Original subtitles

Day behind, when you can't return the seat.

Day behind, when you can't return the seat.

Day behind, when you can't return the seat.

Good morning, Professor.

Good morning.

Everything's in order.

Everything's in order.

Wash, wash.

Yes.

You saw this little boy here? I did it.

We want to be careful.

You're right.

Yes, dear.

Good morning, Professor.

Good morning.

Good morning, Professor.

Day behind, when you can't return the seat.

Day behind, when you can't return the seat.

A good morning, Professor.

Let's go.

We'll be safe.

The數 is enough for a few more people.

Go, move.

Come on, hurry.

Let's go.

Day behind, when you can't return the seat.

Day behind, when you can't return the seat.

Gra geldi Padano, Hier Bernat voices.

Wait, wait, wait.

Thank you.

Excuse me, a moment.

Why can't the old people be killed?

Thank you.

Thank you.

Hey there!

Hey there!

Get off, professor, please!

I was going to give you a fuck.

Listen, wait five minutes, we'll have a run-up in the federation and then we'll be right back.

Okay?

Yes.

Bye.

Bye.

Get up.

I recommend you to go to the county, when we're inside.

Okay?

I'll be right back.

Okay?

I'll be right back.

Okay?

I'll be right back.

Okay?

I'll be right back.

Okay?

I'll be right back.

Okay?

Okay?

Okay?

Okay?

I recommend you to go to the county, when we're inside.

When you come with me, I'll always bring you to the farm, okay?

Five minutes!

Bye, girls.

Bye, girls.

Bye, girls.

Cousin, on that life!

I'll be right back.

No, thanks, I'm a Roman type.

Oh, Roman!

Come on, girls!

Cheer up, cheer up!

Cheer up!

Yes, yes, with the leper.

Smile, smile!

Smile, smile!

Come on!

Give me a kiss!

Give me a kiss, give me a kiss!

Place me at your side so I can talk.

Okay?

Come on pretty lady!

He just doesn't want her!

Come on!

Now what?

Calm down, calm down!

You don't have to have acza set time.

You don't have to have acza set time.

Angry?

Nobu대's тaisó Oermoss is parliament's

municipality's head.

Easy

Shut up, no, madame.

TK mum!

FIA

Wait, let's go.

But we had promised the consumption for free.

We solve an urgent problem first.

Then if we agree, I offer a glass of vodka with a bomb.

Yes, bomb, bomb.

So much so that in two, it's a month we go to the bomb by hand.

Well done, that's a fantastic that develops the fantasy and you have it in training.

This is our little bird, the pearl of the blue-gray.

It's not the most beautiful of my children.

This is my passport.

I also said the POP gun.

Good morning.

My first love was him taking me on the good road.

How is my gas pump?

Good, come on.

The POP gun.

The POP gun.

At this hour.

Hurry, hurry, the teacher has arrived.

Prepare the watch.

Yes, sir.

Listen a little, but who is this teacher, the choir?

He is a great man of a minute.

Then he came here to find his mother.

But let's go, let's kill him.

How come at this hour, teacher, so early?

It's a miracle, Benin, a miracle, a crazy reaction.

I go to the clinic and meet you a little bird, but a little bird that is a poetry.

Look.

Who is that little bird there?

It's the beautiful wild little bird.

Little bird, I've seen you.

You see, if you let me know.

We also have a little bird that is better.

It comes fresh, fresh from Sicily.

The Sicilians, hot, hot.

Yes, but that little bird, but you understand.

I'll look for him.

Really?

Don't worry.

So?

Do you feel a little, Benin?

But it's sick?

No, it's a little nervous due to the super work.

But there, it's very high.

You just need a little rest.

To go out of the ball a little.

If I know he's in the campaign for you, I'm calm.

You're the only trusted friend I have left.

Was it him?

It's a shame he's dead.

Come, come.

I'll take you to the Earth's paradise.

I'm half here.

What's this?

No, this is the whole, mine is there.

Come.

Oh, but...

Come, come, come.

Hi, Teresia.

It was now.

Take it up.

Move.

I'll go up and down.

I'll do the spirit, up and down.

Keep the bat.

Come up.

How's it going?

You'll see you're fine.

Up.

Come on.

Look at that stuff, like a queen.

My name is Aguzzi Teresa.

And I'm the daughter of Pasclone.

Nice to meet you.

My name is Cecchine, Sofia de Nen.

Ah?

And what do you do?

Have you been to the federation?

Yes, I work at Cotimo.

I'll get to the warriors' house...

... and will take you to Siobha an someday.

Of course!

What do we know?

An elegantต

and gentle one of infinitely evil.

And two enemies who hire her,

and we have a ridge to go through.

But the horses prefer suchPro получится.

Okay, that's all.

Stop with the so-called horses.

Is talking likeREstreaming with TW isso?

Oh, what are you doing? You're bowing to me?

What are you doing?

There's no shame between women.

