Original subtitles

(Opening theme music)

(Opening theme music continues)

(Opening theme music continues)

(Opening theme music continues)

Okay, so what do we do now?

-Shopping! -Yes, shopping...

(Tense music)

Mrs. Yonca.

Thank God for bringing us together.

Yonca, we have to get away.

-He can't do anything, don't worry. -Well...

Why would I do anything? Do I look like a villain?

We're just going to have the conversation we couldn't have yesterday.

Stay away from us!

But that's not possible. Can you really talk from this far away?

Let's run!

Sare!

(Tense music)

(Car screeches to a sudden stop)

Sare!

Sare!

Sare!

Something has happened.

My dear...

Something has happened.

-Oh my God! -(Filiz) Nothing will happen to her.

-Nothing is going to happen to her. -(Woman) Did you hit her, young man?

-(Driver) She came out of nowhere, ma'am. -(Woman) But this is where...

-(Driver) I didn't see her. -(Woman) Look!

Sare!

Sare, please.

Get up, please get up.

Something happened.

Call an ambulance!

I'm calling the ambulance.

Will somebody please do something!

-Open your eyes, please, come on! -(Filiz) Somebody do something!

Open your eyes, please!

Open your eyes, please!

-I'm going to report an accident. -Let me help.

Don't touch her!

Let go, let me help.

Let go, please. Please, let me help.

Yonca, let go.

(Yonca) She's not moving.

She's not moving!

(Sad music)

She has no pulse.

(Yonca screams)

No!

(Filiz) Yonca will save her.

-Yonca will save her. -Come on.

Oh my God!

Come on, come on!

Get up, please get up!

(Filiz) Yonca will save her.

Come on! Come on!

-She'll save her. -Come on.

(Tense music)

She's breathing.

Bring the car, quick!

Don't touch my child, let go!

-We don't have time to wait for an ambulance! -Let go!

Let go! We don't have time to wait for an ambulance!

(Filiz) Come on.

Open, open the door!

Come on, get in the car, get in.

Alright, pull out slowly.

Wait.

Come on.

Where is Merve Hanım?

Rüzgâr Bey was going, she must be with him.

-Uncle Mazhar. -Deniz.

Aren't we going to cut my cake?

Of course we are.

Where's Mom?

She's inside. Isn't she?

No, she isn't.

Come here.

Come on.

What are you doing here?

Wait a minute, can you stop? I'll explain.

-Yes. -I'll explain.

Look, go to Mazhar's side, okay? Don't let him suspect anything.

We'll talk, I'll explain everything to you later.

I hate you!

I love you so much, why are you saying this?

Why are you doing this?

Shut up!

We'll talk later, okay?

Okay.

Sweetheart.

What are you doing here?

I saw Rüzgâr off.

What are you doing in my study?

Why don't we talk about this in front of Deniz?

Why?

I think we should go inside and talk.

Mr. Mazhar, we took Mr. Deniz's cake to the living room but...

-Did I say you could take it there? -But you...

Hey!

Your birthday cake has arrived but the birthday boy is missing.

Can something like this happen?

-Come on in. -Okay.

(Merve) Come on.

(Tense music)

-Won't Dad stay? -(Merve) No, sweetie, he won't.

(Tense music)

-Check whether she's left the building! -Right away, Mazhar Bey.

"Happy birthday, Deniz"

"Happy birthday, Deniz"

"Happy birthday to you, happy birthday to you"

"Happy birthday, Deniz"

(Music)

Please, open your eyes.

Faster, damn it, faster!

Come on then, Lion King.

(Music)

(Erman) I've got it, okay, I've got it.

A car hit him, his pulse stopped, I performed CPR.

-How old is she? -(Yonca) She's six years old.

-(Male doctor) Was she unconscious the whole time? -Yes, she was unconscious.

(Male doctor) To the emergency operating room.

(Tense music)

(Sad music)

Nothing is going to happen to her.

Nothing was supposed to happen to anyone!

Nothing was supposed to happen to her!

I...

It happened all at once. I didn't do it.

You promised me.

-I did. -You said nothing would happen!

-I did. -Then why did you do it?

I didn't do it.

I don't lay a hand on women or children.

Oh God, it's all my fault, my mistake.

It's all my fault, it happened because of me.

I don't lay a hand on women or children.

(Tense music)

-You can't go in! -What are you doing? Let go!

-Madam, please! -I'm her mother, let go!

-Madam, please, you have to stay here! -No, let go of me, let go of me!

Yonca! Yonca, let go!

No! Filiz, please! Filiz, don't let her be alone, please!

-Yonca! -Let me in, Filiz, please!

Yonca, let go! Make them help your daughter!

No, I can't, I can't leave her. Please, Filiz, please!

Damn it! I couldn't protect her!

I couldn't protect her, I couldn't protect her!

Yonca, it's not your fault.

Filiz, my heart isn't beating, my heart isn't beating! Something happened!

Something happened to her, I know it. Let me in, please, let me in there too, please.

Yonca, you're not well.

Yonca, look at me! Yonca!

(Transition sound)

Good morning. (Transition sound)

(Sare, voiceover) Good morning.

(Transition sound) Good morning, good morning, good morning.

Mom, don't do this.

(Transition sound)

(Filiz) She's your daughter.

A girl as strong as you, she will survive.

(Transition sound)

(Transition sound)

(Sad music) (Life support machine beeping)

(Sad music continues)

(Sad music continues)

(Sad music continues)

(Busy tone)

(Busy tone)

(Sad music continues)

(Transition sound)

Canan, my dear, look, don't do this. You haven't left this room in days.

I had prepared this room for our child.

-But she left us. -Canan.

Look, look at me, please don't.

I will never be able to become a mother.

I will never have a child.

I won't be able to be a mother to your child, Alpay.

I won't be able to be a mother to our child.

Then why should I live, huh?

Canan.

(Transition sound)

You were going to take my life!

-No taking lives. -You were not going to touch him!

-I'm sorry. -You were not going to touch him!

You can't touch him! You can't lay your filthy hands on him!

Here I am, I'm right here! Take whatever you want from me!

Send me to him!

How can I stay here while he's suffering over there!

(Sad music)

Why don't you understand? No, there's nothing wrong with me!

Why don't you understand?

I just wanted to be happy with my daughter.

I wanted her to smile.

Sweetheart, don't.

(Tense music)

I never wanted it to turn out like this.

(Tense music)

(Phone ringing)

(Transition sound)

So you had a child and you hid it from me?

I couldn't tell you.

Honestly, I haven't even seen him.

But when you were tormenting yourself thinking you'd never be a father...

...I thought you should know, that's all.

Why?

Huh?

Just to hurt me even more?

(Canan) Look, I have a child.

To show me that another woman has already done what you couldn't?

-Canan... -Don't touch me!

Look, if you'd just listen to me...

You brought this up to rub my shortcoming in my face.

No! How could you even say that, sweetheart?

I was only looking for a solution...

