Original subtitles

Her eyes.

They were often upon him.

Candid,

admiring,

possessive.

Her eyes.

Extraordinary

eyes.

Alan Patterson was aware of her eyes.

At the newsstand,

at the lunch counter,

in the elevator.

He was aware of them for almost a month.

And they were to lead him into guilt

[music] and terror and murder as sure as

my name is Boris Karloff.

Our story is about the watcher

and the watched,

and a not-so-innocent bystander.

There's an outsider, too.

Alan's wife.

Four pairs of anxious eyes,

but no one could foresee the shattering

effect of the twisted image. That's the

name of our story.

Our principal players are Mr. Leslie

Nielsen,

Mr. George Grizzard,

Miss Natalie Trundy,

and Miss Diane Foster.

Well, I'll say no more, but I promise

you one thing.

This is a thriller.

>> [music]

[music]

>> Good morning, Mr. Patterson.

>> Good morning, Marge.

>> Merle,

I'd like to speak with you.

>> Yes, ma'am.

>> Merle, this is not your entrance. You're

to use the staff door down the hall, the

same as everyone else.

>> I always forget. I'm sorry.

>> Apparently, you also forget you're due

in at 9:00, not 9:20. You may think

you're an executive, Merle. You're not.

>> I'm sorry. There was a tie-up on the

subway this morning.

>> Well, no one can say you don't have a

variety of excuses.

Mr. McCabe will be in at 9:30, Mr.

Nicholson at 10:00. And you have a board

meeting at 11:00.

Alan.

>> Uh hello, Marge.

What's the matter?

>> I just had a run-in with one of the boys

in the mailroom, Merle Jenkins.

>> What's the trouble?

>> He is never on time.

And ever since he's been here, little

things have been missing.

>> What sort of things?

>> Stamps, for instance. Pens, small

change.

>> Any proof?

>> No, nothing concrete.

>> Well, I don't like to fire anyone just

on suspicion. Why don't we give him

another week or so and see what happens?

>> Your stamps.

>> What's he look like?

>> Oh, Alan, for heaven's sake. He's in and

out of your office four times a day with

the mail. Young, with blonde hair.

Kind of a smudged-up carbon copy of you.

As a matter of fact, he acts as though

he thought he were you.

>> Well, I guess I hadn't noticed.

Yes.

>> Mr. Pretty's on three.

>> Right, thank you. Uh Marge, we'll talk

about this after lunch. I have a very

full morning.

>> Of course.

>> Hello, Bill. How are you?

>> Fine. How about lunch one day next week?

>> I'm sorry, Bill. I've given up your kind

of lunches. I'm on a diet.

>> Are you kidding?

>> No, I'm in it. I've been eating in the

uh drugstore in the building here for

the past week.

>> [music]

>> May I show you a table?

>> [music]

>> Do you mind telling me something? Why do

you stare at me all the time?

>> I don't mind at all.

I just like to look at you.

I think you're the most attractive man

I've ever seen.

>> Well, oddly enough, my wife feels the

same way. So does my small daughter.

>> Of course they do because it's true.

Well, you don't mean that

they couldn't mind my just looking at

you.

>> Well, perhaps they wouldn't.

>> Mr. Patterson.

>> How do you know my name?

>> I asked one of the elevator operators.

Mine's Lilly Hanson.

>> How do you do, Miss?

Are you uh work in the building, aren't

you?

>> Yes, I do. I like it very much. It's my

first job.

>> Well, that must be exciting.

>> Oh, it is. It's such a nice job. We only

work from 9:00 to 5:00 and we have every

Saturday off.

>> I wish I could say the same.

>> You have to work on Saturday?

>> Well, just this Saturday. Nice meeting

you, Miss Hanson. Goodbye.

>> It's not goodbye.

Alan.

>> And I'll wait to hear from you before

making any decision. Cordially yours,

etc.

>> You want this one to go airmail special,

too?

