Original subtitles

[♪]

[SCREAMS, GUNFIRE]

[ALARM SOUNDS]

LET'S GO!

GET GOING!

GO! GO!

HEE-YA!

ALL RIGHT, TURN 'EM OVER.

HEY, SYD.

YEP.

NICE MATERNAL INSTINCT.

Doll: MAMA!

OW! Doll: MAMA! MAMA!

YES SIREE, I SURE AM PROUD OF WHAT YOU DID OUT THERE.

YOU KNOW, IT KIND OF REMINDED ME OF THE TIME ME AND CORDELL

WERE IN EL PASO, AND WE BUSTED THE HAYES GANG.

NOW THAT HAYES GANG WAS THE BIGGEST, BADDEST

BUNCH OF BANK-ROBBING BUZZARDS YOU EVER SAW IN YOUR LIFE.

CORDELL MADE A STREET SANTA CLAUS OUT OF ME,

AND WE MADE JAILBIRDS OUT OF THE HAYES GANG.

I REMEMBER YOU TOLD ME ABOUT THAT.

THAT WAS THE TIME YOU USED YOUR SANTA BEARD

TO TIE BUTCH HAYES TO THE CHAIN-LINK FENCE.

YEAH, C.D. FORGOT HIS HANDCUFFS.

NO, I DIDN'T EITHER, CORDELL, DADGUMMIT!

THERE WASN'T ANY PLACE TO HIDE THE DAMN CUFFS IN THE SANTA SUIT!

YOU KNOW WHAT, C.D.?

YOU GOTTA WRITE SOME OF THESE STORIES DOWN.

I THINK IT'D MAKE A GREAT BOOK.

WRITE 'EM DOWN...

SYDNEY...

HMM. THAT MAY BE A GOOD IDEA. OH, YEAH,

I CAN JUST SEE YOU, SADDLED TO A WORD PROCESSOR,

BANGING OUT 10 PAGES A DAY.

THE ONLY THING YOU GOT TO HAVE TO WRITE IS A PAD AND PAPER--

AND A GOOD QUILL PEN!

NOW THAT'S JUST ABOUT ENOUGH OUT OF YOU, YOUNG MAN!

ALL YOU NEED IS THE BASICS WHEN YOU'RE WRITING.

YOUR 3 Rs.

3 Rs? WHAT'S THAT, C.D.?

WAIT, LET ME GUESS.

ROPING, RIDING AND...

WRANGLING?

AND YOU SEEM LIKE SUCH A NICE YOUNG LADY.

CORDELL,

COME HELP ME WITH THESE WHIPPERSNAPPERS, WILL YOU?

THEY'RE GETTING THE BEST OF ME.

SOMEBODY TELL A GOOD JOKE?

OH, YEAH.

BIG DOG'S GONNA WRITE A BOOK.

SYDNEY JUST SAID IT'D BE A GOOD IDEA

IF I WROTE DOWN SOME OF MY EXPERIENCES.

WELL, I THINK THAT'S A GREAT IDEA.

THANK YOU, ALEX.

WOULD YOU LIKE TO HAVE SOME LUNCH?

NO, THANK YOU. I JUST CAME IN TO TELL WALKER

THAT VINCE TERMAN'S ACCOUNTANT TURNED HIMSELF IN

TO THE LOUISIANA AUTHORITIES.

REALLY?

LLOYD ALLEN TURNED HIMSELF IN?

WHY?

TERMAN TRIED TO KILL HIM.

HOLY...

IS ALLEN WILLING TO TESTIFY AGAINST TERMAN? YES, HE IS.

HE AND HIS FAMILY ARE ON THEIR WAY BACK TO THE TEXAS BORDER,

IN THE COMPANY OF THE LOUISIANA STATE TROOPERS.

SO DALLAS' BIG-TIME CRIME BOSS TRIED TO TAKE OUT HIS ACCOUNTANT?

I NEVER THOUGHT WE COULD GET THIS LUCKY.

WHY HAVEN'T YOU BEEN ABLE TO TAKE TERMAN OUT?

WE GOT CLOSE. DIDN'T WE, WALKER?

WHAT HAPPENED?