So you've worn yourself out over it, and I did this so you wouldn't be hurt any more, Canan.

What kind of solution is this supposed to be?

What other solution could this be, other than making me feel even worse?

Because we can take him.

We can take him.

We can still build the family we've dreamed of.

We'll take better care of that child than that woman, Canan.

What are you saying, man?

Are we going to take a child away from his mother for my sake?

Am I that kind of person?

Canan.

Alpay, get out, get lost!

-Will you at least listen? -Alpay, I told you to get lost!

(Sad music)

(Sad music continues)

(Sad music continues)

(Phone rings)

(Transition sound)

(Phone rings)

(Phone rings insistently)

Canan, where are you? Why aren't you picking up your phone?

What happened?

What?

Which hospital are you at?

-Okay, I'm coming right now. -Mr. Alpay.

-What is it? -Galip Bey sent his regards.

He says he wants to talk to you.

-Not now. -But he said right away.

I said not now, don't you understand?

Wait a moment! He doesn't like being kept waiting!

I have something very urgent, that's why I'm leaving.

I'm not running off anywhere.

Let go of my arm, damn it!

Let him wait!

Galip Bey won't like this at all.

-Mazhar. -Merve.

You didn't leave.

I waited for you.

How is Deniz?

Very happy.

Is it because his father came?

Because his birthday went so well.

He talked about his horse to everyone.

He named it Aslan.

And his jersey?

He never takes it off.

Mazhar, you know, it's because his father gave it to him.

Alright, stop sulking.

Besides, maybe this way the ice between us will melt too.

Maybe Rüzgâr will keep coming and going, coming and going...

...and take Deniz out and such, just like before.

What do you think?

What do you mean? Is this really what you want?

Yours?

I told you I didn't want to be caught in the middle, but the decision is yours.

My beautiful wife.

So, Merve?

(Merve clears her throat)

What were you doing in my study?

I was there because of Rüzgâr.

Rüzgâr!

He insisted he wouldn't leave.

He said he wanted to stay until the cake was cut.

I said no, but he didn't understand.

He doesn't understand, he just doesn't get it.

He insisted, and told me to ask you.

I was coming to ask you.

Then I didn't want to upset you any more with this.

I turned back and sent him away.

Then I just felt bad.

-I didn't want to show myself in front of people like that. -You went into my study.

Since everywhere was full, to calm down...

Okay.

Come here, come on.

My beautiful wife.

We both know Rüzgâr.

Don't we?

Deniz is happy.

You be happy too.

I'm heading out.

See you this evening.

(Suspenseful music)

Mr. Mazhar.

Yes?

-Mr. Rüzgâr... -Mr. Rüzgâr what? What?

He left later than the minutes you verified.

(Suspenseful music)

(Suspenseful music continues)

(Phone ringing)

(Phone ringing)

Merve.

What were you doing in that room?

-I'll explain. -Explain!

Look, Merve, I'm somewhere near the house right now.

Come out and let's talk face to face.

Rüzgâr, I'm not coming. What are you up to?

Merve, we can't do this on the phone. Come out here. Be careful on your way...

...Mazhar may have become suspicious.

What are you doing now, Rüzgâr?

I said I'll explain. Why are you insisting like this?

I'm sending you my location, just come.

Come carefully.

Yonca, calm down.

Why aren't they coming out yet?

Why aren't they saying anything?

At least they're not saying anything bad.

(Filiz) Please, calm down.

-My girl. -Dad.

-Dad. -Sweetheart.

-I was so scared. -I'm here, sweetheart, I'm with you.

-I was so scared. -Nothing's going to happen.

-It won't, right? -No, no.

It won't, it won't.

-It won't, right? -Of course not.

Would we ever let this happen?

-We won't, right, Dad? -Of course we won't.

We won't, sweetheart.

We won't.

(Sad music)

What happened?

That man showed up in front of us.

Then, well...

(Tense music)

(Tense music continues)

(Tense music continues)

I went to talk to him...

...that's all.

It happened without meaning to.

All of a sudden.

Turgay is going to lose it.

He will.

He'll look for you.

He'll find you.

That bastard! What did you want from that little kid?

(Beep)!

Because of me.

(Burcu) It's all my fault.

It's not your fault.

All of this is because of that (beep) father and son!

Dad.

You're not going to cover this one up either, are you?

He won't get away with this one either, will he?

(Doğa) Dad, say something.

He's just a little kid.

He's your grandson.

Doctor!

How is my daughter, Sare?

Sare was brought to the hospital unconscious.

When she arrived, she was resuscitated, though only briefly.

Since she's still unconscious, we'll put her under so there's no risk of hypoxic brain damage.

Is she all right?

-For now, I'd say she's fine. -For now?

She'll be kept under until morning, and her vital functions will be monitored.

Why?

(Doctor) It's just procedure. If nothing goes wrong...

...and let's hope nothing does.

We can discharge your daughter tomorrow.

Thank God.

Thank God, thank God.

Didn't I tell you your daughter is very strong?

When can I see her?

She's being taken to intensive care now. You'll be able to see her afterward.

Okay.

Nothing will happen, will it, Doctor?

Don't worry, she'll be fine.

She'll be fine, she'll be just fine, Sare.

-Thank you so much, Doctor. -Again, I hope she gets better soon.

(Music)

(Doctor) What's going on, madam?

Please, tell me too. Is Sare all right, the little girl you were just looking after?

-I already explained everything to her mother. -Please, explain it to me too.

Who are you?

I'm a relative.

Look, if it's a doctor you need, get a doctor; if it's medicine, get the medicine, whatever is needed.

I'm ready to pay for whatever it takes.

As long as Sare is all right.

-Merve... -What were you doing in the room?

First, calm down.

I can't just calm down! Tell me right now what you were doing in that room!

You weren't followed on the way here, were you?

I wasn't! Don't provoke me, come on, tell me!

Calm down, will you.

Are you going to talk today?

I planted a listening device in Mazhar's study.

What did you do?

I planted a listening device in Mazhar's study.

Hah!

Ah!

Because of that...

All that wanting to be together with him at Deniz's birthday and so on...

...all that effort... -No, Merve.

-(Merve) That was the reason, wasn't it? -No, Merve.

-I'm a fool, Rüzgâr. -Merve...

I'm a fool because every time I believed you.

-Merve! -What are you doing, what kind of man are you?

He's your son. Rüzgâr, you're using even his birthday for your own obsession...

...and on top of that you're using me as a tool. You're using me too.

Rüzgâr, what are you doing?

I'm trying to show you who that guy is, don't you understand?

-Me? -Yes, you.

You'll listen to the room...

...and you'll prove who Mazhar really is, then show it to me.

Actually...

...actually, I can't listen to the room myself.

-Excuse me? -The house can't be monitored from outside.

But...

...this device only records sound anyway.

So someone inside has to listen to it.

-What? -Who?

I don't know, maybe you...

Me?

I'm going to listen to my husband? Do you hear what you're saying?

