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[HELICOPTER BLADES WHIR]
Trivette: COLE'S HELICOPTER SHOULD'VE BEEN HERE BY NOW.
WHAT TIME YOU GOT?
QUARTER TILL.
AHH. MY WATCH STOPPED AGAIN.
MAYBE IT'S TIME YOU GOT A NEW ONE.
THIS IS A NEW ONE.
THAT'S PRETTY.
THANK YOU.
TOO BAD IT DOESN'T WORK.
WHAT'S WITH ALL THE DOO-DADS?
THOSE AREN'T DOO-DADS.
THIS IS A TACHOMETER, THIS IS AN ALTIMETER--
ALTIMETER?
WHEN'S THE LAST TIME YOU JUMPED OUT OF A PLANE, TRIVETTE?
WELL, WITH YOU, YOU NEVER KNOW.
SHELBY?
HI, GUYS.
IF IT WAS YOUR 20 MILLION IN COCAINE,
YOU'D BE ON TIME, WOULDN'T YOU?
YEAH, BUT I DON'T MESS WITH DRUGS.
I MEAN, HONEST TO GOD.
BUDDY, YOUR INFORMATION BETTER BE RIGHT.
OH, COME ON, GET REAL, WILL YOU, TRIVETTE?
I MEAN, I DID THE BEST I COULD.
IF MR. COLE SAID HE'S GONNA BE HERE, HE'S GONNA BE HERE.
LOOK, YOU GOTTA LET ME GO.
IF THEY CATCH ME, I'M HAMBURGER MEAT.
I'LL BE IN A BODY BAG.
YOU'RE NOT GOING ANYWHERE, SHELBY,
NOT TILL WE GET HIM.
COME ON, WALKER! [HELICOPTER APPROACHES]
HERE HE COMES. GET OUTTA HERE.
THANKS.
STAY CLOSE. DON'T GO ANYWHERE.
I--I PROMISE.
THIS IS UNIT ONE.
Trivette, on radio: EVERYBODY LOOK ALIVE.
[HELICOPTER BLADES WHIR]
THERE'S COLE'S CHOPPER.
[BEEP]
MR. COLE?
Shelby: CAN YOU HEAR ME OK?
Shelby, on radio: IT'S YOUR MAIN MAN. IT'S SHELBY.
YES, SHELBY, I HEAR YA. WHAT DO YOU WANT?
YOU BETTER GET OUT OF HERE.
THE PLACE IS CRAWLIN' WITH COPS.
LET'S GO.
WHAT HAPPENED?
SHELBY. SHELBY.
WE'LL DEAL WITH HIM LATER.
EVERYBODY, GO, GO, GO!
Trivette: RANGERS!
AHH!
UNH!
AAH!
Walker: OK, CUFF 'EM.
Man: ALL RIGHT?
Second man: ALL RIGHT, ALL RIGHT!
YOU, GET UP!
[RANGERS SHOUTING]
THAT'S NOT BAD FOR A REPRODUCTION.
[BEEPING]
OK, ALEX, THANKS.
THE GUYS WE TOOK DOWN,
THEY WON'T TALK.
I DON'T UNDERSTAND THAT.
YOU GIVE THOSE GUYS AN OPPORTUNITY
TO KNOCK A BIG CHUNK OFF THEIR PRISON TIME,
AND THEY DON'T WANT TO TAKE IT.
WELL, THAT'S BECAUSE THEY'RE MORE AFRAID OF THEIR BOSSES THAN THEY ARE US.
THAT'S WHAT WE GET FOR BEING SUCH NICE GUYS.
ALL RIGHT, I'M LOGGING ONTO THE INTERNET.
I'M GOING TO ACCESS MUSEUM NACIONAL IN MEXICO CITY.
FIND OUT WHERE THIS PUPPY CAME FROM.
WONDER WHAT HAPPENED TO SHELBY?
I DON'T KNOW.
HE'S GOT TO SHOW UP AT HIS APARTMENT SOONER OR LATER, THOUGH.
Trivette: OH, WOW!
HEY, WALKER, COME CHECK THIS OUT.
WHAT IS THAT?
WHOA, BABY.
SOME KIND OF BEAUTY CONTEST OR SOMETHING.
I HIT MODELOS.ART,
THE MUSEUM'S WEB SITE.
I MUST HAVE HIT THE WRONG KEY, THOUGH.
WELL, HIT THE RIGHT KEY.
YEAH, RIGHT.
♪ HEY ♪
♪ OOH ♪
♪ HEY ♪
Trivette: WELL, HOW'D I DO THIS?
I DON'T KNOW.
I KNOW WHAT I DID. I LEFT OFF THE SECOND "O."
I HIT "MODELS.ART."
IT MUST BE SOME KIND OF ONLINE MODELING AGENCY.
SHE'S GORGEOUS!
TRIVETTE, HIT THE RIGHT KEY. OK?
OK, OK.
