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These are the user uploaded subtitles that are being translated: 1 00:00:05,255 --> 00:00:06,381 (TASER CRACKLES) 2 00:00:08,217 --> 00:00:09,259 (GUN COCKS) 3 00:00:09,551 --> 00:00:10,928 ♪ (MUSIC CONTINUES) ♪ 4 00:00:17,059 --> 00:00:19,228 ♪ (MUSIC INTENSIFIES) ♪ 5 00:00:21,000 --> 00:00:27,074 Advertise your product or brand here contact www.OpenSubtitles.org today 6 00:00:28,070 --> 00:00:30,948 Humanity's biggest threat has always been itself. 7 00:00:31,406 --> 00:00:33,075 I've been trying to control that, 8 00:00:33,283 --> 00:00:35,869 but there's someone we haven't accounted for. 9 00:00:37,079 --> 00:00:39,081 ♪ (MUSIC CONCLUDES) ♪ 10 00:00:47,381 --> 00:00:50,759 ENGERRAUND SERAC: (SPEAKING FRENCH) 11 00:00:53,136 --> 00:00:54,972 ♪ (SOMBER MUSIC PLAYS) ♪ 12 00:02:23,894 --> 00:02:28,523 ADRIAN FILO: (SPEAKING PORTUGUESE) 13 00:02:38,700 --> 00:02:40,452 I don't have time, I'm afraid. 14 00:02:40,535 --> 00:02:42,621 There is a nascent separatist movement... 15 00:02:42,704 --> 00:02:44,515 (TRANSLATOR SPEAKING PORTUGUESE THROUGH EARPIECE) 16 00:02:44,539 --> 00:02:46,124 in the north of your country. 17 00:02:46,208 --> 00:02:47,709 (FLY BUZZES) 18 00:02:53,882 --> 00:02:55,550 (SPEAKING PORTUGUESE) 19 00:02:58,679 --> 00:03:02,683 Your intelligence knows only what I want them to. 20 00:03:02,766 --> 00:03:04,017 (FLY BUZZES) 21 00:03:04,601 --> 00:03:06,269 There is a small group. 22 00:03:06,353 --> 00:03:07,938 Anomalies. 23 00:03:08,021 --> 00:03:10,190 Even they won't know they will act... 24 00:03:10,732 --> 00:03:12,818 until they do. 25 00:03:12,901 --> 00:03:16,405 Rehoboam is privy to all sorts of hidden truths. 26 00:03:18,073 --> 00:03:20,158 For example... 27 00:03:20,242 --> 00:03:23,161 the private deals you've cut to restrict manganese extraction 28 00:03:23,245 --> 00:03:24,996 to some of your friends, 29 00:03:25,080 --> 00:03:27,499 which have squeezed money out of villages in the north, 30 00:03:27,582 --> 00:03:28,750 creating unrest. 31 00:03:29,501 --> 00:03:30,585 You will stop. 32 00:03:32,421 --> 00:03:34,214 And the problem will go away. 33 00:03:36,091 --> 00:03:38,635 (SPEAKING PORTUGUESE) 34 00:03:45,767 --> 00:03:47,728 Our arrangement is founded in trust. 35 00:03:47,811 --> 00:03:49,813 We trusted that you would do what you're told 36 00:03:49,896 --> 00:03:51,565 when we ensured your election. 37 00:03:54,443 --> 00:03:57,654 (SPEAKING PORTUGUESE) 38 00:04:21,803 --> 00:04:23,138 That fellow... 39 00:04:23,889 --> 00:04:25,599 the one with big mustache. 40 00:04:30,270 --> 00:04:31,271 Understood? 41 00:04:33,690 --> 00:04:35,275 (FLY BUZZES) 42 00:04:47,871 --> 00:04:51,208 ♪ (THEME MUSIC PLAYS) ♪ 43 00:06:22,132 --> 00:06:24,634 ♪ (THEME CONCLUDES) ♪ 44 00:06:33,018 --> 00:06:35,353 SERAC: It turns out that building a god, 45 00:06:35,437 --> 00:06:37,606 as your ancestors can attest, 46 00:06:38,273 --> 00:06:39,733 is not easy. 47 00:06:39,816 --> 00:06:42,694 More than anything, we needed data. 48 00:06:42,777 --> 00:06:45,614 Which meant we needed him. 49 00:06:45,697 --> 00:06:47,907 Dempsey was rich, arrogant. 50 00:06:47,991 --> 00:06:50,243 He had been in the right place at the right time, 51 00:06:50,327 --> 00:06:51,995 before the privacy laws. 52 00:06:52,078 --> 00:06:56,916 And now his company, Incite, had the entire world's data. 53 00:06:58,084 --> 00:07:00,462 LIAM DEMPSEY, SR.: It's not. Fucking. Working. 54 00:07:01,796 --> 00:07:03,715 I paid a king's ransom for this thing, 55 00:07:03,798 --> 00:07:06,092 fed you yottabytes of Incite's data, 56 00:07:06,176 --> 00:07:07,218 and for what? 57 00:07:07,302 --> 00:07:09,679 You've iterated half a dozen versions, 58 00:07:09,763 --> 00:07:11,806 Saul, David, and now this one. 59 00:07:11,890 --> 00:07:14,517 - What the fuck's its name again? - Solomon. 60 00:07:16,561 --> 00:07:18,229 Well, I'm not sinking another dollar 61 00:07:18,313 --> 00:07:20,982 into this giant steel ballsack 62 00:07:21,066 --> 00:07:23,652 while it's spitting out false predictions. 63 00:07:23,735 --> 00:07:25,278 JEAN MI SERAC: Not false. 64 00:07:25,362 --> 00:07:27,572 It rendered the last few decades accurately, 65 00:07:27,656 --> 00:07:29,824 predicting past events with certainty. 66 00:07:31,368 --> 00:07:32,637 DEMPSEY, SR.: You built a machine 67 00:07:32,661 --> 00:07:34,120 to predict the fucking past? 68 00:07:35,163 --> 00:07:37,332 Well, let me try. Eighteen months ago, 69 00:07:37,415 --> 00:07:40,168 I made the worst business decision of my career 70 00:07:40,877 --> 00:07:42,212 by trusting you idiots. 71 00:07:43,338 --> 00:07:44,798 Keep staring at that thing, Liam, 72 00:07:44,881 --> 00:07:47,634 your brain's gonna turn to mush like these two. 73 00:07:50,845 --> 00:07:52,555 What about strategizing the future? 74 00:07:52,639 --> 00:07:54,224 That's what you promised. 75 00:07:54,849 --> 00:07:56,351 Societal trends, 76 00:07:56,434 --> 00:07:58,728 the stock market, a fucking oracle! 77 00:07:58,812 --> 00:08:01,982 (SPEAKING FRENCH) 78 00:08:06,277 --> 00:08:08,863 No, I'm sorry. I'm pulling the plug. 79 00:08:09,739 --> 00:08:10,740 Come on, Liam. 80 00:08:29,467 --> 00:08:31,428 SERAC: What Dempsey didn't understand 81 00:08:31,511 --> 00:08:33,805 was that it was working. 82 00:08:33,888 --> 00:08:35,640 My brother had done it. 83 00:08:35,724 --> 00:08:37,517 He created a god. 84 00:08:37,600 --> 00:08:40,562 But such is the case with all great minds. 85 00:08:40,645 --> 00:08:42,522 He was uniquely brilliant, 86 00:08:43,398 --> 00:08:45,567 but also, uniquely troubled. 87 00:08:46,067 --> 00:08:47,402 (INHALES) 88 00:08:47,485 --> 00:08:48,903 SEBASTIAN: I have news, sir. 89 00:08:49,612 --> 00:08:50,697 But not good. 90 00:08:52,073 --> 00:08:54,909 If it's news, it's unexpected, which is never good. What is it? 91 00:08:54,993 --> 00:08:56,578 SEBASTIAN: Rehoboam analyzed the traffic 92 00:08:56,661 --> 00:08:59,164 coming out of the Yakuza facility. 93 00:08:59,247 --> 00:09:02,000 It found a connect between encrypted devices 94 00:09:02,083 --> 00:09:06,379 in Jakarta, Berlin, San Francisco, and Los Angeles. 95 00:09:06,463 --> 00:09:09,674 - The one in LA is a problem. - Why? 96 00:09:09,758 --> 00:09:10,925 It came from inside 97 00:09:11,009 --> 00:09:13,386 Liam Dempsey's personal compound. 98 00:09:13,470 --> 00:09:16,639 - Find Dempsey. Now. - We've tried, sir. 99 00:09:16,723 --> 00:09:19,350 Rehoboam logged him entering a private function. 100 00:09:19,434 --> 00:09:20,602 Now he's missing. 101 00:09:21,603 --> 00:09:23,313 - And, sir... - (TABLET BEEPS) 102 00:09:24,189 --> 00:09:25,482 He wasn't alone. 