God give me patience. God, give me patience.

Look Merve, the device is recording, all right? Mazhar is holding meetings in there.

-You too... -Do you realize what you're saying?

You're telling me to secretly spy on my husband?

Rüzgâr, this is a complete nonsense, and I'm not going to be part of it.

-This is madness. -Merve.

Where's the device?

When you walk in, there's something on the right, and there's a green vase on top of it.

I put it inside that.

Do you know what I'm going to do now?

I'm going to go home, get it from there...

...and then throw it in the trash, Rüzgâr. -No.

I won't go behind my husband's back, Rüzgâr. Do you know why?

Because I'm not you.

I will never be like you.

Your son. I'm saying your son, your own son.

Do you know how happy he was that you were coming to his birthday, Rüzgâr?

But his father...

...oh, that father of his...

God damn you, Rüzgâr.

What if it's true?

What if what I'm saying is true, Merve?

All you have to do is listen to those recordings.

Bring them to me or don't, it doesn't matter.

But what if it's true, what if the guy you married really is a mafia boss?

(Emotional music)

-You can't stay long. -Thank you.

(Emotional music)

You stay with your sister.

You?

I'll come.

(Emotional music)

(Emotional music continues)

-Canan. -They put her in a room.

-Which room? -This way.

Come.

(Emotional music)

My Sare, my beautiful angel.

Your mother was so scared, you know?

They said her heart stopped because of you.

Mine stopped too, you know? It didn't beat.

(Yonca) How could it beat when yours wasn't beating, right?

But then I felt a little movement.

Like your tiny hands tickling me.

I said, this is my daughter's heart, it's beating.

I told my heart, then beat.

"Since your daughter is alive, you'll live too.

You have to live." I will live, Sare.

I'll live for you.

We'll live for each other.

Sleep well, okay, my dear?

You get better, we'll have a lot to do.

We'll build a new world together. And a world just like this room.

One no one can enter, belonging only to the two of us.

But maybe we'll let in good people too.

Your loved ones, the ones who will love you...

-Where did you come from? -How is Sare?

-What's it to you? -She's my daughter!

But only the ones you love.

Everyone else will stay outside.

What happened to my daughter?

Their voices will come from far away, and we won't hear them.

They'll be angry, and we'll laugh with you.

Why is Sare in this state?

Will one of you answer, why is Sare in this state?

We'll only watch them, but they'll never be able to touch us.

I promise you, my darling.

I'll wake you into a beautiful world.

(Yonca) I promise.

-Why aren't you talking to me? -Maybe because we don't take you seriously?

Yonca?

Why is Sare in this state? Answer me.

-Don't you ever touch me again. -You have to explain yourself to me.

-Why is Sare in this state? -She had an accident.

-What kind of accident? -A traffic accident, she was hit by a car.

She was hit by a car? Where were you at the time?

Who are you calling to account?

-I'm calling her mother to account. -Oh really? And in what capacity?

As her father! Do you get it? As her father.

(Alpay) Do I have to explain this to you every single time?

What are you doing here?

-I... -How did you find out?

Is this it, is this the whole problem? That we're here?

-Look, you'd better leave. -Who asked you to get involved? Who are you?

Why are you getting involved?

Take your husband too and get out of here, come on!

-Are you the one deciding that? -Alpay, let's go.

I'm not going anywhere.

-Alpay, come on, let's go. -I'm not leaving!

Alpay, come on!

He's still talking.

He won't even deign to speak to us, you see that, right?

But I'm going to make him answer for this.

Of course he's confident now, he's got money, he trusts his money.

Canan?

Alpay, come sit with me for a bit.

-Shall I get you some water? Are you okay? -I'm fine, come here.

Alpay, there's something I have to tell you.

Tell me, sweetheart, whatever you have to say.

I don't know how to say it, but... (Phone rings)

Your mother is calling.

Yes, Müyesser Hanım.

-Alpay, where are you? -I had some errands outside.

Why did you ask?

There's a man here, someone named Galip. You invited him, didn't you?

-Galip? -Yes.

What is this man doing in my house, Alpay?

Müyesser Hanım, I'm coming right away, I'll explain.

I'll explain the moment I get there.

(Tense music)

-What happened? -Nothing, can we go now?

With him upstairs?

There's nothing we can do for him, Canan. Come on, let's go.

Okay, but I can't leave him like this, Alpay.

What can you do for him, Canan? There's nothing you can do.

-Get up, let's go. -Okay, I know.

But staying here will do me good, Alpay.

I don't want you to stay here.

I don't. Come on, let's go home. Get up.

Come.

Look at that, look at the confidence in that man. He shows up and even calls you to account.

-Are you okay? -I'm fine.

Honestly, I'm really fine.

But don't worry, he can't do anything.

He just huffs and puffs. Don't be scared, Yonca.

I'm not scared.

Today I went through the biggest fear of my life.

So I'm not afraid of anything anymore. And you won't be either.

I'm doing it for my daughter, you for your brother, you for your sister, you for...

...we won't be afraid for each other, we'll fight for each other.

Okay, one way or another we've gotten ourselves into this.

Either we submit to our fate and stay silent, or we write it the way we want it.

I'm ready for this.

Are you in?

(Emotional music)

Come.

Well, he was quite angry, of course.

Isn't that normal? I suppose we expected that.

-Of course it's normal. -So you're sure he'll listen?

I'm not that sure...

...I just hope he listens.

-Say he listened, will anything come of it? -It should.

-(Ekrem) Then we'll wait and see. -Exactly.

Good, okay, let's talk later. I'm hanging up now.

(Wind blowing) Okay.

(Emotional music)

Yonca, when I couldn't find you at home...

What happened?

H-how?

Where are you?

Which hospital?

Okay, I'm on my way.

(Tense music)

(Tense music)

What if it's true?

What if what they're saying is true, Merve?

All you have to do is listen to those recordings.

Bring them to me or don't, it doesn't matter.

But what if it's true, what if the guy you married really is a mob boss?

(Tense music)

-Mom. -My dear.

Where were you? I've been calling you for a while now.

I'm here, son. Did something happen?

Were you talking with Uncle Mazhar?

-No, he left a while ago. -Then what are you doing out there?

I thought the phone rang, but I must have heard wrong, it didn't ring after all.

-Anyway, what do you want? -Could you come to my room for a bit?

-I need to show you something. -Sure.

(Tense music)

(Emotional music)

Yonca.

(Emotional music)

(Emotional music continues)

That gave me a lot of confidence.

What? Yonca is right, dear.

-Living in fear... -Well, I think we should go back.

Why?

How is he?

Fine.

-And you? -I'm fine too.

-Who is that? -What are you doing?

Just looking.

Who is he?

-It must be Rüzgâr. -Rüzgâr?

Is there something going on between them?

-How would I know? -What's it to us, Burcu?

Whatever it is, why all the secrecy if it concerns us?

-I need to ask you something. -Oh my God!

Wow, this girl has gotten so nosy.

