Original subtitles

Next on Vegas, Tana [music] pursues a

psychotic rapist who has the women of

Vegas in terror.

>> Who's going to pay for the damage done

to him?

[screaming]

>> So, if it was the same guy, why is this

girl dead?

>> Damn, that's him.

>> HEY, COME ON. GET OUT OF HERE.

HEAT. HEAT.

HEAT. HEAT.

[music]

>> [music]

[music]

>> HEAT. HEAT. [music]

>> [music]

[music]

>> All right, girls. Back at 45 minutes. Be

on time.

The show is great.

>> Oh, tell that to the choreographer. He's

giving us a lecture before the next

show.

>> I'll come back here by 11:30.

>> Well, we still have plenty of time.

>> Not if you intend to eat as much as I

do. I'm going to be out of here in 20

seconds.

>> Diane.

>> Lisa. Lisa.

>> Nice to see you. Listen, I got to get

out of this. Um,

>> hurry. I'm

>> Make sure she comes with us.

>> Okay. All right. God, I've been meaning

to call you ever since I heard you quit

the line and about you and Todd.

>> Hi, B.

>> Hi. How are you?

>> I'm fine. How are you?

>> Fine.

>> Good to see you.

>> Be I don't know what made me happier. Uh

quitting the line or getting divorced.

>> How's Julie?

>> Growing out of everything. How about

Kevin?

>> Oh, and a word.

>> Uh-huh. Baseball.

>> Well, it's ballet at our place. Oh,

[laughter]

>> why don't you go eat with us? We're

going to have Mexican food.

>> No, listen. I've been upstairs in

raffles for over an hour waiting for

some guy who didn't show. I'm kind of

bummed.

>> Well, then what you need is a margarita.

>> You know what I really need?

>> What?

>> I need to go home and get rid of my

babysitter before she bankrupts

[laughter] me.

>> Okay. Rain check. Okay. And I'm going to

call you tomorrow.

>> Okay. I'm glad.

>> Promise.

>> Yeah. Okay. Bye-bye.

[music]

I thought you said you were going to

meet me inside an hour ago.

>> I'm sorry. Hey, I really am sorry, but

something came up at the last minute,

and I'd like to tell you about it over a

nice black Russian at Louis

>> some other time.

>> Let's Let's not start our relationship

off on the wrong foot. When I said I was

sorry, I meant it.

>> All I could think about was a cheese

enchilada and a chicken taco.

I can imagine what that did to my

timing.

Bee, come on.

>> Well, that's Lisa over there. It looks

like she needs some help.

>> It's probably the guy [music] she was

supposed to meet, and she's giving him

hell. She hardly needs your help to do

that. So, come on, be, we've only got an

hour.

>> Be. Come on,

>> Lisa. I don't know about you, honey, but

I've had a rotten day. They could really

use a half an hour of nice company.

Please,

please.

>> Okay, but only one drink.

>> Take my power.

Oh my god. Shut up. Both of you. Shut

up. Here, take this blindfolder. Come

on.

>> We better do what he says.

>> That's good thinking, Bell. Oh,

>> don't.

>> Please don't hurt her.

>> Don't worry about it.

>> Just don't hurt her.

>> All right. Now, start the car. Take a

ride on the strip.

[laughter]

[gasps]

>> All right, sweetheart. Come on back now.

Come on back right now or I'll blow your

boyfriend's face off. I'm going to count

to five. 1

2

3

>> No.

Four.

>> No. Don't. Don't.

>> Don't.

Please.

Please.

Put that blindfold back on her.

All right, pal. Let's go drive.

All

>> [music]

>> right, both of you out of the car. Come

on. This side. Come on. Come on. Come

on. Come on. Come on.

Why don't you just take the car and

don't hurt us?

>> I don't want the car, pal.

>> What do you want?

>> Just the little lady here.

>> Don't shoot.

>> Come on, sister. It gets even better.

>> You kill them. Kill them.

>> Freeze a crowd, SISTER. [screaming]

WOO!

>> [music]

>> B. OH, DAN. I was afraid you didn't get

my message.

>> What happened?

>> Well, a girl I used to work with the DI,

Lisa Cll.

