Original subtitles

(film reel whirring)

(film reel winding)

- [Dispatcher] All units be advised.

We have a possible domestic disturbance

at 1010 Lockwood Lane. (ominous music)

- Unit 213, responding to 1016 Lockwood Lane.

ETA three minutes.

(indistinct police chatter) (ominous music)

(door clicking)

(distant dog barking)

(ominous music)

- [Dispatcher] The call mentioned noise coming

from the back of the property.

- 213, copy that.

I'll head to the back of the property.

(ominous music)

Bay County Sheriff's office.

Anybody home?

Bay County Sheriff's office.

We received a noise complaint at this residence.

If you're there, you need to respond or come out slowly.

(faint opera music)

Bay County Sheriff's office.

We're investigating a noise complaint at this residence.

(man operatic singing) (ominous music)

213, we got a back door wide open.

Residence looks empty.

I'm gonna take a look.

Requesting backup.

- [Dispatcher] Roger that 2-1-3.

I have backup en route.

ETA seven minutes.

- Bay County Sheriff's office.

We're investigating a noise complaint at this residence.

If anyone's there, you need to respond or come out slowly.

(ominous music) (man operatic singing)

(radio static hissing)

(ominous music) (man operatic singing)

213, what's ETA on that backup?

- [Dispatcher] Five minutes away, 2-1-3.

(man operatic singing) (ominous music)

(thunderous booming)

- Bay County Sheriff, is anyone there?

Respond.

(man operatic singing) (ominous music)

213, I'm gonna need immediate assistance.

I have a possible 187.

Bay County Sheriff, is anyone there?

Respond now.

Bay County Sheriff, respond now.

(tense music) (harrowing violin music)

Drop the knife and let the girl go.

You don't have to do this.

Listen to me.

Listen to me now.

Drop the knife on the ground now!

Drop the weapon and let the girl go!

Put the God damned knife down!

(intense violin music) (tense music)

(blood spurting)

(gunshots booming)

(intense violin music)

(chilling music)

(van rumbling)

- [Kel] Let's go, guys.

(van door clunking)

(chilling music)

- All right.

Just let us know if you see anything on the police scanner,

'cause if anyone sees us, we're fucked.

- I'm on it.

(chilling music)

(zipper unzipping)

(camera thudding)

(frenzied violin music)

(thrilling music)

- All right, let's run the title sequence here,

and Dylan, try to find a way in.

- I'm gonna grab the crowbar.

(haunting music)

- All right, I'm all set up here, guys.

(wood creaking)

- [Dylan] I think we can go through here.

It seems loose.

- Okay, perfect.

- You ready, Harper?

- Yeah.

All right, Kel, we're good.

Roll it when you're ready.

- All right, the stream is live.

We're good to go.

- What's up everyone, and welcome back

to another live stream.

We have something extra special for you tonight.

- That's right.

- Tonight, we are going to be completing

another haunted lock-in.

- The infamous house on Lockwood Lane.

So stay tuned because for the next eight hours,

we are gonna be live.

- And just remember there's nowhere to run,

nowhere to hide, and no way out.

- It's just us and whatever is on the other side.

- Rolling intro, three, two, one.

- [Voiceover] Ever since I was little,

I could feel a connection with the paranormal.

(thrilling music)

While I was growing up, I had numerous

paranormal experiences within my house.

Some people called it a curse, but I think it's a gift,

and today with the help of my team,

I will use that gift to seek out

and document the paranormal.

Welcome to \"The Otherside.\"

- You ready, Kai?

- Yeah, let's do this.

(grass crunching)

(wood creaking)

Ladies first.

(door creaking)

(floorboards creaking)

This place looks like it's been untouched.

- Yeah.

We're probably the first people in here since that night.

- It's not that bad.

(foreboding music)

- All right, guys, let's tell 'em about the house.

- As you know, we are always looking for

the most insidious locations that we could find.

- And this one won't disappoint,

the infamous house on Lockwood Lane, home of Lester Morgan.

- He was responsible for kidnapping and killing six girls

just in this area.

- The abductions made national news.

Local and FBI law enforcements worked on this case

for months with no leads.

- But when they finally found him,

he executed his last victim.

- Lester didn't have any previous criminal history.

They say one day he just woke up and snapped.

- They say that he heard voices,

and that spirits told him to abduct and kill these girls.

- The same spirits that still reside in this house?

Tune in and let's find out.

- All right guys, solid intro.

Our followers are increasing.

Let's just keep up the momentum tonight.

- All right, guys.

You know the drill.

Let's unpack.

- All right, Harper, let's go ahead

and find some places to get set up.

- All right, Dylan.

Try to get the GoPros online.

Kai, start to unpack the equipment.

- Yes, boss.

- On it.

(wood clattering)

- Oh, and can we get some of the shit off the ground?

I don't have liability insurance.

(tripod clicking) (tense music)

- All right, Dylan, let's get those GoPros set up.

(eerie music)

The frame's a little off, Dylan.

See if you can't move it to the left a bit.

Yeah, it's good.

We're set, man.

(eerie music)

(chain scraping)

- All right, and to make sure we say the entire night,

we're gonna lock ourselves in.

- The entire house is boarded up, and the only way

in or out is this door right here.

