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Next on Vegas, a top secret CIA tape
chases Philip Roth out of Vegas and
marks Dantana for death.
>> Dan the man, you still keeping the
streets safe for us, huh?
>> Well, I'm dying from trying.
>> GO AHEAD, BLOW ME AWAY.
>> I'M the new president of Roth Hotels.
Heat up here.
Heat. Heat.
Heat. Heat.
Heat. Heat.
Heat.
Heat.
You don't have to understand anything,
Philip. All you've got to realize is you
don't have any choice.
So sign it.
You want to take the tape? Take the
tape. You think I'm too stupid to have
another one stashed away somewhere? One
phone call and that becomes public.
How'd you get it?
>> Client of mine passed away. You knew
him, too. Official high up in the
administration. I found it among his
papers. Now sign it. You know, Johnny,
you're a dummy. Always was a dummy.
You didn't put this together by
yourself. Who inv
>> it won't make any difference as far as
you're concerned.
>> You want to sign it?
>> Let me get this straight. All the stock,
certificates, options, mortgages. Hey, I
sign everything over to you. Six
casinos, the five hotels, eh?
>> Everything.
>> Everything. I uh resign. You become the
uh chairman of the board and also
>> the title chairman of the board
>> and you become the chief operating
officer.
>> Is that right?
>> That's right. You also can keep your
private plane provided you fly it as far
away from this town as a full tank of
fuel will take you and you go straight
to the airport and you don't talk to
anyone.
>> Mhm. Now you want to sign it.
John,
you have any idea the trouble this would
cause the havoc? I mean, how would it
affect our country? Johnny,
>> I always counted on your strong
patriotism, Phillip.
I'm not as patriotic as you think.
You can't, can you? And you won't.
>> Oh, yes I can.
Not me.
But I won't.
I wouldn't waste a bullet.
Don't forget your hat.
>> I won't. Enjoy your empire for a minute.
Well, Slick, I caught up with Bunker Boy
Keegan. He apologizes for conning the
old guy from market. So, he said he
didn't know he was staying at this
hotel, but I talked him into making
restitution plus 50%.
>> Good work, Mr. Tanner.
>> Uh, I I should probably warn you that
the last member of the staff who sat in
Mr. Roth's chair is now a junket booking
manager in Hastings, Nebraska.
>> Well, I'm not just a member of the
staff. I'm the new president of Roth
Hotels.
JT Rodmore is my name. Very happy to
meet you. Heard a lot of flattering
things about your abilities.
>> Yeah, that's nice. Uh, where's Roth?
Well, he left about an hour ago, as a
matter of fact.
On extended vacation
on a what? Where? He didn't say.
>> Wait a second. I saw a slick yesterday.
He didn't say anything about you or an
extended vacation.
>> Don't worry, Mr. Tana, we intend to
continue our arrangements with you.
>> Nothing's changed.
>> Well, in that case, uh, you owe me 300
bucks in cash laid out in advance.
That's not slick creeping out the back
door. He's Mr. Flamboyant. He can't go
to the bathroom without issuing a press
release.
>> If he were making changes that big and
handing over control and going on an
extended vacation,
>> you know, the papers from the Wall
Street Journal to the National Enquirer.
>> Thank you,
Dan. I just talked to the controller at
the airport. Roth's plane left at 10
a.m. for Los Angeles. Two minutes later,
it dropped below radar level and they
haven't heard from him since. You know
what I'm saying?
>> You mean the plane's missing?
>> No, don't worry. He does it all the time
to cover his tracks. He probably had no
intention of going to LA.
>> So, you think everything's okay?
>> This doesn't make any sense. I mean, I
know Slick would not leave town without
talking to me
unless
>> Unless he was forced to.
>> That's crazy. Nobody makes Philip Roth
do anything.
>> Dan, who's this new Rodmore guy? Where's
he coming from?