-Hold on. -Leave people alone.

Let them have a little chat.

-Why didn't you tell me? -I couldn't.

You were with your son.

The time we spend with them is worth more than anything. I didn't want to spoil it.

Besides, we've patched things up and promised each other. From now on, we'll be fine.

-Did you come alone? Isn't anyone with you? -You came.

(Emotional music)

My siblings and Filiz are here, they're downstairs.

How did this accident happen?

(Emotional music)

Killing isn't the solution.

He won't stop either. Since we couldn't send the girls away...

...we need to make sure they're safe.

We've come to what the girls asked for.

Come on, let's get this over with.

(Tense music)

We need to meet urgently.

He didn't come.

He didn't come.

Since Turgay hasn't shown up or demanded an answer by now...

He's planning something again.

Exactly.

Where to?

The hospital.

(Music)

Turgay?

-Mazhar, sir. -What's so urgent?

It's about Rüzgâr, the inspector.

Rüzgâr?

The last lucky winner has been reached: Yonca Sıdalı.

Ugh!

I've been drinking tea since morning, and I'm so bloated now, I'm huge.

Then don't drink it, Burcu.

What am I supposed to do? There's nothing else to do in the hospital. Just tea, tea.

Then drink it, Burcu.

But I'll tell you something, Filiz. Look how bloated I am.

-(Filiz) I could eat your belly. -(Burcu) My belly, yes.

(Tense music)

What are you doing here?

-Is he alright? -What are you going to do?

Do you want to know what state you put him in?

-I didn't want to hurt him. -But you did.

Without meaning to.

Besides, I don't hurt women or children.

-Oh really? -Really.

Not anymore.

What are you going to do, Erman?

-How is he doing? -Fine.

I'm glad.

No, don't be glad. Don't feel anything about us.

-That's not possible, Doğa. -What are you going to do, Erman?

How long is this going to go on like this?

-What's his connection to you? -What good will it do you to know?

-I need to know. -Why?

-I have to know, Doğa. -I'm asking you, why, Erman.

Doğa...

...learning this will hurt you.

How did Turgay find us?

We've been under surveillance for a long time.

All of us.

All of us?

Behçet, Erman, me, and you all.

He met with me.

And he asked me to become an informant.

(Transition sound)

(Tense music)

I pretended to agree too.

I told him I would hand you over.

I arranged a meeting with Erman and Behçet in the warehouse.

Of course, I didn't tell them anything.

Everything had to look natural.

Gentlemen, welcome.

Meanwhile, I tried to disguise the lucky one with my girls and...

...get him out of here.

(Tense music)

I didn't say a word.

My aim was to keep Rüzgâr occupied so the lucky one could escape from here.

But it didn't work.

(Turgay) He has a little daughter.

When his father found out he was leaving, he had a travel ban put in place.

Of course Rüzgâr realized that night that we were playing games with him...

...and took all three of us into custody.

(Overlapping shouts)

(Police) Drop your weapon! Get up!

Take these ones.

But he was left empty-handed.

So, Turgay, while all this was happening...

...why wasn't I informed?

I tried to sort it out without bothering you.

But you couldn't.

I'm sorry.

So you got what you wanted.

Congratulations on your greatest victory, Mazhar.

(Tense music)

Rüzgâr...

What a (Beep)!

"I'm sorry, Mazhar."

Exactly. Sorry...

"I'm sorry." (Mazhar laughs)

This time he came very close.

But...

...you've been exposed.

You know what the punishment for this is, don't you, Turgay?

The money can still be transferred to your account.

The Lucky Numbers have been exposed.

But they still don't know about our men inside.

They can't prove your connection to us.

We still have a chance to get out of this.

(Tense music)

-It's late now, you can go if you want. -Go where?

-To your home. -How could I leave you here?

My brothers are here anyway, don't worry.

Fine, then let them go. I...

They've been here since morning, they must be exhausted.

I'm here, I'm not going anywhere.

Rüzgâr, don't feel obliged, just go.

It's not obligation, it's responsibility.

What do you mean?

Sare trusts you a lot, didn't you say that?

I did.

So I can't let her trust down.

But I trust you a lot too, I said that.

See? You see?

So I can't let your trust down either.

Don't let it down.

Never let it down.

Always stay by our side.

(Emotional music)

I think the prosecutor will be late.

If you have somewhere to be, you don't have to wait.

No, no. Since I've come this far, I won't leave without seeing the prosecutor.

Well, the prosecutor has arrived.

Mr. Galip.

You invite us and then you're not even home.

I was a little upset. Luckily Ms. Müyesser was here.

Let us leave you two alone.

Ms. Müyesser, thank you very much for the tea and coffee, thank you.

(Tense music)

What are you doing in my house?

Since you didn't accept our invitation, we decided to come ourselves.

I was going to come to you anyway. You couldn't wait.

Say whatever it is you have to say.

-Canan, who is that man? -How would I know, Mom?

I've been looking for you since morning. You left the house, and what an exit that was.

(Müyesser) You couldn't even be bothered to answer my calls.

What happened today?

What? What happened?

Didn't you go for the DNA test?

We went, and we gave it, that's all.

There's something going on with you.

Nothing's going on with me, Mom.

(Music)

You were very polite when you were asking for a favor on the phone. What's this attitude now?

Listen to me, prosecutor. We did you a favor, and you're going to return it.

(Galip) My file on you is going to be closed.

Did you understand me? If you say you can't do it...

...our phone conversation could draw the press's attention.

(Galip) Think about it, if you like.

By the way, I wanted to look into who this Yonca Hanım is.

250 million. That's good money.

See you, prosecutor.

I found my way, Müyesser Hanım, you don't need to see me out.

(Galip) Good night.

(Tense music)

-What are you up to? -I don't understand?

What is a man like that doing in my house?

We talked about a case. It's fine, I took care of it.

-A case? -Yes.

What business would a man like that have in a prosecutor's house?

Don't worry, Müyesser Hanım. He won't come back anyway.

What matters isn't whether he comes back, it's what you've gotten yourself mixed up in.

I haven't gotten mixed up in anything.

If you'll excuse me, I'm going upstairs now.

I've got my eye on you, Alpay.

If you make one mistake...

...I'll burn you.

(Suspenseful music)

So how was your day, little frog?

-I'm not a frog. -Yes you are, you're a total frog.

Well...

-Mommy. -Yes, my darling?

-Shall we get some ice cream? -(Yonca) Not in this cold, Mommy.

(Emotional music)

(Transition sound)

(Emotional music)

Leliş slipped from my hands, I couldn't hold on.

-Why are you crying? -No reason.

Please don't cry, okay?

It's cold outside, your face will freeze.

I cry sometimes too, so I know my face gets cold.

If you'd like, I won't cry.

(Emotional music)

I brought you flowers, maybe they'll make you happy.

Please don't cry, okay?

Alright. Thank you.

(Transition sound)

Who was that man?

No one.

It doesn't matter.

Mom didn't like him.