♪ YEAH ♪
♪ YOU'RE GOIN' PLACES ♪
♪ WITH A LOOK LIKE YOURS ♪
♪ YOU'RE GOIN' PLACES ♪
♪ I'M ABSOLUTELY SURE ♪
♪ YOU'RE GOIN' PLACES ♪
♪ GONNA ROCKET TO THE TOP ♪
♪ YOU'RE GOIN' PLACES ♪
♪ BABY, BABY, DON'T STOP ♪
OK, GOOD.
WE GAVE 'EM THE GIRL-NEXT-DOOR LOOK,
NOW I WANT...
SEDUCTRESS. OK?
♪ YOU'RE GOIN' PLACES ♪
♪ YOU KNOW YOU CAN'T GO WRONG ♪
♪ YOU'RE GOIN' PLACES ♪
♪ YOU'RE REALLY ALMOST GONE ♪
♪ YOU'RE GOIN' PLACES ♪
♪ YOU'VE GOT WHAT IT TAKES ♪
♪ YOU'RE GOIN' PLACES ♪
♪ ALL YOU NEED IS A BREAK ♪
Rolf: OK, ALL RIGHT, GOOD.
I THINK WE GOT IT.
BEAUTIFUL.
WHAT DO YOU THINK, BRUNO?
I THINK SHE'LL BE ON THE COVER OF COSMO
IN 6 MONTHS.
THAT'S IT FOR TONIGHT.
GOOD NIGHT, TRACY.
♪ YEAH ♪
[TRACY SCREAMS]
♪ IN THE EYES OF A RANGER ♪
♪ THE UNSUSPECTIN' STRANGER ♪
♪ HAD BETTER KNOW THE TRUTH OF WRONG FROM RIGHT ♪
♪ 'CAUSE THE EYES OF THE RANGER ♪
♪ ARE UPON YOU ♪
♪ ANY WRONG YOU DO HE'S GONNA SEE ♪
♪ WHEN YOU'RE IN TEXAS, LOOK BEHIND YOU ♪
♪ 'CAUSE THAT'S WHERE THE RANGER'S GONNA BE ♪
Walker: WELL, I WON AGAIN, C.D.
OH, COME ON, NOW, CORDELL, GIVE ME ONE MORE, WILL YA, PLEASE?
Trivette: I MEAN, ALL THESE ARE BEAUTIFUL, KRISTIN,
BUT I--I LIKE THIS ONE.
THAT ONE? WHY?
BECAUSE OF THE SMILE.
YOU'RE NOT SUPPOSED TO SMILE, JIMMY.
WHY NOT?
IT'S NOT THE LOOK THEY'RE BUYING.
NOT COMMERCIAL.
MEN LIKE THE POUT.
WHAT POUT?
AND WHEN DID YOU BECOME AN EXPERT?
IT'S A SIGNAL.
I'M UPSET. PLEASE COME TAKE CARE OF ME.
YOU KNOW HOW YOU MEN LIKE TO BE IN CONTROL.
THIS IS A GREAT ONE, KRISTIN.
SO WHEN'S YOUR NEXT PHOTO SHOOT?
TONIGHT.
TONIGHT?
OH, I TRIED TO TELL YOU EARLIER.
EXCUSE ME. WE HAD A DATE.
WE DO. WE'RE JUST GONNA MEET A LITTLE LATER.
ROLF CALLED ME THIS MORNING,
AND HE SHOWED MY PROOFS TO SOME AGENTS,
AND APPARENTLY THEY REALLY LIKED THEM.
SO HE WANTS ME TO PICK OUT MY FAVORITES,
AND WE'RE GOING TO DO A WHOLE LAYOUT.
YOU CAN MEET ME AT THE STUDIO.
OK, FINE.
JIMMY, ARE YOU POUTING?
NO--YES, I AM.
I'M UPSET, AND I WANT SOMEBODY TO MAKE ME FEEL BETTER.
CORDELL, WHAT DO YOU THINK?
ABOUT WHAT?
KRISTIN.
WELL, I THINK SHE'S A NICE GIRL.
OH, NO, NO, NO.
WHAT DO YOU THINK ABOUT SHE AND JIMMY AND,
YOU KNOW WHAT I MEAN.
I DON'T KNOW, C.D.
I DON'T PRY INTO TRIVETTE'S PERSONAL AFFAIRS.
LOOK, I'M NOT PRYING, EITHER.
I'M JUST A LITTLE BIT CURIOUS, THAT'S ALL.
WELL, I'M SURE YOU'D BE THE FIRST ONE TO KNOW.
CORDELL, UM...
YOU KNOW, I'M GETTIN' A LITTLE BIT OLDER NOW.
I GOT THIS DAMN ARTHRITIS IN MY SHOULDER.
WHY DON'T YOU PLAY ME LEFT-HANDED FROM HERE ON OUT, WILL YA?
DO YOU WANT ME TO USE MY FOOT NEXT?
