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Zulu
Good afternoon.
Last night, from this very address, TV3, the TV of Catalonia,
offered you a special encapsulation of the year 1984.
After hearing the twelve bells from the clocks of various addresses in
Catalonia, We are here with Silvia Munt, Maria Gorgas and me, to present you a
fun show, a little bit to satisfy all tastes.
I don't know if we did it, but what I want to assure you is that since two
months ago, a great and professional TV3 team has been working hard to get
what we burned yesterday in a few hours.
I would like to take the opportunity to thank these people for the effort they
have made, to thank them and to tell them that this is the first time I work
with them, it is the first time I work on TV3 and that we have all been very
happy. You think they are fantastic.
Then I would also like to take the opportunity to dedicate this repetition
of our program today to Mari Sampere, our friend Mari Sampere, who was with us
here on this same set a few days ago and who had the misfortune of reliving...
And we want it to be recovered soon.
Now we are going to offer you a program that is a repetition of what we offered
you last night.
A special program at the end of the year in which you will find, as I said
before, a little bit of everything.
So, for those who last night were able to tune in, for those who also liked it
so much last night that today they decided to come back to join us.
And above all, for those who don't know what to do, here we present to you this
year's end on TV3, our special, in which for the first time we are with you on a
date like this.
Friends, happy new year.
In the name of TV4, happy 1983!
There we are!
In the name of TV3, happy 1984, Ángel! Four, three, four, three, two,
one, zero!
In the name of TV3, happy...
Happy 1984.
83 in Canaries.
The Sardanists wish you a good couple for this 1984.
For information on the next dances, call 333 33
33.
Les menudes secretàries de direcció de la petita i mitjana empresa catalana
voldríem que fossin ben venturosos per tothom els propers 365 dies,
8.760 hores, 525
.600 minuts i 31.536.000 segons,
si fa no fa, d'aquest any nou. Atentament.
Despite impugnations of all kinds, the manufacturers of barretines want to
remind you of a very dear saying that says, Seba de Capdany, bon avarany.
In the name of Ayatollah Khomeini, may 1984 be a year of Iran.
Les dides dels països catalans, us volem desitjar que passeu un any teta.
En nom del pastor i la sirena de l'Empordà, que l'any 1984 sigui ben
venturós, terra endins i mar enllà.
Family, it seems that you can live without morals, but hardly without
principles. This is the beginning of the year 84, not the one of Archimedes. What
is very difficult is to know how we will end the year 84.
Yes, Sílvia, but you do not have to be a photographer to know that the beginning
can be attractive.
Especially if we have some elements like these for our party.
Some elements against which you do not have to fight?
Some good elements.
We will not say that this will be a special for all tastes.
There are more tastes than you think, and taking care of them all would take
us practically a year. And what budget level, we wouldn't spend anything,
Sánchez. Although a year-end party that lasts all year would be frankly good.
No, yes, original it would be.
Well, I think that with the artists we have invited, these first hours of 1984
will be unforgettable.
There will be a whole year to remember them.
Music, party, and an atmosphere that will be enough to offer for the next 12
months.
Let's start with the ballad of the film.
The one who doesn't want the thing has left me behind in 1983.
He can have a good or bad time, but he has the strange habit of leaving and
normally he doesn't come back.
A long time ago, it seems to me that Ángel Casas still didn't work there.
Listening to the radio in this country was a pretty boring experience.
Between what they called folklore, the rancheras, the vigorous boleros, some
daring tango... For the moderns, that seemed ridiculous.
But all at once, they began to listen to the songs of an Italian, who was a kind
of flying entertainer.
Songs of a character who made a small group sound as if it were an orchestra,
of which I would later say a ensemble, and who encouraged the staff with
instruments as strange as an electric guitar.
Torero, Maruzella, this very small serenata.
Renato Carosone.
This little serenade can be sung with a voice.
Every lover will whisper to the lover.
This little
serenade... foreign
E una nube d'oro accarezzerò Questa piccolissima serenata
Con un fil di voce si può cantar Ogni innamorato all
'innamorata Le sussurrerà Le
sussurrerà
This little serenade can be sung with a quiet voice.
Every lover will whisper to his lover.
He will whisper.
Maruzella, Maruzella, you gave me the sea today,
and you gave me a little less displeasure.
