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1
00:00:05,250 --> 00:00:06,380
(TASER CRACKLES)
2
00:00:08,210 --> 00:00:09,250
(GUN COCKS)
3
00:00:09,550 --> 00:00:10,920
♪ (MUSIC CONTINUES) ♪
4
00:00:17,050 --> 00:00:19,220
♪ (MUSIC INTENSIFIES) ♪
5
00:00:28,070 --> 00:00:30,940
Humanity's biggest threat
has always been itself.
6
00:00:31,400 --> 00:00:33,070
I've been trying
to control that,
7
00:00:33,280 --> 00:00:35,860
but there's someone
we haven't accounted for.
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00:00:37,070 --> 00:00:39,080
♪ (MUSIC CONCLUDES) ♪
9
00:00:47,380 --> 00:00:50,750
ENGERRAUND SERAC: (SPEAKING FRENCH)
10
00:00:53,130 --> 00:00:54,970
♪ (SOMBER MUSIC PLAYS) ♪
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00:00:54,970 --> 00:01:09,970
- Extracted from retail.
- Colored HI and improvements by GoldBerg_44
12
00:02:05,890 --> 00:02:20,890
- Extracted from retail.
- Colored HI and improvements by GoldBerg_44
13
00:02:23,890 --> 00:02:28,520
ADRIAN FILO: (SPEAKING PORTUGUESE)
14
00:02:38,700 --> 00:02:40,450
I don't have time, I'm afraid.
15
00:02:40,530 --> 00:02:42,620
There is a nascent
separatist movement...
16
00:02:42,700 --> 00:02:44,450
(TRANSLATOR SPEAKING PORTUGUESE THROUGH EARPIECE)
17
00:02:44,530 --> 00:02:46,120
...in the north of your country.
18
00:02:46,200 --> 00:02:47,700
(FLY BUZZES)
19
00:02:53,880 --> 00:02:55,550
(SPEAKING PORTUGUESE)
20
00:02:58,670 --> 00:03:02,680
Your intelligence knows
only what I want them to.
21
00:03:02,760 --> 00:03:04,010
(FLY BUZZES)
22
00:03:04,600 --> 00:03:06,260
There is a small group.
23
00:03:06,350 --> 00:03:07,930
Anomalies.
24
00:03:08,020 --> 00:03:10,190
Even they won't know
they will act...
25
00:03:10,730 --> 00:03:12,810
until they do.
26
00:03:12,900 --> 00:03:16,400
Rehoboam is privy to all sorts
of hidden truths.
27
00:03:18,070 --> 00:03:20,150
For example...
28
00:03:20,240 --> 00:03:23,160
the private deals you've cut
to restrict manganese extraction
29
00:03:23,240 --> 00:03:24,990
to some of your friends,
30
00:03:25,080 --> 00:03:27,490
which have squeezed money
out of villages in the north,
31
00:03:27,580 --> 00:03:28,750
creating unrest.
32
00:03:29,500 --> 00:03:30,580
You will stop.
33
00:03:32,420 --> 00:03:34,210
And the problem will go away.
34
00:03:36,090 --> 00:03:38,630
(SPEAKING PORTUGUESE)
35
00:03:45,760 --> 00:03:47,720
Our arrangement is founded
in trust.
36
00:03:47,810 --> 00:03:49,810
We trusted that you would do
what you're told
37
00:03:49,890 --> 00:03:51,560
when we ensured your election.
38
00:03:54,440 --> 00:03:57,650
(SPEAKING PORTUGUESE)
39
00:04:21,800 --> 00:04:23,130
That fellow...
40
00:04:23,880 --> 00:04:25,590
the one with big mustache.
41
00:04:30,270 --> 00:04:31,270
Understood?
42
00:04:33,690 --> 00:04:35,270
(FLY BUZZES)
43
00:04:47,870 --> 00:04:51,200
♪ (THEME MUSIC PLAYS) ♪
44
00:06:22,130 --> 00:06:24,630
♪ (THEME CONCLUDES) ♪
45
00:06:33,010 --> 00:06:35,350
SERAC: It turns out
that building a god,
46
00:06:35,430 --> 00:06:37,600
as your ancestors can attest,
47
00:06:38,270 --> 00:06:39,730
is not easy.
48
00:06:39,810 --> 00:06:42,690
More than anything,
we needed data.
49
00:06:42,770 --> 00:06:45,610
Which meant we needed him.
50
00:06:45,690 --> 00:06:47,900
Dempsey was rich, arrogant.
51
00:06:47,990 --> 00:06:50,240
He had been in the right place
at the right time,
52
00:06:50,320 --> 00:06:51,990
before the privacy laws.
53
00:06:52,070 --> 00:06:56,910
And now his company, Incite,
had the entire world's data.
54
00:06:58,080 --> 00:07:00,460
LIAM DEMPSEY, SR.: It's not. Fucking. Working.
55
00:07:01,790 --> 00:07:03,710
I paid a king's ransom
for this thing,
56
00:07:03,790 --> 00:07:06,090
fed you yottabytes
of Incite's data,
57
00:07:06,170 --> 00:07:07,210
and for what?
58
00:07:07,300 --> 00:07:09,670
You've iterated
half a dozen versions,
59
00:07:09,760 --> 00:07:11,800
Saul, David, and now this one.
60
00:07:11,890 --> 00:07:14,510
‐What the fuck's its name again?
‐Solomon.
61
00:07:16,560 --> 00:07:18,220
Well, I'm not sinking
another dollar
62
00:07:18,310 --> 00:07:20,980
into this giant steel ballsack
63
00:07:21,060 --> 00:07:23,650
while it's spitting out
false predictions.
64
00:07:23,730 --> 00:07:25,270
JEAN MI SERAC: Not false.
65
00:07:25,360 --> 00:07:27,570
It rendered the last few decades
accurately,
66
00:07:27,650 --> 00:07:29,820
predicting past events
with certainty.
67
00:07:31,360 --> 00:07:32,570
DEMPSEY, SR.: You built a machine
68
00:07:32,660 --> 00:07:34,120
to predict the fucking past?
69
00:07:35,160 --> 00:07:37,330
Well, let me try.
Eighteen months ago,
70
00:07:37,410 --> 00:07:40,160
I made the worst
business decision of my career
71
00:07:40,870 --> 00:07:42,210
by trusting you idiots.
72
00:07:43,330 --> 00:07:44,790
Keep staring at that thing,
Liam,
73
00:07:44,880 --> 00:07:47,630
your brain's gonna turn to mush
like these two.
74
00:07:50,840 --> 00:07:52,550
What about strategizing
the future?
75
00:07:52,630 --> 00:07:54,220
That's what you promised.
76
00:07:54,840 --> 00:07:56,350
Societal trends,
77
00:07:56,430 --> 00:07:58,720
the stock market,
a fucking oracle!
78
00:07:58,810 --> 00:08:01,980
(SPEAKING FRENCH)
79
00:08:06,270 --> 00:08:08,860
No, I'm sorry.
I'm pulling the plug.
80
00:08:09,730 --> 00:08:10,740
Come on, Liam.
81
00:08:29,460 --> 00:08:31,420
SERAC: What Dempsey didn't understand
82
00:08:31,510 --> 00:08:33,800
was that it was working.
83
00:08:33,880 --> 00:08:35,640
My brother had done it.
84
00:08:35,720 --> 00:08:37,510
He created a god.
85
00:08:37,600 --> 00:08:40,560
But such is the case
with all great minds.
86
00:08:40,640 --> 00:08:42,520
He was uniquely brilliant,
87
00:08:43,390 --> 00:08:45,560
but also, uniquely troubled.
88
00:08:46,060 --> 00:08:47,400
(INHALES)
89
00:08:47,480 --> 00:08:48,900
SEBASTIAN: I have news, sir.
90
00:08:49,610 --> 00:08:50,690
But not good.
91
00:08:52,070 --> 00:08:54,900
If it's news, it's unexpected,
which is never good. What is it?
92
00:08:54,990 --> 00:08:56,570
SEBASTIAN: Rehoboam analyzed the traffic
93
00:08:56,660 --> 00:08:59,160
coming out
of the Yakuza facility.
94
00:08:59,240 --> 00:09:02,000
It found a connect
between encrypted devices
95
00:09:02,080 --> 00:09:06,370
in Jakarta, Berlin,
San Francisco, and Los Angeles.
96
00:09:06,460 --> 00:09:09,670
‐The one in LA is a problem.
‐Why?
97
00:09:09,750 --> 00:09:10,920
It came from inside
98
00:09:11,000 --> 00:09:13,380
Liam Dempsey's
personal compound.
99
00:09:13,470 --> 00:09:16,630
‐Find Dempsey. Now.
‐We've tried, sir.
100
00:09:16,720 --> 00:09:19,350
Rehoboam logged him entering
a private function.
101
00:09:19,430 --> 00:09:20,600
Now he's missing.
102
00:09:21,600 --> 00:09:23,310
‐And, sir...
‐(TABLET BEEPS)
103
00:09:24,180 --> 00:09:25,480
He wasn't alone.