>> JT Rodmore? It's a good question. Why
don't you call our contacts in Reno in
Atlantic City? If Slick put him in
charge of a casino, he's got to have a
casino background, right?
>> You want me to call Lieutenant Nelson
and see if Rodmore has a record?
>> I don't even get to call the shots
around here anymore.
>> We're a well-trained team, coach. Now,
what are you going to do?
>> Well,
there are only three people in this town
Slick Mike trust completely. Maybe they
know where he is, huh?
>> And I'll start with Rosie.
A telephone call from Mr. Cohen. Mr. B
Cohen.
>> Hey, Dino. Dan the man. He's still
keeping the streets safe for us, huh?
>> Well, I'm dying from trying. Uh, you
happen to see our favorite bookie
around,
>> Rosie? Oh, he's in his office still
taking bets. But, uh, you go there on
your own risk now.
>> I will. Hey, I caught you on the telly
the other night. Don't you get tired of
being sensational?
>> I hope the Neielson people hear about
that and thank him.
>> You bet.
>> Hey, speaking of bets, Dan, uh, put a C
note for me on Scotch Maul in the third.
Right on the nose.
>> Scotch M, huh? Is that a hot tip?
>> No, it's a cold drink, Dan. Just make
the bet, huh?
>> Everybody loves somebody.
across the board and give me big blue in
the fourth and put five big ones on him.
Nose him for me. Yeah. Oh, thank you. I
hear that Dominic driver's been
scratched, so give me Sterling late in
the first to show.
>> Yeah.
>> Hey, Rosie, I got to talk to you.
>> Uh, hold on. Look, man. I'm trying to
place some bets. I only got 5 minutes
before post time.
>> Why did you always come at the wrong
time, Dan? Right when I'm feeling lucky
and winning. You always try to break my
life.
>> I'm sorry, Rosie, but it's important. I
wouldn't bother you if it wasn't
important.
>> So is my livelihood important. Brother
Daniel,
>> would you please leave just for once of
all, please?
>> Would you give me?
>> Hey, what about your friends? Philip
Bro, he's in trouble.
>> I'll call you back.
>> What kind of trouble?
>> I don't know. He disappeared. When did
you see him last? Saw him last night. He
and I caught Dino short at the grind.
>> Well, what was his mood? How did he
seem? Was he himself?
>> Yeah, he was zinging around, having a
lot of fun until he got that call from
some cat called JT.
>> Yeah, JT Rodmma. What about him?
>> Well, after hearing from him, uh, he
started making calls to his buddies
trying to find out who's backing this JT
dude.
>> But they ain't never heard of nobody
with that name. So, uh, he started
making some kind of excuse, but he had
to leave. So, he took the tip and split.
>> Did he happen to say where he was going?
>> No. But I know where he was going to
finish because at midnight he was
supposed to have a pool game with the
fat man.
>> That's right. Every Tuesday. Listen, if
you hear anything or if you hear from
Slicky, let me know. All right.
>> You got it, brother.
>> Oh, uh, by the way, Dino wants you to
put a cote for him on Scotch Malt the
third.
>> Scotch Malt.
You got it.
>> All right, little pony. Run sweet for
you, daddy.
>> Dantana investigations.
>> Anything on Rodmore?
>> No. Why, you may ask? There is no JT
Rodmore.
>> You made him up. He does not exist as a
human person.
>> Let's find out if Rodmore had a military
record. Try our contacts of the
services. Then try Social Security and
then the DMV. Whatever.
>> It's your phone, Bill.
>> Beatress.
>> How many times do I have to tell you not
to polish your nails by the desk? You
spill that junk on the floor, it'll
never come out.
>> We're sorry.
>> Talk to you later.
Everybody knows I'm the greatest pool
player in the world. That's why I banked
this for a cushion instead of shooting
it straight in.
>> All right.
>> Now you all know who the greatest
hustler in this town is.
>> Who's this guy over here, though?
>> That's my protege, Jimmy Matai.
>> Jimmy,
>> tremendous player.
