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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:30,734 --> 00:01:32,367 WHY DON'T YOU PUT SOME ANT POWDER ON THAT, CAP? 2 00:01:34,167 --> 00:01:35,767 THANKS, SE�OR. 3 00:01:36,934 --> 00:01:39,267 IT'S CLOSED. COME ON! 4 00:01:39,334 --> 00:01:41,367 WELL, IT SAYS "LADIES," DON'T IT? 5 00:01:41,434 --> 00:01:43,000 AAH! 6 00:01:44,901 --> 00:01:47,534 SE�OR PATTERSON, THE DOOR I HAVE CLOSED! 7 00:01:47,601 --> 00:01:49,501 AND I HAVE OPENED. PUT SOME HINGES ON HIM. 8 00:01:49,567 --> 00:01:50,667 YOU CAN NEVER TELL WHEN I MIGHT WANT 9 00:01:50,734 --> 00:01:52,467 TO BRING A LADY IN HERE, RUDOLFO! 10 00:01:52,534 --> 00:01:54,767 SI, SE�OR. SI, SE�OR. 11 00:01:54,834 --> 00:01:58,767 NICK! RUDOLFO'S LETTING THIS PLACE RUN DOWN. 12 00:01:58,834 --> 00:02:01,300 YES, SIR, A LITTLE WORSE EVERY 10 YEARS. 13 00:02:01,367 --> 00:02:02,767 I'VE BEGUN TO NOTICE IT MYSELF. 14 00:02:02,834 --> 00:02:04,267 MINNIE'S CALLING YOU, MR. PATTERSON. 15 00:02:04,334 --> 00:02:05,767 WHO? 16 00:02:07,334 --> 00:02:08,767 JUST A SHIP, MISS MARIA. 17 00:02:08,834 --> 00:02:10,133 OH. 18 00:02:10,200 --> 00:02:11,267 DEAR OLD MINNIE TOPER. CHAMPAGNE. 19 00:02:11,334 --> 00:02:12,534 CHAMPAGNE. 20 00:02:12,601 --> 00:02:15,767 CHAMPAGNE TO SAY HELLO, AND CHAMPAGNE TO SAY GOOD-BYE. 21 00:02:50,767 --> 00:02:52,167 NOT TODAY, SE�OR. 22 00:02:52,234 --> 00:02:54,167 WE DON'T SHAKE FOR THE LAST ONE, LIKE ALWAYS? 23 00:02:54,234 --> 00:02:55,834 NOT LIKE ALWAYS. 24 00:02:55,901 --> 00:03:00,801 OH. WELL, MAYBE YOU GOT 'EM LOADED UP A LITTLE, HUH, NICK? 25 00:03:00,868 --> 00:03:03,167 OK, ROLL 'EM. 26 00:03:06,367 --> 00:03:08,000 11. LOADED WITH LUCK! 27 00:03:08,067 --> 00:03:11,434 MM-HMM. WELL, MAYBE IF I SPEAK REAL NICE TO 'EM, 28 00:03:11,501 --> 00:03:13,267 MAYBE THEY'LL TALK BACK TO ME, HUH? 29 00:03:14,868 --> 00:03:17,300 THEY TALK TO YOU, AND CRY FOR ME. 30 00:03:17,367 --> 00:03:19,501 WELL... 31 00:03:19,567 --> 00:03:21,767 SAY YOU LOVE ME. I'LL MAKE BELIEVE I BELIEVE IT. 32 00:03:21,834 --> 00:03:23,334 I LOVE YA. 33 00:03:23,400 --> 00:03:26,901 AW, HARRY, TRY SAYING "I LOVE NO GIRL MORE." 34 00:03:26,968 --> 00:03:28,901 HOW MANY TIMES WE SAID GOOD-BYE, PAL? 35 00:03:28,968 --> 00:03:30,200 3. 36 00:03:30,267 --> 00:03:32,501 3. WHAT DO YOU KNOW. 3 GOOD-BYES TO ONE GAL. 37 00:03:32,567 --> 00:03:34,334 I'M JUST A ONE-WOMAN MAN, RIGHT, NICK? 38 00:03:34,400 --> 00:03:36,434 YES, SE�OR. 39 00:03:36,501 --> 00:03:38,434 WELL, HERE'S TO THE GIRL I'LL NEVER LOVE MORE. 40 00:03:39,901 --> 00:03:41,334 WHAT'S THE MATTER? 41 00:03:41,400 --> 00:03:43,567 I DON'T KNOW THIS GIRL YOU NEVER LOVE MORE- 42 00:03:43,634 --> 00:03:45,067 I HEAR HER LAUGHING AT ME. 43 00:03:45,133 --> 00:03:47,067 SURE. MINNIE. SHE'S ALWAYS LAUGHING. 44 00:03:47,133 --> 00:03:49,267 I HOPE IT'S MINNIE. HERE'S TO MINNIE. 45 00:03:53,334 --> 00:03:55,400 MINNIE AIN'T FOOLING. GOOD-BYE, NICK. 46 00:03:55,467 --> 00:03:57,000 HASTA LA VISTA, HARRY. 47 00:03:57,067 --> 00:03:58,801 SO LONG, EVERYBODY! 48 00:03:58,868 --> 00:04:00,234 ADIOS, AMIGO! 49 00:04:00,300 --> 00:04:01,767 ADIOS! 50 00:04:01,834 --> 00:04:03,300 ADIOS, SE�OR. 51 00:04:11,367 --> 00:04:14,267 HAIL AND FAREWELL. 52 00:04:14,334 --> 00:04:16,200 I'M GOING TO MISS YOU, HARRY. 53 00:04:16,267 --> 00:04:18,534 NEVER TO SEE YOUR FACE AGAIN. 54 00:04:18,601 --> 00:04:22,367 BLACK WITH SIN AND GRINNING LIKE THE BAD ANGEL HIMSELF. 55 00:04:22,434 --> 00:04:24,434 IT BREAKS ME UP INSIDE TO SEE YOU LEAVE, HARRY! 56 00:04:24,501 --> 00:04:27,801 THAT'S FINE, MUDGE. LET'S GET ABOARD. WE'RE SAILING. 57 00:04:27,868 --> 00:04:31,200 OOH, I'M SAILING? AYE, AYE, BOSUN! 58 00:04:31,267 --> 00:04:33,167 SHIPMATES BY THE GRACE OF HEAVEN! 59 00:04:33,234 --> 00:04:35,100 YOU BOYS DID GOOD THIS TRIP. 60 00:04:35,167 --> 00:04:40,734 ABANDON! CAST OFF THE LINES! FARE THEE WELL! 61 00:04:40,801 --> 00:04:43,033 WHY DO SAILORS DRINK SO HARD? 62 00:04:43,100 --> 00:04:45,167 OH, THAT IS A COMPLICATED MATTER. 63 00:04:45,234 --> 00:04:47,767 A BOY WHO IS GOING TO SEA FOR THE FIRST TIME 64 00:04:47,834 --> 00:04:49,501 SHOULD BE THINKING OF SIMPLE THINGS. 65 00:04:49,567 --> 00:04:50,601 YES, SIR. 66 00:04:50,667 --> 00:04:52,234 YOUR FAMILY, WHO LOVE YOU ON EARTH. 67 00:04:52,300 --> 00:04:55,067 YOUR MOTHER AND FATHER, WHO LOVE YOU IN HEAVEN. 68 00:04:55,133 --> 00:04:57,701 I HAVE THEM IN MY THOUGHTS, GREAT-GRANDFATHER. 69 00:04:59,734 --> 00:05:01,133 I'M RAMON ESTADO. 70 00:05:01,200 --> 00:05:04,267 THIS IS MY GREAT-GRANDFATHER, SE�OR RAMON ESTADO. 71 00:05:04,334 --> 00:05:05,567 HI. 72 00:05:05,634 --> 00:05:08,300 THE FIRST MATE TOLD ME I WAS TO BE UNDER YOUR COMMAND. 73 00:05:08,367 --> 00:05:09,634 OK, GET ABOARD. 74 00:05:09,701 --> 00:05:10,667 THANK YOU. 75 00:05:10,734 --> 00:05:13,000 ADIOS. GO WITH GOD. 76 00:05:13,067 --> 00:05:15,334 WITH GOD. ADIOS, GRANDFATHER. 77 00:05:19,534 --> 00:05:23,100 I KNOW MY GREAT-GRANDSON WILL BE SAFE WITH YOU. 78 00:05:23,167 --> 00:05:24,501 SURE, SURE. 79 00:05:24,567 --> 00:05:27,067 I WAS A SAILOR MYSELF, AT ONE TIME. 80 00:05:27,133 --> 00:05:29,100 WHY DIDN'T YOU KEEP THAT KID ON THE FARM? 81 00:05:29,167 --> 00:05:31,434 THE SEA IS A GOOD SCHOOL ALSO, IS IT NOT? 82 00:05:31,501 --> 00:05:33,567 OH, YES. SWELL, GRANDPA. 83 00:05:33,634 --> 00:05:36,701 WE TURN OUT SOME AWFUL SMART SEAGULLS AND SHARKS. 84 00:05:39,534 --> 00:05:41,567 OK, BABY, I'LL HURRY BACK. 85 00:05:41,634 --> 00:05:43,000 I'LL WAIT, HARRY. 86 00:05:43,067 --> 00:05:45,100 I'LL BE LIKE A STATUE FACING THE SEA. 87 00:05:45,167 --> 00:05:46,400 I WON'T EVEN MOVE! 88 00:05:46,467 --> 00:05:48,968 HA HA! DON'T MOVE UNTIL I'M BACK. 89 00:05:51,100 --> 00:05:52,567 I WON'T. 90 00:05:54,334 --> 00:05:55,601 GET RID OF THIS GANGWAY! 91 00:05:55,667 --> 00:05:56,934 AYE. MUCHACHOS! 92 00:05:57,000 --> 00:05:58,167 LET GO EVERYTHING! 93 00:05:58,234 --> 00:06:01,467 STAND BY, FORE AND AFT, ALL HANDS! 94 00:06:01,534 --> 00:06:04,000 HARRY, I-I'M JUST A LITTLE BIT STUNG. 95 00:06:04,067 --> 00:06:07,567 YEAH, YEAH. GET ON THOSE HEAD LINES! 96 00:06:07,634 --> 00:06:11,300 SIR, HAS THIS SHIP BEEN PROPERLY BLESSED? 97 00:06:11,367 --> 00:06:13,801 OH, SURE, SURE. I BLESS THE OLD TUB MYSELF, 98 00:06:13,868 --> 00:06:15,901 MORNING, NOON, AND NIGHT. 99 00:06:41,234 --> 00:06:42,901 AND DON'T THROW 'EM ON THE DECKS! 100 00:06:42,968 --> 00:06:44,801 STOW 'EM BELOW, WHILE YOU'RE AT IT! 101 00:06:59,300 --> 00:07:01,701 AND I SAY IT'S A PROVEN FACT 102 00:07:01,767 --> 00:07:02,934 THAT MORALITY AMONG BRITISH SEAMEN 103 00:07:03,000 --> 00:07:04,100 IS HIGHER THAN AMONG YANKS. 104 00:07:04,167 --> 00:07:06,067 YOU LIMEYS ARE PLAYED OUT, THAT'S WHY. 105 00:07:06,133 --> 00:07:08,701 OH YES? WE STILL HOLD DOMINION OVER PALM AND PINE. 106 00:07:08,767 --> 00:07:11,400 YEAH, AND UNDER EVERY TREE SITS A YANK WITH A DAME! 107 00:07:11,467 --> 00:07:13,167 HA! GUS WON'T FACE THE FACTS. 108 00:07:13,234 --> 00:07:14,434 WHAT FACTS? 109 00:07:14,501 --> 00:07:16,501 THE FACTS OF MORALITY AMONG SEAMEN, THAT'S WHAT. 110 00:07:16,567 --> 00:07:19,267 I SAY BRITISH SAILORS HAS HIGHER MORALS THAN YANKS. 111 00:07:19,334 --> 00:07:21,901 HERE. HERE'S THE STATISTICS WHAT PROVES IT 112 00:07:21,968 --> 00:07:23,934 IN BLACK AND WHITE. WHERE'S THE PAGE? 113 00:07:25,634 --> 00:07:27,767 OH, HARRY, THAT WAS ME PROOF! BLACK AND WHITE! 114 00:07:27,834 --> 00:07:29,434 BLACK AND GREEN, PINK AND YELLOW, 115 00:07:29,501 --> 00:07:31,701 I CAN'T RUN A DECK GANG WITH YOU WAVING BOOKS AROUND. 116 00:07:31,767 --> 00:07:33,100 YEAH! 117 00:07:33,167 --> 00:07:34,501 PAY HIM, GUS. 118 00:07:34,567 --> 00:07:35,934 SO WHY DO I PAY HIM?! 119 00:07:36,000 --> 00:07:38,734 I'VE SEEN YOU BOTH IN PORT. PAY HIM. 120 00:07:38,801 --> 00:07:40,801 HA! THANKS, HARRY. 121 00:07:50,000 --> 00:07:51,167 YOU WASHING AGAIN? 122 00:07:51,234 --> 00:07:53,367 OH, HELLO, HARRY. 123 00:07:53,434 --> 00:07:56,000 IT KIND OF COMFORTS A MAN TO SCOOP UP SEAWATER 124 00:07:56,067 --> 00:07:59,033 THAT'S FULL OF THE SINS OF THE WORLD AND PUT SOAP IN IT. 125 00:07:59,100 --> 00:08:00,801 YOU'VE GOT SIN ON THE BRAIN. 126 00:08:00,868 --> 00:08:03,567 WELL, IT'D BE HARD TO EXPLAIN TO YOU, HARRY, 127 00:08:03,634 --> 00:08:06,767 BUT A MAN SURE FEELS DIRTY AFTER HE'S BEEN IN PORT 128 00:08:06,834 --> 00:08:08,601 AND DONE THE THINGS I DONE. 129 00:08:08,667 --> 00:08:10,934 NEVER MIND THAT. YOU OWE ME 60 PESOS. 130 00:08:11,000 --> 00:08:12,300 I'LL GIVE YOU A CHANCE TO GET EVEN 131 00:08:12,367 --> 00:08:13,734 BEFORE YOU GO ON WATCH. 132 00:08:13,801 --> 00:08:15,467 BEFORE I GO ON WATCH, HARRY? 133 00:08:15,534 --> 00:08:17,534 THANKS, HARRY. 134 00:08:21,934 --> 00:08:24,367 I PUT YOU ON THE PAINT DETAIL. 135 00:08:24,434 --> 00:08:27,234 OH, I GOT TO GET THIS CLOCK BACK TOGETHER AGAIN. 136 00:08:27,300 --> 00:08:29,300 YOU'VE LOST HALF THE PARTS. 137 00:08:30,901 --> 00:08:32,367 COULDN'T FIX IT, ANYWAY. 138 00:08:32,434 --> 00:08:36,567 OH, HARRY! AIN'T YOU GONNA TRUST ME TO FIX NOTHING? 139 00:08:36,634 --> 00:08:38,934 SURE. FIX THIS VENTILATOR. 140 00:08:39,000 --> 00:08:41,801 BUT IT AIN'T A MACHINE! IT DON'T MOVE! 141 00:08:41,868 --> 00:08:44,467 SURE IT DOES! DID YOU EVER LOOK INSIDE A PIECE OF IRON? 142 00:08:44,534 --> 00:08:46,767 YOU KIDDING ME, HARRY? 143 00:08:46,834 --> 00:08:48,968 NO, NO. THIS VENTILATOR'S A LITTLE SKY, 144 00:08:49,033 --> 00:08:51,234 FULL OF SUNS AND MOONS AND STARS! 145 00:08:51,300 --> 00:08:53,534 THEY WHIZ AROUND, IMITATING THE BIG UNIVERSE. 146 00:08:53,601 --> 00:08:54,667 YEAH, HARRY? 147 00:08:54,734 --> 00:08:56,467 MILLIONS OF ELECTRONS AND PROTONS 148 00:08:56,534 --> 00:08:57,901 LIVE IN THIS VENTILATOR. 149 00:08:57,968 --> 00:08:59,300 AND IF YOU LISTEN HARD ENOUGH, 150 00:08:59,367 --> 00:09:00,868 YOU'LL HEAR A GUY ELECTRON WHISTLING 151 00:09:00,934 --> 00:09:02,434 AT A DAME PROTON. 152 00:09:02,501 --> 00:09:04,167 LOVE BLOSSOMS BETWEEN 'EM. 153 00:09:04,234 --> 00:09:06,501 AND WHAT'S THE RESULT OF IT ALL? 154 00:09:06,567 --> 00:09:08,067 I DON'T KNOW, HARRY. 155 00:09:08,133 --> 00:09:10,534 A PIECE OF IRON. PAINT IT. 156 00:09:26,701 --> 00:09:30,267 WHAT ARE YOU LOOKING FOR? A RAFT FULL OF DAMES? 157 00:09:30,334 --> 00:09:33,200 NO, SIR. THE EVENING STAR JUST CAME OUT. 158 00:09:33,267 --> 00:09:35,033 MY GRANDFATHER SAYS BEAUTY LIKE THIS 159 00:09:35,100 --> 00:09:36,767 WILL STAY WITH A MAN ALWAYS. 160 00:09:36,834 --> 00:09:39,100 THAT WHY YOU'RE ABOARD? 161 00:09:39,167 --> 00:09:41,467 GRANDFATHER THINKS A MAN SHOULD TRAVEL THE SEAS 162 00:09:41,534 --> 00:09:43,434 AND TOUCH HANDS WITH THE UNIVERSE 163 00:09:43,501 --> 00:09:46,601 SO THAT HE CAN LIVE AT PEACE ON LAND. 164 00:09:46,667 --> 00:09:48,567 THE OCEAN DON'T DO NOTHING BUT DRIVE YOU ASHORE, 165 00:09:48,634 --> 00:09:50,367 AND THE LAND DRIVES YOU BACK TO SEA. 166 00:09:50,434 --> 00:09:52,434 THAT'S JUST BLACK WATER. 167 00:09:52,501 --> 00:09:55,267 DON'T GET TO THINKING YOU CAN WALK NO PLACE ON IT. 168 00:09:55,334 --> 00:09:57,501 I DO NOT KNOW IF MEN CAN WALK ON WATER, 169 00:09:57,567 --> 00:09:59,467 BUT I WOULD NOT BE AFRAID TO TRY. 170 00:09:59,534 --> 00:10:01,434 LOOK, KID, I GOT A LAZY CREW THIS TRIP. 171 00:10:01,501 --> 00:10:03,300 IT DON'T HELP NONE FOR YOU TO STAND SEAGULL-WATCHER 172 00:10:03,367 --> 00:10:04,801 OR ASK DUMB QUESTIONS ABOUT NOTHING. 173 00:10:04,868 --> 00:10:05,968 GET TO WORK! 174 00:10:06,033 --> 00:10:08,300 SORRY, SIR. 175 00:10:08,367 --> 00:10:11,534 AH, THAT'S RIGHT, YOU AIN'T DUE ON WATCH FOR ANOTHER HOUR. 176 00:10:11,601 --> 00:10:13,334 FORGET WHAT I SAID. 177 00:10:20,434 --> 00:10:23,767 HEY, HARRY, THERE'S A JAP SUB CHASING US. 178 00:10:23,834 --> 00:10:25,934 DON'T GO SPREADING WILD RUMORS! 179 00:10:26,000 --> 00:10:27,634 NO, IT SAID SUB ON THE BOOK! 180 00:10:27,701 --> 00:10:29,434 SPONCE IS RUNNING TO THE CAPTAIN NOW! 181 00:10:29,501 --> 00:10:31,100 WE'RE ON THE ALERT! 182 00:10:31,167 --> 00:10:32,901 SIT DOWN AND CUT FOR DEAL! 183 00:10:32,968 --> 00:10:34,934 AW, HARRY, THIS AIN'T SENSIBLE! 184 00:10:35,000 --> 00:10:36,934 PLAYING CARDS IN A CRISIS LIKE THIS... 185 00:10:37,000 --> 00:10:38,467 NOTHING MORE SENSIBLE. 186 00:10:38,534 --> 00:10:40,334 KING'S HIGHER THAN QUEEN, 2 AND 2 MAKE 4. 187 00:10:40,400 --> 00:10:43,200 DO YOU KNOW THAT WE MAY BE FACING OUR LAST MOMENT? 188 00:10:43,267 --> 00:10:44,534 SO WHAT? 189 00:10:44,601 --> 00:10:45,934 WELL, I AIN'T IN SUCH GOOD STANDING 190 00:10:46,000 --> 00:10:49,801 THAT I CAN AFFORD TO DIE WITH CARDS IN MY HAND. 191 00:10:49,868 --> 00:10:51,501 I'LL HIDE THE EVIDENCE, MUDGE. 192 00:10:51,567 --> 00:10:54,033 AND THE CARDS IS RUNNING BAD FOR ME, TOO... 193 00:10:54,100 --> 00:10:56,234 THAT'S BECAUSE OF THOSE SINS I COMMITTED IN CHILE. 194 00:10:56,300 --> 00:10:58,868 IF HE IS A JAP SUB, AND HE DOES GET US, 195 00:10:58,934 --> 00:11:00,968 AND IF YOU DO GET KILLED, GOD'S GOING TO DROP EVERYTHING 196 00:11:01,033 --> 00:11:02,634 AND JUMP ON YOU FOR PLAYING CARDS? 197 00:11:02,701 --> 00:11:04,133 YOU AIN'T THAT IMPORTANT. 198 00:11:04,200 --> 00:11:06,100 WELL, MAYBE NOT TO YOU, 199 00:11:06,167 --> 00:11:09,334 BUT EVERY MAN HAS A TREMBLING IMMORTAL SOUL, 200 00:11:09,400 --> 00:11:11,067 AND THAT'S IMPORTANT TO GOD. 201 00:11:12,634 --> 00:11:14,267 ALL RIGHT, IT IS THE JAPS! THIS IS IT! 202 00:11:17,067 --> 00:11:18,834 LISTEN TO THEM MUGS. 203 00:11:18,901 --> 00:11:22,167 5 MINUTES AGO, THEY WERE TOO LAZY TO DRAW A DECENT BREATH. 204 00:11:22,234 --> 00:11:25,601 HARRY, A MAN HAS AN ACTUAL RIGHT NOT TO WANT TO BE DEAD! 205 00:11:25,667 --> 00:11:27,133 AH, SOON AS THE DANGER'S OVER, 206 00:11:27,200 --> 00:11:29,133 THEY'LL BE SITTING ON THEIR BARNACLES AND GROUSING. 207 00:11:29,200 --> 00:11:32,133 HARRY, PLEASE! WE'LL BE TRAPPED IN HERE. 208 00:11:32,200 --> 00:11:33,767 WE'LL DIE IN HERE! 209 00:11:33,834 --> 00:11:35,501 UH-UH, NOT ME. I'M NOT DYING YET. 210 00:11:35,567 --> 00:11:36,701 YEAH, BUT HOW DO YOU KNOW THAT? 211 00:11:36,767 --> 00:11:39,434 I AIN'T GONNA DIE TILL I'M GOOD AND READY! 212 00:11:51,634 --> 00:11:54,534 LOOK AT IT. MILES DEEP, BUT NOTHING TO DRINK. 213 00:11:54,601 --> 00:11:55,901 OK, GUS, OK. 214 00:11:55,968 --> 00:11:59,267 WHAT GRIPES ME MOST IS I AIN'T GETTING PAID FOR THIS. 215 00:11:59,334 --> 00:12:00,767 WHO SAYS SO? 216 00:12:00,834 --> 00:12:02,234 THE COMPANY. 217 00:12:02,300 --> 00:12:03,767 THE MINUTE YOU'RE TORPEDOED, 218 00:12:03,834 --> 00:12:05,267 THE COMPANY STOPS YOUR PAY. 219 00:12:05,334 --> 00:12:06,501 HERE. SHUFFLE THE CARDS. 220 00:12:06,567 --> 00:12:08,701 I CAN'T PLAY ANYMORE. I'M BUSHED, HARRY. 221 00:12:08,767 --> 00:12:09,901 REALLY BUSHED! 222 00:12:09,968 --> 00:12:11,968 WELL, 5 DAYS IN THE SUN'S A LITTLE RUGGED. 223 00:12:12,033 --> 00:12:15,300 HOW IS IT, RAMON? 224 00:12:15,367 --> 00:12:16,801 GOOD. 225 00:12:16,868 --> 00:12:21,634 HARRY... HE'S GOING TO LET ME GO. 226 00:12:21,701 --> 00:12:23,467 YEAH, YOU'LL GET HOME ALL RIGHT, KID. 227 00:12:28,067 --> 00:12:30,167 SURE, SURE. YOU'RE GOING TO MAKE IT. 228 00:12:30,234 --> 00:12:32,400 HERE, KID. DRINK THIS. 229 00:12:32,467 --> 00:12:34,434 GET HIS HEAD, MUDGE. 230 00:12:38,234 --> 00:12:41,300 THAT'S OUR RATIONS! YOU GOT NO RIGHT TO- 231 00:12:41,367 --> 00:12:43,734 YOU DON'T MEAN THAT, GUS. YOU'RE BETTER THAN THAT. 232 00:12:43,801 --> 00:12:45,734 WE AIN'T GONNA DRINK WATER WHEN WE GET TO PORT. 233 00:12:45,801 --> 00:12:47,734 WE'RE GONNA DRINK WHISKEY. 234 00:12:59,033 --> 00:13:00,767 I GUESS HE DECIDED TO WALK HOME. 235 00:13:02,267 --> 00:13:04,868 RAMON DIED FINE. 236 00:13:04,934 --> 00:13:06,801 HE DIDN'T FEEL NOTHING. 237 00:13:06,868 --> 00:13:08,300 THAT'S A GOOD ENOUGH WAY TO DIE, 238 00:13:08,367 --> 00:13:09,934 WITHOUT FEELING IT. 239 00:13:10,000 --> 00:13:12,467 THAT'S A GOOD ENOUGH WAY TO LIVE, BROTHER. 240 00:13:12,534 --> 00:13:15,400 HERE, PASS THIS ON TO GUS. 241 00:13:15,467 --> 00:13:17,467 HAND ME THAT CANVAS. 242 00:13:17,534 --> 00:13:18,934 I GOTTA PRAY, HARRY. 243 00:13:19,000 --> 00:13:20,567 IT'S OUR ONLY CHANCE! 244 00:13:20,634 --> 00:13:22,634 WHO'S STOPPING YOU? THE KID PRAYED. 245 00:13:22,701 --> 00:13:24,234 YOU SEE GOD, YOU GOT TO SAVE HARRY. 246 00:13:24,300 --> 00:13:26,000 I'M NOT ASKING THIS FOR MYSELF. 247 00:13:26,067 --> 00:13:27,901 YOU ASK IT FOR YOURSELF. 248 00:13:27,968 --> 00:13:30,133 HARRY DON'T REALLY MEAN THAT, GOD. 249 00:13:30,200 --> 00:13:31,968 HE KNOWS YOU TOOK THE ONLY ONE OF US 250 00:13:32,033 --> 00:13:33,901 THAT WAS IN ANY SHAPE TO DIE. 251 00:13:33,968 --> 00:13:35,234 LEAVE ME OUT OF IT. 252 00:13:35,300 --> 00:13:37,100 I'M ASKING FOR HARRY AND GUS AND LIMO AND MODEL T. 253 00:13:37,167 --> 00:13:39,100 I'M NOT ASKING FOR ME! 254 00:13:39,167 --> 00:13:42,467 BUT IF YOU SEND HELP, I'LL LIVE A BETTER LIFE. 255 00:13:42,534 --> 00:13:43,834 I'LL NEVER EVEN LOOK AT BAD WOMEN NO MORE. 256 00:13:43,901 --> 00:13:45,834 HUH! NOW YOU'RE GONNA BARGAIN WITH HIM! 257 00:13:45,901 --> 00:13:47,334 I'LL NEVER TOUCH ANOTHER DROP 258 00:13:47,400 --> 00:13:48,767 OF HARD LIQUOR, SO HELP ME. 259 00:13:48,834 --> 00:13:50,267 I'LL NEVER USE A KNIFE ON ANOTHER MAN IN A FIGHT, 260 00:13:50,334 --> 00:13:52,267 NO MATTER HOW MUCH BIGGER HE IS THAN ME. 261 00:13:52,334 --> 00:13:54,734 YOU GOT YOURSELF OUT ON A LIMB NOW, BROTHER. 262 00:13:54,801 --> 00:13:55,934 I KNOW YOU HEAR HARRY, GOD, 263 00:13:56,000 --> 00:13:57,801 BUT FORGIVE HIS SACRILEGE AND HIS MOCKING. 264 00:13:57,868 --> 00:13:59,834 I'LL GIVE YOU ALL MY MONEY, 265 00:13:59,901 --> 00:14:02,067 ALL OF IT, TO YOUR CHURCH, SO HELP ME. 266 00:14:02,133 --> 00:14:03,968 OH, NOW YOU'RE GONNA CHEAT HIM. YOU AIN'T GOT A DIME! 267 00:14:04,033 --> 00:14:06,801 YES I HAVE, TOO. $2,500 CASH- YOU KNOW THAT, GOD- 268 00:14:06,868 --> 00:14:08,133 IN A SAVINGS ACCOUNT 269 00:14:08,200 --> 00:14:10,267 IN THE MARITIME UNION BANK IN FRISCO. 270 00:14:10,334 --> 00:14:12,300 AND I'LL GIVE EVERY PENNY OF IT TO YOUR CHURCH, 271 00:14:12,367 --> 00:14:13,767 SO HELP ME. 272 00:14:13,834 --> 00:14:15,267 THAT'S A SUCKER DEAL, MUDGE. 273 00:14:15,334 --> 00:14:17,667 YOU COULDN'T KEEP ONE OF THOSE PROMISES, LET ALONE 4. 274 00:14:17,734 --> 00:14:19,734 YES I CAN, GOD. DON'T LISTEN TO HARRY. 275 00:14:19,801 --> 00:14:22,234 I SWEAR ON MY IMMORTAL SOUL. 276 00:14:22,300 --> 00:14:24,501 ON MY TREMBLING IMMORTAL SOUL, I SWEAR IT! 277 00:14:29,100 --> 00:14:32,267 WE'RE SAVED! THANK GOD! 278 00:14:32,334 --> 00:14:33,334 MY PRAYER DONE IT! 279 00:14:33,400 --> 00:14:37,701 WELL, WELL! SO WE GOT A NAVY. 280 00:14:37,767 --> 00:14:40,300 COR BLIMEY, GUS, YOU LOOK LIKE A REAL GENT. 281 00:14:40,367 --> 00:14:43,801 YEAH, LIMO, I FEEL LIKE A GENT OUTSIDE AND A WOLF INSIDE. 282 00:14:45,100 --> 00:14:47,200 YOU SURE YOU CUT ALL THE HAIRS OUT OF MY EARS? 283 00:14:47,267 --> 00:14:49,100 EVERYTHING IS SHIPSHAPE NOW, SIR. 284 00:14:49,167 --> 00:14:51,901 THAT TORPEDOING MUST HAVE BEEN A TERRIBLE EXPERIENCE. 285 00:14:51,968 --> 00:14:53,601 YES, SIR, YOU MERCHANT MARINE BOYS 286 00:14:53,667 --> 00:14:55,334 GOT JUST AS MUCH RIGHT TO CALL YOURSELVES HEROES 287 00:14:55,400 --> 00:14:57,100 AS ANYONE ON THE FRONT LINES. 288 00:14:57,167 --> 00:14:58,934 YEAH, YEAH. HEY, YOU NICKED ME ON THE CHIN. 289 00:14:59,000 --> 00:15:00,334 WHERE'S MY CITATION? 290 00:15:00,400 --> 00:15:01,834 THEY GAVE HARRY A MEDAL ONE TIME, 291 00:15:01,901 --> 00:15:03,367 BUT A PELICAN SWALLERED IT. 292 00:15:03,434 --> 00:15:05,734 YEAH, WE WAS TROLLING IT FOR BAIT. 293 00:15:05,801 --> 00:15:09,000 WELL, I'M ALL CLEAN AND NEAT, AND NOW I'LL- 294 00:15:09,067 --> 00:15:11,434 OK, MUDGE. AND FOR BEING SO RUGGED ON THE RAFT, 295 00:15:11,501 --> 00:15:13,634 YOU CAN HAVE SECOND CHOICE OF THE TOMATOES. 296 00:15:13,701 --> 00:15:16,200 OH NO, HARRY, I'M NOT GOING WITH YOU. REMEMBER? 297 00:15:16,267 --> 00:15:17,734 REMEMBER WHAT? 298 00:15:17,801 --> 00:15:20,634 I GOT THE MONEY, THE $2,500 FOR THE CHURCH. 299 00:15:20,701 --> 00:15:22,968 THAT WAS A SOLEMN OATH, HARRY, 300 00:15:23,033 --> 00:15:24,868 THE KIND A MAN'S GOT TO KEEP. 301 00:15:24,934 --> 00:15:26,868 I'D BE HIGHLY HONORED WAS YOU TO COME ALONG. 302 00:15:26,934 --> 00:15:28,400 I AIN'T IN ON THE DEAL. 303 00:15:28,467 --> 00:15:30,300 OH. WELL, THEN, I'LL HAVE TO HANDLE 304 00:15:30,367 --> 00:15:32,300 THIS TRANSACTION BY MYSELF. 305 00:15:32,367 --> 00:15:33,834 WHAT'S ALL THE RUSH? 306 00:15:33,901 --> 00:15:36,834 A MAN OF STRONG MORAL CHARACTER MIGHT WAIT, 307 00:15:36,901 --> 00:15:38,300 BUT I BETTER NOT. 308 00:15:38,367 --> 00:15:40,100 HOLD IT. AIN'T YOU FORGETTING SOMETHING? 309 00:15:40,167 --> 00:15:42,400 OH, NO, HARRY. I'VE GOT EVERY PROMISE MEMORIZED. 310 00:15:42,467 --> 00:15:46,601 NO WOMEN, NO LIQUOR, NO KNIFE FIGHTS, AND THE CHURCH DONATION. 311 00:15:46,667 --> 00:15:48,267 BUT WE AIN'T DRUNK THE MINNIE TOBER DOWN. 312 00:15:48,334 --> 00:15:49,667 I KNOW THAT, HARRY, BUT- 313 00:15:49,734 --> 00:15:51,200 HEY, YOU GUYS, MUDGIN DON'T WANT TO 314 00:15:51,267 --> 00:15:52,701 DRINK THE MINNIE TOBER DOWN! 315 00:15:52,767 --> 00:15:54,200 YOU'VE GOT TO DO THAT, MUDGIN! 316 00:15:54,267 --> 00:15:55,434 SHE WAS A GOOD SHIP! 317 00:15:55,501 --> 00:15:56,968 AND HER BILGE DIDN'T STINK. 318 00:15:57,033 --> 00:15:58,501 HE'S REFLECTING ON YOU, HARRY! 319 00:15:58,567 --> 00:15:59,501 OH, NO, HARRY. 320 00:15:59,567 --> 00:16:00,601 I'LL SAY SO! 321 00:16:00,667 --> 00:16:02,033 A GUY THAT WON'T DRINK A LOST SHIP DOWN 322 00:16:02,100 --> 00:16:03,300 REFLECTS ON HIS BOSUN! 323 00:16:03,367 --> 00:16:04,467 YEAH! 324 00:16:04,534 --> 00:16:05,868 HE DON'T HAVE TO DO ANYTHING ON MY ACCOUNT. 325 00:16:05,934 --> 00:16:07,868 ALL RIGHT, ALL RIGHT, I'LL DO IT ON YOUR ACCOUNT, HARRY. 326 00:16:07,934 --> 00:16:09,767 BUT JUST ONE SHORT BEER. 327 00:16:12,334 --> 00:16:18,200 *... OF YOU, OF YOU, I'M DREAMING * 328 00:16:18,267 --> 00:16:23,334 * THE SEA ROLLS WIDE 'TWEEN ME AND DUBLIN TOWN * 329 00:16:27,434 --> 00:16:29,300 WHAT'S THE MATTER WITH HANDSOME TONIGHT? 330 00:16:29,367 --> 00:16:30,701 I DON'T KNOW. 331 00:16:30,767 --> 00:16:32,767 HE DON'T LIKE BLONDES AND HE DON'T LIKE BRUNETTES. 332 00:16:32,834 --> 00:16:36,534 WHY DON'T YOU SETTLE FOR ME, THEN, BIG BOY? 333 00:16:36,601 --> 00:16:38,334 YOU'RE A NICE REDHEAD, 334 00:16:38,400 --> 00:16:41,300 BUT I'M LOOKING FOR A DAME WITH GREEN HAIR AND PURPLE EYES. 335 00:16:41,367 --> 00:16:47,300 *... GREEN ON IRISH GROUND * 336 00:16:47,367 --> 00:16:51,968 SCAMPS AND SCALAWAGS! MAURA O'FLAHERTY LEFT WEEPING ON THE DOCKS! 337 00:16:52,033 --> 00:16:56,501 JUST KEENING LIKE A BANSHEE! I- I'LL BEAR NO MORE OF IT! 338 00:16:56,567 --> 00:16:58,801 NO MORE OF IT! 339 00:16:58,868 --> 00:17:01,400 WAITER. WAITER! 340 00:17:09,667 --> 00:17:11,267 IT'S GONE, HARRY. MY MONEY'S GONE. 341 00:17:11,334 --> 00:17:12,767 I WAS ROLLED. IT'S GONE, ALL RIGHT. 342 00:17:12,834 --> 00:17:14,267 IT AIN'T UP THERE, MUDGE. 343 00:17:14,334 --> 00:17:15,601 WE TURNED THE DUMP INSIDE-OUT. 344 00:17:15,667 --> 00:17:17,467 THIS IS WHAT YOU GET FOR BREAKING ALL THOSE PROMISES. 