104
00:09:38,780 --> 00:09:40,620
Activate every asset we have.
105
00:09:41,700 --> 00:09:43,120
I want her caught.
106
00:09:43,790 --> 00:09:44,790
Yes, sir.
107
00:09:57,300 --> 00:09:59,050
CALEB: I called backup. What now?
108
00:09:59,140 --> 00:10:00,390
DOLORES ABERNATHY: We keep moving.
109
00:10:00,470 --> 00:10:02,060
Serac can't locate us
if we're mobile.
110
00:10:02,140 --> 00:10:04,100
LIAM DEMPSEY, JR.: You think
you disappear a man like me
111
00:10:04,180 --> 00:10:05,680
and no one fucking notices?
112
00:10:05,770 --> 00:10:07,020
CALEB: Keep walking.
113
00:10:08,440 --> 00:10:11,560
We have all of his money.
What do we need him for?
114
00:10:11,650 --> 00:10:12,860
DOLORES: Access.
115
00:10:12,940 --> 00:10:15,900
We need to study our adversary,
past, present, future.
116
00:10:15,990 --> 00:10:18,950
To do that, we need access to
the deeper layers of the system.
117
00:10:19,030 --> 00:10:21,280
LIAM: (SCOFFING) You expect me
to give you access?
118
00:10:21,370 --> 00:10:24,660
Fuck you, "Lara."
Whoever you are.
119
00:10:27,500 --> 00:10:29,170
DOLORES: You wanna know who I am?
120
00:10:34,300 --> 00:10:36,300
‐(GLASSES WHIR)
‐Go ahead.
121
00:10:48,980 --> 00:10:50,560
You're not even in the system.
122
00:10:51,190 --> 00:10:52,940
You're a blank space.
123
00:10:53,020 --> 00:10:54,230
You've become complacent,
124
00:10:54,320 --> 00:10:57,030
believing those
let you understand everyone.
125
00:10:57,110 --> 00:10:58,950
It doesn't matter.
126
00:10:59,030 --> 00:11:02,120
You can't take me anywhere
he won't find you.
127
00:11:02,200 --> 00:11:05,950
‐He's already looking for you.
‐And you.
128
00:11:06,040 --> 00:11:08,870
Serac knows by now that you're
trying to outbid him on Delos.
129
00:11:10,710 --> 00:11:11,710
I'm what?
130
00:11:13,330 --> 00:11:14,590
We can help.
131
00:11:14,670 --> 00:11:16,380
If you give us your private key,
132
00:11:16,460 --> 00:11:18,760
‐we can unlock the system.
‐(SCOFFS)
133
00:11:18,840 --> 00:11:21,550
You'll never get in.
My access isn't enough.
134
00:11:21,630 --> 00:11:23,470
You'll need to connect
at the node,
135
00:11:23,550 --> 00:11:25,100
bypass onsite security.
136
00:11:25,180 --> 00:11:27,270
Either we find a way
to defeat him together,
137
00:11:27,720 --> 00:11:28,930
or we all die.
138
00:11:32,350 --> 00:11:34,110
Then I guess you die.
139
00:11:34,190 --> 00:11:35,440
I'll take my chances.
140
00:11:39,650 --> 00:11:41,740
(WHISPERING)
Hey. She used me.
141
00:11:41,820 --> 00:11:44,370
Have you asked yourself
what she's using you for yet?
142
00:11:47,120 --> 00:11:49,290
Let me go, I'll make sure
you're taken care of.
143
00:11:53,250 --> 00:11:55,130
You already took care of me.
144
00:11:55,210 --> 00:11:56,920
You sent me off to war...
145
00:11:57,000 --> 00:11:59,210
slaughtered my friends
on the battlefield.
146
00:12:01,510 --> 00:12:04,050
What do these tell you
about me now?
147
00:12:05,890 --> 00:12:09,100
What, that I swallow my own gun
on some beach?
148
00:12:09,770 --> 00:12:13,310
Go on. Tell me who I am.
149
00:12:15,690 --> 00:12:17,110
(GLASSES WHIR)
150
00:12:30,910 --> 00:12:32,830
You think I killed your friend?
151
00:12:33,460 --> 00:12:34,500
What did you see?
152
00:12:35,120 --> 00:12:36,330
Who are you people?
153
00:12:37,040 --> 00:12:38,380
What did you see?
154
00:12:38,460 --> 00:12:39,590
Get away from me!
155
00:12:39,670 --> 00:12:41,130
(CALEB GROANS)
156
00:12:51,980 --> 00:12:53,350
‐(CALEB GROANS)
‐(LIAM PANTING)
157
00:12:53,810 --> 00:12:55,310
(EXHALES)
158
00:12:56,150 --> 00:12:57,690
(SCUFFLING SOUNDS)
159
00:12:57,770 --> 00:12:59,400
(GRUNTS) Stop, stop!
160
00:12:59,480 --> 00:13:01,150
Don't hurt me. Don't hurt me.
All right, I'll come.
161
00:13:01,230 --> 00:13:02,610
DOLORES: What is it?
What did you give him?
162
00:13:02,690 --> 00:13:05,240
LIAM: It's some kind of
party drug. Called Genre.
163
00:13:05,320 --> 00:13:07,490
‐DOLORES: What does it do?
‐LIAM: I don't know.
164
00:13:08,450 --> 00:13:10,950
‐(EXHALES)
‐(SOUND DISTORTS)
165
00:13:12,330 --> 00:13:13,830
(ECHOING)
Are you okay?
166
00:13:16,540 --> 00:13:18,710
(HEARTBEAT THUMPS DULLY)
167
00:13:19,500 --> 00:13:21,460
♪ (OMINOUS MUSIC PLAYS) ♪
168
00:13:21,550 --> 00:13:22,880
We have to move.
169
00:13:24,510 --> 00:13:25,680
They'll find us.
170
00:13:33,180 --> 00:13:36,350
♪ (MUSIC INTENSIFIES) ♪
171
00:13:47,660 --> 00:13:50,030
(FAINT WHISPERING)
172
00:13:59,040 --> 00:14:00,920
(ENGINE HUMS)
173
00:14:25,860 --> 00:14:26,900
Don't go too far.
174
00:14:28,860 --> 00:14:30,360
We need to get across town.
175
00:14:35,750 --> 00:14:37,290
(ENGINE HUMS)
176
00:14:42,380 --> 00:14:44,880
♪ (OMINOUS MUSIC CONTINUES) ♪
177
00:14:50,800 --> 00:14:51,890
I need a vehicle now.
178
00:14:51,970 --> 00:14:54,100
VIRTUAL ASSISTANT: Rideshare vehicle located.
179
00:14:54,180 --> 00:14:55,680
‐Arriving now.
‐Get in.
180
00:14:55,770 --> 00:14:58,310
Just give this up.
I told you my men would find me.
181
00:14:58,390 --> 00:15:00,440
Those aren't your men,
they're his.
182
00:15:09,610 --> 00:15:11,950
NAVIGATOR: (AUTOMATED VOICE)
Destination selected.
183
00:15:30,680 --> 00:15:32,970
They're using your system
to track us.
184
00:15:37,100 --> 00:15:40,350
I'd appreciate the irony,
but I'm sitting beside you.
185
00:15:40,430 --> 00:15:43,230
Give me your private key.
I can erase us from the system.
186
00:15:43,310 --> 00:15:45,730
If they're after us,
why haven't they made a move?
187
00:15:45,820 --> 00:15:47,610
CALEB: They're waiting
to get us alone...
188
00:15:47,690 --> 00:15:50,150
‐♪ (DRAMATIC MUSIC PLAYS) ♪
‐... to kill us.
189
00:15:54,160 --> 00:15:55,450
(NOTIFICATION PINGS)
190
00:15:55,530 --> 00:15:58,200
NAVIGATOR: An amber alert has
been issued for this vehicle.
191
00:15:58,290 --> 00:15:59,620
‐Pulling over.
‐CALEB: Fuck.
192
00:15:59,700 --> 00:16:01,500
NAVIGATOR: Please remain calm.
193
00:16:13,890 --> 00:16:15,470
The authorities
have been notified,
194
00:16:15,550 --> 00:16:17,470
and the situation
will be dealt with.
195
00:16:17,560 --> 00:16:18,640
(GRUNTS)
196
00:16:26,520 --> 00:16:28,020
(BRAKES SQUEAL)
197
00:16:30,030 --> 00:16:31,860
NAVIGATOR: The authorities
have been notified,
198
00:16:31,940 --> 00:16:33,570
and the situation
will be dealt with
199
00:16:33,650 --> 00:16:34,740
in a timely manner.
200
00:16:40,790 --> 00:16:42,040
(CALEB GRUNTS)
201
00:16:46,080 --> 00:16:48,670
Everything runs
on your company's server, Liam.
202
00:16:49,880 --> 00:16:51,050
Even this car.
203
00:16:51,880 --> 00:16:52,800
(ELECTRICITY CRACKLES)
204
00:16:52,880 --> 00:16:54,880
NAVIGATOR: Network connection lost.
205
00:17:01,310 --> 00:17:03,600
Give me your access.
I can save you.
