Original subtitles

...rich honey, two thousand flies succumbed.

How many fleas died!

Feet trapped in it.

Another, inside a cake, buried its flea.

So, in this way, humans are like flies,

trapped in the clutches of the child that

dominates them.

Very well.

Have you understood what this fable means?

No, no, not you, you surely know it.

Let's see you, neighbor.

Well, yes, Mr. Agustín, yes, you don't have

to do anything you like.

Let's not let ourselves be dragged down by

passions.

Let's be good.

Yes, but if you're not good, you get

bored.

Honey, honey, honey, honey, honey, honey,

honey.

Honey, that sweet poison that kills with happiness.

Honey is my skin, are my lips, my

body, my way of loving.

That loving is life, that sweet sin.

Why don't you drink?

Mr. Agustín.

Do you see, do you see what I've

done?

What, what's going on?

The child Paco Peciña has gone to the

drums to smoke.

Paco Peciña, it's possible.

We have gone.

I don't want to go, now I'm coming

back, sportivity.

Honey, those nights of nothing and sadness, wanting

to forget.

That loving is life, that sweet sin.

Why don't you drink this honey that's on

my lips?

Honey, that

sweet poison that kills with happiness.

That loving is life, that sweet sin.

Why don't you drink this honey that's on

my lips?

Honey, that honey that becomes so open when

you wake up.

That's it.

Peciña, open, open, you bastard.

Open, open immediately.

Open.

I'm going, I'm going.

You bastard, you beast.

I'm going.

This, this, I won't pass it to you,

Peciña, you're going to remember this.

You hear me?

You're going to remember.

Open, open immediately.

I'm going, I'm going.

Wait for me, I'm going to get drunk.

What's going on?

Come on, the director.

You go right now to the director's office.

But I haven't done anything.

What do you mean nothing?

Smoking and writing vulgar phrases.

And with spelling mistakes.

It's shit, Peciña, Peciña.

Paper, paper, paper.

This, this doesn't stay, yes.

You repeat the course.

I think he repeats it, I tell him.

The director will decide.

Human, insulting me.

Filling me with...

I, the director, don't drink.

Ah, no?

No, because if you get drunk, I get

drunk.

You get drunk?

You get drunk of what, you idiot?

That you sleep in class and snore.

That I sleep?

That I sleep?

And that I snore?

Peciña.

Very well.

If you prefer that we settle the matter

between us.

Let's see.

Go, the tobacco.

Of course, Mr. Perdulario smokes rum.

The cigars.

Go back.

Go, man, thank goodness.

Chromos.

And this, this.

Where did you get this money from?

I pay.

You pay?

Confiscated.

All this confiscated.

You don't want to go see the director,

huh?

Very well.

This afternoon I'm going to talk to your

father.

Not with my father.

With your father.

He will find out about the jewels you

have at home.

To class.

No break.

Go.

The key.

Peciña.

Come here, criminal.

Why didn't you wait for me?

What's wrong?

But he wants to kidnap me.

No, no, wait a minute.

I'm the boy's teacher.

Go on, tell him.

Tell him I'm here to talk to your

parents.

And that if you don't reform, we're going

to expel you from school.

Tell him.

The tenant is not at home.

He left him the key.

And when is he coming back?

Well, anyway, he said he was at the

boutique.

There, around the corner.

So much.

Without pushing, huh?

Without pushing.

Thank you, huh?

Asshole.

Disgraceful.

Kidnapper?

Me, a kidnapper?

But you have no shame.

Why didn't you wait for me at the

exit of the school?

He had told me he wanted to talk

to my father.

I don't have a father.

With your father or with your ...

Hey, wait a minute.

Wait a minute.

Wait a minute.

It's mine.

I just left it.

I've seen it, Father.

But if you don't pay, I understand it

a lot.

Pay?

But if they haven't uploaded it yet.

Besides, if they already have one, why do

they want to take mine?

Yes, Father.

But we fulfill our obligation.

I'm in charge, Father.

No, no, no, Father, no, Father.

I don't know.

Of course, of course.

And how much is it?

Nothing.

Two thousand.

Two thousand.

Yes, Father, yes.

And if it were up to me, I

would take them all.

And they would pay two thousand hard.

Look.

Look how all this is.

If I were the city council ...

Hey, that's mine.

I'll make an exception.

I, I ...

Come on, let's go.

Do you realize?

Do you realize what you've done?

Let's see, Raúl, where is the car?

I don't have a car.

I had to take my sister to school,

but where do you get in?

What do I do without a car?

Let's see, what do I tell him?

What do I tell him?

What do I tell him?

Mr. Agustín, let me tell you something.

If you don't tell my mother that I

call you assholes, I, I tell her to

give you money to pay those bastards from

La Grúa.

But where do you get those words?

Where?

On the street, at home.

Mr. Agustín.

What?

If you don't go away, I'll ask for

the money, okay?

Come on, come on.

Come on.

Bad talk.

Come on.

I'll show you.

Be careful, Mr. Agustín.

But, well, let me, if nothing happens.

Quiet, quiet.

Leave me alone a little.

Take it off, leave me.

Why are you doing this to me?

Quiet, he's a priest.

And where is your mother, your mother?

There she is.

Don't lie to me, I know you.

Yes, it's this one.

Excuse me.

But, Paco, what's wrong?

Nothing, it's just that the bus has broken

down, and an Agustín who is very good

has brought me in his car.

Oh, well, very kind, thank you very much.

Come in.

Come in, Father.

No, I'm not a priest.

No, I really came because ...

Oh, come on, brother.

No, no, not at all.

Nothing, I mean, normal, particular.

I have come because Paquito, a very intelligent

child, very alive, but his behavior, his conduct

is deplorable.

You tell me, come here, fat man, come

here.

No, no, no.

What have you done, what have you done?

Not violence, not violence.

Counterproductive, counterproductive.

No, Mom.

Clampos Carlos de la Grúa, it's my fault.

What crane?

The one from the town hall.

Get out, get out, get out.

Leave us a moment.

This son of a bitch has me.

But sit down, please.

Thank you.

Sit down.

Do you want something to drink?

No, no, no, don't bother, no.

It's not a bother.

I call the bar by phone and in

a moment ...

No, yes, yes, I never ...

They bring it right away.

A Coca-Cola for me.

You get out of my sight.

Well.

Well, you tell me.

Oh, yes, yes, yes, of course.

Well, Paco, Paquito, intelligent, capable, but he does

not study, he does not strive, and on

the other hand, he is difficult, naughty.

A golf.

I certainly can not do his race.

He does not obey me, he lives his

life, he does what he wants.

No, well, maybe the lack of paternal authority.

Paquito told me, widow, right?

I, as a teacher, have allowed myself ...

Oh, thank you.

This afternoon, a child was exceeded at recess,

his partner.

Mr. Agustín, those of the crane, who take

their car.

Mom, do not you have money for the

fine?

Why do not you lend it to him?

Oh, of course.

It would not be missing.

Yes, yes, yes.

No, no, no, no.

Yes, yes.

No, please, please.

Have, have.

Please.

Keep it, keep it.

Hey, you come here, bring that.

You see, it's ...

What did he say he did at recess?

Oh, no, no, nothing, nothing.

Things of children at recess, chiquilladas.

If at least he studied a little.

The duties do not do them, never, never.

Yes, I know, Paco, come here.

Come, come, listen to this.

Ah, the duties if I can do.

I have to work, I work here.

I had thought to put a private teacher.

Oh, yes?

What do you say?

Well, I do not think it's bad, I

do not think it's bad.