WELL, COUPLE YEARS AGO, TERMAN TRIED TO MUSCLE IN ON THIS UNION OFFICIAL...

TRIED TO GET HIS HANDS ON A FAT PENSION FUND.

TERMAN HAD HIS HANDS IN EVERYTHING:

RACKETEERING, EXTORTION, BLACKMAIL, MURDER.

BUT THIS UNION GUY WENT TO THE POLICE

AND TOLD THE D.A. THAT HE'D TESTIFY AGAINST TERMAN.

SO, WALKER AND I FINALLY GOT THE BREAK WE NEEDED.

Officer: WE DON'T WANT NO TROUBLE HERE.

Bodyguard: NO PROBLEM HERE.

WE ARRESTED TERMAN, BUT NOT WITHOUT A FIGHT.

TERMAN WAS NOT HAPPY TO SEE US, BUT HE HAD AN ACE UP HIS SLEEVE.

OUR STAR WITNESS HAD A LITTLE ACCIDENT...

A 14-STORY ACCIDENT.

CORONER HAD NO EVIDENCE OF FOUL PLAY,

SO THE DEATH WAS RULED A SUICIDE.

WITH NO WITNESS, ALL THE CHARGES AGAINST TERMAN WERE DISMISSED.

HE BEAT US, AND HE KNEW IT.

BUT NOW WE'VE GOT ANOTHER CHANCE AT HIM.

GAGE, I WANT YOU AND SYDNEY TO GO OUT TO THE BORDER,

MEET THE TROOPERS, AND ESCORT THE ACCOUNTANT AND HIS FAMILY BACK TO DALLAS.

YOU GOT IT. YES, SIR.

Lloyd: BOY, IT'S SO DOGGONE HOT.

TAKE OFF YOUR JACKET, HONEY. I'M AN ACCOUNTANT.

I WANT TO BE PRESENTABLE WHEN I MEET THE TEXAS RANGERS.

COME ON, AMELIA, HONEY!

IT'S TIME FOR YOUR SHOT!

I'M PICKING FLOWERS!

WILL YOU HAND ME HER INSULIN BAG, LLOYD?

OH, YEAH, SURE.

NOW, AMELIA!

YOU WANT 'EM ALL DEAD?

HE'S GOT HIS LITTLE GIRL WITH HIM.

NO, I WANT YOU TO KEEP HER ALIVE,

SO SHE CAN FINGER YOU LATER IN A LINEUP.

JUST DO WHAT I TOLD YOU.

LET'S DO IT.

KILL THEM ALL.

♪ IN THE EYES OF A RANGER ♪

♪ THE UNSUSPECTIN' STRANGER ♪

♪ HAD BETTER KNOW THE TRUTH OF WRONG FROM RIGHT ♪

♪ 'CAUSE THE EYES OF THE RANGER ♪

♪ ARE UPON YOU ♪

♪ ANY WRONG YOU DO HE'S GONNA SEE ♪

♪ WHEN YOU'RE IN TEXAS, LOOK BEHIND YOU ♪

♪ 'CAUSE THAT'S WHERE THE RANGER'S GONNA BE ♪

WE GOT TROUBLE.

[ALL SCREAM]

STAY DOWN! STAY DOWN!

AAH!

ANYBODY HURT IN HERE?

OH!

ALL RIGHT, COME ON OUT.

EVERYBODY OK?

YEAH. OH, BABY...

DADDY, YOU'RE BLEEDING!

OH, MY GOD! HUH?

LET ME TAKE A LOOK AT THAT.

OH, NO!

YOU KNOW WHAT? IT'S JUST A GRAZE.

WE'LL FIX THAT RIGHT UP.

IT'S A GOOD THING YOU CAME ALONG WHEN YOU DID.

DADDY, I'M SCARED.

IT'S GONNA BE OK, HONEY.

EVERYTHING'S GONNA BE OK.

HOW DO YOU KNOW THAT, LLOYD?

HOW DO YOU KNOW THEY WON'T TRY AGAIN?

YOU'LL BE SAFE IN DALLAS, ALL RIGHT?

YOU KNOW, WALKER,

I'VE BEEN THINKING THAT SYDNEY WAS ONTO SOMETHING

WITH THAT BOOK IDEA.

