All language subtitles for Sexus (1965) L'enfer dans la peau

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Original subtitles

At what time does he have to make

a phone call?

He should be ready to speak soon.

All that remains in her is the desire

to play for Pierre.

Do you think he will pay?

I don't know, old man.

I really don't know.

Not comfortable, the girl?

Pass me a beer.

What time is it?

Nine o'clock.

I'm going to open the window.

Are you crazy?

Die!

Who is the girl?

Pierre, I'll be there before four o'clock.

Otherwise, get rid of the girl and get

out of here.

She's got you good.

One, two, three.

Asshole.

Pass me a beer.

Nothing new?

Nothing.

Useless.

Besides, no one is twenty kilometers away.

You know you're beautiful.

How long will it last?

Until your father decides.

I'm hungry, you know.

Come.

I'm thirsty.

Do you want to eat something?

Yes.

Make him a sandwich.

There's a shooting.

I think the father warned the police.

Relax, guys.

It's me, François.

Bravo, Karl.

The time is still four o'clock.

If the ransom is not paid ...

Weapons of all kinds.

Killed at all distances.

I won't tell you.

Charles, don't be a fool!

Charles, don't be a fool!

Charles, don't kill yourself!

Come on!

Françoise!

She's leaving!

Françoise, do you see her?

It's funny, it's like at home, my father

never said anything, we were always quiet.

One day, from time to time, he would

put me on the back, where you have

a...

By the way, what's your name?

It's not true, the boss didn't let me

down.

The boss is a bastard.

Get up, bastard, get up.

Get up.

I'm fed up, I'm going to do it

on my own.

It's not my fault, it's really not my

fault.

Sergeant, the appointment is set at 4 o

'clock, at the woodshed on the way to

the marshes, with the package.

Goodbye, have fun.

Have fun.

You know,

they were my friends, my only friends.

What are you going to do, Pierre?

Get in your room.

What are you going to do?

Get in.

Pierre.

I look at a little girl, half unconscious,

half dead of fear, with a floating smile.

You're a little crazy, Virginie.

You go through the dramas, you articulate them.

And then you look at me, with a

kind of gazed down.

Get up.

You know I love you.

Pierre.

It doesn't work anymore, nothing goes anymore.

The girl's keys, and get out of here.

Oh, shit.

Sit down.

Do you know what's going on in the

castle?

You'll tell me that later.

Don't you

think it looks like Scarlett's room?

What's going to happen, Pierre?

For you, for me?

It's very simple.

In fact, it's not simple at all.

I'll take you home.

And you?

Pierre.

You.

Me.

It's not possible.

I already said you were a little crazy.

And you, Pierre?

What are you going to become?

Friends?

You were going to kill me?

I'm going to tell you one more crazy

thing.

I want you.

Mr. Duclos said, My grandfather was radical.

My father, socialist.

I am communist.

Our family has not changed.

It is only in this old country of

civil war that antagonisms survive even in the

memory of the causes that produced them.

It is constantly repeated that the French have

not reconciled since the fall of the monarchy

and the execution of Louis XVI.

But at what point in their history were

they not confused?

Louis XIV.

Kiss me, Pierre.

Kiss me, Pierre.

So?

Pierre killed Karl and then he killed my

François.

Well, we'll take care of that.

Let's go.

Maybe because I'm so crazy, I'll tell you

something, Virginie.

You know it's a little absurd, Virginie.

Virginie.

Don't touch me.

You condemned yourself to death.

Pierre, we have to do something.

There's nothing to do, Virginie.

They'll always find me.

But, Pierre, it's not possible to accept that.

What time is it?

It's three o'clock.

Tell me a little bit about yourself, Virginie.

Who are you?

Tell me about the objects around you.

Tell me what you do.

How do you live?

Pierre, don't you think it's ridiculous to measure

everything that happens to us?

Every gesture I make, every kiss I give

you seems to be built for eternity.

I can't accept that in an hour...

Don't answer, Pierre.

Give me the phone.

I'm working.

You didn't throw away the package, did you?

No.

We'll deliver it at four o'clock, at

the place you know.

It's funny.

In movies, heroes, every time they make love,

feel the need to say something definitive.

Well, you see, I also feel the need

to say something definitive.

It's a sentence that's been running through my

head for a long time.

Man plays with himself, and with himself, he

still sees in life a dangerous game whose

random sign pleases him for a moment to

change the rule in which he surpasses himself

and generates with his own destruction an intimate

and fleeting value.

Get up, Virginie.

And you,

who are you, Pierre?

Get up, Virginie.

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