And where do I find a private teacher?

Why do not you take care of it?

I, I, I ...

No, no, no, no.

At school, the principal ...

I'm not going to tell the principal.

Eh?

Please, Paco would be delighted.

You do not know what you respect.

In addition, Paco is all day.

Don Agustín here, Don Agustín there.

Do me a favor for the money, we

will not discuss.

Because it does not start tomorrow, okay?

I do not know, I do not know.

Yes!

Sound of the crane.

Oh, damn.

Nothing, nothing, you start tomorrow.

Have you heard?

From tomorrow, Don Agustín comes to do your

homework.

No, no, the, the, the crane, is that

we are leaving the crane.

The money can not be ...

Oh, nothing, nothing, do not worry, account of

the classes.

As soon as I can.

Come on, Paco, son, accompany Don Agustín.

Goodbye and thank you very much.

Goodbye, see you tomorrow, goodbye.

Agustín!

Do you hear me?

Agustín!

Agustín!

Yes, Amelia, yes.

Either you come, or I'm going to get

you.

I'm going, I'm going.

What happens?

Where do you get?

In the kitchen, woman, in the kitchen.

Agustín, you, you have removed the sound.

For what you have to hear, they only

talk about politics and it is a bore.

Before, with Franco, it was nice.

Generalissimo came out on New Year's Eve.

He said what he had to say.

And until the following year.

Already, but as Franco has died ...

I think it even looks worse.

I'm getting a terrible headache.

It will not be the antenna?

The glasses.

Smell, smell.

What do you want?

Little garlic.

Well, I've put two big teeth.

Have you desalted the anchovies?

Yes, yes, and the toast is ready.

To the table, to dinner.

How sad, eat like that, without hope, without

anything.

Amelia, please.

The plate, Agustín, the plate.

If I contain myself, it is worse.

Because like the gases, they squeeze my diaphragm.

What a cross, sir, what a cross.

And thank goodness I have you, poor thing.

The day you die, I do not know

what will be of me.

Because when I think that I am not

alone, thanks to what you had to leave

the seminar ...

Well, do not think about it.

How can I not think about it?

If you had continued the career, who knows

what you would be now.

Canon, bishop, cardinal.

With what you are worth.

Have you asked for the anticipo?

Thank you, sir, for the food.

I think it's very good that you thank

the Lord for the food we are going

to receive.

But if it were not for the pension

of my poor Damian, he would not eat

here.

Tomorrow is Friday, and on Fridays the bingos

are paid 30,000 hard.

Do you ask for the anticipo, yes or

no?

I can not, Amelia, we are exhausted.

Idiot.

9, 8, 10, 7 ...

9, come on.

Come on, let's take another.

Okay.

I'm going at 5.

Hey, you, what do you get?

No, we're going to invest.

I'm going to punch you.

Hey guys, come on.

It's 5, come on.

Come on.

See you tomorrow.

But what are you doing, Damian?

Waiting.

Why are not you in the bus?

It's that my mother told me that ...

Your mother, your mother ...

Tell your mother that at the end of

the month, the money will be given to

her at the end of the month.

But she will not give me the classes.

The classes.

It is that if she gives me the

classes, she has to return the money to

me, No, I do not have to go

to the bus, the car is enough.

We'll talk, we'll talk.

Come on, tomorrow.

Now, to the bus.

The bus?

Ha, look.

Go up.

But let's see, where do you get that

sudden enthusiasm to learn?

What?

Why did not you escape today and you

are so happy to give a particular class

with me?

If you're writing on the walls, I'm a

...

Asshole.

Disengaging.

He did not say anything to my mother.

And because I want him to teach me

to drive, he leaves me a little.

Stay still, man.

Bah, I like the motorcycle better.

My mother has told me that if I'm

good, she'll buy me one.

Your mother is crazy.

A goat.

Watch out, the disc.

Play, teacher.

A little more sight that almost kills me.

Come on.

Come on, pull, it's already open.

Pull, pull.

The truth, neighbor.

Do you want me to give you the

classes?

Man, if you do me the homework, what

a mess.

Is it you, Paco?

Who is it going to be?

Sorry.

It had happened to me that you were

coming.

Also, so soon.

We have come in your car.

Hey, what's for snack?

Ice cream.

Do you have ice cream?

Pass.

Pass.

I think they will be better in the

kitchen.

There is more light.

As you command.

Do you want a snack?

No, no, no.

Do you like ice cream?

Paco.

What?

Paco, let the teacher have ice cream.

Thank you very much.

I say that the 2,000 pesetas ...

Oh, don't worry.

We said it counts, right?

Do you know how much?

Well, uh ...

The trainee was pinching me, you know?

Come in.

Come in.

Then we'll talk, huh?

Hurry up.

But man, the cold comes out.

And wouldn't you rather have a glass of

milk?

Yes, like Teta's girls.

Come on, give him, give him.

He's scared.

But little fish, man.

It is that he has escaped me.

I'm at home.

So you're at home?

Loose words.

Come on, the notebook, you owe us.

The trainee.

Come on.

Write a poem about spring.

That's it.

Come on, let's see.

Let's see what?

The duties, right?

Yes, of course, the duties, come on.

But you have to do the duties.

And then what about you?

Little fish.

Little fish.

Paco.

Let's see.

Do you know what spring is?

Yes, when the good weather begins.

Exactly.

Well, now use your imagination.

Come on, take it.

If not, I'll eat it all.

You, you think.

I give you an idea.

A thought, a phrase.

Example.

Spring.

Let's see.

What happens in spring?

In spring.

The fields bloom.

The sky is blue.

Butterflies fly.

The birds sing.

And everyone gets very happy.

And what?

But this is a miracle.

Paco doing his duties.

And you said they weren't difficult.

He doesn't even know how to do it.

No, it's not that, no.

Look, I really don't know if I'm going

to be able to take care of myself.

But what are you going to do?

What are you talking about?

Didn't you agree?

No, no, no, no.

You take time from anywhere.

But you get in the way of this

gulf.

For the money, we're not going to complain.

Let's see, what do I have to give

you?

Well, take it.

That's it.

I'm in a hurry now.

The boutique, you understand?

This account, that account.

He'll tell me whatever, okay?

Bye.

Delicious.

Good morning, Mr. Alberto.

Agustín, Agustín.

That's it, that's it.

Paco, don't stay too long on TV.

Tell him, Mr. Agustín.

Because to me, like it doesn't rain, it's

good.

And don't leave me.

Goodbye.

Really, it's going to be impossible for me.

Like this.

Me, me, me, ma'am.

Ma'am.

Inés.

My name is Inés.

My name is Inés.

Inés.

I suppose when spring comes, I'll take my

boot shirt off.

Spring has come.

Nobody knows what it's been like.

Thirteen.

Seventy-five, seven, five.

Fifteen.

Five.

Seventy-nine, seven, nine.

Thirty-two.

Seventeen.

Sixty-two, six, two, fifty-seven, fifty-one.

Bingo!

Bingo, gentlemen.

The bingo has been counted with the number

fifty-one.

Three!

Three!

I've missed three!

Yes, but which one did you miss?

Five thousand pesetas.

Three!

And now what, huh?

Not even with half a series, not even

with anything.

If you had taken care of Cardón alone,

you wouldn't have gone so fast to the

five thousand pesetas.

You're going to tell me, to me, to

your sister, to your sister, that they were

having you from the right of the signal.

Please!

I haven't said anything, Miriam.

I haven't said anything.

You've been eliminated for five thousand pesetas.