That's how it is.

It won't happen again.

Alpay, I need to tell you something.

(Music)

(Message received)

I sent you a photo on your phone.

-Why? -Look at it.

What is this?

Yonca...

...the man next to her is someone named Erman.

I only know his first name, I don't know his last name.

I also have a phone number for him.

You have his phone number?

So why does he have it?

He's the one chasing Yonca...

...one of those mafia guys.

I mean, the one tied to that murder she got mixed up in.

Yonca knows him too. So there's something between them.

So how do you know all this, Canan?

What does it matter, Alpay?

I'm telling you, there's a connection between that man and Yonca.

Look into him.

You know what happens if we uncover the connection between them.

Yonca, who's helping the mafia. We can take Sare.

Canan, my dear...

...what have you gotten yourself into?

Are you not hearing what I'm saying, Alpay?

I'm saying if we figure out how the two of them are connected, we can get Sare.

Look into him. Find him.

Uncover the connection between them.

(Music)

(Sighs)

You didn't sleep.

You're late. You said you'd come back early.

Things came up, unexpected things.

Is something wrong?

Yes.

But it doesn't seem unsolvable.

So it's not something you can't handle.

Absolutely...

...I'll handle it.

(Clears throat)

Hello. This is Burcu. Could you wake Yonca for me?

Yonca.

Yonca.

Could you come here for a moment?

Come.

(Whispering) We need to talk about something.

Rüzgâr, would you keep an eye on Sare, stay with her?

Of course, of course.

-I have some business, I'll be right back. -Okay.

-See you. -See you.

Yonca, come here, dear. Sit, sit.

What happened?

Yes.

You were right.

Since you won't be able to leave here...

...you need to live here safely.

We'll hand over the part of the money that belongs to the organization.

But you said it doesn't matter whether we've given all of it or half of it.

Yes, I said that.

You also said what would happen if people found out Yonca is your daughter.

Then what changed, Dad? Erman is still after us.

We'll give the money, and this problem will end.

All that's left is silencing Erman.

We'll do that too.

I'll get him out of your lives.

(Music)

What are you going to do?

-You're very curious, Commissioner. -That's my job.

Wait for news from me. I'll have a gift for you.

(Suspenseful music)

Let me turn it up a bit, rest easy, my dear, come.

(Emotional music)

Yes, Leliş has come too.

Here you go.

Here, take this.

Your brother Rüzgâr is here with you. You rest well...

...and I'll take care of my work and come back, okay?

Should I come too?

I'm always lying down anyway. I don't want to lie down anymore.

No, that's not possible. No arguments. What did the doctor say to you, sweetheart?

You'll lie down, rest properly, and get better, right?

Yes, and I'm here too, right beside you. Or is it me you don't want?

-I do want you here. -Well then?

Maybe when you get here, there'll be a surprise for you.

-What? -No, I won't tell you.

-It's a surprise after all. -But I'm sick, I should be told.

Don't try to guilt-trip me like that, it won't work.

-It won't be a problem for you, will it? -Of course not, what problem would it be?

You just take care of your work.

By the way, what is this surprise? I'm curious.

I said it's a surprise. Can you tell a surprise?

You two are so curious.

Bye, little bear, bye, big bear.

(Music)

(Sighs)

(Music)

Did I keep you waiting too long?

How is Sare?

Good, just as she should be.

Healthy, in a place where she feels safe.

(Emotional music)

-It's almost over now, isn't it, Dad? -Yes, sweetheart. It's almost over.

(Emotional music continues)

Is there something you want?

-Rüzgâr, big brother. -Yes, sweetheart?

How did the birthday go?

Did Deniz like the present?

The birthday went very well. Deniz loved the present.

-I told you so. -Yes, you did.

-Because you always know everything so well. -Of course I do.

-Are you going to the match? -We will, of course. We'll definitely go.

-But her mother won't allow it. -I haven't told you the real news yet.

From now on, we won't need her mother's permission.

Why?

Because very soon Deniz will be living with me. Here, in this house.

How?

(Knocking at the door)

Good morning, young master. Oh, are you only waking up now?

Just a second.

-So you slept in this? -Yes.

-But isn't this for sleeping? -So what, can't it be worn?

If you want to, of course it can be worn, but...

...it's probably better not to wear it while sleeping. -Why?

Because this is a gift.

Besides, it's your father's gift, and gifts are special.

You don't wear them all the time. Especially not to sleep in, never.

Do you know what we'll do?

Let's take this off. There we go.

Let's fold it nicely like this, then put it in the wardrobe.

Do you know why?

So you can wear it when you go to the match with your father.

So the day you spend with your father will be special.

-Is that okay? -Okay.

That's my good boy. Come on, you'll catch a chill, let's put something on over it.

I'll put this in the wardrobe.

Now then, let's see what my handsome boy should wear today.

(Knocking at the door) Come in.

Prosecutor, the person you wanted...

...I've got some information about Erman Arsoy.

He was taken into custody and questioned last week.

Who questioned him?

(Tense music)

(Phone ringing)

Hello.

-Chief Inspector Ekrem. -Yes, speaking.

This is Alpay Tetik, Chief Public Prosecutor.

Go ahead, Prosecutor.

I need your information on a matter.

Go ahead.

Erman Arsoy.

I'm listening.

I believe you took this individual into custody last week.

Yes, Prosecutor.

Inspector Ekrem...

...I'd like you to brief me on everything you know about Erman Arsoy.

(Tense music)

What's wrong, sweetheart?

Nothing's wrong.

You're so quiet, though.

No.

Deniz...

...your mom's very quiet, isn't she? -Yes, she is.

-Deniz agrees. -No, honey, I'm really fine.

I actually know why, though.

-You need a vacation. -A vacation?

You've been working too hard.

You're worn out.

How about a trip to Uludağ?

-Sounds good. -Sounds good.

Did you hear that, Merve? Deniz said yes too.

-So we're going to Uludağ. -Mahzar, your work schedule is so busy.

I wonder how many more times I'll have to say this.

For me, you two come first, then work.

(Phone ringing)

Of course, that doesn't mean I won't answer these calls.

It's important. I'm in my study.

Shall we bring your coffee in there, Mr. Mazhar?

Don't disturb me.

Sweetheart...

...are we going to Uludağ?

I don't know about Uludağ, but you need to get to school, young man.

Come on, you'll be late.

-Are you ready? -Of course, after you, Deniz.

Shall we clear the table, Merve?

Please.

Phew!

No, no, no.

Nothing's gone wrong.

Good grief.

Yes.

The weapons must have already entered the port last night.

We'll be able to deliver them this evening, yes.

Well...

Yes, the first ship.

(Music)

(Tense music)

(Message received)

(Wind sound) What did you do?

(Music)

-Did you get your books? -I did, Mom.

I checked today's lessons and put them away, Merve Hanım.

Alright, have a good day at school.

(Music continues)

Ugh!

The goods will be taken to the warehouse at night.