>> Yes. Uh look, it's after 12:00. Why

don't you type that stuff up and I'll go

for lunch. I won't be long and then you

can go when I get back.

>> Well, I brought a sandwich with me. So

many places are closed on Saturday.

>> That's right. I'll find some place.

>> You don't have to rush. I have enough

work to keep me busy for a couple of

hours.

>> Oh, I have enough trouble staying on

this diet without all that extra time.

>> Hello, I thought I'd come and keep you

company for lunch.

>> You [snorts] thought you'd

>> Oh, Mr. Patterson, I just remembered.

Oh, I'm sorry.

>> Oh, that's all right, Miss Radley.

>> I was just going to say that Pierre's is

open on Saturday.

>> Thank you.

>> Oh, yes, Pierre's sounds lovely.

Such a wonderful lunch.

I've never been in a restaurant like

this before in my whole life.

>> Oh, haven't you?

>> Must be wonderful to be able to eat in

places like this all the time.

>> Well, someday you'll be able to.

Sometime you'll marry a nice young man.

>> Oh, no, I won't.

Marry a young man, I mean. You can't

depend on them.

>> Well, then

say you'll marry someone.

>> Yes.

Because I have a plan.

I do everything by plan. I read an

article once that said it's the only way

to make things come out the way you want

them to.

>> You're a very dedicated young lady,

Lily.

Where are you from? You're not a New

Yorker, are you?

>> I'm from Elmira.

Oh, it was awful. I saved for 2 years to

get to New York.

>> Aren't you lonely without your family?

>> Yes, but it doesn't bother me because I

know it's just for now until my plan

works out.

>> Well, it must be quite a plan.

I have to get back to the office. I have

work to finish.

>> not yet. It's so nice just to sit here

with you.

>> Alan.

Why, Bill, how are you?

>> Fine. Fine, but I thought you'd given up

lunches like this.

>> Well, you know, Saturday.

Oh, I'm sorry.

Uh

Mr. Pretty, Miss Hasson.

>> How do you do?

>> Pleased to meet you.

Would you care to join us, uh Bill?

>> Oh, no, thanks. I've had lunch.

>> Darling, can't Mr. Pretty at least sit

and have a drink with us?

I do so want to meet all of your

friends.

>> Well, I've got to catch a train.

So long, Allen. Nice to have met you,

Miss Hanson.

>> Darling, please don't be angry with me.

>> Lilly, this is not a scene from a movie

or some love story magazine.

>> I can't stand it when you talk to me

that way.

>> Good lord, don't cry.

I bother bringing you here in the first

place. Get up.

I'll call a cab.

>> Allen, will I see you on Monday?

>> No, I'll be very busy on Monday

and every day.

>> Hi, Allen.

You've got a visitor in your room. A

woman.

>> What?

>> I saw the landlady let her in.

She said she was your sister.

>> My sister?

>> Well, that's what she said.

>> Hello, Merle.

Surprised to see me?

>> What are you doing here?

>> I came to New York on business.

>> How'd you find out where I live?

>> I called your office.

Naturally, I couldn't leave without

seeing my own brother.

Besides,

everyone was so impressed with your

letters about how successful you are.

I was curious to see for myself.

>> Well, I haven't always lived here. This

is just a

temporary setback.

>> What a liar you are, Merle.

And you always were.

Better close the door.

We don't want the neighbors know our

family discussion.

>> I suppose you're going to tell them now,

all of them.

>> Now, why would I do anything like that?

>> Because you hate me.

You always have.

>> You made that up because I disciplined

you.

Someone had to try at least to save you

from being completely spoiled by mother.

>> She didn't spoil me. She tried to help

me make something of myself.

>> Make you what?

Speech lessons, dramatic lessons,

buying you more clothes than you knew

what to do with.

Anybody think you were a girl the way

she treated you.

>> Is that why you always punished me when

she wasn't around? You wanted them for

yourself.