Come on, come here, because you've had to

stay longer.

But how are they going to give you

that design?

Please, Miriam.

You're not one of those thieves.

Where, where's the money?

You should be ashamed to treat me like

this, in public.

What do you care?

To make a fool of me?

If you're a selfish man, a waste of

money, and a scoundrel.

Didn't you want to pray the rosary so

that the Lord would help me?

The Lord gives you a break, to pray

in a bingo.

Well, here, I've lost, I've lost, I've lost!

But I won't forgive you for this.

You'll remember this, the shame you've caused me.

In front of everyone...

Miriam, please, calm down.

Calm down, you're a fool.

Get out of my sight, with everything I've

done for you, you miserable!

Taxi!

Taxi!

Your things, your things.

Taxi!

Taxi!

Amelia, don't leave me here, don't leave me

alone, Amelia!

At the age of 13, she lost her

death and found her life, and was sacrificed

to the Immolation.

7 times 9...

7 times 9...

56!

No!

We start like this?

I haven't learned the table of 6!

63!

63!

I have 7.

No!

6!

From 63 you have 6!

7 times 2, 14.

14, right?

14 and 6...

Those fingers!

And I have 2.

7 times 1...

is 7.

And 2...

But what do you do with the clothes?

No, no, the clip that was wrong...

Come on, it fell.

Well, let's do the homework, or what?

No, no, first we have to go down

to look for it, it's down there in

the shelf.

Here, olives, then I'll give you more, but

now...

go down to look for it.

Me?

Come on, come on, with the bad milk

you have down there...

Words, no, listen, listen, Paco.

Look, eat, eat, if you go down, I'll

do the homework, give it to me.

No!

Besides, if my mother has a lot of

clothes...

Listen, Paco, that's not it, Paco, Paquito...

Fuck, what the hell with the clothes!

Come on, Don Agustín!

But where are you going, where are you

going?

Listen, listen, Paco, Paco, Paquito...

Listen, that the air is going to take

it, that your mother is going to find

out, that your mother is going to find

out...

They were black, weren't they?

Valen, are you there?

There's no Asconlacito.

There's no Asconlacito!

He's having a good time, eh?

He always plays.

Sure, since he has so many friends...

Look, this was his boyfriend, this one.

Boyfriend?

Yes, whenever he came, he gave me 20

euros.

He kept me for a while.

What a shame that he didn't marry my

mother.

But since he was already married...

And your mother, how...

Come on, let's hang the rags.

No, no, we have to get the other

one back.

No, Mr. Agustín, I'm not coming down.

You don't know that guy.

Very well.

Don't do me that favor.

Well, anyway, do your duty.

I'm coming down.

God, Leon, stop, brother.

No, no, no, forgive me.

Forgive me, I know it's a little annoyance,

but from the top floor...

From the top floor?

Yes, a garment has fallen, and it's stuck

in your tent.

A garment?

Yes.

It's a black garment with red bows.

But what barbarity!

Ah, it's...

A black garment with red bows.

But where are we going to stop?

A priest looking for the clothes of a

whore!

How disgusting!

What a shame!

This is what democracy has brought!

The consensus of the cojones!

This is a whorehouse!

A whorehouse!

Who could it be?

Julián's whore.

There in the club.

Look what he's done to me.

But with what?

With a free cube.

And now let's see if he finds a

size for me.

Let's see.

Good afternoon.

Sorry, sorry.

Ah, Mr. Agustín, come in.

Come in.

It's Paquito's teacher.

What's wrong, Mr. Agustín?

Did that bastard do something to you?

No, no, no.

If I could talk to you for a

moment.

Ah, about the class, about the money.

Wait.

No, no, no.

It's a very, very delicate thing.

What?

But come in, man.

Don't worry about Juana.

She's my partner.

Nice to meet you.

I, if possible, would like to talk to

you alone.

What?

Don't you mind if I give you a

moment?

Where am I going to go, huh?

Wasn't there a Guitananchas?

Yes, there was one around here.

The milk station, huh?

No, no, no.

Yes, I don't.

Come on, let's talk.

What?

Would you like a coffee?

Well.

Bye.

Come in.

Come in, come in.

But let's talk.

If he's not a priest, why is he

dressed as a priest, man?

Did you like it like that?

No, no, no, no, no.

This seat is not for you.

You keep walking.

Well, tell me, why do you have me

in a mess like that?

Yes, yes, yes, of course.

Sorry.

Understand me.

I know I have no right, but for

the good of the boy and given that

he has trusted me.

You idiot!

You're going to repeat that to me here,

on the street.

Well, going back to Patricio, I don't

understand him, how well he's behaving.

Why has Mr. Agustín changed?

But like overnight.

A lot, okay?

Intentionally.

He doesn't answer me badly, he likes to

go to school, he sends me messages.

He even whines at me if a taco

escapes me.

Last night, without going any further.

Nothing, nothing.

I said, damn it!

And Paco, more serious than a plate of

beans in winter, he said to me, Mom,

that's not said.

Figure it out.

But of course, some barrabasada must be done,

if you want to talk to me.

No, yes, yes, I haven't done anything.

It's about you, Inés.

About me?

You know that children, especially at a certain

age, are very receptive.

It seems not.

But they, they have, they have very developed

the sense of what is fair and unfair.

I already realize that the relaxation of today's

customs is a constant temptation for a young

and widowed woman.

But today, children, you don't think of Paco,

of Paquito.

More than you imagine.

Sure, but you don't realize that one day

he will judge you.

So, you already know what I am.

No, no, no, God help me, no.

It had to happen, how I thought about

getting him in the house.

If I don't have an arrangement, I don't

have malice.

And now you'll say it at school and

they'll expel Paco, right?

No, no, no, no, no, no, no, no,

no, no, no, no, no, no, no, no,

no, no.

My intention, I was precisely thinking of the

good of the child.

I, I, I, what?

Leave her alone, and don't take her away

from me, or I'll throw out the sermon.

Come on, come on, let's have a drink,

I need it now.

What a bitch.

A guy left me pregnant and left.

According to you, of course, what I should

do is work.

Work in what?

As a maid, why else?

And how much would I earn as a

maid?

I could send Paco to that school.

But, but, but I think that with the

boutique...

You're as naive as a cube.

You don't understand.

The boutique is a cover.

Okay, I make a living with this.

Do you understand?

Or not?

Others make a living writing on a machine.

But I'm not a whore.

Understand that.

For God's sake, I don't...

I go with whom I like, you know?

And if I like a man, why won't

he make me a gift?

Let's see, where's the bad guy?

If I got married, I'd only sleep with

my husband.

And he'd give me for the phone, for

the shopping, for Paco's school, for everything.

Inés.

But I didn't get married.

And now, now those things are paid for

by several.

Let's see, where's the bad guy, huh?

Where's the bad guy?

You...

You're young.

Attractive.

You could...

You could get married.

With a son who doesn't have a father?

Come on, Andy.

Don Agustín, you're a cousin.

I mean, a saint.

You don't realize things.

Anyway, I know you did it with good

intentions.

You're really not going to tell them at

school that I'm...

That I'm...

A whore?

No.

Of course not.

Excuse me.

I...

I brought you a book.

Thinking of you.

A pious reading.

Were you born on January 21st?

Yes!

How did you guess?

I don't know, I...

I deduced it.

I thought maybe they had given you the

name of the saint of that day.

Saint Inés.

Virgin and martyr.

Look, Inés.

In Latin, agnus.

It means lamb.

But in Greek, agnus means...

Pure.

In...