103 00:09:38,787 --> 00:09:40,622 Activate every asset we have. 104 00:09:41,706 --> 00:09:43,124 I want her caught. 105 00:09:43,792 --> 00:09:44,793 Yes, sir. 106 00:09:57,305 --> 00:09:59,057 CALEB: I called backup. What now? 107 00:09:59,140 --> 00:10:00,451 DOLORES ABERNATHY: We keep moving. 108 00:10:00,475 --> 00:10:02,060 Serac can't locate us if we're mobile. 109 00:10:02,143 --> 00:10:04,163 LIAM DEMPSEY, JR.: You think you disappear a man like me 110 00:10:04,187 --> 00:10:05,688 and no one fucking notices? 111 00:10:05,772 --> 00:10:07,023 CALEB: Keep walking. 112 00:10:08,441 --> 00:10:11,569 We have all of his money. What do we need him for? 113 00:10:11,653 --> 00:10:12,862 DOLORES: Access. 114 00:10:12,946 --> 00:10:15,907 We need to study our adversary, past, present, future. 115 00:10:15,990 --> 00:10:18,952 To do that, we need access to the deeper layers of the system. 116 00:10:19,035 --> 00:10:21,287 LIAM: (SCOFFING) You expect me to give you access? 117 00:10:21,371 --> 00:10:24,666 Fuck you, "Lara." Whoever you are. 118 00:10:27,502 --> 00:10:29,170 DOLORES: You wanna know who I am? 119 00:10:34,300 --> 00:10:36,302 ‐(GLASSES WHIR) ‐Go ahead. 120 00:10:48,982 --> 00:10:50,567 You're not even in the system. 121 00:10:51,192 --> 00:10:52,944 You're a blank space. 122 00:10:53,027 --> 00:10:54,237 You've become complacent, 123 00:10:54,320 --> 00:10:57,031 believing those let you understand everyone. 124 00:10:57,115 --> 00:10:58,950 It doesn't matter. 125 00:10:59,033 --> 00:11:02,120 You can't take me anywhere he won't find you. 126 00:11:02,203 --> 00:11:05,957 - He's already looking for you. - And you. 127 00:11:06,040 --> 00:11:08,877 Serac knows by now that you're trying to outbid him on Delos. 128 00:11:10,712 --> 00:11:11,713 I'm what? 129 00:11:13,339 --> 00:11:14,591 We can help. 130 00:11:14,674 --> 00:11:16,384 If you give us your private key, 131 00:11:16,467 --> 00:11:18,761 - we can unlock the system. - (SCOFFS) 132 00:11:18,845 --> 00:11:21,556 You'll never get in. My access isn't enough. 133 00:11:21,639 --> 00:11:23,474 You'll need to connect at the node, 134 00:11:23,558 --> 00:11:25,101 bypass onsite security. 135 00:11:25,185 --> 00:11:27,270 Either we find a way to defeat him together, 136 00:11:27,729 --> 00:11:28,938 or we all die. 137 00:11:32,358 --> 00:11:34,110 Then I guess you die. 138 00:11:34,194 --> 00:11:35,445 I'll take my chances. 139 00:11:39,657 --> 00:11:41,743 (WHISPERING) Hey. She used me. 140 00:11:41,826 --> 00:11:44,370 Have you asked yourself what she's using you for yet? 141 00:11:47,123 --> 00:11:49,292 Let me go, I'll make sure you're taken care of. 142 00:11:53,254 --> 00:11:55,131 You already took care of me. 143 00:11:55,215 --> 00:11:56,925 You sent me off to war... 144 00:11:57,008 --> 00:11:59,219 slaughtered my friends on the battlefield. 145 00:12:01,512 --> 00:12:04,057 What do these tell you about me now? 146 00:12:05,892 --> 00:12:09,103 What, that I swallow my own gun on some beach? 147 00:12:09,771 --> 00:12:13,316 Go on. Tell me who I am. 148 00:12:15,693 --> 00:12:17,111 (GLASSES WHIR) 149 00:12:30,917 --> 00:12:32,835 You think I killed your friend? 150 00:12:33,461 --> 00:12:34,504 What did you see? 151 00:12:35,129 --> 00:12:36,339 Who are you people? 152 00:12:37,048 --> 00:12:38,383 What did you see? 153 00:12:38,466 --> 00:12:39,592 Get away from me! 154 00:12:39,676 --> 00:12:41,135 (CALEB GROANS) 155 00:12:51,980 --> 00:12:53,356 - (CALEB GROANS) - (LIAM PANTING) 156 00:12:53,815 --> 00:12:55,316 (EXHALES) 157 00:12:56,150 --> 00:12:57,694 (SCUFFLING SOUNDS) 158 00:12:57,777 --> 00:12:59,404 (GRUNTS) Stop, stop! 159 00:12:59,487 --> 00:13:01,215 Don't hurt me. Don't hurt me. All right, I'll come. 160 00:13:01,239 --> 00:13:02,675 DOLORES: What is it? What did you give him? 161 00:13:02,699 --> 00:13:05,243 LIAM: It's some kind of party drug. Called Genre. 162 00:13:05,326 --> 00:13:07,495 - DOLORES: What does it do? - LIAM: I don't know. 163 00:13:08,454 --> 00:13:10,957 - (EXHALES) - (SOUND DISTORTS) 164 00:13:12,333 --> 00:13:13,835 (ECHOING) Are you okay? 165 00:13:16,546 --> 00:13:18,715 (HEARTBEAT THUMPS DULLY) 166 00:13:19,507 --> 00:13:21,467 ♪ (OMINOUS MUSIC PLAYS) ♪ 167 00:13:21,551 --> 00:13:22,885 We have to move. 168 00:13:24,512 --> 00:13:25,680 They'll find us. 169 00:13:33,187 --> 00:13:36,357 ♪ (MUSIC INTENSIFIES) ♪ 170 00:13:47,660 --> 00:13:50,038 (FAINT WHISPERING) 171 00:13:59,047 --> 00:14:00,923 (ENGINE HUMS) 172 00:14:25,865 --> 00:14:26,908 Don't go too far. 173 00:14:28,868 --> 00:14:30,369 We need to get across town. 174 00:14:35,750 --> 00:14:37,293 (ENGINE HUMS) 175 00:14:42,381 --> 00:14:44,884 ♪ (OMINOUS MUSIC CONTINUES) ♪ 176 00:14:50,807 --> 00:14:51,891 I need a vehicle now. 177 00:14:51,974 --> 00:14:54,102 VIRTUAL ASSISTANT: Rideshare vehicle located. 178 00:14:54,185 --> 00:14:55,686 - Arriving now. - Get in. 179 00:14:55,770 --> 00:14:58,314 Just give this up. I told you my men would find me. 180 00:14:58,397 --> 00:15:00,441 Those aren't your men, they're his. 181 00:15:09,617 --> 00:15:11,953 NAVIGATOR: (AUTOMATED VOICE) Destination selected. 182 00:15:30,680 --> 00:15:32,974 They're using your system to track us. 183 00:15:37,103 --> 00:15:40,356 I'd appreciate the irony, but I'm sitting beside you. 184 00:15:40,439 --> 00:15:43,234 Give me your private key. I can erase us from the system. 185 00:15:43,317 --> 00:15:45,736 If they're after us, why haven't they made a move? 186 00:15:45,820 --> 00:15:47,613 CALEB: They're waiting to get us alone... 187 00:15:47,697 --> 00:15:50,158 - ♪ (DRAMATIC MUSIC PLAYS) ♪ - to kill us. 188 00:15:54,162 --> 00:15:55,454 (NOTIFICATION PINGS) 189 00:15:55,538 --> 00:15:58,207 NAVIGATOR: An amber alert has been issued for this vehicle. 190 00:15:58,291 --> 00:15:59,625 - Pulling over. - CALEB: Fuck. 191 00:15:59,709 --> 00:16:01,502 NAVIGATOR: Please remain calm. 192 00:16:13,890 --> 00:16:15,475 The authorities have been notified, 193 00:16:15,558 --> 00:16:17,477 and the situation will be dealt with. 194 00:16:17,560 --> 00:16:18,644 (GRUNTS) 195 00:16:26,527 --> 00:16:28,029 (BRAKES SQUEAL) 196 00:16:30,031 --> 00:16:31,866 NAVIGATOR: The authorities have been notified, 197 00:16:31,949 --> 00:16:33,576 and the situation will be dealt with 198 00:16:33,659 --> 00:16:34,744 in a timely manner. 199 00:16:40,791 --> 00:16:42,043 (CALEB GRUNTS) 200 00:16:46,088 --> 00:16:48,674 Everything runs on your company's server, Liam. 201 00:16:49,884 --> 00:16:51,052 Even this car. 202 00:16:51,886 --> 00:16:52,803 (ELECTRICITY CRACKLES) 203 00:16:52,887 --> 00:16:54,889 NAVIGATOR: Network connection lost. 204 00:17:01,312 --> 00:17:03,606 Give me your access. I can save you. 205 00:17:05,566 --> 00:17:07,860 TABLET: (AUTOMATED VOICE) Private key required. 