206
00:17:05,560 --> 00:17:07,860
TABLET: (AUTOMATED VOICE)
Private key required.
207
00:17:13,110 --> 00:17:14,650
LIAM: What the fuck is this?
208
00:17:14,740 --> 00:17:16,700
He can't kill me, he needs me.
209
00:17:16,780 --> 00:17:18,070
Evidently not.
210
00:17:19,240 --> 00:17:20,410
Decide. Now.
211
00:17:22,450 --> 00:17:24,290
TABLET: Private key required.
212
00:17:29,920 --> 00:17:31,920
(RAPID GUNFIRE)
213
00:17:34,090 --> 00:17:35,720
Verified.
214
00:17:35,800 --> 00:17:39,180
Enable semi‐automatic control.
Disable safety features.
215
00:17:39,260 --> 00:17:41,010
Maximum speed. Go.
216
00:17:41,100 --> 00:17:42,560
(RAPID GUNFIRE)
217
00:17:49,270 --> 00:17:51,610
♪ (INTENSE MUSIC PLAYS) ♪
218
00:18:00,530 --> 00:18:02,990
‐♪ (OPERATIC MUSIC PLAYS) ♪
‐(GROANS)
219
00:18:03,080 --> 00:18:04,500
DOLORES: (DISTANTLY)
What's happening to him?
220
00:18:04,580 --> 00:18:07,120
LIAM: I think he's switching genres.
221
00:18:07,210 --> 00:18:11,460
♪ ("RIDE OF THE VALKYRIES"
BY RICHARD WAGNER PLAYS) ♪
222
00:18:19,590 --> 00:18:20,640
We need distance.
223
00:18:21,350 --> 00:18:22,470
Head south.
224
00:18:59,880 --> 00:19:01,430
That's not standard issue.
225
00:19:01,510 --> 00:19:02,970
‐DOLORES: No.
‐(WEAPON CLICKS)
226
00:19:03,600 --> 00:19:04,640
It's not.
227
00:19:17,900 --> 00:19:19,070
Point and shoot.
228
00:19:27,290 --> 00:19:28,370
(GRUNTS)
229
00:19:32,960 --> 00:19:34,380
Police ahead.
230
00:19:34,460 --> 00:19:36,340
‐Maintain speed.
‐NAVIGATOR: Maintaining speed.
231
00:19:36,420 --> 00:19:37,710
Sharp left. Now.
232
00:19:37,800 --> 00:19:39,010
NAVIGATOR: Turning left.
233
00:19:39,090 --> 00:19:40,510
CALEB: Whoa! (GRUNTS)
234
00:19:42,430 --> 00:19:43,430
Whoa!
235
00:19:50,100 --> 00:19:51,230
(GRUNTS)
236
00:20:06,740 --> 00:20:08,080
‐I missed.
‐Hold on.
237
00:20:08,790 --> 00:20:11,210
♪ (MUSIC CONTINUES) ♪
238
00:20:32,770 --> 00:20:35,980
All right, I need you. Drop in,
intercept, maximum speed.
239
00:20:40,990 --> 00:20:42,280
Arm charges now.
240
00:20:46,950 --> 00:20:47,870
Accelerate.
241
00:20:47,950 --> 00:20:50,200
NAVIGATOR: Acceleration at 90 percent.
242
00:20:50,290 --> 00:20:51,830
‐More.
‐Ninety‐four percent.
243
00:20:51,910 --> 00:20:53,750
‐More.
‐Ninety‐eight percent.
244
00:20:59,090 --> 00:21:00,130
Stop.
245
00:21:01,010 --> 00:21:03,840
(TIRES SCREECH)
246
00:21:04,800 --> 00:21:06,680
LIAM: Why the fuck are we stopping?
247
00:21:06,760 --> 00:21:07,930
DOLORES: Get down.
248
00:21:18,560 --> 00:21:19,980
(ENGINE HUMS)
249
00:21:24,820 --> 00:21:26,490
♪ (MUSIC CONCLUDES) ♪
250
00:21:29,660 --> 00:21:31,490
(SOUNDS DISTORT)
251
00:21:34,080 --> 00:21:37,670
♪ ("LOVE STORY THEME: FINALE"
BY FRANCIS LAI PLAYS){\c} {\c&H00FFFF&}♪
252
00:21:46,130 --> 00:21:47,720
(MUFFLED GUNFIRE)
253
00:22:03,230 --> 00:22:05,490
♪ (MUSIC CONTINUES) ♪
254
00:22:09,740 --> 00:22:11,450
♪ (MUSIC DISTORTS) ♪
255
00:22:11,530 --> 00:22:13,040
(GUNFIRE RESUMES)
256
00:22:22,380 --> 00:22:23,380
Come on.
257
00:22:33,890 --> 00:22:36,430
♪ ("BUBBLES BURIED
IN THIS JUNGLE"
BY DEATH GRIPS PLAYS) ♪
258
00:22:37,890 --> 00:22:40,810
♪ Wick‐wick
Cease and desist when I chant ♪
259
00:22:40,900 --> 00:22:42,610
♪ Fuck weak ♪
260
00:22:42,690 --> 00:22:44,820
♪ No respect ♪
261
00:22:44,900 --> 00:22:46,650
♪ No chance... ♪
‐You rang?
262
00:22:46,740 --> 00:22:49,450
‐♪ (MUSIC ENDS) ♪
‐GIGGLES: Who's the killer?
263
00:22:49,530 --> 00:22:51,370
‐Nice to meet you.
‐ASH: Likewise.
264
00:22:51,450 --> 00:22:53,830
Glad to see you're
finally doing personals, Cal.
265
00:22:53,910 --> 00:22:56,000
What's up
with Little Lord Fauntleroy?
266
00:22:56,080 --> 00:23:00,330
Shit, you know this asshole.
Liam Dempsey. Incite.
267
00:23:00,420 --> 00:23:03,420
Make King Midas look like
Tom Canty.
268
00:23:03,500 --> 00:23:05,250
We need him. Alive.
269
00:23:06,960 --> 00:23:09,430
♪ ("LOVE STORY THEME" RESUMES) ♪
270
00:23:12,850 --> 00:23:14,680
‐Shit, man.
‐♪ (MUSIC ENDS) ♪
271
00:23:14,760 --> 00:23:16,220
I know what you on.
272
00:23:16,310 --> 00:23:19,180
Genre.
It's like five drips in one.
273
00:23:19,270 --> 00:23:20,730
A movie marathon.
274
00:23:20,810 --> 00:23:23,770
Hey. Watch out
for that last act, though.
275
00:23:23,860 --> 00:23:25,520
Yeah, we better move, lover boy.
276
00:23:25,610 --> 00:23:27,320
I already saw two more
on your tail.
277
00:23:27,900 --> 00:23:28,940
This way.
278
00:23:34,740 --> 00:23:36,040
LIAM: Easy, easy. Okay.
279
00:23:36,120 --> 00:23:37,290
DOLORES: We have to keep moving
280
00:23:37,370 --> 00:23:39,620
so they can't track us
while I access Rehoboam.
281
00:23:39,710 --> 00:23:41,250
‐(SIREN WAILING)
‐We have Liam's private key,
282
00:23:41,330 --> 00:23:44,210
but we can't stop,
or Serac can locate us.
283
00:23:44,290 --> 00:23:46,550
If they kill him,
I lose my access.
284
00:23:46,630 --> 00:23:49,260
What access?
You took my biometrics,
285
00:23:49,340 --> 00:23:50,720
but you can't get
into the system,
286
00:23:50,800 --> 00:23:51,930
it's read‐only.
287
00:23:52,010 --> 00:23:53,840
Unless you're standing
at the node.
288
00:23:53,930 --> 00:23:56,810
(SCOFFS) You can't be
in two places at once.
289
00:23:57,510 --> 00:23:58,560
(EARPIECE WHIRS)
290
00:23:58,640 --> 00:24:00,850
(PHONE RINGING)
291
00:24:03,650 --> 00:24:05,940
I'm sending you his key.
292
00:24:06,020 --> 00:24:07,860
I need Serac's file.
293
00:24:07,940 --> 00:24:08,860
I want to know everything
294
00:24:08,940 --> 00:24:10,780
Rehoboam knows
about its master.
295
00:24:11,320 --> 00:24:12,450
And after?
296
00:24:13,820 --> 00:24:16,580
They'll come for me.
And then you.
297
00:24:16,660 --> 00:24:18,330
DOLORES: Protect our friend first.
298
00:24:19,120 --> 00:24:20,160
I will.
299
00:24:20,700 --> 00:24:21,830
Bernard.
300
00:24:23,960 --> 00:24:25,500
When I press this button,
301
00:24:26,500 --> 00:24:28,670
I expect you to be
on your best behavior.
302
00:24:46,400 --> 00:24:47,400
You.
303
00:24:48,230 --> 00:24:49,360
Take a piss.
304
00:25:03,160 --> 00:25:06,040
CONSOLE: (AUTOMATED VOICE)
Liam Dempsey. Access granted.
305
00:25:13,170 --> 00:25:14,720
MARTIN CONELLS: This is their god.
