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(ominous music)

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(ominous music)

(ominous music)

(ominous music)

(ominous music)

(upbeat music)

(upbeat music)

- Shit, shit, shit, shit, get off!

- Go in now, get moving.

- How's the steel being all chained up?

You've had this coming a long time,

deserve everything you're gonna get.

- Yes, sir, they're gonna hang you real good

when we get back to the fort.

- If it went up to me,

I'd cut your damn engine through right when we caught you.

- Oh, to kill you right now.

We're better yet, why don't I carve a notch

in your red skin forehead for every single light you killed.

That'll teach you to let him be.

Just having a little fun.

Besides, it's because of him

that we're walking 'cause he killed all our horses.

I'm gonna teach you to.

- You ain't gonna teach nobody nothing.

Besides even in chains, he'd probably get the butter of you.

- Your memory needs rattling, boy.

(upbeat music)

- He's around here somewhere, spread out.

- Yes, sir.

(grunting)

(dramatic music)

(water splashing)

(dramatic music)

(dramatic music)

- Hey.

(dramatic music)

(dramatic music)

- I had him, I had him right where I wanted him.

- Yeah, I know exactly what you're getting ready to do.

We're gonna have any more trouble here.

I get him move on.

That goes for all of you.

Focus, he began to do a minimum.

- Yes, sir.

(dramatic music)

(dramatic music)

- We're close.

- Yes, let me see.

All right, it's just down there.

(dramatic music)

- Oh, man, good time, all things considered.

You never let me down, huh?

- All right, everybody listen up.

- All exterior is to the only outpost in 50 miles.

We're gonna go down there and restock.

- Maybe get some horses.

- And we'll see.

You need to get used to the idea of being on foot

till we get to the fort.

We go on, let it out, ain't gonna change the situation.

- If you kept your eyes on standing bear, we'd have horses.

Told you before, we were sleeping in shifts.

Campbell.

- Now wait just a second.

- Hey, what's done is done.

But I don't wanna hear a bunch of belly aching

about being on foot, you hear me?

All right, when we get down there,

I wanna spook everybody at the general store.

So stay outside and I'll handle business.

- Is that clear?

- Yes, sir.

- Sounds good, all right.

- I gotta take a piss real quick before we go.

- All right, we ain't waiting.

Catch up.

- All right, let's move out.

- Here, boy.

- Ah, burns.

- Well, she boys weren't waiting up for me.

(engine revving)

- No!

- Wouldn't the high hill?

- What kind of?

- Gotta get you the elbows right now.

- Move!

Move!

(engine revving)

- Coming back around!

(dramatic music)

- Don't let you get me!

(engine revving)

- Now!

(tires screeching)

- You're heavy.

I cheer.

- I can.

(tires screeching)

- We're in!

(tires screeching)

- Well, forget him.

- We can make you laugh once you might still have a chance.

Come on!

(tires screeching)

(tires screeching)

- All right, let's go!

Move, damn it!

(tires screeching)

(tires screeching)

- You run over there, child?

- I'm gone!

I'm gonna get you.

- Finish tidying up.

You know we gotta open up soon.

- Rawr!

I'm gonna get you.

Rawr!

- Darling, I told you,

stop playing and finish getting ready.

- Oh, okay.

Rawr!

I'm gonna get you.

- Sally!

- Give him here.

- No!

- If you don't mind me,

I'm going to take him away for good next time.

(tires screeching)

- Come back!

(tires screeching)

- Get out of here!

- That sounded like gunshots.

- I know, sweetheart.

It didn't sound too far away, neither.

- Well, mommy, we're gone!

- Just leave it, darling, you can come back for a later.

- All right, now, you stay up there

and don't make a sound until I come back to you, all right?

- Yes, ma'am.

(tires screeching)

- Come on in!

- Put the sword!

(tires screeching)

- Get in here!

(tires screeching)

- Shut that door, shut it!