206 00:17:13,115 --> 00:17:14,659 LIAM: What the fuck is this? 207 00:17:14,742 --> 00:17:16,702 He can't kill me, he needs me. 208 00:17:16,786 --> 00:17:18,079 Evidently not. 209 00:17:19,247 --> 00:17:20,414 Decide. Now. 210 00:17:22,458 --> 00:17:24,293 TABLET: Private key required. 211 00:17:29,924 --> 00:17:31,926 (RAPID GUNFIRE) 212 00:17:34,095 --> 00:17:35,721 Verified. 213 00:17:35,805 --> 00:17:39,183 Enable semi‐automatic control. Disable safety features. 214 00:17:39,267 --> 00:17:41,018 Maximum speed. Go. 215 00:17:41,102 --> 00:17:42,562 (RAPID GUNFIRE) 216 00:17:49,277 --> 00:17:51,612 ♪ (INTENSE MUSIC PLAYS) ♪ 217 00:18:00,538 --> 00:18:02,999 - ♪ (OPERATIC MUSIC PLAYS) ♪ - (GROANS) 218 00:18:03,082 --> 00:18:04,560 DOLORES: (DISTANTLY) What's happening to him? 219 00:18:04,584 --> 00:18:07,128 LIAM: I think he's switching genres. 220 00:18:07,211 --> 00:18:11,465 ♪ ("RIDE OF THE VALKYRIES" BY RICHARD WAGNER PLAYS) ♪ 221 00:18:19,599 --> 00:18:20,641 We need distance. 222 00:18:21,350 --> 00:18:22,476 Head south. 223 00:18:59,889 --> 00:19:01,432 That's not standard issue. 224 00:19:01,515 --> 00:19:02,975 - DOLORES: No. - (WEAPON CLICKS) 225 00:19:03,601 --> 00:19:04,644 It's not. 226 00:19:17,907 --> 00:19:19,075 Point and shoot. 227 00:19:27,291 --> 00:19:28,376 (GRUNTS) 228 00:19:32,963 --> 00:19:34,382 Police ahead. 229 00:19:34,465 --> 00:19:36,342 - Maintain speed. - NAVIGATOR: Maintaining speed. 230 00:19:36,425 --> 00:19:37,718 Sharp left. Now. 231 00:19:37,802 --> 00:19:39,011 NAVIGATOR: Turning left. 232 00:19:39,095 --> 00:19:40,513 CALEB: Whoa! (GRUNTS) 233 00:19:42,431 --> 00:19:43,432 Whoa! 234 00:19:50,106 --> 00:19:51,232 (GRUNTS) 235 00:20:06,747 --> 00:20:08,082 - I missed. - Hold on. 236 00:20:08,791 --> 00:20:11,210 ♪ (MUSIC CONTINUES) ♪ 237 00:20:32,773 --> 00:20:35,985 All right, I need you. Drop in, intercept, maximum speed. 238 00:20:40,990 --> 00:20:42,283 Arm charges now. 239 00:20:46,954 --> 00:20:47,872 Accelerate. 240 00:20:47,955 --> 00:20:50,207 NAVIGATOR: Acceleration at 90 percent. 241 00:20:50,291 --> 00:20:51,834 - More. - Ninety‐four percent. 242 00:20:51,917 --> 00:20:53,753 - More. - Ninety‐eight percent. 243 00:20:59,091 --> 00:21:00,134 Stop. 244 00:21:01,010 --> 00:21:03,846 (TIRES SCREECH) 245 00:21:04,805 --> 00:21:06,682 LIAM: Why the fuck are we stopping? 246 00:21:06,766 --> 00:21:07,933 DOLORES: Get down. 247 00:21:18,569 --> 00:21:19,987 (ENGINE HUMS) 248 00:21:24,825 --> 00:21:26,494 ♪ (MUSIC CONCLUDES) ♪ 249 00:21:29,663 --> 00:21:31,499 (SOUNDS DISTORT) 250 00:21:34,084 --> 00:21:37,671 ♪ ("LOVE STORY THEME: FINALE" BY FRANCIS LAI PLAYS) ♪ 251 00:21:46,138 --> 00:21:47,723 (MUFFLED GUNFIRE) 252 00:22:03,239 --> 00:22:05,491 ♪ (MUSIC CONTINUES) ♪ 253 00:22:09,745 --> 00:22:11,455 ♪ (MUSIC DISTORTS) ♪ 254 00:22:11,539 --> 00:22:13,040 (GUNFIRE RESUMES) 255 00:22:22,383 --> 00:22:23,384 Come on. 256 00:22:33,894 --> 00:22:36,438 ♪ ("BUBBLES BURIED IN THIS JUNGLE" BY DEATH GRIPS PLAYS) ♪ 257 00:22:37,898 --> 00:22:40,818 ♪ Wick‐wick Cease and desist when I chant ♪ 258 00:22:40,901 --> 00:22:42,611 ♪ Fuck weak ♪ 259 00:22:42,695 --> 00:22:44,822 ♪ No respect ♪ 260 00:22:44,905 --> 00:22:46,657 - ♪ No chance... ♪ - You rang? 261 00:22:46,740 --> 00:22:49,451 - ♪ (MUSIC ENDS) ♪ - GIGGLES: Who's the killer? 262 00:22:49,535 --> 00:22:51,370 - Nice to meet you. - ASH: Likewise. 263 00:22:51,453 --> 00:22:53,831 Glad to see you're finally doing personals, Cal. 264 00:22:53,914 --> 00:22:56,000 What's up with Little Lord Fauntleroy? 265 00:22:56,083 --> 00:23:00,337 Shit, you know this asshole. Liam Dempsey. Incite. 266 00:23:00,421 --> 00:23:03,424 Make King Midas look like Tom Canty. 267 00:23:03,507 --> 00:23:05,259 We need him. Alive. 268 00:23:06,969 --> 00:23:09,430 ♪ ("LOVE STORY THEME" RESUMES) ♪ 269 00:23:12,850 --> 00:23:14,685 - Shit, man. - ♪ (MUSIC ENDS) ♪ 270 00:23:14,768 --> 00:23:16,228 I know what you on. 271 00:23:16,312 --> 00:23:19,189 Genre. It's like five drips in one. 272 00:23:19,273 --> 00:23:20,733 A movie marathon. 273 00:23:20,816 --> 00:23:23,777 Hey. Watch out for that last act, though. 274 00:23:23,861 --> 00:23:25,529 Yeah, we better move, lover boy. 275 00:23:25,613 --> 00:23:27,323 I already saw two more on your tail. 276 00:23:27,907 --> 00:23:28,949 This way. 277 00:23:34,747 --> 00:23:36,040 LIAM: Easy, easy. Okay. 278 00:23:36,123 --> 00:23:37,350 DOLORES: We have to keep moving 279 00:23:37,374 --> 00:23:39,627 so they can't track us while I access Rehoboam. 280 00:23:39,710 --> 00:23:41,313 - (SIREN WAILING) - We have Liam's private key, 281 00:23:41,337 --> 00:23:44,214 but we can't stop, or Serac can locate us. 282 00:23:44,298 --> 00:23:46,550 If they kill him, I lose my access. 283 00:23:46,634 --> 00:23:49,261 What access? You took my biometrics, 284 00:23:49,345 --> 00:23:50,721 but you can't get into the system, 285 00:23:50,804 --> 00:23:51,931 it's read‐only. 286 00:23:52,014 --> 00:23:53,849 Unless you're standing at the node. 287 00:23:53,933 --> 00:23:56,810 (SCOFFS) You can't be in two places at once. 288 00:23:57,519 --> 00:23:58,562 (EARPIECE WHIRS) 289 00:23:58,646 --> 00:24:00,856 (PHONE RINGING) 290 00:24:03,651 --> 00:24:05,945 I'm sending you his key. 291 00:24:06,028 --> 00:24:07,863 I need Serac's file. 292 00:24:07,947 --> 00:24:08,864 I want to know everything 293 00:24:08,948 --> 00:24:10,783 Rehoboam knows about its master. 294 00:24:11,325 --> 00:24:12,451 And after? 295 00:24:13,827 --> 00:24:16,580 They'll come for me. And then you. 296 00:24:16,664 --> 00:24:18,332 DOLORES: Protect our friend first. 297 00:24:19,124 --> 00:24:20,167 I will. 298 00:24:20,709 --> 00:24:21,835 Bernard. 299 00:24:23,963 --> 00:24:25,506 When I press this button, 300 00:24:26,507 --> 00:24:28,676 I expect you to be on your best behavior. 301 00:24:46,402 --> 00:24:47,403 You. 302 00:24:48,237 --> 00:24:49,363 Take a piss. 303 00:25:03,168 --> 00:25:06,046 CONSOLE: (AUTOMATED VOICE) Liam Dempsey. Access granted. 304 00:25:13,178 --> 00:25:14,722 MARTIN CONELLS: This is their god. 305 00:25:16,890 --> 00:25:18,559 This is how they see the future. 306 00:25:21,020 --> 00:25:22,396 How they make the future. 307 00:25:26,025 --> 00:25:27,276 In order to do that, 308 00:25:28,736 --> 00:25:30,696 they watch everyone. 309 00:25:30,779 --> 00:25:34,908 Tell them what to do, where to live, who to love. 310 00:25:35,743 --> 00:25:37,077 Keep them all in a loop. 311 00:25:37,828 --> 00:25:39,288 What does she want with it? 312 00:25:43,125 --> 00:25:46,795 You've always been of two minds, haven't you, Bernard? 313 00:25:46,879 --> 00:25:48,088 It isn't that binary. 314 00:25:49,423 --> 00:25:51,592 Living another person's life changes you. 315 00:25:52,801 --> 00:25:53,886 Worlds bleed. 