS, MORON.

SHE WAS JUST A KID, AND SHE WAS SLOW OR SOMETHIN'.

WHAT DO YOU MEAN, "SLOW"? WHAT'S SLOW?

WELL, THE WAY SHE WAS JUST STANDIN' THERE AND STARIN',

THERE WAS DEFINITELY SOMETHIN' OFF ABOUT HER.

TRUST ME ON THIS.

SHE AIN'T GONNA BE NO HELP TO NOBODY.

BETTER BE RIGHT.

[COMPUTER BEEPS]

I MEAN, WE KNOW IT'S SONNY TANTERO, RIGHT?

YEAH, WE KNOW IT.

NOW WE'VE GOT TO PROVE IT.

[BEEP]

SHE SAYS THAT'S HIM. THAT'S THE MAN WHO PULLED THE TRIGGER.

IS SHE SURE?

MELISSA, ARE YOU SURE?

WHAT'S SHE SAYING?

SHE SAID SHE'S DEAF, NOT BLIND.

OK, THANKS.

MELISSA, GOOD WORK.

THANK YOU.

THANKS.

[BEEP]

"RICO CASTILLO."

AHH, WE SHOULD HAVE KNOWN.

YOU KNOW THIS GUY?

YEAH. GEORGIE SAID THAT HE'S SONNY'S NUMBER 2 MAN.

"ASSAULT AND BATTERY, ASSAULT WITH A DEADLY WEAPON,

ATTEMPTED MURDER, EXTORTION, ARSON."

A FULL-SERVICE CRIMINAL NIGHTMARE, FOLKS.

CAN YOU GET US AN ARREST WARRANT?

WITH THOSE PRIORS AND A POSITIVE I.D.? ABSOLUTELY.

ALL RIGHT.

THE CARTEL CAN SHIP IN ABOUT 150 KEYS A WEEK.

[INTERCOM BUZZES]

YEAH? WHAT IS IT?

MR. TANTERO, WE'VE GOT 2 RANGERS OUT HERE AT THE FRONT DOOR.

THEY SAID THEY'RE LOOKIN' FOR RICO.

ALL RIGHT, TELL THEM HE'S NOT HERE.

"NOTHIN' TO WORRY ABOUT." IS THAT WHAT YOU SAID?

I'M GONNA TAKE CARE OF THIS.

NO. FORGET IT. JUST FOR--

FORGET IT.

USE THE SERVICE EXIT.

YOU GO TO THE SAFE HOUSE. YOU WAIT FOR INSTRUCTIONS.

I'LL TAKE CARE OF IT. IT'S ALL RIGHT. GO ON.

IT'S OK. IT'S ALL RIGHT. GO ON.

Intercom: SORRY, RICO DOESN'T SEEM TO BE HERE RIGHT NOW.

I THINK HE'S ON VACATION.

Sonny: YEAH. IT'S ME.

RICO'S ON HIS WAY NOW.

WHEN HE GETS THERE, YOU KILL 'IM.

BETTER GO ROUND BACK.

RICO CASTILLO?

TEXAS RANGERS. YOU WANT TO STEP OVER HERE?

[WHACK] UNH! AH!

COME ON. YOU'RE NOT HURT.

LET'S GO.

COME ON.

LET'S GET IN CLOSER.

ALL RIGHT, GENTLEMEN. ALL THE WAY DOWN TO THE END.

STEP UP. LET'S GO. KEEP MOVING.

ALL RIGHT. STAY RIGHT THERE.

ALL RIGHT, STEP FORWARD.

DO YOU KNOW WHO IT IS?

4?

ARE YOU SURE?

Walker: I WANT YOU TWO TO STAY WITH THEM.

OK. YOU GUYS READY?

EVERYTHING'S SET.

YOU KILLED A COP, RICO, AND YOU'RE GOING TO PAY FOR IT.

AW, JEEZ, YOU'RE SCARING ME.

LOOK, COUNSELOR, I DON'T--

WE'VE GOT YOU DEAD TO RIGHTS.