In this book that I've brought you...

Here.

Here it tells its story.

The story of Saint Inés.

Listen.

A halo of legend envelops the enchanting image

of this martyr maiden.

Inés is the archetype and symbol of virginity

to immolation.

The ancient fathers of the church have moved

by the extraordinary interest of this fragile and

delicate girl.

At 13 years old, she was martyred in

Aras...

She dropped this.

I'm sorry.

No, no, no.

Hey, wait a minute.

But it's mine.

Listen.

So the preacher father...

Yes, I'm coming.

The preacher father is a scoundrel.

What's the matter?

What does he collect?

Answer me.

With what?

Taking off my clothes, eh?

What a bird, the teacher.

And for this, so many sermons.

To the convent of Freile.

I want to withdraw from the world.

But have you gone crazy?

Agustín.

Open, Agustín.

Open.

Bastard, bad brother.

Open and explain yourself, fool.

But what are you going to do in

a convent?

The cloister, Amelia.

The cloister takes me, the vocation.

But, but what vocation?

Not even a fist.

If they threw you for a womanizer.

Yes, yes, yes.

Agustín.

Either you open, or they'll bomb us.

Agustín.

Leave me, leave me.

I wanted to tell you that...

Leave me, leave me, I don't have time.

But I...

Leave me, leave me, I told you.

Come on, go play.

But Mr. Agustín, are you sure?

My mother was worried.

Worried about you?

Weren't you sick?

No, I'm not sick.

Come on, go play.

So this afternoon I don't go to class?

Listen, Paco.

Listen, you fool.

There are no more classes, I can't.

I don't have time.

Your mother...

Tell your mother that I'll give her the

money back.

But why?

Because.

Leave me alone.

Mr. Agustín.

I came to learn.

Haven't you seen my homework?

I've done it every day.

And the teacher who came while you were

absent, he did it very well.

Haven't you seen the drawing?

What drawing?

The drawing I made.

You play basketball.

Mr. Agustín, you see.

You and I, well, that.

I learn things because you explain them to

me.

But the other teacher doesn't explain anything.

He's a jerk.

And right now I'm writing him a report.

Listen, Paco.

Don't paint anything on the walls.

It's very ugly.

Come on, go play.

Mr. Agustín.

Haven't you seen what my mother put in

Bérez's notebook?

THE DREAM What

do you want?

Ask the principal to leave you to your

office.

Ah, I'm going.

Thank you.

Come in.

Did you call me, Mr. Principal?

Go ahead, go ahead.

Tell me, are you giving private lessons to

Mr. Peciño?

Classes?

Yes, but he doesn't want to now.

You send him, because I don't learn anything

here.

But with him in my house, I know

everything.

But how is it possible?

Are you aware...

...of the discredit that this means for the

school?

Mr. Principal, I'll explain.

It's a charity work.

The child...

But, what charity and what dead child?

You charge those classes.

Isn't it true?

But why does he complain?

Stories of municipal cranes?

Loans to pay fines?

A teacher who makes the student...

...the homework he puts in class?

And...

...that...

...that shame!

That crap!

That indecency!

I suppose it's not necessary...

...to speak more clearly, isn't it?

I don't know.

Handling intimate women's clothes.

Do you understand now?

It's not that.

It was an accident.

My word of honor.

The pinzap...

Mr. Grandson...

...I'm sorry, but I have no choice.

I'm sorry for your sister...

...who is a saint.

I regret the disgust that will be taken.

But the prestige of the school...

...is above any personal consideration.

You are fired.

Go to the administration...

...where your knowledge and rights will be liquidated.

So...

...I'm fired?

Save your pathetics.

Good afternoon.

Go back to class.

Mr. Agustín is not going to be a

teacher anymore?

No.

You know that.

Back to class.

And all because of me?

Back to class.

Back to class.

Disgrace!

Disgrace!

I told you, but you didn't pay attention.

Who told

you to go to the principal, you idiot?

I didn't want to be fired.

Do you realize?

Do you realize what you've done?

In the street.

You left me in the street.

My sister kills me.

She kills me.

But...

...why would I have met you, you wretch?

Go, go.

Go back to school.

I don't want to see you anymore.

I can't.

What do you mean you can't?

They fired me too.

You?

I hit the principal.

You hit the principal?

Yes.

Because...

...because I was bad.

Come on.

This is what your mother gave me.

Now go.

What about my homework?

There's no homework.

I don't know.

Tomorrow.

Or later.

Wait a minute.

Give the money to her.

I know you.

You can do anything.

Come on.

Go.

Go.

Mom.

Mom, mom.

No, no.

Mom.

Get out, for God's sake.

I don't want to.

Paco.

Paco.

What are you doing here at this hour?

Oh, but it's Don Agustín.

You have such happy eyes.

I'll tell you.

Nothing.

They threw us out of school.

What?

Both of you?

Yes.

Don Agustín for teaching me...

...and me for defending him.

Because I want him to teach me...

...and he doesn't want to.

Look, the money you gave him...

...he has no right to it.

Because other kids at home...

...do their homework with their father.

And since I don't...

Paco, come.

Come.

Come.

Come on, son.

Go home.

Give me the money.

Now I'll talk to Don Agustín.

Okay?

Very well.

Don Agustín.

Don Agustín.

Mrs. Vera, about the coat...

Leave the damn coat alone.

Forget about it already.

Don Agustín.

What are you ashamed of?

You're a man.

Aren't you?

And men have their weaknesses...

...if I told you about some people's manias.

No, I had the coat.

And forget about the coat.

Can't you think of something else?

Okay, you didn't have the coat.

I had it.

I lost it.

But shut up, Federico.

And let's get to the point.

Is it true that you were thrown out

of school?

Yes.

Good.

So you're still with Paco...

...and I give you what you were given

at school, okay?

But you're very good.

I think it's excessive.

I'm very pleased.

Full day.

Always.

Don Agustín.

You're the good one.

That's why Paco adores you.

Didn't you hear that?

Thank you, Don Agustín.

That book you gave me...

...is beautiful.

I like it a lot.

And I read it every night.

Bye.

Forty-six.

Sixteen.

Twenty-three.

Twenty-six.

Thirty-nine.

Shut up!

Twenty-eight.

Eighty-two.

Seventy-eight.

Seventy-eight.

Two.

Thirty.

What's missing?

Eighty-nine.

Fifty-nine.

Fifteen.

Thirty-three.

Me!

Bingo!

Bingo.

Me!

Bingo!

Bingo, gentlemen.

The bingo has been sung with number thirty

-three.

Bingo!

Bingo!

Do you realize how you win...

...by having a base?

Bingo card number six.

Thank you, sir.

Thank you for your invitation.

Thirty-three.

Forty.

Sixty-eight.

Seventy-four.

Seventy-five.

The bingo is correct.

Any other bingo?

Bingo card number six.

Next game.

Twenty-six.

Sixty-three.

Bingo card number six.

Because it's what I say.

Who will the gentleman award?

To you.

To us.

It would be good if the bingo was

sung by the communists.

We could get there.

Don't you agree, Agustín?

Yes, Amelia.

You don't know how lucky you are...

...preferring heads.

They're the tastiest.

But you see, I can't.

It must be because of the teeth, I

say.

Here.

Here.

If we keep winning, every night here.

This doesn't keep anything.

And it has a lot of phosphorus.

And that's what you need.

Now you'll have to work more.

Very nice, Mrs. Bilda.

What's it called?

Casines.

Oh, the centolla.

Here it is, the centolla.

How beautiful.

Thank you very much.

