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spring 1978
two young filmmakers john carpenter and
deborah hill
began shooting a film about a babysitter
being stalked by evil incarnate
shot in 20 days on a budget of just over
300 000
the film went on to make over 50 million
and until recently was the highest
grossing independent movie
ever it's influenced a generation of
filmmakers and
film goers and its title has become
synonymous with movie horror
halloween
today deborah hill is a player one of
the
busiest producers in la but she
remembers halloween
what i like about horror films is the
fact that they really
get you to react for me the films were a
way to kind of
leap from reality into some sort of
great fantasy we're all afraid of the
same things
we're all born afraid of death
loss of loved ones loss of abandonment
from our parents
pain injury all of it is the same we're
all afraid of the same things
which makes a movie that deals in our
fears
uh universal one of my first jobs was a
script supervisor
working on a movie called goodbye norma
jean and then i met john carpenter
when he directed assault on precinct 13
and i was his script supervisor and
assistant editor
and then we decided to collaborate on
halloween irwin yablons actually came up
with the idea of setting it in halloween
and we were searching for a story you
know what could the story be
and and because we were very limited in
fact they wanted babysitters so
and i'd been a babysitter and i had all
these great stories um but when he
called and came up with a brilliant idea
of using the themes of halloween
to tell our story it was like a gold
mine
i thought what if we made a film in one
night we could probably do it real cheap
because we do
one set we'd do it all in a couple of
days or a couple of weeks
and i thought about the most horrific
night of the year halloween no one had
ever made a movie about halloween
and i picked up a telephone and called
john carpenter with whom
who was in my mind at the time because
of assault on pc13
and i said what do you think of the
title halloween expecting him to perhaps
walk he got it right away and he told me
right off the bat that he could make the
picture for four weeks for three hundred
thousand dollars
i said john let me see what i can do
i wasn't in this horror films until
john carpenter came to me with this film
and and he said i have a film and
a low budget and he said three hundred
thousand dollars
i said three hundred thousand dollars he
said well yeah i said what's the stories
about
he said is about a babysitter to be
killed by the boogeyman
the word babysitter clicked with me
because
every kid in america knows what a
babysitter is
we went to a list of scares you know
like imagine
if you know you're in bed with your
boyfriend and he goes down to get some
water or coke or something
and comes back with a sheep trying to
pretend he's a ghost
but it's not him it's all these kinds of
things that we wrote down all these
scares
and then we decided to weave the scares
into the story
basically it was a complete 50 50
collaboration i wrote the first draft
laying in the kids the teenagers the
teenage talk the girl talk amongst each
other
and john came back with a pass for the
sam loomis character which was played by
donald pleasance
so all the stuff about evil and
everything is really jon's
i met this six-year-old child
with this blank pale
emotionless face and
[Applause]
the blackest eyes the devil's eyes
the opening shot of the picture um took
an entire day to film it's actually two
shots
we took it from touch of evil one of our
favorite orson welles
films we set up so that we would start
in the front of the house and we would
actually go all the way through
creep in the window see them kissing go
through the back of the house
open up the drawer pick out the knife
and by the way those are my hands
and then we would go in through the
living room and up the steps and into
the bedroom
and while we were up there shooting that
scene
um downstairs all the electricians and
grips were running around
crazy trying to reset the lights from
when we turned around and came back
through the house
the fact that we had a new tool at the
time to to
kind of help us with that the steadicam
it was pretty ambitious because
most of the time on low budget shows you
didn't really spend
a lot of time with the look
every town has a haunted house and in
haddonfield it belongs to the myers
family
we slept up there anybody who's a fan of
the film remembers nancy loomis
wow i'd like to tell you that a lot of
mysterious weird things happened or that
we had this big passionate love scene
but
in fact as soon as everybody was gone
and we got up there we just sort of
looked at each other and
we're so tired we just conked out the
end
not quite the halloween crew used other
locations in and around pasadena
all right what you're looking at is the
original halloween street
and i felt like this had the look we
needed
overhanging trees could be anywhere and
yet on film they don't look like rich
people live here they just like
beaver cleaver lives here the filmmakers
also use the stately homes of west
hollywood
hi i'm brian anders tommy doyle from
halloween
over there was lindsey's house that was
the house where i first saw the
boogeyman
and i gotta tell you that really scared
me
[Music]
over here we have the doyle house i'd
like to apologize to everyone for taking
so long to get to the door
and leaving poor jamie lee curtis
stranded out there possibly in fear for
her life
a lot of halloween success was due to
the creative partnership between its
director and cinematographer
dean and i sat down and watched
chinatown there is a real creepy feeling
to chinatown and the way it's shot it's
beautiful it's sunlit it's california
but on the other hand there's something
really off about it
as we talked about this being a small
town that's something strange