>> Yeah.

>> Well, last night she was raped.

>> Uh, have the police been notified?

>> Yeah, but you don't understand. I saw

her arguing with somebody in the parking

lot where the police found her and I

knew something was wrong and I didn't do

anything. I didn't go over there and I

feel like it's my fault.

>> Okay. Okay. Just calm down.

>> No, we got to do something, Dan.

>> Okay. All right. I I'll look into it.

All right.

>> Okay. I've called the rape crisis

center. There's a counselor with her

now.

>> Is she okay?

>> I don't know. She's under sedation, but

the doctor said she'd be okay.

>> Tracy, this is my boss, Dantana. This is

Tracy. She's the counselor from the

crisis center. Well, I didn't get a

chance to be much of a counselor today,

but we'll stick with her as the case

proceeds.

>> Lisa,

Lisa, this is my boss, Dantana. He's

promised to help you.

>> Lisa, your friend Beatric is here now,

and I have to leave you for a little

while.

I have to get in touch with the sexual

assault unit and Lieutenant Nelson.

>> Don't worry. I'll be in constant touch

with the hospital. Thank you.

>> Look, there's uh not much I can do here

until she can tell us something. I went

down a metro talked to Nelson to find

out where and when it happened, whatever

else he's got.

>> Okay.

>> Look, I know. I promise I'd try to help.

Wish I could promise more.

Joe, did anybody say anything to you

about something unusual in the parking

lot?

>> No.

All right. Did anyone say anything to

you?

>> Paging Mr. Cohen. Telephone call. Mr.

Merant Cohen.

>> Hey, Dan. Dan. Excuse me. Hi.

>> Hi.

>> Listen, I talked to almost everybody who

got off between 2 and 4 this morning,

including the guy that found Lisa and

called the police.

>> Yeah. Nobody saw nothing. Hey,

>> what about Bee's friend? You know, the

chorus girl. Uh,

>> she saw even less than Bee did. We're

not even sure that the guy Lisa was

arguing with had anything to do with the

rape.

>> We're not going to find out much so Lisa

doesn't talk, are we?

>> I don't think so.

>> Oh. Uh, listen. I wanted to ask you

about something.

>> Uh, Joe, can you cash a check for me?

>> Well, sure, Dan.

>> Uh, do you have any plans for your car

tonight?

>> I don't know yet. What? 100?

>> Oh, yeah. Well, I met this girl at the

pool today. you know, a really kind of

pretty girl. And we were sort of talking

and I don't know how, but we got to

talking about classic cars. All of a

sudden, she asked me out on a date.

>> Benz, that's terrific.

>> Really, the funny thing is I think the

reason she might have asked me out might

have to do with a misunderstanding about

what kind of car I owned.

>> Ben, you didn't

>> I couldn't help it. I I just I mean, it

just sort of was like I was in a trance.

She was saying how much she liked T-Irds

and all [laughter] of a sudden I was

saying, "Hey, I I have a T-Ird 57 T-Ird.

Just let her see me in it one time. Just

once. I'll pay for the gas."

>> Vince, it's not the gas.

>> Can I have it for 10 minutes? That's all

I need. So she can see it, drool over

it, fall in love with me. That's all.

>> Vince, it's dishonest.

>> I know. It's dishonest. It's

>> deceitful. It's cheap. It's immoral.

It's bound to work. This girl is

gorgeous. Uh, bins.

>> Dan, no.

>> I'll take that as a yes or a maybe.

[music]

>> Yes. Well, thank you anyway. Goodbye.

B, it's much too early in the morning

for a frown like that on your face.

>> Well, Lisa Coll's disappeared. Well,

apparently she felt well enough to speak

to the police, and then she checked

herself out of the hospital.

>> Did you call her home?

>> Yeah, the sitter answered and said she

came in like nothing happened, changed

clothes, and went to work. But I called

her at work, and she's not there.

>> Okay, I'll go down to Metro, talk to the

officer who took a report. Maybe he

knows something.

>> I appreciate it.

>> All right.

I'll get it down.

>> Lisa, come in, honey.

Been so worried about you. You're my

boss, Dantana.