If your heart makes me beat, the stronger the wave
when the sky is dark.
foreign is
Oh,
Maruzè, la Maruzè, di miserina l
'ottomare, e mi mise in vieta a me un
dispiacere.
Sto cuore mi fa sbattere,
ch'io forte l'onno guanna, o ce la giure.
foreign is
Thank you, thank you.
Yes.
Yes.
Yes, right.
Yes,
yes.
I have a little girl in New York, but what can she do?
Yes, ma'am, America is beautiful, but she says she has it in her heart.
It doesn't give me peace, I'm not happy, Naples without you.
But I have a little girl in New York, apart from my boyfriend.
But think about you And
make us dollars But
many dollars But
I think about you, yes
Empathy! Yes!
Tu pierdo su un goffi giornalette, e mamma da minaccia, e patta da s
'arraggia.
Tu fanno girare capas di fumette, guardando in un specchio, vuoi fare il
tono d'or, come fanno a Santa Fe, come fanno ad Hollywood.
E questo scuso in un studio di chiunque, tu fanno girare
capas di fumette, guardando in un specchio,
singing in Spanish
. .
.
.
singing in Spanish
is
The covers of Inoxidable Monix are the gift that goes from mouth to mouth.
Monix covers, as little as Monix.
That you have material to spend.
Now, in full activity, you also wake up late. No, no, no, yes, yes, if it's not
for me, it's for some friends who have nothing.
If he sees us at home, he'll get us.
If it's a moment, man, they've already given me the money and everything.
If it's not for the money, if it's just a bad story, any of these days can
complicate our lives.
I assure you that if it wasn't a compromise, I wouldn't take the risk.
They are my neighbors and to see a party without anything, they can't stand it.
What would you like?
I don't know, you.
A couple of each.
Vanes sendurus.
As you wish.
It's of quality.
Guai from Paraguay.
And it affects... Immediately.
Does it last long?
It lasts long.
It depends on each one.
Come on, man, give me a break.
This is going to roll.
Someone has defined music as the most romantic of arts, others more pragmatic,
like the art of gathering musicians in a place and at a certain time.
Our next guest learned to play the piano and the guitar with a Spanish teacher in
London. And in London, too, at the age of 13, he formed his first band.
Thus began a career, a trajectory.
that in 1976 he joined the band of Mr.
Ian Dury, in which he later became one of the key pieces.
The lonely career of our guest led him to record three albums, which according
to the fans contain the accents and the sonorities of what is heard in the
kitchen of the European musical avant-garde.
Naturally, we are talking about Chas Jankel.
with you, Chas Jankel and Johnny Funk Ben.
It's nearly history.
But don't be upset, because what's coming next is a very jolly,
jolly little occasion.
This is our last gig in Spain, and we are the Johnny Fuck Band.
And may this little surprise Take us all into 1980.
I say I think you're brilliant.
And she says so do I.
I get completely embarrassed.
Oh no!
Let go of my charm.
You don't need to pester or harass.
Oh no!
All I wanna do is dance with you baby.
Verse three.
Do you know Wembley? A lot of footballs.
Yeah?
I'll say you dance divinely.
She tells me this is true.
I'll say I think I love you.
She says it's boo-boo-loo.
Here comes the Wembley, it's Wembley.
Oh, oh, there's two in the bar.
It's much too fun being Wembley.
The music won't stop.
Yes, it's my total obsession.
Oh, oh, oh, oh, oh, oh, oh. My only means of
expression.
Oh, oh, oh, oh, oh, oh. All I want to do is dance.
Dance. Dance. Dance. Dance. Dance. Dance. Dance.
All I wanna do all I wanna do
This is bad.
I'm getting some time.
Rubbish!
Let's go! Talk to me!
Folly!
What sort of person are you?
What side of life comes your way?
What kind of things do you do?
Try to describe a normal day.
Are you the quiet type?
Or more of an extrovert?
Is your journey quite important?
Do you wear a working shirt?
Can you answer all these questions on a poster, if you please?
Questions!
What do
you do in the evenings?
What kind of things makes you laugh?
Do you have any hobbies or interests?
Please answer on your own behalf.
Will you answer all these questions on our postcard, if you please?
Question CC!
Which side do you sleep on?
Are you bummed or are you relaxed?