YOU DO, HUH? MM-HMM.

SHE WAS JUST TALKING TO THE WRONG PERSON.

AND WHO SHOULD SHE HAVE BEEN TALKING TO?

SHOULD HAVE BEEN TALKING TO ME.

YOU? SO NOW YOU WANNA BECOME AN AUTHOR?

NOPE. WE'RE GONNA BECOME AUTHORS!

WHAT'S THIS "WE" STUFF, TRIVETTE?

WE'RE HAPPENING. WE'RE NOW.

YOU AND I ARE NUMBER ONE BEST SELLERS IN THE MAKING, MAN!

TRIVETTE, WE SOLVE CRIMES.

WE PUT CRIMINALS IN JAIL.

THERE'S NOT MUCH MORE TO IT THAN THAT.

NO, NO, NO. CALEB HOOKS, VICTOR LaRUE,

BART HAWKINS, RANDY SCHRADER.

THESE ARE NOT RUN-OF-THE-MILL BAD GUYS, MAN.

EH?

DO YOU KNOW HOW TO WRITE A BOOK?

NO.

NO, BUT WHAT ABOUT STEPHEN KING? [SCOFFS]

NOW YOU'RE COMPARING YOURSELF TO STEPHEN KING?

NO, ALL I'M SAYING IS, THIS IS HOW WE'RE GONNA GET RICH.

[TELEPHONE RINGS] RICH...

YOU DON'T WANNA GET RICH?

WALKER.

WE'RE AT THE BORDER, WALKER.

MR. ALLEN AND HIS FAMILY ARE FINE, BUT, UH...

IT WAS A CLOSE CALL. WHAT HAPPENED?

TERMAN'S MEN TOOK OUT THE TROOPERS,

BUT WE GOT HERE IN TIME TO SAVE THE FAMILY.

OK, HEAD THIS WAY. WE'LL MEET YOU AT SKYLER JUNCTION.

TROUBLE. LET'S GO.

[TELEPHONE RINGS]

THIS BETTER BE GOOD NEWS.

I'M AFRAID NOT, MR. TERMAN.

THESE... RANGERS SHOWED UP.

ARE YOU TELLING ME THAT LLOYD IS STILL ALIVE?

IS THAT WHAT YOU'RE TELLING ME, SCULLY?

I LOST TWO OF MY BEST MEN.

I DON'T GIVE A DAMN.

WHERE'S THE ACCOUNTANT NOW?

HIGHWAY 38. HEADED FOR DALLAS.

GIVE ME A DESCRIPTION OF THE VEHICLE HE'S IN.

UH...A CAR... TAN, GOVERNMENT ISSUE.

KILL THAT ACCOUNTANT

AND ANYONE ELSE THAT GETS IN THE WAY.

I'M SO SORRY THAT I GOT YOU INTO THIS.

IT'S ALL GONNA BE OK. IT'S ALL GONNA BE FINE.

MAMA'S RIGHT, DADDY.

IT'S ALL GONNA BE OK.

AND I'M NOT SCARED ANYMORE, EITHER.

[♪]

MOMMY, I'M HUNGRY.

OH, MY GOSH.

WE LEFT THE FOOD IN THE OTHER CAR.

AMELIA HAS TO EAT ON A REGULAR BASIS,

BECAUSE OF HER DIABETES.

THERE'S A GAS STATION AND COUNTRY STORE AHEAD.

WE'LL STOP THERE AND GET SOME SANDWICHES.

THANKS.

Trivette: WALKER, I'M TELLING YOU,

THEY'VE GOT THESE WRITING PROGRAMS FOR THE COMPUTER.

THEY'RE AMAZING.

ALL YOU'VE GOTTA DO

IS TYPE IN THE STORY OUTLINE.

THAT'S OUR MAIN POINTS, RIGHT?

THIS PROGRAM FORMATS, PUNCTUATES, CORRECTS THE GRAMMAR,

STRUCTURES THE WHOLE DEAL. AFTER THAT, IT'S JUST WORDS.

WORDS, WORDS, WORDS...