>> Yeah, I know. Uh following in this guy's
footsteps, right? I've got to take
bigger strides.
>> You got to get some meat on them boom so
you can make the game ball for the
cheese. Junior.
>> Come here. I want to talk to you.
>> Now, uh, what can you tell me about
Philip Roth?
>> Sure. He shoots a pretty neat game for
an amateur because I taught him.
>> Yeah, naturally. You guys shoot last
night?
>> Sure. Like every Tuesday. He seemed
quiet, like he had something on his
mind, but I didn't ask him anything.
>> He didn't say anything about going away.
Now, don't worry. Why would he leave
town before my shootout with Mosone?
>> It's not like Slick to let his friends
down.
>> Did you check with Denise,
>> the choreographer at the Tropicana?
>> Yeah, when he left me, he said he was
going to see her.
>> Thought that affair was over years ago.
>> Oh, yeah. The romance, but not the
friendship. They stayed good, buddies.
>> Darn. That's something I didn't know
about SL.
>> Nobody knows everything about anybody.
Daniel
>> Jimmy
mind if I try that?
>> Do you mind?
>> How about that?
It's obvious he's talking to Ross's
closest confidence trying to find out
where he's gone. Meanwhile, his
secretary and the guy that does his leg
work have been on the phone to half the
world trying to find out who you are.
What do you want me to do about it?
>> Nothing. Look, if Tana's as good as they
say he is, he very well may locate Mr.
Roth. And it wouldn't hurt for us to
know where he is and what, if anything,
he's planning.
>> You stick with Tana.
>> Got him.
Okay, girls. Come on. Get your rack
together. One more time. Andy and five,
six, seven, eight.
Take five, girls.
Hi, darling.
>> Hi.
>> I knew you'd be here.
>> I know you know.
>> He said you would be. Yep.
>> We're going to talk.
>> Well, he made me promise not to tell you
anything.
>> Denise, he's in trouble. I mean, he's in
real trouble this time.
Okay. We spent the night together. He
needed a friend.
>> Did he tell you what was bothering him?
I mean, where he was going, why he was
going, anything.
>> No, but he was so restless and lonely.
Not like himself at all.
He said he had to leave town, that he'd
keep in touch.
But he didn't tell me a thing.
Even when he called this morning, all he
said was that
>> Wait a second. He called you this
morning?
>> Yeah. in the limo phone around 9:30.
>> How do you know it was on the limo
phone?
>> Well, it sounds different. I could hear
the traffic noises.
>> Thanks, Denise.
>> Dan,
>> help him.
>> Okay, back to work, girls. 9 6 7 8.
>> Hi, Oscar.
Good afternoon, Mr. Tanner.
>> Oscar, uh, you drove Mr. Roth this
morning, right?
>> Yes, sir. To the airport.
>> Yeah. Was there anybody with him?
>> Just his pilot, Captain Deca. The second
officer, Mr. McLaren, met us at the
plane.
>> Yeah. Uh, did you hear him say where
they were going?
>> Mr. Tanner, I don't listen to my
employer's conversations.
>> Oscar, look at it this way. You've been
looking after Mr. Roth's personal safety
on hostile highways for 11 years. I just
want to make sure he's going to be okay
on this trip without you.
>> I need your help, Oscar.
>> Well, Mr. Tanner, when you put it that
way, I I must say I'd never quite
thought of it in those terms.
They seem to have said Washington. That
is, I just happened to hear them mention
a private airirstrip near Washington DC.
It really doesn't make any sense, does
it, sir?
>> No, Oscar. It doesn't. Uh, doesn't make
any sense at all.
Yeah.
Yeah.
>> Well, do you happen to know where he's
staying?
>> I see. All right. Thanks, Josh. I owe
you one.
Well, according to the FBI, Roth arrived
in Washington DC early this afternoon.
He went from the airport to the Senate
office building, from there to the
Justice Department, then he went to the
White House. some vacation. Well,
>> at least we know he's okay.