>> I had better things to do with myself

even then.

I failed pretty badly with you.

But I did try.

>> You didn't fail.

You succeeded making me so afraid of

so many things I shouldn't be afraid of.

You said I'd never do anything, I'd

never get anywhere.

It took me years to get over you.

>> But now you have, hm?

>> Yes, now I have.

>> You're vice president of your firm,

aren't you?

Or so you said in your letter.

>> I never said I was vice president.

[clears throat]

>> Liar.

>> I said I was going to be vice president

and I am going to be.

>> You can't steal jobs the way you steal

things, brother dear.

You still do steal, don't you, Merrill?

>> Shut up.

>> You're still afraid of me.

A full-grown man and still afraid of his

sister.

>> You get out.

>> With pleasure.

You know, it's a pity that you look the

way you do.

Such a pretty boy.

You'll never become a man because it's

all on the outside.

What a waste. [music]

>> Get out, Louise.

>> Any messages for the folks back home?

No?

Well, then I'll just fill them in on

your activities.

In the mail room.

Bye.

>> [music]

>> What's the matter with you tonight?

>> Oh, nothing.

Except I love you.

Very, very much.

>> A call came for you just before you got

home. Miss Hanson.

>> Hanson?

>> Mhm.

You don't look very pleased.

>> No, uh

That's all pretty silly, but

I suppose I should tell you about it.

>> If you like.

>> Actually, there's very little to tell.

She's a crazy kid works down our

building.

>> She's not in your office.

>> No, but she eats at the same drugstore,

and

yesterday she sat down at my table, so

I talked to her.

>> There must be more to it than that, or

you wouldn't be so embarrassed.

>> Yes, well, there is a little more.

Today she showed up.

Drugstore was closed, so uh

well, I took her to Pierre's. Now, don't

ask me why because I don't know. Just

seemed like the simplest thing to do at

the time.

>> And now you're scared to death.

>> No, it's just a A annoying, that's all.

>> And a little bit flattering.

However,

I think you'd better make the situation

quite clear to her on Monday before you

get in over your head.

>> Yes, I suppose I have to.

>> Better hurry or we'll be late.

>> Right.

>> [music]

>> You think because somebody's young

they're not lonely.

>> Well, Lilly, if you're lonely, I'm

sorry, but there's nothing I can do

about that. I'm a married man who loves

his wife and family very much.

And you're coming [music] to the office

and calling my home.

It's very embarrassing. It's got to

stop.

>> You mean we'll never see each other

again?

>> Well, of course we'll see one another.

We work in the same building.

Bound to run into one another

occasionally.

>> Oh, Alan, isn't there some way

>> No.

Now, finish your lunch.

>> I only have one thing to say and then

I'll leave.

I love you.

And I always will.

>> [music]

[music]

[music]

>> President Melvin?

>> It's telegram service.

>> Yes.

>> Miss Hanson is on one.

>> I don't want to talk to her. Get rid of

her. And come in here for a minute, will

you?

>> Alan.

I wish you'd stop that. It's very

annoying.

>> Oh.

I'm sorry.

A little nervous tonight.

We both are.

>> I'm not at all nervous.

>> What's the matter?

You have been trying to pick a quarrel

with me all evening.

>> Alan, you did explain to your little

friend, didn't you?

>> Yes.

Did something happen today you haven't

told me about?

>> Mommy.

>> Darling,

what are you doing up?

>> I woke up and I got lonely and I need

someone.

>> Oh.

Cry of the world. Come on, darling. I'll

take you back to bed and stay until you

fall asleep.

>> You promise?

>> I promise.

Are you sleeping now, dear father?

>> Good night, Daddy.

>> Good night, sweetie.

>> [music]

[music]

[music]

[music]

[music]

>> Hi.

>> Good evening.

>> Did you take on an extra job waiting

tables or something?

>> That's not funny.

>> Well, I just wanted to know what you're

all dressed up like that for.