And then at your age you can bow like you should.

If beauty doesn't find a closed door,

your brother-in-law will find it broken.

And instead of me, when the dawn came,

they closed all the doors.

And then they sent me here to breathe the air.

And then the hormone was gone.

And then the blood came out.

And then the eyes came out.

It's me, Paslun.

I came to see if you needed anything.

Oh, really?

What time do I have to wake up tomorrow morning?

And you're not in the bus?

There's no one at the door.

Turn around, there's no traffic here.

You have good hair.

Yes, eh?

Long?

Good night.

Good night.

Good night.

Bye, Cicci.

Bye.

Damn it, your father, what a shit.

Everything's the same, you scum.

Damn it.

Where's the bathroom?

The bathroom?

The bathroom, yes, the toilet.

Ah, it's outside.

But where is it?

Outside. Come with me.

Well, let's go to the fridge.

Here it is.

That would be the bathroom.

Sure.

The neighbors only have one for everyone.

But this is all ours, private.

Damn it, you moron.

It'll be the guesthouse of the neighbour.

And for the vase.

Ah, for the vase at home.

We also have the kitchen and the water supply.

But Ionio!

For the most desperate use.

If the communists arrive, you'll have to work.

I'll have to work.

Look, my torture.

Since I was at home, there's something that's been on my mind.

Everything's fine.

It's nice to do nothing, eh?

I'm in a relationship.

How are you?

How do you feel?

Very well, you fucking wretch.

Go away.

It'll take 45 years.

I've got a piece of paper.

I've got a piece of paper.

It'll take 15 years.

You're so countable.

That guy is a good guy.

Yes, he is.

What're you doing there?

Look where...

Get your sl From the bottom up.

Look wherever you can.

Don't look down on us like that.

Come on, let's go.

Where shall we go?

Let's go there.

Go where?

I have to talk to you.

Ah, yes?

What are you waiting for?

Oh nothing!

I'll tell you the story about the cat.

Ah, you're very pergiอน.

I know!

Wait.

Making a��도록o fire?

The beaten Convalescians also would kill you.

Well, maybe it's about time

that men are not my toenails anymore.

Love?

Love doesn't exist.

How doesn't it exist?

There's a chance.

Maybe it's passion.

But above all, it's the same.

Give it to me.

If you're in love, if you're in debt, if you're closed,

remember that here...

Here you have a capital.

It's like a bank account.

You've managed it well, with justice.

It's not a debt, Racketto.

Oh, no.

Look at the mess in here.

Here it is.

Who is it?

Your fiancée?

Which fiancée, Tresi?

She's a fiancée of mine or Terto's.

She's the one who's been ungrateful to me since I was born.

She even asked me for a loan.

And she said she'd take me there.

She'd give me a system of money.

She'd give me a system of a fake apartment.

She'd put me on a boat.

She'd take me to France for her.

You're in love?

Let's say I'm in love with her.

Oh, and it's not a nice prospect to end your life in a casino.

I had a good day.

One day a girl from Taranto arrives.

A broccoletto there.

But she's young, with a soft-hearted face.

She'd look like the princess of the castle.

You're a fool.

And you're afraid of me.

Hey, hey, listen!

Listen, I'm going to San Zanone.

Yes, enough.

You should go straight, then turn right, then turn left.

Listen, if I go with you, I'll get a piece of you.

Yes, alright.

Excuse me, Marverini and Minio, I'm from the company.

Nice to meet you. I'm Tereza, from Tartirisi.

But I prefer Tereza.

Ah, they keep me company during the trip.

I'm going down to Italy a lot of kilometers.

I'll transport wine, oil and fruit.

How's it going? Do you like to travel?

Yes, I'd like to.

Who's that? Who's that?

Major Marcio Patriccaro.

First of all, I'll send the master to the devil and I'll do my best.

I'm not going to pay much, I'll pay you back in the third round.

If you allow me, I'll be there.

Here you go.

Thank you.

Tereza!

Listen, I've been here a few more times before going back.

And since I don't know anyone from here, I thought if you and I could see each other again.

Well, if you happen to be willing, thanks to the past.

But look, I've never been myself, I swear.

It was by hand, we moved by ourselves.

Ah, yes, it was also my fault.

Here's the fruit.

Don't you like it?

And don't you like it?

I'm the one who's responsible for our mess.

Well, I don't like it.

It's a pity, I've been taking the doctor around for a while.

Well, I'm going to bed.

I'll come too.

No, no, no.

Wait a minute, let's make two glasses for me and you.

I'm going to bed.

Oh, what do you want?

Tereza, you can talk to yourself, you're already big.

I'm a man, I'm a...

It's not my fault, but if the mother abandoned me for years...

But what's the matter with the mother now?

I broke my balls.

I'm going to sleep here alone, okay?

And then you sleep with the little bird, right?

It's so simple, just tell me.

You see?

It's so simple, just tell me.