- So we're gonna have our tech specialist

and video director Kel come up and lock us in.

- He won't be back 'til sunrise,

so that's about eight hours from now.

(chain rattling)

(lock clicking)

- All right.

Last chance to leave.

Any takers?

- I'm good here.

- I'm staying.

- I'll stay.

- Okay, Kel.

Lock us in.

See you when the sun rises.

- See you guys at six.

(zipper unzipping) (keys clacking)

(foreboding music)

(can clunking)

All right, guys.

We're off to a good start.

We're getting a good amount of followers.

Let's keep things going.

- All right, that's everything.

We should be ready to go live.

- Dylan, you got all the camera stuff set up?

- Yeah, everything set up, ready to go.

- All right, perfect.

So we'll start with the tour, and then we'll end up

in the garage where he got shot.

Kai, you know your lines?

- Yeah.

I don't know why you always think

that I don't read your scripts.

I mean, everyone knows the story of this house anyways.

Let's improv it.

- Yep, I remember last time you improv'ed at Suicide House.

You left a lot to be desired.

- I'm fine.

It's not my first rodeo.

- All right.

Would you two settle down and just do the tour already?

- So tonight we're in the home of Lester Morgan,

AKA the Clown Killer.

- He earned that nickname after police shot him

when he took the life of his last victim.

- Police continued to investigate the case

and the nickname caught on.

Lester didn't always like to kill his victims right away.

- After he would torment them,

he would chop them up and put them in the walls.

(sinister music)

His victims could have been locked in this very room,

chained to these walls with no escape, no hope.

Police reports say Lester would keep his victims for days

before he would finally kill them.

- Their suffering and pain all within this house.

(sinister music)

- He was only caught when a police officer entered the home,

responding to a noise complaint.

- In intense standoff, Lester slit the girl's throat

right before the officer opened fire and took his life.

- This all happened right here in this very room.

(sinister music)

(light clicking) (door creaking)

Dylan, can you hit the extra lights?

- Yeah.

(light clicking)

(thunderous booming)

(creepy music)

(light clicking) (frantic violin music)

(thunderous booming) (frantic violin music)

(creepy music)

(equipment rattling)

- Uh guys, you might wanna check this out.

- What the fuck?

- Holy shit.

Do you think Lester wrote all of that?

- What do you think it means?

- Hey Kel, you getting this?

- All right, you guys ready?

- Ready.

- So most kidnappers know their victims.

They plan out their abductions.

- But not with Lester, which makes this case so bizarre.

- Lester was a loner, and for the friends that he did have,

they testified that he wouldn't hurt a fly.

- So what made him really snap?

What turned him into one of the most brutal kidnappers

and killers of all time?

- Well, there is a theory and it's one

that borders the paranormal.

The theory is that he was possessed

when he carried out all of these heinous crimes.

- Such a weak man, such a weak soul,

but then something happened.

He became possessed.

- Did he sell his soul to a demon?

- Or the devil himself?

- And this.

- [Kai] Does this look like the writing of a possessed man?

Let's get some of the gear unpacked

- Do we have to start here?

- What, are you getting scared, intern?

- No.

- All right, well if you feel a sudden urge

to abduct some young girls and chop them up in the bathroom,

you let us know.

(sinister music)

(meter frantic beeping)

- Yeah, it's definitely picking up something strong.

- All right, let me see.

(meter frantic beeping)

Dylan, get over here.

(meter frantic beeping)

Quick little update for you guys.

While we were setting up the equipment,

something weird started to happen.

This is an EMF reader.

It detects fields emitted by moving

electrically charged objects, AKA ghosts.

- When we turned it on, almost immediately we got signals.

(meter frantic beeping)

I think it's picking something up right now.

- All right, let's go check it out.

(door creaking) (meter frantic beeping)

(eerie music)

(meter frantic beeping)

(eerie music)

(meter frantic beeping)

Whatever this thing was, it seems

to be coming from this room.

- Let's go.

- All right, let's check it out.

(meter frantic beeping) (eerie music)

- Can only imagine the terrible acts

that have happened in here.

(meter frantic beeping)

- There's nothing in here.

- Maybe we should just go to another room.

I mean, could have just been an electrical thing.

You know, sometimes power lines, they affect that.

- There hasn't been power in here for years.

- I don't know.

I'm just spitballing here.

- Yeah, maybe you're right.

Let's just go back to the garage.

(glass shattering) (Harper screaming)

- How'd that look?

(Kel chuckling)

- That's what I'm talking about.

They're loving it.

Let's keep up the good work.

(mysterious music)

- All right, good job you guys.

Good job, Dylan.

- Thanks.

- So I was thinking that we could move on

to the voice recorder.

Plus I got the prerecorded audio of Lester, ready to go.

- It's too early for that.

We should at least explore the house a little bit more

before we start faking something else.

- Harper, we need to keep this momentum going.

- I know, but we don't need to fake this shit.

This place is creepy enough.

I'm sure we can find actual paranormal activity here.

- You do this at every house, and we waste four hours

looking for some paranormal shit, and you know what?

Audience just goes right off the cliff.

Listen, there's a reason our audience is declining.

You peaked four months ago.

We need to change something up.

- This one's different.

I can feel it.