THAT'S FUNNY. REAL FUNNY!
WE GOTTA GO.
SO SOON?
MM-HMM. GOTTA GO.
OUR TURN ON THE STAKEOUT.
SEE YOU AT THE PHOTO SHOOT.
MM-HMM.
THIS SHELBY GUY HAS TO SHOW UP SOMETIME.
HOPEFULLY.
[ENGINE STARTS] THERE'S WALKER. WE CAN GO NOW.
IT'S A QUARTER TILL.
NEW WATCH?
YEAH, LOOK.
WHAT DO YOU THINK?
WELL...STILL HAVE ALL THOSE DOO-DADS ON IT.
MODERN TECHNOLOGY.
WELL, YOUR MODERN TECHNOLOGY WATCH...
IS...
9 MINUTES SLOW.
WHAT?
OH, CRAP!
OHH!
THERE HE IS.
Trivette: WHAT IS HE DOING?
DOES SHELBY THINK HE'S A NINJA OR SOMETHING?
LET'S GO.
AAH! AAH!
WHAT?! HEY!
SHELBY.
HI, GUYS.
I BEEN LOOKIN' ALL OVER FOR YOU.
I CALLED C.D.'s 10 TIMES.
WHERE YOU BEEN?
RIGHT. LET'S GO INSIDE.
Shelby: ALL RIGHT, ALL RIGHT.
I SWEAR ON MY MOTHER'S GRAVE,
I SWEAR. I MEAN, I SHOULD GO BLIND.
WHAT KIND OF A CRUMB DO YOU THINK I AM?
I SWEAR ON A STACK OF BIBLES,
I DID NOT TIP MR. COLE TO THE RAID.
SHELBY, YOU'RE GONNA BURN IN HELL.
I WANT COLE'S PHONE NUMBER.
HELLO? HELLO, IS ANYBODY LISTENING?
I DON'T HAVE IT. HE NEVER GAVE IT TO ME.
HE ALWAYS CALLED ME.
HE'S A VERY CAREFUL MAN.
REALLY? WHAT'S THIS?
WHAT? PLEASE!
MAN!
Walker: WHAT'S COLE'S FIRST NAME?
JOHNNY.
AH, "J.C."
OH, MAN.
I WONDER WHAT THAT STANDS FOR, TRIVETTE.
IT EITHER STANDS FOR JESUS CHRIST OR JOHNNY COLE,
AND I SERIOUSLY DOUBT THAT YOU HAVE A CONNECTION TO JESUS CHRIST.
HA HA HA! IT'S VERY FUNNY, TRIVETTE.
IT'S JOEY CARUCCI.
IN NORTH DALLAS.
LET ME BORROW YOUR PHONE.
AH, WHAT ARE YOU DOIN'?
CALLIN' JOEY. [SHELBY GROANS]
YOU LIKE PEPPERONI?
HELLO, COLE?
OHH!
YEAH, THIS IS COLE.
WHO IS THIS?
THIS IS WALKER, TEXAS RANGER.
OHH!
YOU WERE LUCKY THE OTHER DAY.
YOU WON'T BE SO LUCKY NEXT TIME.
HOW'D YOU GET THIS NUMBER?
SHELBY GAVE IT TO ME.
I'M GONNA PUKE.
I JUST WANT TO LET YOU KNOW THAT WE'RE GONNA TAKE YOU DOWN...
HARD.
[BEEP]
THAT'S JUST GREAT! I'M A DEAD MAN!
DO YOU UNDERSTAND THAT?
I'M GOING TO TAKE A DIRT NAP.
UH-HUH. AND THERE'S ONLY ONE WAY YOU CAN SAVE YOURSELF NOW, SHELBY.
HELP US GET COLE BEFORE HE GETS YOU.
Shelby: OH, TERRIFIC!
THAT'S JUST GREAT!
THAT MEANS THAT I'LL BE IN YOUR PROTECTIVE CUSTODY
FOR THE REST OF MY LIFE.
BETTER THAN DEAD.
WHY DON'T YOU GO TAKE A SHOWER? YOU SMELL.
♪ YEAH ♪
♪ YOU'RE GOIN' PLACES ♪
YEAH!
♪ YOU'RE GOIN' PLACES ♪
♪ OOH ♪
♪ HEY, HEY ♪
BEAUTIFUL, YOU GOT IT. BEAUTIFUL.
♪ UH-HUH ♪
♪ YOU'RE GOIN' PLACES ♪
Rolf: ALL RIGHT, ALL RIGHT.
♪ YOU'RE GOIN' PLACES ♪
Rolf: THE CAMERA LOVES YOU!
♪ YOU'RE GOIN' PLACES ♪
OH, YEAH!
♪ YOU'RE GOIN' PLACES ♪
[CAMERA SHUTTER CLICKING]
♪ OOH ♪
♪ OOH, YEAH ♪
ALL RIGHT. ALL RIGHT. GREAT JOB.