That head, that head, it looks exactly like your father.

Oh, what a head!

It's simple, just tell me.

Of course, I...

I...

I remember calling you mother.

I'm a good boy.

Good night.

Bye.

Come on, hurry up, I'll take you upstairs.

I don't have time, I'm so sleepy.

I'm so sleepy.

I'm so sleepy.

I'm so sleepy.

I'm so sleepy.

I'm so sleepy.

I'm so sleepy.

I'm so sleepy.

I'm so sleepy.

This is not a cut.

It's a piece of cake.

Stop being so rude, I'm going to sleep.

I'm so sleepy.

I'm so sleepy.

I'm so sleepy.

I'm so sleepy.

I'm so sleepy.

I'm so sleepy.

I'm so sleepy.

I'm so sleepy.

What an idea to come here, to fuck with these things.

You'll see.

I'm afraid we won't find a swimming pool.

Wait, trust me.

Trust me.

Those are not bad, for example.

Maybe that's the swimming pool I'm looking for.

No, not her.

You think only of that kind of swimming pool.

I thought I'd recognize a swimming pool I've already known.

I read it.

Here, the swimming pools don't pass.

There aren't any.

There are.

There are.

There it is.

Who shot her?

She's got a swimming pool. Have you seen her?

Have you seen that swimming pool?

I made a mistake.

I've had a lot of women.

I'm a stubborn guy, I've gone through it.

I wanted to try love and then I'd give it up.

But with you, I swear, it's different.

It is.

Here.

There's my address behind, so you write to me.

But you didn't have one more recent one.

Maybe in the swimming pool.

It is, so you put it together with the others.

I wouldn't be so happy.

But tell me just one thing.

You, how are you?

Are you more like this or like that?

But...

I'd say a way in the middle.

Well, there will be a place of fantasy.

All right, now go, it's dark in here.

Bye.

I'll be back in a month.

Maybe before that.

You write, eh?

Hi.

Jack, I'm back.

Yes.

If I can sell the hard-to-get, the other seven houses,

I'll transfer here.

Here, it's better.

I'll be back in a month.

How's that?

Poor girl.

She works too much, this girl.

She has dogs like a man.

And it's your fault, you're the best.

But you ask me for money to send her to school?

Could you find her an appropriate job?

Have you ever thought of sending her to the service?

Where? Here?

No.

In the city.

Rich people, well-off people,

high-ranked people.

I'll find her a nice place right away,

this girl.

And from whom?

From Quario, for example.

Ah, here, the professor.

Professor Quario is a person of all respect.

The best you can find.

How not?

Come with me.

I'll take your letter.

I'll tell you if I'm always afraid of you.

Do you understand?

If you help me convince the girl,

there's a gift for you too.

Actually, a gift.

You're upset, understand?

Answer as a question.

And above all,

I'll tell you what I'm afraid of.

And above all, don't be so hasty.

Do what you're told and that's it.

Everything?

Here you are.

Comfortable, comfortable.

Thank you.

So, would you be...

Awake, my baby.

Name with name.

Aguzzi Teresa.

What?

What do you mean?

Daddy, mom.

Ah, Pastelon, Pasquale and Facini Maria.

But mom is dead.

Well, I mean...

How old are you?

Who? Me?

Who? Me.

Almost 19.

Ah, 19, huh?

But...

No, I'm not 19.

But...

No, I mean, young.

So, do we want to get dirty?

Well, we told the girl that she must go to the doctor's visit.

Of course, of course.

Before you go to the service,

the doctor's visit is double, isn't it?

Is that enough?

Yes, yes, sure, sure.

For now, yes.

Come, come here.

Here, good boy.

Sit down, sit down here, eh?

Nothing to be afraid of, are you afraid?

No, well, then, open a little.

Let's see here.

Here are the perfect teeth.

Now let's see the tonsils, open your mouth, dear, so...

Very well.

Go and adjust.

Where?

The body, you say.

Ah, yes, yes.

Ah, well, are you ill?

The tiffo, last year.

Ah, ah, ah, for the tiffo.

The tiffo can leave some, it will be good to examine the belly.

After that, do you want to remove this?

In the meantime, come on.

It's here, it's here.

I think we'll need a nice reconstituted cure.

We'll make a nice bottle of vitamins,

but maybe two now.

Now let's see.

So, let's see a little.

And let's hear the lungs, eh?

Sit down, sit down.

Sit down, dear.

Here, good, like this.

If you need to, you can wear a suit, right?

Eh, yes, yes, better, eh?

It would be better, eh?

Yes, let's take off the suit, dear.

Eh, eh, eh, it's all right, because it feels better.

Here, like this.

Eh?

And la la la la, what a beautiful little tree.

That's a mignon.

What kind of mignot?

Oh, no, I mean a jolie mignon.

A jolie, eh?

Well done, here, they are high,

sustained, proportionate.

Yes, I would say that they are very sparsely,

and made me laugh so much.