(tires screeching)

- Now, now, we're not open for business yet,

so you all just need to pack up your things

and head on out of here.

- Lamb, I'm gonna live with you.

There's some gunoff craziness going on outside right now.

And until we figure out what's going on,

I don't want anything else to happen to anybody,

like just happening to my men out there.

You understand me?

- No, no, I don't.

Now you and your savage friends just need to get out.

So go on, head out of here.

- Ma'am, that ain't gonna happen.

That sign out there says U.S. Post Office

that's a playoff post.

So I reckon as a government official, I'm ordering you.

I ain't asking you.

We're staying, period.

Is that clear?

- I'm Corporal Sam Todel.

That right there's Hawke.

He's an official U.S. Army scout.

You ain't got nothing to worry about him.

You got my word.

- It's a pleasure to meet you, ma'am.

- That right there's a real savage.

You're on a good dog.

He's been getting in his trouble for quite some time,

but it pales in comparison to what's going on outside right now.

Once we get this figured out and get him back and forth,

he's gonna hang proper,

but we have got to have some time to sort this out.

Now, I don't want any harm to come to you or your children.

- Children, sir, I...

- Ma'am.

- Right.

Come on down, child.

- This is Sally, I'm a little girl, and I'm Claire.

Claire McGuffey.

It's just been us who run into your shop these days,

ever since her father was killed by,

but one of them, a few years back.

Rick, and I'll put on some coffee.

Sally had to show Corporal Tuttle

where he can put down his things.

- He's right over here, sir.

- Thank you, Karen.

That's right.

Sit.

(suspenseful music)

- You remember, you didn't look at anybody the wrong way.

Got ourselves understanding?

- You know, I see, she has to not go no way.

- She got little, uh, he says he's full of stuff.

- No, you understand, sir.

- I'm good.

- We don't get along just by us.

(suspenseful music)

- You ain't got to worry about him, none, child.

You ain't go hard, none of us.

- I'm not worried about him, none.

He just looks sad.

- It's so hard.

- Let me tell you about some of the very bad things

this man is down to some very good people.

With the blade, he snapped the scalp right off.

- Well, Corporal Tuttle is trying to tell you his dad.

He's in these chains for a reason.

And if he looks sad, it's probably because he feels bad

for what he's done.

See you sometimes.

- Sally, get over here.

(suspenseful music)

- Give me the money, we got plenty, but that's it.

- Hi, sure, you have no need of such ordinance

for the pair of us.

We are not the danger here.

- It appears your friend here can use some help.

- My friend?

- Yeah, he's one of my slaves.

It was by the name of Eli.

Strong as an ox dumb as a rock.

- Allow me to introduce myself.

I am Augustus Shackleford.

I run my family's plantation.

Not more than a day he's traveled down the road.

- May I grab some bandages for Mr. Shackleford, sir?

- I ain't grabbing him, nothing.

He ought not to even be in here.

- Claire, get some bandages, please.

- Fine, see you right here.

- Well aren't you just a ray of sunshine, ma'am?

Who are you?

- Cool, Sam, tell him.

- I'll be damned.

- Cool, Samuel Zate, tell him your name proceeds, you sir.

The name that makes all engines tremble.

- Clearing them off our land and keeping America great.

- It is an honor, sir, an honor.

- No offense, Red Man.

We glad to have likes of you on our side.

We just wish the rest of 'em

and go back where they came from, huh?

All right?

- Actually.

- I think it's time y'all told me

exactly what happened out there.

- It was a damn beast, somebody double itself.

Came out of nowhere, swooped down and ate us.

One, two, it just got coming down.

Took it down horses too.

I broke massive gusses here

and he lives on an old fallen tree.

It was a devil is what it was.

- You don't expect us to believe that rubbish, do you?

- Well I assure you ma'am, the boy speaks true.

The admirer, a devil, some kind of fly and serpent,

a winged bird, came down from the sky, ate my slaves,

and my good horses, and a second later,

back up in the sky again, like it was nothing.

