Original subtitles

Commissioner, I summoned you here in my office because the situation is serious.

I presided over a summit with the inquisitor and the prefect in Naples and I

decided to personally take care of the situation.

The entire National Assembly is putting us in a dilemma.

And I would like to ask you why we still can't get this Gaetano anti-Novello.

Gaetano Lappezzi, Doctor.

Yes, Sir.

And the environment in which he called himself.

He appointed... Capuano, Doctor.

For me, Gaetano Lappezzi, as I would call him,

and Mr. Gaetano Antinori, plural prejudices.

I'm talking to the commissioner, please.

Mr. Procurator, if Gaetano Antinori, better known as Gaetano Lappezzi,

has not yet been taken, it is not because of our incompetence.

Because we have already managed to know that both Antonio Salendi and Nicola Dorini.

No, no, no, I'm sorry, Commissioner.

I'm sorry, Commissioner.

I'm sorry, Commissioner.

Mr. Capuano.

Please.

We are making a moment of confusion.

I would like to try for a moment to make with you the point of the situation.

We in Naples had two victims who controlled the tour of Rome.

They were able to extend their tour also on Rome.

We are talking about Mr. Antonio Salemme...

Commissioner Fedeli.

Capuano.

Be quiet.

And Mr. Nicola Dorini.

Nicola Serra.

Capuano, please.

The doctor doesn't know... Capuano.

I'm sorry.

Both, as you well know, have been killed.

Mr. Salemme was probably killed by the hand of Mr. Filippo d'Orsello.

But this is a case we will talk about later.

And Mr. Nicola Dorini was shot in the courtyard of the prison in Poggialia.

Now, this Gaetano Antinori seems to me to be a rising character.

He is a character who, through his stratagem, managed to eliminate the two

people who controlled the tour of the victims and replace them fully.

Then we have in all this story characters of the second order, like Mr.

Mario Torti...

The lawyer.

Capuano.

Capuano.

I see Mr. Vincenzo Attanasio and Mrs. Gabriella Studi.

These two seem to me to be all from Rome.

Yes, yes.

And I think they have in this story the role of smugglers.

Capuano, please, let us talk.

The role of smugglers of the supervillains in the area of Rome.

And then we still have two characters.

Mrs. Eva Morinia and Mr. Franco De Luca.

The Genoese, the Genoese.

Please, point it out.

Well, I...

Please, point it out.

I'm talking with the commissioner.

Let's talk about it.

Let's say, Mr. Franco De Luca, who is currently in search of...

We have sent a sonogram to the Genoese headquarters, where we think it is hidden.

In short, commissioner, to conclude the thing,

the situation is of a certain importance.

We absolutely need to take Gaetano Antinori, because

the whole national press is putting us in trouble.

But we are always on his trail.

They are young people.

Yes, he founded... Capuano, Dr. Capuano.

I repeat, please.

Indeed, we will have to talk later, I promise.

Mr. Commissioner, what I can tell you is that we have done everything we can.

Gaetano Antinori has escaped several times, but we are on his trail,

we know where he is hiding and we will find him soon.

Yes.

We are on his trail.

On the other hand, we have discovered the leaders of Antonio Salemi, of Nicola

Morini, we are on the tracks of Franco De

Luca, the mantle, we know, is hidden in Rome.

So in a few days we will be able to define the whole

situation and finally arrest this Gaetano Antinori.

Commissioner, I hope so.

All right.

Mr. President, if there is nothing else, I will leave.

I am not the President, however, I am the... Mr. Procurator and President.

I would like to...

Capuano, Dr. Capuano.

I would like to... It is difficult, my brother-in-law.

I would like to...

The important things are remembered, the little important things can also escape.

I wanted to ask you one thing.

I have had very serious complaints, and I guarantee them serious ones,

otherwise they would not have come to my writing.

On behalf of the Operative Central, they tell me that you make 50 calls a day.

You also call when you go to have a coffee at the bar.

Any move, you declare it on the radio.

But do you think you have a game there?

The radio is a means of communication, of service, dear reporter.

In the Operative Central, they make nerve-wracking turns.

They can't stand your stupid talks on the radio,

maybe just because they have nothing to do.

Mr. President, excuse me.

I can say... Go ahead.

The explanation, can I give you the explanation of what happens when I am in service?