Oh, what a delicious thing.

You can start preparing the lobster.

A half.

The gentleman doesn't eat lobster.

Yes, ma'am.

No, no, no.

Leave it, leave it.

Here, Agustín.

The legs.

You're very good at cleaning them.

What's the matter with you?

Aren't you happy?

A bingo of 40,000 pesetas, Agustín.

Yes, Amelia, yes.

I'm happy.

You eat, eat.

Don't worry about me.

You'll do whatever you want.

You're the man for that.

I think you should dedicate yourself...

...to private lessons.

I've told you a thousand times.

Of course.

School is a safe thing.

And then you'll have your retirement and all

that.

You see?

For eating so fast.

You can't chew.

Come on, drink, drink.

Drink, drink.

This is not the seventh left, sorry.

Yes, yes, it's the seventh left.

I'm Paquito's teacher.

I come to teach.

He's in bed.

Come in, come in.

Thank you.

Of course, that's why he didn't go to

school this morning.

Where...

Where what?

Where is the student?

There, where the mother is.

May I?

Yes.

Shall I accompany you?

No, it's okay.

It's okay.

Paco, Paco, neighbor.

What's up?

It's me, Mr. Agustín.

Ah, but what do you want at this

time?

What time is it?

Nine o'clock.

I come to teach.

Teach him, but let me sleep.

I'm dead.

Paquito.

Paco, Paco, let's go.

Paco, come on, let's go.

What?

Up, up to class, come on.

Come on, let's go.

Get up, man.

Fuck, no.

You have to get up, I've already come.

No, I know.

Come on, let's go.

But why?

Because, because the one who wakes up early

God helps him.

What?

Come on, to the shower.

But I showered yesterday.

Again.

What are you doing?

And the glasses?

It's that they have broken.

And the Earth belongs to?

That's another thing, to the solar system.

That is, Mercury, Venus, Earth, Mars, Jupiter,

Uranus and Neptune.

And Saturn?

What do we do with Saturn?

That's the one with the rings.

That's it, there's none missing.

You know what?

I've stopped smoking.

Don't tell me.

Yes, yesterday.

What do you mean, suddenly?

Because it's silly, you were right.

Congratulations, you're a man now.

Now you have to get rid of the

gum.

Fuck.

That's it, Paco.

Look, for not eating gum, or candies, or

anything.

Look, look, look, look at an aquarium, look.

I've never been to the dentist.

Well, I don't smoke, I don't drink gum,

I shit with my mouth.

I don't know, dried fruits, raw carrots.

What is this?

What is it?

Look, Mom, we're cooking and I've set the

table.

Look, look.

According to Paco, we had to go down

to eat at the cafeteria.

But since I saw that there was rice

and a chicken, well...

But it smells like Gloria.

I don't know, well, maybe it's the stir

-fry, or maybe the chicken.

How golden.

How delicious, how did you do it?

I always get burned, don't I, Paco?

Why don't you know?

Don Agustín has made white wine, lemon juice,

butter and parsley.

Yes.

Don Agustín, you're a gem.

You don't have to teach me.

Please.

Because I have no idea how to cook.

But hey, I'm not going to eat.

Of course, of course.

It's just that Paco told me that you

got up later.

Come on, Paco, quickly.

Cover for your mother, come on.

She hasn't helped, she doesn't have the right.

Hey, I'm going to the pool.

I'll take a dip and go up.

Do I have time?

To the pool?

Yes, yes.

I have to grate the rice.

You have time, yes, yes.

Don Agustín, I'm going to put him on

an altar.

Paco, doing something useful, a miracle.

This must be celebrated.

Paco, put a bottle of champagne in the

freezer.

Right now.

No, enough, enough, enough.

I'm not used to it.

Come on, teacher, one day is one day.

To me, to me.

Hey.

Come on, mom.

What are you going to get drunk, son?

But where did you learn to cook like

that?

At home, as I live with my sister.

It's very delicate and you know.

Sure.

Do you like Chinese food?

Chinese food?

A lot of horrors.

One day we eat Chinese.

Very well.

Tomorrow.

No, no, not Chinese, I'm sick of it.

Shut up and behave yourself.

What do I have to buy?

No, no, no, no.

If Paco doesn't like it, I'll do something

else.

Man, spaghetti.

Yes, yes, yes.

That's spaghetti.

Carbonara spaghetti.

They are very rich and very nutritious.

And how are they?

They're like noodles.

No, what do you mean noodles?

No relationship.

Spaghetti are cooked al dente, that is, they

are hard.

And while they are cooked, an oil-based

sauce is prepared.

Eggs, bacon in cubes, cream and cheese.

The ideal is the pecorino.

But since there is no pecorino, it gets

a little bit of parmigiano.

A pinch of salt, a pinch of freshly

ground pepper.

The butter and sucking your fingers.

But what are you doing?

Nothing, the dishes.

Leave them, tomorrow the assistant will clean them.

No, it's just a moment, besides, the flies

don't come like that.

So we agreed that I make spaghetti carbonara.

Have you drunk enough?

Paquito?

Of course, but tomorrow, eh?

And your mom, don't smoke, she told Agustín

that he's very bad.

You don't smoke, because you smoke.

I left it, right, Don Agustín?

Yes, indeed, indeed.

Oh, Paco.

Why don't you go down to play a

little on the street, eh?

Can I?

Yes, man, yes, of course.

Come on, come on, go, go, go play.

Today everything went very well for you.

But at four o'clock, here, eh?

At four o'clock, like a nail.

See you later.

Careful.

I'm very happy with Paco.

He's a great boy.

It's a pleasure, it's a pleasure to have

a student like that.

He puts a lot of interest, he makes

an effort.

This morning, the numerical challenge, the perennial leaf

trees, everything, everything, perfect.

Don Agustín.

Yes?

You are good, perfect.

I've never met anyone like you, I swear.

No?

I, I, I'm not an idiot.

And I've realized that you like me.

No, I don't understand.

Don't you like me, Don Agustín?

Oh, dear God.

If you want.

Anyway, there's no problem with me.

I'm here to thank you for what you're

doing.

I mean, if you want, we can go

to bed.

The coat.

Don't you like my little coats?

It's just that...

I've never...

I've never done it.

What?

What are you saying?

I don't know.

Once, with a cousin of mine.

That's why they kicked me out of the

seminary.

Well.

Oh, my little angel, your mustache is falling

out.

Right?

Yes.

And you're driving without glasses?

I can see the exams.

The boy is late, and since that widow

comes in on Sundays...

Extraordinary hours!

I'll pay for today's class!

Yes, Amelia.

The thing is, I told them I was

going to attend mass with them, if you

don't mind.

So, you're not taking me to mass?

Very good, very nice.

The first time in so many years.

It's because that's how I come back earlier.

Isn't it better if I take you to

the bingo soon?

Okay, okay.

You're alone.

But you, at seven, at home.

Understood?

Yes, Amelia.

Ah, you're not going to kiss me?

Hey, hey, the meatballs.

Don't eat them cold, heat them up.

I'll be here at seven.

See you later.

Who is it?

Me?

It's me, Agustín.

But, isn't it Sunday?

Of course, of course it's Sunday.

But, since I had nothing to do, I

thought Paco would like to go to the

mountains.

Ah, to the mountains.

Yes, the fresh air, the nature, the countryside.

If, if you want to come with us.

Oh, I've already gone to bed at five,

man.

And Paco?

On the street, playing.

I had brought some croissants for breakfast.

If you want, I'll make chocolate.

To the Viennese, I've brought the cream.