Are you in or out of business?
Before or after text?
Please give your name and address and the number of your phone.
What are you doing this Friday?
Are you sure you'll be alone?
Will you answer all these questions on a postcard, if you please?
Question!
Will
you
answer all these questions on a postcard, if you please, through the
ministry? of the future in the land of buzz and bees.
What?
Will you answer all these questions on our first round of pupils?
Questions!
Who is there?
What's up, mate?
With four notions, there's not enough.
If one has true sensitivity, with three agreements, I don't know, if it's
sunny, you can make your imagination fly. You can't, man.
With three agreements, if it's sunny as if it rains, the maximum you can make
fly are columns.
Hey, hey, hey, hey, Stravinsky, don't mess with me.
Cada un se sap la seva coble.
I jo no t'he dit res de que vagis vestit d'escarvat.
Potser més val anar vestit d'escarvat que no pas de papallona.
Vejam si per fer música un s'ha de cremar les parpelles davant les
partitures. Val més una mica de trampera que hores i hores de digitació.
O si encara resultarà que fa mal estudiar.
No t'ho prenguis malament.
Trompeta, but the world is no longer for well-made clubs. The world wants
spontaneity and that music is legal.
Legal? I already have the syndicate's license.
That, licenses, licenses,
titles and music that comes directly from the subconscious.
What do you wear, Trompeta? Listen, kid.
Don't call me trumpet anymore, I have three children and a wife.
But you know... I don't know... David Bowie?
Or La Lasta?
No, no, no, no, no. I, with modern questions, I stayed with Rafaela Carrà,
I don't know anything else.
Hey, hey, man, man, that's it.
I'm also a fan of Rafaela Carrà.
He does everything, doesn't he?
He dances, he sings... And how does he sing? And how does he dance?
He's an artist!
He's scary.
Too bad he's not coming tonight.
Next year we'll have her here.
She's learning Catalan.
They say that the difference is precisely the grace of luck.
What the theorists don't say is how one can introduce one's own guest without
saying curses.
No, no, no, no, no, no, no, no.
Thank you, thank you, thank you, thank you.
I know, I know that when people come out they say, oh, it's ugly.
But one thing is to be ugly, the other is to be stupid, which is not the same,
eh? Look, in a manikomi there was a poor man, a good one, who every day at 12 or
12 o'clock looked at the clock and said, I'm going to throw water at the rice. He
climbed on top of the whole manikomi and threw it.
Of course, if they hadn't put a wool, he would have been killed.
And every day at 12 o'clock the same, I'm going to throw water at the rice.
Everyone, the wool, I'm going to throw the wool. And they were running with the
wool. A new director arrives in a asylum and says, everything is fine, very
quiet, but every day at 12 we have to run because this poor man, he says, he
threw the water at the rice and he will climb over everything and he will be
thrown, if we did not put the wool, he would kill himself. The director says,
well, tomorrow without wool. The man who will kill himself, tomorrow without
wool. The next day, at 12, Boig looks at the clock and says, I'm going to throw
the water at the rice. The wool, the wool, and the director, without wool.
Boig climbs over everything, looks at his head, sees that there is no wool and
says, well, today I will change the menu.
Today I'll eat macarons.
No.
Look.
The things as they are. These poor English girls don't understand anything.
But they are so polite that they laugh. Thank you, beautiful.
Thank you very much.
No, I'll explain it to you. I had a partner who had worked a lot, who was
Eladi, and he explained a story, or a joke, or whatever you want to think,
which is that of Mallorca, which I found so funny, and today I want to remember
him and the story he explained.
He was a very, very, very, very, very, very, very, very, very, very, very,
very, very, very, very, very,
very,
When people arrived in Mallorca, they said, there's a boat that's going to
Barcelona-Mallorca, but you can't say yes, and the man was going to Mallorca,
and when he almost arrived, one of the boats, what, I'm going to Mallorca, you
arrive, he says, that one arrives, the one from Barcelona arrives, he says, we
have to receive it, and of course, they put it all in the mill, full of flags,
the orchestra, the municipal band, the speakers, the journalists, the man
arrives there, he says, look, I've arrived on the day of the flag, they'll
pay me, I'm going back to Barcelona.
Thank you. Thank you very much, beautiful.
