Original subtitles

[music]

>> All right then.

Carry on now and keep walking.

>> Good night, love. God bless. [singing]

>> [music]

[music]

[music]

[music]

[music]

>> Yeah.

Where do you think you were going?

>> Oh, officer, you did give me a start.

>> You know the rule about unaccompanied

women being out in the streets after

9:00?

>> I was only going to the rooms.

>> Yes? Where is that?

>> Right down there.

>> All right. Hop it.

>> Is he about tonight?

>> Is who about?

>> You know who. Or else what are you doing

out in this damp? Him, the murderer.

>> Look, hop it.

>> The same as butchered all those girls.

>> Either you buzz off or I'm going to walk

you down to the police station.

>> Wow.

>> [music]

>> Who's well around here, George?

>> [music]

[music]

[music]

[music]

[music]

[music]

>> What do I look [music] like? Who can I

be? All the blinking coppers is out

after me. They think I'm here, they

think I'm there, but when they come to

collar me, I'll vanish in the air. Oh,

what do I look like? Who can I be?

[music] Well, here is a little something

you can say of me. [singing]

I ain't a butcher, [music]

I ain't a kid, and I ain't a foreign

skipper.

I'm just your own dear loving friend.

[singing]

Yours truly, Jack the Ripper.

>> A surgeon's scalpel.

An instrument of mercy in the hands of a

skilled physician.

A lethal weapon in the hands of a

madman, a murderer such as the subject

of our story for tonight.

Now, no one knows who this man was. No

one ever saw his face. His identity has

always been one of the world's great

mysteries.

He killed only women and only a certain

kind of women.

And his murders were often accompanied

by strange and forbidding rites.

For months on end, he terrorized London.

Defying whole divisions of police. And

it was they who nicknamed him Jack the

Ripper.

Well, he disappeared from the scene as

suddenly as he had come.

But similar murders followed at

intervals in other countries.

There are many who believe that Jack the

Ripper still walks the earth. Still

continues his diabolical activities.

That's a chilling thought.

Especially when it's accompanied by

highly convincing proof that it may be

true.

Let us discover the facts for ourselves

in the company of such distinguished

players as

Mr. John Williams,

>> [music]

>> Mr. Donald Woods,

Mr. Edmund Ryan,

>> [music]

>> and Miss Nancy Valentine.

I suggest that you viewers draw just a

little closer together.

The Ripper always struck down solitary

victims, you know.

It would be a pity if a member of our

audience became dismembered.

>> [music]

[music]

[music]

[music]

>> If you will remember, gentlemen, I sent

you a telegram after the July killing.

Watch for another murder

in exactly 24 days.

>> We've been getting all kinds of phony

tips, crank letters, phone calls, all

sorts of things.

>> But that third murder did occur, didn't

it?

Exactly when I said.

In the same district.

In the same way. And I've flown in from

Washington to tell you that there will

be another murder

three nights from now.

>> What is he, a crystal gazer?

>> I told you Sir Guy is in the British

Embassy.

>> Medical Liaison, Captain Jago, M.D.,

Fellow in the Royal College of

Physicians, and ex-pathologist to

Scotland Yard.

>> Well, that's quite a record, but it

doesn't mean he can see what's going to

happen night after tomorrow.

>> Sir Guy says there'll be six murders all

told unless we stop them.

>> What we have here is a psycho, a schizo.

Isn't that right, Johnny?

>> It's possible, Pete.

>> Dr. Comedy is consulting psychiatrist

with the police department. Now, why

don't you talk this over with him?

>> Captain Jago feels that the murderer is

a psychopath whose aberrations are

paranoid.

That perhaps he's trying to imitate Jack

the Ripper.

>> I don't agree. It is Jack the Ripper.

These murders have been repeated at

certain intervals ever since they first

began.

Now, I have a chart here which shows

>> A chart. They always have a chart.

>> All right, Pete. Let's see what it is,

shall we?

>> Now, these murders reappear every 3

years and 8 months, as rhythmic as the

tides.

For the past 70 years, they've left a

trail of blood all around the world, and

the record of it is here with places and

dates.

Now, they began in London in 1888.

And the next group of six murders

occurred in Jersey City, 1891-92.

Then Shanghai, then Vladivostok at the

turn of the century, and so on and so

on.

Now, here are news reports, police

photographs.