So... The delivery will be received afterward.

Keep your eyes open. I don't want a single mistake.

Not a single mistake. Otherwise...

...you know who I am.

Is it over? Are we finally free?

Don't worry, it's all fine.

-What about Erman? -I'll take care of him today.

Don't think about him anymore.

-Nothing will happen to you, will it? -Nothing will happen, sweetheart.

So, do you have a little time?

Why?

(Music)

(Music continues)

Come on.

Come, let's sit down here.

-Welcome. -We don't need the menu.

Let's have two kazandibi.

Do you like it?

When I was a child I had a friend, Dilan.

His dad was Uncle Saffet too.

The two of them, father and daughter, were always going out somewhere.

Sometimes they'd take me along too. I suppose...

...they felt bad that I was so alone.

Uncle Saffet always took us to the dessert shop.

And every time, he'd have us eat kazandibi.

(Music)

Whoa, whoa, whoa! Which mountain did the wolf die on, sis?

Good morning to you too, Burcu. Thanks, sis.

What a beautiful day, isn't it, Burcu?

Yes, sis.

We're not letting our mood get spoiled. Everything's working out, and the weather's lovely.

I'm getting rid of the troubles hanging over us. I'm so happy, Burcu.

Yes, sis, I'm very happy too.

I love you so much, Burcu.

No, sis, I love you so much.

No, Burcu, I love you so much.

No, sis, I'm the one who loves you.

Don't touch that. What are you doing? Let it go.

Pull those hands that haven't seen a manicure in a month back, pull them.

Ah!

What shall we do, my positive sister? Shall we go look at the table?

No, sis, we'll eat, but notice I said we'll eat.

There aren't two people in this 'we'll eat,' there are three.

Three?

Yes. (The doorbell rang)

He's here.

Come on, there are slippers over there, put them on.

(The door closed)

What's he doing here?

He says hello. Come sit down, love, I'll get this for him.

Can you explain what he's doing here first thing in the morning, Burcu?

(Burcu) He really likes it.

He says it smells lovely. You go sit down.

Sit down, love, it's fine.

Mornings are a bit aggressive, it opens up around noon...

...the evening is always more affectionate. Let me put this down.

And let me set this here too.

Let me pour you some tea. Exactly how you like it, strong and dark.

Enjoy your meal.

(Silence)

-Aren't you going to eat? -No.

-We're going to talk, no matter what. -Yes.

-Why aren't you the one talking? -But honey, what am I supposed to say now?

(Burcu clears her throat)

Fine, I'll talk. I'm always the one doing the talking anyway.

We're getting married.

I don't understand.

Sis, when you bring things up in that tone, I get really tense.

Please don't do that, I'm begging you.

We wanted to tell you before Dad. That's why this table is here.

With him?

Of course with him, who else would it be with?

Sweetheart, didn't this good-for-nothing con you out of money?

No, there was no con.

Really? Who did we find those two million for?

-Oh, those issues are over. -Over?

Alright, sweetheart, did this guy not cheat on you?

Honey, we already talked about that, I explained it to you.

So that's been settled too.

You're laughing because you're happy.

Yes, I'm laughing from happiness. My brother is getting married.

Yes.

But sis, Dad is going to be so happy too.

Imagine, we'll be at the wedding, dancing opposite each other.

Gold jewelry and all that. We need your support.

Yes, will Dad be happy that you're marrying this guy?

Yes. Why?

When are you coming to ask for my hand?

Right away.

Right away. Alright, tell your mother and father to come tomorrow then.

-Tomorrow? -Yes.

What happened?

I haven't told Dad yet.

You haven't... You haven't told him?

You know he doesn't want to see me after that incident.

If I tell him I'm going to marry you...

I don't get it. Are you afraid to tell your dad that you're going to marry me?

Well then, let's not let it cool down.

-Darling... -Don't call me darling!

Don't say darling or anything. I'm risking everything for you, you know.

You're even afraid to tell me you're going to marry me.

Darling... I said don't call me darling. Don't say darling!

Oh my God!

(Silence)

I'm going to talk to Sare.

I'll tell her everything.

That you're my father, my brothers, everything.

I also have to rent an apartment.

It's time she settled into a proper routine.

Then I'll take care of her school too.

Where are you going to rent the apartment?

I actually have a place in mind, but I need to meet with someone first.

(Emotional music)

Dad.

There won't be any more problems now, will there?

No, sweetheart. There won't be.

And you?

Will you keep your promise to me?

I can't prevent death, you know.

But I can resist to the very end.

(Emotional music)

(Phone ringing)

(Phone ringing)

Come on Merve, answer that already!

Pick that up!

(Phone ringing)

(Phone ringing)

-Yes, Rüzgâr? -Why aren't you answering my message?

-Oh my God! Are you serious? -Did you listen to it?

I already gave you my answer to that.

I also told you I'd throw the device away. I'm not listening to anything, not even my husband!

We both know Merve didn't throw it away. I know you very well.

You don't know me well at all, okay?

Sure, sure.

Fine, give it to me or don't, but please just listen to this.

I'm telling you for the last time. I'm not listening! And there's no device either!

Don't ever call me again!

(Tense music)

Did I scare you?

Not at all, why would I be scared?

Something's up with you today.

Nothing's wrong with me, Mazhar.

If there is...

...you can tell me, you know that, right?

Good.

What do you think about this Uludağ idea?

You, I...

...I think it would be good for all three of us, Deniz included.

Sure. Why not? Let's arrange it.

Then I'll plan things around Deniz's school schedule...

...and we'll see about the rest.

I have to go out. Don't wait up for me tonight, I'll be back late.

Merve...

We share everything, don't we?

(Tense music)

Keep up the good work.

That's it. That's what working people do.

Alright then, good.

What's this?

Go on, who are you looking at?

Are you insuring all of these workers?

What's going on? Who are you?

I'm from the tax office. I hear you're employing illegal workers.

-I'm going to check. -Who sent you?

So, do you have a permit or some kind of paperwork?

Don't be scared, man. Don't be scared. I'm not from the government.

They're on the other side.

We're on the other side.

You know those so-called mafia guys you talk about...?

...this time I'm serious, you might be scared of this.

I hear someone named Meral Sıdalı used to work here.

She had a daughter, Yonca.

Don't you remember?

You surely have a small room here, don't you?

Let's go there, I'll refresh your memory there.

And you'll buy me tea too, right?

You'll buy it, you'll buy it.

(Suspenseful music)

(Suspenseful music continues)

(Doorbell rings)

(Suspenseful music continues)

Have a good day, auntie. Sorry for the trouble.

Not at all. Come in, my child. Who were you looking for?

I was looking for my sister Halide, but I guess she's not home?

She went to the hospital this morning.

Oh really? When will she be back?

She left this morning. I don't know if she'll be back before noon.

Why were you looking for her, may I ask?

I'm a distant relative of Meral Sıdalı.

Of my daughter Meral? May she rest in peace.

That poor woman was an angel, truly an angel.