I just wanted to tell you that I would like this year, 1984,
to be for you, not for you, for everyone, and for us, a year of peace
and tranquility. I know it's very difficult, but let's ask for it, and if
we all ask for it with a lot of faith, maybe we'll get it.
Besides talking, what I really like is singing.
It's not that I have a great voice and I sing a lot, but I like to sing.
I would like to sing you a song that maybe will remind you of something.
It's from a work that my father, Josep Sant Pere, wrote, which is called, or
was called, La reina relliscat, Torna a estar molt de moda. The letter of Font
Roura and the music of the master Josep Maria Torrents. In this work, my mother,
Rosa Snaef, sang that of Ramena Nena. It was a great success, and as I say, Torna
a estar de moda, I would like to sing it to you.
Ángel, leave me a cocktail.
is is
Estava el pot ben bé, s'agafa amb dues mans, i arriba el dolç moment de
començar el ball.
Remena, remena, nena, remena, remena, nena.
No reposis ni un moment, si remenes faça estona, la barreja surt més bona, i
el client deixa't content.
This music goes very well to sing it.
Do you want to hear it from your house?
Do not rest a moment.
If you hang out a lot of time, the barrage becomes better and the customer
leaves happy.
Hang out, hang out girl.
A girl has played at Ser Marquès's house.
That knows how to make many visages, but he doesn't know how to make cocktails.
But he lives in the neighborhood that the man is complacent. And the old girl
teaches him everything by saying...
No, no, no, no.
The enemies of the word cocktail They are proud that it has a decadent air,
which is no longer an excuse for such intense circumstances of social
life. To say it in a distinguished way, the word also sweeps.
The cocktail is certainly something that, apart from making us go crazy when
we take an excess, brings us images of a certain old colorism.
Images of...
films of baroque American parties that ended in the morning with the orchestra
exhausted and everything made a mess.
For a strange and curious association of ideas, we want to apply this word
when presenting this group and not precisely because they belong to the old
age. It is a group that goes from moderns.
It is a group that, in a musical cocktail way, includes various
influences that appeal to great paladars of this planet.
Two Jamaican girls, a girl from the Caribbean island of Montserrat,
Moranetes Elles, and a character from Ghana are the members of Boney M.
Let it all be music.
He's crazy like...
In our Chicago town, she was the meanest cat.
When the country rings the living bell, you're lost.
Belfast.
Belfast. When the hate you have for one another sprouts.
You can try. You can try. You can try. You can try. You can try.
And so they shot.
Thank you.
Thank you.
I'm not gonna do anything.
I'm a loner.
I like loner.
If you ever should be near, don't forget to drop in here.
all you favorite
Jambo. Jambo.
Jambo. Jambo. Jambo.
Jambo. Jambo.
have a good time enjoy the summer
Can you see them dancing If you want from
Jumbo, jumbo guana, have a good time, enjoy the summer.
The Santa, sweet chacaranda, it's nirvana, kuna
matata.
Jumbo, jumbo guana, have a good time, enjoy the summer.
Jumbo, jumbo guana, take it easy.
Akuna Matata Can you hear the drumming? Akuna Matata Can you hear
the singing?
Akuna Matata See them dancing? Akuna Matata
In bromance? Akuna Matata Jumbo Jumbo
Juana
Have a good time. Enjoy the slumber.
Jambo. Jambo one night.
Make it easy.
Makula Matata.
And children listen to him.
I'm dreaming of a white Christmas.
Just like the ones I used to know.
Where the treetops glisten and children listen
to hear sleigh bells in the snow.
I'm dreaming of a white Christmas.
May your days be merry and bright And may
all your Christmases be white
I'm
dreaming of a white Christmas Just
like the ones I used to know
May your...
All your
Christmases
be white
Good night and good year.
Hello.
Good morning Maradona.
See you at McDonald's.
Wait, I have to take care of myself. Ah, you also use Arbequino? Yes, with
Arbequino the food has a different taste.
It's better, it's authentic olive oil. And that's noticeable. At home they also
like Arbequino a lot. And besides, it's a total guarantee of health.
Well, it's true.
I also like Arbequino.
Arbequino, the famous olive oil.
This will be a taste of skimmed, operized, Pasqual milk.