THAT'S RIGHT. THEN I TAKE IT TO MY FRIEND IN HOUSTON,

HE'S GOT THIS CONNECTION WITH THIS NEW YORK PUBLISHER...

THEN WE'RE RICH? ALMOST. ALMOST.

FIRST WE HAVE TO BE ON THE BEST SELLER LIST,

THEN WE HAVE TO GO TO PAPERBACK,

THEN, AFTER THAT, THEY HAVE TO TRANSLATE US

INTO LIKE 100 DIFFERENT LANGUAGES,

AND THEN WE ARE...

A WORLDWIDE PHENOMENON!

[CHORTLES] PHENOMENON...

YEAH.

WELL, LOOKS LIKE YOU'VE GOT IT ALL FIGURED OUT.

THAT'S RIGHT, MAN. GOTS TO STAY ONE STEP AHEAD OF THE GAME.

YOU AND ME.

WE'LL BE ON TALK SHOWS!

I'LL THROW THIS AWAY.

DO YOU HAVE TO GO TO THE RESTROOM, SWEETIE?

MM-HMM. WE'LL BE RIGHT BACK.

I'LL GO WITH YOU.

Gage: SHE'S A GOOD KID.

SHE DESERVES BETTER THAN THIS.

WHAT HAPPENED?

I TOLD TERMAN I WANTED OUT.

I CAN'T BELIEVE I THOUGHT HE'D JUST LET ME WALK AWAY.

INSTEAD, HE SENDS SOME UGLY EX-PRIZEFIGHTER NAMED SCULLY AFTER ME.

AND HE DIDN'T JUST COME AFTER ME, HE CAME AFTER ALL OF US--

MY WIFE, MY LITTLE GIRL.

WE WERE ON OUR WAY TO JILL'S PARENTS' HOUSE...

Both: 1, 2, 3!

WHEN THE ATTACK CAME.

1, 2, 3.

[CRASH]

LLOYD, WHAT'S HAPPENING?

AAH!

LLOYD, NO!

NO, PLEASE!

WE ENDED UP ON THE SIDE OF THE ROAD.

AND SCULLY MOVED IN FOR THE KILL.

IF IT HADN'T BEEN FOR THAT STATE TROOPER,

WE'D BE DEAD FOR SURE.

THAT'S WHEN YOU DECIDED TO TESTIFY AGAINST TERMAN?

I KNEW THAT THAT WAS THE ONLY CHANCE WE HAD.

I WANT YOU TO KNOW THAT YOU'RE DOING THE RIGHT THING.

A MAN LIKE TERMAN DESERVES TO BE PUT AWAY.

RANGER, YOU TELL ME THE TRUTH,

DO YOU REALLY THINK I'M GONNA LIVE LONG ENOUGH

TO TESTIFY AGAINST TERMAN?

MR. ALLEN, I HAVE NEVER LOST A WITNESS,

AND I DO NOT PLAN ON STARTING NOW.

OK, GUYS, EVERYBODY READY?

READY!

LET'S GO!

I GOT THIS FIGURED OUT, RIGHT?

WE SHOULD START WITH THE EARLY DAYS,

BACK WHEN YOU WERE A KID ON THE RESERVATION

AND I WAS A KID BACK IN BALTIMORE.

TRIVETTE, NO ONE'S GONNA WANT TO READ ABOUT OUR EARLY DAYS.

YES, THEY WILL! THAT'S THE CHARACTER STUFF.

THAT'S THE STUFF THAT MAKES THE READERS RELATE TO US.

WHAT THEY WANT TO READ ABOUT IS THE GOOD GUYS WINNING AND THE BAD GUYS LOSING.

EXACTLY! RIGHT!

SEE? RIGHT THERE! SEE!

WHAT? THAT'S IT, MAN!

RIGHT NOW WE ARE A GREAT WRITING TEAM!

WELL, I HAVE TO BE HONEST WITH YOU, TRIVETTE,

I THINK YOU AND C.D. WOULD MAKE A MUCH BETTER WRITING TEAM.

WHAT? NO! WHY?

WELL, C.D.'S A NATURAL-BORN STORYTELLER,

AND YOU'RE A NATURAL-BORN...

WELL, THINK ABOUT IT.