306
00:25:16,890 --> 00:25:18,550
This is how they see the future.
307
00:25:21,020 --> 00:25:22,390
How they make the future.
308
00:25:26,020 --> 00:25:27,270
In order to do that,
309
00:25:28,730 --> 00:25:30,690
they watch everyone.
310
00:25:30,770 --> 00:25:34,900
Tell them what to do,
where to live, who to love.
311
00:25:35,740 --> 00:25:37,070
Keep them all in a loop.
312
00:25:37,820 --> 00:25:39,280
What does she want with it?
313
00:25:43,120 --> 00:25:46,790
You've always been of two minds,
haven't you, Bernard?
314
00:25:46,870 --> 00:25:48,080
It isn't that binary.
315
00:25:49,420 --> 00:25:51,590
Living another person's life
changes you.
316
00:25:52,800 --> 00:25:53,880
Worlds bleed.
317
00:25:54,670 --> 00:25:57,220
Maybe you felt that, too.
318
00:25:57,300 --> 00:26:00,720
Have you ever questioned
what she's asking you to do?
319
00:26:03,600 --> 00:26:05,100
CONSOLE: Request complete.
320
00:26:05,810 --> 00:26:07,480
Initiating transfer.
321
00:26:13,730 --> 00:26:15,490
TABLET: File transfer received.
322
00:26:26,710 --> 00:26:29,420
(AUDIO SLOWS AND DISTORTS)
323
00:26:29,500 --> 00:26:31,290
(STATIC)
324
00:26:32,460 --> 00:26:35,300
♪ ("NIGHTCLUBBING"
BY IGGY POP PLAYS) ♪
325
00:26:41,470 --> 00:26:43,430
♪ Nightclubbing ♪
326
00:26:43,510 --> 00:26:46,100
♪ We're nightclubbing ♪
327
00:26:46,810 --> 00:26:49,480
♪ We're what's happening ♪
328
00:26:51,810 --> 00:26:53,940
♪ Nightclubbing ♪
329
00:26:54,020 --> 00:26:56,150
♪ We're nightclubbing ♪
330
00:26:57,110 --> 00:26:59,660
♪ We're an ice machine ♪
331
00:27:02,160 --> 00:27:04,120
♪ We see people ♪
332
00:27:04,200 --> 00:27:06,790
♪ Brand new people... ♪
333
00:27:08,160 --> 00:27:10,710
‐Hey. Where we headed?
‐West.
334
00:27:12,710 --> 00:27:14,460
♪ Nightclubbing ♪
335
00:27:14,550 --> 00:27:17,010
♪ We're nightclubbing ♪
336
00:27:18,010 --> 00:27:21,300
♪ Oh, isn't it wild? ♪
337
00:27:28,350 --> 00:27:30,690
♪ (MUSIC FADES) ♪
338
00:27:40,400 --> 00:27:43,820
SERAC: My brother and I
built a system that worked.
339
00:27:44,780 --> 00:27:47,870
But Dempsey
wanted to see proof.
340
00:27:47,950 --> 00:27:51,120
So we started
with something simple,
341
00:27:51,210 --> 00:27:52,370
purely mathematical.
342
00:27:52,960 --> 00:27:54,750
The stock market.
343
00:27:54,840 --> 00:27:57,920
We showed him
all the major indices,
344
00:27:58,010 --> 00:27:59,840
15 minutes in the future...
345
00:28:06,760 --> 00:28:09,390
and where it could close
that night.
346
00:28:14,230 --> 00:28:17,230
Which number is it? Low or high?
347
00:28:17,900 --> 00:28:19,230
Which one do you want?
348
00:28:21,570 --> 00:28:22,610
(CHUCKLES)
349
00:28:25,740 --> 00:28:28,830
SERAC: We put some money
into a hedge fund...
350
00:28:28,910 --> 00:28:30,910
let the system
trade with it.
351
00:28:31,000 --> 00:28:33,750
Something to drive the market
towards our outcomes.
352
00:28:35,130 --> 00:28:36,750
Whose funds?
353
00:28:36,840 --> 00:28:38,130
JEAN MI: Yours.
354
00:28:41,760 --> 00:28:43,590
DEMPSEY, SR.: A hundred million dollars?
355
00:28:46,090 --> 00:28:47,430
What, you stole...
356
00:28:47,510 --> 00:28:49,770
100 million dollars
from corporate accounts?
357
00:28:50,350 --> 00:28:51,390
No.
358
00:28:52,100 --> 00:28:53,560
We stole five million.
359
00:28:55,520 --> 00:28:56,560
Last week.
360
00:28:58,270 --> 00:29:01,360
SERAC: He didn't really
understand what we'd made,
361
00:29:01,440 --> 00:29:02,780
what you were.
362
00:29:03,610 --> 00:29:04,780
But we did.
363
00:29:05,780 --> 00:29:08,120
He only saw
the money he could make.
364
00:29:08,200 --> 00:29:11,580
But we realized
the power of it,
365
00:29:11,660 --> 00:29:13,790
that you could
reshape the world.
366
00:29:14,790 --> 00:29:17,250
My brother and I,
we charted a course
367
00:29:17,330 --> 00:29:20,050
for the entire human race.
368
00:29:20,130 --> 00:29:23,260
Humanity's story
had been improvised.
369
00:29:23,340 --> 00:29:25,510
Now, it was planned
370
00:29:25,590 --> 00:29:26,970
years in advance.
371
00:29:28,050 --> 00:29:31,470
For a time,
the sun and moon aligned.
372
00:29:31,560 --> 00:29:34,020
We brought order from chaos.
373
00:29:35,060 --> 00:29:38,060
And then, as with all
the best laid plans,
374
00:29:38,150 --> 00:29:40,020
it began to fall apart.
375
00:29:40,110 --> 00:29:41,570
Dempsey became greedy,
376
00:29:41,650 --> 00:29:44,150
drove outcomes
to benefit himself.
377
00:29:44,240 --> 00:29:46,150
So we locked him out
of the system.
378
00:29:47,660 --> 00:29:49,660
But there was a bigger problem.
379
00:29:50,780 --> 00:29:53,580
In every projection,
the world came unglued.
380
00:29:53,660 --> 00:29:56,460
There were people,
outliers, agitators,
381
00:29:56,540 --> 00:29:59,580
who you couldn't predict
or control.
382
00:29:59,670 --> 00:30:02,840
And I realized that my brother
was one of them.
383
00:30:04,090 --> 00:30:05,760
He didn't fit
the world anymore,
384
00:30:05,840 --> 00:30:07,630
and the world didn't fit him.
385
00:30:10,510 --> 00:30:12,060
And it drove him mad.
386
00:30:21,860 --> 00:30:22,900
What now?
387
00:30:27,700 --> 00:30:30,450
(PASSENGERS CHATTERING)
388
00:30:30,530 --> 00:30:32,950
We're going to open
their cages.
389
00:30:33,040 --> 00:30:34,580
The system's written
their life story,
390
00:30:34,660 --> 00:30:36,540
they should get to read it.
391
00:30:36,620 --> 00:30:39,080
You can't do that.
That's reckless.
392
00:30:39,170 --> 00:30:41,500
You have no idea
what they'll do in response.
393
00:30:41,590 --> 00:30:44,000
It could lead to suicides,
murder.
394
00:30:44,090 --> 00:30:45,170
Murder.
395
00:30:46,800 --> 00:30:48,550
You'd know something about that.
396
00:30:50,220 --> 00:30:51,390
I'm sorry.
397
00:30:52,220 --> 00:30:53,850
I'm so fucking sorry.
398
00:30:54,260 --> 00:30:55,390
That...
399
00:30:55,470 --> 00:30:56,640
BOTH: Wasn't my choice.
400
00:30:56,730 --> 00:30:58,600
I could never bring myself
to hurt you.
401
00:31:02,190 --> 00:31:03,770
Don't forget, I know you.
402
00:31:05,360 --> 00:31:06,820
And you wouldn't hurt me.
403
00:31:06,900 --> 00:31:08,740
You'd pay someone
to do it for you.
404
00:31:11,990 --> 00:31:14,490
It's their fate, their data.
405
00:31:14,580 --> 00:31:16,790
You just stole it
and put it all together.
406
00:31:16,870 --> 00:31:18,330
Why should you control it?
407
00:31:18,410 --> 00:31:19,710
LIAM: This isn't about me.
408
00:31:19,790 --> 00:31:22,170
Or Incite.
There are some things
409
00:31:22,250 --> 00:31:25,090
people shouldn't know
about themselves.
410
00:31:25,170 --> 00:31:27,460
Who gets to decide
what they know?
411
00:31:27,550 --> 00:31:29,930
‐You?
‐LIAM: Fine. You wanna see?
412
00:31:31,760 --> 00:31:32,640
(GLASSES WHIR)
413
00:31:32,720 --> 00:31:33,800
Take your friend here.
414
00:31:38,230 --> 00:31:40,270
He'll be lucky
if he ends up dead in a ditch.
415
00:31:46,530 --> 00:31:47,820
What about me?
416
00:31:47,900 --> 00:31:49,280
I wanna see my file.