345 00:17:17,534 --> 00:17:19,033 WELL, I DIDN'T KNIFE ANYBODY. 346 00:17:19,100 --> 00:17:21,067 NO, YOU AIN'T VIOLATED THE ATLANTIC CHARTER. 347 00:17:22,400 --> 00:17:24,300 POLICE! POLICE! 348 00:17:24,367 --> 00:17:25,601 LIMO AND MODEL T! 349 00:17:25,667 --> 00:17:26,901 THEY'RE STILL UP THERE. COME ON. 350 00:17:39,033 --> 00:17:41,300 OWWWW! 351 00:17:55,033 --> 00:17:57,801 HERE HE IS! 352 00:17:57,868 --> 00:18:00,667 HEY! WHERE YOU BEEN KEEPING YOURSELF, MUDGE? 353 00:18:04,200 --> 00:18:06,334 IN AN ALLEY SOMEPLACE. 354 00:18:06,400 --> 00:18:08,400 HE'S GOT THE BLOODY ROTTEN SHAKES, HARRY. 355 00:18:11,267 --> 00:18:13,000 WHAT'S THE MATTER, PAL? YOU HURT? 356 00:18:15,868 --> 00:18:18,434 I'M AWFUL SCARED, HARRY. 357 00:18:18,501 --> 00:18:20,868 OF WHAT? 358 00:18:20,934 --> 00:18:22,000 I DON'T KNOW. 359 00:18:22,067 --> 00:18:23,601 WELL, WE AIN'T GOT ALL DAY. 360 00:18:23,667 --> 00:18:27,167 LET HIM TALK. SPIT IT OUT, MUDGE. 361 00:18:27,234 --> 00:18:29,667 IN THE FIGHT, I THREW MY KNIFE AWAY, 362 00:18:29,734 --> 00:18:32,334 NOT WANTING TO CUT A MAN, YOU UNDERSTAND? 363 00:18:32,400 --> 00:18:34,567 AND IT STRUCK ANOTHER MAN IN THE ARM. 364 00:18:36,834 --> 00:18:38,734 I SAW THE BLOOD DRIPPING, 365 00:18:38,801 --> 00:18:40,868 AND I LOOKED DOWN AT MY HANDS LIKE THIS, 366 00:18:40,934 --> 00:18:43,467 AND THEN, SUDDEN-LIKE, I RAN. 367 00:18:45,968 --> 00:18:47,167 THEN IT HAPPENED. 368 00:18:47,234 --> 00:18:48,801 WHAT HAPPENED? 369 00:18:50,067 --> 00:18:51,868 I LOST MY SOUL. 370 00:18:53,000 --> 00:18:55,501 YOU LOST WHAT? 371 00:18:55,567 --> 00:18:57,734 MY WEEPING IMMORTAL SOUL, HARRY. 372 00:18:57,801 --> 00:18:59,567 LIKE A NIGHTMARE. 373 00:18:59,634 --> 00:19:01,234 LIKE A HAND REACHING INTO MY CHEST 374 00:19:01,300 --> 00:19:02,868 AND TEARING SOMETHING OPEN. 375 00:19:02,934 --> 00:19:05,701 A SHINY LITTLE SEED NO BIGGER THAN A PINPOINT 376 00:19:07,133 --> 00:19:09,300 COME OUT OF HERE, AND I GRABBED AT IT, AND... 377 00:19:11,300 --> 00:19:13,400 AND IT DRIFTED AWAY IN THE FOG. 378 00:19:13,467 --> 00:19:15,133 COR BLIMEY! 379 00:19:15,200 --> 00:19:17,501 NO WIRING OR NOTHING ATTACHED, MUDGIN? 380 00:19:19,467 --> 00:19:22,734 NOT A THREAD. NOT A COBWEB, EVEN. 381 00:19:22,801 --> 00:19:26,133 IT WAS LIKE A LITTLE FIREFLY. 382 00:19:26,200 --> 00:19:27,934 I'M AWFUL GLAD YOU'RE HERE, HARRY. 383 00:19:30,133 --> 00:19:31,601 THIS IS MY FAULT, TOO. 384 00:19:31,667 --> 00:19:34,934 OH, NO, NO. YOU CAN'T SAY THAT, HARRY. 385 00:19:35,000 --> 00:19:37,434 IF A MAN LOSES HIS SOUL, 386 00:19:37,501 --> 00:19:40,334 THAT'S HIS OWN PERSONAL RESPONSIBILITY. 387 00:19:40,400 --> 00:19:42,667 HOW LONG YOU GONNA PUT UP WITH THIS LITTLE GUY? 388 00:19:42,734 --> 00:19:44,000 HE'S BUG-EYES, HE'S CUCKOO. 389 00:19:44,067 --> 00:19:46,067 THAT AIN'T SO, GUS. 390 00:19:46,133 --> 00:19:48,367 I'M AS RATIONAL AS YOU ARE. 391 00:19:48,434 --> 00:19:49,968 YOU GOTTA TAKE IT INTO ACCOUNT 392 00:19:50,033 --> 00:19:53,000 I SAW MY SOUL DISAPPEAR UP POWELL STREET. 393 00:19:53,067 --> 00:19:55,734 MAYBE IT HAPPENED LIKE HE SAYS. 394 00:19:56,868 --> 00:19:58,334 HE SURE LOOKS LIKE ALL OF A SUDDEN 395 00:19:58,400 --> 00:19:59,968 HE LOST HIS MAGNETO. 396 00:20:00,033 --> 00:20:02,934 YOU FEEL KIND OF LIKE YOU AIN'T GETTING THE JUICE, MUDGIN? 397 00:20:03,000 --> 00:20:05,934 I DON'T FEEL NOTHING- 398 00:20:06,000 --> 00:20:08,200 ALL NUMB-LIKE INSIDE. 399 00:20:09,467 --> 00:20:10,901 AH, BALONEY! 400 00:20:10,968 --> 00:20:12,300 YOU AIN'T GOT A SOUL, MUDGIN. 401 00:20:12,367 --> 00:20:13,801 NOBODY'S GOT A SOUL. 402 00:20:13,868 --> 00:20:15,300 SO HOW CAN YOU LOSE WHAT DON'T EXIST? 403 00:20:15,367 --> 00:20:16,868 I SAW IT, GUS. 404 00:20:16,934 --> 00:20:19,300 WELL, GO FIND THE THING, THEN! 405 00:20:19,367 --> 00:20:20,667 YOU OUGHT TO TAKE THIS MATTER UP 406 00:20:20,734 --> 00:20:21,968 WITH A GOOD CHURCH OF ENGLAND REVEREND. 407 00:20:22,033 --> 00:20:23,667 OH, A PREACHER WOULDN'T KNOW! 408 00:20:23,734 --> 00:20:25,033 WHY WOULDN'T HE KNOW? 409 00:20:25,100 --> 00:20:26,334 IT'S HIS BLOOMIN' BUSINESS TO KNOW, ISN'T IT? 410 00:20:26,400 --> 00:20:28,367 PREACHERS ONLY KNOW ABOUT SOULS 411 00:20:28,434 --> 00:20:29,834 THAT LEAVE A DEAD BODY 412 00:20:29,901 --> 00:20:31,367 AND GO STRAIGHT TO HEAVEN OR HELL. 413 00:20:31,434 --> 00:20:33,801 I BET A GOOD ELECTRICIAN COULD TELL MUDGIN MORE. 414 00:20:33,868 --> 00:20:35,767 MAYBE MUDGIN'S DEAD AND DON'T KNOW IT. 415 00:20:35,834 --> 00:20:37,968 LEAVE HIM ALONE, GUS. 416 00:20:38,033 --> 00:20:40,067 ARE YOU NUTS, TOO? 417 00:20:40,133 --> 00:20:42,334 DON'T TELL ME YOU BELIEVE HIS SCREWY TALK! 418 00:20:42,400 --> 00:20:43,868 I DON'T BELIEVE IN NOTHIN'. 419 00:20:43,934 --> 00:20:46,701 OH, YOU GOTTA BELIEVE IT, HARRY. 420 00:20:46,767 --> 00:20:49,200 WE'RE ALL SHIPMATES. 421 00:20:49,267 --> 00:20:50,968 IT'S LIKE I TOLD YOU I HAD CANCER OR SOMETHING. 422 00:20:51,033 --> 00:20:53,200 YOU WOULDN'T JUST LAUGH IT OFF AND DITCH ME. 423 00:20:53,267 --> 00:20:54,767 THAT'S EXACTLY WHAT HE'S GONNA DO! 424 00:20:54,834 --> 00:20:56,300 GO ON, BEAT IT! 425 00:20:56,367 --> 00:20:57,801 YOU'VE IMPOSED ON HARRY LONG ENOUGH. 426 00:20:57,868 --> 00:20:59,300 I SAID LEAVE HIM ALONE, GUS. 427 00:20:59,367 --> 00:21:00,767 OK. 428 00:21:00,834 --> 00:21:02,601 OH, LOOK OUT, HARRY! 429 00:21:05,334 --> 00:21:06,934 YOU'LL NEVER LEARN. 430 00:21:07,000 --> 00:21:09,534 YOU STILL TELEGRAPH THAT RIGHT. 431 00:21:14,334 --> 00:21:17,200 IT'S ALL RIGHT, IT'S ALL RIGHT. THEY'RE CLOSE FRIENDS. 432 00:21:22,200 --> 00:21:24,601 I'LL SEE YOU LATER. YOU GUYS TAKE CARE OF MUDGE. 433 00:21:24,667 --> 00:21:27,133 NOW HARRY'S SORE AT ME. 434 00:21:27,200 --> 00:21:29,367 YOU SORE AT GUS, HARRY? 435 00:21:29,434 --> 00:21:31,601 NO, I LIKE GUS FINE. I'LL SEE YOU LATER, GUS. 436 00:21:31,667 --> 00:21:33,133 WHERE YOU GOING, HARRY? 437 00:21:33,200 --> 00:21:35,934 HARRY! DON'T LEAVE ME! 438 00:21:36,000 --> 00:21:38,000 HARRY! WAIT FOR ME! 439 00:21:39,601 --> 00:21:43,868 I WOULDN'T FEEL SO BAD IF I KNEW WHAT TO DO, HMM? 440 00:21:45,901 --> 00:21:50,267 HE... HE WOULDN'T JUST PUT A GUY IN THE DOGHOUSE 441 00:21:50,334 --> 00:21:51,901 AND LEAVE HIM THERE. 442 00:21:56,033 --> 00:21:58,367 HARRY. HARRY! 443 00:22:01,167 --> 00:22:04,300 GOD'S ASKING ME TO KEEP MY PROMISES. 444 00:22:06,701 --> 00:22:08,634 ALL RIGHT, ALL RIGHT, IT'S ALL MY FAULT! 445 00:22:08,701 --> 00:22:09,834 OH, NO, I-I- 446 00:22:09,901 --> 00:22:11,400 YEAH, YEAH. GO GET IT OFF YOUR MIND. 447 00:22:11,467 --> 00:22:12,901 BUY YOURSELF A DRINK. 448 00:22:12,968 --> 00:22:14,367 IT AIN'T SAFE FOR ME TO BE ALONE. 449 00:22:14,434 --> 00:22:15,834 A MAN RUNNING AROUND WITHOUT A SOUL? 450 00:22:15,901 --> 00:22:17,534 HOLD IT. 451 00:22:21,868 --> 00:22:25,801 WHERE'S LUCILLE? DON'T SHE WORK HERE ANYMORE? 452 00:22:25,868 --> 00:22:27,300 NO, SHE HAD TOUGH LUCK. 453 00:22:27,367 --> 00:22:29,767 FELL DOWNSTAIRS THE OTHER NIGHT AND BROKE HER LEG. 454 00:22:29,834 --> 00:22:33,601 I GOT HER ADDRESS HERE SOMEPLACE. YOU WANT IT? 455 00:22:33,667 --> 00:22:35,801 NOT WITH A BROKEN LEG, I DON'T! 456 00:22:37,067 --> 00:22:38,634 HARRY, COME HERE! 457 00:22:38,701 --> 00:22:39,834 NOW WHAT? 458 00:22:39,901 --> 00:22:41,334 LOOKIT! 459 00:22:41,400 --> 00:22:43,667 "THE TREE OF KNOWLEDGE IS ROOTED IN THE AGES." 460 00:22:43,734 --> 00:22:45,501 MAYBE THEY KNOW ABOUT A CASE LIKE MINE. 461 00:22:45,567 --> 00:22:47,234 YOU COME IN WITH ME WHILE I ASK 'EM. 462 00:22:47,300 --> 00:22:48,734 ME, GO IN THAT DUMP? 463 00:22:48,801 --> 00:22:50,367 OH, BUT I CAN'T TALK TO LIBRARY PEOPLE. 464 00:22:50,434 --> 00:22:51,968 YOU'RE MY BOSUN. YOU TALK FOR ME AT MAST. 465 00:22:52,033 --> 00:22:53,367 YOU AIN'T AT MAST! 466 00:22:53,434 --> 00:22:55,567 I AM SO AT MAST! I'M UP BEFORE THE CAPTAIN! 467 00:22:55,634 --> 00:22:57,000 THE REAL CAPTAIN. 468 00:22:57,067 --> 00:22:58,434 AND THOSE GOOKS IN THERE ARE GONNA HELP YOU? 469 00:22:58,501 --> 00:23:00,501 WELL, THEY'RE SWELL EDUCATED. EDUCATED PEOPLE MIGHT, HARRY. 470 00:23:00,567 --> 00:23:03,367 OH, EDUCATED, HUH? 471 00:23:03,434 --> 00:23:06,901 LOOKIT, HARRY. "READING MAKETH A FULL MAN," IT SAYS. 472 00:23:06,968 --> 00:23:10,200 FULL OF WHAT? FULL OF SAP FROM THE TREE OF KNOWLEDGE! 473 00:23:10,267 --> 00:23:12,400 WHAT GROWS ON TREES? DRIED PRUNES. 474 00:23:12,467 --> 00:23:14,434 AND WHAT DO YOU GET FROM SAP AND PRUNES? 475 00:23:14,501 --> 00:23:17,200 WELL, HARRY, I ONLY SAID- 476 00:23:17,267 --> 00:23:20,701 "AS STARS TO THE SAILOR ARE BOOKS TO THE SCHOLAR." 477 00:23:20,767 --> 00:23:22,200 AIN'T THAT SWEET. 478 00:23:22,267 --> 00:23:24,000 THEY KNOW ABOUT SAILORS. 479 00:23:24,067 --> 00:23:25,801 YEAH, BUT HARRY, I JUST THOUGHT- 480 00:23:25,868 --> 00:23:27,601 EDUCATED PEOPLE... THEY DON'T BRAG ON BILLBOARDS, 481 00:23:27,667 --> 00:23:30,200 THEY CHISEL THEIR ADS IN GRANITE! 482 00:23:30,267 --> 00:23:34,367 "KNOWLEDGE IS POWER." "BOOKS ARE THE LEGACY OF TIME." 483 00:23:34,434 --> 00:23:39,767 UH-OH. THERE'S THE TOPPER- "WISDOM IS PEACE." HUH! 484 00:23:39,834 --> 00:23:42,634 SO THEY'RE WISE. SO THEY GOT PEACE. 485 00:23:42,701 --> 00:23:44,067 YEAH, BUT HARRY- 486 00:23:44,133 --> 00:23:45,734 COME ON, MUDGE. 487 00:23:45,801 --> 00:23:47,501 WE'LL GO IN AND GET A GREAT BIG HUNK OF WISDOM, 488 00:23:47,567 --> 00:23:49,868 AND A NICE FAT BELLYFUL OF PEACE. 489 00:23:56,734 --> 00:23:59,367 I'll wait here while you ask 'em. 490 00:23:59,434 --> 00:24:01,834 IF THEY HAD ICE, WOULD BE WONDERFUL FOR STIFFS. 491 00:24:04,667 --> 00:24:06,334 FOLLOW ME, PAL. 492 00:24:14,033 --> 00:24:16,167 YEAH. WHAT DO YOU DO FOR 'EM? 493 00:24:25,367 --> 00:24:26,801 YES? 494 00:24:26,868 --> 00:24:28,300 CAN'T FIND IT. 495 00:24:28,367 --> 00:24:29,701 PARDON? 496 00:24:29,767 --> 00:24:30,767 THE TREE. 497 00:24:31,868 --> 00:24:33,267 HUH? 498 00:24:33,334 --> 00:24:36,067 THE TREE OF KNOWLEDGE. COME IN, IT SAYS, AND GET UNDER THE TREE. 499 00:24:36,133 --> 00:24:37,901 WHERE DO YOU KEEP IT? 500 00:24:37,968 --> 00:24:42,367 THE NEXT BAR IS ABOUT A BLOCK AND A HALF DOWN THE STREET. 501 00:24:42,434 --> 00:24:44,033 YOU CAN'T MISS IT. 502 00:24:44,100 --> 00:24:45,767 I KNOW WHERE ALL THE BARROOMS ARE. 503 00:24:45,834 --> 00:24:47,834 I THOUGHT I'D STOP A MOMENT IN YOURS. 504 00:24:47,901 --> 00:24:49,267 WHAT DO YOU SAY, YOU GONNA SET 'EM UP? 505 00:24:49,334 --> 00:24:50,767 WE'LL HEIST ONE UNDER THE TREE, 506 00:24:50,834 --> 00:24:52,100 AND GET DRUNK WITH A LITTLE KNOWLEDGE. 507 00:24:52,167 --> 00:24:53,901 LOOK, MISTER, ARE YOU GOING TO KEEP THIS UP? 508 00:24:53,968 --> 00:24:55,567 BECAUSE IF SO, I'LL HAVE TO CALL A GUARD. 509 00:24:55,634 --> 00:24:57,234 OH, NO. NO, NO, MISS. I TAKE IT ALL BACK. 510 00:24:57,300 --> 00:24:58,767 I DIDN'T SAY A WORD. 511 00:24:58,834 --> 00:25:00,667 I'M NOT LOOKING FOR TROUBLE. I'M BRINGING IT IN. 512 00:25:00,734 --> 00:25:02,267 I GOT A SICK SAILOR WITH ME. 513 00:25:02,334 --> 00:25:03,534 WHAT? 514 00:25:03,601 --> 00:25:05,133 YEAH. YEAH, THAT GUY OVER THERE. 515 00:25:05,200 --> 00:25:07,901 HE'S SICK, AND HE'S LOOKING FOR HELP. 516 00:25:07,968 --> 00:25:09,968 PLEASE EXCUSE HARRY, MISS. 517 00:25:10,033 --> 00:25:11,634 HE'S DOING THIS FOR ME. 518 00:25:11,701 --> 00:25:12,968 YEAH, THAT'S RIGHT, MUDGE. 519 00:25:13,033 --> 00:25:14,334 TELL THE LADY WHAT'S EATING YOU. 520 00:25:14,400 --> 00:25:15,934 I WOULDN'T BE SURPRISED IF SHE COULD HELP YOU. 521 00:25:16,000 --> 00:25:18,367 SHE LOOKS PRETTY SMART TO ME. 522 00:25:18,434 --> 00:25:19,634 DID HARRY TELL YOU WHAT WE WAS LOOKING FOR? 523 00:25:19,701 --> 00:25:21,501 HE SAID YOU WERE SICK. 524 00:25:21,567 --> 00:25:23,300 WELL, NOT REALLY SICK, MISS. YOU SEE, I-I- 525 00:25:23,367 --> 00:25:24,934 WHAT'S THE MATTER? 526 00:25:25,000 --> 00:25:26,501 I LOST MY SOUL. 527 00:25:26,567 --> 00:25:27,901 POPPED OUT OF HIS CHEST 528 00:25:27,968 --> 00:25:29,300 AND LAMMED UP POWELL STREET IN THE FOG. 529 00:25:29,367 --> 00:25:31,300 IT DID. WE WAS WONDERING WHETHER YOU COULD REFER US 530 00:25:31,367 --> 00:25:33,300 TO A BOOK DEALING WITH A SIMILAR EXPERIENCE. 531 00:25:33,367 --> 00:25:34,801 YOU'RE A SAILOR? 532 00:25:34,868 --> 00:25:36,300 YES, MISS. 533 00:25:36,367 --> 00:25:37,634 MERCHANT MARINE? 534 00:25:37,701 --> 00:25:38,634 YES, MISS. 535 00:25:38,701 --> 00:25:40,033 IS HE? 536 00:25:40,100 --> 00:25:42,234 YES, HE'S THE BOSUN, AND IF YOU WAS EVER TORPEDOED, MISS, 537 00:25:42,300 --> 00:25:45,033 YOU WOULDN'T SWAP HARRY FOR NO BOSUN GOING. 538 00:25:46,567 --> 00:25:47,834 WERE YOU TORPEDOED? 539 00:25:47,901 --> 00:25:49,234 THE LAST TRIP. 540 00:25:49,300 --> 00:25:50,734 AND YOU SAVED HIM? 541 00:25:50,801 --> 00:25:52,100 HE'S NUTS. 542 00:25:52,167 --> 00:25:53,601 YOU SEE, A TREE GREW ON THE SHIP, 543 00:25:53,667 --> 00:25:54,934 AND WE ALL SAT AROUND AND READ. 544 00:25:55,000 --> 00:25:55,901 OH, HARRY. 545 00:25:55,968 --> 00:25:57,267 DIDN'T SAY A WORD. 546 00:25:57,334 --> 00:25:59,367 SUPPOSE YOU TELL ME WHAT YOU'RE LOOKING FOR, PLEASE. 547 00:25:59,434 --> 00:26:01,033 I'M REALLY RATHER BUSY. 548 00:26:01,100 --> 00:26:02,534 YES. IT WAS LIKE THIS, MISS. 549 00:26:02,601 --> 00:26:04,367 WE WERE OUT THERE ON A RAFT, AND ON THE SIXTH DAY, 550 00:26:04,434 --> 00:26:07,567 I MADE THE LORD 4 PROMISES, WHAT I'D DO IF HE SAVED US. 551 00:26:07,634 --> 00:26:11,834 BUT I BROKE MY PROMISES, AND I LOST MY SOUL. 552 00:26:14,868 --> 00:26:17,267 UH, WHAT DO YOU SAY, YOU GOT A BOOK AROUND HERE 553 00:26:17,334 --> 00:26:19,133 THAT A SOUL MIGHT WALK BACK ON? 554 00:26:19,200 --> 00:26:20,767 WE'VE GOT SOME BOOKS FOR YOU. 555 00:26:20,834 --> 00:26:22,267 YOU HEAR THAT, HARRY? 556 00:26:22,334 --> 00:26:23,767 SURE. TELLS YOU ALL ABOUT THAT SOUL RACKET, HUH? 557 00:26:23,834 --> 00:26:26,267 RIGHT. COME WITH ME, PLEASE. 558 00:26:27,367 --> 00:26:28,801 COME ON, HARRY. 559 00:26:28,868 --> 00:26:30,767 WE'LL START HERE. THERE ARE SOME EXCELLENT STUDIES: 560 00:26:30,834 --> 00:26:32,834 ONE BY A SURGEON IN THE BRITISH NAVY, 561 00:26:32,901 --> 00:26:34,334 AND THIS ONE BY AN AMERICAN COLONEL: 562 00:26:34,400 --> 00:26:36,234 FACTS ON COMBAT FATIGUE. 563 00:26:36,300 --> 00:26:38,767 COMBAT FATIGUE? SOUNDS GOOD. 564 00:26:38,834 --> 00:26:40,901 YES, THE STRAIN OF WAR, YOU KNOW, 565 00:26:40,968 --> 00:26:42,834 SOMETIMES CAUSES PSYCHONEUROSIS. 566 00:26:42,901 --> 00:26:45,267 PSYCHONEUROSIS? THAT SOUNDS PRETTY GOOD, TOO. 567 00:26:45,334 --> 00:26:49,601 YOU SEE, MR. MUDGE, YOU'VE HAD A SUBJECTIVE EXPERIENCE. 568 00:26:49,667 --> 00:26:51,267 YOU MADE PROMISES YOU DIDN'T KEEP, 569 00:26:51,334 --> 00:26:53,067 AND THAT MADE YOU FEEL GUILTY, 570 00:26:53,133 --> 00:26:54,968 SO THAT YOU IMAGINED YOU LOST YOUR SOUL. 571 00:26:55,033 --> 00:26:57,133 OH, NO, MISS. I DIDN'T IMAGINE THAT. 572 00:26:57,200 --> 00:26:58,567 I REALLY LOST IT, IN THE FOG. 573 00:26:58,634 --> 00:27:00,133 ON POWELL STREET. 574 00:27:00,200 --> 00:27:01,734 SHHHHHH! 575 00:27:01,801 --> 00:27:03,300 WE'RE DISTURBING THE READERS. 576 00:27:03,367 --> 00:27:04,834 YOU MEAN THEY'RE DISTURBING US! 577 00:27:04,901 --> 00:27:08,100 HEY, PIPE DOWN, YOU CLUCKS! 578 00:27:11,968 --> 00:27:13,367 YOU KNOW, I'M NOT OUT WITH YOU. 579 00:27:13,434 --> 00:27:15,033 WHEN YOU GO, I STAY. 580 00:27:15,100 --> 00:27:16,901 SO WHISPER, WILL YOU PLEASE? 581 00:27:16,968 --> 00:27:19,567 Harry, this nice lady is trying to help me. 582 00:27:19,634 --> 00:27:21,567 OK, OK. 583 00:27:21,634 --> 00:27:23,501 I never whispered before in my life. 584 00:27:23,567 --> 00:27:25,767 How do I sound? 585 00:27:25,834 --> 00:27:29,067 LOOK, MR. MUDGE, TAKE THIS AND READ IT. 586 00:27:29,133 --> 00:27:30,601 THIS... THIS PAGE HERE. 587 00:27:30,667 --> 00:27:33,968 IT MAY HELP EXPLAIN YOUR PROBLEM. I HAVE TO GET BACK TO WORK. 588 00:27:36,734 --> 00:27:38,300 YOU SEE THIS SHELF HERE? 589 00:27:38,367 --> 00:27:39,334 YEAH. 590 00:27:39,400 --> 00:27:41,234 THEY'RE FUNNY PICTURES. 591 00:27:43,200 --> 00:27:44,501 FUNNY GIRL. 592 00:27:44,567 --> 00:27:46,300 SAY, HARRY, I AIN'T NEVER HEARD- 593 00:27:46,367 --> 00:27:50,067 WHAT DO YOU GOT? 594 00:27:50,133 --> 00:27:54,734 THE SOUL- A SYMPOSIUM OF MODERN THOUGHT. 595 00:27:54,801 --> 00:27:56,234 GO TO IT. 596 00:27:56,300 --> 00:27:58,234 YOU READ IT TO ME, HARRY. 597 00:27:58,300 --> 00:28:00,667 I AIN'T NEVER HAD NO KNACK AT READING. 598 00:28:00,734 --> 00:28:02,367 OK. 599 00:28:04,234 --> 00:28:05,734 "THE SOUL, OR PSYCHE, 600 00:28:05,801 --> 00:28:08,868 "ALSO REFERRED TO AS THE SPIRIT, 601 00:28:08,934 --> 00:28:11,934 "THE SELF-SUBSTANCE, THE ELAN VITAL, 602 00:28:12,000 --> 00:28:15,434 "THE ETERNAL AND INDESTRUCTIBLE ESSENCE. 603 00:28:15,501 --> 00:28:17,267 SEE FOOTNOTE 1-A." 604 00:28:17,334 --> 00:28:19,000 HERE'S 1-A, HARRY. 605 00:28:19,067 --> 00:28:22,300 "IT MUST BE REMEMBERED 606 00:28:22,367 --> 00:28:25,267 "THAT A LARGE BODY OF CONTEMPORANEOUS THOUGHT 607 00:28:25,334 --> 00:28:28,334 "DENIES THE EXISTENCE OF A SOUL 608 00:28:28,400 --> 00:28:30,801 "AND SCOFFS AT MAN'S IMPORTANCE 609 00:28:30,868 --> 00:28:33,100 OR SIGNIFICANCE AS AN INDIVIDUAL." 610 00:28:33,167 --> 00:28:35,000 SHHHHH! 611 00:28:36,934 --> 00:28:40,667 SHUT UP! A GUY CAN'T HEAR HIMSELF THINK IN HERE! 612 00:28:40,734 --> 00:28:43,634 SHH! DO YOU WANT TO BE THROWN OUT? 613 00:28:43,701 --> 00:28:49,367 I'M SORRY, MISS, BUT THIS BOOK SAYS A MAN AIN'T GOT NO SOUL. 614 00:28:49,434 --> 00:28:53,167 WELL, ONE MAN'S OPINION... AND MR. MUDGE, 615 00:28:53,234 --> 00:28:56,100 I AM HARDLY THE LAST WORD ON WHATEVER IS TROUBLING YOU, 616 00:28:56,167 --> 00:28:59,167 BUT I DO KNOW THAT A LOT OF STRANGE THINGS HAPPEN. 617 00:28:59,234 --> 00:29:02,501 PHENOMENA LIKE EXTRASENSORY PERCEPTIONS, 618 00:29:02,567 --> 00:29:05,734 THOUGHT TRANSFERENCE, SUCH AS RELIGIOUS MYSTICS REPORT. 619 00:29:05,801 --> 00:29:07,133 MYSTICS? 620 00:29:07,200 --> 00:29:09,000 WHAT RELIGIOUS DENOMINATION ARE YOU? 621 00:29:09,067 --> 00:29:14,267 ME? NOTHING. NONE AT ALL. I AIN'T EVEN BEEN BAPTIZED. 622 00:29:14,334 --> 00:29:15,701 OH. 623 00:29:15,767 --> 00:29:18,901 PERHAPS IT WOULD HELP IF I SENT YOU TO FATHER CASSIDY 624 00:29:18,968 --> 00:29:20,501 OR THE REVEREND MR. THOMPSON 625 00:29:20,567 --> 00:29:22,667 OR MAYBE A PSYCHIATRIST. 626 00:29:22,734 --> 00:29:24,200 PSYCHIATRIST! 627 00:29:24,267 --> 00:29:25,968 AND WHAT'S WRONG WITH PSYCHIATRY? 628 00:29:26,033 --> 00:29:28,200 MUDGE AIN'T A DIAGRAM OR CHART! 629 00:29:28,267 --> 00:29:30,000 CUT INTO HIM, AND HE'LL BLEED! 630 00:29:30,067 --> 00:29:33,200 HOW TENDER. HOW PROFOUND. 631 00:29:33,267 --> 00:29:35,534 PLEASE, MISS, I DIDN'T COME IN HERE TO START A FIGHT. 632 00:29:35,601 --> 00:29:37,033 NOR WILL I FORGET WHAT I'M OWING YOU 633 00:29:37,100 --> 00:29:38,634 FOR YOUR GOOD INTENTIONS, MISS. 634 00:29:38,701 --> 00:29:41,701 YOU DIDN'T LAUGH AT ME, LIKE MOST WOULD'VE DONE. 635 00:29:41,767 --> 00:29:43,701 MAYBE THAT'S THE ONLY HELP 636 00:29:43,767 --> 00:29:46,501 A MAN IN MY CONDITION CAN EXPECT. 637 00:29:46,567 --> 00:29:48,934 JUST NOT TO BE LAUGHED AT. 638 00:29:49,000 --> 00:29:51,801 NOW I-I'LL BE GETTING ALONG OUT OF HERE, 639 00:29:51,868 --> 00:29:53,801 AND I'M HOPING, FOR YOUR SAKE, 640 00:29:53,868 --> 00:29:56,200 THAT HARRY WILL DO THE SAME. 641 00:29:56,267 --> 00:29:57,868 THANK YOU KINDLY, 642 00:29:57,934 --> 00:30:00,534 AND IF I WASN'T IN THE DOGHOUSE WITH THE LORD ALMIGHTY, 643 00:30:00,601 --> 00:30:03,367 I'D BE ASKING HIM TO GIVE YOU HIS BLESSING. 644 00:30:23,400 --> 00:30:25,000 GREAT WORK. 645 00:30:25,067 --> 00:30:26,200 SO LONG. 646 00:30:27,234 --> 00:30:29,467 WELL, THE FUN'S OVER IN MY TAVERN. 647 00:30:29,534 --> 00:30:31,167 I HOPE YOU ENJOYED IT. 648 00:30:31,234 --> 00:30:33,200 HAD A WONDERFUL TIME. 649 00:30:33,267 --> 00:30:35,167 SOME TREE. 650 00:30:35,234 --> 00:30:37,139 DON'T RUN INTO IT ON YOUR WAY OUT. 651 00:30:37,140 --> 00:30:38,040 SO LONG. 652 00:30:39,234 --> 00:30:41,667 YEAH, YEAH, I'LL BE CAREFUL, 653 00:30:41,734 --> 00:30:43,167 AND YOU KNOW, THE TREE OF KNOWLEDGE 654 00:30:43,234 --> 00:30:44,167 THAT'S ROOTED IN THE AGES- 655 00:30:44,234 --> 00:30:45,667 TREAT THAT CAREFUL. 656 00:30:45,734 --> 00:30:47,834 THEM AGES GET YOU SO MUCH- 657 00:30:47,901 --> 00:30:49,934 PSYCHONEUROSIS, GUILT NEUROSIS, 658 00:30:50,000 --> 00:30:51,434 CIRRHOSIS OF THE LIVER- 659 00:30:51,501 --> 00:30:53,767 YOU COULDN'T LIVE WITHOUT 'EM! 660 00:30:53,834 --> 00:30:56,000 IT WOULD BE TOUGH. 661 00:30:59,200 --> 00:31:00,834 I'LL BET IT WOULD... 662 00:31:00,901 --> 00:31:02,968 AND DON'T WORRY, THERE THEY ARE, 663 00:31:03,033 --> 00:31:05,234 AND AS PRETTY PARROTS COME AND GO, YOU'RE A GOOD ONE. 664 00:31:05,300 --> 00:31:07,868 I KNOW WHAT THOSE GUYS WERE AFTER BETTER THAN YOU DO, PAL. 665 00:31:07,934 --> 00:31:09,934 THERE'S NOTHING OUT THERE, AND THERE'S NOTHING IN HERE. 666 00:31:10,000 --> 00:31:13,300 THE ONLY DIFFERENCE BETWEEN YOU AND ME IS I KNOW IT AND YOU DON'T. 667 00:31:13,367 --> 00:31:15,801 YOU'RE KIDDIN' YOURSELF, AND GETTIN' AWAY WITH IT. 668 00:31:15,868 --> 00:31:18,000 AIN'T THAT WONDERFUL? 669 00:31:20,367 --> 00:31:22,868 ARE YOU HAVING A GOOD TIME? 670 00:31:24,534 --> 00:31:25,868 ROTTEN. 671 00:31:27,234 --> 00:31:30,000 THIS IS NO FUN. 672 00:31:30,067 --> 00:31:31,501 NO, IT ISN'T. 673 00:31:31,567 --> 00:31:34,400 KIDDING YOU GETS ME NOTHIN', SISTER. 674 00:31:35,734 --> 00:31:37,667 WHAT DO YOU WANT? 675 00:31:37,734 --> 00:31:40,834 YEAH. WHAT DO I WANT? 676 00:31:40,901 --> 00:31:42,167 THAT'S IT. 677 00:31:42,234 --> 00:31:44,334 WHAT'S IT? 678 00:31:44,400 --> 00:31:46,567 JUST "IT." 679 00:31:49,000 --> 00:31:50,534 CAN I GO NOW? 680 00:31:50,601 --> 00:31:53,934 SURE, YOU CAN GO. 681 00:31:54,000 --> 00:31:55,501 THANKS. 682 00:31:57,133 --> 00:31:58,767 THE TREE IS ALL YOURS. 683 00:31:58,834 --> 00:32:00,234 LET ME KNOW WHEN YOU RUN INTO YOURS. 684 00:32:00,300 --> 00:32:01,234 RUN INTO WHAT? 685 00:32:01,300 --> 00:32:02,968 YOUR TREE- THE "IT" TREE. 686 00:32:03,033 --> 00:32:04,968 THAT'S RIGHT. THAT'S WHAT I'M LOOKING FOR. 687 00:32:05,033 --> 00:32:06,133 IT'S IT, AIN'T IT? 688 00:32:06,200 --> 00:32:08,968 IT'S IT, AIN'T IT? SOME WORD, "IT." 689 00:32:09,033 --> 00:32:11,300 IN THE DICTIONARY, IT BREAKS ALL RECORDS FOR USAGE: 690 00:32:11,367 --> 00:32:13,801 A PERSONAL PRONOUN OF THE THIRD PERSON OR NEUTER GENDER, 691 00:32:13,868 --> 00:32:15,300 USED AS A SUBSTITUTE FOR A NOUN; 692 00:32:15,367 --> 00:32:16,968 OR REPRESENTING SOMETHING POSSESSING SEX 693 00:32:17,033 --> 00:32:18,801 WHEN SEX IS NOT PARTICULARIZED OR CONSIDERED; 694 00:32:18,868 --> 00:32:20,968 OR TO REFER TO SOME MATTER NOT DEFINITELY CONCEIVED; 695 00:32:21,033 --> 00:32:22,300 OR AS THE GRAMMATICAL SUBJECT OF A CLAUSE, 696 00:32:22,367 --> 00:32:23,634 SUCH AS "IT IS BELIEVED HE IS DEAD." 697 00:32:23,701 --> 00:32:24,968 "HE IS DEAD," IS AS GENERALLY BELIEVED- 698 00:32:25,033 --> 00:32:26,801 YOU CAN'T SMOKE IN HERE! 699 00:32:26,868 --> 00:32:28,400 I'LL BET YOU CAN'T. 700 00:32:28,467 --> 00:32:30,634 I DON'T THINK YOU COULD DIE IN HERE! 701 00:32:30,701 --> 00:32:32,434 I THINK THEY CARRY YOU IN AFTER YOU'RE DEAD. 702 00:32:32,501 --> 00:32:34,000 TAKE A LOOK AT THESE DODO BIRDS! 