I worked on these cases for 30 years,

been over the actual ground, talked with

officials. Now, none of these Ripper

murders received the notoriety of those

in London. Many went almost unnoticed,

but they did occur.

The pattern is there, the trail of

unsolved crimes.

Now, here is the

the projection of the present series of

murders. Look for yourselves at What

does it show?

>> Just what you said.

Another killing coming up.

>> But it can't be Jack the Ripper. If he's

still alive, he'd be 90 or more.

>> He is alive, and he's in the city.

>> But Sir Guy, a man that age is a very

frail creature.

>> When a woman, anyone, is struggling for

life,

she becomes strong, desperately strong.

A man the Ripper's age couldn't possibly

handle him.

>> Suppose he hasn't got any older.

>> What was that?

>> I said, suppose Jack the Ripper hasn't

got any older.

>> But everybody gets older. Police,

doctors, maniacs, everybody.

>> Not everybody, Captain Gregson.

>> Well,

with all respect, Sir Guy, you must

admit that by the natural process of of

living

>> What about

the unnatural processes of living, and

these most unnatural murders? I've

studied everything about them,

especially their dates and the pattern

made by those dates. I've studied their

rhythm, the solar and lunar rhythm, the

sidereal aspect, even the astrological

significance.

Now, suppose Jack the Ripper didn't

murder for murder's sake alone.

Suppose he wanted to make a sacrifice.

>> What kind of sacrifice?

>> Well, it is said that if the blood

sacrifice is made at the proper time

with the proper ceremonies when the moon

and the stars are right,

the gods grant a boon.

A boon of eternal youth.

>> You seriously suggest that Jack the

Ripper is still young?

>> You'll see for yourself if we catch him.

>> I just don't believe it.

>> Now, we'll go into that another time.

Now, I leave this material here with you

if you don't mind.

You can find me at my hotel.

But the important thing is,

have I persuaded you to take special

precautions three nights from now and

prevent another murder?

I hope so, gentlemen.

>> Lunar rhythms, blood sacrifices, boons

of youth. This cookie is really

crumbling.

>> You know, if you really made an effort,

I think you could get the other foot in

your mouth.

>> What do you mean by that?

>> I think he means you might be more

tactful, Pete.

>> Tactful? I have got three unsolved

killings on the blotter. I'm supposed to

be charming to every flake-o who comes

in here with a cloudy crystal ball?

>> That flake-o, as you call him, happens

to be one of the world's foremost

doctors.

>> Oh.

>> And the mayor says we got to humor him.

>> Aha, now it comes, the mayor. And all

along I thought that you were under Sir

Starchy's spell.

>> It is possible, Pete, that you've been

talking when you should have been

listening.

>> Yeah, all mouth and no ears at all.

>> No, I mean it. We have three murders

here and not a single clue. And in comes

a man, not just any crackpot, mind you,

with a theory.

>> Unnatural processes, eternal youth. Are

you kidding?

>> Not at all. He predicted the latest

killing, gave you the date and the

district.

>> He did that?

>> And now he says he can tell you when the

next murder will take place.

>> Bourgeois.

Have you got any better theories,

Captain Jago?

Well, since you don't, obviously, you

will extend Sir Guy every courtesy and

cooperation. You know, he may win you a

promotion in spite of yourself.

>> [music]

[singing]

[music]

>> Shouldn't Jago be back by now?

>> He's getting reports from his men.

He has quite a few [music] of them

staked out.

I think this is him coming now.

>> [music]

>> Give me the phone.

Come in, 14. This is 12.

Anything over there?

>> [music]

>> Yeah.

Keep your eyes up.

>> [music]

[music]

[music]

>> Give me the mic, Joe.

Yeah, Charlie?

Django.

>> Back already?

>> Yeah, I'm back.

>> Everything okay there?

>> Yeah, we got the whole area blanketed.

Walkie-talkies at every stakeout.

>> You've got an awful lot of ground to

cover.

>> Yeah.

And we're checking every alley and dead

end five times an hour.

>> Can you close in fast enough?

>> Mhm.

Well, if we get an alarm, we can

surround any spot within 30 seconds.

>> Let's hope he shows.

>> Oh, if he does, we're ready.

I'll talk to you later.

>> Do that.

>> So, we are going by your charts, Sir

Guy, waiting for the Ripper. But, that

doesn't mean I buy it. 90 years old and

still looks like a young man.