- Still sounds like nonsense to me.

- Sounds like exactly what happened to us.

- What?

- He's right.

Same creature, same attack, that's what drove us here.

Most two good men unskeeter in the process.

- All right my friend.

This is gonna hurt a bit.

(screaming)

- What about this strange fellow over here?

What's his story?

I must say, it's his first engine slave I've ever seen.

- Mom was a slave.

Father was full of blood, Cherokee.

He's killed more soldiers than I care to count.

(sighing)

- Well, is that coffee ash mail?

- Oh right, of course.

- Think you can manage?

- Yeah, I think so boss, thank you.

- Raw, raw, wish, dry, wish, dry, wish, dry, wish.

- Rawr, rawr, rawr.

- Fold her a hundred times playing with that old toy

ain't buried late in the back.

I still can't prod away from her.

- Rawr.

- Isn't this nice?

- Rawr.

Rawr.

(laughing)

- Mm, mmm, I close my eyes and just see her all my alone

makes me think of fresh mountain air.

- People come for miles around to taste my momma's coffee?

- Do they now?

Well, it certainly has a taste all its own.

- Looks like we got more company.

- You expect than anyone?

- No, but wait, that's Lance.

He comes by once a week to sell off his wire.

- You need to get him in here right now,

boy, thank you, that's the whip of it.

- Lance, hurry on up.

- Good, get him in here.

Get him on the phone.

- Get my hands.

- Hey, I see you down there.

- She seems right happy.

- Oh, I wonder who that failure is.

- Lance, come on, there's something going on out there.

- Ah, it's too late there to use it.

- Well, I will pay doubt in here.

Come on.

- It is nice weather, isn't it?

- Get in here.

- Lance, put down your wires and get in here.

- Well, let's see what we have here.

Got my quality pots and my signature pots.

- Lance!

- Claire!

- Ah, no!

- Get down, get in there, hold.

(roaring)

- Well, there it is, show it.

- Get in, get in.

- I did things tough.

- I'm sure we hit it, I saw it.

- I'm telling you, it's a wicked evil

risen from the dark abyss,

ready to wreak havoc and claim souls.

- Lock it up, board it up.

- Oh God.

- Oh, Dana.

Oh, Dana.

It's a savage in league with that beast.

- I'm telling you, it's the damn double you all saw.

- Y'all brought Satan himself here with you.

He was me and my whole girl.

What have you done?

- Oh no.

- Ah, some sort of wild beast or something we're dealing with.

- No, sir.

I don't believe it's a demon from hell.

And it's more than a wild beast or a common foul.

It's a monster.

- Oh, a monster, much better.

It just ate Lance.

He was our friend and you all brought it here.

- I'm sorry about you, not me.

- Genuinely sorry about your friend, Miss.

- Well, Dana, why in the high hell does he keep saying that?

- Well, Dana, but it can't be.

- Boy, you two know about this.

- Oh, Dana.

- Listen, I've heard about this before,

but only when I was a child.

There was a story of Octana that my mother used to tell us

when we were children.

Honestly thought it was a bunch of deer shit,

but she always told me to remember.

And now.

- So he who eats?

- You are Octana.

(speaking in foreign language)

- They are, they could be plotted against us.

- Oh, shut up.

- He knows more about this.

He knows the legend than the curse.

- All right, well, see what he has to say.

- You gonna let this prisoner spout off?

- Yeah, I am.

- Ain't nobody making you listen.

He might know something that's gonna help us defeat this thing

or at least explain what's going on.

You got a problem with that?

(speaking in foreign language)

- He's not too excited about helping us.

- Well, all right.

You got him though, if he can help us get through this,

I will personally set him free.

We will part ways and that will be that.

He's got my word.

- Is that within your power, Corporal?

I had no servicemen of your rank

were allowed to hand out government parties.

- We will be making an exception here.

- All right, go ahead.