♪ OH, OH ♪
HEY!
♪ UH-HUH ♪
HOW ARE YOU?
GREAT!
I DON'T REMEMBER THIS BLOUSE.
SHHH.
I-I'M SORRY. I REALLY DON'T LIKE AN AUDIENCE.
OH, DON'T WORRY, ROLF. HE WILL NOT DISTRACT ME.
OK, FINE.
OH, OH, BY THE WAY,
THE BRENNAN AGENCY LOVED YOUR TEST ROLL.
THEY LOVED IT.
[ROLF LAUGHS]
NOW WE'RE GONNA GIVE THEM SOME GLAMOUR.
BRUNO, SET UP THE FAN.
SHOULDN'T YOU BE WEARING A COAT?
UH, KRISTIN...
CAN WE TAKE OFF THE CROSS?
LET ME GET A ROLL WITHOUT IT.
YOU KNOW, SHOW OFF THAT BEAUTIFUL NECK OF YOURS.
SORRY, ROLF, I NEVER TAKE IT OFF.
NOT EVEN IN THE SHOWER.
IT'S A GIFT FROM MY DAD BEFORE HE DIED.
OH, OK, OK.
THAT-THAT'S NO PROBLEM. THAT'S FINE, FINE.
YOU KNOW, MAYBE YOU COULD SWING IT AROUND YOUR NECK,
SO WE COULD JUST SEE THE CHAIN?
OHH.
THAT'S VOILÄ.
C'EST MAGNIFIQUE. BEAUTIFUL, BEAUTIFUL.
GET THESE SHOES ON.
GO SIT DOWN. I AM.
OK.
DO YOU HAVE A COAT FOR THAT ONE?
GO SIT DOWN.
WELL, I'M WEARING A COAT.
Trivette: HUNGRY?
I'M STARVING. I HAVEN'T EATEN SINCE BREAKFAST.
HOLD ON.
SHE'S WITH SOMEONE.
WHAT DO YOU WANT TO EAT?
WHAT DO I WANT? HA HA.
A BACON-CHEESEBURGER,
A SIDE ORDER OF CHILI CHEESE FRIES,
AND A BIG PIECE OF APPLE PIE.
HE'S ONLY ONE MAN, HARRIS.
IT'S NOT WORTH THE RISK.
WE'LL TAKE HER LATER.
YEAH.
LET'S MOVE.
[ENGINE STARTS]
WOW! WHA-WHA-WHA- WHAT'S HAPPENING?
I'M GOING TO SNAP YOUR NECK, YOU FREAKIN' LITTLE WEASEL!
WHAT'D I DO, WHAT'D I SAY? I DIDN'T SAY NOTHIN'.
YOU GAVE THE RANGERS MY NUMBER.
WHAT ELSE YOU BEEN GIVIN' 'EM, MORON?
I SWEAR TO GOD ON MY MOTHER'S GRAVE, I DIDN'T--
DON'T START THAT CRAP WITH ME.
OK, THEY--THEY--THEY GOT YOUR NUMBER OUT OF MY BOOK.
YOU PUT MY NUMBER IN YOUR BOOK?
STUPID SACK OF--
HOLD IT A MINUTE!
IF I WAS GOING TO DOUBLE-CROSS YOU,
I WOULD HAVE TOLD THEM ABOUT THE 50 KILOS YOU HID AT THE TRAIN STATION.
AND BECAUSE I KNEW YOU WERE GOING TO DOUBLE-CROSS ME,
I MOVED IT ALL TO THE HANGAR.
YOU'RE NOT GONNA TELL--
NO, NO, NO, NO!
Shelby: HELP! HELP! HELP, HELP!
[CRACK]
AAH!
WALKER, WHAT TOOK YOU SO LONG?
DID YOU STOP FOR A HOT DOG OR SOMETHING?
HE HAD A BIG GUN. HE WAS GOING TO BLOW MY BRAINS OUT.
SHELBY. DO YOU HAVE ANY--
WHAT? WHAT?
SHUT UP.
SO WHAT YOU GOT, A WEAPONS BEEF OR SOMETHING?
BIG DEAL!
YOU'VE GOT NOTHING.
REALLY? TRIVETTE.
[TAPE REWINDS]
[CLICKS OFF]
Shelby, on tape: IF I WAS GONNA DOUBLE-CROSS YOU,
I WOULD HAVE TOLD THEM ABOUT THE 50 KILOS
THAT YOU HID AT THE TRAIN STATION.
Cole, on tape: AND BECAUSE I KNEW YOU WERE GOING TO DOUBLE-CROSS ME,
I MOVED IT ALL TO THE HANGAR.
ARRGGHH!
UNH!
OHH! HA! SEE, DON'T MESS WITH US.
YOU GUYS ARE TERRIFIC. I MEAN, YOU'RE REALLY GREAT.
ALL THOSE MOVES--
SHELBY?