703 00:32:34,067 --> 00:32:35,501 WHAT ARE THEY ALL TIPTOEING ABOUT? 704 00:32:35,567 --> 00:32:37,567 THE DEAD CAN'T WAKE THE DEAD. 705 00:32:40,234 --> 00:32:42,667 WELL, SO LONG. 706 00:32:42,734 --> 00:32:44,834 MUCH OBLIGED FOR TRYIN'. 707 00:32:44,901 --> 00:32:46,501 SO LONG. 708 00:32:53,467 --> 00:32:54,501 HELLO. 709 00:32:54,567 --> 00:32:55,567 HELLO. 710 00:32:55,634 --> 00:32:57,267 I WAS, UH, TALKING TO HER. 711 00:32:57,334 --> 00:32:58,100 OH. 712 00:32:58,167 --> 00:32:58,934 YOU READY? 713 00:32:59,000 --> 00:33:00,267 I'LL HURRY. 714 00:33:00,334 --> 00:33:03,267 HO, HO, BOY! HOW YOU DON'T FIT IN HERE! 715 00:33:03,334 --> 00:33:04,267 FRIEND OF YOURS? 716 00:33:04,334 --> 00:33:05,467 NO. 717 00:33:05,534 --> 00:33:06,634 WHY DON'T I FIT IN HERE? 718 00:33:06,701 --> 00:33:08,133 IN THIS GRAVEYARD? WHY, YOU'RE A LARK! 719 00:33:08,200 --> 00:33:09,300 THERE'S A SONG IN YOUR EYES, 720 00:33:09,367 --> 00:33:10,167 AND THEY'RE LIT WITH LIVIN'. 721 00:33:10,234 --> 00:33:10,934 MISTER! 722 00:33:11,000 --> 00:33:11,934 EVERYBODY DIED ON THE VINE 723 00:33:12,000 --> 00:33:13,367 AND WHAMBO! IN COMES THE GRAPES. 724 00:33:13,434 --> 00:33:15,634 SHH! - SHH, SHH! 725 00:33:15,701 --> 00:33:16,467 HA HA HA! 726 00:33:16,534 --> 00:33:17,300 HELEN! 727 00:33:17,367 --> 00:33:18,300 Oh, sorry. 728 00:33:18,367 --> 00:33:19,267 How are you, Helen? 729 00:33:19,334 --> 00:33:20,300 Who are you? 730 00:33:20,367 --> 00:33:21,767 Harry. - Hiya, Harry. 731 00:33:21,834 --> 00:33:22,817 Sit down. 732 00:33:22,818 --> 00:33:23,800 HEY, HEY. 733 00:33:25,534 --> 00:33:26,634 What do you do? 734 00:33:26,701 --> 00:33:28,201 I'm a secretary. What do you do? 735 00:33:28,202 --> 00:33:28,902 I'm a sailor. 736 00:33:28,903 --> 00:33:30,133 Oh, just off a whaler? 737 00:33:30,200 --> 00:33:31,801 Merchant marine. 738 00:33:31,868 --> 00:33:32,968 Glad to meet you, Helen. 739 00:33:33,033 --> 00:33:34,467 Hi. - When do we eat? 740 00:33:34,534 --> 00:33:35,467 I'm eating with Emily. 741 00:33:35,534 --> 00:33:36,300 She Emily? 742 00:33:36,367 --> 00:33:37,334 Uh-huh. 743 00:33:37,400 --> 00:33:39,167 Hello, Emily. 744 00:33:39,234 --> 00:33:40,834 EMILY, MERCHANT MARINE. 745 00:33:40,901 --> 00:33:42,334 WELL, THAT'S FINE. 746 00:33:42,400 --> 00:33:44,400 I'VE SEEN YOU MEET SOME OFFICERS IN THE NAVY, 747 00:33:44,467 --> 00:33:46,000 BUT I'VE NEVER SEEN THIS EXUBERANCE BEFORE. 748 00:33:46,067 --> 00:33:47,467 YOU HAD THE SAME CHANCE, EMILY. 749 00:33:49,801 --> 00:33:51,267 THEY DON'T KNOW IT'S US. LOOK AROUND. 750 00:33:51,334 --> 00:33:52,801 HERE. I'M GOING TO GET MY HAT 751 00:33:52,868 --> 00:33:54,334 AND GET OUT OF HERE BEFORE I'M FIRED. 752 00:34:01,100 --> 00:34:02,400 TOOK YOU LONG ENOUGH TO GET YOUR HAT, EMILY. 753 00:34:02,467 --> 00:34:03,501 OH, BOY, HE'S IN AGAIN. 754 00:34:03,567 --> 00:34:04,767 HE'S OUT AGAIN, YOU MEAN. GOOD NIGHT. 755 00:34:04,834 --> 00:34:06,334 JUST A MINUTE. WOULD YOU DO ME 756 00:34:06,400 --> 00:34:07,901 THE HONOR TO DINE WITH ME - UH, BOTH OF YOU? 757 00:34:07,968 --> 00:34:10,634 NO, THANK YOU. I WISH YOU'D STOP PUSHING ME. 758 00:34:10,701 --> 00:34:12,067 WELL, LOOK, GIRLS, LOOK- 759 00:34:12,133 --> 00:34:14,634 I- I'M A SAILOR, AND I'M MAROONED, AND IN YOUR TOWN. 760 00:34:14,701 --> 00:34:16,634 NOW, IF YOU WAS IN MY TOWN, I WOULDN'T TURN YOU DOWN. 761 00:34:16,701 --> 00:34:17,968 OH, LET HIM EAT WITH US, EM. 762 00:34:18,033 --> 00:34:19,133 HELEN, NO. 763 00:34:19,200 --> 00:34:21,300 ALL RIGHT, AND I HOPE YOU'RE SATISFIED. 764 00:34:21,367 --> 00:34:22,634 I GOT NOWHERE TO GO, 765 00:34:22,701 --> 00:34:24,300 AND AFTER TALKING TO YOU TWO NICE GIRLS, 766 00:34:24,367 --> 00:34:26,300 DO YOU THINK THERE ARE ANY OTHER NICE GIRLS IN THIS TOWN? 767 00:34:26,367 --> 00:34:27,467 HE'S TALKIN' AWFUL NICE NOW. 768 00:34:27,534 --> 00:34:28,534 YEAH, AIN'T I TALKIN' NICE NOW? 769 00:34:28,601 --> 00:34:29,868 AWFUL NICE. 770 00:34:29,934 --> 00:34:31,300 SEE WHAT HELEN SAYS? I'M TALKIN' AWFUL NICE NOW. 771 00:34:31,367 --> 00:34:32,767 DO YOU WANT HIM TO GO WITH US, REALLY? 772 00:34:32,834 --> 00:34:33,767 I THINK IT'D BE FUN. 773 00:34:33,834 --> 00:34:34,801 I DON'T THINK SO. 774 00:34:34,868 --> 00:34:36,467 WELL, IT'S WHATEVER YOU SAY. 775 00:34:36,534 --> 00:34:37,467 BEFORE YOU SPEAK, 776 00:34:37,534 --> 00:34:38,467 YOU'D BETTER NOT DO ANY TALKING. 777 00:34:38,534 --> 00:34:39,467 LET HELEN DO IT FOR YOU. 778 00:34:39,534 --> 00:34:40,467 ALL RIGHT. 779 00:34:40,534 --> 00:34:41,300 I'LL JUST STAND HERE AND HOPE. 780 00:34:41,367 --> 00:34:43,467 NOW, SEE HOW SWEET HE CAN BE? 781 00:34:43,534 --> 00:34:46,334 WELL, THIS IS GETTING DULL ENOUGH. IF THE ONLY WAY TO END IT- 782 00:34:47,367 --> 00:34:49,133 I'M JUST WHISTLING FOR A CAB, PALS. 783 00:34:51,000 --> 00:34:52,801 YOU DON'T HAVE TO DO THIS ON MY ACCOUNT. 784 00:34:53,834 --> 00:34:55,133 I THINK I DO. 785 00:34:55,200 --> 00:34:57,100 WELL, HE'LL KNOW YOU JUST CAME ALONG TO CHAPERONE US. 786 00:34:57,167 --> 00:34:58,434 I THINK HE KNOWS THAT ALREADY. 787 00:34:58,501 --> 00:34:59,767 WHY'D HE INVITE YOU? 788 00:34:59,834 --> 00:35:03,033 YOUR FRIEND HAS A RATHER COMPLICATED MIND FOR A SAILOR. 789 00:35:12,834 --> 00:35:14,100 HOW WE DOIN'? 790 00:35:14,167 --> 00:35:16,100 EMILY, YOU KNOW WHAT HE'S BEEN TELLIN' ME? 791 00:35:16,167 --> 00:35:17,267 HE'S BEEN TALKIN' SCIENTIFIC. 792 00:35:17,334 --> 00:35:18,234 I'LL BET. 793 00:35:18,300 --> 00:35:19,634 HE SAYS IF A DRUNKEN MAN STAGGERS, 794 00:35:19,701 --> 00:35:20,834 HE ALWAYS STAGGERS- 795 00:35:20,901 --> 00:35:22,801 WHERE'D YOU SAY HE STAGGLES - ER, STAGGERS? 796 00:35:22,868 --> 00:35:24,634 TRUE NORTH, EMILY. TRUE NORTH. 797 00:35:24,701 --> 00:35:26,133 TRUE NORTH! ISN'T THAT INTERESTING? 798 00:35:26,200 --> 00:35:27,000 TERRIFIC. 799 00:35:27,067 --> 00:35:28,234 THAT'S RIGHT, EMILY. 800 00:35:28,300 --> 00:35:30,133 ONCE UPON A TIME, SOME GUYS GOT LOST IN THE JUNGLE, 801 00:35:30,200 --> 00:35:31,467 SO THEY ALL CHIPPED IN THEIR HOOCH, 802 00:35:31,534 --> 00:35:32,467 GOT ONE OF THE GUYS DRUNK, 803 00:35:32,534 --> 00:35:34,000 AND MADE A COMPASS OUT OF HIM. 804 00:35:34,067 --> 00:35:34,868 ISN'T IT CUTE? 805 00:35:34,934 --> 00:35:36,834 I CAN'T STAND IT. 806 00:35:40,033 --> 00:35:42,267 THAT'S ONE FACT I DIDN'T GET OUT OF A BOOK. 807 00:35:42,334 --> 00:35:45,534 OH, EMILY, WHERE'D YOU RATHER BE THAN RIGHT HERE? 808 00:35:47,000 --> 00:35:48,534 DON'T PUSH ME, DARLING. 809 00:35:48,601 --> 00:35:49,701 NOW, IT'S BEEN VERY NICE, 810 00:35:49,767 --> 00:35:51,234 BUT AS WE HAVE TO GET UP TOMORROW, 811 00:35:51,300 --> 00:35:53,434 SHALL WE, UH, START SAILING FOR HOME? 812 00:35:53,501 --> 00:35:54,767 OH, I DON'T WANT TO GO HOME. 813 00:35:54,834 --> 00:35:56,267 DON'T YOU ALWAYS GET UP IN THE MORNING, EMILY? 814 00:35:56,334 --> 00:35:57,434 WE DON'T USUALLY GET UP SUNDAYS. 815 00:35:57,501 --> 00:35:59,267 TOMORROW'S SUNDAY, YOU KNOW. 816 00:35:59,334 --> 00:36:00,434 I DIDN'T KNOW. 817 00:36:00,501 --> 00:36:01,767 DON'T YOU KNOW SUNDAY WHEN IT COMES? 818 00:36:01,834 --> 00:36:03,767 ON LAND, EVERY DAY'S A SUNDAY FOR A SAILOR. 819 00:36:03,834 --> 00:36:06,467 OH. EMILY'S GOT A LITTLE FARM SHE'S TRYING TO SELL. 820 00:36:06,534 --> 00:36:08,434 SOME PEOPLE ARE COMING TO SEE IT TOMORROW. 821 00:36:08,501 --> 00:36:09,601 YOU GOING TO HELP HER? 822 00:36:09,667 --> 00:36:10,701 YES. 823 00:36:10,767 --> 00:36:12,033 YOU WANT ME TO HELP YOU, SO YOU CAN HELP HER? 824 00:36:12,100 --> 00:36:14,434 OH, DOESN'T HE PUT THINGS JUST DARLING? 825 00:36:14,501 --> 00:36:15,434 EMILY, WHAT'S THE MATTER WITH ME? 826 00:36:15,501 --> 00:36:17,434 I'M CRAZY ABOUT THIS GUY. 827 00:36:17,501 --> 00:36:19,901 WHAT'S THE MATTER WITH ME? 828 00:36:19,968 --> 00:36:21,601 I DON'T KNOW. 829 00:36:21,667 --> 00:36:23,434 I NEVER FELT LIKE THIS BEFORE. 830 00:36:23,501 --> 00:36:26,100 MEET A MAN, FALL FLAT ON MY FACE. YOU ASHAMED OF ME, EMILY? 831 00:36:26,167 --> 00:36:27,968 NO, NO. 832 00:36:28,033 --> 00:36:29,133 A LITTLE ASHAMED? 833 00:36:29,200 --> 00:36:30,467 A LITTLE. 834 00:36:30,534 --> 00:36:31,968 SHE'S ASHAMED OF ME, HARRY, 835 00:36:32,033 --> 00:36:33,667 BUT EMILY DON'T LIKE MEN. 836 00:36:34,834 --> 00:36:36,467 DO MEN LIKE HER? 837 00:36:36,534 --> 00:36:38,133 DO THEY, EMILY? 838 00:36:38,200 --> 00:36:39,300 NO. 839 00:36:39,367 --> 00:36:40,834 THEY'D LIKE HER IF SHE'D LET 'EM, 840 00:36:40,901 --> 00:36:42,267 WOULDN'T THEY, HARRY? 841 00:36:42,334 --> 00:36:43,767 I DON'T KNOW. 842 00:36:43,834 --> 00:36:45,801 AIN'T SHE BEAUTIFUL? 843 00:36:45,868 --> 00:36:47,567 OH, COME ON, HELEN- 844 00:36:47,634 --> 00:36:48,767 NO, WAIT A MINUTE. 845 00:36:48,834 --> 00:36:49,734 THIS IS SOMETHING THAT'S GOT TO BE DECIDED. 846 00:36:49,801 --> 00:36:51,234 YEAH, SHE'S GOOD-LOOKING ENOUGH. 847 00:36:51,300 --> 00:36:53,400 THE TROUBLE WITH EMILY IS SHE DON'T WANT MUCH. 848 00:36:53,467 --> 00:36:56,300 I DON'T KNOW WHAT YOU MEAN. DO YOU? 849 00:36:56,367 --> 00:36:58,701 YEAH, YOU'RE A MILD GIRL. 850 00:36:59,334 --> 00:37:01,200 OH. 851 00:37:01,267 --> 00:37:02,534 GOT A FELLA? 852 00:37:02,601 --> 00:37:04,267 NO. 853 00:37:04,334 --> 00:37:05,767 WANT ONE? 854 00:37:05,834 --> 00:37:07,734 NOT ESPECIALLY. 855 00:37:07,801 --> 00:37:10,100 WELL, THAT'S GOT SOMETHING TO DO WITH WHAT I MEAN. 856 00:37:10,167 --> 00:37:12,501 ALONG WITH THAT, YOU'RE KIND OF INDEPENDENT. 857 00:37:12,567 --> 00:37:13,868 YOU BET I AM! 858 00:37:13,934 --> 00:37:15,534 OH, DON'T FIGHT WITH HER. FIGHT WITH ME. 859 00:37:15,601 --> 00:37:17,000 I MEAN, LOOK AT ME. 860 00:37:17,067 --> 00:37:19,767 I'M JUST CRAZY ABOUT THIS GUY. 861 00:37:19,834 --> 00:37:21,934 OH, YOU'RE LUCKY. YOU GOT A SMART FELLA. 862 00:37:22,000 --> 00:37:24,934 HE'LL TEACH YOU HOW TO ROLL A BARREL OF OIL. 863 00:37:25,000 --> 00:37:26,100 WILL YOU, HARRY? 864 00:37:26,167 --> 00:37:28,501 HOW DO YOU ROLL A BARREL OF OIL? 865 00:37:30,501 --> 00:37:31,767 I'LL TELL YOU. 866 00:37:31,834 --> 00:37:33,133 UH, DID YOU GIRLS EVER TAKE A BATH? 867 00:37:33,200 --> 00:37:33,968 HUH? 868 00:37:34,033 --> 00:37:34,968 I MEAN, DID YOU EVER NOTICE 869 00:37:35,033 --> 00:37:36,601 HOW THE WATER RUNS OUT OF THE BATHTUB, 870 00:37:36,667 --> 00:37:38,267 HOW THE WATER GOES DOWN THE DRAIN? 871 00:37:38,334 --> 00:37:39,901 NO, I NEVER DID. I GET RIGHT OUT OF THE BATHTUB. 872 00:37:39,968 --> 00:37:40,934 I DON'T LIKE FEELING WET. 873 00:37:41,000 --> 00:37:42,300 HEH HEH. I THOUGHT MAYBE YOU MIGHT HAVE 874 00:37:42,367 --> 00:37:43,634 SAT THERE THINKING ONCE. 875 00:37:43,701 --> 00:37:45,534 OH, NO, I CAN'T DRY MYSELF FAST ENOUGH, 876 00:37:45,601 --> 00:37:49,100 BUT EMILY SITS THERE, TILL THE WATER'S ALL GONE. 877 00:37:49,801 --> 00:37:50,968 HMM? 878 00:37:52,634 --> 00:37:54,200 IS THAT SO? 879 00:37:54,267 --> 00:37:56,701 HELEN! 880 00:37:56,767 --> 00:37:58,234 GREAT STUFF, THAT BRANDY! 881 00:37:58,300 --> 00:37:59,400 WHAT'D I SAY? 882 00:37:59,467 --> 00:38:00,901 LET THE PROFESSOR SAY IT. 883 00:38:00,968 --> 00:38:03,534 HE WAS GOING TO TELL US SOME... DISCOVERY. 884 00:38:03,601 --> 00:38:06,133 OH, WHO CARES? HOW'S THE BRANDY WHIRL? 885 00:38:06,200 --> 00:38:07,400 HEY, WAITER! WAITER! 886 00:38:07,467 --> 00:38:09,033 NOTHING DOING, HELEN. I'M NOT KIDDING. 887 00:38:09,100 --> 00:38:10,434 OH, LEAVE HER ALONE. COME ON. 888 00:38:10,501 --> 00:38:11,734 ANOTHER LITTLE DRINK WON'T KILL YOU, EITHER. 889 00:38:11,801 --> 00:38:13,267 I'M TAKING HER HOME, SEE? 890 00:38:13,334 --> 00:38:14,834 WANT TO BET ON THAT? 891 00:38:14,901 --> 00:38:16,267 I'LL BET ON THAT- 892 00:38:16,334 --> 00:38:17,434 FIGHT, FIGHT, FIGHT ALL NIGHT LONG. 893 00:38:17,501 --> 00:38:18,634 WHAT A PARTY! 894 00:38:18,701 --> 00:38:21,267 HEY, THERE'S HARRY NOW! HIYA, HARRY! 895 00:38:21,334 --> 00:38:22,200 HEY! HOW ARE YOU? 896 00:38:22,267 --> 00:38:24,467 HEY! HIYA, GUS! 897 00:38:24,534 --> 00:38:25,601 COME ON OVER, BOYS! 898 00:38:25,667 --> 00:38:27,100 I WANT YOU TO MEET SOME FRIENDS OF MINE- 899 00:38:27,167 --> 00:38:29,434 NICE AND MILD, RIGHT DOWN YOUR ALLEY. 900 00:38:29,501 --> 00:38:30,567 HIYA, GUS! 901 00:38:30,634 --> 00:38:31,767 HIYA, HARRY! 902 00:38:31,834 --> 00:38:33,267 HIYA, BOYS! HOW YA DOIN'? 903 00:38:33,334 --> 00:38:34,767 I GOT A SPARE TOMATO FOR YOU, BOYS. 904 00:38:34,834 --> 00:38:36,567 THIS IS EMILY. SHAKE HANDS WITH EMILY. 905 00:38:36,634 --> 00:38:38,667 HIYA, GUS! HELLO, HANDSOME! 906 00:38:38,734 --> 00:38:39,701 HELLO! 907 00:38:39,767 --> 00:38:40,934 HOW ARE YA, GOOD-LOOKIN'? 908 00:38:41,000 --> 00:38:42,167 THEY'RE LITTLE KIDDERS. 909 00:38:42,234 --> 00:38:44,501 HONEY, I'M ALL WARMED UP AND READY TO TAKE OFF. 910 00:38:44,567 --> 00:38:46,300 ANY OF YOU GUYS WANT TO BUZZ THE FIELD? 911 00:38:46,367 --> 00:38:47,701 SURE! 912 00:38:47,767 --> 00:38:49,200 NOW, BIG BOYS GO FIRST. 913 00:38:49,267 --> 00:38:50,901 OPEN UP THE THROTTLE, BIG BOY. 914 00:38:50,968 --> 00:38:52,868 I FLY ON HIGH OCTANE. 915 00:38:55,133 --> 00:38:57,234 ANY OF YOU WANT TO SHARE THE RIDE, JUST CUT IN. 916 00:38:57,300 --> 00:39:00,267 OH, BOY! HEH HEH HEH... 917 00:39:00,934 --> 00:39:02,467 EMILY! 918 00:39:02,534 --> 00:39:03,734 I WANT A DANCE WITH EMMY. 919 00:39:03,801 --> 00:39:05,567 COME ON, GUS! LET'S HAVE A DANCE- 920 00:39:05,634 --> 00:39:07,067 OH, HO HO! 921 00:39:07,133 --> 00:39:08,534 HIYA, MUDGE! 922 00:39:08,601 --> 00:39:11,300 HIYA, TOOTS! YES, MA'AM! 923 00:39:14,133 --> 00:39:15,067 COME ON! 924 00:39:15,133 --> 00:39:16,601 HEY, WHAT IS THIS? 925 00:39:18,634 --> 00:39:19,601 LADIES FIRST! 926 00:39:20,634 --> 00:39:22,567 STOP HER, HARRY, STOP HER! 927 00:39:22,634 --> 00:39:23,801 SHE'S A GONE NUT! 928 00:39:23,868 --> 00:39:25,267 GENTLEMEN! GENTLEMEN! 929 00:39:26,501 --> 00:39:27,901 COME ON, GUS. I GET A DANCE. 930 00:39:30,534 --> 00:39:32,100 GET HER, HARRY! GET HER! 931 00:39:36,100 --> 00:39:37,300 OH! 932 00:39:40,534 --> 00:39:41,534 HEY! 933 00:39:43,968 --> 00:39:45,901 EMILY! EMILY! 934 00:39:45,968 --> 00:39:47,200 HAVE YOU GOT A MATCH? 935 00:40:22,000 --> 00:40:24,701 OH, A BEAUTIFUL THING IT WAS, MISS! 936 00:40:24,767 --> 00:40:25,667 WHAT? 937 00:40:25,734 --> 00:40:27,267 OH, HELLO, MUDGE. 938 00:40:27,334 --> 00:40:28,767 I'VE BEEN IN A FIGHT. 939 00:40:28,834 --> 00:40:30,767 LIKE THE VERY BATTLE OF THE BOIL, IT WAS. 940 00:40:30,834 --> 00:40:32,133 HE CALLED ME MILD! 941 00:40:32,200 --> 00:40:34,100 A MILD TOMATO! 942 00:40:34,167 --> 00:40:36,834 AH! LIKE QUEEN DEIRDRE HERSELF, YOU WERE. 943 00:40:36,901 --> 00:40:38,400 WAS I, MUDGE? 944 00:40:38,467 --> 00:40:42,534 AYE! QUEEN DEIRDRE FIGHTING THE BLACK PRINCE SINGLE-HANDED. 945 00:40:42,601 --> 00:40:44,934 CRACKED HIS SKULL WITH A SPIKED SHILLELAGH, SHE DID, 946 00:40:45,000 --> 00:40:46,467 AND GAVE HIM THE HEAVE-HO, 947 00:40:46,534 --> 00:40:50,200 FROM THE TOP STORY OF DUBLIN CASTLE! HEH HEH! 948 00:40:50,267 --> 00:40:52,400 WHAT HAND DONE THE DEED, MISS EMILY? 949 00:40:52,467 --> 00:40:54,100 WELL... 950 00:40:54,167 --> 00:40:56,567 I- I GUESS IT WAS MY RIGHT HAND. I... 951 00:40:56,634 --> 00:40:57,701 OH. 952 00:40:59,934 --> 00:41:01,133 IT'S A GREAT PRIVILEGE. 953 00:41:04,767 --> 00:41:05,834 EMILY! WHAT'S THE MATTER? 954 00:41:05,901 --> 00:41:07,367 WHAT'S GOT INTO YOU? COME ON! 955 00:41:07,434 --> 00:41:09,334 YEAH. WHAT'S THE IDEA, 956 00:41:09,400 --> 00:41:10,534 STARTING A RIOT, 957 00:41:10,601 --> 00:41:11,968 AND IN A PUBLIC PLACE? 958 00:41:12,033 --> 00:41:13,400 LOT OF WOMEN PRESENT. 959 00:41:13,467 --> 00:41:15,067 SOMEBODY MIGHT HAVE GOT HURT. 960 00:41:15,133 --> 00:41:16,868 WHAT GOT INTO YOU? 961 00:41:16,934 --> 00:41:18,400 YOU'VE GONE NUTS! 962 00:41:20,334 --> 00:41:23,434 IF THAT'S LIFE, I'LL TAKE THE LIBRARY. 963 00:41:23,501 --> 00:41:26,534 HERE'S THE CAB. COME ON, EMILY. GET IN. COME ON! 964 00:41:26,601 --> 00:41:28,267 GET IN THERE! 965 00:41:29,667 --> 00:41:31,234 I'D LIKE TO FIND THE GUY THAT SLUGGED ME. 966 00:41:31,300 --> 00:41:32,467 I'M GOING BACK IN THERE. 967 00:41:32,534 --> 00:41:34,334 NO, HARRY! GET IN THE CAB! 968 00:41:34,400 --> 00:41:35,901 COME ON! 969 00:41:53,968 --> 00:41:54,934 IT'S JUST A SMALL LITTLE PLACE, BUT IT- 970 00:41:55,000 --> 00:41:56,901 JUST BIG ENOUGH FOR TWO, AND BOTH, WOMEN. 971 00:41:56,968 --> 00:41:58,567 OH, EMILY, I WANT HIM TO COME UP. 972 00:41:58,634 --> 00:42:00,067 THANK YOU FOR A CHARMING EVENING, MR. SAILOR. 973 00:42:00,133 --> 00:42:02,334 IF WE DON'T SEE YOU AGAIN BEFORE YOU SAIL, 974 00:42:02,400 --> 00:42:04,567 FAIR WINDS AND BLUE SKIES AND ALL THAT. 975 00:42:04,634 --> 00:42:07,067 OH, WHY CAN'T HE, EMILY? 976 00:42:07,133 --> 00:42:09,267 HELEN SAYS GOOD NIGHT. 977 00:42:11,467 --> 00:42:13,801 GIVE UP, BUDDY. YOU'RE BRUSHED. 978 00:42:14,934 --> 00:42:16,701 YOU KNOW WHAT I OUGHTA DO? 979 00:42:16,767 --> 00:42:19,100 I OUGHTA GO UP THERE AND TAKE THAT DAME APART. 980 00:42:20,200 --> 00:42:22,133 SHE'S THE FRESHEST DAME I'VE EVER MET. 981 00:42:22,200 --> 00:42:24,234 AH, SHE'S THE KIND OF DAME, YOU GO UP THERE, 982 00:42:24,300 --> 00:42:26,234 SHE'LL CRACK YOU OVER THE HEAD WITH A BOTTLE. 983 00:42:26,300 --> 00:42:27,367 HMM? 984 00:42:27,434 --> 00:42:28,534 I AIN'T KIDDIN'. 985 00:42:28,601 --> 00:42:31,067 YOU COULDN'T GET ME UP THERE WITH A DERRICK. 986 00:42:31,133 --> 00:42:32,901 SHE WORKS IN THE LIBRARY, TOO. 987 00:42:32,968 --> 00:42:35,601 THERE YOU ARE. YOU CAN'T TRUST NOBODY. 988 00:42:39,467 --> 00:42:40,667 MMM. OH! 989 00:42:40,734 --> 00:42:42,901 OH! 990 00:42:42,968 --> 00:42:43,968 THAT BAD? 991 00:42:44,033 --> 00:42:45,033 YOU ALL RIGHT? 992 00:42:45,100 --> 00:42:46,601 I DIDN'T DRINK SO MUCH. 993 00:42:46,667 --> 00:42:48,868 NO, ALL YOU DID WAS FIGHT. 994 00:42:48,934 --> 00:42:51,534 OH! THAT SAILOR! 995 00:42:51,601 --> 00:42:54,400 HEELS HAVE A MORBID FASCINATION FOR YOU. 996 00:42:54,467 --> 00:42:55,801 MORBID FASCINATION ARE YOUR WORDS. 997 00:42:55,868 --> 00:42:56,868 I JUST THINK THEY'RE CUTE. 998 00:42:56,934 --> 00:42:59,200 MR. HARRY PATTERSON WAS EXCESSIVELY CUTE. 999 00:42:59,267 --> 00:43:00,642 IS THAT BAD? 1000 00:43:00,643 --> 00:43:01,433 YES. 1001 00:43:01,434 --> 00:43:03,634 I GUESS I'M A POOR JUDGE OF CHARACTER. 1002 00:43:03,701 --> 00:43:07,100 HE JUST STRUCK ME AS BEING KIND OF A HEEL IN A CUTE WAY. 1003 00:43:07,167 --> 00:43:08,934 I FEEL RATHER SORRY FOR HIM. 1004 00:43:09,000 --> 00:43:10,534 SORRY? 1005 00:43:10,601 --> 00:43:14,567 YES. JUST AS I'D FEEL SORRY FOR ANY ANIMAL THAT'S... 1006 00:43:14,634 --> 00:43:18,968 BEING TORMENTED IN A- IN A TRAP OR A MAZE, 1007 00:43:19,033 --> 00:43:20,734 AND IF YOU TRY TO HELP HIM, HE'LL TURN ON YOU 1008 00:43:20,801 --> 00:43:22,400 AND TEAR YOUR HEART OUT. 1009 00:43:22,467 --> 00:43:23,534 WHY SHOULD HE DO THAT? 1010 00:43:23,601 --> 00:43:25,934 'CAUSE HE'S AFRAID YOU'LL TEAR HIS HEART OUT. 1011 00:43:28,434 --> 00:43:30,734 WELL, LET'S FORGET ABOUT IT. 1012 00:43:32,000 --> 00:43:34,267 OH, EMILY! 1013 00:43:34,334 --> 00:43:35,300 BRRR! 1014 00:43:35,367 --> 00:43:38,234 HA HA! WE'RE GOING TO THE FARM, REMEMBER? 1015 00:43:41,534 --> 00:43:45,067 OH! 1016 00:43:45,133 --> 00:43:46,834 OOH... 1017 00:43:47,934 --> 00:43:48,701 HI, HELEN! 1018 00:43:48,767 --> 00:43:50,534 TELL EMILY THE SKIES ARE BLUE 1019 00:43:50,601 --> 00:43:52,534 AND THE WINDS ARE FAIR! 1020 00:43:53,467 --> 00:43:55,200 EMILY, HE'S COMING RIGHT UP! 1021 00:43:55,267 --> 00:43:56,667 WATCH HIM GO RIGHT DOWN. 1022 00:43:56,734 --> 00:43:58,868 BUT, EMILY, WE'VE GOT TO ACT POLITE TO HIM. 1023 00:43:58,934 --> 00:44:00,601 I'LL ACT POLITE. 1024 00:44:05,334 --> 00:44:06,868 NOW, LOOK HERE, MR. SAILOR- 1025 00:44:06,934 --> 00:44:08,400 YOU KNOW, I SAYS TO MYSELF, I SAYS, "HARRY, OLD BOY, 1026 00:44:08,467 --> 00:44:11,234 "IT WOULDN'T SURPRISE ME IF MY GIRL'S A LITTLE WEARY THIS MORNING, 1027 00:44:11,300 --> 00:44:14,534 "SO WHY DON'T I HIRE A BUS TO RIDE THEM OUT TO THE FARM? 1028 00:44:14,601 --> 00:44:16,601 AFTER ALL, THEY'RE YOUR PALS. THEY'D DO AS MUCH FOR YOU." 1029 00:44:16,667 --> 00:44:19,033 OH, LOOK AT HER - TOUGH NIGHT, WAKES UP BEAUTIFUL. 1030 00:44:19,100 --> 00:44:19,801 MR. SAILOR? 1031 00:44:19,868 --> 00:44:20,667 MM-HMM? 1032 00:44:20,734 --> 00:44:21,534 LET'S GET SOMETHING STRAIGHT. 1033 00:44:21,601 --> 00:44:22,534 YEAH, LET'S DO THAT. 1034 00:44:22,601 --> 00:44:23,901 NICE LITTLE PLACE YOU GOT HERE. 1035 00:44:23,968 --> 00:44:26,400 TODAY'S SUNDAY, AND ALL DAYS AREN'T SUNDAY TO ME. 1036 00:44:26,467 --> 00:44:28,033 ALSO, THAT LITTLE EXHIBITION LAST NIGHT 1037 00:44:28,100 --> 00:44:31,467 WAS MY FIRST AND LAST PERFORMANCE. GOOD-BYE. 1038 00:44:31,534 --> 00:44:33,667 SHE'S ALWAYS SAYING GOOD-BYE TO ME! 1039 00:44:33,734 --> 00:44:35,167 NOW, LOOK HERE! IF YOU TWO DON'T STOP FIGHTING, 1040 00:44:35,234 --> 00:44:37,133 I'M LEAVING... TO GET READY! 1041 00:44:37,200 --> 00:44:38,667 HELEN'S A FUNNY GIRL, AIN'T SHE? 1042 00:44:38,734 --> 00:44:41,033 YES, HELEN'S A VERY FUNNY GIRL, BUT I AIN'T. 1043 00:44:41,100 --> 00:44:42,300 HEY, HEY, WAIT! 1044 00:44:42,367 --> 00:44:44,234 THAT CURL ON THE BACK OF YOUR NECK- 1045 00:44:44,300 --> 00:44:46,100 IT CURLS THE WRONG WAY! 1046 00:44:46,167 --> 00:44:46,868 OH, IT DOES? 1047 00:44:46,934 --> 00:44:48,534 YEAH, HERE- LET ME LOOK. 1048 00:44:48,601 --> 00:44:50,067 WELL, I'LL BE- 1049 00:44:50,133 --> 00:44:52,267 IT CURLS COUNTERCLOCKWISE! 1050 00:44:53,133 --> 00:44:53,901 IS THAT BAD? 1051 00:44:53,968 --> 00:44:54,968 THAT SHOULDN'T BE. 1052 00:44:55,033 --> 00:44:56,868 SMOKE, VINES, AND WATER TWIST CLOCKWISE 1053 00:44:56,934 --> 00:44:58,133 IN THE NORTHERN HEMISPHERE, SEE? 1054 00:44:58,200 --> 00:44:59,200 A WOMAN'S HAIR, TOO. 1055 00:44:59,267 --> 00:45:00,334 REALLY? 1056 00:45:00,400 --> 00:45:01,334 BUT SOUTH OF THE EQUATOR, 1057 00:45:01,400 --> 00:45:02,834 A GIRL'S HAIR CURLS COUNTERCLOCKWISE, 1058 00:45:02,901 --> 00:45:04,033 FROM RIGHT TO LEFT, SEE? 1059 00:45:04,100 --> 00:45:05,701 WELL, PERHAPS I'M IN THE WRONG HEMISPHERE. 1060 00:45:05,767 --> 00:45:08,100 HMM! THAT CURL SURE CROSSES ME UP! 1061 00:45:08,167 --> 00:45:10,300 OH, YOUR ORIGINAL RESEARCH WAS WRONG. 1062 00:45:10,367 --> 00:45:11,534 NO, NO, NO- 1063 00:45:12,367 --> 00:45:13,567 WHERE'S YOUR BATHROOM? 1064 00:45:13,634 --> 00:45:15,000 COME IN HERE. I'LL SHOW YOU. 1065 00:45:16,400 --> 00:45:18,133 IS THAT CURL NATURAL IN YOUR HAIR? 1066 00:45:18,200 --> 00:45:20,234 GET OUT OF HERE, PLEASE! 1067 00:45:20,300 --> 00:45:22,534 Y- YOU JUST DIDN'T TRAIN IT THAT WAY TO BE CONTRARY? 1068 00:45:22,601 --> 00:45:23,734 OOH! WHO'S GOING TO TAKE A BATH? 1069 00:45:23,801 --> 00:45:25,501 NO, NO! NO BATH, HONEY-SCIENTIFIC EXPERIMENT. 1070 00:45:25,567 --> 00:45:26,567 COME HERE. BEND OVER. 1071 00:45:26,634 --> 00:45:27,834 LET ME LOOK AT THE BACK OF YOUR NECK. 1072 00:45:27,901 --> 00:45:29,534 WHAT IS THIS, A BOOBY TRAP OR SOMETHING? 