>> Pretty high level sightseeing, wouldn't
you say, Lieutenant?
>> Philip Ross is an important man. He's a
national figure.
>> But he's not political. You know that,
Dave.
>> Yeah, I know that, Dan. It puzzles me,
too. But I can't take any action until I
have positive proof that a crime has
been committed.
>> Okay, it's 6:00 in Washington. It's too
late. Call Dick Cavlla to the Justice
Department tomorrow morning. Find out
who slip talked to at the Senate and the
Justice Department and the White House.
>> Just like that.
>> Yeah, just like that. Well, you can
remind him that I'm the high school
center who opened the holes that allowed
him to gain a thousand yards and win a
scholarship. I think that'll help.
>> Got it. Anything else?
>> Well, as of now, I am off duty, so I
would like to continue this conversation
over cool beer at Cohen and Kelly's.
I'll even buy it.
>> Certainly will.
Dade.
>> Yeah.
>> It's the fourth time today I've seen
that van.
>> Why is somebody tailing you?
>> Not exactly. He hasn't stayed close
enough.
>> Yeah. You take the front.
Dave. Yeah.
>> There it is. Any ideas?
>> Just one. JT Rodman. You give be a ride
home.
>> Yeah. What? Whoa, whoa, whoa. Easy,
buddy. Don't go busting anything.
>> I'm just going to return some private
property.
>> Yeah, sure.
>> Okay, Tana, hold it right there. JT
Rodmore's busy. He won't see anybody
right now, especially you.
He's not that busy.
believe these belong to you.
Your boy ought to be a little more
careful where he leaves them.
>> I told him you were good, Mr.
>> I don't want compliments, Mr. Rodmore. I
want an explanation. Why?
>> Because
>> why? Because
>> Hold it.
Because I don't want you involved in
certain matters that don't concern you.
>> Philip Roth concerns me. Then obviously
you don't want to hurt him.
>> Maybe you better run that by a little
more clearly.
>> You've spoken with Philip lately. Let's
call him right now.
>> I don't know where Philip Roth is and
you know it. But
>> you'll have to take my word for it. Your
actions only they'll only bring in.
>> Nobody in the gambling world has ever
heard of you, Mr. Rod Moore.
>> I wouldn't take your word for it had it
set to music by the Mormon Tabernacle
Choir.
>> Take a look at that.
You recognize Philip Tho's signature,
appointing me as executive director of
the Roth Empire, giving me his power of
attorney.
Now you hear me. I'll find out what you
did to make him sign that. You can bet
on it.
>> Hey,
when you look at Mr. Tana,
I know you're trying to help a friend,
but in fact, your persistence may put
his life on the line.
Now, you've proven your abilities. You
accept the situation,
and you let it go, Mr. Tanner.
Stuff it, Rodmore.
Well, everything that Mr. Ross said
about Tana seems to be true.
More important,
nobody Philip Roth knows can hurt us
as long as I've got that tape.
Who is it?
>> Elizabeth.
>> Elizabeth, come on in.
>> Dan, I know it's late, but I've got to
talk to you.
Philip sent me.
>> Slick sent you.
>> Look, I have to talk fast. You do
remember that I was Philip's secretary
for years.
>> Yes. And I also know that uh you left
his employee about 3 years ago.
>> Did he tell you why I left him?
>> No.
>> Well, it never got private enough. I
fell in love with him. Never fell out.
>> Well, everybody loves Slick.
Does that include you, Dan?
>> I think you know the answer to that.
>> Okay, then look at this. I just came
from Washington.
>> Looks like Slicks.
I remember him telling me his
grandfather gave it to him.
>> Wrong. You know better than that. He
went in a three-day poker marathon. 1958
Vanic Cuba.
Just test it. It's an old habit.
>> Dear Daniel, you remember Elizabeth.
Please believe every word she tells you.
Slick.
>> We don't have much time. In precisely
one minute, that phone's going to ring.