All right, let's hear the heart.

Ah, no, first the lungs, eh?

Excuse me, here.

A good breath.

Here, another one stronger.

Good, good.

Another, another, make me a good deep breath.

Like this, like this.

Ah, good, like this, another one.

Well, good, perfect.

Do you want to extend, eh?

Let's hear the heart.

Here, then.

Perfect, like a clock, perfect.

You never brought the regiseno, no?

If you have it, you don't need it, right?

Eh, eh, it's not necessary.

Here, now we should examine the belly a little, eh?

Do you need it?

Eh, eh, it's better, better.

Yes, to check everything well, eh,

it's better if you remove the teeth, yes.

Here, if you lift it.

I see.

Do you feel well?

Yes, also the thighs.

Body? Ah, I've already said this, no, sorry.

If I touch you here, do you feel anything?

It hurts.

If you don't scratch too much.

Eh, no, I would say that the teeth have passed,

they have left only a few feelings, colitis, everything here.

Emo-roids?

What?

Bruchori, al-sederino.

Ah, no, no, no, I don't feel well.

Ah, how can you not feel well?

I'm the doctor, I know what to do.

Since we make a complete visit, it's better not to scratch anything.

Eh, eh, what do you tell me, Chechina?

Holy Holy, Professor, are you kidding?

Eh, ah, then we'll turn around, cats, eh?

Chinocchioni, al-alverette, al-pecorina, eh?

Here, here's the head on the kitchen, eh?

Here, let's see this little chair.

Here, here, well, on the top, eh?

Well, here, like this.

Eyes.

I'm a little tired, I work.

Come here.

Well, you were right.

It's all in order.

Yes, perfectly in order.

Ah, now we feel a little...

But I'm afraid.

Afraid?

But why are you still...

Yes.

The house is full of bottles.

And there's also the clinic, 50% is yours.

And then the fields, 300 hectares.

For a title and a family jewelry.

Ah, Catarina's eye, she's a governor,

she's practically a housekeeper.

Look for her friend, understand?

And where are you going? Back from dad?

Eh, the award license is over.

Let's go back to war.

War?

Eh, to women's war, Trisia, mine, yours.

Only I'm in Trisia.

And you're capable of coming to the High Command.

And bored at once.

What?

Sometimes I wonder if she's a genius.

Or if you do.

Well, bye.

Good, eh?

Good.

I'm going to take a nap.

Eh?

And I think so.

The minister, as Catarina does.

Look, don't get me wrong.

But don't eat it anywhere.

Has the professor visited you?

Eh, how would it be?

Eh, he's good, you know, my old man.

He's a scrupulous doctor.

He has no money in his job.

He doesn't do anything.

In fact, he hasn't done anything.

For me, if he's like a son, I'll slap him.

I'm sure you'll do it.

I came in this house when I was 14.

I already slapped him.

I was 13 when he was still there.

With a Catania soldier, a good man.

What a fool.

At 14 I had two little aunts.

So big they looked like milk in the middle.

I gave him the tits.

And when he still had the short pants, I gave him everything else.

In short, I made him a lover and a lover. I made him a man.

Here he is, here he is.

Come on, hurry up, hurry up.

What should we show him?

Hi, Caterina.

Hi.

How are you?

I see you have a nice purchase.

Comfort, comfort. I'll get going.

How do you get going?

Yes, I was invited by his Excellency.

I've heard many times about you telling me when you were invited to lunch.

I'm warning you.

Now?

Holy Mother, I've become mad all morning.

I'm trying to make you feel better.

Now you're going to make me feel better.

No, no, no, no.

I don't feel better at all.

No, no, no.

Come on, Caterina.

No, no.

Let's make it bad.

It's not going well.

Let's see if you can tell us from the little beasts.

From the little ants.

So, answer a little question.

So, is the food that goes to the mouth?

Ah, is it not the food that goes to the mouth?

Oh, they invented the spoon for this.

So, let's see.

Pull up.

Well, straight, like this.

The elbows are leaning on the sides.

Ah, give me two plates.

Yes, there.

Here, raise a little.

With one.

And one here.

There, tighten up.

Strong.

There.

Here.

And now try to eat the food to the mouth.

Come on.

Like this.

Bravo, brava, brava.

Continue like this.

Bravo, perfect.

Hello.

Hello.

Be careful not to get poisoned.

No, no, no, no, no, no, no, no, no, no, no, no.

Hello.

And, well, let it try again.

Maybe without plates, from the two covers.

And then tonight you make me find it

striped and tied like a pho.

All right.

Here.

Good, good, good.

Oh.

Good.

After this treatment, you'll weigh a kilo less.

A kilo of sportiness and cativari.

What are you, you're making me laugh?

Oh.

Good.

Well, what do you have?

The delicacy passera.

Why, instead of yours, how is it?

Iron?

Mine is broken all the time.

Here, then, let's see a little.