- Harper, we can't afford to fuck this up.

This is our last chance.

Otherwise it's just back to our day jobs.

- I'm just saying, what if we find actual

paranormal activity here and capture it on camera?

Do you know how much that's worth?

Do you know how famous you'll be?

- And if we don't, we're just gonna

bore our audience to death.

Listen, this place, it's the Holy Grail.

If after an hour, we don't find anything

that you consider good, we'll go back

to what we have scripted.

- All right.

I'll give you one hour, but if you don't find anything

that moves the needle in that time,

it's back to the setup scares.

- Okay, let's just move on to the voice recording.

See if we can both get what we're here for.

- [Dylan] On it.

(mysterious music)

- All right, we're picking up steam now.

Let's see what you got for us, Harper.

We're going live in three, two, one.

- Welcome back, guys.

Things are getting a bit weird.

- After what just happened, we're a bit on edge.

- But we can't give up now because if the spirits

wanna be heard, it's our job to capture them.

- Plus, we're locked in here until sunrise.

So there's really not that much that we could do.

- And now we're gonna move on to a recording using an EVP.

This is an electronic voice phenomenon recorder,

and it specializes in picking up frequencies and noises

that are too hard for the human ear to hear.

- We ask the spirit a question, listen for a reply,

and then we play it back.

- Are there any spirits here with us today?

And now we play it back.

Are there any spirits here with us today?

- Pretty cool, right?

- All right, we can go around the house just for a bit,

but if we don't get anything,

let's have that fake tape ready to go.

(eerie music)

- Are there any spirits here with us tonight?

Are there any spirits here with us tonight?

Lester, are you here with us?

Lester, are you here with us?

(eerie music)

- Let me give it a try.

Are there any souls that would like

to communicate with us tonight?

Are there any souls that would like

to communicate with us tonight?

Lester, are you here with us?

Why'd you carry out such cowardly acts

by taking the life of all those innocents?

Lester, are you here with us?

Why'd you carry out such cowardly acts

by taking the life of all those innocents?

(eerie music)

- All right, one more room, but if we

don't find anything, let's fucking go.

We seriously have to keep up the pace here.

We're losing followers.

(creepy music)

- Lester, stop being a coward.

Speak up.

Lester, stop being a coward.

Speak up.

(man muffled squeaky speaking)

- Did you hear that?

Turn the volume up.

(man muffled squeaky speaking)

- What the hell was that?

- Is the volume up all the way?

(volume dial clicking)

- [Female] Oh my God. (static scratching)

Oh my God.

(startled shrieking)

(Dylan slamming wall)

- What the fuck was that?

- You fucking faked that.

You said you'd give me an hour.

- I didn't.

- [Harper] What?

- I didn't do that.

- Then what was it?

- I don't know.

The blank tape's in here.

The fake one's right here.

- What?

- Was that you?

- Do you guys think I would know how to do that?

(haunting music)

- Okay.

Okay, well then we need to grab all of your equipment.

Dylan, grab the lights, the boom, everything.

This could be the epicenter.

- On it.

- Geez, dude.

The camera's a fucking rental.

- [Dylan] My bad.

- Lucky we don't have to pay for that wall damage.

- [Harper] Wait a minute.

There's something in here.

- Yeah, the inside of the wall.

- No, it goes back further than that.

(flashlight clicking)

(foreboding music)

Holy shit.

- [Kai] What?

- [Harper] There's something in there.

- [Kai] What's wrong?

What happened?

Oh my God, sweet.

The jackpot.

(Kai laughing)

(Kai grunting) (mysterious music)

- They are going nuts for this.

Let's get set up inside that room.

Let's definitely take advantage of this.

- [Harper] Kai and I made quite the discovery.

- [Kai] We found a secret room.

- How long has this room been hidden?

Did the cops find it?

And has it been untouched since Lester was alive?

- Let's investigate and find out.

- All right, guys, let's set up

and make this as creepy as possible.

I think we can really make a shit ton of money tonight.

- I can't believe we found all this.

- This is some weird shit.

- We're gonna get so many viewers for this.

- What kind of creep puts masks on mannequins?

- Why would he keep all this?

- I don't know.

Maybe the guy liked Halloween.

- Why wouldn't the police take any of it?

- They should have just burnt this place to the ground.

- Yeah, but they didn't.

So now it's ours to monetize.

You know what?

It'd be a great time to ask the viewers

what the first challenge would be.

Hey Kel, poll the viewers.

- All right, the viewers have spoken.

They want the lock-in challenge.

- The viewers have voted and Kai

is gonna do the lock-in challenge.

Good luck.

Don't get too scared.

(door clicking) (mysterious music)

(Kai clearing throat)

- All right, Kai, it's showtime.

Three, two, one.

You're live.

(suspenseful music) - [Kai] Heh.

- All right, Kai, it's five minutes.

We can do this.

We can do this.

It's five minutes.

To the fans.

(ominous music)

Just five minutes, Kai.

We can do this.

Just, this place is so creepy.

(chilling music)

You gotta have something to say.

Nothing?

Come on.

Don't leave me hanging.

I need something to work with.

(chilling music)

No?

How 'bout you?

How 'bout now?

(chilling music)

Don't you wanna be famous?

We have over 100,000 subscribers.