The cream?

Yes.

What a cream, what's going on?

It's that he's taken a liking to the

Tricky-Tricky.

Is that so?

No, no, no.

Come on.

Come here, capullo.

Come on.

Let's go.

No, no, no.

Come, come with me.

Inés, it's not for you, it's not for

you.

Come, come.

Ah, yes.

It's something else.

It's something else.

A word.

Well, yes, Paquito, yes.

Even if you don't believe it, many mountains

have originated in the depths of the ocean.

Are you?

No, man, you're precisely not.

The Amaraches, the Rocky Mountains, the Alps, the

Himalayas.

Do you know what there is in the

Himalayas?

This, what's it called?

The Everest!

Exactly.

Take note, eh?

And you know that the Himalayas continues to

grow, eh?

Come on, what are you saying?

Yes, yes, yes.

The Himalayas, geologically speaking, is still young.

Excuse me, Agustín, but I think it's the

other way around.

I mean, it's going to be exhausting, isn't

it?

Hey, you've already given Agustín a kiss.

Well, do you think it's bad?

I don't know, I think it's good.

Why do you ask?

Nothing, for calling him that too.

Hey, a respect for the teacher, come on.

Well, all right.

Friends?

Friends.

Hey, macho, why don't we go down to

have a Coca-Cola?

Oh, have you seen what face the guy

has?

Age, it's age.

Beast, beast.

Animal, beast.

Murderer.

Don't touch the car.

No, friend, there's no one here.

The car, the car.

Let's see, let's see.

But I haven't seen the stop sign there.

All right, eh?

But what stop?

What stop?

What stop are you talking about?

The stop sign is back there.

But if I have the breath, eh?

How can you have the breath?

Yes, sir, I'm going down the road.

It's your fault.

You are responsible.

I'm going to...

Bastard.

Don't touch him, eh?

Modales.

Modales, eh?

Modales.

Modales.

Modales.

And my sister is waiting for you at

seven.

Crotino.

Let's see, how are you going to close

it so that I can get out of

here?

I'm going to have to help you.

Well, of course.

Because if not, I'm never going to be

able to get out of here.

How are you going to be able to

get out of here?

Sir, you don't understand.

If you're looking for a tool, and we're

going to balance here.

If you move the car a little back,

you can get out perfectly.

If you had respected the stop, none of

this would have happened.

And give him so much.

There's a stop for me, like there's a

stop for you.

For me?

I can't see if there's a stop for

you, because the stop is...

But it's only for a few minutes.

I leave at my regular speed, sir.

Do you want to see the stop?

Do you want to come with me so

you can...

But I don't need to see anything.

All I need is to leave.

Good...

Good afternoon.

Forgive us, ma'am.

It was our fault.

Is she hurt?

Let me see.

Get your hands off me!

Of course it was that idiot's fault.

I'm so sorry.

I'm so sorry.

We've ruined your Sunday.

Such a nice family.

I'm sorry.

Does it hurt?

Sir.

Sir.

Accept my apologies.

I'm sorry.

Did you go out to have a nice

day?

Of course.

My car is at your disposal.

I'll take you to Madrid.

Ma'am.

With your husband's permission.

There's a bar around the corner.

I'm sure they have vodka.

I'll go with you.

No, it's nothing.

Don't worry.

Anyway, while they fix the bar...

Of course, ma'am.

You'll be more comfortable.

Don't you want something to drink?

A tea?

Maybe a cognac?

Paco, didn't you want a Coca-Cola?

Go on.

Of course.

Mine too.

No, I want to help.

Paco.

It's a disaster.

Juan.

Yes, sir.

You haven't done anything wrong.

You're responsible for everything.

Understood?

Yes, Mr. Jaime.

Ma'am.

I insist.

Come to the bar.

Get some rest.

Have a drink.

You're so stubborn.

Thank God that man behaved like a gentleman.

Besides admitting that he was at fault...

He gave me a slap.

For the inconvenience, he said.

A gentleman.

If those people have money...

That man gave me something too.

Look.

Of course.

He's a gentleman.

A gentleman.

Poor Agustín.

You don't know anything, son.

If that man finds out who I am...

He won't listen to me.

But he thinks I'm your wife.

Your decent wife.

And as God commands.

And he's thinking about taking me to bed.

He's not a child.

He's not.

It's not possible.

Why do you think he gave me the

card?

Why should I call him?

He told me, man.

In a nutshell, but he told me.

Look.

I break the heel and you break the

card.

What a pig.

He's a coward.

And you haven't told him the truth.

What was I going to tell him?

That I was going with him for 5

,000 pesetas?

That I was crazy.

One doesn't suck the finger.

I'm going to call him, you know?

And I'm going to take his soul out.

He's a child.

He doesn't want to dump a decent woman?

Well, let him pay for it.

He's a child, Inés.

Why are you stopping?

What's this all about?

You can't talk to him like that.

I don't want you to call him.

I don't want you to follow him.

Are you going to kick me out?

I'm getting married, Inés.

Yes, man.

And your sister?

If that's what you told me, she'll kill

you.

And even if she doesn't kill you, Agustín.

What were we going to live on?

What were we going to live on?

What is it that you can offer me?

I can work, teach.

You're already teaching, aren't you, Agustín?

And that's what the three of us were

going to live on?

But I don't want you to...

Give me a kiss.

Come on.

But you to me, not me to you.

Kiss me and stop being silly.

To the table, guys!

I brought you a very big poster.

Let's make a jumbo.

Let's see how it turns out.

But where did you get this from?

I don't know, mom brought it.

What do you mean, mom?

You can't read this, you can't read it.

You can't even see it.

But why?

It's great.

Come on, come on, come on.

There's one thing.

In this magazine, a word comes out a

lot and I don't know what it means.

What word?

Orgasm.

Orgasm, yes.

Yes, orgasm.

What does that mean, an orgasm?

You don't care.

But you said I always have to ask

you.

Well, yes.

Orgasm is like, like a nervous thing, something

like that, like a chill.

And why are you talking about the chill?

It seems to me that this plane is

going to be very big.

Maybe with some wings.

Better, if it's big, it goes further.

Scissors.

There.

Here, throw it.

Go away.

Slowly.

Throw it well.

Soft, very soft.

Slowly.

Well, come on.

Disgusting, I won't give you one.

We'll do more tomorrow and you'll behave better.

Mine always fall.

Sit down.

Write.

Ten masculine names.

Ten feminine names.

What is this?

For the lady, they just brought them.

Ten masculine names.

Ten feminine names.

What else?

A division.

Three hundred and forty-four divided by eight.

Get out.

Me?

The man below.

The man below.

Here, here comes the man.

You, you, you...

No, no, no, you don't hide.

You're a shameless, a provocateur and a cool.

Just a moment, just a moment.

Actually I don't understand how...

This crap.

You made this crap your mother.

Understand?

And not on my terrace, dammit.

It was an accident.

The plane, the air...

I really don't understand.

The child...

You don't have the right, you bastard, I'm

gonna call the cops on you.

Get out of here!

I don't like this place.

This is the home of a family of

mine!

I'm not going back here.

Kiki, kick it away.

Very well, Uncle, I've had it with you.

What's he got to do with it?

What are you going to learn, chinche, what

is a chinche?

It's a matter of liquidity.

Come on, go study.

And I call her an idiot, with two

balls.

No, because she was obsessed, but that is

not said.

It is not said.

Come on, son, you write the numbers.

Yes, as you want.

I write, I multiply and I do whatever

you want.

Yes, do the exercises.