2 RANGERS, 2 GENERATIONS.

YEAH, YOU MAY BE ONTO SOMETHING,

BUT HE...EXAGGERATES.

THAT'S JUST HIS IMAGINATION WORKING, TRIVETTE,

WHICH IS IMPORTANT FOR A STORYTELLER.

WELL, YOU HAVE A POINT.

I'LL TELL YOU WHAT: I WILL BROACH THE SUBJECT

WITH BIG DOG WHEN WE'RE FINISHED WITH THIS ASSIGNMENT.

NOW YOU'RE TALKING.

GAGE...

BEHIND US.

ALL RIGHT, FOLKS, LISTEN UP.

HERE'S WHAT I NEED YOU TO DO: STAY CALM,

STAY AS LOW AS YOU CAN, AND KEEP YOUR DAUGHTER BETWEEN YOU.

WHY, WHAT'S GOING ON? JUST DO AS WE SAY!

MOMMY, DADDY!

WE'LL BE ALL RIGHT, HONEY! WE'LL BE OK.

[SCREAMS]

WALKER, COME IN, WALKER!

THIS IS GAGE... WE'RE UNDER ATTACK!

I REPEAT, WE ARE UNDER ATTACK!

NORTH ON 38...

GAGE, HOLD ON! WE'RE HEADED YOUR WAY.

[FAMILY SCREAMS]

OK, LOOK, IF WE CAN MAKE IT TO THE KINGSFORD OVERPASS,

THAT'LL GIVE US SOME COVER. I'LL TRY AND BACK 'EM OFF.

[SCREECH]

[SCREAMS]

[AMELIA CRYING]

Jill [CRYING]: HONEY, HONEY.

ARE THEY GONE?

IS THAT IT?

DID WE LOSE THEM?

IT'S OK, SWEETIE. IT'S OK.

Gage: GET DOWN AND HOLD ON!

[SCREAMS]

AAH!

[GUNFIRE]

[SCREAMS]

[CLICK, CLICK]

[AMELIA SCREAMS]

AAH!

AAH!

Paramedic: YES, SWEETHEART, THAT COULD'VE BEEN A LOT WORSE.

GOOD THING YOU HAVE A NICE MOMMY TO PROTECT YOU, HUH?

OK.

EVERYTHING'S GOING TO BE OK.

ALL RIGHT? Gage: THEY GONNA BE OK?

YEAH, JUST SOME BUMPS AND BRUISES.

WE NEED TO GET AMELIA SOME MORE INSULIN.

I'LL TAKE CARE OF THAT, MA'AM.

THANK YOU.

HAVE YOU EVER FLOWN IN A HELICOPTER?

NO, BUT I'VE ALWAYS WANTED TO.

WELL, YOU'RE GOING TO GET YOUR WISH.

SEE YOU IN DALLAS.

OK, WALKER.

RIGHT THIS WAY, FOLKS. OVER HERE.

[HELICOPTER ENGINE WHINES] YOU READY?

[CRASH]

ARTHUR, STOP WITH THE LOOK.

I DON'T PAY FOR THE LOOK.

LLOYD'S STILL ALIVE.

I'M SO GLAD THAT COLLEGE EDUCATION OF YOURS

WASN'T A TOTAL FREAKIN' WASTE.

I'M AFRAID THERE'S NO OTHER WAY TO SAY THIS, MR. TERMAN,

BUT YOU BETTER START MAKING TRAVEL PLANS.

I'M NOT RUNNING NOWHERE.

THAT PENCIL-NECKED ACCOUNTANT,

HE'S A DEAD MAN. I DON'T WANT TO HEAR THIS.

I CAN'T HEAR THIS. YOU ASKED FOR THIS.

MR. TERMAN, I'M YOUR ATTORNEY.

IF I'M A PARTY TO THIS CONVERSATION,

I CAN'T BE ANY GOOD TO YOU IN COURT.

I'M NOT GOING TO COURT.

[SIGHS] IF YOU KEEP REFUSING TO TAKE MY COUNSEL,

I'M AFRAID I'M GOING TO HAVE TO END OUR ASSOCIATION.

YOU WANNA WALK?