You have appointed Capuano.

I don't want explanations.

I only give orders.

I categorically forbid you from now on to call the

Operative Central, if not for really urgent reasons.

Is it clear?

Now, if you do me the courtesy... I will follow you.

I should talk to the commissioner for a moment.

Please.

Make yourself comfortable, doctor.

No, please, come out.

You have to come out.

Of course.

Go ahead, doctor.

Mr. President, I apologize for him.

I am not a president.

I am the proprietor.

I am the proprietor.

Commissioner.

Yes?

Look, things are not going well.

Yes.

Look, we have to deal with it here.

I do not take away in the most absolute way that the press takes advantage of us.

We represent the State.

We have to represent efficiency in this State.

Mr. Procurator, I will try to do my best and I am sure we will succeed.

Ok, Mr. Gaetano, now I'm going to my house because I have an

appointment with Eva who is going to bring me a bunch of stuff.

Ok.

61 00RB It's a small thief.

Talk to her simply.

It's not the goat had no Glue.

That's his wife.

I have a phone number now.

What about us too?

Excuse me, Philip.

How do I look?

I don't look?

They go under your eyes.

That's how you ask a car to kiss you, they put the car down there.

You are an animal, they want you to stay.

Don't call the police.

The guy sitting there will make you sorry.

He is not a police man.

He is like a rose.

I'm fed up with you.

Go get the beast.

Get the beast.

Are you going to keep your technique?

No, I'm protecting you.

Come on!

Come on!

Give me the documents.

Commissary, hey, commissary!

Shut up, shut up!

Shut up, shut up!

Shut up, shut up, or I'll shoot you!

I'm dressed, I'm slow, but I have to take off all my clothes.

Call the police station.

Don't call the police station, they've made me look like shit.

Let's go to Marsigliese.

Shut up, shut up!

Police, shut up!

Come here, come here!

Shut up, shut up!

Shut up, shut up, shut up!

You're in my house, you're here in my house.

We were looking for you.

You know us, commissary, we're in your house.

You don't know us, we were born dead, you didn't see us.

We killed the dead too, commissary.

I think we did everything we could.

I think the guy who stabbed Mocca was bleeding to death.

I held him in my hand, he hurt me.

Shut up, what are you doing?

Who are you?

Follow him, follow him.

He knows how much we've done, you're dead.

I saw a flying bird, commissary.

It was you.

No, it wasn't me.

Shut up!

No, because sometimes, by mistake, I don't know.

Commissary, I took a finger in my hand, I really did it.

That's how I did it.

But you were the one then.

Well, who was it?

It was commissary Urito, I heard Urito who broke down.

A broken finger.

Shut up, who was Urito?

I thought it was you.

I was you, commissary.

Excuse me, commissary.

Oh, slow down, slow down.

And you, husband, did you stay in the car?

Commissary, he's parking.

He's parking, commissary.

Let's wait two minutes.

Then we'll go in and make a nice search.

What?

Commissary, the search.

Do we have the license?

Excuse me for doing it.

Capua, don't be stupid.

We don't have it, but don't worry.

And he recognizes us, commissary.

After that collusion we had... Capua, he doesn't recognize us.

He hit so many killipackers that he doesn't remember anything.

Don't worry.

So, did you bring some drugs?

Yes, of course, I did.

Now I'll show you.

Let me see.

Let me see.

Hold this.

This is really the best.

Yes.

Right?

Yes.

Give it to me.

Thank you.

Here you are.

What are you doing?

Here you are.

Hello, police.

What do you want?

I don't understand anything.

I'm French.

Don't you understand anything?

Do you see Salina?

Yes.

A few documents to file.

Sit down.

Documents.

Give me the documents.

Wait a minute.

Documents, paper.

Passport, paper.

Passport.

Let's see, guys.

And what is this?

This is my photo.

Please keep it.

Only the documents.

But I always keep it.

I asked you for a photo.

I asked you for the documents.

Documents?

Yes.

Here are the documents.

Excuse me.

How do you... How do you say... I sent you because... We have everything here.

We have everything, Salina.

We have everything.

Can you show it to him?

Can you show it to him?

Let's take a look at the house.

What?

I'll show you.

Stay here.

Don't touch anything.

Salina doesn't have to move.

I'll take care of her.

Okay.

I'll take care of her.