Ah, ah, ah.

Caterina, we told the child that we always use on the left.

We told her, we told her the child,

but the child has forgotten.

Oh, bad, bad, bad.

People always use the right.

See?

There is always a reason.

Every rule has its reason, its substance.

And if a man...

If a...

A guest can also concede that the illus is a man,

I guess, but a chamberman must be absolutely mute, always, clear?

Yes, sir, professor.

A little cheese, please.

No, no, what are you doing?

No, no, no, no.

So you kill him, Risotto.

No, so he becomes...

He becomes angry,

eatable,

he turns around the cheese.

Yes, sir.

And then, at the end,

the commensale pushes the rice.

A real delight.

Is Risotto or the child?

Both.

But I'd like to add a little more pepper.

To the child?

To Risotto.

And maybe a shorter fork.

Risotto?

No, the little gun.

Excuse me, dear, excuse me,

I'll get up in a moment, you see?

Turn around.

Ah, well, there are two little columns of alabaster.

It's a party of the eyes,

because losing it is a dessert.

What are you saying?

I also remember it, eh?

Even mine are a dessert.

Ah, no, no, those...

I'm a passer-by, a passer-by,

but let me be happy, eh?

Here you go.

94...

95...

96...

97...

98...

98...

I can't do it anymore, I'll get to 100.

Eh, old-fashioned, my love, old-fashioned.

Ah, then there's the tea on the table, go.

Eh, one would like to be right,

but put the tea in.

Ah, ah, ah.

Ah, ah, ah.

Ah, well...

What a nice boy, a neighbor.

Ah, I like it.

Do you know who he is?

He's the professor of the small deli,

dear, you see that he's not changed.

Eh?

Eh, how he's not changed, what do you mean?

Eh, I assure you that many things are changed.

It's the best.

Ah, ah, ah.

Eh, you know, I've been dreaming about you this night.

Instead of a guy like...

Not like an old man, but...

Morcaci!

Morcaci!

Morcaci!

Morcaci!

Morcaci!

Morcaci!

Morcaci!

Morcaci!

Morcaci!

Not like an old man, but...

Morcaci!

Oh, well done.

Ah, ah, ah.

It's nothing.

I take the last glass and it's finished.

It's just a nice necklaces.

But the thing is, the necklaces are mine.

Do you hear something, Ulcerico?

Maybe you're always curious.

But how did it happen?

I've been doing medicine for years.

And I've never seen one with necklaces of crystal tempest.

I've seen how it happened.

I've taken the bottle to drink and it fell there.

It broke.

Well, you've seen it broke, right?

It fell in the mud 20 cm and it broke.

It's clear that the impact between the glass and the steel that breaks the glass.

It's an element, Watson.

Oh, my God.

What's wrong, Risin?

I see you a little.

Well, you know what these are, right?

Fools, Professor.

Fools, what a way of thinking.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

Fools, Professor.

Fools, what a way of talking.

These are...

...fals, members.

It's a very important collection.

It's signed by great artists.

This is art and religion.

The sexual body is masculine as a symbol of fecundity.

A cult object.

And what about you?

I'm the polyphal...

Well, let's get out of here.

And be careful to get them out of here because they're very delicate.

You've never seen one, have you?

Of a man?

Well, a woman is a little more strange.

Oh, look at you.

Where are you? Come here.

Here you are, Professor.

I've told you many times.

You should clean it up.

You should go down and clean it.

With a little bit of faith.

Hold my face.

Go down.

Go down.

Give him some breath.

Go.

Look here.

Here, look.

Wait, wait.

Here, look.

Here, this little guy.

Here.

Good boy.

Here, here.

Here, so good.

You see how he's coming?

So.

Good boy.

Look there. More than a month is here.

And you're not hungry yet.

Eat, eat.

My dear, how much you eat.

No, this is for you.

Give me a minute.

You look like the professor.

You find your personal letters

among his correspondence.

But he's my boy.

Oh, Lolletta, Lolletta, yes.

A death of hunger like you.

And ignorant too.

Actually, I'd like to tell you

that my beloved

writes in a single letter.

But he's the translator.

Who is he? Gondrand?

And since we're here,

look, I'd really like to tell you

that his letters are written in another part.

Is that okay?

No, it's fine.

By the time I say I'll write to the blue dog,

from the little bird.

Where?

Hello, is everything okay?

Yes, the sign is drawn.

Well, what do you want?

To talk to you.

No, now I can't go out.

You're crazy, it's a minor corruption.

What's wrong? Let's go to the gallery.

Five minutes, nobody's watching us.

And then I'd like to see

how it's done inside a federation.

Five minutes, eh? Let's go.

Come on, get up.

Move.

Go on, get in.

And then?

Well, it's better the professor's case.

Of course, it's like a case in the professor's case,

I'm kidding.

Move.

You're a pervert.

But I know this nonsense that you write in a case.

No.

I know you better than I understand you.