YOU'VE GOT NOTHING.

WE'VE GOT AN EYEWITNESS, AND YOU'RE GOING DOWN.

THE ONLY QUESTION NOW IS WHETHER IT'S GOING TO BE LIFE WITHOUT

OR LETHAL INJECTION.

THE CHOICE IS COMPLETELY UP TO YOU.

ALL RIGHT. THIS MEETING IS OVER. SHUT UP.

WHAT ARE YOU TALKING ABOUT?

I'M TALKING ABOUT GIVING UP SONNY TANTERO AND YOU LIVE.

YOU'LL SPEND THE REST OF YOUR LIFE BEHIND BARS,

BUT AT LEAST YOU'LL HAVE A LIFE TO SPEND.

ON THE OTHER HAND, IF YOU DON'T GIVE UP SONNY--

I AIN'T GIVING YOU NOTHING.

[RELIEVED SIGH] NO DEALS, COUNSELOR.

SEE YOU IN COURT.

YOU KNOW SOMETHING?

I WAS KIND OF HOPING YOU'D SAY THAT.

HARV...

MAYBE SHE'S GOT A POINT.

RICO, YOU KEEP YOUR MOUTH SHUT, WE'LL WORK SOMETHING OUT.

WORK SOMETHING OUT? LIKE WHAT?

YOU HEARD HER. SHE'S WILLING TO TALK DEAL.

YOU GIVE UP SONNY TANTERO, YOU'RE A DEAD MAN.

HEY, HARV, WAKE UP.

I'M ALREADY A DEAD MAN.

I KEEP MY MOUTH SHUT, I GO DOWN FOR CAPITAL MURDER.

THAT'S A NEEDLE, HARV!

AND I AIN'T TALKING NOVOCAINE!

ALL RIGHT.

THEIR WHOLE CASE IS THAT LITTLE GIRL.

WITHOUT HER, THEY GOT NOTHING.

♪ TIME GOES BY ♪

♪ SO SLOWLY ♪

♪ AND TIME CAN DO SO MUCH ♪

♪ ARE YOU ♪

♪ STILL MINE? ♪

♪ I NEED ♪

♪ YOUR LOVE ♪

♪ I NEED ♪

♪ YOUR LOVE ♪

♪ GOD SPEED YOUR LOVE ♪

♪ TO ME ♪

[SCREAMING]

SEE, A LOT OF FOLKS THINK THAT THESE CONVENTIONS

ARE JUST ABOUT THE PERFORMERS,

BUT THERE'S REALLY A LOT MORE TO THEM.

FOR EXAMPLE, AT 3:00, THIS GUEST SPEAKER--

IT'S A WAITRESS WHO ACTUALLY SERVED ELVIS BREAKFAST

IN A DINER NEAR WACO.

AND AT 4:00,

THERE'S AN ELVIS MARTIAL ARTS CLASS

IN THE WEST BALLROOM.

NOW, THAT I'D LIKE TO SEE.

AND TOMORROW, THEY'RE JUDGING THE BEST PRISCILLA BOUFFANT.

WHAT IS THIS HERE AT 4:00? "THE KING IS OUT THERE."

THERE'S A GROUP OF PEOPLE THAT BELIEVE THAT ELVIS DIDN'T REALLY DIE.

UH-HUH.

WHAT DO THEY THINK HAPPENED TO HIM?

THEY--THEY THINK THAT ELVIS WAS ABDUCTED BY ALIENS.

NOW, I RESPECT THE WAY ANYONE CHOOSES TO RELATE TO THE KING,

BUT TO ME, THAT'S A LITTLE MUCH.

SURE.

HMM.

YOU ALL READY FOR LUNCH?

UH, YEAH. YEAH.

♪ AHHH OOOOH ♪

♪ TO ME ♪

♪ MY LOVE ♪

Walker: THE LAST TIME WE MET WITH GEORGIE,

HE SAID THAT SONNY WAS HAVING A FACE-TO-FACE MEETING

WITH THE VENTANA CARTEL.