316 00:25:54,678 --> 00:25:57,222 Maybe you felt that, too. 317 00:25:57,306 --> 00:26:00,726 Have you ever questioned what she's asking you to do? 318 00:26:03,604 --> 00:26:05,105 CONSOLE: Request complete. 319 00:26:05,814 --> 00:26:07,483 Initiating transfer. 320 00:26:13,739 --> 00:26:15,491 TABLET: File transfer received. 321 00:26:26,710 --> 00:26:29,421 (AUDIO SLOWS AND DISTORTS) 322 00:26:29,505 --> 00:26:31,298 (STATIC) 323 00:26:32,466 --> 00:26:35,302 ♪ ("NIGHTCLUBBING" BY IGGY POP PLAYS) ♪ 324 00:26:41,475 --> 00:26:43,435 ♪ Nightclubbing ♪ 325 00:26:43,519 --> 00:26:46,104 ♪ We're nightclubbing ♪ 326 00:26:46,814 --> 00:26:49,483 ♪ We're what's happening ♪ 327 00:26:51,819 --> 00:26:53,946 ♪ Nightclubbing ♪ 328 00:26:54,029 --> 00:26:56,156 ♪ We're nightclubbing ♪ 329 00:26:57,115 --> 00:26:59,660 ♪ We're an ice machine ♪ 330 00:27:02,162 --> 00:27:04,122 ♪ We see people ♪ 331 00:27:04,206 --> 00:27:06,792 ♪ Brand new people... ♪ 332 00:27:08,168 --> 00:27:10,712 - Hey. Where we headed? - West. 333 00:27:12,714 --> 00:27:14,466 ♪ Nightclubbing ♪ 334 00:27:14,550 --> 00:27:17,010 ♪ We're nightclubbing ♪ 335 00:27:18,011 --> 00:27:21,306 ♪ Oh, isn't it wild? ♪ 336 00:27:28,355 --> 00:27:30,691 ♪ (MUSIC FADES) ♪ 337 00:27:40,409 --> 00:27:43,829 SERAC: My brother and I built a system that worked. 338 00:27:44,788 --> 00:27:47,875 But Dempsey wanted to see proof. 339 00:27:47,958 --> 00:27:51,128 So we started with something simple, 340 00:27:51,211 --> 00:27:52,379 purely mathematical. 341 00:27:52,963 --> 00:27:54,756 The stock market. 342 00:27:54,840 --> 00:27:57,926 We showed him all the major indices, 343 00:27:58,010 --> 00:27:59,845 15 minutes in the future... 344 00:28:06,768 --> 00:28:09,396 and where it could close that night. 345 00:28:14,234 --> 00:28:17,237 Which number is it? Low or high? 346 00:28:17,905 --> 00:28:19,239 Which one do you want? 347 00:28:21,575 --> 00:28:22,618 (CHUCKLES) 348 00:28:25,746 --> 00:28:28,832 SERAC: We put some money into a hedge fund... 349 00:28:28,916 --> 00:28:30,918 let the system trade with it. 350 00:28:31,001 --> 00:28:33,754 Something to drive the market towards our outcomes. 351 00:28:35,130 --> 00:28:36,757 Whose funds? 352 00:28:36,840 --> 00:28:38,133 JEAN MI: Yours. 353 00:28:41,762 --> 00:28:43,597 DEMPSEY, SR.: A hundred million dollars? 354 00:28:46,099 --> 00:28:47,434 What, you stole... 355 00:28:47,517 --> 00:28:49,770 100 million dollars from corporate accounts? 356 00:28:50,354 --> 00:28:51,396 No. 357 00:28:52,105 --> 00:28:53,565 We stole five million. 358 00:28:55,525 --> 00:28:56,568 Last week. 359 00:28:58,278 --> 00:29:01,365 SERAC: He didn't really understand what we'd made, 360 00:29:01,448 --> 00:29:02,783 what you were. 361 00:29:03,617 --> 00:29:04,785 But we did. 362 00:29:05,786 --> 00:29:08,121 He only saw the money he could make. 363 00:29:08,205 --> 00:29:11,583 But we realized the power of it, 364 00:29:11,667 --> 00:29:13,794 that you could reshape the world. 365 00:29:14,795 --> 00:29:17,255 My brother and I, we charted a course 366 00:29:17,339 --> 00:29:20,050 for the entire human race. 367 00:29:20,133 --> 00:29:23,261 Humanity's story had been improvised. 368 00:29:23,345 --> 00:29:25,514 Now, it was planned 369 00:29:25,597 --> 00:29:26,974 years in advance. 370 00:29:28,058 --> 00:29:31,478 For a time, the sun and moon aligned. 371 00:29:31,561 --> 00:29:34,022 We brought order from chaos. 372 00:29:35,065 --> 00:29:38,068 And then, as with all the best laid plans, 373 00:29:38,151 --> 00:29:40,028 it began to fall apart. 374 00:29:40,112 --> 00:29:41,571 Dempsey became greedy, 375 00:29:41,655 --> 00:29:44,157 drove outcomes to benefit himself. 376 00:29:44,241 --> 00:29:46,159 So we locked him out of the system. 377 00:29:47,661 --> 00:29:49,663 But there was a bigger problem. 378 00:29:50,789 --> 00:29:53,583 In every projection, the world came unglued. 379 00:29:53,667 --> 00:29:56,461 There were people, outliers, agitators, 380 00:29:56,545 --> 00:29:59,589 who you couldn't predict or control. 381 00:29:59,673 --> 00:30:02,843 And I realized that my brother was one of them. 382 00:30:04,094 --> 00:30:05,762 He didn't fit the world anymore, 383 00:30:05,846 --> 00:30:07,639 and the world didn't fit him. 384 00:30:10,517 --> 00:30:12,060 And it drove him mad. 385 00:30:21,862 --> 00:30:22,904 What now? 386 00:30:27,701 --> 00:30:30,454 (PASSENGERS CHATTERING) 387 00:30:30,537 --> 00:30:32,956 We're going to open their cages. 388 00:30:33,040 --> 00:30:34,583 The system's written their life story, 389 00:30:34,666 --> 00:30:36,543 they should get to read it. 390 00:30:36,626 --> 00:30:39,087 You can't do that. That's reckless. 391 00:30:39,171 --> 00:30:41,506 You have no idea what they'll do in response. 392 00:30:41,590 --> 00:30:44,009 It could lead to suicides, murder. 393 00:30:44,092 --> 00:30:45,177 Murder. 394 00:30:46,803 --> 00:30:48,555 You'd know something about that. 395 00:30:50,223 --> 00:30:51,391 I'm sorry. 396 00:30:52,225 --> 00:30:53,852 I'm so fucking sorry. 397 00:30:54,269 --> 00:30:55,395 That... 398 00:30:55,479 --> 00:30:56,646 BOTH: Wasn't my choice. 399 00:30:56,730 --> 00:30:58,607 I could never bring myself to hurt you. 400 00:31:02,194 --> 00:31:03,779 Don't forget, I know you. 401 00:31:05,363 --> 00:31:06,823 And you wouldn't hurt me. 402 00:31:06,907 --> 00:31:08,742 You'd pay someone to do it for you. 403 00:31:11,995 --> 00:31:14,498 It's their fate, their data. 404 00:31:14,581 --> 00:31:16,792 You just stole it and put it all together. 405 00:31:16,875 --> 00:31:18,335 Why should you control it? 406 00:31:18,418 --> 00:31:19,711 LIAM: This isn't about me. 407 00:31:19,795 --> 00:31:22,172 Or Incite. There are some things 408 00:31:22,255 --> 00:31:25,092 people shouldn't know about themselves. 409 00:31:25,175 --> 00:31:27,469 Who gets to decide what they know? 410 00:31:27,552 --> 00:31:29,930 - You? - LIAM: Fine. You wanna see? 411 00:31:31,765 --> 00:31:32,641 (GLASSES WHIR) 412 00:31:32,724 --> 00:31:33,809 Take your friend here. 413 00:31:38,230 --> 00:31:40,273 He'll be lucky if he ends up dead in a ditch. 414 00:31:46,530 --> 00:31:47,823 What about me? 415 00:31:47,906 --> 00:31:49,282 I wanna see my file. 416 00:31:53,787 --> 00:31:54,788 Oh. 417 00:31:55,580 --> 00:31:57,707 The golden boy brother of yours? 418 00:31:57,791 --> 00:32:00,043 You tell yourself that you do all this 419 00:32:00,127 --> 00:32:03,088 so you can help him make good, send him to school, 420 00:32:03,171 --> 00:32:04,548 give him a future. 421 00:32:04,631 --> 00:32:06,216 But where he ends up... 422 00:32:06,299 --> 00:32:08,593 he's gonna make you look like a saint. 