The cream is extracted by centrifugation. The rest is Pascual
skimmed milk with the same proteins, mineral salts and hydrosoluble vitamins,
but with fewer calories.
It has everything, everything except the fat.
If you haven't tried it yet, try it.
Pascual skimmed milk helps you not to gain weight.
And what a good taste!
I'm Puig, from accounting.
We work in the same company.
He just told me, at the head of public relations.
Nice to meet you.
Ah, so much pleasure.
Cheer up, man.
Cheer up, we'll laugh soon.
I say it for the joke they'll make to the new seller.
I don't know who it is, but they told me it's a tall bear, the poor boy.
You know who I mean, don't you? It's a tal Gomis. Yes, yes, yes.
Well, cheer up, cheer up, because at the party you don't talk about anything
else. You can see that all of a sudden many of the people in the company will
get angry and start shouting, let Gomis talk, let Gomis talk.
And they won't shut up until Gomis talks.
And you can see that since it's half-cooked and it's been put in the
oven, they've prepared a whole bunch of flour. And when Gomis says something,
I'll start throwing it at him.
Right? And all full of flour.
Poor Gomis. De gracia, oi?
Bye, Gomis. Cheer up, we'll laugh soon.
We continue on TV3 celebrating the arrival of this 1984.
Surely, it convinces the orthodox followers of a genre, and at the same
time, it is difficult to please the profane.
But, without a doubt, it is one of the characteristic details that make a
product of this quality.
A few years ago, the guests with whom we will leave you in a while, in a corner
of Blanca, Seville, they found a formula.
A formula to get to a wide audience in the country.
They say that his voice is not too sweet and that he doesn't know too
much about playing the guitar. But when he plays the guitar and he makes us hear
his voice, a phenomenon occurs between the public.
The public has their mouth open and this has its grace.
They have said that his flamenco...
is traditional and innovative.
And above all, authentic.
With all of you, Lole and Manuel.
la la la
Now we are going to make a song that is more than a song, it is a tribute that
we make to the last king, Moro, to say it in some way, affectionately, of
course, that our Seville had.
This song is dedicated to Almutamí and to his only love, to Ramo Auquilla.
For you, with all our heart, Almutamí and Ramo Auquilla. Thank you.
is is
Now I'm going to sing, I'm going to dare to sing a little bit.
I'm going to sing a little bit of Por Bulería.
And since we're at a party, I'm going to remember that, the Good Night, the New
Year.
It's a song that doesn't even
have a title. I call it Manuel Por Bulería. Thank you very much.
La Virgen no era gitana, la Virgen era judía.
Lo que pasa es que en Judea se canta por bulería.
y caminando por Belén yo me encontré un carpintero que
se llamaba José estaba haciendo una
cuna y le pregunté pa' quién y me
dijo pa' su niño que acababa de nacer
. .
.
. . . .
y no te das cuenta flamenca que ser libre como el viento es
mejor que ser princesa
no
te vendo mi caballo porque no quiero dinero
yo
I don't know.
Estuve hablando contigo, yo creí que era un sueño.
Tu voz temblaba y temblaba, y yo temblaba todito
entero. Y tú me dijiste bajito que está, que está mi
padre despierto.
Y mi madre está en la cocina, y yo estaba sentado.
Me preguntaran quién era Y yo le diría a
mi dueño Y mi padre se enfadaría Y yo...
amanecia amanecia
Thank you very much.
This one has also tasted the champagne.
Un vermutet de no res et fa ballar la bala.
Creuries que em roda el cap.
Un vermutet, un parell de copetes de champagne.
Això també. Sí que tens raó.
Uns champagnets que han sobrat de la taula del fons.
No us oblideu dels carajillets d'abans de començar la feina. Sembla que no i
també compten. És cert, noi.
Yes, yes, of course, yes. I have arrived as untied and they have entered me
great.
All folded seems not and affects.
Oh, I'm a zombie.
It must be the pressure.
Yes, the pressure of the beer machine. Do you remember the cane you have taken?
Ah, yes, I also have to give you the wrong.
And you know what?
No spot for a job.
Mira, ho he vist tot plegat com a l'Esforazado Potemkin quan es tomba el
dia de Capitán.
A l'Esforazado Potemkin no es tombava.
Ah, devia ser la versió espanyola.
The mythical Broadway offers two very different images.