What do you want me to talk about?

You don't understand me?

I don't understand him.

Perpinta, what do you understand?

No, it's the professor I don't understand.

It's strange, he does strange things.

He turns around, he spits, he provokes.

And then he talks, talks, talks.

But what does he want from me?

He wants my coke, the one everyone wants, right?

No, because he hasn't tried it with me.

He's like a kid, he plays, he plays.

You're making fun of me.

I'm not making fun of you.

I'm not making fun of you.

You're a little kid, he plays, he plays.

And you make him play.

Everyone has his own system.

Everyone has his own system.

Men don't all have the same.

Have you ever seen them drink coffee?

And what's the coffee?

It's in the center.

Some people drink it all up,

all over the place.

And if you see that you like to listen to salt,

then you should try it.

I'm more delicate.

He turns around, he spits.

He drinks it all up.

He spits.

One sip of milk,

one sip of tea.

He drinks it all up,

one sip of tea.

He drinks it all up.

If you look at it...

Oh, and then you,

even the cup has its importance.

And if you have cards,

you have them, right?

You must be a little pig,

with the figures painted by hand.

And there's another difference.

You paint only fame and misery,

a life of stature.

After two years of feeling,

you say hello.

From now on,

if you know how to do it,

if you don't do it wrong,

I'll do it.

Give me a break.

I'll do it.

I'll do it.

And this, you know what?

A paper.

A piece of paper.

What are you doing?

I...

I don't understand.

What are you doing today, you know?

I'm sitting.

You're going down?

Then they'll ask for the exhibition

and give me the merch.

Come.

Look.

Look how beautiful it is.

It's elegant.

What a beautiful people.

Beautiful.

Come on, girls.

But I think you like me.

But...

You see, it's not the job that's bad.

It's how it's done.

They shouldn't have chosen it.

But we...

You're a fool.

You're a fool.

I've changed the truck's cover.

Look what I've done.

I was stupid to work as a ghost.

What do you think?

Does it look like it?

You went near us.

What are you doing?

You're a fool.

Let's make peace.

Give me a kiss.

The kisses don't ask.

They take each other stupid.

Caterina!

Caterina!

Yes, I'm here.

You saw it.

What's there to shoot?

Let's keep our eyes open.

Look there.

Right under the house.

On the road.

Against the wall.

Like the beasts.

But...

We didn't do anything wrong.

I'm afraid.

But you know there's been a wall like this.

You know there's been a wall like this.

But I was just talking.

I was asking to dance with him on Sunday.

Sunday?

But not even for a dream.

You have to go with the teacher.

Go fishing with Dr. Alberto.

And you have to serve him the breakfast.

The coffee.

Ah, very good.

Ah, thank you.

Thank you.

Very good.

Good for you.

Really.

What's wrong, Risin?

I was waiting for you to take the cups away.

Oh, no, no.

No, I... I had coffee in my bag.

I didn't let him drink it.

Slowly, slowly. Go on, honey.

Thank you.

I've already noticed it, you're running away.

It's really a beautiful porcelain.

Yes, but I'm working on it.

You know, I'm plasming it.

In a month or two, it will become a biscuit.

And you know what?

It's a mess.

But no.

But you're still not...

What are you waiting for?

Maybe... Maybe it's not right.

It's possible that you still have this goly mentalism.

You're like a colleague.

How will you get to the point?

Go, do your things, your chain is over.

What the fuck?

When he escapes, he escapes.

But, my friend, the real pleasure is

to extend the desire, to the weight.

Like a child, when he escapes the pee,

he holds it more, more when he's in a moment.

And then, at the end, one of them goes under.

My friend, first he escapes with this,

and then with that.

But I want to wait for the most possible.

Well, you know what I'm telling you.

Now, like now, he escapes me.

Rita?

Yes?

Come, Tessoro, come.

I have an urgent problem to solve.

Come, honey.

Here.

When he escapes, he's mine.

Teresin, come on.

I have a present for you.

Here.

And for me?

Open it.

What?

It's for me.

Well, it's not bad.

Come on, try it.

Beautiful.

But with these little buttons,

who knows what your fiancé tells you?

But he doesn't know what I put under.

Oh, no?

No.

Good.

Don't be shy, Teresin.

Don't be shy.

Got it?

What's there? Is there something that's not going?

If you have any other desire, tell me.

If you want anything else...

I don't know.

How can I not know?

Well, we're no longer friends.

You can ask for whatever you want, right?

You know, you realize that you're a toy, for example, right?

You need something, tell me.

What is it?

A cabinet.

Pardon?

I'd like a cabinet like yours to be in my house.

I mean, I have something to use, but...

with the Mayolites and the current water.

Oh, this one.

But I don't know.

Yes, I don't know.

Come on, take these.

Let's say that this one is just a tale, right?

For the Mayolites, okay?

But now there's a secret for both of them, right?

All right.

Listen, go and get our Alberto.