YEAH, HE SAID THEY WERE COMING IN THIS WEEK.

YEAH. ALSO CONTACT THE FAA.

HAVE THEM NOTIFY US OF ANY PRIVATE AIRCRAFT COMING IN

FROM CENTRAL OR SOUTH AMERICA AS WELL

FOR THE NEXT 3 DAYS.

WE'RE GOING TO NEED SOME SEARCH WARRANTS.

I'LL GET THE PAPERWORK STARTED.

AS SOON AS YOU HAVE ADDRESSES, WE'LL BE READY TO GO.

OK.

Tantero: I'VE ARRANGED EVERYTHING FOR YOUR VISIT.

I LOOK FORWARD TO SEEING YOU.

WELL, ACTUALLY, SEÑOR TANTERO,

I'M AFRAID I HAVE SOME CONCERNS ABOUT MY VISIT.

CONCERNS? WHAT CONCERNS?

WORD HAS GOTTEN BACK TO US

THAT YOUR ORGANIZATION IS PRESENTLY EXPERIENCING

SOME...DIFFICULTIES.

LOOK, VICTOR, I'M NOT GOING TO LIE TO YOU.

THERE HAS BEEN, AS YOU SAY,

SOME DIFFICULTIES HERE AND THERE,

BUT THERE'S REALLY NOTHING TO WORRY ABOUT.

WELL, I'M GLAD TO HEAR THAT.

I WOULD HATE TO HAVE ANYTHING JEOPARDIZE

OUR LONG AND PROFITABLE RELATIONSHIP.

SO WOULD I, SO THERE'S NOTHING TO WORRY ABOUT.

THE DIFFICULTIES THAT YOU TALK ABOUT,

THEY'RE BEING TAKEN CARE OF,

EVEN AS WE SPEAK.

[TIRES SQUEALING]

HEY, GET DOWN!

EVERYBODY OK?

YEAH, EVERYBODY'S OK.

YES, WE'RE ALL RIGHT.

THE FAA IS LAYING DOWN A RADAR BLANKET OVER THE ENTIRE SOUTHERN BORDER.

THAT'S TIJUANA TO FLORIDA.

SO IF SO MUCH AS AN UNACCOUNTED-FOR HUMMINGBIRD HEADS THIS DIRECTION,

WE'RE GOING TO KNOW ABOUT IT.

[TELEPHONE RINGS]

[RING]

WALKER.

WHERE ARE YOU?

OK, STAY AT THE SAFE HOUSE.

SONNY TANTERO MADE AN ATTEMPT ON MELISSA'S LIFE.

IS SHE ALL RIGHT?

YEAH, GAGE AND SYDNEY TOOK OUT THE SHOOTERS.

THE RANGERS JUST TOOK OUT DANNY AND CHICO.

TOOK OUT? WHAT DO YOU MEAN?

THEY'RE DEAD?

YEAH.

WHAT DO WE DO NOW?

I GOT AN IDEA.

WE ARE CONCERNED ABOUT MELISSA'S SAFETY...

AND WHETHER OR NOT I SHOULD COMPETE TOMORROW.

I UNDERSTAND YOUR CONCERNS, BUT WE'RE GOING TO BE WITH YOU THE WHOLE TIME.

YEAH, BUT STILL, IF MY COMPETING IN THE CONTEST

IS GOING TO PUT MELISSA'S SAFETY IN JEOPARDY...

THIS CONTEST IS IMPORTANT TO YOUR ENTIRE FAMILY, RIGHT?

YES, IT IS.

WELL, DON'T LET SONNY TANTERO TAKE THAT AWAY FROM YOU.

WE PROMISE WE WILL NOT LET ANYTHING HAPPEN TO MELISSA.

SHE'LL BE FINE.

ALL RIGHT. YOU GET 50,000 NOW

AND ANOTHER 50,000 WHEN YOU TAKE HER OUT.