>> Hi, Lisa.

>> You left the hospital so suddenly, we

didn't know what to think.

Well, I told everybody everything I knew

over and over again.

And then I thought I could just go back

to work and forget.

But it seems that my boss found out what

happened and uh he thought that I could

use the time off. You mean permanently.

>> Yeah. Seems that I'm too dirty to uh

sack his lousy groceries. Oh, honey.

Come on. Let's sit down.

>> Lisa, the district attorney's office has

set up a rape crisis center.

These people can help you. Why don't you

talk to them?

>> No, I don't want any more people looking

at me like you do. [crying]

>> [snorts]

>> You and the doctors and the detectives

and my boss, you all look at me and

blame me, don't you?

You don't look at me and see the victim.

You look at me and see the criminal,

don't you?

>> Lisa,

>> no. [laughter]

[snorts]

forced them out of the car. She heard a

shot, felt the guy next to her go down.

>> You find a body yet?

>> No. All we have is this composite from a

description that Lisa Capell gave us.

>> Who is he?

>> We came up empty.

>> What about missing persons? struck out

there, too. What's more, Lisa only met

him that afternoon. All she knows is his

name was Jim. The dead are alive, we're

going to have a hard time tracing him.

>> Sorry, I should have warned you about

that part of the report. Does wonders

for your stomach, doesn't it?

>> This guy's a real sweetheart, isn't he?

>> Look, I know what you're reading is

sick, but it's not surprising because

when you're talking about rape, you're

talking about violence. Or are you one

of those who still thinks that rape has

something to do with sex?

>> No. Of course not. I've just never seen

it spelled out quite so clearly as an

act of brutality. What do you got on

this guy?

>> I don't suppose it would do any good to

remind you that this is a police matter.

>> None whatsoever.

The uh the mask he's wearing.

>> Yeah, we're in the process of tracing

it.

We're also doing a personality profile

on the things that Lisa told us.

>> Put his emo through the computer.

>> Yeah. The only thing that we know is

that he has an extremely common type of

blood.

>> That's great. We don't know who he is or

where he is or if he's going to do it

again.

>> That's right.

>> That's terrific.

>> That's it.

That's good. Good try. Follow through

though. Don't stop in the middle. Follow

through.

Okay, here we go again.

Last rock. Good try, Tommy. Look, I

think we should call it quits for today.

It's far too windy. We owe you 20

minutes.

>> Yeah. Okay. See you tomorrow.

>> Okay. Thanks.

Now I know where I've seen you before.

>> Wimbledon center court. Right,

>> Tone? I wish.

>> You interested in a lesson?

>> Now if you asked me that 10 years ago,

as it is, I had to uh learn all my bad

habits by myself.

>> Could always unlearn them.

>> By then, I'd be too old to play.

>> Waiting for a court? No, I thought I'd

just use the backboard for a while.

>> I'm here almost all the time. How come I

haven't seen you around here before?

>> I just moved out here from Chicago and I

haven't been all that many places. I

haven't met that many people.

While we're on the subject, would you uh

you care to get a drink?

>> Oh, I can't. I've got two more lessons

and hopefully if this wind dies down,

maybe another time.

>> I have a meeting at 4:00. What about

tonight?

>> Where and when? Let's see. There's a

[music] uh bar and disco I discovered on

Emerson.

>> Oh, the music machine. Yeah, I go there

a lot.

>> That's great. I'll see you about 10:00.

>> Okay.

>> Oh, by the way, my name is Jimmy Ellis.

>> Oh, Wendy. Wendy Paige.

>> Wendy.

>> Yeah.

>> I'll see you tonight.

>> [music]

[music]

[music]

>> You didn't say a word all the way over

here.

>> What do you expect from me?

Lisa, I know what you've been through

and I know the law only talks about the

rights of the accused and not one word

about the rights of the victim.

What are you getting at?

>> Well, what I'm getting at is there are

organizations in this city that can help

you. The Citizens Advisory Committee on

Victim's Rights for One.

>> I needed help that night be. What the

hell can anybody do for me now?

>> Lisa, nobody can change

Nobody can change what happened to you,

but the way you feel about what happened

to you, that can be changed.