She's in good hands.

With whom?

What don't you know?

You have to speak Italian with me, miss.

I speak as I can.

A little Italian, a little French.

Yes.

It's not a problem.

The important thing is that we understand each other.

We are here just to make an acquisition.

Then this is our job.

I understand perfectly.

You understand me.

Then the commissioner is a little like that.

But everything is... I was a little agitated.

Yes.

But it's a piece of bread.

You don't know him.

I've known him for many years.

The commissioner.

Then each of us has problems.

I, for example, at home...

I am married.

I have a wife and three children.

When I get home, I don't even imagine, miss.

A little sirens during the day of work.

A little children in the evening.

All these things.

Where are you going, miss?

I'm moving.

I see that you are slowly escaping.

Where do you want to go?

You with these hands.

Yes.

I keep my hands in place, but you stay here.

I'm here and you keep your hands here.

And who is touching it, miss?

Excuse me.

We call the commissioner.

No, but it's not the case, miss.

We call the commissioner.

Excuse me.

I don't know what happened.

What happened?

The commissioner told you.

No.

Nothing happened.

They're stray.

But what happened, miss?

They don't have an applicant.

Have you not got a colleague?

They won't pay you even for a seat.

I'll show you.

What happened?

Some stray.

He has no line of contact.

Extend your hands.

Extend?

But I can't move with you... Why, dimwit?

You know I didn't... What the fuck are you doing?

You know I never extended my hands on someone...?

What the f...

Bye.

Let's have dinner.

All right.

He put the document down.

You didn't listen to the document.

Good evening, ladies and gentlemen.

Good evening.

Good evening.

We'll see you again.

Good evening.

Let's hope not.

Let's hope not.

Filippo, he's gone.

He's gone.

He's gone.

He's gone.

He's gone.

I can't.

I can't.

I can't.

Look, there's this armadillo.

Close the armadillo, it's a strange job.

Don't you know?

Look, I swear.

Honey, close this.

Come on, close it.

The bathroom.

I don't know, talking about the bathroom makes me want to go to the bathroom.

I don't know.

I'm making an episode, I don't know.

I don't know.

They didn't close the bathroom, they closed the door of the closet.

No.

They closed the entrance.

I don't know.

Shut up, Nominò.

You're so beautiful.

You're so beautiful.

What are you doing?

What are you doing?

So beautiful.

He passed away her, she passed away... Bugatti.

Will you bury me?

Will you bury me?

Will you bury me?

What the fuck is happened?

Are you crazy?

Look at this, look.

How beautiful!

It's a hotel, yes.

I don't know what's inside.

It's closed inside this hotel.

I don't know, Ceri.

This will be a big movie.

I don't know.

Ah, come on.

Suck it, suck it.

Suck it.

Come on, drink it.

Come on, drink it.

Go on, go on.

Go on, go on.

You are strong.

You are the bomb.

You are.

Go on, go on.

Sweet, sweet.

You are the bomb.

You are so good.

Don't make me die.

You are the bomb.

Go on, go on.

Come on.

Come on.

Come on, give me one.

You are the bomb.

Don't make me die.

Go on, go on.

So I can feel you.

Don't make me die.

You are so good.

You are so good that I don't know why I am better than you.

Get of my butt.

Yes, yes, yes.

Yes, yes, yes...

Look,

this light is already a lie.

It's a lie.

It's a lie.

I swear, I'm going to do something.

Yes.

But believe me, there's something in the camera.

Wait, wait, wait, wait.

Open your eyes, stop, stop, like this, stop.

Stop, now!

Now... let me see, move your chest, come on!

Ah, how beautiful, how much you have!

Beautiful, beautiful, beautiful, that's it!

Yes, yes, yes, yes, yes, yes!

Now, now calm down, go on, do the real shit, come on!

Let me see, you want to see the ass, come on!

The ass!

Open your legs.

Oh, how beautiful.

Let me see the hole in your ass.

Oh, what a beautiful view.

Now masturbate.

Come on, touch the Come on, turn to me.

Put your leg on the thing.

Leave it there.

Put your leg on top.

Come on, put your leg on top.

Open it all.

Open it, make it look all open.

Open it.

I wash my hands.

I wash everything.

How beautiful.

Touch it, touch it.

What a girl.

What a girl.

My God.

Oh, how beautiful.