Nope?

Doesn't mean anything to you?

Hey, if you guys do well enough,

we'll invite you on a podcast.

How about that?

(chilling music)

Come on, guys.

(chilling music)

(radio chattering)

Kel, how many times I gotta tell you, let go of the button.

(radio buzzing)

Kel, I can't hear you when you're doing that.

(radio buzzing)

- Kai, you gotta push the button down, man.

We've been over this.

I can't hear you.

(radio buzzing)

- Kel.

(radio buzzing)

Kel.

Kel, come in, come on.

(creepy music)

Kel, come on, this isn't funny.

(radio buzzing)

(thunder booming) (creepy music)

(radio buzzing)

(creepy music)

(radio buzzing)

- Kai, I can't hear anything, man.

Like I.

(radio buzzing)

(knocking on door)

- Hello?

Harper?

- Kai, you're not scared of the dark, now are you?

(creepy music)

(knocking on door)

- I think the mannequins just moved.

(radio static hissing) (creepy music)

(haunting violin sting)

(nervous violin music)

Harper.

(intense music)

Harper.

(chilling music)

- Kai, you don't look so hot in there, man.

You doing okay?

(faint intense giggling)

- Harper, let me out now.

Harper! (frantic music)

Harper, let me out!

- He's kind of screaming a lot.

Should we go check on him?

- Nah, he's fine.

He does it for views.

Besides, if he really needed help, he'd radio us.

- Let me out now.

Harper, Harper! (creepy music)

(knocking on door)

(creepy laughing) (chilling music)

- No!

This isn't funny any more.

Let me out!

Harper, it's coming!

- Jesus, Kai, you are peaking right now.

Calm down.

- [Kai] Help me!

- The mannequin just moved.

- [Harper] What do you mean?

- It was right here, I swear.

- It's in the same spot.

- [Kai] No, no.

Get me out of here now.

(Kai panicked breathing)

(footsteps clicking)

- You guys messing with me or something?

That wasn't funny at all.

- Dude, calm down.

No one's pranking you.

- No, no.

Kel, replay the footage.

You got the video, right?

- I'm looking at the video now, man.

You're flailing around a bit,

You feeling all right?

- Is this house getting to you?

No, it was dark and maybe I just couldn't see.

- Okay, well, if you wanna take a break,

I can do the next one by myself.

- No, no, no.

I'm fine.

I'm fine.

Kel, let's just move on to the next challenge.

- All right Kai, if you say so.

Looks like the viewers want the Ouija board.

- All right, Kel, we're on it.

- All right.

Well, just let us know if you start hearing some voices,

We have a lot to do.

Where do you think we should set up?

- I think we should. - No, no,

let's not shoot in that room, okay.

- Why? You said you saw something in there.

- Let's just shoot in the garage.

I mean it's too crowded in there anyways.

- Okay.

Dylan, let's grab the equipment and Kai and I

will start blocking it out.

- Dylan, get this.

Dylan, get that.

God, I can't wait to be done with these shitty gigs

and do my own stuff.

These fucks don't know what they're doing.

(can popping)

(tense music)

- Let's do this.

- All right, Kel.

We're ready.

- Is camera one live?

- Camera one is live.

- All right guys, we got three angles for this.

- All right, and now we're onto

our next viewer requested challenge.

- The fan favorite, a Ouija board.

While we have been getting a lot of paranormal readings

throughout this house, we have not been able

to get in contact with the spirits just yet.

- Thus, we are going to bridge the gap between the living

and the dead by opening up a communication channel

with the other side.

- So just like and share, and we're about to begin.

(tense music)

- Guys, we finally have traction again.

It's critical that we keep this pace up.

So if it gets stale, I'll let you know

and just improvise something, okay.

- So we have the board set up and we are ready to start.

- Before we begin, let's explain

what we're doing here with this board.

- This isn't a regular Ouija board.

It's over 50 years old and comes directly

from the voodoo capital of the world, New Orleans.

- That's right.

Took us a while to find an authentic board like this.

- As you can see, we've lit the room up with candles

because sometimes the spirits like to communicate with us

by flickering the lights.

- It's their way of gently letting us know

that they're here with us.

- Once we've opened up a communication channel

with the spirits, we'll start asking questions,

ours and our viewer asked questions,

which come directly from you.

- So if you have any questions,

just hit the chat box and Kel will make it happen.

- And if you ever use a Ouija board,

you have to say goodbye.

- If you don't say goodbye, the spirits are known

to linger in your house.

There's even been reports of spirits following people

for the rest of their lives.

- And trust us, you do not want that.

So always say goodbye.

Do not forget.

All right, what do you say we begin?

As friends, we gather.

Our hearts are true.

Spirits around us, we call to you.

Are there any spirits here who would like to be heard?

Are there any spirits here whose innocent lives

were taken from them? (tense music)

Sometimes it takes the spirits a little while

to get the energy up and for them to feel welcomed

because this is probably the first time

that they're communicating to this side since they left it.

- All right, let's ask some viewer questions.

- Question number one.

They wanna know what it's like in the afterlife.

- All right, first viewer question.

What is it like to be in the afterlife?

- Did you move it?

- No.

All right, let's try this again.

What is it like to be in the afterlife?