>> I'm all dressed up like this, as you put

it, so I can go somewhere I can breathe.

Somewhere I belong.

Oh, excuse me.

Hello.

>> It's me, Lily. I'm calling from outside,

but I'm going right home. You must come.

>> [snorts]

>> Wrong number.

>> Oh.

You better answer it. You wouldn't want

to keep Miss Hanson waiting.

>> Hello.

>> Alan, don't hang up on me. I must see

you tonight. I don't live very far away.

It's 539 East 59th Street. I'm calling

from outside, but I'm going

>> no intention of seeing you tonight or

any other night.

Miss Hanson?

Miss Hanson?

It is Miss Hanson, isn't it?

>> Who are you?

>> I'm Earl Jackson.

We work in the same building, remember?

>> Oh, yes. I I guess I've seen you in the

elevator, but how do you know my name?

>> Well, Allan, Mr. Patterson that is, has

mentioned you several times.

>> Allan?

Are you a friend of Allan's?

>> Yes, we work for the same firm.

>> Oh, I've got to talk to you.

>> Oh, it'd be a pleasure.

You've been crying. What's the matter?

>> That's what I'd like to talk to you

about.

>> All right.

Why don't I go and get a bottle of wine?

No, champagne. You can't drink champagne

and cry. They just don't go together.

>> I don't want any.

>> Why don't I go and get it and bring it

up to your apartment?

I plan to follow through for the

evening. I've got plenty of time. You

can tell me all your troubles.

>> You've been drinking already, haven't

you?

>> Well, I just a few martinis before

dinner.

And now now you run along and I'll get

the champagne and I'll be right with

you. We can talk about Allan.

>> [music]

>> It's 5:39, just down the block.

>> Fine, I won't be a minute.

>> [music]

>> Good evening, sir. Can I help you?

>> Yes, I'd like a bottle of champagne,

please.

>> All right, sir. Imported or domestic?

>> Well, how do they run?

>> Well, the imported they'll run you eight

and a half up, the domestic uh four

bucks.

>> Oh.

Come to think of it, it's foolish to get

champagne.

The girl I'm taking it to has got no

palate at all.

Just run you a buck and a half.

Well, I wish you'd say something.

>> She's still telephoning, so obviously

you didn't make your position very clear

to her.

>> Judy, I have told you there's no such

thing as making anything clear to this

girl.

>> Yes, you told me, but one lunch, even

two, doesn't give any woman a claim to a

man if that's all there is to it.

>> Yes, well, I thought we'd get to that.

>> How could we not?

>> If I give you my solemn word that what I

told you was the absolute truth, will

you believe me?

>> Well, then I want to. You don't know how

desperately I want to.

>> But you can't.

Well, you did last night. So, something

has happened today to change your mind.

Something besides those telephone calls.

>> Alan, I

I have been thinking about it all day.

Asking myself what would happen if it

were true. If you were having an affair

with her, how much would I care?

>> Well, did you come up with any answers,

or you still trying to make up your

mind?

>> The answer is I would care very much.

I know now I couldn't bear it.

>> If you have been thinking about this all

day, then something has happened. Now,

what is it?

>> I think you're lying to me.

>> Mostly for music, the Willie Akrum Show.

Continuing with a new item, pretty and

polite. You name it.

>> Here we are.

Specially imported from France for your

pleasure, madam.

They didn't have any champagne iced, and

you can't drink it warm, so I brought

burgundy instead.

>> It doesn't really matter. I didn't want

any.

>> Oh, nonsense. A little glass of wine is

going to cheer you right up.

Where are the glasses?

>> Over there, in the kitchen.

>> Well, they're not wine glasses, but uh

doesn't matter. Where's corkscrew?

>> You don't need one. With this kind, you

just turn the top.

>> Oh.

Here we are.

Score.

>> It's bitter.

>> Well, you're just not used to it, that's

all.