How beautiful.

This is a dog.

This is a dog.

This is a dog.

A little more in the mirror.

That's it, that's it.

That's how you look in all the cool.

Come on, come on.

Look how beautiful you look.

I'll never mirror you.

Come on, shush.

Shush.

Put the mirror in the mirror.

Touch it like this.

In the mirror.

Great, great.

Now do one thing.

Bring the mirror to the mouth.

Come on.

The mirror to the mouth.

Yes, like that, Valeria.

Come on, Valeria.

How beautiful.

Put the mirror in the mirror.

Shush, shush.

Your

mirror is wonderful.

Yes, come on, Valeria.

There you go.

Beautiful.

Don't look at the music.

Eat it, eat it.

Look in the mirror.

How beautiful, see?

A lot of beautiful things.

In your life.

Two mouths, two cheeks.

How beautiful.

Yes, yes, yes, yes, yes.

Let's start, guys.

I mean... I made a few mistakes.

But...

I'm afraid of Dr. Tavano.

He's tired, too.

You know if I'm right or wrong?

It's not right, boss.

He's a sleeper.

He already knows I have to wake up.

No, no, no, no.

I'll do it.

I'll call the police.

And I'll do it again and again.

I don't want to be here until tomorrow morning.

Hello?

Hello, police?

Can you hear me?

Yes, boss, we can hear you.

Can you hear me?

I'm here.

I followed Gaetano like a beast.

I and the police officer are locked up for more

than two or three hours in a cellar in a villa.

Come and free us right away with a steering wheel because we can't get out of here.

The police officer told us to get out.

The police officer told us to close the cellar.

But what are you doing?

Boss, what are you doing?

Who are you calling?

Central.

What did you say?

The police officer told us to get out of here.

You're a real bastard, boss.

You made us both look like a piece of shit.

Open the door.

The two of you are locked up.

Yes, I think so.

I can't hear you anymore.

You fell asleep.

I closed my eyes for a moment to think about how to get out.

You closed your eyes for two hours.

Boss, the light is back on.

I think when I close my eyes.

Boss, I order you to shut up again.

I dream, I don't think when I close my eyes.

How can you think like that?

Boss, don't say a single word.

We are coming.

They are calling me.

Hello, I'm the police officer.

Who is it?

Ah, officer, I'm at the end of the station.

Where are you?

Because the boss always wants to pass.

The boss always wants to joke.

We are in the car.

We are arriving at the station.

Don't worry.

All right, then I'll be quiet.

Goodbye, officer.

Bye.

You know, Mr. Gaetano, that we had a lot of luck?

Because after the discussion we had at the port, the police came here to do a search,

but they didn't find anything.

Luckily, Eva had a good hearing.

But if they were here, they would have caught you.

They wouldn't have left us there.

You see?

Yes.

But the only problem now is Genovese.

I think he left.

But do you know that he wants to do this without you?

Yes, but if Genovese doesn't pass, I don't know what will happen.

I think Eva is still in the port.

I think she's still in the port.

Then she's going to die.

I beg you.

But no.

There is no one here.

Don't listen to these noises.

You're going to calm down a little.

There is no one here.

Tell me.

Nicola, I know him.

I'm the one who can fix the traitors.

It's easy for you.

You don't think we could spend some time together?

No, not at all.

Why is that?

Listen to the noise.

Calm down.

Leave me alone.

Stop.

It excites you.

Tell me, I know Nicola.

I can fix the traitors.

Isn't that right?

So, can you do me a little favor?

A little favor, I want you, honey.

Yes, of course, here you are, you want me.

No!

And if someone comes, we can have a problem.

No one, no one, come, come, come.

That's it, it's easy to say that.

Here, look at me.

Come here.

Touch me here, touch me, yes.

There, like that.

And in addition, it makes you bend.

Yes, it makes me bend.

Go down, here.

Yes.

Look here.

Come here.

Come here.

I don't know if we can do it elsewhere.

No, there is no one.

Come on, come on, come on.

Well done, yes.

It's good, honey, keep going, yes.

Come here, please.

Oh yes.

Oh yes, come on, you have it, honey.

You are so good.

I can.

Come

on, don't stay there.

What did you say?

What did you say?

Nothing.

What did you say?

Nothing.

Did you understand what she said?

No, I didn't.