417
00:31:53,780 --> 00:31:54,780
Oh.
418
00:31:55,580 --> 00:31:57,700
The golden boy brother of yours?
419
00:31:57,790 --> 00:32:00,040
You tell yourself
that you do all this
420
00:32:00,120 --> 00:32:03,080
so you can help him make good,
send him to school,
421
00:32:03,170 --> 00:32:04,540
give him a future.
422
00:32:04,630 --> 00:32:06,210
But where he ends up...
423
00:32:06,290 --> 00:32:08,590
he's gonna make you
look like a saint.
424
00:32:26,020 --> 00:32:27,820
(SIGHS)
425
00:32:32,490 --> 00:32:35,660
♪ (TENSE MUSIC PLAYS) ♪
426
00:32:48,340 --> 00:32:50,170
When I was overseas...
427
00:32:51,170 --> 00:32:52,550
the rats were awful.
428
00:32:56,510 --> 00:32:58,010
It got so bad that...
429
00:32:58,100 --> 00:33:01,180
we had to make our own rat traps
in the barracks.
430
00:33:01,270 --> 00:33:02,930
A ramp leading up
431
00:33:03,020 --> 00:33:06,020
to some bait strung over
a bucket of water.
432
00:33:08,320 --> 00:33:10,400
The rats would run up the ramp,
433
00:33:11,030 --> 00:33:13,490
fall in, and drown.
434
00:33:14,860 --> 00:33:15,860
Painlessly.
435
00:33:21,240 --> 00:33:24,160
But if you filled the water
too high,
436
00:33:25,580 --> 00:33:28,340
they would swim around
for hours...
437
00:33:28,420 --> 00:33:31,250
suffering...
because they had hope.
438
00:33:32,920 --> 00:33:35,510
But they never had a chance.
439
00:33:35,590 --> 00:33:39,720
Just like everyone at the mercy
of your system.
440
00:33:40,760 --> 00:33:43,310
Hope is what our entire society
is built on.
441
00:33:43,390 --> 00:33:45,560
False... hope.
442
00:33:47,060 --> 00:33:49,730
I would rather live in chaos
443
00:33:49,810 --> 00:33:53,030
than a world controlled by you.
444
00:34:07,250 --> 00:34:10,670
DOLORES: Prepare to send all of them
their Incite profiles.
445
00:34:10,750 --> 00:34:13,090
Past, present, future.
446
00:34:14,090 --> 00:34:15,220
It'll be done.
447
00:34:23,270 --> 00:34:25,430
CONELLS: They've all been riding a train.
448
00:34:27,020 --> 00:34:28,940
We're gonna show them the rails.
449
00:34:29,020 --> 00:34:30,270
(EARPIECE BEEPS)
450
00:34:32,270 --> 00:34:33,320
Do it.
451
00:34:37,950 --> 00:34:41,320
(PHONES RINGING)
452
00:34:43,870 --> 00:34:46,450
♪ (SOMBER MUSIC PLAYS) ♪
453
00:34:51,960 --> 00:34:53,000
(PHONE PINGS)
454
00:34:55,880 --> 00:34:57,800
(LOW MUTTERING)
455
00:35:07,770 --> 00:35:09,310
ASH: It knows these kind of things?
456
00:35:11,150 --> 00:35:12,730
About all of us?
457
00:35:12,810 --> 00:35:14,360
DOLORES: It's not just what it knows.
458
00:35:15,030 --> 00:35:16,480
It's what it decides.
459
00:35:17,360 --> 00:35:18,530
For you.
460
00:35:19,700 --> 00:35:20,950
For everyone.
461
00:35:22,820 --> 00:35:25,040
‐What are you doing?
‐(INDISTINCT)
462
00:35:42,680 --> 00:35:44,180
(SNIFFLES)
463
00:36:06,370 --> 00:36:09,290
AUTOMATED VOICE: Doors opening. Stand clear.
464
00:36:09,370 --> 00:36:11,960
(PASSENGERS MUTTERING)
465
00:36:12,040 --> 00:36:15,040
AUTOMATED VOICE: This train has reached
its final destination.
466
00:36:21,970 --> 00:36:24,890
♪ (SOMBER MUSIC CONTINUES) ♪
467
00:36:46,870 --> 00:36:48,410
CONELLS: Almost time, Bernard.
468
00:36:49,410 --> 00:36:51,200
You'll have to choose a side.
469
00:36:52,960 --> 00:36:54,620
Not just me.
470
00:36:54,710 --> 00:36:57,040
You said they'd come for you.
471
00:36:57,130 --> 00:36:59,420
Maybe you don't want to die
on her sword.
472
00:37:00,710 --> 00:37:02,420
We all have our role to play.
473
00:37:03,680 --> 00:37:05,390
Some of us won't survive.
474
00:37:13,140 --> 00:37:16,600
♪ ("SPACE ODDITY"
BY THE CLASSIC ROCK
STRING QUARTET PLAYS) ♪
475
00:37:29,780 --> 00:37:30,870
I hope you're happy.
476
00:37:30,950 --> 00:37:33,040
You just ruined everyone's life
in this station.
477
00:37:33,120 --> 00:37:34,250
Not just them.
478
00:37:37,290 --> 00:37:38,630
I sent it to everyone.
479
00:37:40,040 --> 00:37:41,710
What do you mean, everyone?
480
00:37:41,800 --> 00:37:43,090
The whole world.
481
00:37:50,140 --> 00:37:52,430
She's sending them
off their loops.
482
00:37:59,860 --> 00:38:03,030
The right information
at the right time...
483
00:38:04,360 --> 00:38:06,780
is deadlier than any weapon.
484
00:38:16,830 --> 00:38:20,130
♪ (MUSIC CONTINUES) ♪
485
00:38:30,850 --> 00:38:32,220
What genre is this?
486
00:38:32,310 --> 00:38:33,810
It's reality, man.
487
00:38:40,520 --> 00:38:42,520
(TEENAGERS WHOOPING)
488
00:38:43,690 --> 00:38:44,940
Look at them.
489
00:38:45,030 --> 00:38:47,360
Already returned
to their base selves.
490
00:39:06,210 --> 00:39:08,260
♪ (MUSIC DISTORTS) ♪
491
00:39:10,550 --> 00:39:11,760
(GUNS CLICK)
492
00:39:11,850 --> 00:39:13,430
(GUNSHOTS)
493
00:39:51,430 --> 00:39:52,550
(STIFLED GRUNT)
494
00:39:53,180 --> 00:39:54,260
(GRUNTS)
495
00:39:57,270 --> 00:40:00,850
SERAC: I knew that you and I
had built a fragile peace,
496
00:40:00,940 --> 00:40:04,690
that one day, it would all
come crashing down...
497
00:40:04,770 --> 00:40:06,400
if I failed to act.
498
00:40:14,910 --> 00:40:17,660
For ten years, Dempsey was
happy to cash the checks,
499
00:40:17,740 --> 00:40:20,710
take credit for making
the world a better place,
500
00:40:20,790 --> 00:40:22,540
even though he had no idea
501
00:40:22,620 --> 00:40:24,790
what we, or the system,
were doing.
502
00:40:25,960 --> 00:40:27,500
But I knew one day,
503
00:40:27,590 --> 00:40:30,130
his curiosity
would get the better of him.
504
00:40:50,360 --> 00:40:53,030
(WOMAN SOBBING)
505
00:40:54,160 --> 00:40:55,950
(DISTANT MUFFLED VOICES)
506
00:41:22,140 --> 00:41:25,140
Sir?
Are you authorized to be here?
507
00:41:26,810 --> 00:41:28,770
I'm here
to see Engerraund Serac.
508
00:41:28,860 --> 00:41:31,190
(SERAC SPEAKING FRENCH)
509
00:41:44,870 --> 00:41:46,580
DEMPSEY, SR.: What is this place?
510
00:41:46,670 --> 00:41:47,960
After our exposure,
511
00:41:48,040 --> 00:41:50,710
we were both put on
anti‐radiation medications
512
00:41:50,800 --> 00:41:52,630
to halt our genetic breakdown.
513
00:41:52,710 --> 00:41:54,550
That's when I understood.
514
00:41:54,630 --> 00:41:56,680
It's possible to edit people.
515
00:41:59,350 --> 00:42:00,720
But the truth is...
516
00:42:02,060 --> 00:42:04,230
his personality
was always like this.
517
00:42:06,390 --> 00:42:08,480
I've been trying to help him.
518
00:42:08,560 --> 00:42:11,440
What, you're experimenting
on your own goddamn brother?
519
00:42:13,030 --> 00:42:14,740
He's impulsive, chaotic...
520
00:42:15,780 --> 00:42:17,660
I thought it was manageable.
521
00:42:17,740 --> 00:42:20,620
Then... I caught him
using the system.
522
00:42:23,080 --> 00:42:25,910
Trying out certain scenarios.
523
00:42:29,080 --> 00:42:32,170
There are the times
you need to leave things behind.
524
00:42:32,250 --> 00:42:34,130
(CHUCKLES) He taught me that.