Now, they can help you get the right

counseling. They can help you pay your

medical bills.

>> Hi, Kevin. [music]

Hi,

Honey, you remember me?

Oh, baby, what happened?

Kevin.

Kevin.

>> The kids at school were calling you

names. I couldn't make them stop.

>> Oh. Oh, hell.

>> Please, Mom. I don't want to go back

there. Not ever.

You and all your help. I don't give a

damn who pays the medical bills. Who's

going to pay for the damage done to him?

Huh? Who's going to pay for the pain and

suffering he's going through? And God

knows what he's going to go through for

the rest of his life because of this.

>> Lisa,

>> it's too late. be. Why can't you see

that all you or anybody else can do for

me is is just let it be over.

Good afternoon, Chrysalis Salon.

>> Let me check to see.

>> Hi, John.

>> Larry, I can't thank you enough for

scheduling me in at the last moment like

this.

>> My pleasure.

Come on, I'll even shampoo you myself.

>> Good afternoon, Crystal Salon.

Let me have

>> Let me take a seat.

>> Well, are you going to tell me about the

man that's the reason for all this? Is

he a new student or what?

>> He just walked up to me on the court and

we started talking and then one thing

led to another and now I'm going to meet

him for a drink at the music machine

tonight.

>> Uhhuh.

>> Ah, that scent reminds me, Larry, do me

a favor. Don't let me leave here without

an extra bottle of shampoo. I mean,

hairspray. I'm almost out.

>> You've got it.

>> Thanks.

>> Come on,

tell me more.

>> You're so nosy. I don't know. There's

There's just something unusual about

this guy.

>> That's what my mother used to say about

me. Larry's [music] just a little

unusual.

Lisa said she met him at work. He seemed

like a real nice guy.

She told me what happened to him.

>> B, what you saw happening in the parking

lot had nothing to do with the rape. So,

stop blaming yourself.

>> It did, Dan. Because if I'd just gone

over there, maybe I'd have scared the

killer away. Or maybe Lisa would have

gone with me.

Oh, I don't know. Um, I might go home.

Okay.

>> Okay.

But leave me Lisa's phone number. I read

the police report, but I still have a

few questions I want to ask her.

>> Okay. But she's not going to answer him.

She just wants to forget about it. I

can't say I blame her.

>> Be forgetting is not going to keep this

from happening again.

>> I know.

>> Bye.

>> Bye.

Wendy

>> Jim, I thought you weren't going to show

up.

>> I'm sorry, but somebody came over

unexpectedly. I tried to call you at the

bar, but I couldn't get through. I hope

you still feel like having a drink.

Sure.

>> Can we go someplace that's a little more

quiet?

>> Of course.

>> All right, I'll drive.

I guess I should apologize

for all the uh [music] disparaging

things I said about the way you make a

living.

>> Not many people realize that it offers

so many fringe benefits. We're all

[music] set. Why don't you get in the

car?

>> I'll go get the tennis champ.

Jean.

Jean.

She must have fallen out of the chair

and hit her head.

She's not moving. Jean,

what do we do now?

Nothing

for her.

She's dead.

[music]

Hi, I'm B. Travis. We met in the

hospital.

>> Yes, I remember. How come I haven't

heard from your friend Lisa?

>> Well, I've been trying to get her to

come down here, but she won't talk to

anybody. She won't even answer the

phone. She just wants everyone to leave

her alone so she can forget what

happened, right?

>> Yeah, but I wonder if that's so bad. I

think I know how she feels.

Well, if she really could forget, it

would be fine. But until she works out

all those things she's feeling, there's

no way she can forget. and withdrawing

from everyone and everything will just

make things worse.

>> What do you mean by worse?

>> Well, before the center was set up, it

wasn't uncommon for some rape victims

just to pack up and leave town, never to

be heard from again. Some were unable to

bear a man's touch for years afterwards.

Some became depressed, some suffered

breakdowns,

and some took a much more permanent way

out.

>> Do you mean suicide?

Well, that's always a possibility.

I'm going to get her here if I have to

drag her.

[music]

Sorry to start your day this way, Dan.