here he did a whole lot of blue
backlight okay
creepy creepy lighting and it was really
effective became a kind of cliche after
he used it
jamie lee has been chased in the house
and she's hiding in the corner
and the uh the shape as we called him
uh gradually sort of materializes
in the shadows behind her using a
light on the dimmer i brought it brought
it up so that it just
barely began to expose the white face of
the uh
the shape the killer hiding in the
background there
i always remembered john carpenter and
deborah hill seemed
always you know very preoccupied with
getting everything perfect
they seemed like the ultimate incredible
down-home filmmakers because they had
hands on everything
and john carpenter just seemed like a
genius to me because he really knew
so so much about what he wanted from
every single
second of the film veteran actor donald
pleasence came in for
five shooting days to portray the
shape's nemesis dr
sam loomis donald pleasants was just an
amazing actor he
he really he's the kind of guy who just
knew the character
we only had five days with him he was
just really great he gave 150 percent
and he was like the elder on the set
those days
kids making movies was rare
and so i think he was just astonished at
our ages
and the excitement and the freshness
that we brought to the process
john and debra colby one day and said to
me that they were all set
on offering christopher lee the part of
dr loomis
i said what do you want to do make
another hammer movie christopher lee
turned us down peter cushing turned us
down
and donald uh agreed to my shock
and we sat down to have lunch and he
says i don't understand this script i
don't like the script i don't know who
my character is the only reason i'm
doing this
is because my daughter thought your
first movie was cool
so tell me why i'm doing this i'm scared
to death
oh my god i only realized later when we
became friends that what donald likes to
do is he wants to be
he wants to find out how much you want
to do the movie he wants to find out how
you how
passionate i am you are the director so
that's his little trick
donald his action is he runs and he
shoots the shape blows him out of a
window
on the set i was shooting his reaction
so he says i can play this what do you
want me to
play this two ways i can play this
oh my god he's gone
or i knew this would happen
i thought boy that's interesting i don't
know can you play it do it both ways for
me
and clearly he knew what he should have
done
he knew how he should have played it
ahead of time it which it was i knew
this would happen
because oh my god he's gone was way too
too much
but i realized that donald actually gave
me the choice
you see he left the decision in my hands
which is the
i don't know the mark of a great actor
while halloween was pleasance's 108th
film or tv appearance
it was his co-star's first movie role i
remember that
the first day we shot i remember exactly
what we shot and
i remember going home and thinking i was
going to be fired i just thought i
sucked and
that you know
and i remember being at home and my
roommate said jamie the phone's for you
it's john carpenter and i thought oh man
this is it and he called to say how
happy he was with the day's work and i
just thought that was great
it's never happened to me again we saw a
lot of girls to play the loy strode
character
and jamie was just so vulnerable and so
real and so fresh so she really didn't
come with sort of the acting chops
that most of the young girls were
portraying at the time
she just was real and fresh and she so
wanted the role
and debra came up with the idea of jamie
jamie was in a little tv show i think
she was under contract at universal
and uh deborah thought it'd be a great
idea to cast her plus the fact that she
was janet lee's
daughter which kind of connected back to
psycho so i have to give deborah all the
credit in the world for that
and the fact that we had named the
donald pleasant character after sam
loomis
who was you know her boyfriend in psycho
for those reasons jamie got the part i
remember the feeling about it more than
anything it wasn't
like something happened on the set you
know working hard
everybody was very young we were
shooting an incredibly
fast pace the entire makeup wardrobe
prop department was in a tiny winnebago
here i was with these 18
19 20 22 year old guys primarily
and a lot of people's girlfriends and
friends and family
all creating this this movie so
that remains the thing that was special
about it for me
whenever you make a horror movie you
have a great deal of fun
if you make a drama or a comedy it's
it's a nightmare it's ugly it's horrible
okay because the subject matter
everybody gets very serious
especially comedies boy are they tough
but a horror movie everybody starts
loosening up
and the more blood you bring out the
more fun it is the more people get
killed every the crew is laughing and
joking
it's like a picnic and so that whole
feeling
was kind of rolling through halloween
halloween's villain was more than just a
killer
it was a supernatural hurricane
what i thought about doing was not
giving the antagonist michael myers
really much of a back story but kind of
kicking him up into a
legendary kind of situation where he's
much more like an element of nature
because i thought that would be more
frightening rather than personifying
make him almost a force so then the mask
which ties in between halloween would
blank out his human features for most of
the film
making him then just some some sort of
force of evil that is
irrational unstoppable but the shape had
to be more than just some
guy in a fright mask nick castle had
been a schoolmate of john's
at usc nick had a wife and and i believe
two babies i know there was at least one
it may have been two
and they came by every day at lunch and
you know here's this guy
with this over suit on and you know the