IS THAT WHAT YOU REALLY WANNA DO, ARTHUR?

'CAUSE THAT ACCOUNTANT, HE WANTED TO WALK, TOO.

IS THAT IT?

IS THAT EVERYTHING?

THAT'S IT.

THAT'S WHERE ALL THE SKELETONS ARE HIDDEN.

AND YOU'RE WILLING TO TESTIFY TO THIS IN COURT?

YES, I AM.

IF I MAKE IT THAT FAR,

WHICH, AT THIS POINT, IS STILL QUESTIONABLE.

YOU'LL BE SAFE NOW, MR. ALLEN.

YOU DON'T KNOW VINCE TERMAN.

AND YOU DON'T KNOW THE TEXAS RANGERS.

IT'S BEAUTIFUL, SWEETHEART.

WOULD YOU LIKE ME TO PRINT IT OUT?

PLEASE.

HEY, GUYS. HI.

SAFE HOUSE IS READY.

"SAFE HOUSE." I LIKE THE SOUND OF THAT.

BUT HOW LONG DO WE HAVE TO STAY THERE?

TILL AFTER THE TRIAL.

DO YOU HAVE TERMAN IN CUSTODY?

WE WILL SOON.

HERE ARE THE WARRANTS.

OK, WHY DON'T YOU TWO GET THEM SETTLED IN?

YOU GOT IT. TRIVETTE, LET'S DO IT.

ALL RIGHT.

YOU GUYS GOT EVERYTHING TOGETHER?

OK, COME ON, SWEETIE.

CALL YOU WHEN I GET DOWN TO THE CAYMANS.

I HOPE YOU KNOW WHAT YOU'RE DOING.

ARTHUR, I ALWAYS KNOW WHAT I'M DOING.

[INTERCOM BUZZES]

[BUZZ]

YEAH?

Intercom: MR. TERMAN, WE GOT RANGERS COMING THIS WAY.

GET THE CHOPPER READY.

STALL THEM, ARTHUR.

5 MINUTES, THAT'S ALL I NEED.

[DOG BARKING]

CAN I HELP YOU, RANGERS?

WE HAVE A WARRANT FOR VINCE TERMAN'S ARREST.

UH, I'M MR. TERMAN'S ATTORNEY.

OF COURSE I'LL HAVE TO EXAMINE THE PAPERWORK.

WE ALSO HAVE A SEARCH WARRANT.

WELL, I'LL HAVE TO OBJECT.

SAVE IT FOR THE COURTROOM.

[CRACK]

[CLICK]

ALL RIGHT, TAKE IT DOWN!

BEEN WAITING A LONG TIME TO SAY THIS, TERMAN.

YOU'RE UNDER ARREST, BUDDY.

COME ON!

IT'S NOT THE RITZ, BUT...

I HOPE YOU'LL BE COMFORTABLE.

WITH EVERYTHING WE'VE BEEN THROUGH,

A HOT SHOWER AND CLEAN SHEETS WOULD BE HEAVEN.

OK, BUT FIRST I NEED TO GO OVER A FEW GROUND RULES.

AND, AMELIA, YOU NEED TO MAKE SURE AND LISTEN TO THIS, TOO, OK?

STAY AWAY FROM THE WINDOWS

AND DO NOT GO NEAR THE DOORS EITHER.

AND UNDER NO CIRCUMSTANCES ARE YOU TO USE THE PHONE.

CAN I WATCH TV?

YOU KNOW WHAT, SWEETIE?

YOU CAN WATCH AS MUCH TV AS YOUR MOM AND DAD'LL LET YOU.

WE ALSO HAVE A CD PLAYER, LOTS OF MAGAZINES,

AND A TON OF FOOD IN THE FRIDGE.

SO, MAKE YOURSELVES AT HOME. WELL, THANK YOU.

IF YOU'D LIKE, YOU CAN GO AHEAD AND GO UPSTAIRS

AND GET COMFORTABLE, AND WE'LL START SOME DINNER.

YOU GOT IT. ALL RIGHT. THANKS.

SO, WHO'S COOKING AND WHO'S CLEANING?

DO YOU EVEN KNOW HOW TO COOK?

YOU KIDDING?