1073 00:45:29,601 --> 00:45:31,534 NO, NO, NO- THERE, YOU SEE? 1074 00:45:31,601 --> 00:45:32,968 HER HAIR CURLS CLOCKWISE. 1075 00:45:33,033 --> 00:45:34,434 NOW, WATCH THE WATER WHIRL. 1076 00:45:38,267 --> 00:45:39,934 SEE? LEFT TO RIGHT, SEE? 1077 00:45:40,000 --> 00:45:41,167 EVERYTHING NORTH OF THE EQUATOR 1078 00:45:41,234 --> 00:45:42,434 IS LEFT TO RIGHT BUT YOU. 1079 00:45:42,501 --> 00:45:43,934 I'M SO SORRY. 1080 00:45:44,000 --> 00:45:45,601 THAT SURE CROSSES ME UP. 1081 00:45:45,667 --> 00:45:48,100 I HAD IT DOPED OUT THAT THE GIMMICK IS LIKE TWO CLOCKS, 1082 00:45:48,167 --> 00:45:48,934 RUNNING OPPOSITE TO ONE ANOTHER. 1083 00:45:49,000 --> 00:45:50,033 THE GIMMICK? 1084 00:45:50,100 --> 00:45:51,734 YEAH, YEAH. THE WORLD, HONEY-TWO CLOCKS. 1085 00:45:51,801 --> 00:45:52,901 OH, THAT'S CUTE! 1086 00:45:52,968 --> 00:45:54,367 BUT SHE'S GOT A SOUTHERN HEMISPHERE CURL. 1087 00:45:54,434 --> 00:45:56,133 YOU DEAD SURE YOU DIDN'T TRAIN IT THAT WAY? 1088 00:45:56,200 --> 00:45:57,567 QUITE SURE, MR. ARISTOTLE. 1089 00:45:57,634 --> 00:45:58,534 WELL, WHAT DO YOU KNOW? 1090 00:45:58,601 --> 00:45:59,701 I'VE BEEN IN A LOT OF BATHTUBS, 1091 00:45:59,767 --> 00:46:00,906 BUT I NEVER WATCHED HOW THE WATER RAN. 1092 00:46:00,907 --> 00:46:01,634 DID YOU, EMILY? 1093 00:46:01,701 --> 00:46:02,601 NO. 1094 00:46:02,667 --> 00:46:04,067 GET IN THE TUB, EMILY. 1095 00:46:09,667 --> 00:46:13,200 OH, THAT WAS A VERY SHOCKING REMARK. I DON'T BLAME EMILY. 1096 00:46:14,400 --> 00:46:15,834 YOU WEREN'T SHOCKED. 1097 00:46:18,067 --> 00:46:19,501 MMM, NOT IN HERE. 1098 00:46:19,567 --> 00:46:20,634 HMM? 1099 00:46:20,701 --> 00:46:22,901 AFTER ALL, YOU'LL GET ME IN BAD WITH EMILY. 1100 00:46:22,968 --> 00:46:23,868 OH. 1101 00:46:31,467 --> 00:46:32,534 I'M JUST CRAZY FOR THE OCEAN. 1102 00:46:32,601 --> 00:46:33,601 IT'S SO KIND OF SIMPLE. 1103 00:46:33,667 --> 00:46:34,934 SIMPLE AND DUMB. 1104 00:46:35,000 --> 00:46:36,501 BUT IN A CUTE WAY, HARRY. 1105 00:46:36,567 --> 00:46:40,300 I MEAN, ONE LITTLE WAVE PILES ON TOP OF THE OTHER LITTLE WAVE, 1106 00:46:40,367 --> 00:46:42,701 AND THE FISH JUST SWIM AROUND. 1107 00:46:42,767 --> 00:46:44,901 WHAT MAKES IT SO BLACK OUT? 1108 00:46:44,968 --> 00:46:46,467 TOO MANY WOMEN HAVE BEEN CRYING INTO IT. 1109 00:46:46,534 --> 00:46:47,300 OH... 1110 00:46:47,367 --> 00:46:48,467 YEAH, WOMEN CRY IN THE DARK. 1111 00:46:48,534 --> 00:46:49,767 THAT'S WHAT MAKES THE OCEAN BLACK. 1112 00:46:49,834 --> 00:46:52,267 HASN'T HE GOT THE WEIRDEST IDEAS? 1113 00:46:52,334 --> 00:46:54,000 PATTERSON AND EINSTEIN. 1114 00:46:54,067 --> 00:46:56,200 I DON'T CARE FOR THE OCEAN WHEN IT LOOKS SO BLACK. 1115 00:46:56,267 --> 00:46:57,467 WELL, THAT'S EASILY FIXED. 1116 00:46:57,534 --> 00:46:58,334 HOW? 1117 00:46:58,400 --> 00:46:59,501 WELL, JUST BAIL ALL THE TEARS 1118 00:46:59,567 --> 00:47:01,167 BACK INTO ALL THE WOMEN WHO HAVE EVER CRIED. 1119 00:47:01,234 --> 00:47:03,334 NOW, YOU KNOW, THAT'S A BRILLIANT THOUGHT. 1120 00:47:03,400 --> 00:47:06,534 THE TRUTH IS, IT'S THE MEN WHO DO ALL THE CRYING. 1121 00:47:06,601 --> 00:47:08,934 MORE TRIPE OUT OF BOOKS! 1122 00:47:09,000 --> 00:47:10,901 YOU TWO START FIGHTIN' AGAIN, I'LL JUMP OUT. 1123 00:47:10,968 --> 00:47:11,834 SHE STARTED IT. 1124 00:47:11,901 --> 00:47:13,767 OH, I WON'T SAY ANOTHER WORD. 1125 00:47:13,834 --> 00:47:15,067 THANKS. 1126 00:47:17,501 --> 00:47:20,701 * CLANG CLANG CLANG WENT THE TROLLEY * 1127 00:47:20,767 --> 00:47:24,234 * DING DING DING WENT THE BELL * 1128 00:47:25,000 --> 00:47:25,834 THERE IT IS, HARRY. 1129 00:47:25,901 --> 00:47:26,667 HMM. 1130 00:47:26,734 --> 00:47:28,000 EMILY, WAKE UP. WE'RE HERE. 1131 00:47:28,067 --> 00:47:30,267 NOT BAD. HOW'D YOU GET AHOLD OF IT, EMILY? 1132 00:47:30,334 --> 00:47:33,400 MY FOLKS LEFT IT TO ME-THE OLD HOMESTEAD, YOU KNOW? 1133 00:47:33,467 --> 00:47:35,300 TURN HERE, HARRY, TURN HERE. 1134 00:47:35,367 --> 00:47:36,667 IT'S JUST A HEADACHE, HARRY. 1135 00:47:36,734 --> 00:47:38,467 I'VE BEEN AFTER EM A LONG TIME TO SELL THE THING. 1136 00:47:38,534 --> 00:47:39,701 WHO'S BUYING IT? 1137 00:47:39,767 --> 00:47:41,834 I PUT AN AD IN THE PAPER SAYING I'D BE OUT TODAY 1138 00:47:41,901 --> 00:47:44,267 AND I HAD ONE TELEPHONE CALL FROM A MR. BUCKLEY. 1139 00:47:44,334 --> 00:47:46,234 WELL, LOOK - THAT MUST BE THE BUCKLEYS NOW. 1140 00:47:46,300 --> 00:47:48,834 READY MONEY! A NICE, QUICK SALE! 1141 00:47:53,501 --> 00:47:54,601 MR. BUCKLEY? 1142 00:47:54,667 --> 00:47:55,467 YES. MISS SEARS? 1143 00:47:55,534 --> 00:47:56,501 I'M SORRY I'M LATE. 1144 00:47:56,567 --> 00:47:57,834 NOT AT ALL. WE LOOKED AROUND, 1145 00:47:57,901 --> 00:47:59,334 BUT IT ISN'T QUITE WHAT WE WANT. 1146 00:47:59,400 --> 00:48:00,868 OH, THE PLACE LOOKS SHABBY, 1147 00:48:00,934 --> 00:48:02,767 BUT PEOPLE WITH TASTE COULD MAKE THINGS VERY CHARMING. 1148 00:48:02,834 --> 00:48:04,968 YES, YES, IT DOES HAVE POSSIBILITIES. 1149 00:48:05,033 --> 00:48:07,801 MISS SEARS, MRS. BUCKLEY. 1150 00:48:07,868 --> 00:48:08,934 MISS SEARS. 1151 00:48:09,000 --> 00:48:10,167 I'M SO GLAD YOU COULD COME, MRS. BUCKLEY. 1152 00:48:10,234 --> 00:48:11,567 I WANTED YOU TO SEE THE HOUSE. 1153 00:48:11,634 --> 00:48:12,667 THANK YOU. 1154 00:48:12,734 --> 00:48:14,501 EXCUSE ME. WHAT PRICE YOU ASKIN', EMILY? 1155 00:48:14,567 --> 00:48:16,801 OH, WHY, 8,500. 1156 00:48:16,868 --> 00:48:19,167 IT'S 10 ACRES AND ALL FIT FOR CULTIVATION. 1157 00:48:19,234 --> 00:48:21,100 WHAT? WHY, IT'S A STEAL AT THAT PRICE. 1158 00:48:21,167 --> 00:48:23,234 MR. AND MRS. BUCKLEY, MISS MELOHN, MR. PATTERSON. 1159 00:48:23,300 --> 00:48:25,033 HOW DO YOU DO? 1160 00:48:25,100 --> 00:48:26,801 YOU PEOPLE EVER DONE ANY DIRT FARMING? 1161 00:48:26,868 --> 00:48:29,467 OH, NO. WE JUST WANT A PLACE FOR THE WEEKEND. 1162 00:48:29,534 --> 00:48:31,634 YES. BUILD A POOL, KEEP A FEW HORSES, AND... 1163 00:48:31,701 --> 00:48:33,033 WELL, THEN YOU GOT NO PROBLEMS AT ALL. 1164 00:48:33,100 --> 00:48:34,267 SLAP ON A LITTLE PAINT, 1165 00:48:34,334 --> 00:48:36,133 HIRE A COUPLE GUYS, CLEAN OFF THE RATTLESNAKES, 1166 00:48:36,200 --> 00:48:37,100 FILL UP THE GOPHER HOLES- 1167 00:48:37,167 --> 00:48:39,133 RATTLESNAKES! 1168 00:48:39,200 --> 00:48:40,367 WHY, RATTLESNAKES IN CALIFORNIA? HOW SILLY! 1169 00:48:40,434 --> 00:48:43,033 HELEN, HAVE YOU EVER SEEN A SNAKE ON THIS FARM? 1170 00:48:43,100 --> 00:48:44,634 WELL, MAYBE IT WAS TEXAS I WAS THINKING OF. 1171 00:48:44,701 --> 00:48:45,868 YEAH, YEAH, TEXAS. 1172 00:48:45,934 --> 00:48:47,734 WELL, WE'LL THINK IT OVER AND LOOK AROUND A BIT. 1173 00:48:47,801 --> 00:48:48,968 THANK YOU, MISS SEARS. I'LL CALL YOU. 1174 00:48:49,033 --> 00:48:50,467 YES. WE'LL LET YOU KNOW. 1175 00:48:50,534 --> 00:48:52,367 THANK YOU. 1176 00:48:58,834 --> 00:49:00,501 DO YOU KNOW WHAT I THINK? 1177 00:49:00,567 --> 00:49:03,400 THERE'S ONLY ONE SNAKE ON THIS FARM. 1178 00:49:03,467 --> 00:49:05,000 AW, THEY WASN'T GONNA BUY. 1179 00:49:05,067 --> 00:49:08,434 WHY, IT'D BE A CRIME TO SELL A FARM LIKE THIS FOR A DUDE RANCH. 1180 00:49:08,501 --> 00:49:12,434 YES, SIR! GOOD, RICH DIRT! SMELL IT! 1181 00:49:13,701 --> 00:49:15,267 WELL, YOU COULD GROW FOOD HERE, 1182 00:49:15,334 --> 00:49:17,634 NOT A CROP OF FAT DAMES, TORTURIN' HORSES, 1183 00:49:17,701 --> 00:49:19,334 WASTIN' WATER IN A FANCY POOL! 1184 00:49:19,400 --> 00:49:22,200 YES, SIR! GOOD, RICH DIRT THAT AIN'T DOIN' ITS JOB! 1185 00:49:22,267 --> 00:49:23,467 IF YOU'RE SO FOND OF DIRT, 1186 00:49:23,534 --> 00:49:25,434 YOU CAN BUY THIS FARM AT A BIG BARGAIN. 1187 00:49:25,501 --> 00:49:26,634 SAY, THAT'S AN IDEA, HARRY. 1188 00:49:26,701 --> 00:49:28,601 OH, NO, NOT ME. I'M SHIPPIN' OUT. 1189 00:49:28,667 --> 00:49:30,133 THIS IS A PROPOSITION FOR SOME GUY 1190 00:49:30,200 --> 00:49:31,300 WHO WANTS TO GET MARRIED, SETTLE DOWN, 1191 00:49:31,367 --> 00:49:32,200 AND HAVE A LOT OF KIDS. 1192 00:49:32,267 --> 00:49:33,300 WELL, THAT COULDN'T BE YOU. 1193 00:49:33,367 --> 00:49:34,534 WHEN ARE YOU SHIPPIN' OUT, HARRY? 1194 00:49:34,601 --> 00:49:37,000 I DON'T GO TO SEA UNTIL MY MONEY'S SPENT. 1195 00:49:39,267 --> 00:49:41,934 PRETTY GOOD BARN. ANY HAY IN IT? 1196 00:49:42,000 --> 00:49:44,434 NO. 1197 00:49:44,501 --> 00:49:45,968 ISN'T IT SWEET? 1198 00:49:46,033 --> 00:49:46,968 MMM. 1199 00:49:47,067 --> 00:49:48,400 HUH, HARRY? 1200 00:49:49,300 --> 00:49:50,934 MY GOODNESS, EM... 1201 00:49:51,000 --> 00:49:52,100 STUFFY! 1202 00:49:52,167 --> 00:49:54,100 AFTER THAT LIBRARY, HOW WOULD SHE KNOW? 1203 00:49:57,434 --> 00:49:59,567 NICE, HOMEY FOLKS. 1204 00:50:00,701 --> 00:50:01,567 NOT YOURS, EMILY? 1205 00:50:02,868 --> 00:50:07,567 YES, MINE. AUNTS, UNCLES, AND GRANDMA. 1206 00:50:07,634 --> 00:50:09,968 AND IT ALL BOILED DOWN TO YOU, HUH? 1207 00:50:12,267 --> 00:50:13,801 MMM MMM! 1208 00:50:13,868 --> 00:50:16,467 HEY, GOT A KITCHEN. YES, SIR... 1209 00:50:16,534 --> 00:50:19,667 MMM! GOT AN ICEBOX, TOO. 1210 00:50:19,734 --> 00:50:22,767 YEP, PLENTY OF NOTHING IN IT. 1211 00:50:24,200 --> 00:50:26,334 T'AIN'T BAD, EMILY. 1212 00:50:26,400 --> 00:50:27,300 NOT BAD. 1213 00:50:27,367 --> 00:50:28,567 WHAT DO YOU GOT UPSTAIRS? 1214 00:50:28,634 --> 00:50:29,734 THE BEDROOMS. 1215 00:50:29,801 --> 00:50:30,868 WELL, LET'S TAKE A LOOK AT THEM. 1216 00:50:30,934 --> 00:50:32,667 HEY! WAIT FOR ME! 1217 00:50:32,734 --> 00:50:35,667 HELLO! WHERE'D YOU COME FROM? 1218 00:50:38,300 --> 00:50:39,767 MMM! 1219 00:50:57,434 --> 00:50:58,701 HMM HMM. 1220 00:51:09,934 --> 00:51:11,634 HEY, DOWNSTAIRS! 1221 00:51:11,701 --> 00:51:13,033 WHERE'D YOU GET THIS? 1222 00:51:13,100 --> 00:51:14,167 WHAT? 1223 00:51:14,234 --> 00:51:16,567 THIS BIG PILE OF FEATHERS! 1224 00:51:18,400 --> 00:51:20,634 THAT'S THE BED I WAS BORN IN. 1225 00:51:23,234 --> 00:51:25,033 SOME BED. 1226 00:51:27,133 --> 00:51:29,367 OH, I LOVE IT HERE, EMILY. I LOVE IT! 1227 00:51:29,434 --> 00:51:30,400 DON'T YOU, HARRY? 1228 00:51:30,467 --> 00:51:32,968 YEAH, YEAH. IT'S OK. IT'S SWELL. 1229 00:51:33,033 --> 00:51:34,701 EMILY, YOU KNOW WHAT WE COULD DO? 1230 00:51:34,767 --> 00:51:36,200 YES, I KNOW... 1231 00:51:36,267 --> 00:51:37,701 BUT I HAVE TO WORK IN THE MORNING. 1232 00:51:37,767 --> 00:51:39,000 I HAVE A JOB IN THE LIBRARY. 1233 00:51:39,067 --> 00:51:40,367 WELL, I WORK, TOO, DON'T I? 1234 00:51:40,434 --> 00:51:42,300 WE COULD LEAVE EARLY IN THE MORNING AND MAKE IT EASY. 1235 00:51:42,367 --> 00:51:43,567 MM-HMM. 1236 00:51:44,767 --> 00:51:46,834 I HAVE AN IDEA I'VE ALREADY BEEN OUTVOTED. 1237 00:51:46,901 --> 00:51:49,267 MOST SUSPICIOUS GIRL I EVER RAN INTO. 1238 00:51:49,334 --> 00:51:51,334 IF WE'RE STAYING, I CAN COOK. 1239 00:51:51,400 --> 00:51:53,667 YOU CAN COOK, YEAH, BUT WHAT? 1240 00:51:53,734 --> 00:51:55,167 ALL RIGHT, ALL RIGHT. 1241 00:51:55,234 --> 00:51:56,968 I'LL GO TO TONY'S. HE'LL BE OPEN. 1242 00:51:57,033 --> 00:51:58,300 YOU GET SOME WOOD FOR THE STOVE. 1243 00:51:58,367 --> 00:51:59,300 I'LL DRIVE YOU IN MY BUS. 1244 00:51:59,367 --> 00:52:00,868 I'LL GET THE WOOD. 1245 00:52:00,934 --> 00:52:02,868 I'D RATHER WALK. 1246 00:52:02,934 --> 00:52:04,133 GOT ANY DOUGH? 1247 00:52:04,200 --> 00:52:05,934 DON'T PUT YOURSELF OUT. 1248 00:52:06,000 --> 00:52:06,934 DON'T WORRY. 1249 00:52:15,267 --> 00:52:18,734 HEY! NOW, DON'T YOU TWO GET TO FIGHTING AGAIN! 1250 00:52:22,601 --> 00:52:23,534 YOU BEEN TO NAPLES? 1251 00:52:23,601 --> 00:52:24,801 YEAH, I BEEN THERE, TONY. 1252 00:52:24,868 --> 00:52:26,501 BEAUTIFUL - GIRLS BEAUTIFUL. EVERYTHING BEAUTIFUL. 1253 00:52:26,567 --> 00:52:29,000 AH, BEAUTIFUL, YES, AND NO FOG! 1254 00:52:29,067 --> 00:52:30,734 GOTTA THE BLUE SEAS THERE. 1255 00:52:30,801 --> 00:52:32,200 A'BLUE, A'BLUE A'BLUE BLUE! 1256 00:52:32,267 --> 00:52:33,100 NO MEAT? 1257 00:52:33,167 --> 00:52:34,100 NO MEAT. 1258 00:52:34,167 --> 00:52:36,067 NO MEAT. WELL, THAT'S ALL THEN, TONY. 1259 00:52:36,133 --> 00:52:37,200 WELL, UH... 1260 00:52:37,267 --> 00:52:39,534 THAT'S A... BEAUTIFUL $1.45, MISS EMILY. 1261 00:52:39,601 --> 00:52:40,534 $1.45? 1262 00:52:40,601 --> 00:52:41,634 HOLD IT, EMILY. HOLD IT. 1263 00:52:41,701 --> 00:52:44,067 UH, TONY, YOU EVER, UH, ROLL 'EM, TONY? 1264 00:52:44,133 --> 00:52:46,367 UH, ROLL YOU DOUBLE OR NOTHIN', HUH? 1265 00:52:46,434 --> 00:52:47,734 OK, OK! 1266 00:52:47,801 --> 00:52:49,033 NO, NO, TONY. 1267 00:52:49,100 --> 00:52:50,067 MY PAL. 1268 00:52:50,133 --> 00:52:51,834 OH, MISS EMILY MY FRIEND, MISS EMILY. 1269 00:52:51,901 --> 00:52:54,367 I JUSTA SAY, "NAPLES!" NEVER LOSES. 1270 00:52:54,434 --> 00:52:55,300 HOW MANY ROLL? 1271 00:52:55,367 --> 00:52:57,534 ONE ROLL. - OK! 1272 00:53:00,033 --> 00:53:00,767 OK? 1273 00:53:00,834 --> 00:53:01,634 OK. 1274 00:53:01,701 --> 00:53:02,868 HO HO! LOVELY. 1275 00:53:03,868 --> 00:53:05,701 NAPLES! 1276 00:53:09,100 --> 00:53:10,267 NO NAPLES! 1277 00:53:11,200 --> 00:53:12,501 NAPLES DONE YOU WRONG, PAL. 1278 00:53:12,567 --> 00:53:15,501 HEH HEH. OK, OK, MISTER. 1279 00:53:15,567 --> 00:53:16,834 BEAUTIFUL A'DICE! BEAUTIFUL! 1280 00:53:16,901 --> 00:53:18,300 OK, EMILY. COME ALONG. 1281 00:53:18,400 --> 00:53:19,367 GOOD-BYE, TONE. 1282 00:53:19,434 --> 00:53:20,701 GOOD-BYE, GOOD-BYE. 1283 00:53:20,767 --> 00:53:21,834 GOOD-BYE, TONY. 1284 00:53:21,901 --> 00:53:23,033 GOOD-BYE, GOOD-BYE. 1285 00:53:23,100 --> 00:53:24,200 SEE YOU. TAKE IT EASY. 1286 00:53:24,267 --> 00:53:26,100 IT'S A'BEAUTIFUL, BEAUTIFUL... 1287 00:53:26,167 --> 00:53:28,367 THIEVERY, PLAIN THIEVERY. 1288 00:53:28,434 --> 00:53:30,267 SCIENCE. 1289 00:53:31,200 --> 00:53:33,601 SUCH A NICE LITTLE MAN, TOO. 1290 00:53:36,734 --> 00:53:38,100 SHH! 1291 00:53:40,400 --> 00:53:41,667 WHAT'S WRONG? 1292 00:53:41,734 --> 00:53:43,000 IT'S A CHICKEN. 1293 00:53:43,067 --> 00:53:44,367 OH, WHAT OF IT? 1294 00:53:44,434 --> 00:53:47,067 GOES GREAT WITH MACARONI. 1295 00:53:47,133 --> 00:53:50,167 YOU THINK FARMER LUDLOW'S GOING TO ROLL DICE FOR A CHICKEN- 1296 00:53:50,234 --> 00:53:52,834 I'M NOT ROLLING DICE WITH FARMER LUDLOW. DON'T WORRY. 1297 00:53:52,901 --> 00:53:54,167 WELL, HE'S NOT GOING TO SELL HIS CHICKENS. 1298 00:53:54,234 --> 00:53:55,667 HE'S CRAZY ABOUT HIS CHICKENS. 1299 00:53:55,734 --> 00:53:57,501 LET'S TAKE A PEEK AT 'EM. 1300 00:53:57,567 --> 00:53:59,334 IF YOU THINK YOU'RE GOING TO STEAL A CHICKEN FROM HIM- 1301 00:53:59,400 --> 00:54:01,734 I JUST SAID TAKE A PEEK AT 'EM. 1302 00:54:03,567 --> 00:54:06,234 CHICKENS ARE SURE DOING NICE ON THAT CORN, EFFY. 1303 00:54:06,300 --> 00:54:08,567 WELL, YOU CAN GIVE 'EM ALL MY SHARE. 1304 00:54:08,634 --> 00:54:11,334 I DON'T KNOW WHY CORN EVER GROWS! 1305 00:54:11,400 --> 00:54:13,334 Mrs. Ludlow doesn't like corn. 1306 00:54:13,400 --> 00:54:15,000 And I don't like Mrs. Ludlow. 1307 00:54:15,067 --> 00:54:16,100 Mean? 1308 00:54:16,167 --> 00:54:18,033 Mean. Mmm mmm! 1309 00:54:18,100 --> 00:54:19,367 Mr. Ludlow? 1310 00:54:19,434 --> 00:54:21,167 Mmm mmm! 1311 00:54:21,234 --> 00:54:22,334 Mean. 1312 00:54:22,400 --> 00:54:23,534 Mmm. 1313 00:54:28,601 --> 00:54:30,033 Oh! 1314 00:54:30,100 --> 00:54:31,200 Can you imitate a rooster? 1315 00:54:31,267 --> 00:54:32,200 Now, look here! If you think- 1316 00:54:32,267 --> 00:54:34,033 Can you imitate a rooster? 1317 00:54:34,100 --> 00:54:36,200 I think so. I- I never tried, 1318 00:54:36,267 --> 00:54:37,701 but if Farmer Ludlow- 1319 00:54:37,767 --> 00:54:39,033 Never mind Farmer Ludlow. 1320 00:54:39,100 --> 00:54:40,033 Make like a rooster. 1321 00:54:40,100 --> 00:54:41,033 What for? 1322 00:54:41,100 --> 00:54:42,434 Want to catch us a hen. 1323 00:54:43,467 --> 00:54:45,534 Well, I bet it won't work, but... 1324 00:54:45,601 --> 00:54:48,033 here goes. 1325 00:54:48,100 --> 00:54:52,033 COCK-A-DOODLE-DO! 1326 00:54:56,868 --> 00:55:01,601 COCK-A-DOODLE-DO! 1327 00:55:07,400 --> 00:55:09,501 I thought you said we'd catch us a hen. 1328 00:55:09,567 --> 00:55:11,334 We will, but hens are realists. 1329 00:55:11,400 --> 00:55:14,701 No hen would come running for a rooster she can't see. 1330 00:55:19,400 --> 00:55:20,901 What'd you do that for? 1331 00:55:22,067 --> 00:55:23,701 That line hypnotizes him. 1332 00:55:23,767 --> 00:55:26,000 That's why some people stay in ruts. 1333 00:55:26,067 --> 00:55:28,367 There's a line like that on the library floor. 1334 00:55:28,434 --> 00:55:29,834 Stick with your chickens. 1335 00:55:29,901 --> 00:55:32,501 OK. Now, here's a rooster in a rut. 1336 00:55:32,567 --> 00:55:34,033 He wanted war and glory, 1337 00:55:34,100 --> 00:55:36,000 so he came out here to fight another rooster. 1338 00:55:36,067 --> 00:55:37,868 A rooster's got imagination, see? 1339 00:55:37,934 --> 00:55:41,300 That's why that corny imitation of yours fooled him. 1340 00:55:41,367 --> 00:55:43,033 Now make like a hen, Emily. 1341 00:55:43,100 --> 00:55:45,367 Oh, no, now we really have a rooster. 1342 00:55:45,434 --> 00:55:46,534 I should imitate a rooster. 1343 00:55:46,601 --> 00:55:48,801 Nope. Make like a hen. 1344 00:55:48,868 --> 00:55:51,667 Oh, all right, Sailor. I'll prove you wrong. 1345 00:56:04,567 --> 00:56:05,801 YOU SEE? 1346 00:56:05,868 --> 00:56:07,501 IT DOESN'T MAKE SENSE. 1347 00:56:07,567 --> 00:56:09,467 IF SHE WAS GOING TO CHASE AFTER THIS ROOSTER, 1348 00:56:09,534 --> 00:56:11,834 WHY SHOULDN'T I HAVE MADE ROOSTER NOISES? 1349 00:56:11,901 --> 00:56:13,634 NO HEN WANTS A ROOSTER UNLESS SHE'S AFRAID 1350 00:56:13,701 --> 00:56:14,968 SOME OTHER HEN'S GOING TO GET HIM! 1351 00:56:16,534 --> 00:56:18,000 WHAT'D YOU DO THAT FOR? 1352 00:56:18,067 --> 00:56:20,300 WHAT? OH, PULLETS ARE BETTER EATIN'. 1353 00:56:20,367 --> 00:56:22,000 BESIDES, I COULD NEVER KILL A ROOSTER. 1354 00:56:22,067 --> 00:56:23,667 LIFE MEANS TOO MUCH TO HIM. 1355 00:56:23,734 --> 00:56:25,968 MAKE LIKE A HEN SOME MORE. 1356 00:56:32,767 --> 00:56:33,868 OH! 1357 00:56:34,767 --> 00:56:35,701 AAH! 1358 00:56:35,767 --> 00:56:37,801 AAH! AAH! AAH! 1359 00:56:37,868 --> 00:56:40,200 WHAT'S WRONG WITH THE CHICKENS?! 1360 00:56:40,267 --> 00:56:42,067 AIN'T NOTHIN' THE MATTER WITH THEM CHICKENS. 1361 00:56:45,267 --> 00:56:47,701 SOMETHING'S WRONG WITH THOSE CHICKENS, I TELL YOU! 1362 00:56:47,767 --> 00:56:49,100 GET MY GUN! 1363 00:56:49,167 --> 00:56:50,300 THEM DOGS AGAIN! 1364 00:57:05,067 --> 00:57:06,167 OH! 1365 00:57:12,567 --> 00:57:14,400 OH! 1366 00:57:14,467 --> 00:57:16,501 Harry! Harry! 1367 00:57:16,567 --> 00:57:17,667 OK, Emily? 1368 00:57:17,734 --> 00:57:18,667 OK. 1369 00:57:20,567 --> 00:57:22,234 Shh... 1370 00:57:37,968 --> 00:57:39,667 If he comes closer, I'll trip him! 1371 00:57:39,734 --> 00:57:40,801 No, no, no! 1372 00:57:40,868 --> 00:57:42,868 You take one leg, and I'll take the other! 1373 00:57:42,934 --> 00:57:44,434 You're crazy. 1374 00:57:47,601 --> 00:57:48,634 He's gone. 1375 00:57:48,701 --> 00:57:50,434 Come on. Let's get out of here. 1376 00:57:54,167 --> 00:57:55,634 WHAT'S ALL THE SHOOTIN' FOR? 1377 00:57:58,534 --> 00:57:59,467 OH, HELEN! 1378 00:57:59,534 --> 00:58:00,467 WE GOT CHICKENS! 1379 00:58:00,534 --> 00:58:01,467 WHAT HAPPENED? 1380 00:58:01,534 --> 00:58:02,634 OH, LOOK AT YOU! 1381 00:58:02,701 --> 00:58:05,300 OLD MAN WHAT'S-HIS-NAME TOOK A SHOT AT US! 1382 00:58:05,367 --> 00:58:06,534 HE DID? 1383 00:58:06,601 --> 00:58:08,334 WE HAD LOTS MORE, BUT THEY GOT AWAY! 1384 00:58:08,400 --> 00:58:09,300 WAS IT FUN? 1385 00:58:09,367 --> 00:58:11,000 OH, WAS IT! HA HA! 1386 00:58:11,067 --> 00:58:13,100 OF COURSE, WE'LL GO BACK AND PAY HIM FOR THEM, WON'T WE? 1387 00:58:13,167 --> 00:58:15,400 HELEN, MY OLD PAL, HELEN! 1388 00:58:15,467 --> 00:58:17,300 HARRY, HARRY! 1389 00:58:17,367 --> 00:58:18,200 OH, I MISSED YOU! 1390 00:58:18,267 --> 00:58:19,234 DID YOU MISS ME, PAL? 1391 00:58:19,300 --> 00:58:21,300 OH, BROTHER, I MISSED YOU! 1392 00:58:21,367 --> 00:58:23,334 HELEN, DO YOU KNOW WHAT YOU CAN DO WITH A ROOSTER? 1393 00:58:23,400 --> 00:58:25,334 YOU CAN DRAW A LINE AND HYPNOTIZE HIM! 1394 00:58:25,400 --> 00:58:26,834 WE GOT MACARONI! GOES GOOD WITH CHICKEN! 1395 00:58:26,901 --> 00:58:28,400 YOU DID? - MM-HMM. 1396 00:58:28,467 --> 00:58:30,701 * OLD MacDONALD HAD A FARM * 1397 00:58:30,767 --> 00:58:32,968 * EE-YI-EE-YI-OH * 1398 00:58:33,033 --> 00:58:34,133 * AND ON THAT FARM-* 1399 00:58:34,200 --> 00:58:35,901 HE SAID, "MAKE LIKE A HEN," 1400 00:58:35,968 --> 00:58:37,200 AND SO I SAID... 1401 00:58:37,267 --> 00:58:39,133 * WITH A CHICK-CHICK HERE AND A CHICK-CHICK THERE * 1402 00:58:39,200 --> 00:58:40,167 * HERE A CHICK, THERE A CHICK * 1403 00:58:40,234 --> 00:58:41,234 * EVERYWHERE A CHICK-CHICK * 1404 00:58:41,300 --> 00:58:43,400 * OLD MacDONALD HAD A FARM * 1405 00:58:43,467 --> 00:58:45,033 * EE-YI-EE-YI-OH * 1406 00:58:45,100 --> 00:58:47,901 * OH! AND ON THAT FARM HE HAD SOME DUCKS * 1407 00:58:47,968 --> 00:58:49,400 * EE-YI-EE-YI-OH * 1408 00:58:49,467 --> 00:58:50,334 * WITH A QUACK QUACK HERE 1409 00:58:50,400 --> 00:58:51,434 * AND A QUACK QUACK THERE * 1410 00:58:51,501 --> 00:58:52,467 * HERE A QUACK, THERE A QUACK * 1411 00:58:52,534 --> 00:58:53,501 * EVERYWHERE A QUACK QUACK * 1412 00:58:53,567 --> 00:58:55,334 * OLD MacDONALD HAD A FARM * 1413 00:58:55,400 --> 00:58:57,834 * EE-YI-EE-YI-OH * 1414 00:59:15,033 --> 00:59:16,300 WAS YOU EVER MARRIED, HELEN? 1415 00:59:16,367 --> 00:59:17,968 ALMOST, ONCE. 1416 00:59:18,033 --> 00:59:19,133 WHAT BROKE IT UP? 1417 00:59:19,200 --> 00:59:21,667 OH, WE GOT TIRED OF EACH OTHER. I DON'T KNOW. 1418 00:59:21,734 --> 00:59:23,133 SURE, LIKE EVERYTHING ELSE. 1419 00:59:23,200 --> 00:59:25,133 IT ALL ENDS NOWHERE. 1420 00:59:25,200 --> 00:59:27,000 DON'T YOU BELIEVE IN MARRIAGE AT ALL? 1421 00:59:27,067 --> 00:59:29,200 NO. DULL. 1422 00:59:29,267 --> 00:59:31,100 GEE, YOU SAY THAT LIKE YOU MEAN IT. 1423 00:59:31,167 --> 00:59:33,000 I'LL SAY I MEAN IT, 1424 00:59:33,067 --> 00:59:34,634 AND I AIN'T JUST PICKIN' ON MARRIAGE. 1425 00:59:34,701 --> 00:59:37,501 I MEAN ANYTHING THAT STARTS OUT EXCITING, SEE? 1426 00:59:37,567 --> 00:59:39,667 JUST LEAKS ITSELF TO DEATH. 1427 00:59:39,734 --> 00:59:42,834 ALL THE ZIP, ALL THE... EVERYTHING. 1428 00:59:42,901 --> 00:59:45,501 YOU TELL ME ONE THING THAT STAYS EXCITING. 1429 00:59:45,567 --> 00:59:46,801 JUST ONE. 1430 00:59:46,868 --> 00:59:48,968 I HATE TO THINK. 1431 00:59:49,033 --> 00:59:49,968 YEAH. 1432 00:59:50,033 --> 00:59:52,033 WELL, LET'S DON'T. LET'S JUST- 1433 00:59:52,100 --> 00:59:54,534 IN THE FIRST PLACE, YOU CAN'T THINK ON LAND, HELEN. 1434 00:59:54,601 --> 00:59:55,868 YOU GOT TO BE OUT THERE. 1435 00:59:55,934 --> 00:59:57,067 WHAT'S OUT THERE? 1436 00:59:57,133 --> 00:59:58,234 THE SEA... 1437 00:59:58,300 --> 01:00:00,501 IT'S THE ONLY ROAD THERE IS THAT LEADS TO IT. 1438 01:00:00,567 --> 01:00:01,734 WHAT'S IT? 1439 01:00:03,100 --> 01:00:04,267 IT? 1440 01:00:05,601 --> 01:00:06,968 IT'S JUST IT. 1441 01:00:07,033 --> 01:00:09,667 I KNOW WHAT "IT" IS. 1442 01:00:09,734 --> 01:00:11,000 WHAT? 1443 01:00:11,067 --> 01:00:12,701 THIS. 1444 01:00:20,100 --> 01:00:22,901 I THINK THE TIME HAS COME FOR ME TO RETIRE. 