She was found nude in the music machine

disco park parking lot about 4:00 this

morning and there's evidence of rape.

>> Do you think there's a connection

between what happened to Lisa Bell?

[snorts]

>> Mhm.

Sperm analysis indicates again that it

was positive old type blood. And there's

more.

See these? They were found on her. She

was blindfolded and gagged

>> just like Lisa.

>> Mhm. So, if it was the same guy, why is

this girl dead?

See that head wound?

Maybe she struggled. Maybe it was an

accident. Or maybe the rapist decided to

join the big time. Whatever happened,

that's what killed her.

Come on, let's get some air.

>> So, Lisa Gavl's clothes were found in

the parking lot where the rapist left

her. What about this girl's? Well, we

found a person address in a rubbish bin

near the disco.

>> The photo and description on a driver's

license fit the body. Her name is Wendy

Paige.

>> Wendy Paige.

>> So now we got to start looking for a

common denominator between she and Lee

Scavl, right?

>> That's right.

>> Mind if comes down and goes through her

effects?

>> Yes. What else is new?

>> Oh, there's one other thing. Lisa Cavll

is probably the only person who can

identify the rapist. And now that he's a

murderer, he may have second thoughts

about her,

>> right?

Keep in touch.

>> Tana.

>> Hi, Dan. It's me,

>> B. I'm glad you called. Listen, tell

Benzer to get down to Metro. Dave's got

some stuff I want him to go through for

me.

>> I'm afraid I'm not calling from your

place.

>> Where are you? Well, I got to worrying

about Lisa Caval, so I started tracking

her down. Well,

>> I've just been given a reason to worry

about her myself. Do you know where she

is?

>> She's here.

>> Where's her?

>> Leon's.

>> Leon's photographic studio.

>> Yeah, you better get down here right

away, Dan.

>> Be there in 10 minutes. [music]

Nice spacious Huh?

>> Well, but I can only accommodate you one

at a time.

>> Uh, we're looking for Lisa Cavll.

>> Oh, terrific. She's in the back,

>> right?

>> Uh, you got a camera?

>> I don't want to take any pictures.

>> Uh, didn't you see the sign out in

front? You got to have a camera. I don't

care what you do with it after you get

it, but to get in that room, you're

going to have to have a camera. That's

going to be 50 bucks.

>> Look, I don't want to rent a camera. I

don't want to take any pictures. I just

want to talk to the girl. All right,

>> just get out.

>> Just don't do that.

>> I said get out.

>> So, what'll it be? The um blue

background or the Hawaiian special?

What are you doing here? That was going

to be my first question.

>> Why don't you just get out?

>> Not without you.

>> Why don't you just leave me alone? Will

you just leave me alone?

>> He's trying to say you don't belong

here.

>> I belong wherever I can make a living. I

was a showgirl for God's sakes. When my

legs gave out on me, I was damn lucky to

get that supermarket job.

Now I'm not even good enough for that.

>> Lisa, we'll find you something else to

do.

>> Why? I qualify perfectly for this job.

>> Lisa,

regardless of how some people have made

you feel, you are a decent human being.

You did not deserve to be raped and

brutalized and humiliated.

What happened was not your fault.

>> Then what? Why did it happen? Can you

tell me that? Why?

There's got to be a reason.

Why could anything like that happen to

me without a reason?

>> Lisa,

someone who can help you deal with this

thing came to the hospital to talk to

you and and she never had a chance.

Will you come with me now and talk to

her?

Look at your clothes.

[snorts]

>> What are you doing here?

>> Crystal Salon.

>> I'm sorry. But

>> did anybody say anything about the room?

>> Let me see what I can do.

>> Yeah, what a dynamite job the cleaning

crew did.

What are the newspapers saying?

>> Not too much.

Probably because the police aren't

saying too much. I need Lisa Coll's

address.

>> Why?

>> Why? The cops are smart enough to know

that the amos are the same. Lisa Coll's

and the girls last night with one

exception.

>> Yeah. Now they're looking for a

murderer.

>> That's right. And if they tie us to

Lisa, they'll tie us to the murder. We

can't afford not to keep an eye on her.