IT'S ALL THERE. YOU CAN COUNT IT.

[ELVIS MUSIC PLAYING]

HEY, I MADE THE FINAL CUT!

THERE'S ONLY 3 OF US LEFT!

OH, HONEY, I'M SO PROUD OF YOU!

COME HERE. IT'S ALL GOING TO COME DOWN TO THE FINAL NUMBER.

YOU KNOW, I STILL THINK THAT YOU SHOULD SING IN THE GHETTO.

WHAT ARE YOU TALKING ABOUT?

Trivette: YEAH, OK.

OK, WE GOT A PRIVATE JET REPUTED TO BELONG

TO THE VENTANA DRUG CARTEL

JUST PASSED INTO AMERICAN AIR SPACE 15 MINUTES AGO.

CAN YOU GET A FLIGHT PLAN?

YEAH. IT LEFT BOGOTA THIS MORNING.

STOPPED IN MEXICO TO REFUEL.

DUE TO TOUCH DOWN AT ADDISON AIRFIELD 2:00 THIS AFTERNOON.

LET'S GO.

♪ SINCE MY BABY LEFT ME ♪

♪ I FOUND A NEW PLACE TO DWELL ♪

♪ IT'S DOWN AT THE END OF LONELY STREET ♪

♪ AT HEARTBREAK HOTEL ♪

♪ WELL, I GET SO LONELY, BABY ♪

♪ I GET SO LONELY ♪

♪ I GET SO LONELY, I COULD DIE ♪

♪ ALTHOUGH IT'S ALWAYS CROWDED ♪

♪ YOU STILL CAN FIND SOME ROOM ♪

♪ WHERE BROKEN-HEARTED LOVERS ♪

♪ DO CRY AWAY THEIR GLOOM ♪

♪ YOU MAKE ME SO LONELY, BABY ♪

♪ I GET SO LONELY ♪

♪ I GET SO LONELY, I COULD DIE ♪

♪ WELL, THE BELLHOP'S TEARS KEEP FLOWING ♪

♪ AND THE DESK CLERK'S DRESSED IN BLACK ♪

♪ THEY BEEN SO LONG ON LONELY STREET ♪

♪ WELL, THEY AIN'T NEVER COMIN' BACK ♪

♪ YOU MAKE ME SO LONELY, BABY ♪

♪ I GET SO LONELY ♪

♪ I GET SO LONELY, I COULD DIE ♪

[FANS SCREAMING]

Fans: WHOO!

♪ WELL ♪

♪ NOW, IF YOUR BABY LEAVES YOU ♪

♪ AND YOU GOT A TALE TO TELL ♪

♪ JUST TAKE A WALK DOWN LONELY STREET ♪

♪ TO HEARTBREAK HOTEL ♪

♪ WELL, YOU MAKE ME SO LONELY, BABY ♪

♪ YOU MAKE ME SO LONELY ♪

♪ YOU MAKE ME SO LONELY, I COULD DIE ♪

[SCREAMING]

[ELVIS MUSIC PLAYING]

THANK YOU. THANK YOU VERY MUCH.

HI, VICTOR.

HOW WAS YOUR FLIGHT?

WONDERFUL, WONDERFUL.

COME ON. LET ME SHOW YOU THE CLUB.

GIRLS WAITING FOR ME, ARE THEY, HUH?

HA HA HA!

I'M GOING TO CALL ALEX, GIVE HER A LOCATION FOR THE WARRANTS.

OK.

SHE'S GOING TO LOVE THIS.

[ROCK MUSIC PLAYING]

LIKE I SAID, EVERYTHING IN DALLAS IS FINE, HUH, VICTOR?

HOPE YOU GUYS ARE HAVING FUN.

IT'S GOING TO BE YOUR LAST PARTY FOR A LONG TIME, GUYS.

GET HIM!

ARRGGH!

THIS IS FOR GEORGIE!

Alex: I JUST GOT THE WORD.