1445 01:00:22,968 --> 01:00:24,067 IT'S EARLY, EMILY. 1446 01:00:24,133 --> 01:00:25,567 IS IT? I WOULDN'T KNOW IT. 1447 01:00:25,634 --> 01:00:27,400 EVERYTHING LEAKS TO DEATH, HE SAYS. 1448 01:00:27,467 --> 01:00:29,234 IT LOOKED FOR AWHILE AS IF TODAY NEVER WOULD. 1449 01:00:29,300 --> 01:00:31,234 THE DULLEST DAY I EVER SPENT IN MY LIFE. 1450 01:00:31,300 --> 01:00:34,300 WHY, EMILY, THAT DOESN'T SPEAK VERY WELL FOR PRESENT COMPANY. 1451 01:00:34,367 --> 01:00:36,400 I'M SORRY. I DIDN'T MEAN IT THAT WAY. IT'S JUST THAT I- 1452 01:00:36,467 --> 01:00:39,200 I'M SORRY FOR EMILY - NICE GIRL, DON'T KNOW WHAT SHE WANTS. 1453 01:00:39,267 --> 01:00:40,367 OF COURSE, YOU DO. 1454 01:00:40,434 --> 01:00:42,334 THE SEA'S THE ONLY ROAD TO IT. 1455 01:00:42,400 --> 01:00:44,934 MY OLD FRIEND, "IT." 1456 01:00:45,000 --> 01:00:47,200 I LOVE THE WAY HELEN PUTS IT. WHAT IS "IT"? 1457 01:00:47,267 --> 01:00:49,467 WHY, EMILY, YOU SOUND CROSS, DEAR. 1458 01:00:49,534 --> 01:00:50,834 WHAT ABOUT? 1459 01:00:50,901 --> 01:00:53,968 WELL, I DON'T KNOW. I... EVERYTHING'S BEEN SO PLEASANT. 1460 01:00:54,067 --> 01:00:56,334 OK, I'LL CALL IT A DAY! 1461 01:00:56,400 --> 01:00:59,501 I'LL GO UP AND DREAM OF THE SEA, THE ROAD TO "IT." 1462 01:00:59,567 --> 01:01:03,000 OH, TO HEAR A BIG, GROWN MAN TALK OF "IT!" 1463 01:01:03,067 --> 01:01:05,167 IT'S SO SILLY! 1464 01:01:05,234 --> 01:01:07,634 NOBODY'S ASKING YOU ANY OPINION, YOU KNOW. 1465 01:01:07,701 --> 01:01:09,367 DID I SAY ANYONE WAS ASKING FOR- 1466 01:01:09,434 --> 01:01:10,234 EMILY! 1467 01:01:10,300 --> 01:01:11,534 AND I'M NOT ASKING FOR YOURS! 1468 01:01:11,601 --> 01:01:14,200 DON'T YOU SIT THERE AND SAY I DON'T KNOW WHAT I WANT! 1469 01:01:14,267 --> 01:01:16,000 HOT AIR! YOU COULD START A FURNACE! 1470 01:01:16,067 --> 01:01:17,868 YOU'RE NOTHING BUT A FIRST-CLASS SOAPBOX! 1471 01:01:17,934 --> 01:01:19,868 EMILY! SHE NEVER TALKED LIKE THIS! 1472 01:01:19,934 --> 01:01:21,834 WHAT'S THE MATTER, PAL? I THOUGHT WE MADE UP. 1473 01:01:21,901 --> 01:01:23,534 I DID, TOO! I THOUGHT TH-THAT- 1474 01:01:23,601 --> 01:01:25,901 IN THE FIRST PLACE, WE HAD NOTHING TO MAKE UP. 1475 01:01:25,968 --> 01:01:28,567 I SEEM IRRITATED? I SUPPOSE I THOUGHT YOU WERE WORTH TALKING TO, 1476 01:01:28,634 --> 01:01:30,067 AND WHAT I HEARD- I'VE HEARD NOTHING! 1477 01:01:30,133 --> 01:01:32,400 LIFE IS DULL! WHAT NEWS! 1478 01:01:32,467 --> 01:01:33,734 AND THE BRILLIANT SUMMARY? 1479 01:01:33,801 --> 01:01:36,067 THE ANSWER DWELLS ACROSS THE SEA! 1480 01:01:36,133 --> 01:01:37,601 YOU'RE A DOPE! 1481 01:01:37,667 --> 01:01:40,567 STICK TO YOUR TOMATOES! YOU'VE GOT YOUR ANSWER! 1482 01:01:40,634 --> 01:01:43,567 A GOOD CRACK ON THE JAW WOULD DO YOU GOOD. 1483 01:01:43,634 --> 01:01:45,367 IF THAT WOULD DO IT, I'D LOVE IT! 1484 01:01:45,434 --> 01:01:47,067 I'D LOVE TO LOOK UP TO A MAN, 1485 01:01:47,133 --> 01:01:49,834 BUT I DON'T THINK YOU HIT HARD ENOUGH! 1486 01:01:49,901 --> 01:01:51,968 I'D RATHER HE HIT ME THAN LISTEN TO HIM! 1487 01:01:52,033 --> 01:01:54,167 WORDS COME OUT OF HIS MOUTH, YOU THINK YOU'RE GOING TO HEAR SOMETHING. 1488 01:01:54,234 --> 01:01:58,334 YOU GET HIT WITH FEATHERS! IT, IT, IT, IT! 1489 01:01:58,400 --> 01:01:59,534 GET DOWN! 1490 01:02:02,100 --> 01:02:04,534 NOBODY TALKS TO ME AND GETS AWAY WITH IT! 1491 01:02:04,601 --> 01:02:06,100 "IT"? I'LL TELL YOU WHAT "IT" IS! 1492 01:02:06,167 --> 01:02:08,801 "IT'S" THE EXCITEMENT, SEE? EXCITEMENT THAT DON'T DIE! 1493 01:02:08,868 --> 01:02:10,701 I'VE SEEN LIFE IMPORTANT! OH, HAVE I! 1494 01:02:10,767 --> 01:02:12,167 JUST LET 'EM THINK THEY'RE GONNA LOSE IT! 1495 01:02:12,234 --> 01:02:14,701 I'VE SEEN WOMEN AND CHILDREN TRAMPLED ON TO GET INTO LIFEBOATS 1496 01:02:14,767 --> 01:02:16,934 AND THEN THEY'RE ALL SAFE AND ALL BORED AGAIN! 1497 01:02:17,000 --> 01:02:19,534 ALL BORED! FOR LIFE TO BE EXCITING, 1498 01:02:19,601 --> 01:02:21,801 YOU'D HAVE TO HAVE A SHIPWRECK EVERY DAY! 1499 01:02:24,701 --> 01:02:27,167 SO THAT'S WHAT I'M LOOKING FOR, WISE GUY- 1500 01:02:27,234 --> 01:02:29,868 LIFE EXCITING. YOU CAN THROW THE SHIPWRECKS AWAY! 1501 01:02:29,934 --> 01:02:31,868 THAT'S ALL. JUST AN EASY PICK-UP! 1502 01:02:33,267 --> 01:02:35,534 AND IF I SAY THE SEA IS THE ONLY ROAD THAT LEADS TO IT, 1503 01:02:35,601 --> 01:02:37,767 IT'S BECAUSE THE SEA SOUNDS LIKE IT. 1504 01:02:38,968 --> 01:02:40,934 SHE DOES THE TALKING, YOU DO THE LISTENING. 1505 01:02:41,000 --> 01:02:43,934 SHE SINGS OUT THERE. SHE'S FULL OF BANDS. 1506 01:02:46,100 --> 01:02:47,901 AND IF I PICKED ON YOU TO TALK TO, 1507 01:02:47,968 --> 01:02:50,133 IT WAS BECAUSE OF THE OCEAN IN YOUR EYES THAT DID IT. 1508 01:02:50,200 --> 01:02:53,501 I NEVER SAW IT IN NO EYES BEFORE... 1509 01:02:53,567 --> 01:02:56,133 AND I'LL CALL IT A DAY, TOO. 1510 01:02:56,200 --> 01:02:59,400 AND I'M SICK TO DEATH OF YOU! 1511 01:04:13,367 --> 01:04:14,834 OH! OH! 1512 01:04:14,901 --> 01:04:17,934 WHY DO SAILORS DRIVE SO FAST? 1513 01:04:18,000 --> 01:04:20,367 HEY, HEY, THAT'S HOW SAILORS GET WRECKED! 1514 01:04:20,434 --> 01:04:23,734 I'M HIGH, AND I HAVEN'T HAD A DROP TO DRINK. ARE YOU HIGH? 1515 01:04:23,801 --> 01:04:25,501 YEAH, BLOWIN' ABOUT A FORCE 9 GALE! 1516 01:04:25,567 --> 01:04:28,033 OH, YOU'RE NOT A GALE, YOU'RE A TORNADO. 1517 01:04:28,100 --> 01:04:30,334 YOU'RE NOT EXACTLY A LOW-PRESSURE AREA YOURSELF. 1518 01:04:30,400 --> 01:04:31,634 OH, HA HA! 1519 01:04:31,701 --> 01:04:34,834 OH, YOU DO SAY THE SWEETEST, MOST POETIC THINGS. 1520 01:04:35,901 --> 01:04:37,501 UH-OH. THAT AIN'T POETRY. 1521 01:04:37,567 --> 01:04:38,501 YES, IT IS, TOO. 1522 01:04:38,567 --> 01:04:40,133 NO, WE'RE RUNNING OUT OF GAS. 1523 01:04:40,200 --> 01:04:42,334 OH, WE'VE BEEN RUNNING ON GAS POWER? 1524 01:04:42,400 --> 01:04:44,000 YEAH, AND WE'RE SLOWED DOWN TO 60. 1525 01:04:44,067 --> 01:04:45,334 WELL, NOW THAT WE'VE SLOWED DOWN, 1526 01:04:45,400 --> 01:04:47,000 COULDN'T YOU DRIVE WITH ONE HAND? 1527 01:04:47,067 --> 01:04:48,467 SURE. 1528 01:04:48,534 --> 01:04:50,667 THANKS, SAILOR. 1529 01:04:53,567 --> 01:04:55,834 HEY, THAR SHE BLOWS! GOOD OLD RENO! 1530 01:04:55,901 --> 01:04:57,767 BOY, THIS IS ONE TOWN I'M REALLY GOING TO SHOW YOU! 1531 01:04:57,834 --> 01:04:58,868 OH, IT'S A WASTE OF MONEY. 1532 01:04:58,934 --> 01:05:00,167 NOW, HOW DO YOU FIGURE THAT? 1533 01:05:00,267 --> 01:05:02,968 BECAUSE I WON'T LOOK AT ANYTHING, REALLY, EXCEPT YOU. 1534 01:05:03,033 --> 01:05:04,501 YOU'RE ACTING STUBBORN. 1535 01:05:04,567 --> 01:05:06,634 WHEN I FEEL POETIC, I FEEL POETIC. 1536 01:05:06,701 --> 01:05:09,234 DO YOU EVER HEAR OF ELIZABETH BARRETT BROWNING? 1537 01:05:09,300 --> 01:05:10,968 SURE, SONNETS FROM THE PORTUGUESE. 1538 01:05:11,033 --> 01:05:12,000 WHY, HARRY! 1539 01:05:12,067 --> 01:05:13,467 HEARD IT ON A QUIZ PROGRAM. 1540 01:05:13,534 --> 01:05:16,467 AH, HA HA! NO, LISTEN... 1541 01:05:16,534 --> 01:05:17,801 "UNLESS YOU CAN MUSE 1542 01:05:17,868 --> 01:05:19,300 "IN A CROWD ALL DAY 1543 01:05:19,367 --> 01:05:21,634 "ON THE ABSENT FACE THAT FIXED YOU, 1544 01:05:21,701 --> 01:05:24,000 "UNLESS YOU CAN LOVE AS THE ANGELS MADE 1545 01:05:24,067 --> 01:05:25,834 "WITH THE BREATH OF HEAVEN BETWIXT YOU, 1546 01:05:25,901 --> 01:05:28,834 "UNLESS YOU CAN DREAM THAT HIS LOVE WILL LAST 1547 01:05:28,901 --> 01:05:31,834 "THROUGH BEHOVING AND UNBEHOVING, 1548 01:05:31,901 --> 01:05:34,834 "UNLESS YOU CAN DIE WHEN THE DREAM IS PAST, 1549 01:05:34,901 --> 01:05:37,701 OH, NEVER CALL IT LOVING." 1550 01:05:37,767 --> 01:05:39,501 DO YOU LIKE IT? 1551 01:05:39,567 --> 01:05:41,000 BOY, YOU ARE HIGH! 1552 01:05:41,067 --> 01:05:42,033 MM-HMM! 1553 01:05:42,100 --> 01:05:44,200 THAT'S JUST HOW I FEEL. 1554 01:05:44,267 --> 01:05:47,334 YOU TAKE CHARGE OF THE POETRY, EM. I'LL TAKE CHARGE OF RENO. 1555 01:05:47,400 --> 01:05:49,200 AH... 1556 01:05:50,367 --> 01:05:51,901 OH, HARRY, LOOK! 1557 01:05:51,968 --> 01:05:53,300 OH, WHAT LUCK! 1558 01:05:53,367 --> 01:05:55,300 YEAH, ONLY 3 MILES. 1559 01:05:55,367 --> 01:05:57,834 OH, NO! I MEAN THE OTHER SIGN-THAT! 1560 01:06:01,067 --> 01:06:02,968 OH... HA HA! 1561 01:06:03,033 --> 01:06:04,133 ALL RIGHT, EMILY. 1562 01:06:04,200 --> 01:06:05,167 OH! 1563 01:06:05,234 --> 01:06:07,334 ONLY THAT? JUST "ALL RIGHT"? 1564 01:06:07,400 --> 01:06:09,167 NO, BUT LET'S SEE IF WE CAN MAKE RENO. 1565 01:06:09,234 --> 01:06:11,033 OH, HA HA! 1566 01:06:24,767 --> 01:06:27,033 * I'M FREE AGAIN * 1567 01:06:27,100 --> 01:06:28,868 * I'M FREE AGAIN * 1568 01:06:28,934 --> 01:06:30,567 * OH, ME, OH, MY * 1569 01:06:30,634 --> 01:06:32,367 * OH, I'M FREE AGAIN * 1570 01:06:32,434 --> 01:06:33,200 HA HA HA! 1571 01:06:33,267 --> 01:06:34,167 HEY! 1572 01:06:34,234 --> 01:06:35,067 NO, YOU! 1573 01:06:35,133 --> 01:06:36,534 ARE YOU LOOKING FOR A NEW GIRL? 1574 01:06:36,601 --> 01:06:37,301 WHAT'S YOUR NAME? 1575 01:06:37,334 --> 01:06:38,200 UH, GRACE. 1576 01:06:38,267 --> 01:06:40,367 WELL, HERE SHE IS- THIS IS GRACE. 1577 01:06:40,434 --> 01:06:42,534 OK, GRACIE, SHOW HIM NO MERCY. 1578 01:06:42,601 --> 01:06:44,334 REMEMBER, GEORGE, EVERYTHING THAT YOU DID BEFORE, 1579 01:06:44,400 --> 01:06:45,567 AND DON'T DO IT AGAIN! 1580 01:07:45,934 --> 01:07:47,868 OH, YES! HA HA HA! 1581 01:07:47,934 --> 01:07:49,634 MM-HMM! 1582 01:07:49,701 --> 01:07:51,267 HA HA! 1583 01:07:51,334 --> 01:07:54,601 YOUR CHUCKLE, MY LOVE, IS A DEEP LAUGH. 1584 01:07:54,667 --> 01:07:55,992 I'M CHUCKLIN', ALL RIGHT. 1585 01:07:55,993 --> 01:07:57,634 FIRST TIME WE'VE BEEN IN A ROOM. 1586 01:07:57,701 --> 01:08:00,133 THAT'S RIGHT... 1587 01:08:00,200 --> 01:08:04,467 OUT THERE-THERE WERE WALLS OUT THERE, HIGH AS HEAVEN. 1588 01:08:04,534 --> 01:08:06,133 WONDER WHERE THEY STUCK MY BAG? 1589 01:08:06,200 --> 01:08:06,934 OH. 1590 01:08:07,000 --> 01:08:08,300 WHERE DID WE BUY THE BAG? 1591 01:08:08,367 --> 01:08:09,667 MUST HAVE BEEN IN A STORE. 1592 01:08:09,734 --> 01:08:12,367 OH, I GOT A NEW HAT OUT OF IT. 1593 01:08:22,868 --> 01:08:24,167 ICE WATER, SIR? 1594 01:08:24,234 --> 01:08:25,534 YEAH, COME IN. 1595 01:08:31,234 --> 01:08:32,367 THANK YOU. 1596 01:08:32,434 --> 01:08:33,501 THANK YOU, SIR! 1597 01:08:33,567 --> 01:08:35,701 I'LL BUY MY GIRL A PRESENT! 1598 01:08:37,100 --> 01:08:39,167 OH, UH, YOU AND THE MISSUS LIKE ANYTHING ELSE, SIR? 1599 01:08:39,234 --> 01:08:40,334 WHO? 1600 01:08:40,400 --> 01:08:42,167 MRS. PATTERSON. 1601 01:08:42,234 --> 01:08:43,400 OH! 1602 01:08:43,467 --> 01:08:46,367 WOULD YOU LIKE ANYTHING ELSE, UH, MRS. PATTERSON? 1603 01:08:47,434 --> 01:08:49,467 UH, NO, THANK YOU, MR. PATTERSON. 1604 01:08:49,534 --> 01:08:51,000 NO, THANK YOU. 1605 01:08:54,934 --> 01:08:58,667 WELL, WELL, MRS. PATTERSON. 1606 01:09:00,667 --> 01:09:01,968 WHAT'S THE MATTER? 1607 01:09:02,033 --> 01:09:02,801 DARLING... 1608 01:09:02,868 --> 01:09:03,667 YES, DARLING? 1609 01:09:03,734 --> 01:09:04,968 WAS THAT MY WEDDING PRESENT- 1610 01:09:05,033 --> 01:09:06,234 MARRYING ME? 1611 01:09:06,300 --> 01:09:07,267 I DON'T GET YOU. 1612 01:09:07,334 --> 01:09:08,467 WHY DID YOU MARRY ME? 1613 01:09:08,534 --> 01:09:09,934 ISN'T THAT WHAT YOU WANTED RIGHT AWAY? 1614 01:09:10,000 --> 01:09:11,634 WHY, YES, BUT IT WASN'T A COMMAND, 1615 01:09:11,701 --> 01:09:13,634 NOR WAS IT A FAVOR TO ME, ANYMORE THAN TO YOU. 1616 01:09:13,701 --> 01:09:15,467 OK, BUT- 1617 01:09:15,534 --> 01:09:16,934 HEY, LOOK, IS THAT RIGHT? 1618 01:09:17,000 --> 01:09:19,200 ARE YOU SUPPOSED TO GIVE WOMEN PRESENTS THAT MARRY YOU? 1619 01:09:19,267 --> 01:09:20,801 OH, HO HO, DEAR! 1620 01:09:20,868 --> 01:09:23,501 OH... ALL RIGHT. 1621 01:09:23,567 --> 01:09:25,200 WHAT'S THE MATTER, BABY? 1622 01:09:28,734 --> 01:09:31,400 OH, LOOK AT THIS SAILOR. 1623 01:09:35,868 --> 01:09:38,801 WHEW! AND AM I SAILING! 1624 01:09:41,701 --> 01:09:42,834 WHA- 1625 01:09:42,901 --> 01:09:44,334 WHAT IN THE WORLD- 1626 01:09:44,400 --> 01:09:45,667 OH, WHAT IS THIS, DARLING? 1627 01:09:45,734 --> 01:09:47,234 OH, JUST A GIRL. 1628 01:09:47,300 --> 01:09:48,868 OH, JUST A GIRL, EH? 1629 01:09:48,934 --> 01:09:49,868 THAT'S ALL. 1630 01:09:49,934 --> 01:09:51,367 HER NAME'S JEANNE, IS THAT RIGHT? 1631 01:09:51,434 --> 01:09:52,701 PRONOUNCED "JOHN." FRENCH. 1632 01:09:52,767 --> 01:09:55,534 OH, "JOHN." MM-HMM. 1633 01:09:55,601 --> 01:09:57,200 GOT ANY OTHERS AROUND YOU ANYWHERE? 1634 01:09:57,267 --> 01:09:58,534 NO, NO. 1635 01:09:58,601 --> 01:10:00,701 SHE WAS THE ONE AND ONLY, EH? 1636 01:10:00,767 --> 01:10:03,000 NO. I DIDN'T MARRY HER, DID I? 1637 01:10:03,067 --> 01:10:05,234 PERHAPS SHE DIDN'T ASK YOU. 1638 01:10:06,901 --> 01:10:08,834 HEY, HEY... 1639 01:10:08,901 --> 01:10:10,701 WHAT IS ALL THIS, HUH? 1640 01:10:10,767 --> 01:10:13,667 JUST A MINUTE, DARLING, JUST A MINUTE. 1641 01:10:13,734 --> 01:10:15,467 THERE. 1642 01:10:15,534 --> 01:10:17,300 HARRY, WHAT'S MY NAME? 1643 01:10:17,367 --> 01:10:18,667 EMILY. 1644 01:10:18,734 --> 01:10:20,133 DON'T SOUND MUCH ALIKE, DO THEY? 1645 01:10:20,200 --> 01:10:21,200 NOPE. 1646 01:10:21,267 --> 01:10:22,767 DON'T FORGET IT. 1647 01:10:26,567 --> 01:10:28,868 OH, GEORGE! 1648 01:10:28,934 --> 01:10:30,334 MMM... 1649 01:10:30,400 --> 01:10:31,400 HMM? 1650 01:10:31,467 --> 01:10:34,067 OH, I'M SORRY, DEAR, SORRY. 1651 01:10:34,133 --> 01:10:35,000 WHY, YOU- 1652 01:10:35,100 --> 01:10:36,801 HA HA HA HA! 1653 01:10:38,133 --> 01:10:40,968 THAT'S NOT A SQUARE DEAL! I GOT 2 BAGS! 1654 01:10:41,033 --> 01:10:42,901 BUT I HAVE TO OPEN THE DOOR WITH MY KEY! 1655 01:10:42,968 --> 01:10:45,200 EM, IT'S YOUR DOOR. YOU OPENED IT A MILLION TIMES! 1656 01:10:45,267 --> 01:10:46,934 OH, BUT 8 SECONDS. MAKE IT 10! 1657 01:10:47,000 --> 01:10:48,400 OK, GO AHEAD. 1658 01:10:48,467 --> 01:10:49,834 YOU UNDERSTAND, NOW, IF I GET INTO THE APARTMENT 1659 01:10:49,901 --> 01:10:52,033 BEFORE YOU CATCH ME, YOU HAVE TO STAND OUTSIDE FOREVER. 1660 01:10:52,100 --> 01:10:53,667 YEAH, RIGHT IN THE HALL. 1661 01:10:53,734 --> 01:10:54,667 READY? 1662 01:10:54,734 --> 01:10:56,834 1... 2... 1663 01:10:56,901 --> 01:10:57,868 3, 4, 5, 6... 1664 01:10:57,934 --> 01:10:58,634 OH! 1665 01:10:58,667 --> 01:11:00,100 HA HA HA! OH! 1666 01:11:00,767 --> 01:11:02,000 OH! 1667 01:11:02,067 --> 01:11:03,701 HA HA HA HA! 1668 01:11:08,400 --> 01:11:09,367 HARRY? 1669 01:11:09,434 --> 01:11:11,534 YEAH? WHAT'S THE MATTER? 1670 01:11:11,601 --> 01:11:14,167 THE LAST TIME GOING DOWN THE STAIRS WAS SUNDAY, 1671 01:11:14,234 --> 01:11:15,868 ON THE WAY TO THE FARM. 1672 01:11:15,934 --> 01:11:17,868 YEAH. WELL? 1673 01:11:17,934 --> 01:11:19,868 WELL, YOU WERE JUST ABOUT THE LAST GENTLEMAN 1674 01:11:19,934 --> 01:11:21,701 I WANTED TO SEE THAT MORNING. 1675 01:11:21,767 --> 01:11:23,667 YEAH, I RECALL YOUR GREETING. 1676 01:11:23,734 --> 01:11:26,200 AND THE NEXT TIME COMING UP THESE SAME STAIRS, 1677 01:11:26,267 --> 01:11:28,734 I'M YOUR WIFE. 1678 01:11:28,801 --> 01:11:30,767 YOU'D HAVE BET A LOT OF DOUGH AGAINST THAT, WOULDN'T YOU HAVE? 1679 01:11:30,834 --> 01:11:32,567 I'D HAVE BET MY LIFE. 1680 01:11:32,634 --> 01:11:35,567 I'D HAVE BET THE END OF THE WORLD FIRST. 1681 01:11:35,634 --> 01:11:37,033 HARRY... 1682 01:11:37,100 --> 01:11:37,901 YEAH? 1683 01:11:37,968 --> 01:11:39,734 I WISH WE WERE IN RENO. 1684 01:11:39,801 --> 01:11:40,701 WANT TO GO BACK? 1685 01:11:40,767 --> 01:11:43,801 OH, NO. HA HA HA! 1686 01:11:48,467 --> 01:11:50,667 ARE YOU COMING IN HERE WITH ME LIKE A HUSBAND? 1687 01:11:50,734 --> 01:11:53,501 WELL, I WASN'T DOING THIS SUNDAY, NEITHER. 1688 01:11:53,567 --> 01:11:55,834 HEY, AM I MARRIED, TOO? 1689 01:11:55,901 --> 01:11:58,667 I DON'T KNOW. I GUESS SO. HA HA- 1690 01:11:58,734 --> 01:12:01,033 EMILY! OH, EMILY! 1691 01:12:01,100 --> 01:12:02,868 YOU OUGHT TO BE SHOT! YOU HEEL, YOU! 1692 01:12:02,934 --> 01:12:03,701 HELEN! 1693 01:12:03,767 --> 01:12:04,667 YOU OUGHT TO BE STRUNG UP- 1694 01:12:04,734 --> 01:12:06,467 HELEN! WE'RE MARRIED! 1695 01:12:06,534 --> 01:12:07,234 HUH? 1696 01:12:07,334 --> 01:12:08,734 WELL, WE THINK WE ARE. 1697 01:12:08,801 --> 01:12:10,367 OH, DON'T BE DUMB, EMMY! YOU THINK YOU ARE? 1698 01:12:10,434 --> 01:12:12,534 HIM, MARRIED? HE WOULDN'T MARRY HIS OWN MOTHER! 1699 01:12:12,601 --> 01:12:13,534 WELL, YOU GIRLS FIGURE IT OUT. 1700 01:12:13,601 --> 01:12:14,534 I'M BUYING A LITTLE DRINK. 1701 01:12:14,601 --> 01:12:15,534 LET ME KNOW HOW YOU COME OUT. 1702 01:12:15,601 --> 01:12:17,234 LOOK, LOOK. 1703 01:12:19,067 --> 01:12:20,033 YOU MEAN LEGAL? 1704 01:12:20,100 --> 01:12:20,868 YES! 1705 01:12:20,934 --> 01:12:21,834 IT ISN'T FORGED? 1706 01:12:21,901 --> 01:12:23,167 NO, OF COURSE NOT. 1707 01:12:23,234 --> 01:12:24,200 OH, DARLING! 1708 01:12:24,267 --> 01:12:26,200 OH, HELEN! DO YOU STILL LIKE ME? 1709 01:12:26,267 --> 01:12:28,067 EMILY! 1710 01:12:28,133 --> 01:12:29,701 MARRIED! EMILY'S MARRIED! 1711 01:12:29,767 --> 01:12:31,367 HEY! LIKE ME, TOO, WILL YA? 1712 01:12:31,434 --> 01:12:32,968 OH, HARRY, I THOUGHT SHE NEVER WOULD! 1713 01:12:33,033 --> 01:12:34,300 SHE'S SUCH A LONESOME GIRL, REALLY. 1714 01:12:34,367 --> 01:12:36,067 SHE'D GO OUT WITH ME JUST TO BE NICE, BUT SHE'D HATE IT. 1715 01:12:36,133 --> 01:12:37,734 SHE COULD HAVE EVERY MAN IN FRISCO IF SHE WANTED, 1716 01:12:37,801 --> 01:12:39,067 AND I KNOW SHE COULD. YOU DON'T KNOW! 1717 01:12:39,133 --> 01:12:40,067 OH, HELEN, PLEASE! 1718 01:12:40,133 --> 01:12:41,934 SHE'S THE BEST GIRL GOIN'! 1719 01:12:42,000 --> 01:12:43,567 WELL, SAY SOMETHIN', HARRY! SAY SOMETHIN'- 1720 01:12:43,634 --> 01:12:45,200 OK, OK, I AGREE WITH YOU, PAL. 1721 01:12:45,267 --> 01:12:46,734 OH, HARRY! 1722 01:12:46,801 --> 01:12:47,734 OH! 1723 01:12:47,801 --> 01:12:49,334 I LOVE YOU FOR HER LOVIN' YOU! 1724 01:12:49,400 --> 01:12:50,868 I'M IN LOVE WITH BOTH OF YOU! 1725 01:12:50,934 --> 01:12:53,968 I'M IN-I'M IN LOVE WITH BOTH OF YOU! 1726 01:12:54,033 --> 01:12:55,501 I DON'T KNOW IF I'VE EVER LOVED ANYBODY 1727 01:12:55,567 --> 01:12:57,200 AS MUCH AS I LOVE THE TWO OF YOU! 1728 01:12:57,267 --> 01:12:59,334 OH, HARRY, LOOK! YOU GOT LIPSTICK ALL OVER YOU! 1729 01:12:59,400 --> 01:13:01,834 I'M SORRY! 1730 01:13:01,901 --> 01:13:03,834 HEY, EMILY, YOU KNOW SOMETHIN'? 1731 01:13:03,901 --> 01:13:05,167 THE LAST TIME I KISSED HARRY 1732 01:13:05,234 --> 01:13:06,701 WAS ON THAT SOFA AT THE FARM. 1733 01:13:06,767 --> 01:13:09,200 DO YOU REALIZE I HAVEN'T SEEN EITHER ONE OF YOU SINCE? 1734 01:13:09,267 --> 01:13:11,367 I MEAN, I KISS HARRY ON THE SOFA, 1735 01:13:11,434 --> 01:13:13,000 NEXT TIME I SEE HIM AND KISS HIM AGAIN, 1736 01:13:13,067 --> 01:13:16,834 A LITTLE ITEM, DEAR! HE'S MARRIED BETWEEN KISSES! 1737 01:13:16,934 --> 01:13:18,701 OK, GIRLS, OK. WHAT DO YOU SAY? 1738 01:13:18,767 --> 01:13:20,534 THIS IS FINE, BUT IT'S A LITTLE DRY. 1739 01:13:20,601 --> 01:13:22,534 I'LL GET CLEANED UP AND GO OUT AND GET A BUCKET OF WINE. 1740 01:13:22,601 --> 01:13:23,868 THIS CALLS FOR A CELEBRATION. 1741 01:13:23,934 --> 01:13:25,200 THIS CALLS FOR ME TO GET OUT. I GET IT. 1742 01:13:25,267 --> 01:13:26,200 I'M LATE FOR THE OFFICE. 1743 01:13:26,267 --> 01:13:28,200 NO, NO. YOU'RE CRAZY. NO OFFICE TODAY. 1744 01:13:28,267 --> 01:13:29,334 WE'LL CELEBRATE, THE 3 OF US! 1745 01:13:29,400 --> 01:13:30,367 REALLY? 1746 01:13:30,434 --> 01:13:32,534 YES, YES! GOOD OLD RENO! 1747 01:13:32,601 --> 01:13:34,300 WE BROUGHT IT BACK WITH US, DARLING, DIDN'T WE? 1748 01:13:34,367 --> 01:13:36,434 YOU KNOW IT! HOOK HER, EMILY, HOOK HER! 1749 01:13:36,501 --> 01:13:37,767 HA HA! 1750 01:13:39,067 --> 01:13:40,501 YOU CRAZY ABOUT HIM? 1751 01:13:40,567 --> 01:13:41,701 JUST CRAZY. 1752 01:13:41,767 --> 01:13:43,400 HE CRAZY ABOUT YOU? 1753 01:13:43,467 --> 01:13:44,534 JUST CRAZY. 1754 01:13:44,601 --> 01:13:46,067 OH... 1755 01:13:46,133 --> 01:13:49,667 OH, EMILY! 1756 01:13:49,734 --> 01:13:51,801 NOW, TELL ME ALL ABOUT IT. 1757 01:13:51,868 --> 01:13:55,167 YOU ARRIVE AT RENO, "LET NO MAN PUT ASUNDER," AND THEN- 1758 01:13:55,234 --> 01:13:56,400 THEN WHAT'D YOU DO? 1759 01:13:56,467 --> 01:13:57,434 WE PLAYED ROULETTE. 1760 01:13:57,501 --> 01:13:58,434 YOU DID? 1761 01:13:58,501 --> 01:13:59,634 AND THEN HE BOUGHT ME A HAT. 1762 01:13:59,701 --> 01:14:00,667 THAT'S BETTER. 1763 01:14:00,734 --> 01:14:03,133 ISN'T IT SILLY? I LOVE IT. 1764 01:14:03,200 --> 01:14:04,834 AND THEN WE HAD A STEAK. 1765 01:14:04,901 --> 01:14:06,000 STEAK'S A STEAK ANYTIME, ISN'T IT? 1766 01:14:06,067 --> 01:14:06,968 HEY, WHERE'S THE TOWELS? 1767 01:14:07,033 --> 01:14:07,968 BEHIND THE DOOR. 1768 01:14:08,033 --> 01:14:08,733 BEHIND THE WHAT? 1769 01:14:08,734 --> 01:14:09,834 BEHIND THE DOOR. 1770 01:14:09,901 --> 01:14:11,467 HUH! FUNNY PLACE TO KEEP 'EM! 1771 01:14:11,534 --> 01:14:13,100 SQUAWKING ALREADY! 1772 01:14:13,167 --> 01:14:15,200 HEY, I GOT TO GET MYSELF UNDER A ROOF! 1773 01:14:15,267 --> 01:14:17,367 I'LL GET A ROOM AS CLOSE BY AS I CAN. 1774 01:14:17,434 --> 01:14:18,868 WELL, WAIT A MINUTE, HELEN! 1775 01:14:18,934 --> 01:14:20,501 I MEAN, LET ME SEE, I... 1776 01:14:20,567 --> 01:14:22,534 WHOA, WHOA! 1777 01:14:22,601 --> 01:14:24,868 FUNNY, I NEVER GAVE IT A THOUGHT, 1778 01:14:24,934 --> 01:14:25,767 I MEAN, ABOUT LIVING. 1779 01:14:25,834 --> 01:14:27,200 WE HADN'T EVEN MENTIONED IT. 1780 01:14:27,267 --> 01:14:29,067 LET'S TAKE A SHORT PAUSE BEFORE THE PARTY. WHAT DO YOU THINK? 1781 01:14:29,133 --> 01:14:30,701 THINK YOU'LL LIVE HERE, OR GET A LITTLE HOUSE SOMEPLACE? 1782 01:14:30,767 --> 01:14:32,200 I DON'T KNOW. WHERE ARE WE GOING TO LIVE, HARRY? 1783 01:14:32,267 --> 01:14:32,968 NEVER GAVE IT A THOUGHT. 1784 01:14:33,033 --> 01:14:34,300 WELL, NOW, LOOK, YOU TWO. 1785 01:14:34,367 --> 01:14:35,667 YOU DON'T HAVE TO DECIDE TODAY. HERE'S YOUR APARTMENT. 1786 01:14:35,734 --> 01:14:36,767 YOU CAN'T BEAT IT FOR TWO ANYPLACE. 1787 01:14:36,834 --> 01:14:38,000 BUT SPEAKING FOR MYSELF, 1788 01:14:38,067 --> 01:14:39,367 I'D THINK YOU'D LIKE A LITTLE HOUSE WITH A GARDEN. 1789 01:14:39,434 --> 01:14:40,701 ANYWAY, I GET MYSELF A ROOM- 1790 01:14:40,767 --> 01:14:42,367 OH, HELEN, I'D HATE TO TURN YOU OUT. 1791 01:14:42,434 --> 01:14:43,400 OH, DON'T BE SILLY. 1792 01:14:43,467 --> 01:14:45,000 A ROOF'S A ROOF, AS FAR AS I'M CONCERNED. 1793 01:14:45,067 --> 01:14:46,367 WAIT A MINUTE, HELEN, HOLD IT. 1794 01:14:46,434 --> 01:14:48,367 THIS ISN'T GOING TO MAKE ANY DIFFERENCE WITH YOU GIRLS. 1795 01:14:48,434 --> 01:14:50,167 I'M SHIPPIN' OUT IN A COUPLE OF DAYS. 1796 01:14:50,234 --> 01:14:51,334 THEN YOU TWO GIRLS KEEP ON LIVING HERE, 1797 01:14:51,400 --> 01:14:52,667 JUST AS IF NOTHING HAPPENED AT ALL. 1798 01:14:52,734 --> 01:14:54,567 YOU'RE SHIPPING OUT? 1799 01:14:54,634 --> 01:14:55,634 WHAT DO YOU THINK I'M DOIN'? 1800 01:14:55,701 --> 01:14:56,767 I'M A SAILOR, AIN'T I? 1801 01:14:56,834 --> 01:14:58,067 YES, OF COURSE, BUT... 1802 01:14:58,133 --> 01:14:59,968 I GUESS I THOUGHT YOU'D GO TO WORK HERE OR SOMETHING. 1803 01:15:00,033 --> 01:15:02,634 WELL, I GUESS I JUST THOUGHT YOU'D WANT TO STAY. 1804 01:15:02,701 --> 01:15:06,133 WELL, I... I GUESS I DON'T KNOW WHAT I THOUGHT. 