No, you understood.

No, no!

Cels, you are dead too.

You understood that you can't touch things.

You understood that

you can't touch things.

Cels, you are dead too.

Cels, you are still drunk.

You can't go on like this.

Cels, you have to shut your mouth.

No, Cels, don't touch me.

If there is something, I won't come.

You are still drunk, Cels.

The body is the water.

Who knows what the beast is the beast.

It doesn't matter what it is.

It doesn't make any sense.

The police have just said something.

You cannot say anything.

They will not let us in.

What is it?

They said the police couldn't touch her.

It was beautiful.

It was his own ass.

But it was very beautiful... ...to live like this.

To say that she died wrong is wrong.

You are right.

She did not die.

Call the central information.

Central!

Central!

These things are... Boss, I'm here to talk to you this morning.

How are you?

What do you want?

What do you want?

I'm here at the police station, in a bathroom.

What are we going to do, boss?

No, we are with a body.

We have a body, a beautiful woman, a beautiful girl.

Boss, I'm going to show you how to dye your hair.

Are you ready, Central?

Yes, sir.

Tell me.

Listen, we are in Via Orazio.

The apartment we were talking about.

Send us two pilots, a scientist and an ambulance.

There's a dead man.

Boss, sorry.

I'm not dead.

I need an ambulance.

How are we going to take her to the hospital?

How can we take her?

I don't get it.

Who is this?

Who is the radio?

Who is answering the radio?

I didn't listen to you, boss.

I didn't listen because I'm looking at her and I don't get it.

Don't look, boss.

Let's see if I find something.

This is Gaetano.

This is just a beast.

Why do you call Gaetano a beast?

This is an animal.

What a beast.

This is a beast.

I would make another one.

I don't know what it would look like.

What would it look like?

You didn't see anything.

I washed your nose and your face.

This is still a goat.

Bastion.

I'll kill you.

What happened?

What is going on?

Gaetano is a beast.

What do you know about Gaetano?

He is a beast.

He is a beast.

He is a beast.

He can even make you meet someone important.

A beast.

Erbo, this is very important.

The Marseillais are meeting.

with Gaetano the Beast.

I can't speak more for the sake of the people.

Call the headquarters and send two pilots down here.

If we are not there anymore, we have embarked either for Capri or for Ischia.

Capuano comes with me, so you go up there.

Don't call me for the radio anymore.

Hey, stop for a moment, I can't do it anymore.

Stop for a moment, I'm coming.

Hello, who is speaking?

Excuse me, I'm Alcuri, how can I help you?

Hey Alfie, we don't talk, we don't talk, I'm here.

Who is it?

Come to the headquarters.

Nothing is fine, nothing is fine.

Yes, the commissioner is fine, I'm here

because I'm sick, I'm following Gaetano Abessi.

But I really feel sick, sick.

He doesn't say anything about these things, he

has also frozen his shirt, let me talk to him.

Hey, Capuano.

I find myself in Cappanumulo, I find myself in Cappanumulo.

Capuano.

Hello, who is it?

I'm the commissioner, who is it?

The commissioner is here, I'm Alcuri.

Alfie, do you remember the flyers?

How many have arrived at the port?

Everything is fine, how are you?

We are already at the port, as you said.

And then leave them there, send two more to

Pozzuoli, from there you don't move anymore.

Two to the port of Naples and two to Pozzuoli, because we don't know how to return.

Don't call us anymore, we'll call you.

Well, how are you doing?

Capuano, but he has pointed out all these things to you.

But I already have to pay Gaetano Abessi.

Capuano, he has frozen his shirt, he has eaten, he

wanted to say that he has lost it, he has thrown it out.

But do you know how many services there are?

Yes, let's go there, let's go.

It's such a beautiful sea that is here.

Ah, how beautiful this pool is, I know.

As I think of one thing, I say to myself, but they make

a double pool like this in a house, the biggest one.

But they don't have a real office.

Our house is also yours.

Guys, we are not here to waste time, let's try to get out of here immediately.

The situation is this, Rome, you know, is not an easy city.

To solve this situation, we need two things, the head and the balls.

Without an office, I have the balls.

And then we can count on a master 10 who gives us the stuff at half price.

Now we have to talk about some conditions.

Do you think we can work with your friends in Rome?

I don't know, the house is full of people.