OF COURSE I DO.

AFTER ALL, I AM A BACHELOR.

OH, OK, SO...

WHAT CAN YOU COOK?

FRENCH TOAST.

FRENCH TOAST, REALLY?

ANYTHING ELSE?

CINNAMON TOAST.

CINNAMON TOAST?

RAISIN TOAST...

RYE TOAST, TOO.

WHAT ABOUT DINNER FOOD?

I'LL CLEAN.

HOW'S YOUR ARM?

[SIGHS] I'M SORE ALL OVER.

[SNIFFLING] OH, LLOYD.

I KNOW, I KNOW.

I'M SO SORRY THAT YOU AND AMELIA

HAVE TO GO THROUGH ALL THIS.

IT'S NOT JUST THAT, IT'S MOM.

SHE MUST BE WORRIED SICK BY NOW.

NO, SHE'LL BE FINE.

IT'S NOT RIGHT TO KEEP HER IN THE DARK LIKE THIS.

I TOLD HER I WOULD LET HER KNOW AS SOON AS WE WERE SAFE.

SHE'LL KNOW SOON ENOUGH.

HONEY, THIS IS NOT ABOUT YOUR MOTHER.

THIS IS ABOUT YOU AND AMELIA STAYING ALIVE.

WHAT ABOUT YOU?

DON'T WORRY ABOUT ME.

DON'T SAY THAT. STOP SAYING "YOU AND AMELIA"

LIKE YOU'RE NOT GOING TO BE WITH US.

YOU'RE RIGHT, YOU'RE RIGHT.

YOU'RE RIGHT, I'M SORRY.

I'M SORRY.

EVERYTHING'S GONNA BE FINE.

Alex: HI, AMELIA, HOW YOU DOING? Amelia: GOOD.

OH, THAT'S MS. CAHILL WITH AMELIA'S INSULIN.

LOOK, WHY DON'T YOU LIE DOWN AND GET SOME REST?

I CAN GIVE AMELIA HER SHOT.

OK.

Gage: WE THANK YOU FOR DRIVING ALL THE WAY OUT HERE, ALEX.

OH, IT'S MY PLEASURE.

I BROUGHT AMELIA'S INSULIN.

PERFECT TIMING.

COME ON, HONEY, IT'S TIME FOR YOUR SHOT.

SYDNEY'S COOKING UP A LITTLE MYSTERY STEW,

IF YOU'D LIKE TO STICK AROUND AND EAT WITH US.

I CAN'T TALK TO YOU RIGHT NOW, MOM, BUT WE'RE ALL RIGHT.

Mom: I WAS SO WORRIED.

Jill: I'LL CALL YOU AS SOON AS I CAN. I LOVE YOU.

Mom: I LOVE YOU, TOO, DEAR.

PLEASE BE CAREFUL.

GOTCHA!

[♪]

[DOOR BUZZES]

SORRY I'M LATE.

I'VE BEEN TALKING TO ALEX CAHILL OF THE D.A.'s OFFICE.

DON'T YOU EVER KEEP ME WAITING AGAIN, ARTHUR.

LOOK, I'M TRYING TO FIND YOU A WAY OUT OF THIS PREDICAMENT,

AND RIGHT NOW THE ONLY WAY I SEE

IS YOU CUTTING A DEAL WITH THE D.A.'s OFFICE.

[CELL PHONE RINGS]

YES?

IT'S SCULLY.

THIS BETTER BE GOOD. Scully: IT IS.

THE ACCOUNTANT'S WIFE CALLED HER MOTHER.

I HAD A TAP ON THE OLD LADY'S PHONE.

TOOK ME ALL NIGHT,

BUT I FINALLY TRACKED THE NUMBER TO A LOCATION.

THE RANGERS ARE KEEPING THE ACCOUNTANT

AT SOME HOUSE OUT IN THE BOONIES.

AND YOU KNOW WHAT TO DO.

HE'S AS GOOD AS DEAD.

YOU AND YOUR D.A. CAN STICK YOUR DEAL.

Trivette: YOU WON'T BELIEVE THIS.

WHAT?

C.D. SAYS HE DOESN'T WANT TO WRITE WITH ME.