All right, I'll get it off the mailing

list.

[music]

Look, I just want to run in and check in

on the sitter. It'll only take me a

couple minutes.

>> Take your time.

Were

you able to get any more out of her?

>> No.

>> Well, I guess I better get back to work.

>> Just a second.

>> Lisa agreed to give me her appointment

calendar and her address book. And when

anything she had in common with a dead

girl, get Vinser on it right away. All

right.

B, what's the matter?

>> Dan,

I think that that was the guy Lisa

[music] was with in the parking lot.

>> That guy's dead.

>> Dan, that's him.

That's him.

The

>> guy in the blue jacket.

Hey.

Hey, what are you doing?

>> What's going on? HEY, COME ON. GET OUT

of here.

Hi. Good to see you again, Mr. Tana.

>> Hi,

>> Tracy James.

You've no idea how glad I was to hear

I'd be seeing you again, Lisa.

>> You met me at the hospital.

>> The police notified the crisis center

when you were brought in. It was obvious

you were in no condition to ask for our

help yourself. It was also quite obvious

you needed it.

>> I'm sorry it's taken me so long to

realize that. You're no different from

most people, Lisa. You've been

conditioned to believe that men rape out

of uncontrollable desire, which of

course means their victims are at fault

for having somehow aroused them.

>> You're saying that's not true? No.

>> Men who rape do so in order to

demonstrate their hostility toward and

their power over women. Sex isn't the

reason. It's used as a weapon.

Oh, Lisa, according to your statement to

the police, you had an opportunity to

run away in the parking lot.

>> May I ask you why you didn't?

>> One of the men had a gun and he said he

was going to kill the other man if I ran

away. I was so frightened and confused.

I guess I just wasn't thinking very

clearly.

I understand. Um, Mr. Tana, if you'll

excuse us now, I have some personal

questions I'd ask like to ask.

>> Sure,

>> Dan.

>> I'd really like to help you find those

guys.

>> Right.

>> Okay.

[music]

>> So, this guy instead of being a victim,

he's in on it with the rapist from the

beginning, right? Yeah, or else why

would he have run like that? Now Dan

figures they faked the killing just to

fool the police and scare Lisa half to

death.

>> Venzer, what is this?

>> Oh, I got uh I got copies of the police

photographs of all the things in the

dead girl's purse. That's a bottle of um

hairspray. Made the whole purse smell

like jasmine.

>> Jasmine? Let me see Lisa's date book

again.

>> What's the matter? Well, it says here

the hairspray is made only for the

Chrysalis salon.

>> So,

>> so

look, two weeks ago, Lisa got her

haircut at the Chrysalis salon.

>> But so what?

>> So, we've been looking for something

that the two girls had in common. I

think this is it.

>> Well, yeah, but I don't think that's the

kind of common denominator that Dan had

in mind.

>> Well, maybe not, but it's something. I'm

going to check it out on my way home.

Leave him a message, would you? Oh, I'll

give it to him personally. I plan to be

here. I want to see what kind of plans

he has for the T-Ird.

>> Who was the guy?

>> I don't know.

>> Well, then why was he chasing you?

>> He started after me and I took off.

>> I don't like it. Maybe they spotted us.

>> Not us. Me? I'm the one that's

identifiable. You had the mask on,

remember?

I leave here, I'm heading for LA. Oh,

you're going to skip out on me?

I mean, permanently.

>> Hello.

Is anybody here?

I'm not leaving as soon as I thought.

Maybe we should have one final fling.

>> Uh, if you're looking for the

receptionist, I'm afraid she left about

10 minutes ago.

>> No, actually, I just wanted [music] to

ask a couple questions.

>> Let me ask you a question.

>> All right.

>> Tom over at Lio does your hair, doesn't

he?

>> How'd you know?

>> Well, the style and the fact that the

color is about a half a shade off. He

never gets the color right. What does he

use on your hair? Autumn Mist. Should

probably be using Honey Glow. If he was

using Honey Glow, it would compliment

your eyes so much nicer. Why don't you

let me show you something? Why don't you

come right on over here? I want to show

you. I like your hair, too. But you

should see what it could look like.