What do you mean?

And they take a bath here?

They also take a bath here, I don't know.

Have you seen who is there?

Mamma mia, I haven't seen anyone.

I don't know what night it is, it's on BND, HD.

The light is shining everywhere, what a beauty.

We can't be here, we're going to the police

station, we'll have to kill a lot of people.

Wait, wait, wait, call the headquarters.

Let me send the balls here.

And tell them that Vicenza is in Mandida.

And that Roman is also there.

Hello headquarters, answer me.

Hello headquarters, how are you?

Everything is fine, how are you?

Everything is fine, we are fine, the commissioner is fine.

Send here to Ischia, two balls, via Merli 2.

So, Ischia, two balls, via Merli 2.

As soon as possible.

Commissioner, what are we going to do now?

Do you think it's the right time to intervene?

Wait for me, first two balls.

Do you know what we did?

What?

We saw a road down there, with water.

We put the balls there, there is no one there.

We wait for them to arrive.

Commissioner, what are we going to do?

How are we going to find the balls?

Two balls?

What else?

Listen to me, officer.

You have to go to the point where the zone is, and then there is a scene.

I can't hear you, commissioner.

Officer.

Officer, take off your jacket and don't make a sound, otherwise they will notice.

No, sir.

No, sir.

Officer.

Officer, wait.

You're crazy.

Don't fuck with me, officer.

How do I take off my jacket, officer?

Officer, go.

We have a choice.

Don't make a sound.

What happened?

Did you hear a sound?

No.

No.

No.

No.

No.

No.

No.

No.

You talk to me, don't worry.

I told you.

But don't worry.

Officer, it's been days that I've been coming after you.

Where are you taking me, officer?

In the van, whatever is wrong with you.

At the Succio, Ischi, the Naples.

This is Foggia, go to Foggia for a change.

But don't take me to Foggia.

Foggia?

Wait a minute.

This is water that will also give you the massages.

Excuse me, but here there is a mouth, officer, do you know where we are going?

Here, do something.

Father has told me to go here and we will find the ball three times.

Where are you going, officer?

I'm going alone.

Alone?

Alone.

He is staying on two streets.

Who is staying on three?

C4-Capuos all together, chat a minute.

You hear his voice every moment?

He continues, chief.

Chief... Chief?

But where do you company me?

You finally woke up.

I'm calling Nanur.

What's up?

What's up?

What's up?

What's up?

Speak, what happened?

I don't know.

What's up?

I'm sick.

What's up?

I don't know.

What happened?

Where are you?

I was taken by the radio.

What are you saying?

I was taken by the radio.

I'm alive for a miracle.

You did a lot of things.

Look at the keys you have.

I'm dirty.

I'm dirty.

Wait, wait.

You're not moving, commissar.

Wait, turn around.

Commissar, they are leaving.

They are not leaving.

We always arrive late.

Commissar.

Come on, commissar.

Come on.

Commissar, I'm here.

Get out, commissar.

I'm here.

Commissar, let me go.

Don Peta, things are going well as they are going, and you are going to think

badly about it, but I am adjusting things in Rome

and you will see that they are going much better.

You have to understand that things are going well in Rome, but if you do things

like that in Rome they are going to be strange.

So you don't understand, that's not the point.

Come on, where are you going?

I have to go to the bathroom.

What are you doing up there?

Let's go.

I don't know what to do.

I'm going to get a shot.

I don't understand.

I'm going to get a shot.

I'm going to get a shot.

Oh, I'm so tired...

Who are you waiting for?

What are you talking about?

This is a good moment, don't you understand?

If I die here, I'll have to close the cabin.

I'll have to go back to the bathroom to take a shower.

Ladies, get off the car!

This is the security department!

What?

Stay still!

Stay still!

Stay still, please!

Let me see this cabin!

Stay still, please!

This one too!

This one too!

Come on, get out of here!

This is crazy!

I'll have to go back to the bathroom!

We're leaving you dead!

Stay still!

I'll have to get out of here!

Stay still!

I'll have to get out of here!

This lady is great!

Don't tell me to open my mouth, or I'll have to do this!

I've been waiting for you with this gun!

Stay still!

Stop it!

Ladies, here I am!

Come on!

Come on!

I'll take off!

Yes, yes, yes, yes!

Come on, take off, now!