1805 01:15:06,200 --> 01:15:09,300 A SHORE JOB? ME? HA! EMILY! 1806 01:15:09,367 --> 01:15:11,734 OH, NO, DEAR, OF COURSE NOT! 1807 01:15:12,334 --> 01:15:13,367 IT'S FUNNY. 1808 01:15:14,267 --> 01:15:17,400 ALL... ALL THINKING STOPS. 1809 01:15:18,901 --> 01:15:20,334 LOVE'S A DRUG, ISN'T IT? 1810 01:15:20,400 --> 01:15:21,567 OH, BUT, HARRY, 1811 01:15:21,634 --> 01:15:22,567 WHEN YOU COME BACK, YOU WANT A PLACE OF YOUR OWN 1812 01:15:22,634 --> 01:15:23,567 TO COME BACK TO, DON'T YOU? 1813 01:15:23,634 --> 01:15:24,901 WELL, WHAT'S THE MATTER WITH THIS PLACE? 1814 01:15:24,968 --> 01:15:27,167 WELL... NOTHING, IF I'M NOT HERE. 1815 01:15:27,234 --> 01:15:28,701 HOW DO YOU BOTHER ME ANY? 1816 01:15:28,767 --> 01:15:30,534 WELL, YOU DON'T WANT ME AROUND 1817 01:15:30,601 --> 01:15:31,701 WHEN YOU COME HOME, DO YOU? 1818 01:15:31,767 --> 01:15:33,734 OH, YOU MEAN THERE'S ONLY ONE ROOM. 1819 01:15:33,801 --> 01:15:36,367 SURE. 'COURSE I CAN GO SIT IN A GUTTER SOMEPLACE, 1820 01:15:36,434 --> 01:15:37,667 BUT THAT ISN'T WHAT I'M TALKING ABOUT. 1821 01:15:37,734 --> 01:15:39,534 A MAN DOESN'T WANT ANOTHER WOMAN AROUND 1822 01:15:39,601 --> 01:15:41,167 IF THERE ARE A THOUSAND ROOMS. 1823 01:15:41,234 --> 01:15:42,367 WELL, THAT'S A BED, AIN'T IT? 1824 01:15:42,434 --> 01:15:44,000 THAT? HURTS YOU TO SIT ON IT! 1825 01:15:44,067 --> 01:15:45,200 WELL, IT WON'T KILL YOU TO SLEEP ON IT 1826 01:15:45,267 --> 01:15:46,467 A COUPLE OF NIGHTS, WILL IT? 1827 01:15:46,534 --> 01:15:48,033 YOU WANT TO BE WITH EMILY WHILE I'M GONE, DON'T YOU? 1828 01:15:48,100 --> 01:15:49,868 WHAT'S THE USE OF GETTIN' A ROOM FOR A COUPLE OF NIGHTS? 1829 01:15:49,934 --> 01:15:50,968 BUT, ANYWAY, DO AS YOU WANT. 1830 01:15:51,033 --> 01:15:52,434 I AIN'T GONNA TELL YOU HOW TO SLEEP. 1831 01:15:52,501 --> 01:15:53,968 BUT, HARRY, THAT ISN'T THE IDEA. 1832 01:15:54,033 --> 01:15:56,000 A MAN WANTS A HOME OF HIS OWN. 1833 01:15:56,067 --> 01:15:57,501 A MAN'S GOT A GARDEN, FOR INSTANCE. 1834 01:15:57,567 --> 01:15:58,968 HE THINKS ABOUT IT WHILE HE'S AWAY, 1835 01:15:59,033 --> 01:16:00,434 WONDERS HOW IT'S GROWING. 1836 01:16:00,501 --> 01:16:01,634 DOES HE? 1837 01:16:01,701 --> 01:16:03,067 CERTAINLY! 1838 01:16:03,133 --> 01:16:05,033 MAN'S GOT TO WONDER HOW SOMETHING'S GROWING- 1839 01:16:05,100 --> 01:16:06,467 A GARDEN OR A BABY OR- 1840 01:16:06,534 --> 01:16:08,000 WHAT BABY? 1841 01:16:08,067 --> 01:16:09,067 HUH? 1842 01:16:09,133 --> 01:16:11,667 OH... YOU MEAN A BABY. 1843 01:16:11,734 --> 01:16:14,334 WELL, YOU KNOW, FOR A MINUTE I THOUGHT 1844 01:16:14,400 --> 01:16:16,968 YOU WAS TALKING ABOUT ANOTHER FRIEND OF YOURS. 1845 01:16:17,033 --> 01:16:18,467 MY MISTAKE, MY MISTAKE. A BABY, HUH? 1846 01:16:18,534 --> 01:16:20,000 DO YOU WANT A BABY, PAL? 1847 01:16:20,067 --> 01:16:21,534 NOPE. 1848 01:16:21,601 --> 01:16:24,000 SHE'S ON A RAMPAGE, AND YOU'RE ALL WOUND UP, BOY! 1849 01:16:24,067 --> 01:16:25,601 HELEN, WHY DON'T YOU GET MARRIED? 1850 01:16:25,667 --> 01:16:26,901 YOU SOUND LIKE YOU'D LIKE IT. 1851 01:16:26,968 --> 01:16:28,968 THE OTHER NIGHT, YOU WEREN'T GIVING IT VERY MUCH. 1852 01:16:29,033 --> 01:16:31,067 ANYWAY, I NEVER KNOW WHEN I'LL BE BACK. 1853 01:16:31,133 --> 01:16:32,501 I'M LIABLE TO BE SHIPPED ANYWHERE. 1854 01:16:32,567 --> 01:16:34,968 I'M LIABLE TO NOT SEE YOU FOR YEARS. 1855 01:16:37,901 --> 01:16:40,000 ARE OF YOU SURPRISED ABOUT ANYTHING? 1856 01:16:40,067 --> 01:16:42,501 ROOM'S KIND OF LOST A LOT OF IT'S, UH... 1857 01:16:42,567 --> 01:16:45,267 OH, NO, HARRY, NO. EVERYTHING'S GOING TO BE ALL RIGHT. 1858 01:16:45,334 --> 01:16:46,534 YEAH, YEAH, LET'S GET GOING AGAIN. 1859 01:16:46,601 --> 01:16:48,100 YOU KNOW, WINE GOES GREAT IN THE MORNING, 1860 01:16:48,167 --> 01:16:49,734 AND THE 3 OF US WILL GO OUT. 1861 01:16:49,801 --> 01:16:52,467 WE'LL FIND SOME OF THE BOYS, AND WE'LL HAVE A PARTY UNTIL THE SHIP SAILS. 1862 01:16:52,534 --> 01:16:56,934 THAT'LL TAKE CARE OF THE BEDS. I'LL BE RIGHT BACK, LADIES. 1863 01:17:04,801 --> 01:17:07,868 GEE, IT'S... IT'S 8:30. 1864 01:17:09,801 --> 01:17:11,634 HEY, EMILY... 1865 01:17:11,701 --> 01:17:12,801 YEAH? 1866 01:17:12,868 --> 01:17:16,267 IT'S, UH... IT'S NONE OF MY BUSINESS, BUT... 1867 01:17:16,334 --> 01:17:18,968 YOU KNOW SAILORS ARE KIND OF CRAZY, AND... 1868 01:17:19,033 --> 01:17:21,200 I'D NIP THAT BIRD RIGHT IN THE BUD 1869 01:17:21,267 --> 01:17:22,634 AND TELL HIM WHAT'S WHAT. 1870 01:17:22,701 --> 01:17:25,934 ALL THAT TALK I GAVE HIM ABOUT THE PRIZE HE'D WON- 1871 01:17:26,000 --> 01:17:28,000 HE KNOWS IT, DOES HE? YES, HE DOES. 1872 01:17:28,067 --> 01:17:29,801 HIM... IF HE WAS MINE, 1873 01:17:29,868 --> 01:17:32,734 I'D STICK AN ANCHOR ON HIM BEFORE 10:00 THIS MORNING. 1874 01:17:32,801 --> 01:17:34,767 I'M AFRAID HE'D DRAG IT A LITTLE. 1875 01:17:34,834 --> 01:17:38,534 NO, HELEN, JUST TO KEEP THE RECORD STRAIGHT, I WALKED RIGHT INTO THIS. 1876 01:17:38,601 --> 01:17:40,667 I KNEW HE WAS A CRAZY GUY. 1877 01:17:40,734 --> 01:17:43,968 I HAD PLENTY OF TIME TO THINK IT OVER, BUT I DIDN'T. 1878 01:17:44,033 --> 01:17:45,834 I'M NOT BLAMING HARRY AT ALL. 1879 01:17:45,901 --> 01:17:48,067 I'M BUYING HIS WINE. 1880 01:17:48,133 --> 01:17:50,534 WHAT ARE YOU GONNA DO? 1881 01:17:50,601 --> 01:17:52,300 I'LL SEE YOU LATER. 1882 01:17:52,367 --> 01:17:54,033 OK. 1883 01:18:41,667 --> 01:18:43,901 HI! 1884 01:18:43,968 --> 01:18:45,567 HI. 1885 01:18:54,667 --> 01:18:56,434 I GOT CHAMPAGNE, 1886 01:18:56,501 --> 01:18:59,267 AND I GOT THE BEST BOTTLE OF BRANDY IN FRISCO. 1887 01:18:59,334 --> 01:19:00,501 WHICH DO YOU WANT? 1888 01:19:00,567 --> 01:19:02,534 HEY! WHAT DO YOU WANT? 1889 01:19:04,033 --> 01:19:05,968 I WANT A DIVORCE. 1890 01:19:06,033 --> 01:19:07,667 HUH? 1891 01:19:10,801 --> 01:19:12,467 WAIT A MINUTE. 1892 01:19:14,200 --> 01:19:15,534 DON'T LET'S WAIT, HARRY. 1893 01:19:15,601 --> 01:19:18,200 WE DON'T BELIEVE IN WAITING, DO WE, HARRY? 1894 01:19:18,267 --> 01:19:21,300 OK... YOU SAY YOU WANT A DIVORCE, AND I SAY, "WHY?" 1895 01:19:21,367 --> 01:19:22,701 HMM? 1896 01:19:22,767 --> 01:19:24,400 AND I SAY, "LOOK, MISTER... " 1897 01:19:24,467 --> 01:19:26,767 WHAT IS OUR NAME? PATTERSON? 1898 01:19:26,834 --> 01:19:29,601 WHY, I WANT A DIVORCE, MR. PATTERSON, 1899 01:19:29,667 --> 01:19:31,234 BECAUSE I WANT A DIVORCE. 1900 01:19:31,300 --> 01:19:34,000 I DON'T WANT TO BE MARRIED TO YOU. 1901 01:19:34,067 --> 01:19:37,300 I DON'T THINK YOU'RE A GOOD HUSBAND. 1902 01:19:37,367 --> 01:19:39,634 HMM. ALL THAT TALK WITH HELEN- 1903 01:19:39,701 --> 01:19:41,367 THAT'S THE DOPE, AIN'T IT? 1904 01:19:41,434 --> 01:19:43,200 ALL THAT TALK ABOUT LITTLE GARDENS 1905 01:19:43,267 --> 01:19:45,100 OR WHATEVER WE WERE TALKING ABOUT. 1906 01:19:45,167 --> 01:19:47,834 YOU'RE WRONG. I DON'T WANT LITTLE GARDENS, EITHER. 1907 01:19:47,901 --> 01:19:51,234 I DON'T WANT TO SETTLE DOWN - NOT A NICKEL'S WORTH. 1908 01:19:51,300 --> 01:19:53,734 YOU AGREE WITH ME THAT MARRIAGE IS THE BUNK, HUH? 1909 01:19:53,801 --> 01:19:55,968 THERE AIN'T NOTHING BETWEEN A MAN AND A TOMATO- 1910 01:19:56,033 --> 01:19:58,734 UH, A WOMAN - BUT LIKE A TIME AT RENO. 1911 01:19:58,801 --> 01:20:01,534 BUT TO SETTLE DOWN? THAT AIN'T IT, IS IT? 1912 01:20:01,601 --> 01:20:02,901 MY OLD FRIEND "IT." 1913 01:20:02,968 --> 01:20:05,534 LET'S PUT IT THIS WAY, HARRY: 1914 01:20:05,601 --> 01:20:09,300 I'M NO MORE LIKE HELEN... NO MORE LIKE HER THAN... 1915 01:20:09,367 --> 01:20:12,667 THAN... THAN THE GIRL ON YOUR ARM. 1916 01:20:12,734 --> 01:20:15,767 HEY, YOU AIN'T JEALOUS OF HER, ARE YOU? 1917 01:20:15,834 --> 01:20:17,467 NO, DEAR. 1918 01:20:17,534 --> 01:20:19,501 COULD BE A LITTLE, PAL... 1919 01:20:19,567 --> 01:20:22,501 ESPECIALLY A GIRL A GUY CARRIES AROUND WITH HIM. 1920 01:20:22,567 --> 01:20:24,534 I WOULDN'T LIKE A GUY PAINTED ON YOU 1921 01:20:24,601 --> 01:20:26,067 STARING AT ME, NEITHER. 1922 01:20:26,133 --> 01:20:27,534 WOULDN'T YOU, HARRY? 1923 01:20:27,601 --> 01:20:29,067 NO, I WOULDN'T. 1924 01:20:29,133 --> 01:20:32,901 HEY, HOW ABOUT THIS- SUPPOSE I STICK YOU ON THE OTHER ARM? 1925 01:20:32,968 --> 01:20:34,300 NO, THANK YOU, DARLING. 1926 01:20:34,367 --> 01:20:36,534 WAIT A MINUTE. YOU WOULDN'T BE ASHAMED OF THIS GIRL NONE? 1927 01:20:36,601 --> 01:20:38,968 I DON'T KNOW WHAT I'M PROTECTING HER ABOUT. SHE DON'T NEED IT. 1928 01:20:39,033 --> 01:20:40,534 I'M SURE SHE DOESN'T. 1929 01:20:40,601 --> 01:20:44,567 AND, HARRY, I'M NOT A BIT INTERESTED. 1930 01:20:45,901 --> 01:20:47,400 THIS GIRL WAS GOOD. 1931 01:20:47,467 --> 01:20:50,300 SHE LIVED ON THE SHORES OF NORMANDY BEFORE THE WAR. 1932 01:20:50,367 --> 01:20:52,701 I LOOKED GOOD TO HER BECAUSE SHE LIVED 1933 01:20:52,767 --> 01:20:54,767 NOWHERE NEAR ANYBODY WORTH KNOWING. 1934 01:20:54,834 --> 01:20:56,701 I COULDN'T HELP LOOKING GOOD TO HER. 1935 01:20:56,767 --> 01:21:00,067 THEN COME A TIME WHEN I'D BETTER GET OUT OF THERE, SEE? 1936 01:21:00,133 --> 01:21:03,501 BUT GET THIS STRAIGHT- I MISSED HER MORE THAN SHE DID ME. 1937 01:21:03,567 --> 01:21:06,901 SHE WAS ONE LOVELY GIRL. I'D BET ON THAT. 1938 01:21:06,968 --> 01:21:09,000 WHAT DID SHE SAY WHEN YOU SAID GOOD-BYE? 1939 01:21:09,067 --> 01:21:11,868 I DIDN'T SAY GOOD-BYE. SHE WAS ASLEEP. 1940 01:21:11,934 --> 01:21:14,067 DID SHE SEE THIS? 1941 01:21:14,133 --> 01:21:16,567 NOPE. 1942 01:21:16,634 --> 01:21:17,968 SORRY. 1943 01:21:18,033 --> 01:21:22,100 WELL... I LIKE YOUR FRENCH LADY. 1944 01:21:22,167 --> 01:21:24,367 AND I REPEAT- I'M NOT IN LOVE 1945 01:21:24,434 --> 01:21:26,334 WITH LITTLE HOUSES AND LITTLE GARDENS. 1946 01:21:26,400 --> 01:21:28,701 LITTLE GARDENS DON'T MEAN ONE THING OR ANOTHER. 1947 01:21:28,767 --> 01:21:31,701 I DON'T MEAN THAT I'M AFRAID OF THE SEA, EITHER. 1948 01:21:31,767 --> 01:21:34,467 WE COULD HAVE ALL THE 7 SEAS BETWEEN US. 1949 01:21:34,534 --> 01:21:36,567 IT COULD STILL BE PERFECT. 1950 01:21:36,634 --> 01:21:38,534 WHAT I'M TRYING TO SAY IS... 1951 01:21:38,601 --> 01:21:40,868 WE DIDN'T BRING RENO BACK WITH US. 1952 01:21:40,934 --> 01:21:42,200 RENO'S STILL IN RENO, 1953 01:21:42,267 --> 01:21:44,467 AND RENO SHOULD GROW IN A GARDEN. 1954 01:21:44,534 --> 01:21:46,067 GET ME? 1955 01:21:47,367 --> 01:21:49,300 SURE, I GET YOU. 1956 01:21:49,367 --> 01:21:50,634 AND, SAY... I WOULDN'T WONDER 1957 01:21:50,701 --> 01:21:53,501 IF YOU AND ME ARE A LOT ALIKE, DO YOU KNOW IT? 1958 01:21:53,567 --> 01:21:55,434 AND HOW ABOUT THIS- YOU GET A DIVORCE, 1959 01:21:55,501 --> 01:21:56,868 AND THEN WHEN I LAND AGAIN, 1960 01:21:56,934 --> 01:21:59,200 IF YOU FEEL BETTER ABOUT IT, WE'LL GET MARRIED AGAIN. 1961 01:21:59,267 --> 01:22:01,367 RIGHT TO LEFT, LEFT TO RIGHT... 1962 01:22:01,434 --> 01:22:03,334 OK, PAL, OK. 1963 01:22:03,400 --> 01:22:04,868 WHAT'S THE MATTER? 1964 01:22:04,934 --> 01:22:07,801 WE'RE DIVORCED, DEAR. 1965 01:22:07,868 --> 01:22:10,367 OH... BUT NOT OFFICIALLY. 1966 01:22:10,434 --> 01:22:13,501 WE WEREN'T MARRIED OFFICIALLY, EITHER. 1967 01:22:13,567 --> 01:22:16,501 OK, PAL, OK. NOW HOW ABOUT FINDING THE BOYS? 1968 01:22:16,567 --> 01:22:17,701 NO, THANKS. 1969 01:22:17,767 --> 01:22:19,000 PARTY'S OVER, HUH? 1970 01:22:19,067 --> 01:22:20,534 IT WAS A NICE ONE. 1971 01:22:20,601 --> 01:22:21,534 MM-MMM. 1972 01:22:21,601 --> 01:22:23,267 WELL, SHE DOES MOVE, DON'T SHE? 1973 01:22:23,334 --> 01:22:26,400 I TOLD YOU ON THE STAIRS, IT CAN HAPPEN FAST. 1974 01:22:26,467 --> 01:22:28,501 OK, DARLING, OK. AND IF YOU CHANGE YOUR MIND, 1975 01:22:28,567 --> 01:22:30,367 I'LL BE HANGING AROUND THE SAME JOINT, PROBABLY, 1976 01:22:30,434 --> 01:22:32,033 AND I HOPE YOU CHANGE IT, PAL. 1977 01:22:32,100 --> 01:22:33,534 THANKS, HARRY. 1978 01:22:33,601 --> 01:22:35,501 IF I DO, I'LL LOOK YOU UP, PAL. 1979 01:22:35,567 --> 01:22:37,000 OK, PAL. SO LONG. 1980 01:22:37,067 --> 01:22:38,167 SO LONG. 1981 01:22:38,234 --> 01:22:40,300 DO I GET A KISS? 1982 01:22:40,367 --> 01:22:42,734 SURE. 1983 01:22:52,033 --> 01:22:53,901 OK. 1984 01:22:54,934 --> 01:22:57,033 SO LONG. SO LONG. 1985 01:22:59,067 --> 01:23:01,868 YOU'RE A GOOD GIRL. 1986 01:23:22,567 --> 01:23:24,033 HI, GUS! - HEY, HARRY! 1987 01:23:24,100 --> 01:23:25,033 WHAT SHIP WE WORKING? 1988 01:23:25,100 --> 01:23:26,601 IT'S A LUCKY THING YOU SHOWED UP! 1989 01:23:26,667 --> 01:23:28,000 THEY GOT MUDGIN ON THE CARPET IN THERE. 1990 01:23:28,067 --> 01:23:29,534 WHAT FOR? 1991 01:23:29,601 --> 01:23:31,033 HE WON'T SAIL WITHOUT HIS SOUL. 1992 01:23:31,100 --> 01:23:34,067 YEAH, AND THEY'RE GONNA TAKE HIS BOOK AWAY. 1993 01:23:34,133 --> 01:23:36,167 YEAH? 1994 01:23:36,234 --> 01:23:37,801 AND ANOTHER THING... SHOW ME THE LAW 1995 01:23:37,868 --> 01:23:39,667 OF THE MARITIME UNION OR THE SHIPPING COMMISSION 1996 01:23:39,734 --> 01:23:42,767 THAT SAYS YOU CAN TAKE A MAN'S BOOK AWAY FOR LOSING HIS SOUL. 1997 01:23:42,834 --> 01:23:44,434 WHAT SOUL? MY WEEPIN', IMMORTAL SOUL 1998 01:23:44,501 --> 01:23:46,901 THAT I HAVE TO HAVE TO GO TO HEAVEN IF I DIE. 1999 01:23:46,968 --> 01:23:48,434 WE'VE ARGUED LONG ENOUGH. 2000 01:23:48,501 --> 01:23:50,567 NOW, SHIP ON THE PACIFIC BELLE, OR LOSE YOUR BOOK. 2001 01:23:50,634 --> 01:23:53,634 YOU AIN'T GOT A RIGHT TO PASS JUDGMENT ON A THING LIKE THIS. 2002 01:23:53,701 --> 01:23:54,968 OH, I AIN'T, HUH? 2003 01:23:55,033 --> 01:23:56,801 NO, YOU AIN'T, MISTER. YOU AIN'T BIG ENOUGH. 2004 01:23:56,868 --> 01:23:58,334 THE MARITIME UNION AIN'T BIG ENOUGH. 2005 01:23:58,400 --> 01:23:59,934 THAT'S ALL, BROTHER. YOU'RE BEACHED FOR GOOD! 2006 01:24:00,000 --> 01:24:02,033 OH, NO, YOU CAN'T! HOLD IT, MUDGE. 2007 01:24:02,100 --> 01:24:03,534 HARRY! YEAH, YEAH, YEAH. 2008 01:24:03,601 --> 01:24:05,100 PAUL REVERE PATTERSON. HIYA, PALS. 2009 01:24:05,167 --> 01:24:07,634 OK, BUT THIS LITTLE CHARACTER-WHERE HAVE YOU BEEN? 2010 01:24:07,701 --> 01:24:09,167 ON A MISSION OF MERCY IN RENO. 2011 01:24:09,234 --> 01:24:11,434 LOOK, PATTERSON, WE'VE LISTED YOUR CREW FOR THIS TRIP. 2012 01:24:11,501 --> 01:24:13,434 THEY'VE ALL CHECKED IN OK BUT THIS SCREWBALL. 2013 01:24:13,501 --> 01:24:14,968 HE'LL CHECK IN. WHEN'S SHE SAIL? 2014 01:24:15,033 --> 01:24:16,133 BE ABOARD FRIDAY MORNING. 2015 01:24:16,200 --> 01:24:18,801 WHAT ARE WE ARGUING ABOUT? IF WE SAIL, WE SAIL. 2016 01:24:18,868 --> 01:24:21,234 I'LL GUARANTEE MUDGE. GIVE HIM BACK HIS BOOK. 2017 01:24:21,300 --> 01:24:22,434 OK, THERE YOU ARE. 2018 01:24:22,501 --> 01:24:24,200 MUCH THANKS, STEVE. COME ON, MUDGE. 2019 01:24:24,267 --> 01:24:26,267 I DON'T KNOW, HARRY. A MAN IN MY CONDITION- 2020 01:24:26,334 --> 01:24:29,200 TAKE IT EASY. I'LL GIVE YOU A CERTIFICATE OF LOSS FOR THE THING. 2021 01:24:29,267 --> 01:24:31,467 WORSE GUYS THAN YOU HAVE SKIMMED PAST THE PEARLY GATES. 2022 01:24:31,534 --> 01:24:33,000 DID YOU GET HIM OFF, HARRY? 2023 01:24:33,067 --> 01:24:34,534 SURE, SURE. 2024 01:24:34,601 --> 01:24:36,934 WHERE YOU REALLY BEEN, HARRY? I COULDN'T FIND YOU NOPLACE. 2025 01:24:37,000 --> 01:24:39,267 I WAS MARRIED - MARRIED AND DIVORCED. RENO, RENO. 2026 01:24:39,334 --> 01:24:40,634 WHO WAS SHE, HARRY? 2027 01:24:40,701 --> 01:24:42,501 A FRIEND OF MUDGIN- PSYCHONEUROSIS. 2028 01:24:42,567 --> 01:24:43,567 MISS EMILY? 2029 01:24:43,634 --> 01:24:46,200 YEAH. YEAH, EMILY. I'LL SEE YOU GUYS LATER. 2030 01:24:46,267 --> 01:24:50,567 YOU DID THAT TO MISS EMILY? 2031 01:24:50,634 --> 01:24:53,100 PATTERSON... MARRIED? 2032 01:24:54,467 --> 01:24:57,100 LET'S HAVE A DRINK, MUDGE, ON ME. 2033 01:24:57,167 --> 01:25:01,300 A DRINK? NO, NOT NOW. I GOT AN ERRAND TO DO. 2034 01:25:17,901 --> 01:25:19,801 WHEW... 2035 01:25:19,868 --> 01:25:21,200 DID I STOP ONE! 2036 01:25:21,267 --> 01:25:23,434 'TWAS A DIRTY FIGHT? 2037 01:25:23,501 --> 01:25:26,200 NO, IT WAS STRICT MERCHANT MARINE RULES. 2038 01:25:26,267 --> 01:25:28,400 I'M ALWAYS UNDERESTIMATING HIM. 2039 01:25:28,467 --> 01:25:31,167 DON'T YOU REALLY MEAN THAT YOU OVERESTIMATED ME? 2040 01:25:31,234 --> 01:25:32,834 OH, NO, MISS EMILY. I BET YOU DONE BETTER 2041 01:25:32,901 --> 01:25:34,601 THAN ANYBODY ELSE COULD'VE DONE. 2042 01:25:34,667 --> 01:25:36,000 I CLAIM A DRAW. 2043 01:25:36,067 --> 01:25:38,701 YOU KNOW, THEY SAY A GIRL CAN'T EVER WIN. 2044 01:25:38,767 --> 01:25:41,100 ALL SHE CAN DO IS HOLD DOWN THE SCORE. 2045 01:25:41,167 --> 01:25:43,267 I GOT TO TAKE THE BLAME FOR THIS. 2046 01:25:43,334 --> 01:25:47,100 OH, NO. WE WERE BOTH OVERCONFIDENT... 2047 01:25:47,167 --> 01:25:50,834 BUT YOU CAN QUOTE ME- A VERY CHARMING MAN. 2048 01:25:50,901 --> 01:25:52,200 OH, THE TRICKY, TWISTY WAYS OF HIM. 2049 01:25:52,267 --> 01:25:53,601 WHEN I BRUNG HIM INTO THE LIBRARY, 2050 01:25:53,667 --> 01:25:56,033 I KNOWED FROM THE VERY FIRST IT WAS YOU HE'D BE AFTER. 2051 01:25:56,100 --> 01:25:57,300 SO DID I. 2052 01:25:57,367 --> 01:26:01,167 BUT THE CHARM OF THE SCAMP-YOU DIDN'T KNOW THAT. 2053 01:26:01,234 --> 01:26:02,434 OH, YES. 2054 01:26:02,501 --> 01:26:05,133 NOT LIKE ME, WHO'S FOLLOWED HIM THESE MANY YEARS. 2055 01:26:05,200 --> 01:26:06,567 I'VE CURSED HIM FOR PICKING FIGHTS, 2056 01:26:06,634 --> 01:26:08,667 THEN GONE AFTER HIM INTO THE BRAWL HE STARTED. 2057 01:26:08,734 --> 01:26:10,834 I'VE EVEN DEFENDED HIM TO WOMEN 2058 01:26:10,901 --> 01:26:12,868 USING MY NATIVE ELOQUENCE. 2059 01:26:12,934 --> 01:26:14,501 WHAT DID YOU TELL HIM? 2060 01:26:14,567 --> 01:26:16,067 HE'LL MISS YOU, I SAY. 2061 01:26:16,133 --> 01:26:19,067 HE'LL GRIEVE FOR YOU AND COME BACK A BETTER MAN. 2062 01:26:19,133 --> 01:26:22,000 BE PATIENT, BE TRUE, AND WAIT FOR HIM TO GROW 2063 01:26:22,067 --> 01:26:24,834 THE THORNY ROSE YOU PLANTED IN HIS HEART. 2064 01:26:24,901 --> 01:26:26,501 THAT WAS LOVELY, MR. MUDGIN. 2065 01:26:26,567 --> 01:26:28,033 IT WAS A LIE. 2066 01:26:28,100 --> 01:26:30,534 BUT I'LL NOT LIE TO YOU, MISS EMILY. 2067 01:26:30,601 --> 01:26:32,934 IT'S GOOD RIDDANCE YOU BROKE WITH HIM. 2068 01:26:33,000 --> 01:26:35,067 THAT WAS BRAVE. THAT WAS STRONG. 2069 01:26:35,133 --> 01:26:38,834 I TOLD YOU I GOT AT LEAST A DRAW, DIDN'T I? 2070 01:26:38,901 --> 01:26:41,300 YOU AIN'T BRUISED TOO BAD? 2071 01:26:41,367 --> 01:26:43,234 NO. 2072 01:26:43,300 --> 01:26:46,334 YOU SEE, I'M A PRETTY TOUGH MUG MYSELF. 2073 01:26:46,400 --> 01:26:49,567 SURE, NOW, YOU ARE. YOU ARE. 2074 01:26:49,634 --> 01:26:52,834 BUT ME... I'M SAILING WITH HIM. 2075 01:26:52,901 --> 01:26:55,567 BULLIED ME INTO IT, HE DID! SHEER BULLYING! 2076 01:26:55,634 --> 01:26:57,367 YOU DESERVE A BOW. 2077 01:26:57,434 --> 01:26:59,701 A BOW? FOR SAVING THAT BLACK OCEAN, 2078 01:26:59,767 --> 01:27:01,467 AND ME WITHOUT A SOUL? 2079 01:27:01,534 --> 01:27:04,601 BOTH OF US ARE LOST-CASTAWAYS. 2080 01:27:04,667 --> 01:27:06,167 HE NEEDS YOU, MR. MUDGE. 2081 01:27:06,234 --> 01:27:08,000 KEEP THIS UNDER YOUR HAT, PAL, 2082 01:27:08,067 --> 01:27:11,067 BUT HE ISN'T NEARLY THE CHAMPION HE THINKS HE IS. 2083 01:27:11,133 --> 01:27:12,968 HARRY PATTERSON? 2084 01:27:13,033 --> 01:27:16,400 I CAN SAY NO MORE. IT'S A TRADE SECRET... 2085 01:27:16,467 --> 01:27:20,634 BUT PUT THE LAUREL WREATH ON HIS BROW AND LET HIM SWAGGER. 2086 01:27:20,701 --> 01:27:24,300 THE GUY STILL RATES A CHEER, AND YOU CAN QUOTE ME. 2087 01:27:24,367 --> 01:27:26,000 QUEEN DEIRDRE HERSELF. 2088 01:27:26,067 --> 01:27:28,100 SHAKE. 2089 01:27:29,100 --> 01:27:31,467 GOOD-BYE, MR. MUDGE. 2090 01:28:01,467 --> 01:28:03,501 HI. 2091 01:28:04,801 --> 01:28:07,300 HELEN! WHAT ARE YOU DOING HOME? 2092 01:28:07,367 --> 01:28:11,434 I'M TRYING TO THINK OF SOMETHING TO TELL YOU THAT I FORGOT. 2093 01:28:11,501 --> 01:28:14,634 I GIVE UP... SO I'LL TELL THE TRUTH. 2094 01:28:16,067 --> 01:28:18,367 I LEFT A LOT OF WORRY HERE. 2095 01:28:18,434 --> 01:28:21,033 OH, DEAR HELEN. 2096 01:28:21,100 --> 01:28:23,067 HEY, YOU SOUND FINE. 2097 01:28:23,133 --> 01:28:28,667 EM, ARE YOU PACKING TO GO AWAY WITH HIM HIS LAST FEW DAYS? 2098 01:28:28,734 --> 01:28:32,167 NO. WE PARTED... GAY AS TWO LARKS. 2099 01:28:32,234 --> 01:28:34,834 IF YOU'RE SORRY FOR ME, YOU'LL BE SORRY... 2100 01:28:34,901 --> 01:28:37,834 BUT YOU CAN HAVE THE HARBOR TILL HE'S GONE. 2101 01:28:37,901 --> 01:28:39,634 I'LL BE BACK IN TWO DAYS... 2102 01:28:39,701 --> 01:28:42,934 TELL YOU ABOUT A DAYDREAM I HAD IN THE LIBRARY. 2103 01:28:47,567 --> 01:28:49,267 THANK YOU. 2104 01:29:16,167 --> 01:29:17,067 HI, EM! 2105 01:29:17,133 --> 01:29:18,701 COME DOWN HERE. 2106 01:29:18,767 --> 01:29:19,701 WHAT'S THE MATTER? 2107 01:29:19,767 --> 01:29:21,400 WHAT ARE YOU PAINTING MY HOUSE FOR? 2108 01:29:21,467 --> 01:29:22,534 HA! IT NEEDS IT, DON'T IT? 2109 01:29:22,601 --> 01:29:24,267 WHAT ARE YOU PAINTING IT FOR? 2110 01:29:24,334 --> 01:29:26,234 JUST A GOING-AWAY PRESENT, THAT'S ALL. 2111 01:29:26,300 --> 01:29:27,701 I GUESS I THOUGHT IT WOULD PLEASE YOU. 2112 01:29:27,767 --> 01:29:30,033 THOUGHT YOU'D LEAVE A LITTLE MONEY IN MY SHOES. 2113 01:29:30,100 --> 01:29:31,834 NOW, LOOK. 2114 01:29:31,901 --> 01:29:34,901 THAT'S THE LAST WAY TO LOOK AT IT, EMILY. 2115 01:29:34,968 --> 01:29:37,501 I SEE HOW IT WOULD MAKE YOU SORE, NATURALLY, 2116 01:29:37,567 --> 01:29:39,367 BUT IT AIN'T LIKE THAT. 2117 01:29:39,434 --> 01:29:41,133 WHEN I SAID A PRESENT, I MEANT LIKE A PRESENT 2118 01:29:41,200 --> 01:29:42,667 TO RENO FROM BOTH OF US. 2119 01:29:42,734 --> 01:29:44,934 USUALLY YOU PAINT THE TOWN GOOD THE LAST DAY, 2120 01:29:45,000 --> 01:29:46,334 IN MY TRADE. 2121 01:29:46,400 --> 01:29:48,133 BUT I THOUGHT, JUST TO SHOW YOU THAT RENO 2122 01:29:48,200 --> 01:29:49,868 WAS THE BEST TIME I EVER HAD ASHORE, 2123 01:29:49,934 --> 01:29:51,434 I'D PAINT YOUR HOUSE INSTEAD. 2124 01:29:51,501 --> 01:29:52,901 WELL... 2125 01:29:52,968 --> 01:29:56,400 THAT'S VERY NICE OF YOU, HARRY, OF COURSE. 2126 01:29:56,467 --> 01:29:58,434 NOW WE CAN SAY GOOD-BYE AGAIN. 2127 01:29:58,501 --> 01:30:00,634 AS YOU SAID, WE'RE ALWAYS SAYING GOOD-BYE. 2128 01:30:00,701 --> 01:30:03,601 YOU DON'T WANT ME TO FINISH IT? 2129 01:30:04,567 --> 01:30:06,467 NO, HARRY, THANKS. 2130 01:30:06,534 --> 01:30:08,434 WHY? 2131 01:30:08,501 --> 01:30:10,501 BECAUSE... 2132 01:30:11,501 --> 01:30:13,100 BECAUSE I SAY SO! 2133 01:30:13,167 --> 01:30:14,868 OK. 2134 01:30:14,934 --> 01:30:16,601 OK! 2135 01:30:16,667 --> 01:30:19,400 OH, FINE, YOU DECIDED TO PAINT THE HOUSE. 2136 01:30:19,467 --> 01:30:21,534 IT LOOKS GREAT. I TAKE IT YOU'RE MISS SEARS. 2137 01:30:21,601 --> 01:30:22,501 I'M MR. LITTLETON. 2138 01:30:22,567 --> 01:30:23,667 I WISH I'D KNOWN- 2139 01:30:23,734 --> 01:30:24,868 I SHOULD GIVE UP MY LAST DAY, 2140 01:30:24,934 --> 01:30:25,868 AND YOU DON'T WANT IT. 2141 01:30:25,934 --> 01:30:27,033 BUT, PAINTER, WHAT'S THE TROUBLE? 2142 01:30:27,100 --> 01:30:28,267 NOW, THIS CAN ALL BE SETTLED. 2143 01:30:28,334 --> 01:30:29,601 WHAT A SUCKER I WAS! 2144 01:30:29,667 --> 01:30:31,934 GET OUT HERE, WILL YOU? GET OUT OF HERE! 2145 01:30:32,000 --> 01:30:33,334 WHAT'S THE MATTER, MISS SEARS? 2146 01:30:33,400 --> 01:30:34,601 LOOKS TO ME LIKE HE'S DOING A FINE JOB. 2147 01:30:34,667 --> 01:30:35,734 GET OUT? LISTEN, I'M OUT! 2148 01:30:35,801 --> 01:30:36,767 I NEVER WAS SUCH A SUCKER. 