Come, come a little bit.

No, but I'm going to meet you at Costco.

She'll come and help me soon...

Okay.

Could you let me see your jacket?

Okay...

Okay, I'll take it and you drive on my back.

Do you have a nice jacket?

Working for God.

And this one?

And the first blow,

like this one, right?

Hello, professor.

Hello, dear.

What's up?

Ah, these ones? Do you like them?

Oh, a cavaca!

No, no, no, you're right.

They're splendid, aren't they?

You know what I think, I think more often.

I think that everything will have to end

and all that other serious stuff.

When...

When I won't be there anymore.

I'm a single man,

I'm a single man,

I'm a lonely old man.

What do you mean, professor?

You're still young.

Young?

Yes, yes, yes, young heart.

But this old corp,

you don't get any more excited, do you?

What are you saying, professor?

You're a...

Am I?

No, no, what are you saying?

Come on, come on.

What are you saying?

Let the tea be.

Don't make yourself look like a scum.

What are you saying?

That I'm?

That you're a nice man.

Well, I'm just saying.

The spa?

Oh, look, look at this ring.

Look at that splendid ruby.

Give me a little of the money.

Here it is.

You know what you've got now?

A little of the money?

An apartment.

Oh, this one?

How much are these worth?

A palace?

Well, yes, one, two...

But then it's not the money that counts.

It's the pleasure of having these things.

Come on, wait a minute, let's see.

Well, now with this little rascal,

you would have to...

Here, excuse me.

Yes, because the pearl needs...

its...

Come here.

Come here.

Look at this.

You're still in shape, dear child.

Grey as a diamond, just shattered,

but...

there's the race at the stove.

And if you let me do it, I...

I could recreate you, transform you.

You're beautiful, my love.

But remember that beauty...

is not enough.

It's all the rest that distinguishes a queen from a lavandaia.

My grandmother used to do the lavandaia.

Well, you see.

Well, anyway, let's get to work, eh?

So, first thing, walk.

Come towards me, dear, come.

Come, come, come.

Here, no, no, no, no, so slowly, slowly.

A queen never gets tired.

Wait, I'll give you time, eh?

You'll see that this helps you.

Here, there.

There, there.

Can you hear it?

Come on, now walk.

One, two.

One, two.

Light, as if you were leaving.

Do you understand?

You really have to get up, you have to fly.

You're a real camel.

Go and sit down.

No, no, Tess, don't sit down.

Don't be a whore.

You're a lady, you're a woman.

Come on, repeat it again.

Here, sit down.

Down, down, with the neck, slowly,

slowly, a soft, a caress, perfect, like that.

Oh, now Anna Tandane Garçon,

who makes a lady take a cigarette

and, sometimes, looking around,

with a nonchalant, indifferent,

congratulations, she puts it in her mouth,

she turns it on,

she's sure of you, eh?

Perfect, like that.

And now Teresa, listen,

now we'll make a magic gesture.

To ride the legs.

What is this, Anna?

This is a blister.

To ride the legs.

The legs are two tools for a woman, Tess, my friend.

And then they have to play.

Up, sweet, light,

I want to feel the frown of the silk.

Perfect, like that, see?

They're two layers,

and you're the pagans, the corollas, who play.

Do you know why I made you dress like that?

To clean you, because there's also the art of cleaning yourself.

To clean you?

No, much thinner, ambiguous,

when a woman cleans herself in front of a single man,

in the shadow of a broom or a bed camera.

Let's start with the socks.

Put the leg here, then,

first the garrette.

Good, and then this.

Good, the sock.

No, not like that, no.

Wait, you're out of your mind.

Remember to see, not to see.

The habit.

The habit begins from the back.

First you uncover it a little, little, and...

Always like that, then go down.

Here, go, go, go.

And now everything.

Down, down.

Here, let me fly a little bit,

like that, still,

clean, and voilà.

Good.

Stop like that, still.

Raise your arms a little, as if you were making you.

Perfect, I understand.

One more little touch,

a little bit of the shat.

But shat is too much.

How?

You need to study French, my treasure.

It's a musical language, so sweet.

Try to repeat with me, la buche.

La buche?

Les Seines.

Les Seines.

Ténubril, and this little thing here,

what's it called, this little thing here?

La fiche.

Well, no.

La shat, I think it's beautiful,

the little little thing.

La shat.

Shat.

But why don't you speak?

But I'm speaking.

Yes, but not you, you.

Yes, but what's that thing?

Let her speak.

What thing?

Yes, what thing, I don't know.

A dream, a desire, an expression,

a vagrangement, a prurition.

Speak, speak, say, say.

Yes.

I want to do the pee.

A little bit of mousse, please.

But how do you eat?

With a spoon.

No, no, no, no, no, no, no, no, no, no.

It must be a little more provocative,

more malicious, more seducing, I guess.

A little more fucking, in short.

But I didn't have to become a great lady.