(speaking in foreign language)

- In the early days, the mountains were home

to a mortal spirit being called the Nunahih.

- Back then, the people did not know how to live on the land

and how to fart and die.

The Nunahih pitied the people

and so taught them to avoid the seas,

helped steer them from poisonous plants

and helped them find a way when they were lost.

But as the people prospered, they became more arrogant.

One day, some hunters went

between the two great mountains to search for a game.

The Nunahih warned the hunters that they should turn back

but they did not listen.

Little did the people know that also

on the mountain caves live a deadly beast

which the Nunahih called the Nutana, the keen eye.

Nutana was a vengeful creature

with a long, serpent body that brought the wings upon its back.

Deer antlers upon its head, scales down its body

and large veins in its mouth.

On its forehead was a shiny crystal

that would daze any creature or gaze upon it

into stone-like steelness.

The Nunahih had hidden the presence

of the people from the Nutana.

For they knew the Nutana were bloodthirsty creatures

and once awakened would kill countless people,

use their blood to nourish their eggs

and has their blood spawn onto the land.

When the arrogant hunters found the cave

at the Nutana, they were walking from its lumber.

The hunters were violently devoured

and their blood would splash into the dips of the cave.

Once a woken, the Nutana left its cave

and began to terrorize the people.

It would move through the brush or emerge from deep pause

to kill anyone that found or carry them off to its lair.

Faced with these attacks, the people sent six

of their best warriors to hunt and kill the Nutana.

The warriors followed the beast

through treacherous forests back to its cave

as they waited for it to fall asleep.

A seventh warrior joined them.

He was dressed the same as them,

but the others had never seen him before.

He warned them to never look into the crystal

on the lieutenant's forehead.

Accepting his helping into the cave

behind the sleepy monster is so many eggs,

some splattered with blood.

Immediately the warriors began destroying the eggs,

one by one, they crushed them with rocks,

but the noise of the Nutana.

It attacked the warriors, ripping off their limbs

and devouring them.

As the warriors fought back, light from the moon

reflected off its crystal,

and most became steel as stone.

The seventh warrior averted his eyes

from the crystal's light and ran

behind the creature's wings.

He climbed upon its body and stabbed it

directly into the crystal.

The Nutana thrashed about before breaking apart

into shimmering ashes.

Victorious, the warrior grabbed the crystal

and carried the one last survivor back to the people.

He gave the crystal to the people

and told the wounded warrior and his wife

to keep it safe.

As long as they hid it from the blood moon

and live harmoniously with the land,

the Nutana would not return.

The people knew the warrior was Nunahi

and vowed that they would always

heed the Nunahi's advice.

From that day forward,

whenever there was a blood moon,

the people would bear the crystal in a box

under the homes and dance in the moonlight

to give respect to the Nunahi.

The Nutana's crystal and the story of the Nutana was passed

from generation to generation.

Now this part is important.

If the light of the blood moon ever touches the crystal,

the Nutana will return to feast upon human flesh,

spilling the blood upon their eggs

and halves even more Nutanas

destroying all of mankind.

It has been rumored that the Nutana

have hidden their eggs between the two great mouths

and there could be hundreds of eggs

waiting human blood to touch their shells

and awake them from their slumber.

- That's the state.

- This tradition was brought to an abrupt end

when the Cherokees were removed from their land.

No one knows where to fall under a temple.

- The Nutana's crystal is now.

- (speaks in foreign language)

- Last night, the moon was as blood red

as he ever has been.

- That's right, we saw it, remember, Mommy?

He said we did, it was beautiful.

- Yeah, we saw it, all right.

- Sawuwoo, Saleno, Ootana,

the only one who stopped at Ootana was the Nunahi warrior

but he is gone.

When the people were removed,

the land and everything was stolen

and the light of the blood moon must have shown itself

on the crystal.

And now, you, Tana, have returned.

- (speaks in foreign language)

- No one is safe.

- Not her, not him, not you.

- Not even your people's great leader

who continues to attack us.