>> Well, evidently you've never heard of

the Count de Saint-Germain.

>> The Count who?

>> Saint-Germain. It's a matter of record

that for 150 years he remained

unchanged. He was attached to the French

court. Voltaire called him the man who

never dies and who knows everything.

He'd never tell how old he was or where

he came from.

>> Are you trying to tell me that this

Count and the Ripper are the same?

>> No, no, no.

He was a fabulous character. No one ever

saw him eat.

>> Are you kidding?

>> It's a mystery how he prolonged his

life, but he did.

Well, modern medical science are working

toward the same end today.

But, I believe Jack the Ripper

has achieved his own dark and dreadful

way of doing it.

>> What do you mean by that?

>> Well, I think somehow he

thrives on the very lives he takes.

Most of his murders are like satanic

rites.

>> Blood sacrifices, you mean?

>> Well, it It goes deeper than that.

>> Well, if If in this city, a cook like

this wouldn't be hard to spot.

>> So, guy thinks he maybe associating with

the avant-garde,

the painters and musicians.

>> Well, John, is he?

>> What do you mean?

>> Well, he means most of them end up in my

studio.

>> Your studio?

>> A vestige of my misspent youth. You may

not believe this, Ziggy,

but before I went into medicine, I

studied sculpture.

And I still have some of my bohemian

blood.

>> Ah, I see. Crafty.

>> Hocus pocus. It's a lot of hogwash.

Superstition. Like the way people used

to believe that a murdered man's eyes

would open

if the person who killed him passed by.

>> His wounds start bleeding again.

>> Believe me, those things don't happen. I

know. I've tried them.

I'll tell you something else.

I don't believe anybody's going to get

knocked off tonight.

>> The Ripper will come.

He has to.

>> Well, we'll see.

I'm just going to check around again.

>> [music]

[music]

[music]

[music]

>> Do you live around here?

>> Yeah, just up the block. [music]

>> We have orders to see all you girls

safely off the streets.

>> Why?

>> We don't want you getting hurt, [music]

that's all.

>> You really think this guy's around here?

>> Who knows? Come on, let's go.

>> [music]

[music]

>> This your place?

>> Yeah, down there.

>> You wait here [music] while I check it

out.

>> [music]

>> All right, come on.

>> [music]

>> Let me hear you bolt it.

>> Thanks.

>> [music]

>> Hello?

Yeah.

Who is this?

Oh, it's you.

Yeah, sure I remember you.

Yeah, I guess I could.

Where's the party?

Yeah, I know where it is.

I guess 20 minutes, half an hour, I

don't know.

What's the number?

57.

Yeah, I got it. 57 and just walk in.

Okay.

Okay, honey. See you in a little while.

>> [music]

[music]

[cheering]

>> Well, anyway, I live in the next

apartment, see? And I was going to bring

her a cup of coffee like I generally do.

And I called her through the window. And

believe you me, I never saw anything

like what I saw in that room in all my

born days. Shouldn't get my name right.

Maggie Radevic. I used to be a headliner

in burlesque.

Miss Baboom of 1938.

>> Dr. Fisher,

in the three previous cases here, did

you follow a pattern? Were the

mutilations the same?

>> Not in the first killing.

All the others were exactly like this.

>> Mhm, it's part of his ritual. He's

always done it. Right back to 1888.

>> I let the photographer have it a couple

of minutes.

They found the body an hour ago.

Anything to work on?

>> Not a clue, nothing. He was here.

He's gone.

>> Nobody heard him?

>> Nobody saw him.

>> So, Guy was right again, wasn't he?

And I'll give you another day to Captain

Jacob.

The night of the 22nd.

I can't worry about that. I've got

enough here.

Well, I think I had this whole section

staked out covered.

And the papers,

they'll go big for this one.

>> [music]

[music]

>> Then soon after our Jack the Ripper

disappeared from London,

an artist, said to be an American,

vanished from his lodgings and left some

blood-stained clothing behind.

Later on in Dusseldorf, after similar

murders, the police learned of a man who

spent all his time studying in art

galleries. In Cleveland, a man who had

vanished was said to be an art dealer.

And in Bordeaux, France, they discovered

an artist who always destroyed his

pictures,

which is what the man in London had

done.