NOT ONLY DID YOU GUYS TAKE DOWN SONNY TANTERO,

BUT THE COLOMBIANS ARE COOPERATING WITH THE FEDERAL OFFICIALS

BOTH HERE AND IN BOGOTA.

HEY, THAT'S GOOD NEWS.

THAT IS GOOD NEWS.

GOOD NEWS ABOUT TONY, TOO.

YEAH.

TONY WON THE COMPETITION?

HE SURE DID.

THE JUDGES SAID IT WAS A LITTLE CLOSE

WHERE THE SINGING WAS CONCERNED,

BUT WHEN HE TOOK THE FLYING SIDEKICK OFF THE STAGE,

IT PRETTY MUCH PUT HIM OVER THE TOP.

YOU KNOW, I DID LOOK PRETTY GOOD IN THAT ELVIS SUIT, TOO.

I THINK MAYBE NEXT YEAR I'M GOING TO COMPETE.

IN THE ELVIS COMPETITION?

YEAH, WHY NOT?

WELL, BECAUSE YOU CAN'T SING?

CAN'T SING? PLEASE.

I DON'T KNOW. I THINK HE CAN SING.

YEAH. THANK YOU, TRIVETTE.

I APPRECIATE THAT.

C.D., IS THE KARAOKE STILL WORKING?

OH, YEAH, YEAH, IT'S CUED UP TO AN ELVIS SONG, TOO.

HERE YOU GO, GAGE.

COME ON! THIS IS YOUR OPPORTUNITY.

SHOW US WHAT YOU GOT.

ALL RIGHT, ALL RIGHT.

FINE.

CAN'T SING?! I GOT--

DON'T HURT YOURSELF.

OH, BOY.

[WHISPERING] My mouth's kind of dry.

[MUSIC BEGINS]

♪ S-S-S- ♪

COME ON, SON, SING!

♪ S-S-S-- ♪

[MUSIC STOPS]

WHY DON'T WE START ONE MORE TIME?

YEAH, OK. MAYBE JUST ONE MORE.

[MUSIC BEGINS]

♪ SINCE MY BABY LEFT ME ♪

♪ I FOUND A NEW PLACE TO DWELL ♪

♪ IT'S DOWN AT THE END OF LONELY STREET ♪

♪ AT HEARTBREAK HOTEL ♪

♪ WELL, I GET SO LONELY, BABY ♪

All: ♪ I GET SO LONELY ♪

♪ I GET SO LONELY, I COULD DIE ♪

♪ ALTHOUGH IT'S ALWAYS CROWDED ♪

♪ YOU STILL CAN FIND SOME ROOM ♪

♪ WHERE BROKEN-HEARTED LOVERS DO CRY AWAY THEIR GLOOM ♪

♪ YOU MAKE ME SO ♪

♪ YOU MAKE ME SO LONELY, BABY ♪

♪ I GET SO LONELY ♪

♪ I GET SO LONELY, I COULD DIE ♪

Tony: ♪ WELL, THE BELLHOP'S TEARS KEEP FLOWING ♪

♪ AND THE DESK CLERK'S DRESSED IN BLACK ♪

♪ WELL, THEY'VE BEEN SO LONG ON LONELY STREET ♪

♪ WELL, THEY AIN'T NEVER GONNA GO BACK ♪

♪ WELL, YOU MAKE ME SO ♪

All: ♪ YOU MAKE ME SO LONELY, BABY ♪

♪ I GET SO LONELY ♪

♪ I GET SO LONELY, I COULD DIE ♪

YEAH, RIGHT.

♪ I FEEL SO LONESOME I COULD DIE ♪

♪ 'CAUSE THE EYES OF THE RANGER ♪

♪ ARE UPON YOU ♪

♪ ANY WRONG YOU DO HE'S GONNA SEE ♪

♪ WHEN YOU'RE IN TEXAS, LOOK BEHIND YOU ♪

♪ 'CAUSE THAT'S WHERE THE RANGER'S GONNA BE ♪