Today it is a street like any other.
But when the sun starts to cut the silhouettes of the buildings and the
first lights of Neo light up, that changes face and becomes a fog that
revolves around the world of the show.
Núria, Núria experiences a similar change.
Today she is a neighbor of saints like any other.
But when the sun starts to decline...
becomes a character capable of singing Broadway songs like this.
From Sants, passing through Broadway, Núria Fàliu!
Thank you.
Because for you, now and always, my friends, you are my songs.
You
will
see what we will all do tonight.
Now!
Congratulations! Happy New
Year!
Thank you.
Ah,
yes!
Zombie! Woo!
. .
.
What's the news?
Foreign
foreign
I would tell you as many things as you would
want, but I don't want you to be with
me, not possible.
Days go by, the days go by, you don't
know the anxieties that my life has.
Amor Acosta, no vulguis fer-me patir.
The show is a world and it's the world, the biggest show ever.
The show is the world of the leaves.
The world, show flying with all of them.
Let's go around the universe, watching us all.
It's a world, a colossal show full of leaves.
Thank you.
There are certain fragments of the musical cinema that escape the
limitations of the 7th art and are known to everyone.
Ginkeli around a fanal under the rain, the 7 brothers for the 100 girlfriends
in the ball of the Planyataires, the gymnasium scene in West Side Story, and
of course, Laisa Minelli with her chair in Cabaret.
Laisa Minelli, who has been one of the characters that in recent years has
always been present in the shows of Cabaret.
You
have
to understand the way I am mine here.
A tiger is a tiger, not a lamb mine here.
You'll never turn the vinegar to jam, my man.
So I do what I do.
When I'm through, then I'm through.
And I'm through.
Toodaloo.
Bye. Bye.
Bye.
Though I used to care, I need the open air. You're better off without me, mine
hair. Don't dab your eye, mine hair, or wonder why, mine hair. I've always said
that I was a rover.
You mustn't admit you're proud. You should have known by now. You've every
cause to doubt me, mine hair.
The continent of Europe is so wide, mine hair.
Not only up and down.
but side to side mine head I couldn't ever cross it if I'd tried mine head
but I do what I can inch by inch step by step
mile by mile
Bye. Bye. Bye.
I'll see you next time. Bye.
This is the performance of Mimi Pompom and Dolly Van Doll.
How's the party going?
Good? Sure?
Champagne?
Confetti?
This is an old and well-known history of the times of rock'n'roll.
The exciting story of a woman in a trampa, Latina Turner, who you all know.
A woman that we have seen acting live between us, that we have heard on the
records and that we have also seen in her movies.
A woman that arrives right now as a special guest during the year-end party
of TV3 with her old and her new songs.
But it is obvious that in order for Tina Turner to act, we have to arrange the
stage in a certain way and we have to put all her instruments and her
technical team up here. So, for technical reasons, we take a short
break.
No funciona això, Josep Lluís.
Ha d'actuar la Tina Turner i no ens acoherirem.
Els cascos?
No, si és el primer que he comprovat. Baixa'm.
Baixa'm. Mira bé que no sigui la massa.
Ja he mirat, home, no és la massa. Per mi que és d'autentitud o d'electricitat.
Fes el favor de baixar-me, que aniré a avisar el manteniment.
Arriba el sol?
El sol m'arriba molt mal. Home, que no et dic que no ens acoherirem.
Baixa'm, fes-me el favor, baixa'm.
L'impedància, deu ser l'impedància. L'impedància ni punyetes. Em vols
baixar, per l'amor de Déu? Bartomeu, Bartomeu, que t'agafen paranoies.
Mira bé els micros, els cascos.
He mirat els cascos, he mirat el micro, m'he posat en totes les posicions
possibles. Fes el favor de baixar, me'n dic.
Bartomeus, Bartomeus, quina mena de soroll sent?
Sento com una mena de zup-zup-zup i una musiqueta estranya.
Vols que et digui? Zup-zup-zup? I una musiqueta.
I això que et penja?
A què em penja? Això...
Shut up, don't go, you were on the radio.
And the moment has come, already in this night of singing, the most important
chains in the history of rock and roll, Mrs.
Tinatana.
I can see for a thousand years
Colder than the moon
It's been so long
Feel my blood
in red
It's just a myth of losing you.