2149 01:30:36,834 --> 01:30:37,834 I SHOULD GIVE UP MY LAST DAY 2150 01:30:37,901 --> 01:30:39,100 TO PAINT THIS RUSTY DUMP! 2151 01:30:39,167 --> 01:30:40,868 WE CAN'T GET ANYWHERE THIS WAY, PAINTER. 2152 01:30:40,934 --> 01:30:44,601 GET OUT OF HERE! GO ON, GET OUT OF HERE! 2153 01:30:45,901 --> 01:30:48,267 I'LL GET OUT WHEN I'M GOOD AND READY! 2154 01:30:48,334 --> 01:30:51,167 YEAH, YEAH, YOU GOT THAT LIBRARY LOOK. 2155 01:30:51,234 --> 01:30:52,734 YOU'RE SCREWY. 2156 01:30:52,801 --> 01:30:54,067 OH! 2157 01:30:56,834 --> 01:30:58,634 GET OUT OF HERE! GET OUT OF HERE! 2158 01:30:58,701 --> 01:31:01,434 MISS SEARS, YOU CAN'T TREAT PAINTERS LIKE THAT THESE DAYS. 2159 01:31:01,501 --> 01:31:02,400 THEY'RE INDEPENDENT. 2160 01:31:02,467 --> 01:31:03,667 WHOA, THEY'RE INDEPENDENT. 2161 01:31:03,734 --> 01:31:05,400 SO LONG, SCREWBALL! 2162 01:31:12,334 --> 01:31:16,300 HA HA HA HA HA! 2163 01:31:26,367 --> 01:31:28,767 ALL RIGHT, ALL RIGHT, GET THAT SPRING LINE IN. 2164 01:31:28,834 --> 01:31:30,000 SHORE LEAVE'S OVER. 2165 01:31:30,067 --> 01:31:32,133 COME ON, SHAKE A LEG! 2166 01:31:32,200 --> 01:31:33,133 OK, HARRY. 2167 01:31:33,200 --> 01:31:34,634 ALL CLEAR AFT? 2168 01:31:34,701 --> 01:31:36,000 ALL CLEAR AFT, CAPTAIN. 2169 01:31:38,934 --> 01:31:40,901 ALL CLEAR FORWARD, BOSUN? 2170 01:31:40,968 --> 01:31:43,200 ALL CLEAR FORWARD, CAPTAIN! 2171 01:31:43,267 --> 01:31:45,167 ALL RIGHT, TAKE IT AWAY! 2172 01:31:45,234 --> 01:31:46,934 LET'S GET OUT OF HERE! 2173 01:31:55,501 --> 01:31:56,634 HEY! 2174 01:31:58,100 --> 01:32:00,200 HI! 2175 01:32:00,267 --> 01:32:02,167 HEY, FELLAS, LOOK WHO'S HERE! 2176 01:32:02,234 --> 01:32:03,501 HIYA, SLUGGER! 2177 01:32:03,567 --> 01:32:05,801 HIYA, DEMPSEY! 2178 01:32:05,868 --> 01:32:06,901 HIYA, FELLAS! 2179 01:32:06,968 --> 01:32:08,234 HI! HI! 2180 01:32:09,467 --> 01:32:10,501 DON'T HIT THE SHIP! 2181 01:32:10,567 --> 01:32:11,501 WHERE IS HE? 2182 01:32:11,567 --> 01:32:12,734 HEY, HARRY! 2183 01:32:12,801 --> 01:32:14,968 HERE'S YOUR... 2184 01:32:15,033 --> 01:32:16,834 HIYA, PAL! 2185 01:32:20,334 --> 01:32:21,267 HEY, EMILY! 2186 01:32:21,334 --> 01:32:23,033 HIYA, ROCKS! 2187 01:32:24,267 --> 01:32:26,100 DO YOU KNOW WHY I WAS MAD? 2188 01:32:26,167 --> 01:32:27,334 NO! 2189 01:32:27,400 --> 01:32:28,767 I- 2190 01:32:28,834 --> 01:32:31,133 I DIDN'T WANT ANYTHING CHANGED! 2191 01:32:31,200 --> 01:32:32,934 WHAT? 2192 01:32:33,000 --> 01:32:34,567 I LIKED IT AS IT WAS! 2193 01:32:34,634 --> 01:32:35,534 WHAT? 2194 01:32:35,601 --> 01:32:36,567 AHH! 2195 01:32:36,634 --> 01:32:39,400 I LIKED IT AS IT WAS! 2196 01:32:39,467 --> 01:32:41,834 OH. HOW WAS IT? 2197 01:32:41,901 --> 01:32:44,534 WASN'T PAINTED SUNDAY, WAS IT? 2198 01:32:44,601 --> 01:32:46,767 OH! HEY, DON'T GET SWEET! 2199 01:32:46,834 --> 01:32:48,200 THIS AIN'T NO TIME TO GET SWEET! 2200 01:32:48,267 --> 01:32:49,367 THROW A ROCK! 2201 01:32:49,434 --> 01:32:51,167 OK! 2202 01:32:52,501 --> 01:32:54,033 HEY! 2203 01:32:55,701 --> 01:32:57,767 I'LL BUY YOU A DRINK! 2204 01:32:57,834 --> 01:33:00,367 HA HA! WHAT'LL YOU HAVE, PAL? 2205 01:33:00,434 --> 01:33:03,200 ICE WATER! BELLBOY'S KNOCKING! 2206 01:33:04,634 --> 01:33:06,100 WHO BOUGHT ME THIS? 2207 01:33:06,167 --> 01:33:07,501 ME! 2208 01:33:07,567 --> 01:33:09,100 WHERE? 2209 01:33:09,167 --> 01:33:13,234 RENO! 2210 01:33:17,501 --> 01:33:19,868 AWWWWW... 2211 01:33:52,467 --> 01:33:54,534 HEY, MUDGE! 2212 01:33:54,601 --> 01:33:57,067 DON'T YOUR SOUL RATE WAVING GOOD-BYE, TOO? 2213 01:33:57,133 --> 01:33:59,601 YOU MEAN GRINNIN' LIKE THE WAY YOU SAID IT? 2214 01:33:59,667 --> 01:34:04,234 SURE. A GUY'S SOUL, HIS DAME, POWELL STREET, 2215 01:34:04,300 --> 01:34:05,300 TIP YOUR HAT TO HIM. 2216 01:34:05,367 --> 01:34:06,601 AHH, I COULDN'T. 2217 01:34:06,667 --> 01:34:08,100 THAT'S TOO FINAL. 2218 01:34:08,167 --> 01:34:09,300 AW, SNAP OUT, PAL. 2219 01:34:09,367 --> 01:34:11,400 NOTHING IS EVER FINAL AS LONG AS YOU'RE LIVING. 2220 01:34:11,467 --> 01:34:13,467 WELL, MISS EMILY WAS FINAL. 2221 01:34:13,534 --> 01:34:14,901 EMILY? YEAH. 2222 01:34:14,968 --> 01:34:16,567 I SAW HER SAY GOOD-BYE. 2223 01:34:16,634 --> 01:34:18,567 HO HO, SHE'S ALWAYS SAYING GOOD-BYE TO ME. 2224 01:34:18,634 --> 01:34:19,701 SHE'S CRAZY. 2225 01:34:19,767 --> 01:34:20,767 DID YOU SEE HER THROW HER HAT? 2226 01:34:20,834 --> 01:34:21,801 INDEED I SAW IT. 2227 01:34:21,868 --> 01:34:22,901 YOU SAW NOTHIN'. 2228 01:34:22,968 --> 01:34:24,501 YOU SHOULD HAVE SEEN HER THROWING ROCKS. 2229 01:34:24,567 --> 01:34:25,501 SOME SCREWBALL. 2230 01:34:25,567 --> 01:34:26,734 MY FRISCO SCREWBALL. 2231 01:34:26,801 --> 01:34:28,767 SCREWBALL, EH? HA! 2232 01:34:28,834 --> 01:34:31,167 SHE'S GONNA BE WAITIN' FOR YOU WHEN YOU GET BACK, 2233 01:34:31,234 --> 01:34:32,167 AIN'T SHE? 2234 01:34:32,234 --> 01:34:33,434 SURE. 2235 01:34:33,501 --> 01:34:34,734 WOULDN'T SURPRISE ME IF SHE MET THE SHIP SWIMMING. 2236 01:34:34,801 --> 01:34:37,267 NO, NO, MR. BOSUN, YOU NEVER LEFT HER. 2237 01:34:37,334 --> 01:34:39,467 SHE LEFT YOU, GOD BLESS HER. 2238 01:34:39,534 --> 01:34:41,734 BUT YOU'RE NEVER GONNA BE RID OF HER, NOT MISS EMILY. 2239 01:34:41,801 --> 01:34:43,834 WITH HER LAUGHTER AND HER SWEET CRAZINESS. 2240 01:34:43,901 --> 01:34:46,000 SHE'LL TEAR YOUR HEART OUT. 2241 01:34:46,067 --> 01:34:48,267 YOU STUMBLED ONTO A QUEEN, 2242 01:34:48,334 --> 01:34:50,501 AND QUEENS GET INTO MEN'S BLOOD, 2243 01:34:50,567 --> 01:34:53,367 AND DIRTY TRAMPS FROM THE SEA CAN'T TAKE IT! 2244 01:34:54,534 --> 01:34:56,100 MUDGE. 2245 01:34:56,167 --> 01:34:57,601 THIS IS ME YOU'RE TALKING TO-HARRY. 2246 01:34:57,667 --> 01:34:59,634 YEAH, I KNOW IT'S YOU, HARRY. 2247 01:34:59,701 --> 01:35:00,734 YEAH? 2248 01:35:00,801 --> 01:35:03,367 I GUESS IT WAS SOMETHING I WAS SAVING UP. 2249 01:35:03,434 --> 01:35:04,601 NOW IT'S SAID. 2250 01:35:04,667 --> 01:35:05,601 DON'T WANT TO TAKE IT BACK? 2251 01:35:05,667 --> 01:35:06,901 NOT ONE WORD. 2252 01:35:09,300 --> 01:35:10,400 TAKE IT BACK. 2253 01:35:10,467 --> 01:35:12,033 YOU AIN'T TALKING TO YOUR FRIEND, 2254 01:35:12,100 --> 01:35:13,234 YOU'RE TALKING TO YOUR BOSUN. 2255 01:35:13,300 --> 01:35:15,234 OH, MY BOSUN, IS IT? 2256 01:35:15,300 --> 01:35:18,934 WELL, BEIN' A SAILOR AND WITH RESPECT TO DISCIPLINE 2257 01:35:19,000 --> 01:35:21,734 TO BOSUN PATTERSON, I TAKE IT BACK. 2258 01:35:21,801 --> 01:35:25,434 TO MY FRIEND THAT WAS, 2259 01:35:25,501 --> 01:35:27,234 NEVER WILL I. 2260 01:35:30,701 --> 01:35:35,033 HA HA HA HA HA! 2261 01:35:49,934 --> 01:35:52,367 IT WAS ALL MY IDEA, COMING TO RENO. 2262 01:35:52,434 --> 01:35:53,968 EMILY WAS HERE ON HER HONEYMOON, 2263 01:35:54,033 --> 01:35:55,434 AND I SAID THE WAY TO GET CURED QUICK 2264 01:35:55,501 --> 01:35:57,434 IS TAKE A HAIR OF THE DOG THAT BIT YOU. 2265 01:35:57,501 --> 01:35:59,601 YOU MEAN A TACK FROM THE HEEL THAT KICKED YOU. 2266 01:35:59,667 --> 01:36:01,734 MY LAST ONE WAS JUST PLAIN RAT. 2267 01:36:01,801 --> 01:36:03,501 HOW ABOUT YOURS, EMILY? 2268 01:36:03,567 --> 01:36:04,934 MINE WAS A SAILOR. 2269 01:36:05,000 --> 01:36:06,834 OH. ANNAPOLIS MAN? 2270 01:36:06,901 --> 01:36:07,834 NO. 2271 01:36:07,901 --> 01:36:09,801 WHAT WAS HIS RANK, DARLING? 2272 01:36:09,868 --> 01:36:11,000 HE'S A BOSUN. 2273 01:36:11,100 --> 01:36:13,000 GREATEST BOSUN OF THEM ALL. 2274 01:36:13,067 --> 01:36:14,467 AND THE BIGGEST HEEL. 2275 01:36:14,534 --> 01:36:16,634 BUT WHAT'S A BOSUN, EMILY? 2276 01:36:16,701 --> 01:36:17,901 I THINK IT'S THE NEXT RANK 2277 01:36:17,968 --> 01:36:19,200 ABOVE ADMIRAL OF THE FLEET. 2278 01:36:19,267 --> 01:36:21,801 HE WAS JUST A TOUGH MUG SAILOR. 2279 01:36:21,868 --> 01:36:23,033 HE SOUNDS ROMANTIC. 2280 01:36:23,100 --> 01:36:25,434 DON'T BELIEVE I EVER KNEW A SAILOR. 2281 01:36:25,501 --> 01:36:28,434 OH, YOU MISSED A LOT. 2282 01:36:28,501 --> 01:36:30,868 SHE WAS A PERFECTLY HAPPY LIBRARIAN UNTIL HE- 2283 01:36:30,934 --> 01:36:34,100 OH, NO, HELEN, NO. I WORKED IN A MORGUE. 2284 01:36:34,167 --> 01:36:35,801 YOU SHOULD HAVE SEEN THE DEAD RISE UP 2285 01:36:35,868 --> 01:36:37,467 WHEN THAT SAILOR CAME IN. 2286 01:36:37,534 --> 01:36:40,234 EVEN GABRIEL'S HORN COULDN'T PIPE HIM DOWN. 2287 01:36:40,300 --> 01:36:42,834 HE TREATED YOU LIKE A TOMATO ON A BIG SHORE LEAVE. 2288 01:36:42,901 --> 01:36:44,467 WHAT A SHORE LEAVE. 2289 01:36:44,534 --> 01:36:47,367 AND THEN HE RAN OFF TO SEA! 2290 01:36:47,434 --> 01:36:49,968 I WOULD HAVE HAD AN ADORABLE HUSBAND. 2291 01:36:50,033 --> 01:36:51,167 ADORABLE? 2292 01:36:51,234 --> 01:36:53,167 FOR 3 DAYS EVERY 6 MONTHS. 2293 01:36:53,234 --> 01:36:54,934 OR ONE DAY EVERY 10 YEARS. 2294 01:36:55,734 --> 01:36:57,167 MM-HMM. 2295 01:37:01,334 --> 01:37:02,767 EMILY! EMILY! 2296 01:37:02,834 --> 01:37:04,300 HEY, JOE! 2297 01:37:04,367 --> 01:37:06,667 SHE ISN'T USED TO DRINKING. 2298 01:37:06,734 --> 01:37:08,501 BETTER GET A DOCTOR, HELEN. 2299 01:37:10,634 --> 01:37:11,868 IS SHE ALL RIGHT? 2300 01:37:11,934 --> 01:37:13,167 WAS IT JUST THE BRANDY? 2301 01:37:13,234 --> 01:37:15,868 OH, NO, NO, NO. BUT NOTHING TO BE ALARMED ABOUT. 2302 01:37:15,934 --> 01:37:18,067 QUITE A COMMON AILMENT AMONG BRIDES. 2303 01:37:18,133 --> 01:37:19,234 HUH? 2304 01:37:22,534 --> 01:37:23,501 EMILY- 2305 01:37:23,567 --> 01:37:25,868 OH, YOU POOR KID, EMILY! 2306 01:37:25,934 --> 01:37:28,200 THEY SAY A WOMAN CAN'T KEEP A SECRET. 2307 01:37:28,267 --> 01:37:29,334 YOU SHOULD HAVE TOLD ME. 2308 01:37:29,400 --> 01:37:30,534 OH, NO, NO. 2309 01:37:30,601 --> 01:37:31,901 YOU'RE NOT GOING THROUGH WITH THE DIVORCE. 2310 01:37:31,968 --> 01:37:33,834 CERTAINLY I AM. 2311 01:37:33,901 --> 01:37:36,200 WELL, YOU BETTER WRITE HIM AND- 2312 01:37:36,267 --> 01:37:38,133 NO, NO, NEVER. 2313 01:37:38,200 --> 01:37:40,400 AND I WANT YOU TO PROMISE THAT YOU WON'T WRITE TO HIM. 2314 01:37:40,467 --> 01:37:41,367 OHHH... 2315 01:37:41,434 --> 01:37:44,167 HAVING BABIES IS NO FUN, YOU KNOW. 2316 01:37:44,234 --> 01:37:45,434 THE LEAST HE COULD DO IS- 2317 01:37:45,501 --> 01:37:47,901 NO, HE COULDN'T. NOT FOR ME. 2318 01:37:47,968 --> 01:37:49,901 I'M NOT GOING TO ASK HIM. 2319 01:37:49,968 --> 01:37:51,400 OH, EMILY! 2320 01:37:52,934 --> 01:37:55,434 HEY, HEY, DON'T LET IT GET YOU DOWN. 2321 01:37:55,501 --> 01:37:58,167 WHAT ARE WE GONNA DO? 2322 01:37:58,234 --> 01:38:01,133 RIGHT NOW YOU'RE GOING TO WASH THE TEARS OFF YOUR FACE. 2323 01:38:01,200 --> 01:38:03,667 WE'RE GOING TO THE DANCE TONIGHT. 2324 01:38:03,734 --> 01:38:05,934 * ONCE THERE WAS A WAITRESS * 2325 01:38:06,000 --> 01:38:08,868 * IN THE BRIDGE DOOR HOTEL * 2326 01:38:08,934 --> 01:38:11,601 * HER MASTER WAS A FINE ONE * 2327 01:38:11,667 --> 01:38:14,968 * AND HER MISTRESS WAS A-SWELL * 2328 01:38:15,033 --> 01:38:18,834 * ALONG CAME A SAILOR LAD * 2329 01:38:18,901 --> 01:38:21,567 * FRESH FROM THE SEA * 2330 01:38:21,634 --> 01:38:24,634 * AND THAT WAS THE BEGINNING * 2331 01:38:24,701 --> 01:38:26,267 * OF ALL THAT MISERY * 2332 01:38:26,334 --> 01:38:28,100 WHEN DID HE SPEAK TO YOU GUYS LAST? 2333 01:38:28,167 --> 01:38:31,234 OUTSIDE OF GIVEN ORDERS, NOT SINCE WE LEFT SYDNEY, MORE THAN A MONTH. 2334 01:38:31,300 --> 01:38:32,434 I AIN'T HAD A LOOK OUT OF HIM 2335 01:38:32,501 --> 01:38:34,000 SINCE FRISCO, 6 MONTHS. 2336 01:38:34,067 --> 01:38:35,868 6 MONTHS AND 11 DAYS. 2337 01:38:35,934 --> 01:38:36,968 IF YOU ASK ME, 2338 01:38:37,033 --> 01:38:38,801 IT'S ALL HOOKED UP WITH THAT GOOFY FIGHT 2339 01:38:38,868 --> 01:38:41,067 HE AND MUDGE HAD WHEN WE LEFT FRISCO. 2340 01:38:41,133 --> 01:38:42,434 MUDGIN GIVES ME THE CREEPS, TOO. 2341 01:38:42,534 --> 01:38:43,667 ALL OVER THE SHIP 2342 01:38:43,734 --> 01:38:44,868 AND IN EVERY BLINKIN' PORT 2343 01:38:44,934 --> 01:38:46,267 LIKE A DAFT BIRD DOG AFTER 2344 01:38:46,334 --> 01:38:48,000 A GROUSE THAT FLEW AWAY. 2345 01:38:48,067 --> 01:38:51,200 STILL LOOKIN' FOR THAT COCKEYED SOUL OF HIS. 2346 01:38:51,267 --> 01:38:53,667 *... AS FAR AS YOU CAN SEE * 2347 01:38:53,734 --> 01:38:56,701 * FOR I TRUSTED ONE ONCE * 2348 01:38:56,767 --> 01:39:00,667 * AND HE PUT OUT TO SEA * 2349 01:39:00,734 --> 01:39:02,000 * AND THAT IS- * 2350 01:39:02,067 --> 01:39:03,000 STOP THAT YOWLING! 2351 01:39:03,067 --> 01:39:04,467 WHERE'S MUDGIN? 2352 01:39:04,534 --> 01:39:05,701 HE'S UP IN THE... 2353 01:39:05,767 --> 01:39:06,901 OH. 2354 01:39:06,968 --> 01:39:08,400 YEAH, "OH." 2355 01:39:20,300 --> 01:39:25,200 HELLO, BOSUN HARRY, OLD PAL... SIR. 2356 01:39:25,267 --> 01:39:26,934 WHAT ARE YOU DOING OFF-DUTY? 2357 01:39:27,000 --> 01:39:28,634 MISS EMILY, HARRY. 2358 01:39:28,701 --> 01:39:31,367 I SAW HER-SAW HER FROM THE LOOKOUT. 2359 01:39:31,434 --> 01:39:34,767 SHE WAS STANDIN' RIGHT HERE BY NUMBER ONE LIFEBOAT. 2360 01:39:34,834 --> 01:39:38,133 SHE DIDN'T LOOK SCARED OR SORROWFUL OR NOTHIN'. 2361 01:39:38,200 --> 01:39:40,100 BRAVE AND BEAUTIFUL SHE WAS. 2362 01:39:40,167 --> 01:39:44,467 GAY-LIKE, SHE SMILED AND THROWED HER SHOES IN THE OCEAN. 2363 01:39:48,367 --> 01:39:51,067 YOU'RE DRUNK. YOU'RE BLIND DRUNK. 2364 01:39:51,133 --> 01:39:53,501 NO, NO, HARRY. SOBER I SAW HER, TOO. 2365 01:39:53,567 --> 01:39:55,334 THE FIFTH NIGHT OUT OF FRISCO. 2366 01:39:55,400 --> 01:39:57,634 YEAH. YEAH, THAT'S RIGHT, MUDGIN. 2367 01:39:57,701 --> 01:39:58,968 YOU'RE ALWAYS SEEING THINGS. 2368 01:39:59,033 --> 01:40:01,067 IF IT AIN'T YOUR SOUL POPPING OUT OF YOU 2369 01:40:01,133 --> 01:40:02,200 AND RUNNING UP POWELL STREET, 2370 01:40:02,267 --> 01:40:03,167 IT'S A TOMATO. 2371 01:40:04,667 --> 01:40:07,567 YEAH, THAT'S RIGHT, MR. BOSUN, SIR. 2372 01:40:07,634 --> 01:40:09,534 I CAN SEE THINGS. 2373 01:40:09,601 --> 01:40:11,868 I CAN HEAR THINGS, TOO. 2374 01:40:11,934 --> 01:40:14,667 SIR. 2375 01:40:18,334 --> 01:40:20,334 HERE. COME ON, THIS WAY. 2376 01:40:20,400 --> 01:40:21,367 YES, SIR, 2377 01:40:21,434 --> 01:40:23,567 BOSUN OLD PAL, SIR. 2378 01:40:23,634 --> 01:40:25,367 RIGHT BACK UP THERE ON WATCH. 2379 01:40:25,434 --> 01:40:27,534 COME ON. 2380 01:40:28,634 --> 01:40:31,400 GET UP THERE, AND MAKE IT FAST, PAL. 2381 01:40:31,467 --> 01:40:33,000 HOLD ON NOW, HARRY. 2382 01:40:33,067 --> 01:40:34,000 START CLIMBING. 2383 01:40:34,067 --> 01:40:35,767 CLIMBIN' IT IS, I'LL SCOOT UP 2384 01:40:35,834 --> 01:40:38,000 THAT WITCHBROOM HANDLE... 2385 01:40:39,000 --> 01:40:40,834 IT'S BEEN A SCREWY DEAL, HARRY, 2386 01:40:40,901 --> 01:40:42,834 BUT YOU DON'T WANT THIS. 2387 01:40:42,901 --> 01:40:45,534 WE'VE HOISTED TOO MANY TOGETHER FOR THIS. 2388 01:40:45,601 --> 01:40:46,968 HE'S STIFF, HARRY. 2389 01:40:47,033 --> 01:40:49,200 I AIN'T HOISTED ONE WITH YOU FOR A LONG TIME. 2390 01:40:51,601 --> 01:40:55,200 HARRY, THAT'S THE FIRST TIME YOU EVER HIT A MAN 2391 01:40:55,267 --> 01:40:56,667 WITH HIS HANDS DOWN. 2392 01:40:56,734 --> 01:41:00,133 YOU'VE BEEN HIT HARDER THAN EVEN I THOUGHT. 2393 01:41:00,200 --> 01:41:02,801 YOU'RE MASSACRED. 2394 01:41:11,400 --> 01:41:13,434 STAND BY FOR THAT FREIGHT'S SPRING LINE! 2395 01:41:15,834 --> 01:41:18,200 LET GO OF YOUR SPRING. 2396 01:41:19,734 --> 01:41:21,400 CAST HER IN. 2397 01:41:25,334 --> 01:41:28,300 COME ON, GET THAT GANGPLANK UP HERE. 2398 01:41:29,567 --> 01:41:31,167 HIYA, CHILI! 2399 01:41:37,133 --> 01:41:38,400 HARRY! 2400 01:41:47,067 --> 01:41:48,901 OH, HARRY, HARRY. 2401 01:41:48,968 --> 01:41:50,501 I'VE BEEN COUNTING THE TIME, TOO, PAL. 2402 01:41:50,567 --> 01:41:51,501 EVERY SECOND. 2403 01:41:51,567 --> 01:41:52,834 DID YOU COUNT EVERY SECOND, HARRY? 2404 01:41:52,901 --> 01:41:54,400 I MIGHT HAVE MISSED A MOMENT, BABY, HERE AND THERE. 2405 01:41:54,467 --> 01:41:55,834 DON'T TELL ME ABOUT THEM. 2406 01:41:55,901 --> 01:41:57,100 STILL LOVE ME BEST? 2407 01:41:57,167 --> 01:41:58,767 I MEAN, MINNIE THE BEST AND ME SECOND? 2408 01:41:58,834 --> 01:42:00,000 LOOK, SEE THEM FOOTPRINTS OF YOURS? 2409 01:42:00,067 --> 01:42:01,234 SAY GOOD-BYE TO THEM. 2410 01:42:01,300 --> 01:42:03,167 I'LL BE RIGHT BACK IN THEM WHEN YOU LEAVE, HARRY. 2411 01:42:03,234 --> 01:42:04,234 YOU'RE CRAZY WITH THE HEAT. 2412 01:42:04,300 --> 01:42:05,767 I'VE QUIT THE SHIP. I'M WASHED. 2413 01:42:05,834 --> 01:42:07,701 I'M QUITTING EVERYTHING, RIGHT TO LEFT, LEFT- 2414 01:42:07,767 --> 01:42:09,968 I MEAN RIGHT AND LEFT. 2415 01:42:10,033 --> 01:42:11,667 I'M SPITTIN' COTTON. 2416 01:42:11,734 --> 01:42:12,667 HEY, NICK! 2417 01:42:12,734 --> 01:42:14,200 CHAMPAGNE! 2418 01:42:14,267 --> 01:42:16,701 I WANT TO GET THE BAD TASTE OF THIS MUD SCOW 2419 01:42:16,767 --> 01:42:18,067 OUT OF MY MOUTH. 2420 01:42:18,133 --> 01:42:20,033 BLOW YOUR PERFUME AT ME, PAL. 2421 01:42:20,100 --> 01:42:22,300 I'M SICK OF SMELLING SAILORS. 2422 01:42:51,033 --> 01:42:54,033 CHAMPAGNE NEVER TO SAY GOOD-BYE AGAIN. 2423 01:42:54,100 --> 01:42:56,701 CHAMPAGNE TO SAY HELLO AND HELLO. 2424 01:42:56,767 --> 01:42:57,934 HELLO, HELLO! 2425 01:42:58,000 --> 01:43:00,234 TO CHILI, MY DEAR OLD HOMESTEAD. 2426 01:43:00,300 --> 01:43:02,300 TO THE DEAR OLD HOMESTEAD AND DEAR ME IN IT. 2427 01:43:02,367 --> 01:43:03,834 MMM, MMM. 2428 01:43:10,567 --> 01:43:11,701 OK! 2429 01:43:11,767 --> 01:43:13,667 TELL TIME IT CAN STOP. 2430 01:43:14,501 --> 01:43:16,300 STOP, TIME! 2431 01:43:16,367 --> 01:43:17,634 SHE STOP? 2432 01:43:17,701 --> 01:43:18,868 ALL ANCHORED, BABY. 2433 01:43:18,934 --> 01:43:20,567 NOW, NOW SAY YOU LOVE ME. 2434 01:43:20,634 --> 01:43:22,334 I LOVE YA. 2435 01:43:22,400 --> 01:43:23,334 BETTER. 2436 01:43:23,400 --> 01:43:24,300 GOOD. 2437 01:43:24,367 --> 01:43:25,567 NO GIRL LAUGHS AT ME? 2438 01:43:25,634 --> 01:43:27,801 I'M ALL YOURS, BABY. 2439 01:43:30,367 --> 01:43:32,601 HEY, LET'S GO. WHERE'S RENO AROUND HERE? 2440 01:43:32,667 --> 01:43:33,801 RENO? WHO'S SHE? 2441 01:43:33,868 --> 01:43:36,300 HA HA! RENO'S NO GIRL, BABY. 2442 01:43:36,367 --> 01:43:37,767 LIKE MINNIE, ANOTHER SHIP? 2443 01:43:37,834 --> 01:43:38,934 A LITTLE CITY, 2444 01:43:39,000 --> 01:43:40,167 BIGGEST LITTLE CITY IN THE WORLD. 2445 01:43:40,234 --> 01:43:42,834 RENO SOUNDS SWEET. LET'S GO TO RENO. 2446 01:43:42,901 --> 01:43:43,868 OK, EMILY. 2447 01:43:43,934 --> 01:43:45,100 EMILY? 2448 01:43:45,934 --> 01:43:46,868 OH. 2449 01:43:46,934 --> 01:43:48,834 DON'T TELL ME EMILY'S A SHIP. 2450 01:43:48,901 --> 01:43:50,968 DON'T TELL ME EMILY'S A LITTLE CITY! 2451 01:43:51,033 --> 01:43:52,300 THE GOOD SHIP EMILY. 2452 01:43:52,367 --> 01:43:53,300 NO! 2453 01:43:53,367 --> 01:43:54,534 THE GOOD OLD TOWN OF EMILY, NEVADA. 2454 01:43:54,601 --> 01:43:55,701 NO! 2455 01:43:55,767 --> 01:43:57,634 ALL RIGHT, EMILY'S A GIRL. 2456 01:43:57,701 --> 01:44:00,534 WE GOT MARRIED AND DIVORCED. 2457 01:44:05,567 --> 01:44:07,467 SE�OR PATTERSON, IS IT NOT? 2458 01:44:07,534 --> 01:44:08,601 IT IS. 2459 01:44:08,667 --> 01:44:10,033 AND I BROUGHT YOU SOME OF THE KID'S THINGS. 2460 01:44:10,100 --> 01:44:11,467 AH. YEAH, THE KID FLUNKED. 2461 01:44:11,534 --> 01:44:13,234 AND US GUYS THAT DIDN'T PRAY WAS PASSED. 2462 01:44:13,300 --> 01:44:14,601 YES, I HAD THE SAME THOUGHT 2463 01:44:14,667 --> 01:44:16,667 WHEN I WAS IN SAIL LONG AGO. 2464 01:44:16,734 --> 01:44:18,334 THE BEST AND THE BRAVEST, THEY ARE TAKEN. 2465 01:44:18,400 --> 01:44:19,968 THAT'S RIGHT, A DIRTY GYP. 2466 01:44:20,033 --> 01:44:21,834 BUT HE SHOVED OFF WITH A LAUGH. 2467 01:44:21,901 --> 01:44:24,334 SEEMS LIKE HE JUST UP AND WALKS AWAY ON THE SEA. 2468 01:44:24,400 --> 01:44:27,033 OH, SIT DOWN. THIS IS MY MARIA. 2469 01:44:27,100 --> 01:44:28,467 SE�ORITA. 2470 01:44:28,534 --> 01:44:29,701 HOLA, SE�OR. 2471 01:44:29,767 --> 01:44:31,667 LONG AFTER YOUR SHIP HAD DROPPED FROM SIGHT, 2472 01:44:31,734 --> 01:44:33,868 SHE STOOD AND WAVED AT THE EMPTY SEA. 2473 01:44:33,934 --> 01:44:36,901 ATTABOY, MY STATUE. 2474 01:44:47,434 --> 01:44:49,667 A KINDLY ACT, SE�OR. 2475 01:44:49,734 --> 01:44:50,868 I THANK YOU. 2476 01:44:50,934 --> 01:44:52,901 TO A SAILOR. 2477 01:44:57,367 --> 01:44:59,234 AND HIS EVENING STAR. 2478 01:45:04,400 --> 01:45:07,067 OK, GRANDPA! WHAT DO YOU SAY? 2479 01:45:07,133 --> 01:45:08,634 GREAT-GRANDPA. 2480 01:45:08,701 --> 01:45:10,667 OK, GREAT-GRANDPA. 2481 01:45:10,734 --> 01:45:12,100 LET'S ALL GET STIFF. 2482 01:45:12,167 --> 01:45:13,567 I'M SORRY I CANNOT JOIN YOU, SAILOR, 2483 01:45:13,634 --> 01:45:14,868 I HAVE AN ENGAGEMENT FOR SUPPER. 2484 01:45:14,934 --> 01:45:16,167 UH-OH. WHO IS SHE? 2485 01:45:16,234 --> 01:45:19,601 MY GRANDCHILDREN, MY GREAT - GRANDCHILDREN, 2486 01:45:19,667 --> 01:45:21,801 MY CHILDREN, AND MY WIFE. 2487 01:45:21,868 --> 01:45:23,567 HOLY MOSES- 2488 01:45:23,634 --> 01:45:25,067 ALL LIVING IN ONE HOUSE? 2489 01:45:25,133 --> 01:45:26,868 ON MY RANCH IN THE HILLS. 2490 01:45:26,934 --> 01:45:27,934 BUT I SEE THAT YOU ARE 2491 01:45:28,000 --> 01:45:29,868 WELL-FORTIFIED, TOO, SE�OR. 2492 01:45:29,934 --> 01:45:32,234 DO WE DRINK AGAIN TO A HAPPY FUTURE 2493 01:45:32,300 --> 01:45:33,434 AND A LOT OF CHILDREN? 2494 01:45:33,501 --> 01:45:35,334 NAH, NO, NO CHILDREN, 2495 01:45:35,400 --> 01:45:36,667 NO GARDENS. 2496 01:45:36,734 --> 01:45:38,601 THE ONLY FLOWER THAT GROWS IN A GARDEN 2497 01:45:38,667 --> 01:45:40,334 IS FAMILIARITY. 2498 01:45:40,400 --> 01:45:42,534 AND THEY SAY IT BREEDS CONTEMPT. 2499 01:45:42,601 --> 01:45:45,801 AGAIN, I HAD THE SAME THOUGHT WHEN I WAS YOUNG. 2500 01:45:45,868 --> 01:45:48,334 YOU AND I WOULD HAVE HAD A HIGH TIME ONCE. 2501 01:45:48,400 --> 01:45:49,968 AND FINISHED, AS ALWAYS, 2502 01:45:50,033 --> 01:45:51,968 WITH A HEADACHE IN THE HEART. 2503 01:45:52,033 --> 01:45:55,100 HARRY WAS MARRIED, SE�OR. 2504 01:45:55,167 --> 01:45:56,300 OH? 2505 01:45:56,367 --> 01:45:58,667 YEAH, YEAH, I TOOK A WHACK AT IT. 2506 01:45:58,734 --> 01:46:00,834 HOW LONG, HARRY? 2507 01:46:00,901 --> 01:46:02,701 3 DAYS. 2508 01:46:02,767 --> 01:46:04,601 QUITE A WHACK. 2509 01:46:04,667 --> 01:46:06,100 DON'T REGRET A MINUTE OF IT. 2510 01:46:06,167 --> 01:46:07,601 ONE LONG LAUGH. 2511 01:46:07,667 --> 01:46:09,667 SHE'D THROW A KISS WITH ONE HAND 2512 01:46:09,734 --> 01:46:11,334 AND A ROCK WITH THE OTHER. 2513 01:46:11,400 --> 01:46:13,801 HA! THAT SCREWBALL! 2514 01:46:13,868 --> 01:46:15,634 "OH," SHE SAYS, 2515 01:46:15,701 --> 01:46:18,734 "YOU CHEATED THAT NICE LITTLE MAN. 2516 01:46:18,801 --> 01:46:19,868 GOOD-BYE!" 2517 01:46:20,767 --> 01:46:23,167 JUST SCIENTIFIC, DARLING. 2518 01:46:23,234 --> 01:46:25,934 "AND I WON'T STEAL A CHICKEN! 2519 01:46:26,000 --> 01:46:27,734 GOOD-BYE!" 2520 01:46:27,801 --> 01:46:31,033 I LOVE YOU, DARLING. 2521 01:46:31,100 --> 01:46:34,000 "OH, WHAT ARE YOU DOING ON MY ROOF? 2522 01:46:34,067 --> 01:46:36,767 STOP PAINTING MY ROOF! GOOD-BYE!" 2523 01:46:36,834 --> 01:46:39,801 SHE WAS ALWAYS SAYING GOOD-BYE TO ME 2524 01:46:39,868 --> 01:46:42,434 FROM THE MOMENT I MET HER! HA! 2525 01:46:42,501 --> 01:46:44,300 THAT SCREWBALL. 2526 01:46:50,200 --> 01:46:52,634 A CHARMING, VIOLENT LADY. 2527 01:46:52,701 --> 01:46:53,934 WELL, SE�OR... 2528 01:46:54,000 --> 01:46:55,534 NO, NO, DON'T GO. 2529 01:46:55,601 --> 01:46:57,067 I HAVE MY ENGAGEMENT. 2530 01:46:57,133 --> 01:46:58,400 THE MADHOUSE IN THE HILLS? 