- Polar dash, I hope Nutana y'all believe in any of this.

I hope the hell you're not gonna be grantin' a pardon

on this crock of jerk water, Cherokee snake beast.

- I don't know if it's Cherokee snake beast

or the devil of ways, but I believe him, I believe him.

- You believe him, do you now, boy?

- You think what you believe means spit to me.

Anybody in this room, anybody in this, cut that.

- Hmm, it's my word to carry his weight.

- It ain't yours.

I say there's no such thing as a damn Cherokee snake beast.

Now you shit your ass down!

- That's enough.

- Stand down, Augustus.

- I don't care whether you believe this story or not,

but it is worth mulling over,

considering everything that's happened.

- I don't wanna hear it.

- No, you listen, before my daddy left,

he told me the same story.

- Skylion.

- Before my daddy left, he told me that a mean-all snake beast

ought to come out and hurt people,

we don't stop making the Cherokee snake.

That's why he gave me this.

He said it would keep me safe.

- It's comin' for us.

- All right, 'til I say I didn't believe this story.

All right, if it is true that all this thing needs

a little bit more blood to hatch whole

a lot more of these damn things,

it's already got on with blood, it needs.

- Not as that.

- After the sun set,

and the first slide of the full moon

touches the eggs, they will hatch.

- God's a way.

- Even as they are a newly hatched,

they are dead like gotha.

When the eggs hatch.

- We will all die.

- Well, I say we just wait here

and then we'll see what comes in the night

and we can just sneak away.

- That won't work.

- Oh, we got to find it before it finds us.

It's already got our scent.

- You're right.

We gotta find those eggs and crush 'em before sundown.

- And how the hell are we gonna do that?

- Say, would you happen to have a nap around here?

- Mm-hmm, shared it.

- Go fetch it for me.

Would you please?

(footsteps thudding)

- Thank you, child.

- This was my daddy's pack.

- I'll give it back, promise.

- Hey Eli, do you recall what direction

the stick beast flew after it attacked your group?

- Don't laugh, said boy.

He don't even know his left from his right.

- Must have been west,

on the calendar sunrise and from the other side.

- Exactly, I know it's the same thing.

- All right, so what are you gonna help?

- Well, due east from here,

the highest point in the mountain range are...

Do you mind if I borrow your toy?

- Yes, sir, but you have to give it back.

- You have my word.

I know these mouths.

I thought I'd recognize the ship at this toy.

- What are you talking about?

- What's this?

- There.

The wings are the mountains up the way.

And right here, where these little plot those are,

it seems like the perfect place for a mess.

- Now we know he's right.

Right there, the nest would be protected from the elements

and it's far enough away from civilization

nobody would ever go.

- Well, I am glad that you solved this little puzzle.

We need to hide and wait this thing out.

- No, we're going in this thing right here.

And right now, we're gonna need all the weapons

we can get.

Tell me you got some weapons and ammunition here.

(dramatic music)

- Fire.

- Tell me you have some weapons here.

- Well, there are some things out back in the barn,

but I just don't know if there's anything

all we'll be familiar with.

You see, my husband, he was a tinkerer of sorts

and had a head full of notions.

He built his own weapons and always said

that he was going to change the art of warfare and such.

- Well, I guess that's going to have to do.

We got to get out there and get what we can

before we get moving.

We don't have much time if we're gonna make

that nest before sunset.

- Y'all, we're out of your cotton picking mines.

- Yeah, we might be.

(dramatic music)

(dramatic music)

- All right, everybody grab what you need.

We are heading to the barn right now.

- All right, everyone, it's just right back.

- Come on.

Come on.

- This is not a eardom squirrel, shit.

Get your ass out there.

We're clear.

Let's move up.

(dramatic music)

- There.

(dramatic music)

- So, uh, where are the weapons?

- Well, like I said, my husband's always out

and you're tinkering.

(dramatic music)

- You ever see anything like this?