Don't you know my name?
It's been so long.
And I've been putting up.
These tears so blue and wet and it's just hot like I've never been. These
tears can never dry.
Judgment night can never end.
If your boy ain't what he could be now, this girl will put him right.
I'll show him what he could be now.
Just give me one.
Give us a room.
Close the door.
Leave us for a while.
And you won't be a boy no more.
My work's been done.
And now look at him.
He's never been more alive.
His head is fixed.
His famous clutch.
Watch.
thank you let
me
say that since babe since
we've been together oh loving you forever
oh since we've
I just can't see.
All due respect to the late John Lennon.
One of his songs.
My version.
It's called Help.
today never needed anybody's help in
any way now those days have gone and I'm not
so self-assured now I find I've changed my mind
I've opened up the doors so help me
days have gone and I'm not so self-assured.
EEEE
We'll be right back.
We'll be right back.
Thank you.
We'll be right back.
The time has come to present the last show of the night. It's a group that,
throughout the year that we've just left behind, haven't been around much.
No, they were doing language improvement classes. And you know, there's nothing
like a long stay in the country where it's about learning the language.
Directly from the Soviet Union, La Trinca!
foreign
is is
Foreign
Los prados son verdes, el cielo es amor.
Las gajas costuran y enseñan a Ocó.
Amor, amor, amor.
One, two, three.
I don't know.
With the permission of the Capellans.
Caliph.
Yes, he educates us in the army.
Caliph.
You are the king of deception.
Caliph.
You are content to come to the...
No siguis bestia calipa, no siguis bestia calipa, que pot sortir pas calva.
Diu l'article 26, diu l'article 26, que en un cas de compromis,
que en un cas de compromis, el califa pot, si cal, refregar-se l'angonal, i
passar-se pels dallonsis totes les lleis del país.
I el poble?
El poble.
is is Thank you.
Ay, mother, no, I don't want to be a fisherman.
Do me a favor,
because I want to be a priest.
The bitter taste of bad jokes, when it moves the wind of
Garvin. And besides, bombs are not collected.
I don't want to be a fisherman.
I want to be a fisherman.
It's wonderful.
It's wonderful.
That I want to be a priest. I want to be a priest.
is is
Thank you.
Bye. Bye.
Thank you.
That's it.
And it's obvious that the man comes from the potato, and that he comes from the
potato. Potato!
Potato!
What is that?
What is that? What is that?
What is that?
La Comuna de París va instaurar l'Opera Decret. Per això sempre van junts la
comuna i l'ident. I així Gràcia, Sant Anton, Amalatia, Robespierre, totes les
dones de França s'irrenden la pomme d'éter.
I el veron d'aquest invent es va fer tan important.
Thank you.
foreign is
The earth, the ebb and flow of the sea,
is a nuclear range.
And the sky, look, from a jump, is the color of a dog.
Like a jump, like a jump, like a jump, like a jump, like a jump, like a jump,
like a jump, like a jump.
Daddy daddy daddy daddy daddy daddy daddy daddy daddy daddy daddy
daddy daddy daddy daddy daddy daddy daddy daddy daddy daddy daddy daddy
daddy daddy daddy
There is an Indian tribe in West America that has a retreat with the
Catalan people. There is no Mesopotamian tribe.
Sota la capa del sol, son y serán genapachetant, si es vol, como si no es
vol. Y para serenar los ánims de aquel poble tan dulçot, va a firmar un tractat
de pau, que ni diu en l'Estatut. Però com sempre passa al cine, a l'hora de la
veritat, els tractats amb rostres pálids només són paper mullat.
So he doesn't want us to do the Indian, and he threatens every day that he will
come if we are not quiet. The 7 of Cavalry, that he will come if we are
not quiet. The 7 of Cavalry, that he will come if we are not quiet. The 7 of
Cavalry.
Guys, come.
You shot me in the back.
It's next show.
Morales, get this hen out of the hens. From the what? From the hens!
Come on, my brave men, honor of the seventh is at stake! What seventh?
You drive and shut up, you stupid knight!
Morales, more lungs!
No, no, no, no!
Elude the obstacle!
I can't!
La tuya, imbécil! No ves que estamos de servicio?
Morales! Tóqueme aquello! Sí, mi teniente!
Thank you.
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