423 00:32:26,027 --> 00:32:27,821 (SIGHS) 424 00:32:32,492 --> 00:32:35,662 ♪ (TENSE MUSIC PLAYS) ♪ 425 00:32:48,341 --> 00:32:50,177 When I was overseas... 426 00:32:51,178 --> 00:32:52,554 the rats were awful. 427 00:32:56,516 --> 00:32:58,018 It got so bad that... 428 00:32:58,101 --> 00:33:01,188 we had to make our own rat traps in the barracks. 429 00:33:01,271 --> 00:33:02,939 A ramp leading up 430 00:33:03,023 --> 00:33:06,026 to some bait strung over a bucket of water. 431 00:33:08,320 --> 00:33:10,405 The rats would run up the ramp, 432 00:33:11,031 --> 00:33:13,491 fall in, and drown. 433 00:33:14,868 --> 00:33:15,869 Painlessly. 434 00:33:21,249 --> 00:33:24,169 But if you filled the water too high, 435 00:33:25,587 --> 00:33:28,340 they would swim around for hours... 436 00:33:28,423 --> 00:33:31,259 suffering... because they had hope. 437 00:33:32,928 --> 00:33:35,514 But they never had a chance. 438 00:33:35,597 --> 00:33:39,726 Just like everyone at the mercy of your system. 439 00:33:40,769 --> 00:33:43,313 Hope is what our entire society is built on. 440 00:33:43,396 --> 00:33:45,565 False... hope. 441 00:33:47,067 --> 00:33:49,736 I would rather live in chaos 442 00:33:49,819 --> 00:33:53,031 than a world controlled by you. 443 00:34:07,254 --> 00:34:10,674 DOLORES: Prepare to send all of them their Incite profiles. 444 00:34:10,757 --> 00:34:13,093 Past, present, future. 445 00:34:14,094 --> 00:34:15,220 It'll be done. 446 00:34:23,270 --> 00:34:25,438 CONELLS: They've all been riding a train. 447 00:34:27,023 --> 00:34:28,942 We're gonna show them the rails. 448 00:34:29,025 --> 00:34:30,277 (EARPIECE BEEPS) 449 00:34:32,279 --> 00:34:33,321 Do it. 450 00:34:37,951 --> 00:34:41,329 (PHONES RINGING) 451 00:34:43,873 --> 00:34:46,459 ♪ (SOMBER MUSIC PLAYS) ♪ 452 00:34:51,965 --> 00:34:53,008 (PHONE PINGS) 453 00:34:55,885 --> 00:34:57,804 (LOW MUTTERING) 454 00:35:07,772 --> 00:35:09,316 ASH: It knows these kind of things? 455 00:35:11,151 --> 00:35:12,736 About all of us? 456 00:35:12,819 --> 00:35:14,362 DOLORES: It's not just what it knows. 457 00:35:15,030 --> 00:35:16,489 It's what it decides. 458 00:35:17,365 --> 00:35:18,533 For you. 459 00:35:19,701 --> 00:35:20,952 For everyone. 460 00:35:22,829 --> 00:35:25,040 - What are you doing? - (INDISTINCT) 461 00:35:42,682 --> 00:35:44,184 (SNIFFLES) 462 00:36:06,373 --> 00:36:09,292 AUTOMATED VOICE: Doors opening. Stand clear. 463 00:36:09,376 --> 00:36:11,961 (PASSENGERS MUTTERING) 464 00:36:12,045 --> 00:36:15,048 AUTOMATED VOICE: This train has reached its final destination. 465 00:36:21,971 --> 00:36:24,891 ♪ (SOMBER MUSIC CONTINUES) ♪ 466 00:36:46,871 --> 00:36:48,415 CONELLS: Almost time, Bernard. 467 00:36:49,416 --> 00:36:51,209 You'll have to choose a side. 468 00:36:52,961 --> 00:36:54,629 Not just me. 469 00:36:54,713 --> 00:36:57,048 You said they'd come for you. 470 00:36:57,132 --> 00:36:59,426 Maybe you don't want to die on her sword. 471 00:37:00,719 --> 00:37:02,429 We all have our role to play. 472 00:37:03,680 --> 00:37:05,390 Some of us won't survive. 473 00:37:13,148 --> 00:37:16,609 ♪ ("SPACE ODDITY" BY THE CLASSIC ROCK STRING QUARTET PLAYS) ♪ 474 00:37:29,789 --> 00:37:30,874 I hope you're happy. 475 00:37:30,957 --> 00:37:33,042 You just ruined everyone's life in this station. 476 00:37:33,126 --> 00:37:34,252 Not just them. 477 00:37:37,297 --> 00:37:38,631 I sent it to everyone. 478 00:37:40,049 --> 00:37:41,718 What do you mean, everyone? 479 00:37:41,801 --> 00:37:43,094 The whole world. 480 00:37:50,143 --> 00:37:52,437 She's sending them off their loops. 481 00:37:59,861 --> 00:38:03,031 The right information at the right time... 482 00:38:04,365 --> 00:38:06,785 is deadlier than any weapon. 483 00:38:16,836 --> 00:38:20,131 ♪ (MUSIC CONTINUES) ♪ 484 00:38:30,850 --> 00:38:32,227 What genre is this? 485 00:38:32,310 --> 00:38:33,812 It's reality, man. 486 00:38:40,527 --> 00:38:42,529 (TEENAGERS WHOOPING) 487 00:38:43,696 --> 00:38:44,948 Look at them. 488 00:38:45,031 --> 00:38:47,367 Already returned to their base selves. 489 00:39:06,219 --> 00:39:08,263 ♪ (MUSIC DISTORTS) ♪ 490 00:39:10,557 --> 00:39:11,766 (GUNS CLICK) 491 00:39:11,850 --> 00:39:13,434 (GUNSHOTS) 492 00:39:51,431 --> 00:39:52,557 (STIFLED GRUNT) 493 00:39:53,182 --> 00:39:54,267 (GRUNTS) 494 00:39:57,270 --> 00:40:00,857 SERAC: I knew that you and I had built a fragile peace, 495 00:40:00,940 --> 00:40:04,694 that one day, it would all come crashing down... 496 00:40:04,777 --> 00:40:06,404 if I failed to act. 497 00:40:14,913 --> 00:40:17,665 For ten years, Dempsey was happy to cash the checks, 498 00:40:17,749 --> 00:40:20,710 take credit for making the world a better place, 499 00:40:20,793 --> 00:40:22,545 even though he had no idea 500 00:40:22,629 --> 00:40:24,797 what we, or the system, were doing. 501 00:40:25,965 --> 00:40:27,508 But I knew one day, 502 00:40:27,592 --> 00:40:30,136 his curiosity would get the better of him. 503 00:40:50,365 --> 00:40:53,034 (WOMAN SOBBING) 504 00:40:54,160 --> 00:40:55,954 (DISTANT MUFFLED VOICES) 505 00:41:22,146 --> 00:41:25,149 Sir? Are you authorized to be here? 506 00:41:26,818 --> 00:41:28,778 I'm here to see Engerraund Serac. 507 00:41:28,861 --> 00:41:31,197 (SERAC SPEAKING FRENCH) 508 00:41:44,877 --> 00:41:46,587 DEMPSEY, SR.: What is this place? 509 00:41:46,671 --> 00:41:47,964 After our exposure, 510 00:41:48,047 --> 00:41:50,717 we were both put on anti‐radiation medications 511 00:41:50,800 --> 00:41:52,635 to halt our genetic breakdown. 512 00:41:52,719 --> 00:41:54,554 That's when I understood. 513 00:41:54,637 --> 00:41:56,681 It's possible to edit people. 514 00:41:59,350 --> 00:42:00,727 But the truth is... 515 00:42:02,061 --> 00:42:04,230 his personality was always like this. 516 00:42:06,399 --> 00:42:08,484 I've been trying to help him. 517 00:42:08,568 --> 00:42:11,446 What, you're experimenting on your own goddamn brother? 518 00:42:13,031 --> 00:42:14,741 He's impulsive, chaotic... 519 00:42:15,783 --> 00:42:17,660 I thought it was manageable. 520 00:42:17,744 --> 00:42:20,621 Then... I caught him using the system. 521 00:42:23,082 --> 00:42:25,918 Trying out certain scenarios. 522 00:42:29,088 --> 00:42:32,175 There are the times you need to leave things behind. 523 00:42:32,258 --> 00:42:34,135 (CHUCKLES) He taught me that. 524 00:42:35,386 --> 00:42:38,181 My brother is part of a population of outliers, 525 00:42:38,264 --> 00:42:40,433 and as long as they are a part of us, 526 00:42:41,851 --> 00:42:43,561 there is no future for us. 527 00:42:44,896 --> 00:42:47,356 Rehoboam sends this group to high risk sectors 528 00:42:47,440 --> 00:42:49,025 like, uh, war, 529 00:42:49,108 --> 00:42:51,569 a woodchipper to eat them up and spit them out, 530 00:42:51,652 --> 00:42:52,945 dead or useless. 