(dramatic music)

- Say that I am.

- I can spend more time out here at these old guns

anywhere with me.

- How do they work?

- They should grab something like that.

- Oh, here.

Set the trigger, right there.

(dramatic music)

- Hey, y'all, hold the back.

(dramatic music)

(dramatic music)

- I reckon that'll do.

But I'll just stand there, grab the rest of it.

- Wait, it don't take no normal bullets.

You're gonna need this here ammo and his notes too.

- What's this here?

All right, we'll grab it.

A gravel's powder kegs too.

- Careful with those.

He was working on an extra potent blend.

- Folks two towns over felt it when he tested half that much.

- All right, let's load up.

(dramatic music)

(dramatic music)

- All right, just a good search.

Check up that mountainside a few hours,

and it should be right here.

(dramatic music)

- I can't make two cents out of this

horse-pitched gobbledygook.

You hold that boy.

- So, that's it.

- Excuse me.

- Not now, honey.

Remember, not everything's a monster, but.

- What'd you say, hon?

- See, back there.

It's just some fish.

All right, let's go.

(dramatic music)

(screaming)

(dramatic music)

- Sam!

- Oh, hell.

- Sam!

(dramatic music)

- Shoot me, Hulk.

Shoot me.

You can still finish this.

No, I can't do it.

You shoot me.

Right now, Hulk.

That's an order.

- It's been an honor, sir.

- I see you on the other side.

(dramatic music)

(screaming)

(dramatic music)

(screaming)

- It's another one of the bastards.

There's more than one of them.

(dramatic music)

- Stop!

You're gonna shit the little girl.

(screaming)

- You could have killed her.

- Yeah, well, I didn't.

- That monster's got my little girl.

- And we're gonna get her back.

- Why, she's got my word after all that we've been through.

I say it's time to cut our losses.

Get the hell out of here.

Let the US Army handle this.

- I am the US Army.

- I mean, the real Army.

It's not you.

- Are you bastards?

- All right, mother, I'm gonna help us know I'm right now.

- She's all I've got.

- That was uncalled for.

- She's right.

You're a real bastard.

But we still need you.

But what I still don't understand is

why that beast didn't wipe us out then and there?

- More.

- To play.

- Our blood?

- We've all got to stick together.

Go after little lady McGuffin and putting into this

once for all.

We have no choice.

There's no going back.

Just because you blew the opportunity to go back.

I think I've got a plan.

I got it.

Good.

We've got a bit of hiking here.

So let's get going.

But one thing.

(upbeat music)

(upbeat music)

(upbeat music)

(upbeat music)

- All right, here's a situation.

There are two of them up the way.

They have Sally and they're a tight watch.

- Oh god, I'm a little girl.

Have they done anything to her?

- She's fine.

Scared but fine.

- So what's the plan here?

I mean, beside us all getting killed

on account of one little girl.

- Sir.

- If I was you, I'd think tries for saying one more word.

I think you should think twice

before saying one more word.

- Listen, those days wanted us to come up here for her.

They need more blood to hatch rakes.

And if we all go running out there,

they gotta get all the blood they need.

Look, we need to split 'em up.

Learn one in the mouth.

And then hit it with everything we got.

- Ah yeah.

- Use it, Nuki.

- You're right.

If anyone can sneak past it with Tana, it's gonna be you.

- Nah, get used to it.

- Cut them, Sah.

- Hey, no, hey, Sah.

- Now, that school would pop out from here.

- Pop out and do what?

- What do you think?

- We start shooting and draw their attention away

from Shale and Yona Kadoga while they make a run for it.

- I'm gonna wind up going along with this, ain't I?

- I don't think you have much of a choice, sir.

- Well, thank you for that stark reminder, Eli.

- I think at this point, you're obligated to help us

for being such a no good son of a bitch.

- Then we all work together.

- And give it all hell.

- Eli, we'll need you to take the powder cake

and run a trail up to the center of the nest.