>> Actually, I wanted to find out about

Alisa Cavell. Do you happen to know who

does her hair?

>> Lisa Cavell? No, I I really don't. Here,

why don't you take this swatch and hold

that right up next to your eyes and then

you can see the contrast.

>> Lock the door.

>> [music]

>> Come on.

Hi. Hi,

>> Ven. Uh, this is Lisa. Lisa. Windsor.

How do you do?

>> Hi. Nice to meet you.

>> Nice to meet you.

>> Is there a place where I could freshen

up?

>> Oh, yeah. Right through there.

You all right? She's quieting down a

little bit. Good.

Is that spaghetti sauce I smell?

>> Yeah. Shrimp and mushrooms and stuff.

You know, tossed salad, homemade

dressing, uh, garlic bread. Just a few

things I threw together.

>> Friends, those are uh, some of my

favorite foods.

>> Really? I didn't know that.

>> Yeah,

just kind of whipped them up in the spur

of the moment, did you?

>> Had nothing better to do.

>> Well, idle hands are a devil's workshop,

right? Well said.

>> This has nothing to do with the car,

does it? Dan, this girl leaves town day

after tomorrow. If I could just have the

car for 10 minutes.

>> I'll think about it.

>> Good. That that's fair enough. Good.

I'll just grate the Parmesan cheese by

hand. Of course.

>> Of course.

>> And you just relax and uh think about

it.

>> Uh he's whipped up enough for the

National Guard here. So, why don't you

stay? I have a few more questions I want

to ask. All right.

>> You want to ask me some questions about

where it happened, don't you?

>> Well, what about the place?

Look, Lisa, I know this is very

difficult, but if we can pinpoint where

the attack took place, we might get a

lead on these two guys.

>> Okay. [sighs and gasps]

Well,

after they faked the shooting, one of

them led me through a door and into a

building.

>> Okay. What was it like on the inside?

Was it echoey? Was it quiet?

>> Quiet like it was someplace small. And

then I got led around a lot of corners.

>> Yeah. [clears throat]

>> And finally, he put me on uh some kind

of a table.

>> Okay. You know what kind of table?

>> Oh, [sighs]

it had seams in it like uh like it was

adjustable,

>> like maybe in a doctor's office.

>> It did have a faint kind of smell, but

uh it wasn't antiseptic.

No, it was more like uh like flowers.

>> Flowers? What kind of flowers?

>> I'm sorry. I don't know. I think

>> Lisa, look, these details could be very

important. Now, what kind of flowers

were they? Roses. Gardinas. What?

>> No. Um, it was more like honeysuckle.

No, it was like it was like jasmine.

More like jasmine.

>> Jasmine? Damn. Hey, Dan. The the girl

that got murdered, she she had a can of

hairspray in her purse. It smelled like

jasmine.

>> That's the hairspray and shampoo they

use at the Chrysalis.

>> The Chrysalis hair salon.

>> Oh, god. Dan, that's the message I was

supposed to give you. Be went to the

Chrysalis.

Call the police.

See that we're not disturbed.

You see, young lady, Larry up there

finds out where the pretty young

customers will be, and I set them up.

Only you had to come along and ruin

everything.

Now you've got a lesson to learn.

Larry, what was that?

>> Don't even breathe.

You boys can make it.

This ought to be a lot of fun. You see,

Bee doesn't drink.

>> I do, too.

>> She does, but when she does, she gets

very silly drinking.

>> I'll take care of that, Barbara. Thank

you.

>> Samp.

>> Well, tell us.

>> Well, thanks to Mr. Cohen, I now have a

full-time hostess job. And no questions

asked.

>> How about that, Bird? Always like bird

con.

>> I think you should go and tell your old

boss what to do with those groceries you

used to sack.

>> Yeah.

>> Well, here's to your new future.

>> And uh here's to you and your son.

>> Thank you. And here's to the city of Las

Vegas and to the DA and to the Rape

Crisis Center.

>> Too much, B.

HEAT. [applause]

[music]

HEAT.

>> [music]

>> HEAT. HEAT.

[music]

HEAT. HEAT.

[music]

HEAT.

[music]

HEAT.

[music]