- E.

- P, T.

It feels empty.

- Whoa.

I think we opened the channel.

- [Kel] Good shit, guys.

Now they wanna know who they're speaking to.

- To whom are we speaking with?

- Are you one of the victims?

- No.

Who are you?

What's your name?

L. - L.

- [Harper] E.

S. - [Kai] S.

T. - [Harper] T.

E. - [Kai] E.

- R.

Are you fucking with me?

- I swear it wasn't me.

- Why are you two fighting?

Why'd you kill the girls?

- No?

You literally had the blood

of one of the girls on your hands.

- If you didn't do it, if you're innocent, then who did?

- [Both] M, A, D, E, M.

- [Harper] E.

- Made you?

- Who made you do it?

- [Both] D, E, V, I.

- L, devil?

- So the theory's true.

- I think we're breaking through here.

We're confirming that Lester was indeed possessed.

(tense music)

- I swear to God, Kai, if you are fucking with me.

- None of this is me.

- What the fuck?

- What's going on?

(planchette whipping)

- Holy shit.

(planchette whipping)

- What the fuck?

(nerve-wracking music)

- Want, want what?

(ominous music)

Us, you want our souls?

Kai, I do not like this.

- Did you guys plan this?

(ominous music)

We need to get the fuck out of here.

- No, keep rolling.

Do not cut the footage.

- We need to go.

- No, just stay.

We need to see what happens.

- This is not good.

- Dylan, you better not fucking leave.

(fire whooshing)

- [Harper] Come on, get out.

Get out.

(table clattering)

- Oh, shit.

(ominous music)

Holy shit.

(lantern clicking)

- Kel, open the fucking door.

I'm done.

- Dylan, just slow down.

- No, you saw that.

You saw that too.

What the fuck was that?

- There's gotta be an explanation, man.

I mean, maybe there's chemicals.

I don't really know, but there was candles right there.

- Candles, Kai?

Fuck you.

- Harper, we need him.

- Dylan, look.

Okay, okay, just take a deep breath and calm down.

We need to leave.

- Leave?

Why would we leave?

This is literally the moment we've been working for.

- Kai, how are you holding up, man?

- Man, not so great.

Harper's talking to Dylan right now,

but he's pretty shooken up.

- You stay, I'm out.

I didn't sign up for this.

- This is exactly what you signed up for.

We agreed that you would stay here the entire night,

and I swear to God, if you leave now, you won't see a cent.

- I don't give a shit about the money.

What happened back there was dangerous.

This isn't safe.

- We have to finish the lock in.

You know that, right.

(sinister music)

- I know, I know, but we only need

three more hours out of him.

- Look, just trust me, okay?

Nothing bad is gonna happen to you tonight.

We have three hours left 'til sunrise.

You really wanna leave now?

- It's not fuckin' worth it.

- How do you know it's not worth it?

We just made more money in the past hour

than we have in the last six months, and you know what?

It's not even about that.

It's not even about the money.

It's not even about the stupid streaming channel.

This could change our lives.

It could change your life.

Don't you wanna be a part of that?

- I mean.

Kai and I are gonna stay here and finish it out,

just like we always have before you got on board,

and when a TV show picks us up,

don't come crawling back for a job.

So what's it gonna be?

Are you gonna leave, or you gonna stay here

and help us finish what we started?

- We're at half a million viewers right now.

We've made more money tonight than we've made combined

in our entire fucking time doing this.

This is the opportunity we've been looking for.

We have to do the next challenge.

- Yeah, you're right.

I can do this.

Guys, we only need to stay for about three more hours.

I just talked to Kel.

We have about 500,000 viewers right now.

I think this is our opportunity.

We need to do the next challenge.

- Fine.

I'll stay, but I'm not doing another fucking challenge.

- Okay, you can wait by the door

and Kai and I can finish out the night.

- Agreed.

- Fuck yeah, we're back in business.

Let's fucking go.

This is it, this is fucking it.

- [Harper] Welcome back guys.

We're a little shaken up, but not deterred.

- We've experienced a lot of things that we can't explain,

but we got it all on camera.

- We're about to perform a seance.

- And it's just the right time, 'cause it's almost 3:00 a.m.

- Also known as witching hour.

- So we're gonna set up and then get rolling.

- So don't forget to like and subscribe,

'cause this will be our best challenge yet.

- And you guys get to watch it live and uncut.

(intense music)

(tense tambourine music)

- Do we really have to do this?

- Yeah, we're doing it by the books.

Plus it's good for show.

- This is it guys.

Just one more challenge, and we're getting outta there

with a shit ton of money.

We're going live.

Three, two, one.

- All right.

As you can see, we've set up the ritual.

This is our most dangerous one yet,

'cause we're inviting the spirits into our realm

and for them to appear to us.

- We've used salt to protect us from the spirits,

but it could still be very dangerous.

- So we're going by a strict procedure because the spirit

could latch onto one of us, and at that point

only an exorcism could save us.

- But don't worry.

We know what we're doing.

Ready for this?

- Oh yeah.

Bottoms up.

(ominous music)

(Harper coughing)

- Cheers.

(ominous music)

- All right, so now both of us have the concoction in us.

- It allows us to bridge the gap

between the living and the dead.