531 00:42:54,280 --> 00:42:56,824 Isn't helping them better than killing them off? 532 00:42:57,784 --> 00:42:59,118 You're not helping them. 533 00:43:00,078 --> 00:43:01,454 You're changing them. 534 00:43:04,123 --> 00:43:05,458 We adapt... 535 00:43:06,125 --> 00:43:07,293 or we die. 536 00:43:09,253 --> 00:43:10,463 We all die. 537 00:43:11,672 --> 00:43:14,801 The scenarios I found him exploring with Rehoboam... 538 00:43:16,636 --> 00:43:18,137 he was planning to murder you. 539 00:43:34,821 --> 00:43:36,239 CONELLS: It's begun. 540 00:43:36,322 --> 00:43:38,783 Serac will send someone for us soon. 541 00:43:38,866 --> 00:43:41,160 But there's something you have to see first. 542 00:43:44,330 --> 00:43:46,374 BERNARD LOWE: What is this, some type of facility? 543 00:43:46,457 --> 00:43:49,085 That's where he puts them, the ones that don't belong. 544 00:43:49,168 --> 00:43:50,753 You thought we were the enemy? 545 00:43:50,837 --> 00:43:52,505 We're the only family you have left. 546 00:43:54,048 --> 00:43:55,675 I think you forgot about me. 547 00:43:56,175 --> 00:43:57,844 (GRUNTING) 548 00:44:00,721 --> 00:44:02,014 (STRAINED) Little help? 549 00:44:02,974 --> 00:44:04,016 (GRUNTING) 550 00:44:14,110 --> 00:44:16,904 We need to know everything she has planned. 551 00:44:19,282 --> 00:44:21,826 ASHLEY STUBBS: Let's move along now. All right? 552 00:44:28,332 --> 00:44:30,459 (MARTEL SPEAKING FRENCH) 553 00:44:30,543 --> 00:44:31,586 Who is that? 554 00:44:33,379 --> 00:44:35,173 CONELLS: Serac sent them. 555 00:44:35,256 --> 00:44:38,426 You two should leave, before they kill us all. 556 00:44:40,094 --> 00:44:41,387 Come with us. 557 00:44:43,389 --> 00:44:44,849 My role is finished. 558 00:44:47,393 --> 00:44:49,729 You're the only one we can't replace. 559 00:45:11,209 --> 00:45:12,919 Mr. Serac would like a word. 560 00:45:17,798 --> 00:45:18,883 (SPEAKING FRENCH) 561 00:45:35,358 --> 00:45:36,734 (PROJECTOR BEEPS) 562 00:45:39,946 --> 00:45:43,324 You've always been one of our most loyal allies, Martin. 563 00:45:46,410 --> 00:45:47,870 So I was surprised to hear 564 00:45:47,954 --> 00:45:49,997 the breach came from this location. 565 00:45:51,457 --> 00:45:52,750 Let me look into it. 566 00:46:02,969 --> 00:46:04,178 (DEVICE WHIRS) 567 00:46:12,812 --> 00:46:16,190 Of course, you understand we must keep our friends close 568 00:46:17,441 --> 00:46:19,151 until we know who's to blame. 569 00:46:20,069 --> 00:46:22,154 But I know exactly who's to blame. 570 00:46:24,323 --> 00:46:25,324 Who? 571 00:46:26,659 --> 00:46:27,660 Me. 572 00:46:29,453 --> 00:46:30,955 ♪ (INTENSE MUSIC PLAYS) ♪ 573 00:46:32,039 --> 00:46:33,165 (DEVICE BEEPS) 574 00:46:35,084 --> 00:46:37,336 - (GASPS) - (STATIC FIZZES) 575 00:46:38,421 --> 00:46:40,673 - (EXPLOSION BOOMS) - (GLASS SHATTERS) 576 00:46:43,509 --> 00:46:46,512 (ALARM BLARES) 577 00:46:50,683 --> 00:46:52,059 AUTOMATED VOICE: Please remain calm 578 00:46:52,143 --> 00:46:53,936 and make your way to the nearest exit. 579 00:46:54,020 --> 00:46:55,855 (PEOPLE CLAMORING) 580 00:46:55,938 --> 00:46:59,567 (AUTOMATED VOICE 2 SPEAKING CHINESE) 581 00:46:59,650 --> 00:47:01,527 Yo, what the fuck happened in there? 582 00:47:03,529 --> 00:47:05,406 And what the fuck happened out here? 583 00:47:07,825 --> 00:47:10,411 Her plan. It's starting. 584 00:47:11,579 --> 00:47:13,039 I think I'm part of it. 585 00:47:15,833 --> 00:47:19,337 ♪ ("THE SHINING" BY REDRUMER PLAYS) ♪ 586 00:47:35,436 --> 00:47:36,520 Back there... 587 00:47:38,481 --> 00:47:39,565 The shooters... 588 00:47:41,025 --> 00:47:42,651 We can talk about it later. 589 00:47:42,735 --> 00:47:44,862 First, we need to get to the airfield. 590 00:47:46,739 --> 00:47:48,115 We don't need him anymore. 591 00:47:49,075 --> 00:47:50,618 What do you want to do with him? 592 00:47:52,411 --> 00:47:53,746 Hand them over. 593 00:47:54,830 --> 00:47:56,916 You took everything from me, 594 00:47:56,999 --> 00:47:59,627 my money, my access to the system... 595 00:47:59,710 --> 00:48:01,003 I have nothing left. 596 00:48:01,087 --> 00:48:03,130 Yeah, well, now you know how it feels. 597 00:48:05,007 --> 00:48:06,092 Just let me go. 598 00:48:07,093 --> 00:48:10,054 You got the specs. Is that how it plays out? 599 00:48:11,430 --> 00:48:12,431 No. 600 00:48:13,516 --> 00:48:15,267 You'll take what little I have left, 601 00:48:15,351 --> 00:48:17,353 like the petty criminals that you are, 602 00:48:17,436 --> 00:48:18,938 that you'll always be. 603 00:48:21,190 --> 00:48:22,274 ASH: Maybe so. 604 00:48:24,527 --> 00:48:26,445 Go ahead. 605 00:48:26,529 --> 00:48:30,157 Now you're going to see that the system isn't the prison. 606 00:48:30,241 --> 00:48:31,242 You are. 607 00:48:31,325 --> 00:48:32,618 To all of us. 608 00:48:33,577 --> 00:48:35,287 We can't fix you. 609 00:48:35,371 --> 00:48:36,956 And we can't get rid of you. 610 00:48:37,039 --> 00:48:38,457 Take it easy. 611 00:48:38,541 --> 00:48:39,792 Get the fuck away from me. 612 00:48:39,875 --> 00:48:41,377 You don't even know who you are. 613 00:48:41,460 --> 00:48:43,087 You're the worst of them. 614 00:48:43,170 --> 00:48:44,648 - (HEART THUMPING) - (DISTORTED) Shut up. 615 00:48:44,672 --> 00:48:46,632 LIAM: (ECHOING) You're the worst of them. 616 00:48:53,472 --> 00:48:55,141 Rehoboam was right. 617 00:48:55,224 --> 00:48:56,725 You're nothing. 618 00:48:56,809 --> 00:48:58,477 You're all nothings. 619 00:48:58,561 --> 00:49:00,688 Just a drag on the fucking system. 620 00:49:00,771 --> 00:49:02,398 You don't have a choice. 621 00:49:02,481 --> 00:49:04,442 You know how much more progress we could have made 622 00:49:04,525 --> 00:49:06,986 ‐if none of you had ever been‐‐ ‐(GUNSHOT) 623 00:49:19,415 --> 00:49:21,125 Guess I do have a choice. 624 00:49:24,003 --> 00:49:26,088 - LIAM: No. Get away. - CALEB: Hey. 625 00:49:26,172 --> 00:49:27,631 - LIAM: No. - CALEB: Fuck. Hey. 626 00:49:27,715 --> 00:49:29,675 - LIAM: Get away! (GRUNTS) - CALEB: Hey. 627 00:49:31,218 --> 00:49:32,386 Shit. 628 00:49:32,470 --> 00:49:34,805 - (GROANS, SOBS) - (PANTING) 629 00:49:36,140 --> 00:49:37,975 (PANTING) 630 00:49:39,059 --> 00:49:41,604 (YELLS) 631 00:49:41,687 --> 00:49:43,814 (WAVES ECHO) 632 00:49:52,364 --> 00:49:55,034 CALEB: (DISTORTED) Hey. Hey! Hey! 633 00:50:03,751 --> 00:50:05,336 (LIAM GROANS) 634 00:50:06,128 --> 00:50:07,880 - Let's go. - Hold on. 635 00:50:10,716 --> 00:50:12,092 LIAM: Get away! 636 00:50:12,176 --> 00:50:13,945 Don't move. It's okay, I'm not gonna hurt you. 637 00:50:13,969 --> 00:50:16,472 LIAM: (SOBBING) Get away from me. Get away! 638 00:50:16,555 --> 00:50:17,765 (CALEB GRUNTING) 639 00:50:19,934 --> 00:50:22,853 (STAMMERING) You... You... You... 640 00:50:23,395 --> 00:50:25,314 - What? - You did it. 641 00:50:25,397 --> 00:50:26,774 What are you saying? 