Yes, so she was. May her place be in paradise.

I heard she was quite close with my sister Halide.

Yes, they were. They were inseparable, eating and drinking together.

They spent their childhood together, too.

I thought I'd hear about Meral from her as well, but...

...I guess it wasn't meant to be.

Auntie, in the coming days...

...should I visit you again and trouble you?

My pleasure, please go ahead. If I can help at all.

-Alright. Have a good day. -Goodbye, my child.

Thank you, thank you, thank you.

(Phone rings)

Yes, father?

Mazhar?

Is there a problem?

Let him wait. This is very important now...

Alright, father, I'm coming right away.

(Tense music)

(Mazhar, voice) No, no, no! There's no hitch.

Good grief. Yes.

The weapons will have entered the harbor by night, surely.

We can hand them over this evening, yes.

One...

Yes, the ship loaded with rice.

(Tense music)

-Rüzgâr, brother. -Yes, dear.

-Are you awake? -Yes, didn't Mom come?

No, she hasn't come yet. (Door opens)

She's here.

Oh, is my angel awake? Come here.

-Yes, I just got up, Mommy. -Do you have any aches or pains?

-No, Mommy, I'm very well. -Well done, my angel, well done.

-So are we ready for the surprise? -Yes.

-Let's put your shoes on. -Are we going outside?

Not outside, not inside either. It's a bit complicated. Come on.

Mr. Rüzgâr, would you please put on your shoes and join us?

Alright, let's put them on.

(Music)

Alright, you don't need to go to so much trouble. We won't be going far.

Don't take your jacket. Come on.

(Music)

Where to?

Your brother Rüzgâr asks a lot of questions, doesn't he, Mommy?

Yes, Mom.

(Music)

-We're here. -Why did we come up here, Mom?

-What's this? -What?

-The keys to our new home. -Our new home?

(Yonca) Yes.

And welcome to Yonca and Sare's home.

-Mommy. -Yes, my dear?

-Is this really our home? -Yes.

Come on, aren't you going to look around? Come. Run.

Did you think you'd get rid of us?

(Transition sound) The apartment was lovely, wasn't it, sweetheart?

Yes, honey, but...

...the landlord says it's for sale.

(Woman) Should we talk to him again? Could we persuade him about the rent?

(Agent) Unfortunately, that'll be difficult.

(Agent) He wants to sell because he urgently needs the money.

(Transition sound)

-You, you... -(Sare) Mom.

(Music)

Mommy, is this our home now?

Yes, my dear, this is our home.

-But it's empty. -Yes, because we...

...left it empty so we can fill it however you like.

Rüzgâr, we're finally neighbors.

Honestly, Rüzgâr doesn't seem that happy about this.

-Good heavens, what does that mean? -I wish you could have seen his face.

-I didn't expect it, I was surprised. -That's all?

I'm happy.

Did we believe him?

No.

What's this, don't I even have the right to be surprised?

Okay, okay, Rüzgâr, don't be upset, we believed you.

-Then it's exploring. -Exploring.

-(Yonca) Whoever goes first chooses their room. -(Sare) No, no.

(Sare) Mom, you're being difficult, this one is mine.

(Yonca) No, this is my room. I went in first, I checked it out.

(Sare) No, it's my room. My room, my room.

-(Sare) No, this is my room. -(Yonca) No, I'm going to tickle you.

-(Sare) My room, my room. -(Yonca) I'm going to tickle you all over.

-(Sare) My room. -(Yonca) I'll tickle every part of you.

-(Yonca) No, this is my room. -(Sare) My room, my room.

Gotcha. We're taking her out.

-(Rüzgâr) Close your room. -(Sare) This is my room.

-Yes, your room. Close your room, shut it. -That's just being difficult.

(Music)

(Music continues)

(Music continues)

-Our house is really nice, isn't it, Rüzgâr? -It's very nice.

-And we're so close to Rüzgâr too. -Yes, my darling.

We're so close to him.

I'm going to go check on my room again.

-She's so happy. -Yes.

She should be happy, she deserves it.

Not just her, you too.

(Rüzgâr) Are you going to tell your siblings?

I'll tell them, I'll tell them everything.

-It's time, of course. -It is.

So you can't get rid of us.

I already said I didn't want anything like this.

-You did say that. -(Rüzgâr) So?

(Sare) Mom...

...can we please paint my room pink? Come on, come on, come on.

-Wait, sweetheart, slow down. Aa! -(Sare) Come on, please, let's paint it pink.

(Emotional music)

(Exhales deeply)

Why are we here?

I don't know, I don't know.

(Tense music)

Gentlemen.

-What's going on, Turgay? -Mazhar Bey will explain.

-Mazhar Bey. -Gentlemen.

Sit down.

We don't usually meet at this hour. Is there a problem?

There is, Behçet is! Anyway.

The weapons will enter the port tonight.

Take care of them so they're distributed safely.

Of course, sir.

Turgay, has the money from Lucky Numbers not been transferred yet?

It has, Mazhar Bey. It was transferred to Mexico just as you wanted.

-It has? -(Turgay) Yes.

Was it supposed not to be transferred?

(Stammering) No. Of course it was going to be, of course.

(Tense music)

Erman Arsoy. I've been after him for a while.

(Ekrem) He has a record for assault.

But what I'm really after is something much bigger.

What?

I think they're involved in international arms trafficking.

What do you mean by involved?

Behçet Arsoy, his father. They work together.

Do we have any evidence, then?

Not yet, Your Honor, but we're on their trail.

And there's something even bigger.

Lucky Numbers.

They're rigging it, and they're in on it.

-Lucky Numbers? -Yes, Your Honor.

And the Lucky Numbers winner has come forward, dear viewers.

The winner, found to be a woman named Yonca Sıdalı...

...is expected to collect her prize this morning...

(Transition sound)

-Are we sure about that, then? -Absolutely.

The people running Lucky Numbers don't know this.

They've placed a man inside, and whatever they're doing...

...they're doing it through these men. I've been following...

...the men at Lucky Numbers one by one for a few days now.

(Tense music)

We're being pulled...

...out of Lucky Numbers.

We've been exposed.

-How? -We have to clean up all our connections inside...

...along with the men.

Erman...

...I want you to handle this personally.

Turgay will give you the men, the addresses, everything.

It will be cleaned up tonight.

(Tense music)

I'll identify the men soon.

So, are these two handling all of this?

They're the hitmen side.

And then there's Turgay Moral, who deals with the money.

(Tense music)

(Transition sound)

Through that, they run the money flow of Şanslı Sayılar and the organization.

Well, well!

Prosecutor?

So, do these people have a leader or anything?

Since I don't have the full picture yet, I can't say anything.

Keep it clean, Erman.

But most importantly, keep it quiet.

-Understood. -I don't want any more problems.

(Mazhar) Open up.

(Tense music)

What did you tell him?

Everything that happened, Behçet.

One by one, all that we went through.