And when you do, we'll light it up.

Boom.

That's the plan, everyone got it?

- No.

First off, Eli's liable to blow himself up

before he even gets there.

And then there's a matter of killing those damn things.

You hadn't told us how well I was actually supposed to do that.

- I see nothing I say is gonna sway any of you.

- I think you're all crazy.

I just want that on the record.

- Noted.

- Here you are.

Here you are.

Here you are, there you are.

Where the lutes are.

All right.

Get set, Steve.

(suspenseful music)

- Hey, you stop it.

- I knew you'd come to me.

Where's my mommy?

(suspenseful music)

- Okay, we got the signal, let's move out.

- Mom is coming, baby.

- Claire, no, dammit, we got a plan.

All right, this is gonna be us.

Well, we gotta act now.

- If I may, in light of this new development,

perhaps we should hold our position here

and see how things play out.

- No, dammit, we go now, now.

Nothing changes.

You lie, you take that powder kick

and head straight to the nest.

- Augustus, you and me, we're on the distraction detail.

You lie and it's a clear path to get to the nest

that we're gonna give to.

- How are you and Tim made to do that?

- You have a gun, use it.

- Yeah, I got a gun, but it takes a hundred bullets

to warn one of them monsters.

- The eyes, try aiming for the eyes.

Maybe they'll slow them down.

- Do you think you can handle that?

- Once again, red man, you have failed to realize

who you are dealing with.

I can shoot a flea off a cat's ass.

Or an apple off Eli's head.

- Just make sure Eli gets to the nest.

By my count, the sun sets in less than an hour

and we're gonna have a moment to waste.

Let's go.

What is he like?

How did you know that the eyes was then weak spot?

I never heard of him that I'd have fell in store.

- Again?

I just made that crap up to get as crazy as

to do something for someone else watching his life.

- You just make sure you get to the nest

and blow it into the next century.

- All right?

- Yes, sir.

- Yeah, let's go save the world.

(upbeat music)

Sally honey, I'm almost here for you, child.

Sally?

Sally, where are you, girl?

Look, we're gonna get out of here

and everything's gonna go back to normal.

Hey, no, no more of them.

The nasty, Cherokee snake beasts.

Lana!

- Sally honey, is that you?

- I know, darling.

You're safe, dear.

(dramatic music)

- Mama, no!

(dramatic music)

(gasping)

(dramatic music)

(gasping)

(dramatic music)

- You did it!

You killed it!

You're the Great War and some of the story.

We gotta go tell the others what you've done

and how we kill and think before it hurts more people.

(dramatic music)

- Hey, looks like you got something in your eye!

(screaming)

(dramatic music)

- This is Charlotte, that's me.

Who's that I am?

(dramatic music)

- No, thank you, sir.

This is free either.

She wears her slayers over.

(dramatic music)

I tend to unbox it right up to the damn government.

It's demanding that they reimburse me

for my expert leadership on this year of mission.

- You're right.

(dramatic music)

- You're right.

You can do it.

We're in a troll like we talked about.

(dramatic music)

- You lie, you ignoramus.

If you mess this thing up, I swear.

- You can do it.

(dramatic music)

(screaming)

(dramatic music)

- Sweet chrismas.

(dramatic music)

- Oh, Jesus.

This is foul.

(dramatic music)

- It's time for me to get out of here.

(dramatic music)

- We ain't got much time, y'all.

I've already seen everything so tough.

(dramatic music)

- Think you pissed it off?

- I think you're right, but I'm out of ammo.

- Here, take this, it's fully loaded.

(dramatic music)

- Grab.

(dramatic music)

- Damn it, I'm out.

(dramatic music)

- You silly son of a bitch.

(dramatic music)

(dramatic music)

- Oh, damn, that was my good arm!

(dramatic music)

- You gotta get up, boss, you gotta get the hell outta here.

Come on!

(dramatic music)

- There you go, here's your lucky stick.