HUH?
SHUT UP.
HEY, KRISTIN?
[KNOCK ON DOOR]
KRISTIN?
Kristin: SORRY, ROLF, I NEVER TAKE IT OFF,
NOT EVEN IN THE SHOWER.
IT WAS A GIFT FROM MY DAD BEFORE HE DIED.
[SHOUTING]
HEY, WALKER.
HEY.
SOMETHING WRONG?
YEAH, KRISTIN'S GONE.
I THOUGHT YOU TWO WERE HITTING IT OFF.
THAT'S NOT WHAT I MEAN.
I WENT OVER TO HER APARTMENT
TO PICK HER UP FOR LUNCH AT 1:30.
THE PLACE HAD BEEN STRIPPED CLEAN.
THE FRONT DOOR WAS OPEN, ALL HER CLOTHES WERE GONE.
THAT'S STRANGE.
I FOUND THIS.
SHE WOULD HAVE NEVER LEFT THAT BEHIND.
HER DAD GAVE IT TO HER.
THINK I'M GOING NUTS?
I'VE GOT AN IDEA, TRIVETTE.
I'LL SEE YOU AT THE OFFICE.
I WANT YOU TO LOG IN ON THAT MODELS.ART THAT YOU HAD BEFORE.
WHY?
I DON'T KNOW. IT'S JUST A HUNCH.
[COMPUTER KEYS CLICKING]
KEEP GOING.
Trivette: OH, MY GOD!
KRISTIN'S ON THERE NOW.
THAT'S WHAT I WAS AFRAID OF.
Man: PRINCE IS GONNA LOVE BLONDIE.
Second man: SHE LOOKS BETTER IN THE FLESH
THAN SHE DOES IN HER PICTURES.
YOU KNOW, MAYBE WE OUGHTA SAMPLE SOME OF THE PRODUCT
BEFORE WE LET THE PRINCE BID ON IT.
FIRST MAN TOUCHES ANY OF THESE WOMEN
GETS A TASTE OF BIBLICAL RETRIBUTION.
KEEP YOUR HANDS TO YOURSELVES OR LOSE THEM.
YOU'RE THE BOSS.
THAT'S RIGHT, I AM.
YOU'LL DO WELL NOT TO FORGET THAT.
DID YOU MAKE CONTACT WITH MR. WHITE AND THE OTHER BIDDERS?
YES, SIR. THEY'RE ALL ON-LINE,
AND THEY'RE ALL ON-BOARD.
GOOD.
THE AUCTION WILL BEGIN SOON.
THEY'RE ALL LISTED AS MISSING PERSONS.
THERE'S NO RECORD OF RANSOM DEMANDS.
THERE'S NO CONTACT WITH ANY POTENTIAL KIDNAPPERS.
THESE ARE ALL THE GIRLS THAT ARE MISSING,
INCLUDING KRISTIN.
I WAS THERE WHEN THIS PICTURE WAS TAKEN.
I RECOGNIZE THE DRESS.
THE PHOTOGRAPHER'S NAME IS ROLF GAINES.
HE'S GOT A STUDIO IN SHERIDAN SQUARE.
I GOTTA CRACK THIS CODE.
OK, KEEP AT IT.
I'M GOING TO GO TALK TO THIS ROLF GUY.
I'LL SEE YOU LATER.
OK.
[SOBS AND SNIFFLES]
I CAN'T BELIEVE THIS IS HAPPENING.
[SNIFFLES]
WHAT'S YOUR NAME?
DONNA.
WELL, DONNA, EVERYTHING'S GONNA BE ALL RIGHT.
NO, IT'S NOT. I HEARD 'EM TALKING.
WE'RE GONNA BE SOLD LIKE SLAVES.
LOOK, THAT IS NOT GOING TO HAPPEN.
I HAVE A FRIEND. HE'S A TEXAS RANGER.
HE'S GONNA FIND US, I KNOW HE WILL.
I GOT YOU TURKEY SANDWICHES TODAY.
GOBBLE, GOBBLE. COME ON, GOTTA PROTECT THOSE GIRLISH FIGURES.
ARE YOU OUT OF YOUR MIND?
DO YOU THINK YOU CAN STRAP US TO CAMELS LIKE POTS AND PANS
AND SELL US ACROSS THE DESERT?
YOU'LL NEVER GET AWAY WITH IT.
HMM.
Iverson: LAST 10 SAID THE SAME THING.
NEVER SEEN 'EM AGAIN.
Woman: THE LAST 10?
PLEASE. I JUST WANT TO GO HOME.
YOU ARE GOING SOMEWHERE, HONEY.
IT'S JUST NOT GOING TO BE HOME.
OOOOH!
[KNOCK ON DOOR]
TEXAS RANGER. I'D LIKE TO TALK TO ROLF.
HE'S BUSY RIGHT NOW.
I NEED TO ASK HIM SOME QUESTIONS.
CAN'T THIS WAIT?