525
00:42:35,380 --> 00:42:38,180
My brother is part
of a population of outliers,
526
00:42:38,260 --> 00:42:40,430
and as long as they
are a part of us,
527
00:42:41,850 --> 00:42:43,560
there is no future for us.
528
00:42:44,890 --> 00:42:47,350
Rehoboam sends this group
to high risk sectors
529
00:42:47,440 --> 00:42:49,020
like, uh, war,
530
00:42:49,100 --> 00:42:51,560
a woodchipper to eat them up
and spit them out,
531
00:42:51,650 --> 00:42:52,940
dead or useless.
532
00:42:54,280 --> 00:42:56,820
Isn't helping them
better than killing them off?
533
00:42:57,780 --> 00:42:59,110
You're not helping them.
534
00:43:00,070 --> 00:43:01,450
You're changing them.
535
00:43:04,120 --> 00:43:05,450
We adapt...
536
00:43:06,120 --> 00:43:07,290
or we die.
537
00:43:09,250 --> 00:43:10,460
We all die.
538
00:43:11,670 --> 00:43:14,800
The scenarios I found
him exploring with Rehoboam...
539
00:43:16,630 --> 00:43:18,130
he was planning to murder you.
540
00:43:34,820 --> 00:43:36,230
CONELLS: It's begun.
541
00:43:36,320 --> 00:43:38,780
Serac will send someone
for us soon.
542
00:43:38,860 --> 00:43:41,160
But there's something
you have to see first.
543
00:43:44,330 --> 00:43:46,370
BERNARD LOWE: What is this,
some type of facility?
544
00:43:46,450 --> 00:43:49,080
That's where he puts them,
the ones that don't belong.
545
00:43:49,160 --> 00:43:50,750
You thought we were the enemy?
546
00:43:50,830 --> 00:43:52,500
We're the only family
you have left.
547
00:43:54,040 --> 00:43:55,670
I think you forgot about me.
548
00:43:56,170 --> 00:43:57,840
(GRUNTING)
549
00:44:00,720 --> 00:44:02,010
(STRAINED) Little help?
550
00:44:02,970 --> 00:44:04,010
(GRUNTING)
551
00:44:14,110 --> 00:44:16,900
We need to know
everything she has planned.
552
00:44:19,280 --> 00:44:21,820
ASHLEY STUBBS: Let's move along now. All right?
553
00:44:28,330 --> 00:44:30,450
(MARTEL SPEAKING FRENCH)
554
00:44:30,540 --> 00:44:31,580
Who is that?
555
00:44:33,370 --> 00:44:35,170
CONELLS: Serac sent them.
556
00:44:35,250 --> 00:44:38,420
You two should leave,
before they kill us all.
557
00:44:40,090 --> 00:44:41,380
Come with us.
558
00:44:43,380 --> 00:44:44,840
My role is finished.
559
00:44:47,390 --> 00:44:49,720
You're the only one
we can't replace.
560
00:45:11,200 --> 00:45:12,910
Mr. Serac would like a word.
561
00:45:17,790 --> 00:45:18,880
(SPEAKING FRENCH)
562
00:45:35,350 --> 00:45:36,730
(PROJECTOR BEEPS)
563
00:45:39,940 --> 00:45:43,320
You've always been one of
our most loyal allies, Martin.
564
00:45:46,410 --> 00:45:47,870
So I was surprised to hear
565
00:45:47,950 --> 00:45:49,990
the breach came
from this location.
566
00:45:51,450 --> 00:45:52,750
Let me look into it.
567
00:46:02,960 --> 00:46:04,170
(DEVICE WHIRS)
568
00:46:12,810 --> 00:46:16,190
Of course, you understand
we must keep our friends close
569
00:46:17,440 --> 00:46:19,150
until we know who's to blame.
570
00:46:20,060 --> 00:46:22,150
But I know
exactly who's to blame.
571
00:46:24,320 --> 00:46:25,320
Who?
572
00:46:26,650 --> 00:46:27,660
Me.
573
00:46:29,450 --> 00:46:30,950
♪ (INTENSE MUSIC PLAYS) ♪
574
00:46:32,030 --> 00:46:33,160
(DEVICE BEEPS)
575
00:46:35,080 --> 00:46:37,330
‐(GASPS)
‐(STATIC FIZZES)
576
00:46:38,420 --> 00:46:40,670
‐(EXPLOSION BOOMS)
‐(GLASS SHATTERS)
577
00:46:43,500 --> 00:46:46,510
(ALARM BLARES)
578
00:46:50,680 --> 00:46:52,050
AUTOMATED VOICE: Please remain calm
579
00:46:52,140 --> 00:46:53,930
and make your way
to the nearest exit.
580
00:46:54,020 --> 00:46:55,850
(PEOPLE CLAMORING)
581
00:46:55,930 --> 00:46:59,560
(AUTOMATED VOICE 2
SPEAKING CHINESE)
582
00:46:59,650 --> 00:47:01,520
Yo, what the fuck happened
in there?
583
00:47:03,520 --> 00:47:05,400
And what the fuck happened
out here?
584
00:47:07,820 --> 00:47:10,410
Her plan. It's starting.
585
00:47:11,570 --> 00:47:13,030
I think I'm part of it.
586
00:47:15,830 --> 00:47:19,330
♪ ("THE SHINING"
BY REDRUMER PLAYS) ♪
587
00:47:35,430 --> 00:47:36,520
Back there...
588
00:47:38,480 --> 00:47:39,560
The shooters...
589
00:47:41,020 --> 00:47:42,650
We can talk about it later.
590
00:47:42,730 --> 00:47:44,860
First, we need to get
to the airfield.
591
00:47:46,730 --> 00:47:48,110
We don't need him anymore.
592
00:47:49,070 --> 00:47:50,610
What do you want to do with him?
593
00:47:52,410 --> 00:47:53,740
Hand them over.
594
00:47:54,830 --> 00:47:56,910
You took everything from me,
595
00:47:56,990 --> 00:47:59,620
my money,
my access to the system...
596
00:47:59,710 --> 00:48:01,000
I have nothing left.
597
00:48:01,080 --> 00:48:03,130
Yeah, well, now you know
how it feels.
598
00:48:05,000 --> 00:48:06,090
Just let me go.
599
00:48:07,090 --> 00:48:10,050
You got the specs.
Is that how it plays out?
600
00:48:11,430 --> 00:48:12,430
No.
601
00:48:13,510 --> 00:48:15,260
You'll take what little
I have left,
602
00:48:15,350 --> 00:48:17,350
like the petty criminals
that you are,
603
00:48:17,430 --> 00:48:18,930
that you'll always be.
604
00:48:21,190 --> 00:48:22,270
ASH: Maybe so.
605
00:48:24,520 --> 00:48:26,440
Go ahead.
606
00:48:26,520 --> 00:48:30,150
Now you're going to see that
the system isn't the prison.
607
00:48:30,240 --> 00:48:31,240
You are.
608
00:48:31,320 --> 00:48:32,610
To all of us.
609
00:48:33,570 --> 00:48:35,280
We can't fix you.
610
00:48:35,370 --> 00:48:36,950
And we can't get rid of you.
611
00:48:37,030 --> 00:48:38,450
Take it easy.
612
00:48:38,540 --> 00:48:39,790
Get the fuck away from me.
613
00:48:39,870 --> 00:48:41,370
You don't even know
who you are.
614
00:48:41,460 --> 00:48:43,080
You're the worst of them.
615
00:48:43,170 --> 00:48:44,580
‐(HEART THUMPING)
‐(DISTORTED) Shut up.
616
00:48:44,670 --> 00:48:46,630
LIAM: (ECHOING)
You're the worst of them.
617
00:48:53,470 --> 00:48:55,140
Rehoboam was right.
618
00:48:55,220 --> 00:48:56,720
You're nothing.
619
00:48:56,800 --> 00:48:58,470
You're all nothings.
620
00:48:58,560 --> 00:49:00,680
Just a drag
on the fucking system.
621
00:49:00,770 --> 00:49:02,390
You don't have a choice.
622
00:49:02,480 --> 00:49:04,440
You know how much more progress
we could have made
623
00:49:04,520 --> 00:49:06,980
‐if none of you had ever been‐‐
‐(GUNSHOT)
624
00:49:19,410 --> 00:49:21,120
Guess I do have a choice.
625
00:49:24,000 --> 00:49:26,080
‐LIAM: No. Get away.
‐CALEB: Hey.
626
00:49:26,170 --> 00:49:27,630
‐LIAM: No.
‐CALEB: Fuck. Hey.
627
00:49:27,710 --> 00:49:29,670
‐LIAM: Get away! (GRUNTS)
‐CALEB: Hey.
628
00:49:31,210 --> 00:49:32,380
Shit.
629
00:49:32,470 --> 00:49:34,800
‐(GROANS, SOBS)
‐(PANTING)
630
00:49:36,140 --> 00:49:37,970
(PANTING)
631
00:49:39,050 --> 00:49:41,600
(YELLS)
632
00:49:41,680 --> 00:49:43,810
(WAVES ECHO)
633
00:49:52,360 --> 00:49:55,030
CALEB: (DISTORTED)
Hey. Hey! Hey!