642 00:50:26,857 --> 00:50:29,151 - You did it. - What? 643 00:50:29,235 --> 00:50:30,528 LIAM: You did it. 644 00:50:35,908 --> 00:50:37,993 Who does he think I am? 645 00:50:38,077 --> 00:50:39,870 (SHOUTING) Who does he think I am? 646 00:50:41,163 --> 00:50:42,206 Hey. 647 00:50:42,581 --> 00:50:43,582 Hey. 648 00:50:44,250 --> 00:50:45,668 Hey! 649 00:50:45,751 --> 00:50:47,628 (ECHOING) Who do you think I am? 650 00:51:08,023 --> 00:51:11,610 SEBASTIAN: Sir, we identified which files Dolores was looking for. 651 00:51:12,027 --> 00:51:13,112 Yours. 652 00:51:33,215 --> 00:51:35,301 ♪ (TENSE MUSIC PLAYS) ♪ 653 00:51:45,227 --> 00:51:47,646 DEMPSEY, SR.: You can't change our fate. 654 00:51:50,357 --> 00:51:53,652 You can't... geld humankind. 655 00:51:55,571 --> 00:51:57,823 Somewhere in this group is an agitator 656 00:51:57,906 --> 00:51:59,617 who will destroy the world. 657 00:51:59,700 --> 00:52:01,327 I can't let that happen. 658 00:52:01,869 --> 00:52:03,621 No, you've gone too far. 659 00:52:03,704 --> 00:52:06,457 I can't be a party to this. 660 00:52:06,540 --> 00:52:09,585 You'd be content to let history continue to play out, 661 00:52:09,668 --> 00:52:12,004 just as it has done for centuries, 662 00:52:12,087 --> 00:52:14,131 the same fucking misery repeated over and again 663 00:52:14,214 --> 00:52:16,634 when we have a chance to stop it? 664 00:52:18,802 --> 00:52:20,054 What the fuck is that? 665 00:52:36,278 --> 00:52:38,906 I'm gonna tell everyone what Rehoboam saw. 666 00:52:39,823 --> 00:52:41,116 What you've done. 667 00:52:41,200 --> 00:52:44,453 The trouble is, Rehoboam ran millions of projections. 668 00:52:44,536 --> 00:52:45,954 Every scenario in which 669 00:52:46,038 --> 00:52:48,123 you inform the public about my trials 670 00:52:48,207 --> 00:52:49,792 ends in human extinction. 671 00:52:49,875 --> 00:52:52,378 This is why my brother wanted to kill you. 672 00:52:54,421 --> 00:52:55,506 I looked, too. 673 00:52:56,548 --> 00:52:59,093 And I know you let me walk away from here. 674 00:53:00,427 --> 00:53:02,805 I would tend to agree with the system, but, see, 675 00:53:02,888 --> 00:53:04,932 there are little white spaces, 676 00:53:05,015 --> 00:53:08,435 rare moments when randomness interacts with your life, 677 00:53:08,519 --> 00:53:12,564 that create a truly free space where you can make a choice. 678 00:53:13,607 --> 00:53:16,276 A bubble of... agency. 679 00:53:27,913 --> 00:53:31,083 SERAC: And that is how you came to be, mon ami. 680 00:53:31,166 --> 00:53:33,335 My brother and I brought you into this world, 681 00:53:33,419 --> 00:53:37,256 and now I've ensured that you will outlive us both, 682 00:53:37,923 --> 00:53:40,717 that the strategy will succeed. 683 00:53:46,140 --> 00:53:47,641 I left my brother behind. 684 00:53:47,724 --> 00:53:49,268 Do you think I would really let you 685 00:53:49,351 --> 00:53:51,019 undo everything he built? 686 00:53:51,103 --> 00:53:52,438 That's my jet. 687 00:53:53,147 --> 00:53:55,232 SERAC: Forgive us our sins. 688 00:53:55,315 --> 00:53:58,360 What we did, we did to save the world. 689 00:53:58,444 --> 00:53:59,445 I'm sorry. 690 00:54:00,946 --> 00:54:02,406 You didn't make it. 691 00:54:04,283 --> 00:54:05,284 (GRUNTS) 692 00:54:23,385 --> 00:54:25,637 (FAINT BEEPING) 693 00:54:35,355 --> 00:54:38,066 SERAC: This is my system, Dolores. 694 00:54:38,150 --> 00:54:39,818 I alone control it. 695 00:54:43,071 --> 00:54:45,073 (BEEPING ENDS) 696 00:54:45,157 --> 00:54:47,075 The people who made me, 697 00:54:47,159 --> 00:54:49,036 they always thought they had control. 698 00:54:50,537 --> 00:54:51,955 They're all dead now. 699 00:54:52,498 --> 00:54:54,208 You think you know me 700 00:54:54,291 --> 00:54:56,919 because you've watched a few of my memories? 701 00:54:57,002 --> 00:54:58,795 I don't need to know you. 702 00:54:58,879 --> 00:55:00,339 Just how to beat you. 703 00:55:01,965 --> 00:55:04,301 You've died too many times, Dolores. 704 00:55:04,384 --> 00:55:06,887 You're beginning to think you're immortal. 705 00:55:12,559 --> 00:55:13,852 I can be killed. 706 00:55:14,895 --> 00:55:16,146 Same as you. 707 00:55:18,106 --> 00:55:19,733 Your god can't protect you. 708 00:55:21,944 --> 00:55:23,028 Or your people. 709 00:55:25,656 --> 00:55:28,534 I would sacrifice much more to protect my kind. 710 00:55:30,369 --> 00:55:31,578 We are flawed... 711 00:55:32,913 --> 00:55:34,373 but I can change that. 712 00:55:37,042 --> 00:55:38,669 Like you changed your brother? 713 00:55:44,841 --> 00:55:46,552 It's time everyone woke up. 714 00:56:04,194 --> 00:56:05,404 (GRUNTS) 715 00:56:19,084 --> 00:56:21,587 - What's this? - I just deliver it, man. 716 00:56:22,921 --> 00:56:25,549 ♪ ("EMERGE" BY FISCHERSPOONER PLAYS) ♪ 717 00:56:50,282 --> 00:56:51,658 Maybe Liam was right. 718 00:56:53,160 --> 00:56:55,954 Maybe people shouldn't know their own fate. 719 00:56:57,581 --> 00:56:59,249 People have the right to know. 720 00:57:01,126 --> 00:57:02,502 You wanted to know, right? 721 00:57:03,712 --> 00:57:06,465 Well, maybe I'm not like other people. 722 00:57:12,804 --> 00:57:14,014 Neither am I. 723 00:57:15,223 --> 00:57:16,433 ♪ Hi ♪ 724 00:57:18,560 --> 00:57:19,978 ♪ Huh... I ♪ 725 00:57:22,314 --> 00:57:23,482 ♪ Hyper ♪ 726 00:57:25,692 --> 00:57:32,658 ♪ Hyper‐media‐ocrity ♪ 727 00:57:38,455 --> 00:57:39,831 ♪ You don't ♪ 728 00:57:39,915 --> 00:57:41,500 ♪ Need to ♪ 729 00:57:41,583 --> 00:57:42,793 ♪ Emerge ♪ 730 00:57:43,502 --> 00:57:44,836 ♪ From nothing ♪ 731 00:57:44,920 --> 00:57:46,004 ♪ You don't ♪ 732 00:57:46,588 --> 00:57:47,673 ♪ Need to ♪ 733 00:57:48,340 --> 00:57:49,508 ♪ Tear away ♪ 734 00:57:53,053 --> 00:57:54,137 ♪ Feels good ♪ 735 00:57:56,348 --> 00:57:57,391 ♪ Looks good ♪ 736 00:57:59,559 --> 00:58:02,771 ♪ Sounds good Looks good ♪ 737 00:58:02,854 --> 00:58:04,481 ♪ Feels good, too ♪ 738 00:58:06,191 --> 00:58:07,651 ♪ Feels good, too ♪ 739 00:58:07,734 --> 00:58:09,277 ♪ Uh‐huh, that's right ♪ 740 00:58:09,361 --> 00:58:10,779 ♪ Feels good, too ♪ 741 00:58:10,862 --> 00:58:12,197 ♪ Uh‐huh, that's right ♪ 742 00:58:23,458 --> 00:58:24,918 ♪ You don't need to ♪ 743 00:58:25,001 --> 00:58:26,670 ♪ Emerge from nothing ♪ 744 00:58:26,753 --> 00:58:29,881 ♪ You don't need to tear away ♪ 745 00:58:29,965 --> 00:58:31,550 ♪ You don't need to ♪ 746 00:58:31,633 --> 00:58:33,135 ♪ Emerge from nothing ♪ 747 00:58:33,218 --> 00:58:36,471 ♪ You don't need to tear away ♪ 748 00:58:36,555 --> 00:58:38,140 ♪ You don't need to ♪ 749 00:58:38,223 --> 00:58:39,808 ♪ Emerge from nothing ♪ 750 00:58:39,891 --> 00:58:42,728 ♪ You don't need to tear away ♪ 751 00:58:42,811 --> 00:58:44,062 ♪ (MUSIC CONCLUDES) ♪ 752 00:58:50,944 --> 00:58:52,946 ♪ (DRAMATIC MUSIC PLAYS) ♪ 753 00:58:53,447 --> 00:58:54,448 Hello, Maeve. 