It will be Philip Roth from Washington.
He's not under duress of any kind. He's
not being held by anyone, and he's not
being forced to do anything against his
will. It's imperative that you believe
that before you speak to him. Listen to
him.
I'll listen.
>> He'll have to be as brief as he can.
That phone could be tapped from either
end. Afterwards, I'm not to leave until
you give me your answer.
>> Like I said, I'll listen.
>> Slick. Daniel, is Elizabeth with you?
>> Yeah, she's here.
>> Okay. Well, then I hope by now she's
convinced you that I'm not Rich Little
or a recording, but it's me, Slick.
>> Do you believe it?
>> Yeah. So, uh, what are the names of the
two raceh horses you didn't buy last
month?
>> Paris Red and Tony T. Huh? Okay, now you
listen to me. Stop antagonizing this JT,
will you? Stay out of everybody's way.
You're just causing a lot of waves and a
lot of trouble.
There's a lot going on and I don't want
you meddling into it. It's bigger than
life and death.
Now,
make sure that Elizabeth is on the
morning plane. Okay.
This is important.
>> Well, it doesn't uh appear that I have
much choice.
>> You don't have any choice. And you're
costing me money talking to me long
distance. Good night.
I'm going to rewind it and play it back
to you, sir.
>> Make sure that Elizabeth is on the
warning plane. Okay.
This is important.
>> Well, it doesn't uh appear that I have
much choice.
>> You don't have any choice.
>> Pick her up. She obviously knows where
our Mr. Roth is. Maybe what he's
planning. What about Tana?
Do what you have to.
>> Yes.
Heat. Heat.
There's Megan. Get ready.
That's the same van. RodMore's at it
again.
The man's in position. She's all yours.
He's
taking us off.
>> Operator, this is Dana. It's an
emergency. Please call Las Vegas Metro.
There's an attempted homicide by a motor
vehicle on Sunrise Highway headed west.
Stay in front of him.
I got one. Come on, Jess.
The car's still behind us.
>> Just hang on.
Almost got him.
Look out.
There's the van.
HEAT.
HEAT.
ELIZABETH. ELIZABETH.
>> Nice work, old buddy. Haven't you ever
heard of doorork knobs?
>> I want Rodmore. Where is he?
>> He's not here, but I am. And I'm asking
you to leave.
>> You're asking me to leave?
>> Well, I want Rodmore, and you're waiting
here, and you're asking me to leave?
What are you doing? Protecting him,
Dave?
>> It's my job, Tanner. Now, Mr. Rodmore
filed a complaint against you, said that
you busted in here, threatened him, and
said you'd be back. Obviously, he was
right.
>> I'm back because he sent his goons after
me, and a girl's in intensive care.
>> I know all about it. The incident is
under investigation. There's been no
break in the case yet. You give me
Rodmore and I'll give you a break.
>> What do you want from me? Do I have to
arrest you so make you leave me?
>> Why don't you do that, Dave? Read me my
rights. Arrest me and make me understand
why you're doing this and how you can do
it and still call yourself a friend of
mine and a friend of Philip Roths. Yeah,
arrest me, Dave.
>> Well, good Lord knows you've given me
cause. Storm in here like the Lone
Ranger.
Well, take me in for uh disturbing the
peace, huh?
All right, Dan.
You get yourself together and let's go
now.
>> Yeah, good. Take me downtown.
>> All right, Dan, let's have you. I didn't
mind playing that scene with you
upstairs, but what's it all about?
Losing your cool? Busting down a door?
What the hell were you really doing in
there?
>> Didn't fool you for a minute, did I?
Uh-uh.
It's
>> from Rodmore's desk. He handles it all
the time. Maybe you can check it for
Prince. We'll find out who he really is.
>> Drop me at Metro.
>> Tenner,
>> we got lucky on those prints on the
paper waiting.