Nude, nude!

What?

Nude?

Nude, nude!

Come on!

Mr. and Mrs. I am the security commissioner!

You are naked!

I'm naked!

Yes, you are!

You are not naked!

Wait!

I'm going to have a beer!

Now!

You have to sleep!

Are you crazy?!

No!

I'll throw you into the sea!

What do you mean?

Come on, get out of here!

Are you crazy?

Sir!

Sir, are you crazy?

I'm a police officer!

Shut up, we'll see each other again.

Sir!

What?

Look at the access, it's closed.

They left us here.

The police officer just got here.

He said he was going to kill us.

But what did he say?

He said he was going to kill us.

I don't give a shit.

I've never been shot.

The access is shit.

He even took the gun.

Shut up!

Shut up!

And shut up, sir!

Shut up!

Shut up, you always bring it to the police.

What can you do?

Sir, shut up!

Shut up, you don't believe me?

You don't believe me anymore?

Shut up, I'll kill you, sir!

I'd rather get to the access.

Let's go there.

Do you like the smoke?

Shut up, don't be a jerk.

Swim, swim.

Come on, let's go.

Shut up, swim.

Come on, sir, slowly.

Shut up, I'll kill you.

Follow me.

It's slow, sir.

Come on, come on.

Talk like this, you're making me angry.

Shut up.

These kid whack me.

Come on... Is there a moma?

I don't get it what you're talking about.

No, but this is not me where I should blame you for that.

But what are you saying?

I don't get what you're talking about.

Oh, I don't understand.

No, don't worry, I understand.

Put, put, your phone away from me.

Yes sir, I'll call the police.

There we go.

Come on, let's go.

And I'll take him back right here.

Yay!

C'mon!

It's always his fault, and it doesn't hurt him very much.

He was the devil for the Roman you introduced me to.

He told me to wash the clothes every week and wash them with 50 grams.

You've lost your mind.

Think about the prosecutor.

Oh, prosecutor, stop!

I'm going to the police!

I'm going to the police!

Because I fell in love!

Look.

The boat is gone.

Do you see it?

Do you see it?

Poor thing.

Caboano, do you see a house?

Caboano, do you like it?

Caboano.

Caboano, Caboano, move aside.

Move aside, Caboano.

Caboano, move aside.

Oh, Caboano.

You're hurting me, you bastard.

Wake up!

What?

Wake up, quickly!

You put this on quickly.

You have to dress like a woman.

I don't understand, I don't understand the call.

My girlfriend, my girlfriend, she's very jealous.

You must wear...

Girl clothes, okay?

Dress like a woman.

Yes, yes, yes.

I'm a public security commissioner.

Yes, yes.

You put this on.

What's going on?

Quickly, quickly, hurry up, quickly.

Yes, yes, I understand, I understand, I understand.

Okay.

Dress like a woman.

But what's going on, Caboano?

And there, it's done.

You see that you had no reason to worry.

I didn't see you come back.

No, but she's going to come right away.

That way you'll be able to see her.

Excuse me?

A little.

Come on, do me a favor, let's not talk about it anymore, okay?

It's very nice today.

Do you like it too?

Really?

Yes, yes.

But there's no line, damn it, there's no line.

Chapter 13.

Nothing is blocked.

Dress like a woman, holy God.

Look here what I have to do, look here what I have to do.

What do I wear, what do I wear?

How do I dress like a woman?

What is this?

It's a joke.

Hey, hey...

How are people going to be jealous of a man if it's a woman?

These must be lesbians, right?

Yes, they must.

Damn them, what a shame, leaving me alone here.

What is this?

Where do you put it?

On the eyes.

Do you know that?

If I had taken the police office now...

Holy God.

What a great brush.

I hope it's the best.

Where do I get them?

But I'm not bad.

Let's see what happens in the sacrum.

Good evening!

Good evening!

I'm André.

Good evening!

Thank you, thank you.

No, it's normal.

Thank you!

Hello.

I'm here because I wanted to ask you something.

I'm sure.

Yes?

No, it's...

You are not very good.

I can't hold you, I'm afraid you're going to throw me off.

No, no, no, no, no.

Yes...

Don't do that to me.

You are jealous.

Yes, yes.

Don't jump over your head like that!

I want you to give me your phone.

Yes, of course, of course.