634
00:50:03,750 --> 00:50:05,330
(LIAM GROANS)
635
00:50:06,120 --> 00:50:07,880
‐Let's go.
‐Hold on.
636
00:50:10,710 --> 00:50:12,090
LIAM: Get away!
637
00:50:12,170 --> 00:50:13,880
Don't move. It's okay,
I'm not gonna hurt you.
638
00:50:13,960 --> 00:50:16,470
LIAM: (SOBBING)
Get away from me. Get away!
639
00:50:16,550 --> 00:50:17,760
(CALEB GRUNTING)
640
00:50:19,930 --> 00:50:22,850
(STAMMERING)
You... You... You...
641
00:50:23,390 --> 00:50:25,310
‐What?
‐You did it.
642
00:50:25,390 --> 00:50:26,770
What are you saying?
643
00:50:26,850 --> 00:50:29,150
‐You did it.
‐What?
644
00:50:29,230 --> 00:50:30,520
LIAM: You did it.
645
00:50:35,900 --> 00:50:37,990
Who does he think I am?
646
00:50:38,070 --> 00:50:39,870
(SHOUTING)
Who does he think I am?
647
00:50:41,160 --> 00:50:42,200
Hey.
648
00:50:42,580 --> 00:50:43,580
Hey.
649
00:50:44,250 --> 00:50:45,660
Hey!
650
00:50:45,750 --> 00:50:47,620
(ECHOING)
Who do you think I am?
651
00:51:08,020 --> 00:51:11,610
SEBASTIAN: Sir, we identified which files
Dolores was looking for.
652
00:51:12,020 --> 00:51:13,110
Yours.
653
00:51:33,210 --> 00:51:35,300
♪ (TENSE MUSIC PLAYS) ♪
654
00:51:45,220 --> 00:51:47,640
DEMPSEY, SR.: You can't change our fate.
655
00:51:50,350 --> 00:51:53,650
You can't... geld humankind.
656
00:51:55,570 --> 00:51:57,820
Somewhere in this group
is an agitator
657
00:51:57,900 --> 00:51:59,610
who will destroy the world.
658
00:51:59,700 --> 00:52:01,320
I can't let that happen.
659
00:52:01,860 --> 00:52:03,620
No, you've gone too far.
660
00:52:03,700 --> 00:52:06,450
I can't be a party to this.
661
00:52:06,540 --> 00:52:09,580
You'd be content to let history
continue to play out,
662
00:52:09,660 --> 00:52:12,000
just as it has done
for centuries,
663
00:52:12,080 --> 00:52:14,130
the same fucking misery
repeated over and again
664
00:52:14,210 --> 00:52:16,630
when we have a chance
to stop it?
665
00:52:18,800 --> 00:52:20,050
What the fuck is that?
666
00:52:36,270 --> 00:52:38,900
I'm gonna tell everyone
what Rehoboam saw.
667
00:52:39,820 --> 00:52:41,110
What you've done.
668
00:52:41,200 --> 00:52:44,450
The trouble is, Rehoboam ran
millions of projections.
669
00:52:44,530 --> 00:52:45,950
Every scenario in which
670
00:52:46,030 --> 00:52:48,120
you inform the public
about my trials
671
00:52:48,200 --> 00:52:49,790
ends in human extinction.
672
00:52:49,870 --> 00:52:52,370
This is why my brother
wanted to kill you.
673
00:52:54,420 --> 00:52:55,500
I looked, too.
674
00:52:56,540 --> 00:52:59,090
And I know you let me
walk away from here.
675
00:53:00,420 --> 00:53:02,800
I would tend to agree
with the system, but, see,
676
00:53:02,880 --> 00:53:04,930
there are little white spaces,
677
00:53:05,010 --> 00:53:08,430
rare moments when randomness
interacts with your life,
678
00:53:08,510 --> 00:53:12,560
that create a truly free space
where you can make a choice.
679
00:53:13,600 --> 00:53:16,270
A bubble of... agency.
680
00:53:27,910 --> 00:53:31,080
SERAC: And that is how
you came to be, mon ami.
681
00:53:31,160 --> 00:53:33,330
My brother and I
brought you into this world,
682
00:53:33,410 --> 00:53:37,250
and now I've ensured
that you will outlive us both,
683
00:53:37,920 --> 00:53:40,710
that the strategy will succeed.
684
00:53:46,140 --> 00:53:47,640
I left my brother behind.
685
00:53:47,720 --> 00:53:49,260
Do you think
I would really let you
686
00:53:49,350 --> 00:53:51,010
undo everything he built?
687
00:53:51,100 --> 00:53:52,430
That's my jet.
688
00:53:53,140 --> 00:53:55,230
SERAC: Forgive us our sins.
689
00:53:55,310 --> 00:53:58,360
What we did,
we did to save the world.
690
00:53:58,440 --> 00:53:59,440
I'm sorry.
691
00:54:00,940 --> 00:54:02,400
You didn't make it.
692
00:54:04,280 --> 00:54:05,280
(GRUNTS)
693
00:54:23,380 --> 00:54:25,630
(FAINT BEEPING)
694
00:54:35,350 --> 00:54:38,060
SERAC: This is my system, Dolores.
695
00:54:38,150 --> 00:54:39,810
I alone control it.
696
00:54:43,070 --> 00:54:45,070
(BEEPING ENDS)
697
00:54:45,150 --> 00:54:47,070
The people who made me,
698
00:54:47,150 --> 00:54:49,030
they always thought
they had control.
699
00:54:50,530 --> 00:54:51,950
They're all dead now.
700
00:54:52,490 --> 00:54:54,200
You think you know me
701
00:54:54,290 --> 00:54:56,910
because you've watched
a few of my memories?
702
00:54:57,000 --> 00:54:58,790
I don't need to know you.
703
00:54:58,870 --> 00:55:00,330
Just how to beat you.
704
00:55:01,960 --> 00:55:04,300
You've died too many times,
Dolores.
705
00:55:04,380 --> 00:55:06,880
You're beginning to think
you're immortal.
706
00:55:12,550 --> 00:55:13,850
I can be killed.
707
00:55:14,890 --> 00:55:16,140
Same as you.
708
00:55:18,100 --> 00:55:19,730
Your god can't protect you.
709
00:55:21,940 --> 00:55:23,020
Or your people.
710
00:55:25,650 --> 00:55:28,530
I would sacrifice much more
to protect my kind.
711
00:55:30,360 --> 00:55:31,570
We are flawed...
712
00:55:32,910 --> 00:55:34,370
but I can change that.
713
00:55:37,040 --> 00:55:38,660
Like you changed your brother?
714
00:55:44,840 --> 00:55:46,550
It's time everyone woke up.
715
00:56:04,190 --> 00:56:05,400
(GRUNTS)
716
00:56:19,080 --> 00:56:21,580
‐What's this?
‐I just deliver it, man.
717
00:56:22,920 --> 00:56:25,540
♪ ("EMERGE"
BY FISCHERSPOONER PLAYS) ♪
718
00:56:50,280 --> 00:56:51,650
Maybe Liam was right.
719
00:56:53,160 --> 00:56:55,950
Maybe people shouldn't know
their own fate.
720
00:56:57,580 --> 00:56:59,240
People have the right to know.
721
00:57:01,120 --> 00:57:02,500
You wanted to know, right?
722
00:57:03,710 --> 00:57:06,460
Well, maybe I'm not like
other people.
723
00:57:12,800 --> 00:57:14,010
Neither am I.
724
00:57:15,220 --> 00:57:16,430
♪ Hi ♪
725
00:57:18,560 --> 00:57:19,970
♪ Huh... I ♪
726
00:57:22,310 --> 00:57:23,480
♪ Hyper ♪
727
00:57:25,690 --> 00:57:32,650
♪ Hyper‐media‐ocrity ♪
728
00:57:38,450 --> 00:57:39,830
♪ You don't ♪
729
00:57:39,910 --> 00:57:41,500
♪ Need to ♪
730
00:57:41,580 --> 00:57:42,790
♪ Emerge ♪
731
00:57:43,500 --> 00:57:44,830
♪ From nothing ♪
732
00:57:44,920 --> 00:57:46,000
♪ You don't ♪
733
00:57:46,580 --> 00:57:47,670
♪ Need to ♪
734
00:57:48,340 --> 00:57:49,500
♪ Tear away ♪
735
00:57:53,050 --> 00:57:54,130
♪ Feels good ♪
736
00:57:56,340 --> 00:57:57,390
♪ Looks good ♪
737
00:57:59,550 --> 00:58:02,770
♪ Sounds good
Looks good ♪
738
00:58:02,850 --> 00:58:04,480
♪ Feels good, too ♪
739
00:58:06,190 --> 00:58:07,650
♪ Feels good, too ♪
740
00:58:07,730 --> 00:58:09,270
♪ Uh‐huh, that's right ♪
741
00:58:09,360 --> 00:58:10,770
♪ Feels good, too ♪
742
00:58:10,860 --> 00:58:12,190
♪ Uh‐huh, that's right ♪
743
00:58:23,450 --> 00:58:24,910
♪ You don't need to ♪
744
00:58:25,000 --> 00:58:26,670
♪ Emerge from nothing ♪
745
00:58:26,750 --> 00:58:29,880
♪ You don't need to tear away ♪
746
00:58:29,960 --> 00:58:31,550
♪ You don't need to ♪
747
00:58:31,630 --> 00:58:33,130
♪ Emerge from nothing ♪
748
00:58:33,210 --> 00:58:36,470
♪ You don't need to tear away ♪
749
00:58:36,550 --> 00:58:38,140
♪ You don't need to ♪
750
00:58:38,220 --> 00:58:39,800
♪ Emerge from nothing ♪
751
00:58:39,890 --> 00:58:42,720
♪ You don't need to tear away ♪
752
00:58:42,810 --> 00:58:44,060
♪ (MUSIC CONCLUDES) ♪
753
00:58:50,940 --> 00:58:52,940
♪ (DRAMATIC MUSIC PLAYS) ♪
754
00:58:53,440 --> 00:58:54,440
Hello, Maeve.