>> We got a driving license match up from a
computer. His name is Jonathan Tolbert
Rodmore, attorney at law. He was a
partner in a law firm of Rodmore,
Dressler, and Cooper, Washington, DC.
>> Washington.
>> That's right. And I, like everyone else,
think he's legit. So, I'm giving you
fair warning, old buddy. If he calls me
again to complain about you, I'm going
to respond just as I did before.
>> Thanks, Dave.
Don't even breathe. Do
>> you mind if my heart goes bumpy to bump
slick?
Yeah.
Did you put it away? I
>> put it away. Hey.
>> Hey, Slick. How are you?
>> Hey, how are you?
>> How'd you get in there? Where'd you get
the key?
>> What are you talking about? How quickly
you forget? I'm your landlord. You rent
this place from me. I got a master key.
This place is filthy.
>> You put on some weight?
>> Well, wait. No weight. It's a
bulletproof vest. It's guaranteed to
stop anything up to a 38 or you get your
money back.
Why are you wearing it?
>> Uh, later. Okay.
How's Elizabeth?
>> News travels fast.
>> I got spies.
>> Yeah, so it seems. She's going to be
fine.
It's like, what's this all about?
>> Um,
it's it's hard for me to explain. It's
very difficult, Lux. I I had no choice.
Uh,
where's your drinks?
Over there.
Nobody. Not J. D. Rodmore.
>> How do you How do you open this thing?
>> Not the Queen of England.
>> Gives Philip Roth no choice. Really?
Really? For what it's worth, I don't
doubt for a minute you'd kill anybody
who tried.
>> I did try.
But I wouldn't pull the trigger.
>> Slick. What does this guy have on you
anyway?
>> Not just me.
And it's not as simple as that.
His name ain't Rodmore.
They changed it years ago.
His
name is Roth. He's my brother.
The only thing we had in common, my kid
brother and me, was that we both came
from the ghetto. I was out hustling,
trying to make a couple of bucks. I'd
give it to my mother, okay? She'd put
every penny she could away, wouldn't buy
herself nothing, and she put it away for
my kid brother so he could have a good
education. I went ahead and did my own
thing. You know, I uh I got in a little
trouble, so I jumped ship and I uh went
to Cuba. That's where I uh learned my
trade
>> and got rich.
>> That was
58 BC before Castro. Then uh Castro
kicked out Batista. I came back and uh I
went and looked up my uh fancy brother,
the attorney in Washington DC. He could
have been a senator, you know, really
important in the government. They found
out that his brother was a gambler and
they dropped him. I mean, imagine your
own brother ruining your career. I tried
to get in touch with him. Nothing. He
wouldn't give me the time of the day.
Wouldn't talk to me until one day
one of his clients, a very important one
in the administration died. And uh he
left this uh
tape recording.
>> What kind of tape recording?
>> It was nothing stupid.
>> What was on the tapes then?
Well, you don't have to tell me anymore,
Slick. I could put it all together for
you now.
I know a lot of people kid you about
your patriotic baloney.
It's real stuff with you. I know.
I know a lot of things about you, Slick.
>> You do, huh?
>> Yep. I know you spent a lot of time in
Cuba.
Consulted with President Bautista.
You don't remember telling me about
visiting the presidential palace, do
you?
>> Obviously, I talk too much.
>> Yeah. And that tape conversation,
the one your uh brother's client
recorded,
Slick, uh, I want you to tell me I'm
wrong, that I'm crazy, because I got
this feeling that, um, when you got back
from Havana,
you got this call from the White House
for a little conference
because you were an expert on Cuba, who
our friends were,
Maybe the layout of the presidential
palace.
Fidel Castro's palace.
The meeting was the planning of the
assassination of Fidel Castro. I
>> No, not planning.
Discussing maybe, but it was rejected
unanimously.
But that's what was on that tape
and it was made public.
>> My brother,
one thing he knows about me, pal,
he knows that I do anything, anything I
could to help my country out.
>> So, you had the original tape destroyed
and now you're going after the copy,
right?