2531 01:46:58,467 --> 01:47:00,534 IT IS MAD, NO DOUBT, BUT PEACEFUL, 2532 01:47:00,601 --> 01:47:03,033 AND IT SHOULD BE A LITTLE VIOLENT TO BE PEACEFUL. 2533 01:47:03,100 --> 01:47:04,267 YEAH? 2534 01:47:04,334 --> 01:47:07,767 MY WIFE AND I LIVE FAMILIARLY AS TWO OLD SHOES, 2535 01:47:07,834 --> 01:47:09,167 YET WE LIVE IN CONFLICT. 2536 01:47:09,234 --> 01:47:10,801 WE LIVE TO MAKE EACH OTHER LAUGH, 2537 01:47:10,868 --> 01:47:12,767 AND THE CHILDREN ARE OUR AUDIENCE. 2538 01:47:12,834 --> 01:47:15,267 WE ARE GREATER STRANGERS THAN THE DAY WE MET, 2539 01:47:15,334 --> 01:47:17,267 AND THUS, MY FRIEND, 2540 01:47:17,334 --> 01:47:20,234 FAMILIARITY BREEDS BEAUTY. 2541 01:47:20,300 --> 01:47:21,834 ADIOS, SE�OR. 2542 01:47:21,901 --> 01:47:23,200 SE�ORITA. 2543 01:47:30,067 --> 01:47:31,400 HE'S GOOD. 2544 01:47:31,467 --> 01:47:33,501 THE OLD BOY'S GOOD. 2545 01:47:33,567 --> 01:47:35,901 YES, HARRY. HE'S VERY GOOD. 2546 01:47:35,968 --> 01:47:39,300 YEAH, YOU'RE 193, AND YOU CAN PULL THAT STUFF. 2547 01:47:39,367 --> 01:47:42,000 WHEN ARE YOU GOING BACK TO HER? 2548 01:47:42,067 --> 01:47:44,534 HA! WHERE DO WE GO FROM HERE? 2549 01:47:44,601 --> 01:47:45,734 I LEFT! 2550 01:47:45,801 --> 01:47:47,334 I GOT LAUGHED OUT. 2551 01:47:47,400 --> 01:47:48,667 I WASN'T LAUGHING AT YOU. 2552 01:47:48,734 --> 01:47:50,634 IT WASN'T YOU WHO WAS LAUGHING. 2553 01:47:50,701 --> 01:47:52,834 IT'S SHE- LAUGHING AT ME. 2554 01:47:52,901 --> 01:47:54,901 ADIOS, HARRY. 2555 01:47:54,968 --> 01:47:56,601 HEY! 2556 01:47:57,400 --> 01:47:59,133 MARIA, HEY! 2557 01:47:59,200 --> 01:48:00,734 MARIA! 2558 01:48:00,801 --> 01:48:02,834 HEY! 2559 01:48:05,367 --> 01:48:06,667 HA HA! 2560 01:48:06,734 --> 01:48:08,033 YOU SEE WHAT I MEAN? 2561 01:48:08,100 --> 01:48:10,968 THEY'RE ALWAYS SAYING GOOD-BYE TO ME. 2562 01:48:11,033 --> 01:48:12,067 NICK! 2563 01:48:12,133 --> 01:48:14,968 COME ON, WHAT'LL YOU HAVE, EVERYBODY? 2564 01:48:16,968 --> 01:48:19,968 IT'S LIKE I SAY, RED- 2565 01:48:20,033 --> 01:48:22,400 A GUY CAN FORGET ANYTHING. 2566 01:48:22,467 --> 01:48:25,801 A BIG, STRONG GUY LIKE YOU? SIMPLE. 2567 01:48:25,868 --> 01:48:29,000 TIME DOES IT. TIME AND DISTANCE. 2568 01:48:29,067 --> 01:48:30,934 DON'T I KNOW. 2569 01:48:31,000 --> 01:48:32,701 AIN'T I TOLD YOU, HARRY? 2570 01:48:32,767 --> 01:48:34,501 SURE. 2571 01:48:34,567 --> 01:48:38,100 I'LL BET YOU CAN'T EVEN REMEMBER THE GUY'S FACE 2572 01:48:38,167 --> 01:48:39,934 OR NOTHIN' HE EVER SAID. 2573 01:48:40,000 --> 01:48:41,067 RIGHT? 2574 01:48:41,133 --> 01:48:42,868 RIGHT. 2575 01:48:42,934 --> 01:48:46,367 HE WAS A SOFT-TALKING HEEL FROM ALABAMA 2576 01:48:46,434 --> 01:48:49,767 WITH A DIMPLE IN HIS CHIN, 2577 01:48:49,834 --> 01:48:51,901 AND I FORGOT HIM LIKE THAT. 2578 01:48:51,968 --> 01:48:53,300 JUST LIKE THAT. 2579 01:48:53,367 --> 01:48:55,234 AND YOU AIN'T A SAILOR. 2580 01:48:55,300 --> 01:48:57,234 A SAILOR'S GOT PLENTY OF OCEAN- 2581 01:48:57,300 --> 01:48:59,601 10,000 MILES OF THE STUFF. 2582 01:48:59,667 --> 01:49:02,901 AND TIME, THAT DOES IT. TIME. 2583 01:49:02,968 --> 01:49:04,667 GOOD OLD TIME. 2584 01:49:04,734 --> 01:49:07,067 GOD BLESS TIME, I SAY. 2585 01:49:07,133 --> 01:49:10,067 IT'S BETTER THAN BOOZE OR DOPE. 2586 01:49:10,133 --> 01:49:11,400 THE DOCS AIN'T GOT NOTHING 2587 01:49:11,467 --> 01:49:14,100 COMPARED TO WHAT A FEW MONTHS WILL DO. 2588 01:49:14,167 --> 01:49:15,667 OR YEARS. 2589 01:49:15,734 --> 01:49:18,434 SOMETIMES YOU NEED YEARS. 2590 01:49:18,501 --> 01:49:20,234 NOT ME. 2591 01:49:20,300 --> 01:49:23,300 THAT DEPENDS ON WHO YOU'RE FORGETTING. 2592 01:49:23,367 --> 01:49:26,734 I DON'T WISH TO APPEAR DOGMATIC, MY DEAR HARRY, 2593 01:49:26,801 --> 01:49:29,434 BUT IT DOES DEPEND ON WHO YOU FORGET. 2594 01:49:29,501 --> 01:49:33,234 THERE AIN'T A DAME ON EARTH I CAN'T FORGET IN 6 MONTHS. 2595 01:49:33,300 --> 01:49:35,400 OK, OK. 2596 01:49:35,467 --> 01:49:36,934 YOU FALL IN LOVE WITH A DAME, 2597 01:49:37,000 --> 01:49:39,734 AND SHE WANTS TO PLANT TREES IN YOUR HEART. 2598 01:49:39,801 --> 01:49:43,367 TO SHADE A POTATO PATCH THAT SHE'LL WATER WITH YOUR BLOOD. 2599 01:49:43,434 --> 01:49:44,734 HARRY... 2600 01:49:44,801 --> 01:49:46,400 HARRY, MUDGIN'S HURT. 2601 01:49:46,467 --> 01:49:47,901 HE FELL OFF THE SHIP. 2602 01:49:47,968 --> 01:49:49,467 OK, THROW HIM BACK AGAIN. 2603 01:49:49,534 --> 01:49:51,167 BUT, HARRY, HE'S LAYIN' ON THE DOCK 2604 01:49:51,234 --> 01:49:52,434 WITH HIS WHOLE SIDE CAVED IN! 2605 01:49:52,501 --> 01:49:54,167 TELL THE CAPTAIN I DON'T FALL FOR THAT STUFF. 2606 01:49:54,234 --> 01:49:56,601 TELL HIM MUDGIN AND I PARTED COMPANY. 2607 01:49:56,667 --> 01:49:59,701 HARRY, CAPTAIN WAS SAILING WITHOUT YOU, BUT NOT MUDGIN. 2608 01:49:59,767 --> 01:50:01,734 HE JUMPED SHIP TO FIND YOU. 2609 01:50:01,801 --> 01:50:05,801 I AIN'T SEEN MUDGIN SO CRAZY SINCE HE LOST HIS SOUL! 2610 01:50:08,834 --> 01:50:10,968 THIS BETTER BE ON THE LEVEL. 2611 01:50:11,834 --> 01:50:13,234 HERE, PAL, 20 BUCKS. 2612 01:50:13,300 --> 01:50:14,334 WHAT FOR? 2613 01:50:14,400 --> 01:50:16,567 GOOD CONVERSATION. 2614 01:50:25,200 --> 01:50:27,734 OK, BOYS, TAKE HIM ABOARD. 2615 01:50:28,734 --> 01:50:30,400 HOW IS HE, DOC? 2616 01:50:35,067 --> 01:50:38,133 STOP JARRIN' HIM. 2617 01:50:41,100 --> 01:50:43,200 'COURSE... 2618 01:50:43,267 --> 01:50:45,067 IRELAND IS... 2619 01:50:45,133 --> 01:50:48,934 AND ME WASH SPITOONS FOR SEAN AGAIN. 2620 01:50:49,000 --> 01:50:53,267 THE SEA... SHIPS... 2621 01:50:54,334 --> 01:50:56,300 GOOD-BYE, DARLIN'. 2622 01:50:57,901 --> 01:50:59,267 LOOK OUT! 2623 01:50:59,334 --> 01:51:01,000 TORPEDO, TORPEDO! 2624 01:51:01,067 --> 01:51:02,234 OK, MUDGE, OK. 2625 01:51:02,300 --> 01:51:03,167 LAY STILL AND REST. 2626 01:51:03,234 --> 01:51:06,868 OH, IT'S YOU, HARRY. 2627 01:51:06,934 --> 01:51:07,901 YEAH. 2628 01:51:07,968 --> 01:51:09,601 HERE, WANT SOME WATER? 2629 01:51:09,667 --> 01:51:12,400 WHERE'S THE SKY? 2630 01:51:12,467 --> 01:51:14,467 AND THE WIND BLOWIN'? 2631 01:51:14,534 --> 01:51:15,767 WE'RE ON THE SHIP, MUDGE. 2632 01:51:15,834 --> 01:51:17,000 BOUND FOR FRISCO. 2633 01:51:17,067 --> 01:51:18,501 FRISCO? 2634 01:51:18,567 --> 01:51:20,534 THEN I'LL GO ON DECK NOW. 2635 01:51:20,601 --> 01:51:22,767 NO, NO, NO. TAKE IT EASY. 2636 01:51:26,067 --> 01:51:29,767 BUT A MAN MUSTN'T DIE IN THIS RATHOLE. 2637 01:51:31,067 --> 01:51:32,601 YOU AIN'T GONNA DIE. 2638 01:51:32,667 --> 01:51:35,067 INDEED, NOW? 2639 01:51:38,000 --> 01:51:39,767 LET'S TAKE HIM ON DECK, HARRY. 2640 01:51:39,834 --> 01:51:41,067 COULDN'T MAKE HIM NO WORSE. 2641 01:51:41,133 --> 01:51:43,734 YEAH, IF WE DONE IT CAREFUL. 2642 01:51:45,167 --> 01:51:46,300 OK. OK. 2643 01:51:50,400 --> 01:51:53,400 THE SKY... 2644 01:51:53,467 --> 01:51:55,167 THE WIND... 2645 01:52:00,601 --> 01:52:04,267 MUDGE, WE'RE OUT OF THE RATHOLE. 2646 01:52:04,334 --> 01:52:05,467 I KNOW IT. 2647 01:52:05,534 --> 01:52:06,767 WELL, TAKE A LOOK. 2648 01:52:06,834 --> 01:52:11,167 I'M SCARED TO... AND ASHAMED. 2649 01:52:11,234 --> 01:52:13,701 NOTHING TO FEEL THAT WAY ABOUT. 2650 01:52:13,767 --> 01:52:15,067 THE FOG- 2651 01:52:15,133 --> 01:52:17,534 THE FOG'S CLOSIN' IN, 2652 01:52:17,601 --> 01:52:20,200 AND I AIN'T GOT MY SOUL- 2653 01:52:20,267 --> 01:52:23,067 MY WEEPIN' IMMORTAL SOUL. 2654 01:52:23,133 --> 01:52:25,100 YOU NEVER LOST IT, MUDGE. 2655 01:52:25,167 --> 01:52:27,501 YES, I DID. ON POWELL STREET. 2656 01:52:27,567 --> 01:52:29,267 A TINY LIGHT, A LITTLE STAR. 2657 01:52:29,334 --> 01:52:30,868 I'M IN THE DARK NOW. 2658 01:52:30,934 --> 01:52:32,067 ALL BY MYSELF, 2659 01:52:32,133 --> 01:52:34,734 AND NOT EVEN A MATCH TO STRIKE ON MY BRITCHES. 2660 01:52:34,801 --> 01:52:37,267 A DISGRACE TO IRELAND. 2661 01:52:48,100 --> 01:52:49,601 AYE... 2662 01:52:49,667 --> 01:52:53,901 DID YOU FEEL IT, HARRY? 2663 01:52:53,968 --> 01:52:55,267 DID IT TOUCH YOU? 2664 01:52:58,033 --> 01:53:00,400 SURE, MUDGE, SURE. 2665 01:53:01,467 --> 01:53:03,234 TELL ME SOMETHING- 2666 01:53:03,300 --> 01:53:06,234 MY SOUL, HE GIVE IT BACK TO ME. 2667 01:53:19,567 --> 01:53:21,801 THAT'S RIGHT, MUDGE. 2668 01:53:35,801 --> 01:53:37,234 NEAR ENOUGH. 2669 01:53:39,434 --> 01:53:42,601 AIN'T YOU GOT UP THERE YET? 2670 01:53:42,667 --> 01:53:45,501 OH, YOU STILL LOOSE? 2671 01:53:45,567 --> 01:53:47,601 NOTHING EVER CHANGES. 2672 01:53:47,667 --> 01:53:49,133 WELL, I GUESS I'LL TAKE A CHANCE. 2673 01:53:49,200 --> 01:53:50,801 BROTHER, YOU'RE DUE. 2674 01:53:50,868 --> 01:53:52,434 I'LL HANG AROUND A FEW MINUTES, 2675 01:53:52,501 --> 01:53:54,000 IN CASE YOU COME OUT ON YOUR EAR. 2676 01:53:54,067 --> 01:53:55,234 OK. 2677 01:54:07,667 --> 01:54:08,901 HI, HELEN. 2678 01:54:08,968 --> 01:54:10,300 EMILY! 2679 01:54:10,367 --> 01:54:11,734 HI, PAL. 2680 01:54:11,801 --> 01:54:14,634 EM! EM! 2681 01:54:15,701 --> 01:54:16,701 WHERE IS SHE? 2682 01:54:16,767 --> 01:54:18,501 SHE DON'T LIVE HERE ANYMORE. 2683 01:54:18,567 --> 01:54:19,501 WHERE DOES SHE LIVE? 2684 01:54:19,567 --> 01:54:20,634 WHY? 2685 01:54:20,701 --> 01:54:21,934 HEY, WHAT'S EATING YOU? 2686 01:54:22,000 --> 01:54:23,000 WHAT KIND OF A GREETING IS THIS? 2687 01:54:23,067 --> 01:54:24,734 GREET YOU? I GREET YOU? 2688 01:54:24,801 --> 01:54:26,534 I COULD CUT YOUR THROAT, YOU RAT! 2689 01:54:26,601 --> 01:54:28,234 AND I COULD CUT MINE, TOO! 2690 01:54:28,300 --> 01:54:29,834 THAT MORNING FROM RENO IN THERE- 2691 01:54:29,901 --> 01:54:31,133 THAT DAY OF THE BIG CELEBRATION 2692 01:54:31,200 --> 01:54:32,667 AND ALL THAT STUFF I PULLED ABOUT- 2693 01:54:32,734 --> 01:54:35,701 ABOUT BEING SO HAPPY BECAUSE YOU MADE HER FEEL SO HAPPY! 2694 01:54:35,767 --> 01:54:38,601 OH, BOY, ALL THOSE WORDS CAME BACK AND BIT ME! 2695 01:54:38,667 --> 01:54:39,868 WHAT'S THE MATTER, HELEN? 2696 01:54:39,934 --> 01:54:41,467 EMILY AND I PARTED THE BEST PALS GOING. 2697 01:54:41,534 --> 01:54:42,834 SHE DON'T KNOW YOU'RE ALIVE! 2698 01:54:42,901 --> 01:54:44,701 SHE'D DIVORCED. SHE'S RID OF YOU. 2699 01:54:44,767 --> 01:54:46,868 SHE'S ALL RIGHT, AND YOU LEAVE HER ALONE. 2700 01:54:46,934 --> 01:54:49,167 YOU LEAVE HER ALONE! 2701 01:54:49,234 --> 01:54:51,501 THERE'S MY CAB. 2702 01:54:56,968 --> 01:54:58,901 WHERE YOU GOING? 2703 01:55:00,701 --> 01:55:02,634 WHERE YOU GOING? 2704 01:55:04,267 --> 01:55:06,534 GOLDEN GATE BRIDGE. 2705 01:55:08,000 --> 01:55:09,367 WHERE YOU GOING? 2706 01:55:09,434 --> 01:55:11,667 HEY-HEY, I THOUGHT THAT OTHER DAME- 2707 01:55:11,734 --> 01:55:12,767 HURRY, DRIVER, HURRY. 2708 01:55:12,834 --> 01:55:14,467 HEY, WHAT IS? 2709 01:55:14,534 --> 01:55:16,767 YOU TELL ME WHERE EMILY IS, AND I'M NOT KIDDIN'. 2710 01:55:16,834 --> 01:55:18,400 I'LL TELL YOU. SHE'S HAVING A BABY! 2711 01:55:18,467 --> 01:55:20,367 HOW DO YOU LIKE THAT? 2712 01:55:20,434 --> 01:55:21,400 A BABY? 2713 01:55:21,467 --> 01:55:23,934 YEAH, A BABY. EVER HEARD OF THEM? 2714 01:55:24,033 --> 01:55:25,601 WELL, THIS IS IT! 2715 01:55:25,667 --> 01:55:28,701 WHAT'S THE IDEA OF HER HAVING A BABY, AND ME NOT KNOWING IT? 2716 01:55:28,767 --> 01:55:30,601 IF I'M A FATHER, I'M A FATHER. 2717 01:55:30,667 --> 01:55:31,901 WHERE IS SHE? 2718 01:55:31,968 --> 01:55:33,567 WE'RE GOING THERE. THE FARM. 2719 01:55:33,634 --> 01:55:35,534 WELL, YOU WAIT TILL I GET THERE. 2720 01:55:35,601 --> 01:55:37,901 COME ON, STEP ON IT! GET GOING! 2721 01:55:37,968 --> 01:55:40,167 YES, FATHER. 2722 01:55:45,033 --> 01:55:47,234 I'M GOING TO TOWN. STICK AROUND. 2723 01:55:47,300 --> 01:55:49,200 YEAH, HE WON'T BE WITH US LONG. 2724 01:55:49,267 --> 01:55:50,734 THE LEAST YOU COULD DO IS LEAVE HER ALONE NOW. 2725 01:55:50,801 --> 01:55:52,300 YEAH? WELL, IT'S ON YOUR HEAD. 2726 01:55:52,367 --> 01:55:54,000 THE DOCTOR SAYS SHE'S IN NO CONDITION TO BE UPSET. 2727 01:55:54,067 --> 01:55:55,200 I'M HANDLING THIS. 2728 01:55:56,667 --> 01:55:57,901 HELLO, MISS MELOHN. 2729 01:55:57,968 --> 01:55:59,067 HOW IS SHE? 2730 01:55:59,133 --> 01:56:00,100 SHE SEEMS FINE. 2731 01:56:00,167 --> 01:56:01,567 NO, NO, I'M SORRY. 2732 01:56:01,634 --> 01:56:02,734 NO VISITORS. 2733 01:56:02,801 --> 01:56:03,801 I AIN'T NO VISITOR, TOOTS. 2734 01:56:03,868 --> 01:56:04,934 CHIEF SURGEON, MERCHANT MARINE. 2735 01:56:05,033 --> 01:56:05,934 HE IS? 2736 01:56:06,000 --> 01:56:07,734 NO, IT'S HIM- THE BIG BOSUN. 2737 01:56:07,801 --> 01:56:09,200 OH. 2738 01:56:28,434 --> 01:56:30,801 DON'T SEE IT. WHERE DO YOU KEEP IT? 2739 01:56:30,868 --> 01:56:32,834 SAID THERE'S A TREE IN HERE. 2740 01:56:32,901 --> 01:56:35,601 OH. IS THAT IT OUT THERE? 2741 01:56:35,667 --> 01:56:36,968 IT'S A BIG TREE. 2742 01:56:37,033 --> 01:56:39,000 ONE NIGHT I MET A GIRL UNDERNEATH IT. 2743 01:56:39,067 --> 01:56:40,868 SHH! SHH! 2744 01:56:40,934 --> 01:56:42,868 SHH! SHH! 2745 01:56:42,934 --> 01:56:44,901 WE'RE IN THE LIBRARY, AT THAT. 2746 01:56:44,968 --> 01:56:46,334 I'M JUST WHISTLING FOR DRINKS. 2747 01:56:46,400 --> 01:56:47,968 HA HA HA HA! 2748 01:56:48,868 --> 01:56:51,701 HIYA, PAL! REMEMBER ME? 2749 01:56:51,767 --> 01:56:56,133 I WOULDN'T KNOW YOU, YOU'VE CHANGED SO. 2750 01:56:56,200 --> 01:56:58,200 HOW DO YOU DO, MR. PATTERSON? 2751 01:56:58,267 --> 01:56:59,934 HOW DO YOU DO? 2752 01:57:00,000 --> 01:57:02,667 YOU DON'T LOOK NO DIFFERENT, BABY. 2753 01:57:02,734 --> 01:57:05,801 HEY, I GOT THE NEWS FROM DEAR OLD HELEN. 2754 01:57:05,868 --> 01:57:07,567 CONGRATULATIONS, PAL. 2755 01:57:07,634 --> 01:57:09,200 OH. 2756 01:57:09,267 --> 01:57:11,634 ALL RIGHT, ARE YOU? 2757 01:57:11,701 --> 01:57:12,868 UH-HUH. 2758 01:57:12,934 --> 01:57:15,801 I'M FINE, I'M FINE. 2759 01:57:17,067 --> 01:57:19,868 AND YOU SHOULDN'T BE READING IN THIS LIGHT. 2760 01:57:19,934 --> 01:57:22,434 YOU WANT TO RUIN YOUR EYES? HMM? 2761 01:57:23,567 --> 01:57:25,834 NO AIR! 2762 01:57:26,634 --> 01:57:27,734 HEY... 2763 01:57:27,801 --> 01:57:29,567 WHEN'S THIS SUPPOSED TO HAPPEN, PAL? 2764 01:57:29,634 --> 01:57:31,167 IT COULD HAVE HAPPENED YESTERDAY. 2765 01:57:31,234 --> 01:57:32,367 WELL, WHAT'S THE IDEA? 2766 01:57:32,434 --> 01:57:34,434 WHY AIN'T YOU IN A HOSPITAL, WHERE YOU BELONG? 2767 01:57:34,501 --> 01:57:35,534 THIS AIN'T NO SETUP. 2768 01:57:35,601 --> 01:57:37,801 A FARM, A HICK DOCTOR. 2769 01:57:37,868 --> 01:57:39,934 YOU KNOW WHO'LL TAKE THE RAP IF ANYTHING GOES WRONG? 2770 01:57:40,000 --> 01:57:41,033 ME. 2771 01:57:41,100 --> 01:57:43,367 SUCH CONCERN, HARRY- 2772 01:57:43,434 --> 01:57:44,901 I'M OVERCOME. 2773 01:57:44,968 --> 01:57:47,200 BUT I WAS BORN IN THIS BED, 2774 01:57:47,267 --> 01:57:48,767 AND DR. ASHLON WAS MY DOCTOR. 2775 01:57:48,834 --> 01:57:50,801 I SEE. DR. ASHLON WAS YOUR DOCTOR, 2776 01:57:50,868 --> 01:57:52,100 NOW HE'S MY DOCTOR. 2777 01:57:52,167 --> 01:57:54,167 AN OLD MAN TRIPPING ON HIS BEARD. 2778 01:57:54,234 --> 01:57:55,934 NOT A CHANCE. 2779 01:57:56,000 --> 01:57:58,667 ARE YOU HAVING A GOOD TIME? 2780 01:57:58,734 --> 01:58:00,267 HMM? 2781 01:58:01,267 --> 01:58:04,534 JUST AS FRESH AS EVER. 2782 01:58:04,601 --> 01:58:06,901 A DAME'S GONNA HAVE A BABY, SHE USUALLY WRITES A GUY, 2783 01:58:06,968 --> 01:58:08,367 DON'T SHE? 2784 01:58:08,434 --> 01:58:10,567 SOMETIMES A GIRL... 2785 01:58:10,634 --> 01:58:12,400 GETS WRITER'S CRAMP, HARRY. 2786 01:58:12,467 --> 01:58:13,667 YEAH? 2787 01:58:13,734 --> 01:58:16,868 WELL, IT WASN'T THOUGHTFUL OF YOU. 2788 01:58:16,934 --> 01:58:18,300 HA! 2789 01:58:18,367 --> 01:58:20,567 I'VE BEEN WONDERING WHAT IT WOULD BE LIKE TO SEE YOU AGAIN. 2790 01:58:20,634 --> 01:58:21,801 HOW IS IT? 2791 01:58:22,767 --> 01:58:25,534 OH, IT'S JUST... GAY. 2792 01:58:25,601 --> 01:58:27,300 WHAT'S THAT MEAN? 2793 01:58:27,367 --> 01:58:28,734 IT DOESN'T HURT. 2794 01:58:29,767 --> 01:58:33,434 NOT TO BE HURT HURTS MORE. 2795 01:58:34,767 --> 01:58:36,634 I GUESS I DON'T GET YOU. 2796 01:58:36,701 --> 01:58:37,834 THAT BIG TREE. 2797 01:58:37,901 --> 01:58:40,634 YOU MET A GIRL UNDER IT, HARRY. 2798 01:58:40,701 --> 01:58:43,033 THAT FIRST NIGHT, THAT FIRST KISS... 2799 01:58:43,100 --> 01:58:47,467 THE MOON TURNED OVER, AND THE FLOOD SPLASHED IN HER FACE. 2800 01:58:47,534 --> 01:58:50,701 WHERE IS THAT GIRL? 2801 01:58:51,968 --> 01:58:54,300 I DON'T SEE MYSELF IN YOUR EYES, HARRY. 2802 01:58:54,367 --> 01:58:55,501 HARRY. 2803 01:58:55,567 --> 01:58:56,834 YEAH? 2804 01:58:56,901 --> 01:58:59,801 WILL YOU MARRY ME, HARRY? 2805 01:58:59,868 --> 01:59:01,767 SURE THING, ANYTIME! 2806 01:59:01,834 --> 01:59:03,734 RIGHT TO LEFT, LEFT TO RIGHT. 2807 01:59:03,801 --> 01:59:06,534 YOU WOULDN'T MARRY ME IF I ASKED YOU TO. 2808 01:59:06,601 --> 01:59:09,300 OH, PROBABLY WOULD. 2809 01:59:09,367 --> 01:59:12,033 I WAS ALONE FOR A LONG WHILE BEFORE YOU CAME ALONG, 2810 01:59:12,100 --> 01:59:16,467 AND I'VE BEEN ALONE FOR A LONGER WHILE SINCE YOU LEFT. 2811 01:59:16,534 --> 01:59:20,834 I KNOW THERE'LL NEVER BE ANOTHER MAN UNDER A TREE FOR ME. 2812 01:59:20,901 --> 01:59:23,968 FUNNY, ALL THAT TALK OF TREES AND LIBRARIES. 2813 01:59:24,033 --> 01:59:27,467 THERE SHOULD BE A REAL TREE, FOR A MINUTE. 2814 01:59:29,734 --> 01:59:31,734 WELL, PAL, I'LL HAND YOU ONE. 2815 01:59:31,801 --> 01:59:34,801 I'LL NEVER KISS ANOTHER GIRL UNDER A TREE, EITHER. 2816 01:59:34,868 --> 01:59:36,868 WE JUST MISSED, DIDN'T WE? 2817 01:59:39,100 --> 01:59:40,801 HOW LONG YOU STAYING THIS TIME, HARRY? 2818 01:59:40,868 --> 01:59:43,300 OH, I GOT A COUPLE OF WEEKS, WITH LUCK. 2819 01:59:43,367 --> 01:59:44,534 GOOD. 2820 01:59:44,601 --> 01:59:46,133 HOW ARE THE BOYS? 2821 01:59:46,200 --> 01:59:50,234 OH, AND HARRY, HOW'S MY MUDGIN? 2822 01:59:50,300 --> 01:59:52,067 HE'S OK. 2823 01:59:52,133 --> 01:59:54,000 HE, UH, FOUND HIS SOUL. 2824 01:59:54,067 --> 01:59:55,000 OH? 2825 01:59:55,067 --> 01:59:57,367 IT HAD WINGS ON HIM. 2826 01:59:57,434 --> 01:59:59,400 FLEW AWAY WITH HIM. 2827 02:00:05,567 --> 02:00:07,400 YOU MUST MISS HIM TERRIBLY. 2828 02:00:09,334 --> 02:00:12,067 AW, HE'S JUST A PAL OF MINE. 2829 02:00:12,133 --> 02:00:14,234 HE'S A PAL OF MINE, TOO. 2830 02:00:14,300 --> 02:00:17,734 HE CALLED ME QUEEN DIERDRE. 2831 02:00:17,801 --> 02:00:20,133 THAT POOR LOST POET 2832 02:00:20,200 --> 02:00:23,667 WHO HAD THE STRENGTH OF A BOSUN. 2833 02:00:23,734 --> 02:00:25,868 HE WAS STRONG ENOUGH. 2834 02:00:29,868 --> 02:00:31,534 WHAT'S THE MATTER? 2835 02:00:31,601 --> 02:00:33,334 OH... 2836 02:00:33,400 --> 02:00:36,767 A FRIEND OF OURS WANTS TO SEE US. 2837 02:00:36,834 --> 02:00:38,601 OH... 2838 02:00:38,667 --> 02:00:40,133 NURSE! NURSE! 2839 02:00:40,200 --> 02:00:41,234 PAIN? 2840 02:00:41,300 --> 02:00:44,067 YEAH. WHERE ARE YOU? GET IN THERE, WILL YOU? 2841 02:00:44,133 --> 02:00:46,334 IT HIT HER JUST LIKE A KNIFE. 2842 02:00:46,400 --> 02:00:48,000 WELL, THAT'S WHAT WE'VE BEEN WAITING FOR. 2843 02:00:48,067 --> 02:00:50,901 THAT'S GREAT. YOU'VE BEEN WAITING FOR IT. 2844 02:01:28,000 --> 02:01:28,968 HARRY! 2845 02:01:29,033 --> 02:01:30,167 SHE ALL RIGHT? 2846 02:01:30,234 --> 02:01:31,734 YES, SHE'S ALL RIGHT. 2847 02:01:31,801 --> 02:01:33,467 YOU GOT A LITTLE BOY, HARRY! 2848 02:01:33,534 --> 02:01:36,634 BUT IF YOU WANT TO SEE HIM, YOU BETTER HURRY! 2849 02:01:43,767 --> 02:01:46,200 CYANOSIS, DOCTOR. 2850 02:01:48,434 --> 02:01:51,467 NORMAL PREGNANCY, NORMAL BIRTH, 2851 02:01:51,534 --> 02:01:52,501 BUT HE DOESN'T BREATHE. 2852 02:01:52,567 --> 02:01:53,901 TELL ME WHY. 2853 02:01:53,968 --> 02:01:55,801 YOU'RE JUST OUT OF JOHNS HOPKINS, AIN'T YOU? 2854 02:01:55,868 --> 02:01:57,334 YOU KNOW EVERYTHING. TELL ME WHY. 2855 02:01:57,400 --> 02:01:58,367 GET OUT OF HERE. 2856 02:01:58,434 --> 02:01:59,567 I'M HIS FATHER. 2857 02:01:59,634 --> 02:02:01,033 FATHER? YOU ARE? 2858 02:02:01,100 --> 02:02:02,400 OXYGEN. 2859 02:02:02,467 --> 02:02:04,601 OXYGEN GOT TO... 2860 02:02:04,667 --> 02:02:05,801 ANY CHANCE, DOC? 2861 02:02:05,868 --> 02:02:07,634 I DON'T KNOW. 2862 02:02:07,701 --> 02:02:09,601 JOHNS HOPKINS DOESN'T KNOW. 2863 02:02:10,667 --> 02:02:11,968 ADRENALINE. 2864 02:02:12,901 --> 02:02:14,167 MAYBE SOME MORE DOCTORS- 2865 02:02:14,234 --> 02:02:15,167 DON'T TALK LIKE A FOOL! 2866 02:02:15,234 --> 02:02:17,367 50 SECONDS BETWEEN LIFE AND DEATH, 2867 02:02:17,434 --> 02:02:18,601 AND HE CALLS FOR MORE DOCTORS. 2868 02:02:18,667 --> 02:02:21,200 OUR BABY. AND WE DID IT. 2869 02:02:21,267 --> 02:02:25,133 DON'T EVEN GIVE GOD CREDIT FOR A LITTLE HELP. 2870 02:02:25,200 --> 02:02:26,968 I- I'M PRAYING. 2871 02:02:27,033 --> 02:02:29,534 WELL, I DON'T KNOW WHY HE SHOULD HEAR YOU. 2872 02:02:29,601 --> 02:02:31,534 MOOCHERS, ALL OF US. 2873 02:02:31,601 --> 02:02:34,901 TAKE HIS LOAN OF LIFE AND NEVER WORK IT OUT, 2874 02:02:34,968 --> 02:02:36,801 NEVER PAY HIM BACK. 2875 02:02:36,868 --> 02:02:38,334 SQUANDERED HIS SUNSHINE 2876 02:02:38,400 --> 02:02:40,868 ON MISERABLE TWO-LEGGED BEASTS, 2877 02:02:40,934 --> 02:02:43,100 LEND HIS WORLD TO BIOLOGICAL MISFITS- 2878 02:02:43,167 --> 02:02:44,901 DEAF, DUMB, BLIND. 2879 02:02:44,968 --> 02:02:46,367 MAKE HIM BREATHE, DOC. 2880 02:02:46,434 --> 02:02:47,734 COME ON. 2881 02:02:47,801 --> 02:02:50,634 GRAB IT, SONNY. WORK YOUR LUNGS. 2882 02:02:50,701 --> 02:02:52,567 CYANOSIS, DOCTOR. MORE OXYGEN. 2883 02:02:52,634 --> 02:02:55,200 YEAH, THAT'LL DO IT. 2884 02:02:55,267 --> 02:02:57,033 IT WORKED IN THE PAST, THAT OUGHT TO DO IT. 2885 02:02:57,100 --> 02:02:58,234 YEAH. 2886 02:02:58,300 --> 02:03:01,801 PIN CLOUDS OF GLORY ON HIM WITH A HYPO NEEDLE. 2887 02:03:03,133 --> 02:03:05,567 SYRINGE MUSIC IN HIS EARS. 2888 02:03:05,634 --> 02:03:07,868 DROP STARS IN HIS EYES. 2889 02:03:07,934 --> 02:03:09,267 AND... 2890 02:03:17,133 --> 02:03:19,934 AND I GUESS HE COULDN'T DO IT FOR US. 2891 02:03:20,000 --> 02:03:22,501 HIS LITTLE IMMORTAL SOUL IS- 2892 02:03:22,567 --> 02:03:24,067 BREATHE! 2893 02:03:25,133 --> 02:03:26,801 BREATHE FOR US, PAL. 2894 02:03:26,868 --> 02:03:28,868 COME ON, BOY. 2895 02:03:28,934 --> 02:03:31,901 I WANT TO GIVE YOU TO YOUR MOTHER. 2896 02:03:31,968 --> 02:03:33,767 COME ON WITH IT! 2897 02:03:33,834 --> 02:03:36,601 YOU GOT TO DO IT FOR ME! 2898 02:03:37,868 --> 02:03:39,200 BREATHE. 2899 02:03:39,267 --> 02:03:40,934 FOR YOUR MOTHER. 2900 02:03:53,567 --> 02:03:54,801 ATTABOY. 2901 02:03:54,868 --> 02:03:57,367 ATTABOY! 2902 02:04:04,667 --> 02:04:07,701 HARRY! HARRY! 2903 02:04:14,434 --> 02:04:16,601 YOU HEAR HIM? HE'S HERE. 2904 02:04:16,667 --> 02:04:18,601 HE'S HERE TO STAY. 2905 02:04:20,601 --> 02:04:22,067 I HEARD YOU, HARRY. 2906 02:04:22,133 --> 02:04:23,667 I HEARD YOU. 2907 02:04:29,033 --> 02:04:30,901 LISTEN TO HIM. 2908 02:04:32,000 --> 02:04:33,300 YES. 2909 02:04:35,667 --> 02:04:38,434 YOUNG HARRY PATTERSON. 2910 02:04:38,501 --> 02:04:40,434 YOUNG MUDGIN PATTERSON. 2911 02:04:40,501 --> 02:04:43,133 OH, YES. 2912 02:04:43,200 --> 02:04:44,601 YES. 2913 02:04:44,667 --> 02:04:48,133 YOUNG WILLIAM MUDGIN PATTERSON. 2914 02:04:49,968 --> 02:04:51,667 YOUNG MUDGIN. 2915 02:04:52,734 --> 02:04:55,133 BIG HARRY. 2916 02:04:55,200 --> 02:04:57,400 EMILY. 2917 02:04:57,467 --> 02:05:00,634 AND A TREE. 201450

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