NO, IT CAN'T.
HEY, WAIT!
HEY, YOU CAN'T GO IN THERE.
HE'S PROCESSING FILM.
WATCH ME.
Rolf: HEY, WHAT ARE YOU DOING?
YOU JUST RUINED A WHOLE NIGHT'S WORK.
DID YOU KNOW KRISTIN IS MISSING?
KR-KRISTIN?
WHAT, THAT LITTLE GIRL FROM DENTON?
I--I HAVEN'T SEEN HER SINCE LAST NIGHT.
ALL RIGHT, W-WHAT DO YOU WANT?
THE PHOTOGRAPH YOU TOOK OF HER SHOWED UP ON THE INTERNET,
ALONG WITH OTHER MISSING GIRLS.
I--I DON'T KNOW WHAT YOU'RE TALKING ABOUT.
ALL RIGHT, I TOOK SOME PICTURES OF HER.
WHAT'S THE CRIME IN THAT?
WELL, LET'S SEE. COME ON. I'M TAKING YOU TO RANGER HEADQUARTERS.
AARRGH!
BUT, LOOK, I--I--
Walker: LET'S GO.
[WHIMPERS]
YOU, TOO.
DID YOU GET ANYTHING?
IT'S A TOUGH CODE, WALKER.
I'VE BEEN RUNNING AN ENCRYPTION PROGRAM
FOR 3 HOURS, AND NOTHING.
HEY, YOU RUN ROLF?
WELL, ALEX AND I ARE GETTING READY TO INTERROGATE HIM.
Trivette: GOT IT!
THEY'RE CALLING HER TIFFANY.
WHAT ARE THOSE NUMBERS FOR, THOUGH?
I DON'T KNOW.
DO YOU HAVE HER MISSING PERSON'S FILE?
READ OFF THE NUMBERS.
Trivette: 5-7-3-5-2--
WAIT, WAIT, WAIT.
IT SAYS HERE SHE'S 5'7".
WHAT'S THE OTHER NUMBERS?
3-5-2-4-3-6...
THAT'S HER MEASUREMENTS: 35-24-36.
WHY WOULD THEY HAVE HER HEIGHT AND MEASUREMENTS ON HERE?
Walker: 2-7-5-ZERO-ZERO-ZERO?
275 THOUSAND--
DOLLARS.
I WONDER, IS SOMEBODY RUNNING A SEX SLAVERY RING
ON THE INTERNET?
[DOOR OPENS]
WOMAN'S WORK IS NEVER DONE.
Iverson: WHAT'S THE MATTER, SWEETCAKES?
YOU GOT NO APPETITE?
YOU KNOW YOU GOTTA EAT.
YOU GOTTA KEEP UP YOUR STRENGTH.
THE PRINCE, HE LIKES HIS WOMEN STRONG,
'CAUSE HE LIKES TO BREAK 'EM.
I KNOW WHAT GIVES ME AN APPETITE.
WELL, WHAT DO YOU SAY?
WHY DON'T YOU JUST RELAX AND WE'LL TAKE IT NICE AND EASY.
[WHIMPERS]
LEAVE HER ALONE!
WHAT ARE YOU GETTIN' INVOLVED FOR?
NO, I DON'T GOTTA TAKE THAT FROM YOU.
UNH!
COME ON, GUYS, WHAT ARE YOU DOING?
LOOK, I LOST MY HEAD, OK? I LOST MY HEAD.
NOW YOU'RE GONNA LOSE YOUR HAND.
NO!
[IVERSON SCREAMS]
IT'S NOBODY'S FAULT BUT YOUR OWN, IVERSON.
[WHIMPERS]
AAH!
I TOLD YOU WHAT WOULD HAPPEN.
NO!
AAH!
[PANTING, SOBBING]
NEXT TIME YOU GO AGAINST ME, I'LL CUT YOUR HEART OUT.
Alex: OK, ROLF, LET'S START WITH WHAT WE HAVE ON YOU.
ALL OF THE LADIES ON THE INTERNET HAD THEIR PICTURES TAKEN BY YOU
BEFORE THEY DISAPPEARED,
AND THEY'RE ALL STILL MISSING.
AND IT LOOKS LIKE THEY'RE BEING SOLD.
WHITE SLAVERY, ROLF?
THAT'S SOME SERIOUS DOWNTIME.
I DON'T KNOW ANYTHING ABOUT IT.
WELL, I THINK I CAN PROVE OTHERWISE,
AND YOU COULD SPEND THE REST OF YOUR LIFE BEHIND BARS.
BUT IF ONE OF THOSE LADIES TURNS UP DEAD...
IT'S HUNTSVILLE.
LETHAL INJECTION, ROLF.
LOOK, I DON'T KNOW ANYTHING. I DIDN'T DO ANYTHING.
AND I'M NOT SAYING ANYTHING.
OK, ALEX, LET'S SEE WHAT BRUNO HAS TO SAY.