Where is it?

Bring it, bring it, are they pretty?

Oh, so you think it's so normal that

this guy sends you flowers.

Well, of course, if he told me he

was going to send them to me.

When?

Yesterday.

Then you went to see him.

Oh, I have him crazy, he climbs the

walls, the poor thing.

Come on, rub me, man, it's good for

the skin.

And me, because I am the husband, what

role do I play?

The best.

At good times he was going to send

me flowers if he knew that I am

not your wife.

Oh, not so strong, man.

But you, you have slept with him.

For what?

But what have you believed?

I'm giving it away, I have it in

the bathroom, Maria.

What if I have never cheated on you?

What if it's a sin?

What if it scares me a lot?

What if I was a virgin in marriage?

He has told me that it hurts him

a lot to think that he is cheating

on you.

And that does not hurt you?

Agustín, my little Agustín.

My capullo.

With Jaime I cheat on you less than

with the others.

In the first place, with him I have

not done anything yet.

And secondly, he gives me ten times more

than them.

Yesterday, 50,000 pesetas.

Oh!

Amelia.

Amelia.

Amelia.

Oh, no.

Not this.

At three in the morning.

Yes, it's eleven.

Disgraced, bad brother.

Disgraced.

Shameless.

Overslept.

Lost.

Here, without being able to sleep, waiting for

you, suffering, suffering, praying.

And dying with the plate.

That's 25,000 pesetas.

Well, nothing.

The mother of the child who wants me

to dedicate exclusively to him, offers me twice

what they give me at school.

Praise be to God.

Go to hell to school.

Enough, they have exploited you.

Have you had dinner?

Poor thing.

You will be passed out.

Wait.

Wait.

What a worry.

Of course, seeing that you were not going

to the bingo, I was in disgust.

You do not know the things that have

passed through my head.

And it is that you can not love

as much as I love you.

Take, heart.

No, no, no.

I have already had dinner with the child.

Tonight I have been fatal.

Nothing, not a bingo, not a miserable millennium.

Twice I have missed the 24th.

Throw yourself, throw yourself here by my side,

that you will be very tired.

Yes.

Let's see, let's see.

Explain to me.

Well, woman, I have not wanted to compromise

until I talk to you.

But I think you're right.

It is convenient for me to leave school.

That to me, man, it would be good.

Also, it gives you more category.

Yes.

How are you going to compare a school

teacher with a preceptor?

That lady must be of a high rank,

of course.

And what I like most is that she

has realized what you are worth.

Tomorrow I'm going to visit her.

How?

To find out that you belong to a

distinguished family.

That you are not a preceptor.

No, no, Amelia, it is not necessary.

It is a very busy lady.

Maybe it's counterproductive.

Counterproductive?

On the contrary, you will love to meet

me.

Take, open, open, open.

Good morning, sir.

Paco, Paco.

Paco, Paco.

Come on.

Come on, man, wake up.

Go to the shower, come on.

Come on, Paco, come on.

Let's go to the shower.

Yes, but I want to go to Switzerland.

I think it's a good idea.

Come on, man.

I'm not going to Switzerland.

Well, do not go.

Come on, you're dreaming.

To the shower.

You, just you.

You could change the world.

It's my sister.

My sister, my sister is coming to have

tea.

My photos?

What do you do with my photos?

So take them off.

If you see them, sister, it's a disaster.

But why is your sister coming?

I do not know, she wants to meet

you, thank you.

I'll take the tea, whatever you want, Inés.

Take it to him, if he finds out.

If he finds out that you and I...

That's not it.

I'll report you to the police.

You have to wear a black suit.

But very decent.

I told him you were a widow.

Do you have something black or not?

Widow?

No, impossible.

You put on a dress, I don't know.

Let him see that you dress modestly, Inés.

And a bow, a bow.

You put on a good bow.

And don't paint yourself too much.

And don't say words more or less.

Wouldn't it be better if I dressed as

a nun?

And you as a priest, and I as

a nun.

And Paco as a monk.

But why do you put her in a

circus?

No, it's just that I didn't want her

to come.

But she insisted.

Are you really going to help me?

You have to help me, Inés.

Okay, I'll help you.

But don't get angry, okay?

Get angry?

Why?

Come, come.

No, no, Inés.

Come.

Don't get angry.

Don't get angry.

I'm sure you're not going to get angry.

Won't you give me a sermon?

But why?

Because I'm Jaime's lover.

Hey, be careful.

The official lover, huh?

A little respect.

But don't be happy.

What are you saying?

I have to be happy.

I...

I love you, Inés.

Well, that's why.

My previous life is over, Agustín.

Now I'll just have to put up with

him and that.

Once or twice a week.

Because man is not for trots.

And grab a boutique.

A boutique for everything.

Wait a minute.

But that man thinks that I, that for

him I am your husband, I'm going to

let him put you in a boutique.

Oh, he has a lot of head.

Do you know what happened to him?

Do you know?

That I get the lottery and I don't

tell you anything until I open an account

in a bank and I bring you a

lottery ticket.

Because, Jaime, apart from I don't know how

many things, it's also something from a bank.

Well, nothing.

The photos, the keys.

You!

I leave this where it was.

I'm going home.

And I tell my sister that the classes

are over.

That you died suddenly.

Because if you think that I, that I

am a decent person, I'm going to tolerate

this immorality.

Error.

Error class.

Agustín.

Agustín.

You can't leave me.

It's not for me, it's for Paco.

You know, Jaime told me that if I

want, we send him to Switzerland, to a

good school.

To Switzerland?

Yes, to Switzerland.

I told Paco last night and he took

a crybaby because he doesn't want to separate

from you.

The innocent.

Agustín, if you go, Paco will have a

bad time.

He has fallen in love with you.

You are like a father to him.

For Paco, his father.

For that man, your husband.

And for you, huh?

What am I to you?

A cuckold.

But what a cuckold, silly.

Poor Jaime has three constipated.

He is satisfied with nothing.

Do you know what we did yesterday?

No.

What?

See a balloon, two balloons, three balloons on

television.

And dance boleros, which he likes very much.

Well, very well.

Okay, we'll talk about Jaime later.

Here the important thing now is that my

sister is coming.

You take the photos.

I'm going to put this in the book

and let her talk.

You just look for a decent suit, that's

all.

For a plea.

My poor husband lost his title for a

plea that put a degenerate cousin of his.

Because my poor husband was a piece of

bread.

That is, an imbecile, speaking clearly.

Amelia, please.

Agustín, if it is not an insult, it

is that it happened in goodness.

But how 82?

It will be 36, the glorious movement.

Franco, because you will be right-wing, naturally.

Yes, and very religious.

You, miss, a shirt?

I mean in the morning.

She goes in the afternoon.

Yes, I feel better.

Of course, it is much more comfortable.

But I, of course, with the happy bingo.

And you will have a good pension.

No.

No, Amelia, no.

An inheritance.

She an inheritance of her husband, naturally.

You are very lucky.

Because the widows that we have to live

from a pension, imagine, especially in my case,

because given the social position of my poor

husband, I am forced to live like what

I am, a Marquis.

But Agustín is a Marquis.

Injured.

But to my death, if the infamous cousin

of my husband was aware, I should give

him the title.

What?

What was she?

Go play, come on.

The truth is that the Lord has put

us to the test.

Because as you know, Agustín could have been

Prince of the Church.

What are you talking about?

To class, to class, come on.

To class.

He had an extraordinary career.

What?

Charming, simply charming.

Do not tell me you have not noticed.

That girl is slumped, she admires you.