You're pretty.

You're very pretty, did you know that?

>> Not tonight. I look terrible.

>> No, you've just been crying. That's all.

Why don't you tell me all about it?

What's the problem?

Did you and Alan have a little

misunderstanding?

>> Yes, but that's all it was. If I could

only talk to him, I know we could

straighten it out.

>> sure you could.

You're his girlfriend, aren't you?

>> Yes, I am.

>> [music]

>> Dear Mrs. Patterson,

I think there are some things about Alan

and me you ought to know.

Would you write me and let me know when

I can come and see you?

Sincerely yours,

Miss Lilly Hanson.

You have to plan things the way I did.

I even picked out the building where I

wanted to work.

I did that first and then I got a job

there.

I wanted a building where a lot of old

established firms had their offices.

And then I just waited.

I watched the men who worked there.

And one day I saw Alan.

And I knew right away he was the one I'd

been looking for.

>> How'd you get to know him?

>> I just kept staring at him until he

spoke to me.

I knew he would.

Just as I know he didn't mean it when he

said he'll never see me anymore.

Once he leaves his wife, he'll

>> Oh, come on. He's not going to leave his

wife.

>> I can't help it that she called. The

number's in the book. Anybody who can

read can look it up.

>> I thought you'd given it to her.

>> I don't know what to say to you.

>> What you have to say is not to it's to

Miss Hanson, and I suggest that you say

it as soon as possible, and say it so

that you finally know she means it.

>> And what would you have me say to her

that I haven't already said?

>> That she is not to call here again under

any circumstances. This is my house, and

I won't stand for it. You can find some

other way to keep in contact with her.

>> Judy,

I have had just about enough.

>> I quite agree with you. I don't find

this discussion about your squalid

little affair very interesting. As a

matter of fact, [laughter] I find it and

you disgusting.

Alan!

Oh, Alan, no!

Alan, I

>> She's beautiful.

And she's a lady, a real lady.

>> Just the same, he's going to leave her.

I wrote her a letter, and I'm going to

see her to explain how much we love one

another.

When she knows that, she'll let him go.

And he'll come to see me.

He won't have any other place to go.

>> You're dreaming.

Let's not talk about Alan anymore.

He's not here.

I am.

>> I'm in love with Alan.

>> Then you could be in love with me.

I'm just as good-looking as he is.

I got twice as much brains, and one day

I'm going to have his job.

>> I'll bet.

>> Look at me, Lilly.

Who do I look like?

Who do I remind you of?

Don't you see how much I look like Alan

Patterson?

>> Like Alan?

Well, that's the funniest thing I've

ever heard.

>> [laughter]

>> Stop it.

>> You don't look like anybody.

>> Don't say that.

>> And you're drunk, AND IF YOU DON'T GET

OUT OF HERE, I'M GOING TO CALL THE

POLICE.

>> YOU SIT THERE, AND YOU LISTEN to me.

>> It's very late. I have to get up at 7:00

in the morning.

>> It's not late. It's just a few minutes

after 10:00, see?

>> I know, but I'm very tired. I I I think

that

>> Look at the watch.

See those buttons there on the side?

You push those and it turns into a

stopwatch.

I bet you never saw a watch like that

before.

>> It's It's very nice.

Allan's got one, too.

>> Well, this is not Allan's, it's mine.

I've had it for a long time. My mother

gave it to me when I was 21.

So, don't go saying it belongs to Allan

Patterson.

>> I didn't.

Why should I say a thing like that?

Please, go home now. I have to go to

work in the morning.

>> Not if you don't want to. Allan's got

plenty of money.

He ought to get you a real nice

apartment somewhere and give you money

so you wouldn't have to work. That's

what I'd do if I was him.

If I was him,

I'd have a wonderful apartment on the

river,

a wife like her,

a real lady,

and I'd be where I belong.

Where you going?

>> Don't

Don't touch me, please.