GOOD IDEA. IF HE TALKS TO US,
YOU GO DOWN FOR THE COUNT.
YOU KNOW, ALEX,
WE'VE ALREADY GOT BRUNO FOR ASSAULT ON A PEACE OFFICER.
MAYBE IF WE DROP THE CHARGES,
HE'D BE MORE WILLING TO TALK, HUH?
HMM?
THINK ABOUT IT.
[DOOR CLOSES]
[BEEP BEEP]
Trivette: DAMN IT!
WE NEED TO KNOW HOW TO MAKE CONTACT.
WE GOT TO SAVE HER.
THE ONLY WAY WE'RE GONNA TRACK HER DOWN IS IF I GET INTO THAT AUCTION
AND MAKE THEM THINK I'M A PLAYER.
WALKER?
ROLF'S READY TO TALK.
OK, GOOD.
[KEYS CLICKING, BEEPS]
I'M JUST THE PHOTOGRAPHER.
ALL I DID WAS JUST TAKE THE PICTURES.
THAT'S ALL I DID!
THAT'S NOT ALL YOU DID.
YOU SET THEM UP.
AND THAT'S CONSPIRACY.
WHEN IT COMES TO KIDNAPPING,
CONSPIRACY CARRIES THE SAME WEIGHT.
SH-SHOULDN'T I BE TALKING TO A LAWYER OR SOMETHING?
SURE, YOU CAN HAVE A LAWYER,
BUT ANY OFFER THE D.A. PUTS ON THE TABLE FLIES RIGHT OUT THE WINDOW
THE SECOND YOU MAKE THAT CALL.
YOU BETTER TALK WHILE YOU STILL HAVE TIME.
HELP US FIND THOSE WOMEN,
AND YOU CAN HELP YOURSELF.
I SWEAR, I DON'T KNOW WHERE THEY ARE.
GIVE US THE CODE TO THE AUCTION, ROLF...
OR I'M GONNA MAKE YOUR LIFE A LIVING HELL.
YOU UNDERSTAND?
NOW WRITE!
I WIRED THE MINIMUM BID TO THEIR ACCOUNT.
NOW THEY'RE DOING AN ELECTRONIC BACKGROUND CHECK ON ME.
WHAT'S YOUR COVER?
KIM PARK, KOREAN INDUSTRIALIST,
PRESENTLY DOING 10 TO 20 FOR ESPIONAGE.
WON'T THEY KNOW THAT?
UH-UH, I SCRUBBED THE ARREST OFF HIS RECORD.
WE'VE BEEN ACCEPTED.
AND THE AUCTION BEGINS.
IF THE TRACER WORKS, WE CAN GET A LOCATION.
Walker: STARTING TRACE.
OH, WE'VE GOT A HIGH ROLLER, GENTLEMEN.
THE KOREAN OPENS AT 300 THOU.
THE PRINCE IS IN AT 345.
TIFFANY LOOKS LIKE SOMETHING MR. WHITE WOULD BE INTERESTED IN.
Harris: YEP, THERE HE IS.
YEP, YOU'RE RIGHT ON, HARRIS.
WHITE'S IN AT 350.
COME ON, COME ON, COME ON! BABY NEEDS A NEW PAIR OF SHOES.
THIS IS CRAZY.
Walker: WHAT KIND OF PEOPLE WOULD DO THIS?
350, GOING ONCE,
GOING TWICE--WHOA!
4 AND A QUARTER TO THE KOREAN.
[KEYS CLICKING]
450.
465.
[KEYS CLICKING]
475.
475, GOING ONCE.
GOING TWICE.
SOLD TO MR. KIM SOO PARK.
[EXHALES]
OOH, I HOPE SHE LIKES CHINESE FOOD.
HE'S KOREAN, NIMROD.
HEY, WHAT'S THAT BLUE LIGHT FLASHING ON YOUR OTHER TV SCREEN, GEEK?
Styles: TRACE! WE'VE BEEN TRACED!
WE GOT COPS ON THE LINE!
Trivette: WE'VE BEEN MADE.
DID YOU GET A LOCATION?
ALL RIGHT, CALM DOWN, EVERYBODY. LET'S GET OUT OF HERE.
OFFER HIM A DISCOUNT.
HE'LL TAKE THE INVENTORY OFF OUR HANDS.
HODGES, NICHOLS, GET THE WOMEN.
Harris: IVERSON, THE VAN.
LET'S GO!
OK, ON YOUR FEET.
GET UP NOW AND GET YOUR BAGS.
LET'S GO. LET'S GO.
GET YOUR BAGS!
LET'S GO.
5801 SYCAMORE CANYON ROAD.
WE GOTTA HURRY.
WE JUST MISSED 'EM.
THEY KNEW WE WERE COMING.
YEAH.
THEY LEFT THE MAINFRAMES.
[BEEPING]
BOMB, TRIVETTE!