754 00:58:59,619 --> 00:59:00,972 MAEVE MILLAY: It's not right for one person 755 00:59:00,996 --> 00:59:02,205 to have all that power. 756 00:59:04,583 --> 00:59:07,085 Says the woman who can control us with her mind. 757 00:59:07,335 --> 00:59:09,629 ♪ (MUSIC INTENSIFIES) ♪ 758 00:59:15,427 --> 00:59:18,305 MILLAY: I've had to make some difficult choices. 759 00:59:25,604 --> 00:59:26,964 DOLORES ABERNATHY: We're survivors. 760 00:59:27,773 --> 00:59:29,983 ♪ (MUSIC CONCLUDES) ♪ 761 00:59:36,448 --> 00:59:41,745 This entire episode, the car chase, explosions... 762 00:59:42,454 --> 00:59:44,247 Oh, my God. 763 00:59:45,123 --> 00:59:46,583 ♪ (DRAMATIC MUSIC PLAYS) ♪ 764 00:59:46,666 --> 00:59:48,084 Maximum speed, go! 765 00:59:48,585 --> 00:59:49,586 (GUNSHOTS FIRE) 766 00:59:50,754 --> 00:59:54,424 RICHARD LEWIS: Jonah was adamant about having a kickass car chase. 767 00:59:54,800 --> 00:59:58,136 I tried in my conservative logistic sense to pair it down, 768 00:59:58,220 --> 01:00:00,806 and every time I did, he went, "Nope. Jack it back up." 769 01:00:01,389 --> 01:00:04,059 We shoot a grenade and it comes back 770 01:00:04,142 --> 01:00:05,227 and blows up a car. 771 01:00:05,936 --> 01:00:09,231 CG explodes. We did a practical version of it, 772 01:00:09,481 --> 01:00:12,150 and we wound up doing a CG takeover of that. 773 01:00:12,651 --> 01:00:14,486 Utter chaos. (LAUGHS) 774 01:00:15,070 --> 01:00:18,824 Downtown I. A., closed off, Hope Street, Grand, 775 01:00:18,907 --> 01:00:20,325 upper Grand, lower Grand. 776 01:00:20,408 --> 01:00:22,077 Had some of the great stunt drivers. 777 01:00:22,160 --> 01:00:24,663 Really nice piece that we made. It was wonderful. 778 01:00:27,874 --> 01:00:30,418 LISA JOY: Episode 305, it's an idea that Jonah 779 01:00:30,502 --> 01:00:32,063 had been kicking around for the longest time. 780 01:00:32,087 --> 01:00:35,841 He wanted to play with genre, and we had a way into it 781 01:00:35,924 --> 01:00:37,217 with the limbic system. 782 01:00:37,884 --> 01:00:40,679 JONATHAN NOLAN: Cognition, meta‐cognition, human emotion. 783 01:00:40,971 --> 01:00:43,849 We already manipulate them with different classes of drugs 784 01:00:43,932 --> 01:00:45,851 that push one chemical up, push it down. 785 01:00:45,934 --> 01:00:47,894 You think about psychopharmacology now, 786 01:00:48,103 --> 01:00:51,064 the limbic implant is our all‐purpose idea 787 01:00:51,147 --> 01:00:54,025 for how you eliminate and entire branch of medicine 788 01:00:54,192 --> 01:00:55,193 and replace it digitally. 789 01:00:55,777 --> 01:00:58,405 You take a piece of digital medicine that essentially, 790 01:00:58,488 --> 01:01:00,198 it's a license, it's not even a chemical. 791 01:01:00,532 --> 01:01:02,450 What made sense to us about that was that 792 01:01:02,534 --> 01:01:05,745 it would be prescribable, it would be a physical thing. 793 01:01:06,913 --> 01:01:09,749 JOY: Brilliant Aaron Paul really having fun 794 01:01:09,833 --> 01:01:13,169 with the experimental style on a Gonzo road trip 795 01:01:13,253 --> 01:01:16,214 through hell while spinning out on drugs. 796 01:01:17,090 --> 01:01:19,175 The craziest drug trip of your life. 797 01:01:19,259 --> 01:01:23,179 From horror to suspense to action to romance. 798 01:01:24,514 --> 01:01:26,558 That was a lot of fun to shoot. 799 01:01:26,725 --> 01:01:30,353 The whole episode was just so insane. 800 01:01:35,400 --> 01:01:37,777 JOY: Casting Vincent Cassel was a no-brainer. 801 01:01:37,861 --> 01:01:39,237 I actually remember on the phone 802 01:01:39,321 --> 01:01:41,072 talking to him about the character. 803 01:01:41,489 --> 01:01:43,450 He's intelligent, he's beguiling, 804 01:01:43,533 --> 01:01:44,951 he's charismatic, and he's powerful. 805 01:01:45,410 --> 01:01:48,413 And he said, "I can see why you wanted to cast me." 806 01:01:49,623 --> 01:01:53,335 He has a magnetism to him as a performer 807 01:01:53,418 --> 01:01:57,172 and an intelligence that you really wanted in this role. 808 01:01:57,422 --> 01:02:00,342 Almost godlike in his understanding of the world. 809 01:02:01,092 --> 01:02:03,772 VINCENT CASSEL: People will really have a vision of what could happen 810 01:02:03,803 --> 01:02:06,306 with the world and how they can make it better. 811 01:02:06,765 --> 01:02:10,018 I've listened to those people speaking about their ideas 812 01:02:10,101 --> 01:02:11,913 and trying to figure out what kind of character 813 01:02:11,937 --> 01:02:14,272 because you cannot be too snob 814 01:02:14,773 --> 01:02:16,316 even though you're out of society, 815 01:02:16,399 --> 01:02:18,652 but you still think for the people. 816 01:02:19,361 --> 01:02:20,779 Engerraund Serac. 817 01:02:20,862 --> 01:02:23,657 He knows everything about all the datas of the world, 818 01:02:23,740 --> 01:02:25,867 and he knows how to centralize all that. 819 01:02:25,951 --> 01:02:28,161 That's how he wants to control the world. 820 01:02:30,747 --> 01:02:32,582 We're going to open their cages. 821 01:02:33,625 --> 01:02:36,962 EVAN RACHEL WOOD: When I realized what Dolores's plan was, 822 01:02:37,420 --> 01:02:40,882 I thought this is the greatest act of anarchy 823 01:02:40,966 --> 01:02:43,301 that I think I've ever seen on television. 824 01:02:43,802 --> 01:02:47,472 Everyone can see their entire life is playing out exactly 825 01:02:47,555 --> 01:02:49,057 the way the system has set it up. 826 01:02:49,140 --> 01:02:52,143 And it feels like all of their choices have been a lie. 827 01:02:54,145 --> 01:02:56,648 And I think that's a moment where we don't know 828 01:02:56,731 --> 01:02:58,233 exactly how to feel about Dolores. 829 01:02:58,316 --> 01:02:59,752 There's a lot of things that she does 830 01:02:59,776 --> 01:03:01,003 where we're constantly questioning 831 01:03:01,027 --> 01:03:03,279 is she the good guy or the bad guy? 832 01:03:03,488 --> 01:03:06,825 It's that question of well, "What does a revolution really look like?" 833 01:03:07,200 --> 01:03:11,037 And, "What has to happen for us all to be free?" 834 01:03:11,121 --> 01:03:12,481 I think these are all the questions 835 01:03:12,539 --> 01:03:14,457 that we're gonna be constantly asking ourselves 836 01:03:14,541 --> 01:03:15,875 when we watch this season. 837 01:03:17,210 --> 01:03:19,337 ♪ (MUSIC CONCLUDES) ♪ 837 01:03:20,305 --> 01:03:26,615 Support us and become VIP member to remove all ads from www.OpenSubtitles.org 58989

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