I'm coming, I'm coming, I'm coming, I'm coming.

It's very important.

I don't want you to play with me anymore.

Thank you.

I don't know what to do.

I don't fucking understand you.

Hello, Lucia.

Hello!

Alferi.

Alferi, it's me, Commissioner Parami.

Commissioner Parami.

Commissioner.

Yes.

Mr. Commissioner.

Wait a minute.

Alferi!

I can't talk.

I can't be in a situation like this.

It's a terrible situation.

Capuano, Capuano, where are you?

Commissioner, I don't know.

Thank goodness.

Mr. Commissioner.

Don't pay attention to what I say.

You talk.

You have to come and pick me up.

Bring me some clothes, something.

Yes, tell me.

Yes, tell me, tell me.

I'm sorry, you have to tell me.

Tell me.

Yes.

Yes.

Mr. Commissioner, where are you?

Alferi, what did you say?

Alferi.

What is it?

Alferi, repeat.

What did you say?

My father.

What happened?

Commissioner, the man of the house just passed and I can't even see him.

Commissioner, where is he?

Shit!

Shit!

Shit!

Shit!

No, no.

Is it a man?

But no, it's not a man.

It's not a man.

No, no, no.

You have to... You have to lie.

No, no, no.

There's nothing to do.

There's nothing to do.

No, no, no, no, no.

No, no, it's not a man.

You are not going to make a scene, anyway.

The situation is already quite complicated like that, I mean... No problem.

That's it, we're back.

Yes, wait a minute, who is it?

Who are you with us?

Who are you with when you're out?

With Gaetano.

With Gaetano?

What do you mean?

He's got a mother, a son.

What does he know?

He's got a mother.

He's got a mother.

You know that Gaetano has a mother and a son.

What's happening here?

Ario!

Ario!

They don't understand.

What are they doing?

Ario!

This one.

This one.

And this one.

This one.

Push on me.

There.

Again.

A little more.

If you can, but push on me.

Push on me completely.

There.

You look at the right side of your head, but you look at the right side.

There.

Now you push on my hand.

Again.

Come on, push.

Push.

Come on.

Again.

Push, come on.

That's it.

Come on.

There.

Again.

Again.

Caress me.

Kiss me again.

I want you to kiss me.

Like this.

Always with you.

I love you.

I love you.

Give me your hand.

My hand.

Kiss me.

Kiss me again.

Come on.

Can you hear me?

Yes.

Wait for me.

OK?

Wait for me.

Wait for me.

Yes, yes.

What is it?

Yes, I'm coming.

I'm coming.

Hello my dear, good to see you.

Good to see you too.

Good to see you too.

Tell us a little bit about yourself.

I want to sit down, but I'm very busy here.

Yes, well, my dear, I first came to see you

to see if you had any problems with your body.

Absolutely none.

Do you see what I mean?

Of course.

He did nothing, he didn't ask for anything.

No, but listen, you can trust me.

Yes.

Well, I wanted to tell you something very important.

The first time we had a problem, we didn't talk about it tonight,

because I didn't take care of it.

So everything is going well, from one side to the other.

Yes.

Okay.

Everything is not too bad.

And as I took care of you, I tried, I think I made you aware of what you needed.

Okay.

Yes.

So, I'll see you soon.

See you.

Don't forget to call us.

Yes.

I don't know too much about home.

No, no, there is... Say goodbye.

Bye.

Bye.

Bye.

Bye bye.

Sheriff, what you are going to say now is not the Str Pasquale, but rather...

I am sad, for it what has happened to him, and I am still

unable to make up my mind about or final decision from him.

We have more time to deal with something.

Mr. Prosecutor, if I decided to leave the police, it's not

for fear or for fear that something else could happen to me.

After what happened to me, there is nothing else that can scare me.

Unfortunately, I decided to leave.

I decided to finish it.

Who knows, maybe over time... I don't know.

Inspector, we have to be strong.

I don't insist, Doctor.

We have to fight together.

I will see you tomorrow with my resignation.

Inspector, listen to me for a moment.

We have to fight together.

The State has to fight together against this escalation of criminality.

You have to be strong.

And this is a sign of weakness, Inspector.

Take back your gun.

Take back your tassel.

Think about it for a few more days.

I understand your pain perfectly, Inspector.

But the State, all of us, need you.