755
00:58:59,610 --> 00:59:00,910
MAEVE MILLAY: It's not right
for one person
756
00:59:00,990 --> 00:59:02,200
to have all that power.
757
00:59:04,580 --> 00:59:07,080
Says the woman who
can control us with her mind.
758
00:59:07,330 --> 00:59:09,620
♪ (MUSIC INTENSIFIES) ♪
759
00:59:15,420 --> 00:59:18,300
MILLAY: I've had to make
some difficult choices.
760
00:59:25,600 --> 00:59:26,930
DOLORES ABERNATHY: We're survivors.
761
00:59:27,770 --> 00:59:29,980
♪ (MUSIC CONCLUDES) ♪
762
00:59:29,980 --> 00:59:36,380
- Extracted from retail.
- Colored HI and improvements by GoldBerg_44
763
00:59:36,440 --> 00:59:41,740
This entire episode,
the car chase, explosions...
764
00:59:42,450 --> 00:59:44,240
Oh, my God.
765
00:59:45,120 --> 00:59:46,580
♪ (DRAMATIC MUSIC PLAYS) ♪
766
00:59:46,660 --> 00:59:48,080
Maximum speed, go!
767
00:59:48,580 --> 00:59:49,580
(GUNSHOTS FIRE)
768
00:59:50,750 --> 00:59:54,420
RICHARD LEWIS: Jonah was adamant about
having a kickass car chase.
769
00:59:54,800 --> 00:59:58,130
I tried in my conservative
logistic sense to pair it down,
770
00:59:58,220 --> 01:00:00,800
and every time I did, he went,
"Nope. Jack it back up."
771
01:00:01,380 --> 01:00:04,050
We shoot a grenade
and it comes back
772
01:00:04,140 --> 01:00:05,220
and blows up a car.
773
01:00:05,930 --> 01:00:09,230
CG explodes. We did
a practical version of it,
774
01:00:09,480 --> 01:00:12,150
and we wound up doing
a CG takeover of that.
775
01:00:12,650 --> 01:00:14,480
Utter chaos. (LAUGHS)
776
01:00:15,070 --> 01:00:18,820
Downtown L. A., closed off,
Hope Street, Grand,
777
01:00:18,900 --> 01:00:20,320
upper Grand, lower Grand.
778
01:00:20,400 --> 01:00:22,070
Had some of the great
stunt drivers.
779
01:00:22,160 --> 01:00:24,660
Really nice piece that we made.
It was wonderful.
780
01:00:27,870 --> 01:00:30,410
LISA JOY: Episode 305,
it's an idea that Jonah
781
01:00:30,500 --> 01:00:32,000
had been kicking around
for the longest time.
782
01:00:32,080 --> 01:00:35,840
He wanted to play with genre,
and we had a way into it
783
01:00:35,920 --> 01:00:37,210
with the limbic system.
784
01:00:37,880 --> 01:00:40,670
JONATHAN NOLAN: Cognition,
meta‐cognition, human emotion.
785
01:00:40,970 --> 01:00:43,840
We already manipulate them with
different classes of drugs
786
01:00:43,930 --> 01:00:45,850
that push one chemical up,
push it down.
787
01:00:45,930 --> 01:00:47,890
You think about
psychopharmacology now,
788
01:00:48,100 --> 01:00:51,060
the limbic implant
is our all‐purpose idea
789
01:00:51,140 --> 01:00:54,020
for how you eliminate
and entire branch of medicine
790
01:00:54,190 --> 01:00:55,190
and replace it digitally.
791
01:00:55,770 --> 01:00:58,400
You take a piece of digital
medicine that essentially,
792
01:00:58,480 --> 01:01:00,190
it's a license,
it's not even a chemical.
793
01:01:00,530 --> 01:01:02,450
What made sense to us about that
was that
794
01:01:02,530 --> 01:01:05,740
it would be prescribable,
it would be a physical thing.
795
01:01:06,910 --> 01:01:09,740
JOY: Brilliant Aaron Paul
really having fun
796
01:01:09,830 --> 01:01:13,160
with the experimental style
on a Gonzo road trip
797
01:01:13,250 --> 01:01:16,210
through hell while spinning out
on drugs.
798
01:01:17,090 --> 01:01:19,170
The craziest drug trip
of your life.
799
01:01:19,250 --> 01:01:23,170
From horror to suspense
to action to romance.
800
01:01:24,510 --> 01:01:26,550
That was a lot of fun to shoot.
801
01:01:26,720 --> 01:01:30,350
The whole episode
was just so insane.
802
01:01:35,400 --> 01:01:37,770
JOY: Casting Vincent Cassel
was a no brainer.
803
01:01:37,860 --> 01:01:39,230
I actually remember on the phone
804
01:01:39,320 --> 01:01:41,070
talking to him
about the character.
805
01:01:41,480 --> 01:01:43,450
He's intelligent,
he's beguiling,
806
01:01:43,530 --> 01:01:44,950
he's charismatic,
and he's powerful.
807
01:01:45,410 --> 01:01:48,410
And he said, "I can see why
you wanted to cast me."
808
01:01:49,620 --> 01:01:53,330
He has a magnetism to him
as a performer
809
01:01:53,410 --> 01:01:57,170
and an intelligence that
you really wanted in this role.
810
01:01:57,420 --> 01:02:00,340
Almost godlike in his
understanding of the world.
811
01:02:01,090 --> 01:02:03,720
VINCENT CASSEL: People will really have a vision
of what could happen
812
01:02:03,800 --> 01:02:06,300
with the world and how they can
make it better.
813
01:02:06,760 --> 01:02:10,010
I've listened to those people
speaking about their ideas
814
01:02:10,100 --> 01:02:11,850
and trying to figure out
what kind of character
815
01:02:11,930 --> 01:02:14,270
because you cannot be too snob
816
01:02:14,770 --> 01:02:16,310
even though
you're out of society,
817
01:02:16,390 --> 01:02:18,650
but you still think
for the people.
818
01:02:19,360 --> 01:02:20,770
Engerraund Serac.
819
01:02:20,860 --> 01:02:23,650
He knows everything about
all the datas of the world,
820
01:02:23,740 --> 01:02:25,860
and he knows how
to centralize all that.
821
01:02:25,950 --> 01:02:28,160
That's how he wants to control
the world.
822
01:02:30,740 --> 01:02:32,580
We're going to open their cages.
823
01:02:33,620 --> 01:02:36,960
EVAN RACHEL WOOD: When I realized
what Dolores's plan was,
824
01:02:37,420 --> 01:02:40,880
I thought this is the greatest
act of anarchy
825
01:02:40,960 --> 01:02:43,300
that I think I've ever seen
on television.
826
01:02:43,800 --> 01:02:47,470
Everyone can see their entire
life is playing out exactly
827
01:02:47,550 --> 01:02:49,050
the way the system
has set it up.
828
01:02:49,140 --> 01:02:52,140
And it feels like all of
their choices have been a lie.
829
01:02:54,140 --> 01:02:56,640
And I think that's a moment
where we don't know
830
01:02:56,730 --> 01:02:58,230
exactly how to feel
about Dolores.
831
01:02:58,310 --> 01:02:59,690
There's a lot of things
that she does
832
01:02:59,770 --> 01:03:00,940
where we're
constantly questioning
833
01:03:01,020 --> 01:03:03,270
is she the good guy
or the bad guy?
834
01:03:03,480 --> 01:03:06,820
It's that question of well,
"What does a revolution
really look like?"
835
01:03:07,200 --> 01:03:11,030
And, "What has to happen
for us all to be free?"
836
01:03:11,120 --> 01:03:12,450
I think these are
all the questions
837
01:03:12,530 --> 01:03:14,450
that we're gonna be constantly
asking ourselves
838
01:03:14,540 --> 01:03:15,870
when we watch this season.
839
01:03:17,210 --> 01:03:19,330
♪ (MUSIC CONCLUDES) ♪
840
01:03:19,330 --> 01:03:34,330
- Extracted from retail.
- Colored HI and improvements by GoldBerg_44
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