REALLY?

YEAH, HE SAYS HE DOESN'T NEED ME TO WRITE HIS STORIES.

WELL, THAT'S TRUE.

YEAH--WHAT?

YOU'RE THE ONE THAT SAID THAT WE'D MAKE A GREAT WRITING TEAM:

"2 RANGERS, 2 GENERATIONS..."

I KNOW, I KNOW, BUT...

WELL, YOU KNOW THAT OLD RANGER SAYING:

"ONE RIOT, ONE RANGER"?

YEAH.

I GUESS C.D.'s VERSION IS:

"ONE WRITER, ONE RANGER."

HA HA HA HA.

OH, YOU ARE SO FUNNY.

RANGER GAGE,

THIS IS THE BEST FRENCH TOAST I'VE EVER HAD.

WELL, THANK YOU, HONEY.

YEAH, BUT LOOK AT THE MESS YOU MADE.

I MEAN, LOOK AT ALL THE DISHES.

HMM, WELL, LET ME THINK.

WHO DID THE CLEANING LAST NIGHT?

I SEEM TO REMEMBER--

ALL RIGHT, I KNOW THE DEAL.

THANK YOU. I'LL HELP YOU, SYDNEY.

ME, TOO.

I'LL DRY.

UM, WHERE WERE YOU GUYS LAST NIGHT?

[CLICK, CLICK]

[CLACK]

HOW YOU HOLDING UP?

NERVOUS, BUT OK.

SYDNEY!

OUT!

EVERYBODY OUT THE BACK!

LET'S GO, LET'S GO!

HERE, COME HERE!

OUT! LET'S GO, LET'S GO!

[CLICK]

Gage: OUT, EVERYBODY OUT!

THEY GOT OUT. LET'S GET 'EM!

ALL RIGHT.

SYD! TAKE HER.

RIGHT!

OK, EVERYBODY UNDER THE BRIDGE.

OK.

ALL RIGHT, STAY HERE.

I'LL COVER THEM.

AAH!

IT'S OVER.

YOU'RE SAFE NOW.

WATCH YOUR STEP.

[CROWD MURMURS]

MS. CAHILL?

AFTER SOME SERIOUS CONSIDERATION,

MR. TERMAN'S WILLING TO DISCUSS A DEAL.

YOU CAN STICK YOUR DEAL.

[PEOPLE CHATTERING INDISTINCTLY]

WOW.

WE'VE GOT OURSELVES A RINGER HERE, KIDS!

[LAUGHING]

WHAT'S A RINGER, MR. C.D.?

A RINGER IS SOMEBODY THAT'S PLAYED THE GAME BEFORE.

OH, I'VE BEEN PLAYING DARTS EVER SINCE I WAS A LITTLE GIRL.

THAT LONG?

MY GOODNESS.

WELL, SHUT MY MOUTH!

WITH TERMAN BEHIND BARS,

I CAN'T WAIT TO GET TO NEW ORLEANS,

GET OUR LIVES BACK TOGETHER AGAIN.

ME, TOO.

SO, TRIVETTE? YO.

ARE YOU GONNA PUT THIS IN YOUR BOOK?

I'M DONE WITH THAT BOOK THING.

[SIGHS] GOOD.

SCREENPLAYS.

PARDON ME?

SCREENPLAYS, THAT'S WHERE THE REAL MONEY IS.

YEAH.

YEAH, FIRST THEY MAKE YOUR MOVIE,

THEN YOU SELL YOUR IDEA TO TELEVISION,

THEN THEY MAKE IT INTO A TELEVISION SERIES,

AND THEN IF IT STAYS ON THE AIR FOR 5 YEARS,

ONE WORD...

ONE WORD?

SYNDICATION.

NEED AN ACCOUNTANT?

[ALL LAUGH]

♪ 'CAUSE THE EYES OF THE RANGER ♪

♪ ARE UPON YOU ♪

♪ ANY WRONG YOU DO, HE'S GONNA SEE ♪

♪ WHEN YOU'RE IN TEXAS, LOOK BEHIND YOU ♪

♪ 'CAUSE THAT'S WHERE THE RANGER'S GONNA BE ♪