>> I'm not going to hurt you.

>> If you come any closer, I'LL SCREAM. I

SWEAR I WILL.

>> YOU DON'T scream when Allan touches you.

Why should you scream now?

Don't Don't. NOBODY'S GOING TO HURT YOU.

>> JUST LIKE LOUISE.

>> You're just like her. She was always

hurting me, too.

>> [music]

>> I wonder why I ever thought you were

pretty.

>> Who are you looking for? Most of these

bells don't work.

>> I'm Miss Hanson.

>> Well, she's in all right. I heard a

radio blasting and she was nervous or

something. Uh I guess you might as well

just climb up and knock.

>> Yes, I guess I better. Thank you.

>> [snorts]

>> Miss Hanson?

It's me, Alan.

Miss Hanson?

>> [music]

[music]

>> On Call for Oliver. It's our pick of the

week. Runaway Wretch.

>> [music]

>> You're not so high and mighty now,

are you?

You and your big job.

Your apartment and your wife.

That big gunboat of a car.

Things have changed, haven't they?

You don't look so grand now.

>> [music]

>> Not any better than she does.

>> [music]

[music]

>> Thanks for the raise.

>> Hello?

No.

You have the wrong number.

>> [music]

[music]

[music]

>> Miss Hanson.

Miss Hanson, are you all right?

Miss Hanson, are you all right?

>> [music]

>> Take it easy. I'm coming. I'm

Oh, another bottle?

>> I'd like a bottle of your best

champagne, please.

>> That's 15 bucks.

>> That's quite all right.

>> Just as you say.

That'll be 15.45, please.

>> Keep the change.

>> I told you I'm playing poker and I'm

playing

>> Hello Marge, thank god I got you at

home. Listen, do you by any chance know

where this Merle Johnson

>> me a hand right now.

>> Well, we're downtown.

As I was afraid you wouldn't know

exactly where it was. It's that far

downtown. I'll have to get the car.

>> I wouldn't kid you.

>> Yes, yes, there's trouble.

Got to find him.

>> I just got

>> to go to the office to get his address.

No, no, no, Marge, listen, I can't

explain now. Just stand by.

>> Well, I may need you.

>> So long. I'll talk to you later.

>> Merle!

Merle!

Merle!

Oh,

excuse me.

>> [music]

>> You want to dance?

>> Sure, why not?

>> [music]

[music]

>> You know something? You're cute.

My name's Sue.

>> Mine's Alan.

Alan Patterson.

>> MERLE!

MERLE!

MERLE!

MERLE!

HEY, YOU! YOU WANT TO WAKE UP THE WHOLE

HOUSE? THE guy's not there.

>> Have you seen him?

>> He went out a couple hours ago. He's all

dressed up, ready for a big night.

>> Has he been back since?

>> I ain't heard anybody come in in the

last hour or so.

>> Yeah.

Yeah, well, I'll I'll wait outside for

him.

>> You can do anything you like so long as

you do it quiet.

>> [music]

[music]

>> What happened? Girl was killed. She was

murdered.

>> I saw the guy that killed her. So did I.

He went right by me. He was a tall guy

with blond hair wearing one of them

tuxedos.

>> No, he wasn't wearing no tuxedo. He was

tall, he had blond hair, and he had a

little scar on his cheek like a bullet

nicked him or something, but he was

wearing a regular suit.

>> What's the matter? You all right?

>> I'm fine, thank you. Did you know her?

>> No, no, I It's just such an awful thing.

>> [music]

[music]

>> I'd like to have a bottle of champagne,

please.

>> Beer or nothing, buddy. That's all we

sell.

>> That's not all you sell.

>> Well, there's not much I can do about

it, is there?

>> Not a thing.

>> What kind of place is this? All they

sell is beer.

>> What do you want, champagne?

>> As a matter of fact, yes. It's my

favorite drink.

>> Lucky you.

>> Yes, I suppose I have been lucky.