mask was just always lying next to me
put it on and go do the work
his portrayal shape now remember the
shape has no lines in the movie
none whatsoever it's just sort of a you
know a mask
and it's a presence that we wanted on
halloween two
we had a stuntman play the role and
even though he studied the the new
castle
kind of feeling he could never quite get
it i think they're trying to make it
more important than it really is
i actually just walked john actually did
say something you know
i like the way you walk i think it'll be
good now maybe john thinks of me as a
serial killer i don't know
i remember i'm about to walk across the
street in the first shot
and i realize he has not told me
anything
about what i'm supposed to do as this
character
so i came up to him and basically asked
him what's my motivation
you know as the shape walking across how
do you want me to walk you know how do
you want me to
am i supposed to be this or that and he
said nick
just walk nick was suggesting all sorts
of
of attributes that he could play to this
character
thinking okay is is he really a psychic
is he really crazy
is he somebody who's insane does he have
any of the
the kind of schizophrenic movements that
we we kind of associate with mental
illness
and i just told him to be simple with it
basically when he's watching
something or someone uh stand still
just move very gracefully because nick
can do that
make this this killer almost a blank
slate that we can project
everything into and make it much more
horrifying i am actually in this movie
without the mask on uh
early on when the michael myers escapes
from the hospital uh he jumps on a car
right and he smashes the car window
it was raining that night it's supposed
to be raining that night it was very
cold that night
and all i had on was my underwear and
this um hospital gown and
i didn't know they were it was supposed
to rain this is three in the morning you
know maybe 40-something degrees and all
of a sudden
someone yells dean cundy that little rat
probably
yelled turn on the hoses and they turned
on the hoses you know they didn't bother
to warm up the water or anything like
that
and i remember the feeling of ice cold
water hitting my body
through the hospital gown and then they
had to do
take after take and i'm sure there was
no film in the camera i'm sure the first
stake was
perfect and they were just doing it to
torture me i think he really gave the
movie something
i think there's little moments that he
does in the movie that are really
special that
you know take it away from being just
some sort of
thug in a suit he really kind of at one
point he tips his head and kind of looks
at his handiwork
when i remember when i when i stabbed
the kid up against the refrigerators and
boom you know uh
stabbed the kid and uh i remember that
direction
john said tilt your head this way tilt
your head that way
like you're looking at him and everyone
loves that well he was so agile
and subtle and he made a great shape
because of that well i needed to go pick
up some trick-or-treat shots second unit
and so and i wanted them more
trick-or-treaters went by and suddenly
their stance to shape
so not only was i going to direct the
second unit but i brought the costume
and i was going to be the shape
i put this shape costume on and of
course i'm so much tinier than
the nick and in daley's it was so
hilarious because the shape had shrunk
one of the most famous faces in horror
almost had a completely different look
john assigned me the task of finding
some choices
for the halloween mask and i picked up
two that looked like really good legit
choices one was an emmett kelly mask
emmett kelly was a classic clown with a
big red nose
stupid hair and a big smile big blue
smile on his face and i thought how
frightening how grotesque
the first michael myers mask was
actually
a william shatner from star trek
masks that we kind of changed a lot we
opened up the eye sockets
we changed the hair we did something to
the skin tones to make it this white
pasty
kind of mask and it was kind of scary
because it was sort of featureless
and that's what we were just what we're
going for and uh
first it was the kelly mask and
he came out of the bathroom wearing it
and everyone agreed it was pretty eerie
it was strange it was weird
made you uncomfortable and you knew that
was the scary situation
went back came out with the other mask
and a cold chill ran up everybody's
spine it was so scary looking it was so
demented it was so sick
that we knew we had it i wasn't
impressed with the mask at first i
thought the mask was fake i thought it
was phony i didn't like it i thought the
mask wouldn't work
but i was wrong
[Music]
for the only time in the series
michael's face is revealed for a split
second on camera
for that one shot we brought in an actor
imported
you know a guy who hadn't been part of
it uh and did the reveal
to uh as i remember he was sort of a
blonde um
you know nondescript sort of face uh
almost
uh sort of the other side of the captain
kirk mask was
you know a nondescript face but this kid
had
had a youngish looking face okay
and i don't even remember who he is now
but
what he had to do was take the mask off
and react i think he'd been
stabbed or something in the face and
people read into that
his face much more horror than is there
it really
isn't much to it it's just a kid
[Music]
the film's lack of blood was offset by
one of its most distinguishing features
carpenter's brilliantly menacing score
i had to do the music to halloween in
about
three days i had to do the whole score
so i could go in and perform it and get
out
my dad had taught me
uh 5'4 time on on a set of bongos when i
was young
so just to teach me some rhythms they're
not four or four time it's off one
and so i decided just to do that as an
octave on a piano
i've never seen a movie completely
transform i learned a great lesson about