Now, none of these men were traced,

but I believe it was the same person

each time.

>> Sir Guy, tell them what makes you think

the Ripper might be hiding among the

artists here.

>> Art is limitless. It It would give him

an interest in living.

Also, he'd be less conspicuous among

unconventional people.

>> I still don't see how a man can be 90

years old and look young. Where is that

chart you told us about?

>> Well, the police have it at the moment.

But you know, there's there's a strange

rhythm to the Ripper's murders.

Just as there are cyclical rhythms which

control other things.

There are rhythms which control the

sunspots. Every 17 years a particular

type of locust swarms and flies. Every

14th year the price of nutmeg peaks then

drops again.

But in the Ripper's murders

it's always 126 days between his first

and second murder, but only half that,

63 days, between the second and the

last, the sixth.

>> Isn't it weird?

>> I've heard of these rhythms. What causes

them?

>> Ah.

That's one of the mysteries of the

universe.

>> Well, what do you want us to do?

>> Segal just wanted to tell us why he's

here. Maybe we can help him.

>> And when do you expect the Ripper to rip

again?

>> Segal says Saturday night.

>> Oh, but that's Liz Beston's party night.

>> That's right. You'll find almost all the

local painters there.

>> It's kind of a trade show, artists only.

>> But we'll get you in.

>> I was doing a picture for it now.

>> That's right. And if anybody's

interested, I'm ready for you to look at

it right now.

There you are. What do you think?

>> I don't see why you had to paint me with

all those dead flowers, Jaime. You

you just spoiled a good picture.

>> If that's the way he sees you, Olly,

then you can't argue with it.

>> Oh, he's dropped little spots of oil on

it. It's still wet. It looks like dew.

>> But it's not.

When I was painting it, I wanted to

paint fresh beautiful flowers, Olly.

But that's the way it came out.

And that's not dew, Rowena.

Those are teardrops.

Segal has been talking about cycles and

rhythms and murder

and things we can't account for.

Well, like I said,

I'm with him.

All the time I was putting Arlene's face

on that canvas,

that song was going through my head.

I'm your own dear loving friend.

I had a feeling with it.

>> What feeling, Jaime?

>> Come on, tell us.

>> If you want to know,

feeling I'm standing looking down at

wreaths and

dead flowers.

And my heart is weak and beating inside.

Don't anybody ask who's below those

flowers and wreaths.

>> Jaime, you

get the silliest

the most lunatic ideas.

>> He's such a sensitive boy. Just look at

his work.

>> He's been reading about that girl.

You know, they're burying her tomorrow.

Isn't that right, Jaime?

>> I don't know.

But the feeling stays with me.

>> You have a morbid imagination, Jaime,

associating Arlene with that dead girl.

>> Say, I have a wonderful idea.

Why don't we all go down to the

cemetery?

I just love funerals.

>> [music]

>> Look at the crumbs. Any one of them

could be the Ripper or whatever he is.

We may as well have a look around.

You never know.

When this is over,

you watch this gate. I'll take the one

down there.

>> [music]

[music]

[music]

[music]

[music]

[screaming]

>> She's looking at us.

She's looking straight at us.

>> [music]

[music]

[music]

>> More gravy for the papers.

Look at this from New York. Here she is

right after the casket broke. The whole

front page, and get this headline.

Four murders, and the last corpse opened

its eyes.

Here's another.

Dead four days, but who is she looking

at? I've never known a four-day-old

cadaver open its eyes at you.

Never.

All nature's against it.

Now, I'd like to see what you think of

this.

You have four murder spots here. When

there are six,

and you join them together in the right

way, they'll form a sign.

I have one here from the black mass.

He formed it in Calcutta.

And another he formed in Milan.

The medieval sign for the Elzibar.

>> But why does he do it?

>> An invocation to the dark gods, perhaps.

But if I could guess the sign he's

making now,

I could say approximately where the next

murder will occur.

Maybe you can figure it out.

>> I intend to try.

>> [snorts]

>> But it could be any one of a thousand.

>> All this jazz about the Ripper living

off the lives he'd taken.

>> It doesn't make sense. If you told me it

was his son or something, I might buy

it. It might even be a psycho imitating

the Ripper, but that is all it is.

>> Leave it right there, Pete. Look at all

the time we wasted on that crummy idea

about the dead girl looking at them.

>> Are you finished?