- So sit back and watch as we try to communicate with Lester

or any other spirit that's here.

(ominous music)

- Here we go.

(Kai speaking foreign language)

Lester.

(Kai speaking foreign language)

(male operatic singing)

(Kai speaking foreign language)

- And now we wait.

(ominous music)

(male operatic singing)

- [Kai] Nothing's happening.

- Just give it some time.

All right, let's just do it again.

(male operatic singing)

- Guys.

Where is that coming from?

(male operatic singing)

What the fuck?

Very funny, Kai.

You got me to come to this fucking garage.

(Kai speaking foreign language)

Still nothing.

- Just one more time.

- No, we're out of time.

It's past 4:00 a.m.

It's past switching hour.

- Come on, third time's a charm, I promise.

- Oh, no, no, no, no, no.

All right, time's up Kai.

We're fucking dying right now.

Let's just fake something, go out with a bang,

and then be done with this shit.

Get outta that stupid fucking circle.

(ominous music)

(male operatic singing)

- What the hell?

- Kel, cut the feed.

We're moving somewhere else.

- Kai, listen.

- No.

We have a lot at stake right now

and nothing's even happening.

- You remember the Ouija board.

That took a bit.

It's not like we're gonna call them

and they're gonna come on command.

- No, we need to do something else.

Like, we could do the projector scare,

maybe something spooky.

- You said you'd give me a chance.

- Yeah, that was an hour ago.

That was your chance.

- Well, look, don't break the circle.

Let's at least do this properly.

(male operatic singing)

- [Dylan] I thought there wasn't any power.

(male operatic singing)

What the fuck?

- No, I'm done wasting time here.

I'm moving on.

(Harper groaning)

See, nothing happens.

- Kai, get back in the circle.

- I'm fine.

There's nothing here.

- Get back in the circle, Kai.

- No, we need to go set up somewhere else.

It's just not getting the job done.

- Kai, get in the circle now.

- What the hell?

- Kai.

(male operatic singing)

- The fuck?

- [Female] Please, no.

Oh my God, please no.

(woman weeping)

(woman startled shrieking)

(male operatic singing)

- [Dylan] Harper.

(male operatic singing)

- Kai.

(Kai thudding)

Kai, Kai. - Shit.

- [Harper] Kai.

Dylan, help.

- What the fuck's going on with Kai?

- Kai.

I don't know. - [Dylan] What the fuck?

- He just collapsed.

- [Dylan] We need to call the police.

I don't have my phone. - [Harper] Kai.

- Kai, are you okay?

- Tell Kel to call 911.

Fucking do something, Dylan.

- Kel, call the police.

Kai's dying.

- Fuck.

- He's dying.

We have to do something.

- [Dylan] He's having a fucking seizure.

- 911, my friend, he's having like a seizure

or like some kind of allergic reaction.

- [Dylan] I don't know what to do.

- [Harper] Kai.

(tense music)

- But he's on the ground.

He's like, no, I'm not with him.

My friends are with him. - [Harper] Dylan, Dylan, help.

I need, I need you to send someone to help right now.

You don't know what's going on here, please, please.

(eerie violin sting)

(Kai coughing)

- Kai, are you okay?

- I'm fine.

What happened?

- You passed out and had a seizure.

- What the fuck is going on in there, guys?

Is he okay?

I have 911 on the phone right now.

- I don't know.

He's talking.

- Shit.

He's fine now.

He's kinda like a little dazed or something.

He just kind of passed out.

He wasn't really eating too much food,

but we're gonna take him to like an urgent care right now.

So please just don't send any like, ambulance or anything.

He doesn't have any insurance.

So like, just, we're gonna take care of him.

I'm sorry for taking up your time.

Just, have a good night.

Fuck me.

- Dude, are you okay?

- Do you remember anything?

- All I remember is that we did the ritual and then,

then I'm here with you.

- We need to get you out.

You need medical attention.

- No, I'm fine.

I just need some water.

- No, we need to get you out of here.

We all need to get out of here.

Kel, come open the door.

- Oh, for fuck's sake, Kai.

God, we were so damn close.

- [Dylan] Come on, man.

Let's get out of this fucking house.

- All right, I'm on my way, guys.

Let's just clean up that pentagram in there.

The cops might be coming and I'd rather not explain that.

(eerie music)

- Are you sure you're okay?

- Yeah, I'm fine.

I'm just a little shaken up.

- All right, we need to get out of here.

It's not worth it anymore.

Kel, where are you?

- Hi guys, I'm here. (chains rattling)

- Okay, well hurry up and get us out.

- You sure you don't wanna stay, Harper?

Just three more hours.

- Yes, Kel, just open the door.

(key snapping)

- Oh, fuck me.

- What?

- The fucking key broke.

- This isn't funny, Kel.

Stop joking with us.

- I'm not fucking joking, Harper.

This piece of shit key snapped.

It's not fucking budging.

- This can't be fucking happening.

- What do you mean?

We're just trapped in here now.

- Well, if the lock's still on it, what do you think Harper?

- Well, go find some tools.

- It's fucking 4:00 a.m., Harper.

Where the hell am I gonna find anything open?

- What do you mean, Kel?

You got us into this mess.

Now get us out.

- Un-fucking-believable.