the power of music and sound effects
and sound on that picture i know it's
true of every picture but in this film
it made a quantum leap there's no way to
describe the difference between
in fact if you want to explain it to
yourself try watching the movie one time
with the sound off
and later on by the way when i watched
this picture with audiences
and we watched it i watched it many many
times i used to see
young people at the most horrific times
in the film
watch the screen but
clamp their hands over the ears and i
never understood that i asked my son
about that one day he said that's
what we always said because the sound is
too scary when the film was finished
no one expected what happened next the
first
theatrical engagement of halloween was
in kansas city
in four theaters and
we had a very modest campaign i remember
getting the first phone call on friday
night about midnight
and finding out that we've done 200 of
theater
and i went to bed that night thinking
well it'll get distributed we'll do all
right
the next night we'd gone to 800 theater
the following night we gone to sixteen
hundred dollars theater
and by the end of the week we're doing
1500 to 2000
theater i've never seen word of mouth
spread like it did in kansas city it was
the most exhilarating experience
everybody was surprised by its success
and it didn't succeed right away it was
something that
built over you know three or four months
um
and even then it wasn't it wasn't like i
walked down the street and people were
going hey
lori strode all right i mean again 1978
you know it just it certainly did very
very well
and and it made you know a lot of other
people a lot of money
um uh and for me it gave me a movie
career
most pictures you know they open and
they go down
and this picture was just the opposite
it opened and went up
there were two exhibitors in boston that
i used to sell pictures to and i they
had made me some money on halloween they
called me up and they asked me
erwin how did you make the picture how
much did it cost how do you do it what
do you do
the next thing i know they hired a they
heard a young filmmaker
and they took the picture and
practically shot it frame for frame
another man came along and hired jamie
lee curtis and made a picture called
terra train
which just about duplicated halloween on
a train
and so it went finally i i turned to my
partners and i said you know this is
nuts
we've got to make another halloween the
first time i saw the film with an
audience it was uh i think it's called
the egyptian theaters in hollywood the
kind of seedy part of hollywood
hollywood and vine wasn't fixed up then
and i had i was with dennis and
sitting in like third or fourth row and
just wanted to see it with a regular
kind of audience
and there was this really big guy
sitting behind me
and when that scene came up where i say
see anything you like like this the guy
behind me goes
hot damn you bet your ass i do
one person i'll forget in boston we
screened the film one time
and it was a it was a large audience and
by the by the by the fourth resurrection
somebody yelled out you dumb [�__�] you
deserve to die
i think the simplicity of the story and
the way it was told
is what made the movie really unique how
many 20 year old pictures do you have
that keep their popularity halloween is
the gone with the wind of the horror
movies
the last shot of the film looking down
at the great the empty grass there
and then a little montage of all the
places we've been
evil never dies you can't kill it
he has no uh morality you don't know
where it's coming from it's just so it's
just uh
it's it's it's your deepest darkest fear
sadly michael myers passed away this
week the real michael myers
he was the distributor in london who had
distributed assault on precinct 13. he
was very sweet endearing
he was confused he said what do you see
about my personality
why did you why did you do this but i
told him that it was a tribute
because he basically started my career
he may be the only mass murderer who's
on a first name basis with movie
audiences around the world
i couldn't believe the the the fans that
are
really so addicted to these
halloweens they know so much about it
more than i do as far as details and the
family relationship in the story and the
the cast and the costumes and they want
to know who is playing michael myers the
one
next i get letters from people that
still
that that what they say is mr castle we
love your work we love your
uh direction on the last starfighter boy
major pain was really funny can you sign
this picture of the shape please i get
at least four or five letters a week
and carrie halloween
stripes rock and roll high school but
they always talk about
halloween i wear my halloween
pin with great pride you know i i
tried very hard through 22 now years of
making movies
to always hold up halloween and say you
know hey it was best experience i ever
had it was by far
up until true lies the best part i ever
had
um you know i tried to point out the
irony
that in those exploitation movies i was
intelligent
forthright fought back against adversity
um and was the lead in those movies for
that role
halloween redefined the horror film and
opened the doors for two decades worth
of imitators
but none have had the impact or the
nail-biting effectiveness of michael
myers
because real terror stands the test of
time you know in every script they want
to
kill him they want to destroy him i tell
them
wait a minute michael myers i love this
guy
because i was on some tour for something
and they showed it to a bunch of college
kids
i've never heard anything like it the
place was going
nuts it was ate [�__�] and i'm outside the
door
thinking this is fantastic how great
uh it was made it all worthwhile that
was what they were supposed to do
scream there scream your lungs out
[Music]
you
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