Big baboon outta the ass for your help!

(dramatic music)

- All right, bossa.

(dramatic music)

- Well, let's get to it then!

(dramatic music)

- Shoot him!

(dramatic music)

- The hell are you talking about, boy?

(dramatic music)

- Shoot him with my cane!

The ward's on the side!

Read him!

(dramatic music)

- This!

(dramatic music)

- I knew that guy would break on the pressure.

(dramatic music)

(dramatic music)

- You too, baby?

- Yeah, we did.

- Fine.

- It killed my mama.

It's that shiny diamond on their head.

We gotta get up there and break it.

- That makes sense.

(dramatic music)

- It's going for the eggs.

(dramatic music)

- Play sneak.

You can't sneak.

Let it down and high.

(dramatic music)

- Look, you turn around and run in that direction.

See those two trees over there?

That is too north.

You keep running 'til you get to my army for you.

When you get there, you tell them

everything that happened here, all right?

- Yes sir.

(dramatic music)

(dramatic music)

- Eli, up here.

- Huh?

Hurry, we don't have much time.

- I know.

- Something's going down and we got to deal with that man.

- I've got a plan.

This ain't gonna be able to keep that up and stronger.

(dramatic music)

Bring the channel over here.

(dramatic music)

(dramatic music)

- All right, now.

(dramatic music)

- Hey, yeah, hey, I'm over here,

you big ugly bastard.

Come over here and eat me.

(dramatic music)

Good, you got 'em, keep it up.

- Hey, come here, I'm about to make

a scramble that's out of your hands.

(dramatic music)

- Here goes.

(dramatic music)

- Damn it.

(dramatic music)

(dramatic music)

- Hulk, whatever you're ready, that was a real good.

(dramatic music)

- No, no, no, no, no, no, no, no, no, no.

(dramatic music)

- One, one, die.

(dramatic music)

- Back to hell with your death.

(dramatic music)

- Eli.

Are you still with us?

- Barely.

- Yeah.

I know the feeling.

You know, you should just get out of here.

- There's bound to be another way out of that cave.

- I grew up in mountains like this,

and there's always another way out.

You can be a free man.

Don't worry about us.

(dramatic music)

(dramatic music)

We'll find another way how to kill those damn beast

after they hatch.

- I don't know.

I reckon that.

If anything were to get out of here,

I still wouldn't be free.

I've been another man, slave, my entire life.

Somebody else will find me,

and I'll be walking for them before you know it.

(somber music)

You know that dumbass of gusses couldn't even read?

(somber music)

I don't reckon that there's much freedom for a man like me.

(somber music)

I'm gonna finish this thing right here, right now.

(somber music)

You bastard, sure do stink.

You take care of it, brother.

- You too, brother.

(dramatic music)

- Yuck!

(somber music)

- Hey, yuck.

(somber music)

- You think I can see?

- Me and I.

(somber music)

- Look out!

No, look out, move!

(somber music)

(somber music)

- No, you can't die, wake up, wake up.

You can't die!

- Okay, I, for you.

(somber music)

(somber music)

(somber music)

(somber music)

- There you are, eagle it in sight.

I repeat, eagle it in sight.

Safe in sound on our way back.

Let's go now.

(somber music)

- Your grandfather's really ticked at you, young lady.

Motorcade's waiting.

(somber music)

(somber music)

- I'm here at Obtain a National Park,

where our president, taking a break from the golf course,

is with family members and major campaign donors

to tour the park one last time

before it is closed permanently and sold to the highest bidder

for oil, coal, and natural gas explorations.

All of this is part of our president's,

our country, our privilege initiative.

Yeah, and here we see our president's motorcade passing by

along with, wait, you guys seeing that?

(somber music)

- Hey, hey, hey, hey, hey, right now.

(somber music)

(somber music)

(somber music)

(somber music)

(somber music)

(somber music)

(somber music)

(somber music)

(somber music)

(somber music)

(somber music)

(somber music)