- We're gonna be fine.

We're gonna get out.

- Maybe there's another way out.

- No, everything else is boarded up, but we can,

where's Kai?

Fuck, Dylan, I told you to watch him.

- I thought the fucking door was gonna be unlocked.

He was right behind me.

- Well, we have to go find him.

- I don't wanna go back in there.

- We can't just leave him in here.

He's unwell, Dylan.

- [Kel] Fuck, there's gotta be something in here.

Fucking' A, let me think.

Come on.

Fuck.

There's gotta be a Walmart or something

around here somewhere, come on.

(keyboard clacking)

F'ing closed.

- We can't find Kai.

- What the hell do you mean, you lost Kai?

- I don't know.

He just wandered off, back into the house.

Can you see him?

- Oh Jesus.

Listen, Harper, I can't look for tools

at four in the morning and find Kai.

Oh Jesus.

Guys, it's a tiny fucking house.

Where could he be?

I'm not seeing him, Harper.

- How's that possible?

We have cameras in every room.

The whole house should be covered.

- I don't know.

Maybe he's hiding or some shit,

but he is not on the video feeds, okay?

- I swear, I put cameras everywhere,

just like we mapped out.

- He's not here.

- Okay, well we need to find him.

Somebody's really wrong.

Let's split up.

You go to the garage.

I'll go to the other rooms and you just

let me know if you find him.

- Okay.

- Okay.

- What the fuck, Dylan?

How did you set this shit up?

- I don't see him down here.

(ominous music)

- Guys, I'm losing the video feed.

It's going all fuzzy on me.

(foreboding music)

Oh, come on.

What the fuck did you do?

- Kel, do you have eyes on him?

- Listen, I don't know where he's at,

but it's a tiny house, guys.

How can he be hiding?

Just fucking go in every room and you'll find him, okay.

(ominous music)

- I don't know where the fuck he went.

- Oh, come on.

What the fuck is going on?

- Any luck, Kel?

(radio static scratching) - Oh, fuck.

Harper, what the fuck are you doing?

There's static like crazy.

- Can you say that again?

All that's coming through is static.

(radio static scratching)

- Jesus.

- [Dylan] Kai, come on.

This shit isn't funny.

- Harper, I can't hear you.

Turn that shit down.

You're fucking making me deaf right now.

(radio static scratching)

(woman screaming)

- Kel, change the frequency.

It's picking something up.

(radio static scratching)

(sinister music)

- Harper, clear your God damn channels.

I can't hear you.

(radio static scratching)

Fuckin' A, come on.

(radio static scratching)

God damn it.

(headphones clattering)

I knew we shouldn't have bought the fuckin' cheap mics.

(Kel sighing)

What the fuck is going on?

(radio static scratching)

- Kel, change the frequency.

The radios are fucked.

(radio static scratching)

(haunting music)

- Kai, come on, man.

This shit isn't funny.

(chilling music)

Kai, is that you?

(radio static scratching)

Jesus Christ.

What the hell?

- Did you find him?

- No.

I tried to radio you.

- No, the frequencies are down.

I'm trying to get a hold of Kel, but he won't answer.

(haunting music)

- [Dylan] I don't know where he could be.

We've searched everywhere.

- Maybe we should go back to the garage.

He could be hiding in there.

- No, we should get out of here.

I don't have a good feeling about this.

- [Harper] We can't just leave him here.

(creepy music)

- [Harper] Kai, are you in here?

(creepy music)

Kai, where the fuck were you?

- Oh, thank God.

Kai, where have you been?

Are you okay?

Okay, all right.

Come take a seat. (tense music)

Okay.

Kai, are you okay?

You're really scaring me.

- Kel, get us the fuck out of here now.

- I don't even think he can hear us.

The radios are down.

Okay.

Do you need anything?

Do you need water?

All right, just stay here and watch him.

- Harper.

- I'll be right back.

(creepy music)

- You doing all right, man?

Do you need anything?

All right, look.

Harper's gonna go get the water and then Kel will be here

with the bolt cutters. (intense music)

We can all get out of here and it'll be okay.

Let's just sit here.

What are you doing?

(hammer smashing)

(frantic music)

(head thudding on table)

(hammer thudding)

- Holy fucking shit, Kai!

What the fuck is going on? (hammer thudding)

Jesus fucking Christ, you just fucking killed Dylan!

Holy, oh God, oh God.

Fucking A! (hammer thudding)

Harper, Harper, holy shit. (frantic music)

He's fucking dead! (hammer thudding)

What the fuck am I just seeing right now?

Please God, what the fuck are you doing, dude?

Just fucking don't hit him!

- Okay.

(hammer thudding) (frantic music)

- Harper, fuck him.

Whatever, you gotta get yourself out.

Fuck him.

(frantic music) (hammer thudding)

911, this is Kel again.

Fucking, my friend just got his head smashed in.

I don't know what the fuck's going on,

but they're fucking trapped inside.

Please, 1010 Lockwood Lane.

I need fucking help right now.

Jesus fucking Christ, no.

(frantic music)

(hammer thudding)

(torturous music)

- Harper, Harper, can you hear me?

(Harper labored breathing)

- Kel, he killed him.

He's gone.

- Oh my God.

Listen, I called the cops.