>> No.

I don't think we should just stake out

that oddity party. I think we should do

more than that.

>> What gave you the idea we weren't?

We're going to move into that whole area

with extra lighting, flood lamps, field

lights. Keep the streets lit up.

>> You think that'll stop him?

>> No.

It'll give us a better chance to see

him.

>> How about all those people you were

discussing? Will they be at the party?

>> Everybody will be there.

>> Including Jack the Ripper?

>> I believe he will.

>> [music]

[music]

>> Ah, Sir Guy, have some punch.

>> [music]

[music]

[music]

>> Now, if only Lester would get here, we

can get started.

Lester! Lester!

>> What color, what feeling.

>> What a pity you'd have no talent.

>> Ah, that's a nice hat, Chloe. I like it

better every time I see it.

It's positively egregious.

It gives me a feeling, a certain

something.

Nausea.

Ah, you do have taste, Rowena.

Bad taste, but taste.

Ah, have you picked out the Ripper yet?

No, not yet, Mr. Baston. Let me tell you

how to catch him. Everybody here knows

Sugai. He's the man that's looking for

Jack the Ripper. He thinks he's here

among us.

Tell you what we're going to do. We're

going to put Sugai in the middle of the

room and turn out all the lights. Then

when you feel him at your throat, all

you've got to do is grab him.

Well, that's a very good idea, Mr.

Baston, but there's just one little

thing wrong with it.

The Ripper is only interested in women.

Excuse me.

Ah.

Well, enough of the business at hand.

>> I have to slip away soon on account of

my little girl.

It's her Jaime painted in the picture.

You can see she has hair like mine, only

but only it's finer and it's it's much

lighter.

>> Yes, she looks charming. A natural

platinum blonde.

>> I'm proud of her.

She stays with her grandmother most of

the time.

She's been sick lately.

Been in the children's hospital for

days.

You know, she won't even go to sleep at

night until I go and say goodnight to

her.

I'm only waiting to see who gets the

ribbon, then I'm going to leave.

Oh, I

I wanted to see me looking

yeah, pretty.

>> You're more than pretty.

You're beautiful.

>> Well,

>> [sighs and gasps]

>> I know I'm supposed to be, but

I've been told that by anyone like you.

That's something after all the English

beauties you must know.

>> For all Mr. Comedy's counting the

ballots now, and as soon as he gets them

counted, he'll bring them here.

>> Yes, here are the winners.

>> Oh, thank you, Mr. Comedy.

>> It's the gold ribbon. He's going to get

that one first.

>> The best picture in the room?

>> RIGHT HERE.

>> I MEAN THIS PICTURE.

I MEAN THIS PICTURE. I MEAN ONE.

I WON.

I WON. WHO CARES ABOUT DEAD FLOWERS NOW?

I won.

I'm going to slip away now, but I'm

going to come back and congratulate him.

Bye.

>> [applause]

>> Where's the winning prize, Arlene?

Where's Arlene?

>> She's gone to the children's hospital.

She said she'd be right back.

>> We'll tell her later.

>> I won, old girl. I won.

>> [music]

[music]

[music]

[music]

[music]

[music]

>> All the while.

All the while I had that feeling that we

did flowers.

Me looking down on them.

And here I am.

Been coming here every day.

Gets me.

Did I know something was going to

happen?

Like it was faded.

Or did I give somebody the idea?

You see what I mean?

Was it really just a crazy thought I

had, but the Ripper heard me talking

about it and made it come real?

>> And I always believed he was hiding

among the sort of people you and John

know.

>> It had to be someone who knew she always

went to the hospital that way.

>> Yeah.

It's funny.

I picked these out and sent them to the

kid.

She hasn't been told yet.

Her grandmother's got her now.

I used to think about marrying Arlene.

You know, we got along real fine. And

Let's go, huh?

Hey, listen, wait a minute.

You think I ought to talk to the police

about it?

>> I don't think it would help, Jaime.

Everybody knew about the painting and

about the child being in the hospital.

>> Yeah, I suppose so.

It's just an idea.

I get the shivers when I think about

that Ripper being around all the time

and and and nobody knows him.

He's five down and one to go, now, isn't

that right?

Does your chart say when when he'll do

the next?

>> Nine days after that happened.

And a week has gone already.

>> Yeah.

>> You all know what that is, of course.