I've gone pretty far for somebody my

age.

>> That's nice.

>> Listen, why don't we get out of here and

go somewhere we can get something fit to

drink?

>> Uh-uh, it's against the rules.

I work here.

That is, I'm a hostess.

>> You're too beautiful to work in [music]

a place like this.

You ought to have

a lovely apartment uptown.

Somebody to take care [music] of you

properly.

>> Ah.

Who'd you have in mind?

You?

>> Why not? I can afford it.

I'm vice president of my firm now. The

man who used to be, a man named Earl

Jenkins, got into some rather [music]

nasty trouble with the girl, and he lost

his job, and I got it.

>> You know what I think? I think you're a

big phony.

>> Don't say that.

>> Why not? You bought me two beers. No

privileges go with them, buster. I can

spot a phony a mile away.

Let alone sitting across the table from

one.

>> You little

>> BART!

BART!

>> COME ON!

COME ON!

>> HELLO?

>> JUDY?

>> ALAN, where are you? I've been worried

sick.

>> No, I'm all right. There's nothing to

worry about.

>> home soon.

>> Alan,

I know all about it. I went there.

>> Where?

>> That girl's apartment.

The police were there, and and Amanda

described you. They think you killed

her.

>> Well, everything is all my fault.

Forgive me.

>> Now, there's nothing to forgive. Dear, I

know who did it. Merle Jenkins. He's a

mail clerk at our office. I'm waiting

for him now.

>> Why can't you call the police?

>> Judy, you don't understand. I can't go

into details now. Just take it easy.

I'll call you back as soon as I can.

Did you see anyone drive away in a dark

gray car that was parked here?

>> Yeah, a guy all dressed up.

He looked a little like you, only a

little shorter. He came out of there.

>> Is that's all?

Thanks, Joe.

>> [music]

>> Alan?

>> Hello, darling.

Don't do that, darling. It's just me.

Come on.

>> Joe, come up here a minute, will you?

>> What's the matter now?

>> That cookie jar went the nice nice in

the car. This guy's looking to find him.

Wants to know his name.

>> His name is Alan Patterson.

>> You got a phone?

>> Yeah, there's one right over there on

the wall.

>> Thank you.

Don't be afraid, Judy. I'm not going to

hurt you.

I wouldn't hurt you for the world.

I want you to sit down and listen.

>> All right.

I'm listening.

What do you want?

>> What do I want?

A man comes home, he expects

He has a right.

>> To what? A right to what?

Why do you say you've come home?

>> Because

because this is my home.

Don't go away.

>> I'm not going away.

I just think that we should talk this

over, and why don't you sit there, and

I'll make you a drink.

>> Yes, a drink. That's what I need.

>> What would you like? Scotch?

>> Anything you say, doc.

>> Uh

>> I need some ice.

I'll be right back.

>> [music]

>> Why is there all of the noise?

Who are you?

>> Don't you know me either?

I'm your daddy.

>> You are not.

>> Letitia!

>> Letitia!

>> Whoever that is, get them in the other

room.

>> OVER HERE!

>> OH!

>> JUDY!

>> JUDY, WHERE IS HE?

>> HE'S GOT LETITIA.

>> WAIT, WHERE? WHERE?

>> IN THE KITCHEN!

>> HE'S GONE DOWN THE SERVICE ELEVATOR.

CALL THE POLICE, I'LL USE the stairs.

>> Go, Alan!

>> Hurry, hurry.

>> [music]

[music]

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[music]

[music]

>> Merle?

Merle?

The police are on the way.

Let the child go.

Merle?

Merle, the only way out of here is the

way you came in, and now the police will

have that blocked any minute.

I won't stop you, Merle. Just leave the

child and go.

Merle?

>> [crying]

[music]

[music]

>> What did you say?

>> Daddy.

>> What did you

Baby.

Are you all right?

Are you all right, dear?

>> [music]

[music]

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