They're on the way now.

They're gonna be here any minute.

We're gonna get you the fuck outta there.

- Please, Kel, come get me out.

I don't wanna die.

- Look, we're gonna get you out of there.

We're not gonna let anything happen to you, I promise.

- No, there's no way I can get out without him seeing me.

- All right, here's what we're gonna do.

I can still see that feed.

It's dark in there.

He can't see you and I can let you know if he's nearby.

You just need a few more minutes

and then we're get you outta there.

- Okay.

(ominous music)

(thunderous booming)

(ominous music)

- Okay, you're good.

Just go now.

Okay, go quickly, but go quietly.

All right, you're safe.

Just get the camera so you can turn off the light.

Then he can't see you.

If he can't see you or hear you, we'll have

the cops here any minute.

(sinister music)

Okay, I can see your feet, Harper.

The cops are gonna be here any minute now.

Trust me, we're gonna get outta this, I promise.

(thundering music)

All right, all you need to do is find some place to hide.

I'll let you know if I see him, okay.

It's dark in there.

He can't see a thing, trust me.

He's back in the house, okay?

Just move very slowly, Harper.

Don't make a sound.

It's the only way he'll find you.

(sinister music)

All right, you're good, Harper.

Just slowly move.

Don't go too fast.

Don't make too much noise.

(creepy music)

He can't see anything, Harper.

He's completely blind.

Just don't make a sound and you'll be absolutely fine.

I'm gonna get you outta here, I promise.

(creepy music)

(record scratching) (tense music)

Don't make any sudden movements, okay.

Just slowly back away.

Step back, okay.

Just slowly move back.

He can't see you.

Slowly back away.

(sinister music)

(blood squishing) (intense music)

(Harper groaning)

Oh God, oh no!

(Harper crying)

(kick thudding) (thrilling music)

Fucking Kai, what the fuck, dude?

Jesus Christ, Harper.

Harper, I'm coming.

God, Kai, fuck me.

(intense music)

Fucking budge, please.

- We made a mistake.

You should have never come here.

- [Kel] Fucking budge, Jesus Christ.

(wood clattering)

(knocking on door)

- My team and I, we came here trying

to find paranormal activity and we found more.

(haunting music)

(wood slamming)

- Fuck.

(haunting music)

- And now most of us are dead.

(wood slamming)

(wood creaking)

- Harper, Harper, I'm over here.

Harper, come on.

We gotta get the fuck outta here now.

- And Kai, he's possessed.

- [Kel] Harper, come on.

(Kel grunting)

- If anyone ever finds this, burn the place to the ground.

Just burn it.

- Harper, fucking shit.

Come on.

(haunting music)

Harper, come to me if you can hear me.

Kai, just stay the fuck back, Kai.

Kai, it's me.

Kai, it's Kel. (foreboding music)

Kai.

Kai, Kai.

Oh, I'm fucking done with this fucking window.

Kai, what the fuck?

(foreboding music)

(Kel gagging) (hacksaw grinding)

(sinister music)

(Harper heavy breathing)

- Help, help.

Help.

(Harper crying)

(door slamming)

(morose music)

(wood creaking) (haunting music)

(door creaking)

- All right, guys.

You are not gonna believe where I am right now.

Take a guess.

I am currently in the famous Murder House where three kids

ended up killing each other, all while live streaming.

The feed was basically removed from the internet

and it's super hard to find.

So I had the idea to drive to the house

and try to recreate that fateful night

all while capturing it on my camera.

So get ready guys, because we're gonna find out

exactly what happened.

Did they go insane and murder each other?

Or was it something more sinister at play?

Stay tuned because I'm gonna be live streaming all night.

(haunting music)

(clown screeching)

(gloomy music)

♪ Hey I was bored out of my mind ♪

♪ So I invited my friends over ♪

♪ To come watch some DBS films ♪

♪ They said they haven't watched none of these ♪

♪ So I popped on \"The Girl in Cabin 13\" ♪

♪ Saw my boy Carl and Frank in that movie ♪

♪ And they said that these movies was unseen ♪

♪ That they wanted to go take a walk into the forest ♪

♪ Then they saw Moe then they ran for a while ♪

♪ Right up to the Whitlow house ♪

♪ Sat for a while just to chat with my boys ♪

♪ Like how you doing Kellan ♪

♪ How you doing Brendan ♪

♪ Hey said they wanted to go to a haunted house ♪

♪ Like the Whitlow house ♪

♪ I told my friends it was haunted ♪

♪ Until Kellan put that Frank mask on ♪

♪ Then they ran back into the forest ♪

♪ I never seen them run so fast ♪

♪ Well man they just ran into Carl ♪

♪ They just ran into Carl ♪

♪ Oh look at behind you ♪

♪ There's Frank ♪

♪ Yeah ♪

♪ DBS Films ♪

♪ Best film company yeah ♪

♪ Best film company yeah ♪

♪ Way better than those other ones ♪

♪ And more social with their fans ♪

♪ Unlike anyone else ♪

♪ And I'm getting a phone call ♪

♪ It looks like he's from Frank the Demon ♪

♪ Working with Carl the Clown you never know ♪

♪ Yeah yeah ♪

♪ I'm gonna go watch those DBS films ♪