>> That's my plan.
That's our plan.
>> Okay. Our plan
call Mr. Woodward Mr. Forest Woodward
Mr. Cohen Mr. Bert Cohen
telephone call Mr. Please work.
>> Dan, all systems are go.
>> Okay, Benjer, here we go.
>> You know how to fly this in
>> like old times, Nick Snick. We're just
going to pull together.
>> Yeah, like we always do.
Oh,
>> this vest plays a tough.
>> Is this going to work?
>> Slick. Come on, just trust me.
Okay.
>> Okay. What?
>> All right. First you want to do is uh
grab that hook. Wait a minute. I haven't
got a hook. Oh, yeah. Okay. I got a
hook. What do I do with it?
>> I put it on here like that just in case.
Then we got two buttons. One says up,
one says down. We want the one that goes
up.
>> Okay. Here we go. Push the button.
Stop.
Stop.
Come on. Come on.
No.
>> Sorry. Excuse me.
>> Oh, no.
>> You're not in there, are you, Dan?
Coming out again.
>> You do remember the combination.
>> Are you kidding?
>> Dan, answer the phone. Answer the phone.
Daniel,
let's get out of here.
>> Wait a minute. Where do you think you're
going? Get out of here.
>> We're not going that way. We're going
out the front door. What? Dressed like
this? I own this hotel again. This is in
fashion. Come on.
>> Well, Phillip,
this is perfect.
This couldn't be better. I come into my
office, find two intruders,
they lunge at me,
and I'm forced to shoot them
both. Look at him. Try and act like a
big- time gangster. The Harvard lawyer.
Shoot them both. Huh? You couldn't step
on a cockroach.
>> Hey, Slick, take it easy. That's not a
38.
>> I could have shot you, but I didn't. You
couldn't shoot nothing.
>> I'm stronger than you are, Philillip. I
always was. I can do it, and I will.
>> You're always gutless, even when you was
a kid. You know something?
>> Don't push it, Phil.
>> I don't think I ever liked you. Really?
One more step.
>> GO AHEAD. BLOW ME AWAY.
SLICK. I'm all right. What are you doing
here? Get the tape. Okay.
Heat.
Heat.
What are you doing, Ted? Are you crazy?
You work for me. I'm off duty. I got the
tape.
This is my hotel. You're trespassing.
So, call security. Have him cut me down
like I cut down your own brother.
You don't understand. You deserve what
he got. He was nothing.
He ruined me.
He ruined my life.
I hate to ruin your day, Rodmore, but
your brother's not dead. And something
tells me he's not going to go your bail.
Now give me the tape.
Now,
>> did you uh tell him that I called you on
the limo phone?
>> Yes.
>> You're a big mouth.
>> I was only trying to help. What are
buddies for?
>> You're my buddy. He climbed in here.
>> Dan, something's been bothering me.
>> Really? Something's been bothering you.
>> What's that? Huh?
>> No. Remember when we were on the phone?
>> How'd you know I was doing my nails?
Benzer said you're psychic. Are you?
>> Uh, no. Be I'm just a working detective
and I detected from Benzer's voice on
the phone that he was uh straining to
maybe move something heavy or open
something, you know. And then he kind of
gave a gasp like I do when I get a whiff
of your nail polish. Oh, elementary,
huh?
>> Well, actually, it's very difficult.
That's why he pays me big money to the
four of us.
Come in.
I just want wanted to tell you how much
I appreciate what you've done for me.
you know, we've been together for such a
long time. I thank you.
>> Now, you're not going to get mushy or
anything.
>> No, no, no. But this uh business with my
brother, you know.
>> Mhm.
>> And ending up in a slammer like that,
you know, really was a rancher.
>> Yeah.
>> And it's funny, you know, you you mean
more to me than he ever did. You're more
of a brother than he ever was.
I thought you said you weren't going to
get mushy.
Heat. Heat.
Heat. Heat.
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