Crux capitata, also called the Christian

cross, the sign of signs. No single

emblem is more exalted.

Now, I said the theory Ripper was making

a sign on your map here.

This is where Arlene was murdered.

Now, I found a sign

which fits these five spots, and I think

it indicates where he will attempt his

last killing.

It's a sign used in the irreligious

black mass,

the broken cross.

See where this falls?

Bury Street and Bow Lane. I worked out

the exact spot. It's the north corner.

The north corner. Oh, you know the

place. Yeah, a lot of arty people used

to go there.

>> Yeah, it's changed hands. They've got

strippers in there now. I've seen that

sign before. Our vice squad raids some

very peculiar places. They don't just

use the broken cross in the black mass,

they break a crucifix. Yes, I know. Now

this guy has been right about the date.

I think he's hit the place this time,

too.

>> Yes, but that may be the wrong sign.

Now this one This one fits all five

places,

but it sets the six over here.

Uh this is the devil's eye. Of course,

these signs are a debased form of art.

Here, try the others. I think you'll

find they all turn out differently.

>> Well, anyway, we're going to have to

cover the whole area again. Can't just

concentrate on Ferry Street and Bow

Lane.

>> Well, I'll use men out of uniform around

there. The trouble is, we still don't

know what he looks like.

We don't really know who we're looking

for.

He could even be a woman.

>> [music]

[music]

[music]

>> But tell me, what goes on in a place

like that?

>> It's not what goes on, it's what comes

off.

>> No, I mean, what does one do?

>> First of all, you check that umbrella

and that hat.

Then you sit at a table and order a

drink.

Then you watch some attractive The

ladies disrobe.

>> What?

>> You mean

in the altogether?

>> Yes, in the altogether.

>> Well, let's not delay a moment, old man.

>> [music]

[music]

[music]

>> LADIES AND GENTLEMEN, MISS BEVERLY HILL.

NOW, GIVE IT

>> [applause]

[music]

[music]

>> CIGARETTE, JOHN?

>> NO, thank you.

>> But I believe we'll get him, Slade.

She's exactly the sort of woman who

attracts the Ripper.

>> [music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

>> Got four men in the audience, several in

the rooming house in the place above. He

may show there, you know.

Four men outside.

>> But it's as you said, you could look at

him and still not know it.

>> That's what we're up against.

>> He'll have to do something, won't he,

before we know he's even here?

>> That's what we were waiting for when we

staked out the other places.

>> Perhaps one of us should go backstage,

make sure this girl is all right.

>> Yes, good idea.

>> I'll do it to guy.

>> [music]

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>> Well, what do you want?

>> Are you all right?

>> Well, of course I'm all right. Why

shouldn't I be?

>> I just wanted to make sure, that's all.

>> Well, now you've made sure.

>> He has.

Thank you.

>> [music]

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>> She all right?

>> Oh, yes. I saw one of Captain Jayko's

men back there.

>> It's a guy.

>> What will you do if the Ripper does get

away with it again?

>> Oh, I shan't give up.

>> I still don't understand why he goes on.

What's his purpose?

>> He goes on because he can't stop. If he

stops, then he dies.

He's a figure of evil.

A vampire who fattens not on blood, but

on life itself.

Ghoul, nourished by death.

30 years I've been after him.

And it may end tonight in this place.

If it doesn't,

I'll probably turn everything I have

over to Interpol and the authorities of

whatever country he appears in.

Perhaps I should have done that long

ago.

>> They're a pretty practical bunch. I'm

afraid you'll have a hard time

convincing them.

>> If I convinced Captain Jago, I can

convince anybody.

You know,

>> it's very close in here.

>> Oh, it's awful. Suppose what they call

atmosphere.

Look,

>> why don't we go outside and get a breath

of fresh air?

>> That excellent idea. Come on.

>> [sighs]

>> That's better.

>> It certainly is.

>> We've missed him, don't you think?

>> Oh, the night's still young.

>> He wouldn't be fool enough to show

himself. The place is crawling with

police.

>> But does he know that?

>> I'm sure he does.

He'll get away, all right.

>> Tonight, perhaps, but now we know how he

operates.

It's only a matter of time.

Have you got a match? I left my light on

the table there.

That's a knife.

>> I know.

>> You got good shot.

>> [music]

>> Not John.

Jack.

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