You should have heard it when you left

with the boy.

By the way, he is rude.

Your fault, of course.

Because if you are his preceptor ...

Well, what else did he tell you?

What matters is how he said it.

I understand that the years of seminary weigh

on him, but Agustín, a man has to

realize certain things.

In love, she is in love with you.

And if you were not so hasty, because

as a party, Inés is an excellent party.

Of course, as long as the marriage stipulations

do not happen to make the separation of

goods.

I mean, you do not mind if I

get married?

No, I mean to be alone.

Why would I be alone?

I would go with you.

Especially if you can live in a chalet.

A chalet.

Pass, pass, do not bite.

Do not worry, he's tied up.

But good.

Good, good.

Don Jaime, I wanted to give Don Jaime.

From whom?

From ...

I sent Mrs. Inés, he already knows.

Ponchita, a man wants to see Don Jaime,

from Mrs. Inés.

Go up, third floor.

Thank you.

Sit down, please, he will receive you soon.

But hey, what's going on here?

Don Jaime, don't you remember me?

Don Jaime, don Jaime.

Listen, listen, please.

Don Jaime, don Jaime.

Come soon.

Yes, sir.

What do you want?

Nothing.

Talk, reason.

It's not about me, it's about Inés.

How?

Has something happened to your wife?

The knee still?

No, no, no.

Can I?

Thank you very much.

Well, you will say.

I'm so sorry, Don Jaime.

Come on, come on.

My name is Don Jaime.

Report, man of God.

Come on, sit down.

Nothing, nothing, Polanco.

Sit down.

Don Jaime.

Say, say.

Don Jaime, what am I going to tell

you?

If you don't know everything.

But I love you, Don Jaime.

And I am a man with dignity and

with ...

Truly.

Sorry, I don't remember your name.

Agustín, Agustín.

Truly, Agustín.

You leave me perplexed.

I don't understand what your attitude is.

Don Agustín.

I mean, Don Jaime.

Inés has told me everything.

Everything?

Yes.

But if it's nothing.

That's what she says.

But how am I going to believe it?

If it's a temptation.

I understand you.

She loves you, she's wonderful.

But what about me?

What I'm suffering.

Suffering?

Why?

Okay.

Maybe I, acting lightly, but always without the

intention of offending you, I have allowed myself

certain attentions with ...

Your wife.

Abundance of heart, my dear Agustín.

She has told me about your situation.

Economic problems.

She has lost her job at a school.

I can earn a living, sir.

Okay.

Okay.

But ...

Bad.

Be frank with me.

I, on the other hand, I am willing

to help you.

Inés has told me ...

Sorry.

Your wife.

That you are a man of a solid

religious background.

Yes.

Don't be arrogant then.

And don't reject my disinterested help.

Disinterested?

And the carnal relationship.

Yes, yes.

Because there is a carnal relationship.

But what are you saying?

Don't insult your wife.

And don't insult me.

Platonic.

All platonic.

Romantic.

Nothing that can dishonor, or tempt the good

name of a husband.

Well, it's just that ...

I'm not your husband.

How?

That you are not Inés's husband?

No, no.

Let me explain.

And not your son's father?

No, no.

Then how dare you come here?

Here.

Out.

Out.

Don Jaime.

Polanco.

Don Jaime.

Polanco.

Don't get me wrong.

Polanco.

Yes, Don Jaime.

Get me out of here, this ruffian.

Be careful with the words.

But Polanco.

How did you let a blackmailer in here?

No blackmailer.

I am a man of a solid religious

background.

Let's go.

And you feel my honorability.

Let me go.

But who told you to meddle in Redentor?

Who gives you a candle in this confinement?

But piece of animal.

Why do you get into my things?

I have the right to defend my dignity.

But what right?

What dignity?

Stupid.

That you are a stupid.

My rights as husband and father.

Didn't he think we were married?

And you didn't have time to tell him

no.

I lost my head, yes, but...

And you almost made us lose that guy.

Asshole.

No, don't put it that way.

We're done.

I'm leaving.

But come here, you bastard.

Where are you going?

Thank God everything went well.

You're a wimp.

You're a wimp.

No, Inés.

I...

You, you, you what?

Tell Paco to come out.

You and I need to talk.

Paco.

Out.

Paco, you always come to ruin everything.

Let's take a bath.

I'm suffocated.

I don't know why you're laughing.

It's not funny.

No, it's not that.

It's just that now we have to get

married.

What?

Yes.

Jaime said so.

Jaime?

What a fool.

He doesn't even have a hair.

At first, he was very angry.

But then he got over it.

And he doesn't have hair on his tongue.

He told me very calmly.

The water is clearer.

And what else did he tell you?

The gospel, that he prefers to be married.

Because according to him, a husband is a

husband.

He says that free and alone, sooner or

later, I would start cheating on him with

some boy.

Instead, having me as your wife.

But that's shameless.

He's a cynic.

He hasn't cheated on me.

Don't say nonsense.

Cheaters are taken by lovers.

Agustin, it was you who wanted to get

married.

No, that was before.

No, no.

Yes, yes.

Here and in Lima, you think you're a

tiger.

And you know that deep down I like

that you went to see him.

That means you're a guy with a pair

of balls.

No, no.

I can't accept that combination.

Calm down.

No, no.

If you agree, I dedicate myself exclusively to

the classes.

Exclusively to the classes.

Paco, it's not his fault.

He's unhappy.

So, you don't love me, nor Christ, who

founded it.

Paco, come here, son.

You're laughing at me.

No, no.

It's something else.

It has nothing to do with it.

You don't love me, and you don't care

about Paco.

Because if you cared about anything, you'd give

him your name, Agustin.

Your name.

My name?

But how can I give him my name?

By getting married.

Paco, son, wouldn't you like mom and this

Agustin to get married?

Really?

Well, he doesn't want to.

But why?

I don't know.

What are you doing?

I don't understand.

I never get dizzy.

Don't worry, it was nothing.

Nothing.

Just a hangover.

He must have vomited.

No, no.

But why is he angry?

I'll tell Inés right now, and he'll kick

him out.

That car isn't Inés' Amelia's.

It's Mr. Jaime's.

Ah, I don't know him.

Well, he has to look at me all

the time.

And now, nothing.

Nothing.

It didn't affect me.

It can't be like before.

They're adulterating everything.

There they are!

But who's the priest?

His father?

You didn't tell me Inés had a father.

It's Mr. Jaime.

He's from Mercedes.

He's a friend of the family.

Agustin!

Agustin!

Hi, Agustin!

What's that about Agustin?

Now you have to call him dad.

Right, Inés?

A sun!

A sun!

Beautiful!

Beautiful!

Gentleman, your chauffeur has disrespected me.

No, no!

Never before the wedding ceremony.

Introduce me to Agustin, please.

Mr. Jaime...

Well, the godfather, my sister Amelia.

Terrible.

I'm terrible.

Of course, the emotion.

You, Mr. Jaime, don't get emotional at weddings.

Let's not talk about the bride.

Let's not talk about the bride.

Poor thing, how is she?

A nervous wreck.

I'm so excited.

Not now.

We're going to church.

What's wrong?

Nothing.

Do you want to get married?

Really?

Then don't get married.

Or you'll get married another day.

Let's go.

Agustin!

Paco!

What's wrong?

The priest is waiting for us.

Come on!

Paco!

Paco!

Paco!

Paco!

Paco!

Paco!

Paco!

Paco!

Paco!

Paco!

Paco!

Paco!

Paco!

Paco!

Paco!

Paco!