GET OUTTA HERE! GO ON!
WHEW! THAT WAS WAY TOO CLOSE, WALKER.
I CAN'T WAIT TO GET MY HANDS ON THAT GUY.
I PREFER MY FEET.
TRIVETTE, COME HERE.
WHAT DOES THAT NUMBER LOOK LIKE TO YOU?
555...
0-1...
9?
7?
7.
CALL YOUR GUY AT THE TELEPHONE COMPANY.
SEE WHAT WAS THE LAST NUMBER DIALED FROM HERE.
[ENGINE REVVING]
Man: VERY NICE.
YES.
UH-HUH.
NO.
PRINCE, HE WILL NOT LIKE THIS ONE.
WHY NOT? WHAT'S THE PROBLEM?
RED HAIR.
IT'S BAD LUCK.
UH-HUH.
WHAT ABOUT THE OTHERS?
THEY'RE ALL GOOD.
PRINCE, HE'LL BE VERY HAPPY.
WHAT DO YOU WANT TO DO WITH THE REDHEAD?
WHAT DO YOU THINK?
TAKE 'EM.
[FRIGHTENED WHIMPERS]
TEXAS RANGERS!
UNH!
[RAPID GUNFIRE]
Ranger: LET'S GET 'EM!
AAH!
OK, FREEZE!
DROP THE WEAPON NOW!
Ranger: HOLD IT. LOOK OVER THERE.
OOH!
AAAH!
UNH!
UNH!
[CLUNK]
Ranger: YOU TWO, MARCH NOW!
KRISTIN! KRISTIN!
JIMMY!
IT'S ALL RIGHT.
[SOBS] YOU'RE OK. YOU'RE OK.
[SOBBING]
COME ON. COME ON. COME ON. COME ON.
Trivette: I WAS WORRIED ABOUT YOU.
I'M GLAD IT'S OVER.
YEAH.
OH, I HAVE SOMETHING FOR YOU.
OHH!
OH, MY GOD!
I THOUGHT I'D NEVER SEE THIS AGAIN.
THANK YOU.
YOU'RE WELCOME. LET ME PUT IT ON YOU.
AWW.
I CAN'T BELIEVE IT.
[SIGHS]
WHAT'S WRONG?
I'VE BEEN TRYING TO FIND A WAY TO TELL YOU.
THERE'S THIS AGENCY IN NEW YORK,
BENTON AND BOLES,
THEY SAW MY FACE ON THE NEWS,
AND THEY WANT TO SEE ME IN NEW YORK ON WEDNESDAY.
THAT-THAT'S GREAT. IT'S GREAT!
I DIDN'T GIVE THEM AN ANSWER YET.
WHAT'S IN YOUR HEART?
YOU.
THAT'S A GOOD ANSWER.
AND MY CAREER.
YEAH, WELL,
YOU KNOW, REMEMBER WHAT I TOLD YOU.
I'M NOT EVEN GOING TO STAND IN THE WAY OF YOUR DREAMS.
YOU'LL NEVER FORGIVE YOURSELF IF YOU NEVER TRY.
OH, THANK YOU, JIMMY.
THANK YOU FOR EVERYTHING.
AWW.
I DESERVE ANOTHER ONE.
HEY. HI THERE.
Trivette: HEY.
THOUGHT YOU GUYS WOULD LIKE TO KNOW
THE STATE DEPARTMENT IS COMING DOWN ON THE PRINCE
WITH THE FULL WEIGHT OF THE LAW.
THEY PICKED UP MR. WHITE IN EUROPE,
AND ALL THE OTHER BIDDERS ARE UNDER INVESTIGATION.
YEP, THEY OUGHTA HANG 'EM BY THEIR--
C.D.! C.D.!
WELL, THEY SHOULD.
OH, BETTER GET IT IF WE'RE GONNA MAKE THE MATINEE.
MY WATCH STOPPED AGAIN.
TRIVETTE...
THERE'S NO DOO-DADS, BUT IT KEEPS GOOD TIME.
OH, HEY, THANKS. YOU KNOW WHAT?
I--I LIKE THIS ONE, ACTUALLY.
YOU KNOW, WHEN I WAS A YOUNG MAN,
WE DIDN'T HAVE TO HAVE WATCHES.
I COULD ALWAYS TELL THE TIME OF DAY BY THE SUN.
OR AT NIGHT, BY THE STARS IN THE SKY
OR MOSS ON A ROCK.
OR THE PHASES OF THE MOON.
C.D., UH, WHAT TIME IS IT?
IT'S, UH... HIGH NOON, CORDELL.
♪ 'CAUSE THE EYES OF THE RANGER ARE UPON YOU ♪
♪ ANY WRONG YOU DO HE'S GONNA SEE ♪
♪ WHEN YOU'RE IN TEXAS LOOK BEHIND YOU ♪
♪ 'CAUSE THAT'S WHERE THE RANGER'S GONNA BE ♪
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