(Tense music)

From now on, you'll work under me, Commissioner Ekrem.

We'll move this case forward together, in great secrecy.

-Yes, Prosecutor. -(Alpay) Just the two of us.

Without any branching off or complications.

I want everything you know about these people.

We'll lock them up, together with you.

(Tense music)

(Alpay) So then, about this Turgay...

...what else do we know about him?

I don't know more than what I've told you.

He leads a very quiet and calm life anyway.

And his family?

He only has two daughters.

(Tense music)

Yes, what do you have to tell me? I'm listening, my dear.

There are a few things I need to explain to you.

What?

Do you remember, I told you...

...that my father wasn't around...

...that he left me when I was very little, and I never saw him, right?

Yes, you and I both didn't have a father.

But mine came back later.

Yes, my dear.

So that means someone can come back later too, right?

-Yes. -So...

...what if I told you my father has come back too?

What? Is he going to take you too?

No, my dear, no, he won't take me.

Then why did he come back?

To protect us. Don't you remember?

We've always fought with bad men, we tried to escape from them.

He was very sad for us and wanted to protect us.

Who?

Who protected us from the bad men, my dear?

Uncle Bilge! Was Uncle Bilge your father?

Uncle Bilge was my father.

(Music)

Come on, come on, we're very late.

Alright, sis, late for what anyway?

Sometimes you talk a lot of nonsense, you know that, right?

-You always think you know best about everything. -Come on, walk, walk.

(Street ambience)

Doğa and Burcu...

...so they're my aunts now?

Yes, my darling. They'll be here any minute...

...they'll see the house...

...and you can ask them whatever you want to ask.

You can talk about whatever you want.

-What will I ask? -Whatever you like, my darling.

Whatever you want.

Would you like to talk to them?

Auntie Filiz is coming too.

Why is she coming?

-Because she's going to live here with us. -All together?

We're going to be such a lovely family now. You, me, and Auntie Filiz.

Really?

What about Doğa and Burcu?

You'll decide that too, sweetheart.

(Music)

(Phone ringing)

-Yes? -Commissioner.

-Mr. Turgay? -Yes.

I want to report a murder to you.

Or rather, three people are being killed tonight.

-I don't understand? -(Turgay's voice) Lucky Numbers.

Orders have been given to kill those working on our behalf there.

-When? -Frankly, from what I estimate...

...two people have already been killed. -Who is this killer, then?

-What do you think? -Erman.

You got it.

I'm sending you the address now. I'd hurry, if I were you.

At the very least, you wouldn't want to let the killer get away.

(Tense music)

(Tense music continues)

(Phone ringing)

I was just about to call you. You won't believe what happened today.

Ekrem, forget everything now. Erman is committing a murder right now.

-What? -(Rüzgâr's voice) Lucky Numbers.

Mazhar is having his men inside killed one by one.

-And Erman is the one doing it, of course. -How did you find out about this?

-From Turgay. -Why did he tell you that?

(Wind blowing) Does it matter right now?

I'll send you a location, and I'll come right over there, okay?

No, you're not coming. I'm going. Send me the location, I'll let you know.

-Ekrem... -I said you're not coming. Send the location.

(Suspenseful music)

(Phone ringing)

-Inspector Ekrem? -Prosecutor, Erman Arsoy is...

...about to commit a murder right now.

-How did you find out? -There's a tip-off.

I'm heading to the scene now. Do you have any orders?

You have full authority, Inspector Ekrem. Do whatever needs to be done...

...and keep me informed of the situation. -Yes, Prosecutor.

Rüzgâr.

What happened?

-It's nothing with Yonca. -Come on, something happened.

Tell me, what happened?

It's about Deniz.

Merve?

Did she say something?

Forget it, it's really not important at all.

What did you do, anyway? Did you tell her?

-I told her. -What does she say?

She's already wondering which of my aunts she'll love more.

-(Yonca) They'll be here soon. -Really?

Both for Sare and to see the house.

We said let's throw a girls' party.

There's no light at night either, won't that be difficult?

No, the landlord hasn't cut the electricity yet. So we're lucky.

Can I just take a few pieces of something from here upstairs?

-Is that okay? -Of course, of course it's okay.

(Suspenseful music)

Hasan.

Yes, Mr. Erman?

If I gave you three million...

...would you kill me? -No, Mr. Erman, how could you say that?

Son, don't mumble, answer my question.

If I gave you three million...

...would you kill me? -No, Mr. Erman.

Interesting. For example, if you gave me three thousand, I'd kill you.

-Hasan. -Yes?

Come on.

Denyo.

(TV on)

(Doorbell rings)

(Tense music)

(Doorbell rings insistently)

(Tense music)

-Yes? -It was Mr. Âdem, wasn't it?

Yes, but who are you?

-A mailman. -(Âdem) A mailman?

Yes, a mailman. There's a message to be delivered to you.

-What is it? -This.

(Gunshot)

Three, eight, we've taken care of today too.

What are you waiting for, clean it up.

(Tense music)

(Police siren wails)

(Radio chatter)

Move, son, move!

(Tense music)

What's going on, Commissioner?

Look, son.

(Tense music)

Unfortunately, he's been killed, Commissioner.

(Police) We caught both of these red-handed at the scene.

-Take them away right now. -(Police) Yes, Commissioner.

(Tense music)

You're under arrest for murder, Erman Arsoy.

(Tense music)

Come on, Mom, let's go.

-That should be enough, right? -For a girls' party.

Yes, a girls' party.

-Are you sure you're all right? -I'm fine, really, don't worry.

Look, if you need to talk, I'll call the girls...

...they don't have to come. -I'm fine, I said. Okay.

-Alright. -(Sare) Oh...

...Deniz's mom has arrived.

Merve?

-I... -Well, let's go upstairs. Come on, Sare.

(Music)

Come on, Merve.

(Music)

Mom.

Why has she come?

I don't know, Mom. Let's go inside.

What did you do, did you listen in?

-They live here? -She rented the upper floor.

Come, come inside. Come on.

Come.

(Tense music)

(Tense music continues)

-What number was it? -Three.

-One floor up. -Really?

Yes.

(Tense music)

Mom, what are you doing up there?

I'm coming, my dear.

(Sighs)

(Door knocked)

We're here.

(Tense music)

What are you doing here?

(Tense music)

Well, I suppose you're here because you listened in, aren't you?

-Get out of here, go on. -We need to talk.

Girls, you go in.

Go on, go in.

(Tense music)

I really don't know how you got here or why you came...

...but I have nothing to say to you.

-Really? -Really.

Suit yourself.

Well, shall I call you Erman Arsoy, then?

Turgay Moral. Lucky Numbers.

So will you talk to me then?

(Tense music)

The detailed subtitles for this series were produced by FOX TV...

...for the Audio Description Association.

www.sebeder.org

Detailed Subtitle Translators: Ayhan Özgören - Belgin Yılmaz...

...Bülent Temür - Çağıl Doğan

Editor: Ela Korgan

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