My love, there is no great lady

who is not even a great fucking,

all the others are professionals.

You have to know, distinguish between art and profession,

it is fundamental.

Now let's talk, remember

that talking about a woman

will be essentially in the know-how.

That is, I must be told.

Perfect.

The best expression of the female thinker is the silence.

Remember, but you also need to know

to listen to your partner.

Even if you don't understand what he says,

but he can hear it, with the voice,

with the gesture.

You say, oh, oh, oh, oh, oh, how true?

Oh, but how true?

Well, true, but

Then they all look at us.

We're leaving now, remember?

You know who that woman is?

That woman is Madame de Bourroir, the eldest of all the century.

A young lady like you, I hope.

Oh!

Oh!

Here's the Marquis of Pompignac.

Where is he? I don't see him.

He's been looking at you for an hour. Here he is.

I'm sure he'll come here soon and ask you to dance.

Look, he's actually coming.

What am I doing? I'm coming.

Of course you have to accept the treasure.

You have to accept it because you owe me.

Even because the Marquis of Pompignac is a famous seductor.

A little boy.

Oh, come on!

How are you?

Why are you so happy?

Ask if you can have the honor of this dance.

Please.

How are you?

How are you?

It looks like he's not like this.

Come closer. A little bit more.

A bit more provocative.

And let me tell you that you're available, OK?

A little more like a little bit more.

Come closer to him.

String it, string it, let him feel it.

Kiss him. He has to quote us.

We all have to quote each other.

I'm a corn, a big corn.

And this'll be me.

How can you do that?

You're a fool! You dance with him for the first time.

But I...

Well, you're a bit unfaithful, sir.

I'm telling you.

I'm telling you, you've already called twice.

What are you saying?

Tell him I'm going to hell!

I don't want to be disturbed by this, I think!

Right?

How disgraceful, Fiormio!

What a mess!

I'm getting upset, this girl!

Hey!

You want to go out?

Strange, you don't have the guts to be a woman.

You're a woman, you're a woman.

But you don't have the guts to be a woman on the road, do you?

What's the matter?

You pay me and I give you what you want, that's enough.

Do I look like I know you?

No, no, wait, wait!

You're so mean!

Listen, you're not the...

The lady of the aquarium, precisely.

Oh, here's the wife of Professor Quario,

the famous Professor Quario, who...

But you look at him!

And you're reduced to the bridge, so...

But why? I don't understand.

It's simple, I get bored, and then?

But you don't love your husband?

I do, but I think he's the one who doesn't love me.

He's jealous, very jealous.

But you understand my body.

He loves me like a precious object.

Like a precious object? Like an object?

I'm telling you, a precious object, not an object!

Excuse me, object, object, I get confused!

Why don't you pay attention?

Let's start over, go up!

Watch out!

Hey!

Watch out now, you're the object, you get it?

The object.

Hey, get up!

You prefer to go up from me or from here?

What the fuck are you doing, you little rascal?

Oh, my husband, that's what he's got!

I'll go, I'll go, go!

Hey, run, run!

Run, run, run!

Hey, run, run!

Run, run, run!

Run, run, run!

You're brave!

What the fuck are you doing?

You're so mad, you're going to get in the car?

He was stronger than me, I didn't know how to say no.

And then I wanted to get rid of my curiosity.

What curiosity?

I wanted to see what the story was about,

told to a real man.

But you wouldn't have told me you're Mrs. Aquario.

What are you saying? Did I tell you or not?

You're becoming very good, huh?

Congratulations.

Is it 3 o'clock?

Hey, come on, it's already the end of the day.

Oh, excuse me Andrea, I came earlier than I could.

But my husband is chasing me.

Where are you going, what are you doing, with whom are you going?

Hey, fuck, fuck, with a goccia di scioppale?

What are you doing, you're getting married?

Why, didn't I have to?

No, you're my husband.

You're a woman from the high society,

who comes home from her lover for the first time,

late at night and for the first time she's cleaning you up.

No, come on, let's start over.

Are you ready?

Ready.

Well, a goccia di scioppale?

Thank you.

Why don't you clean up?

But then I have to clean up.

But what a fucking center, I have all the reasons to insist,

do you understand, if you have to resist?

Come on, focus, let's start over.

Please, sit down.

Can I?

Of course you can.

At our meeting.

Oh, it's good.

What are you doing?

How can I help you?

Oh, yes, good, good, good, like that.

You know you can trust me,

but I'll leave you alone, I'll kiss you.

Oh no, no, what are you doing to me?

Oh no, what are you doing to me?

Very well, now try to tell me,

even make me feel dirty, try to cry.

Oh no, no, no,

make me feel dirty.

Well done, well done, well done,

so good with tears, tears are important,

now take your stuff, you'll be fine.

What are you doing, Elena?

Where are you going?

I'm going.

Why?

Deva, I can't do it, Andrea, I can't hear you,

you're stronger than me.

But leave me alone.

Then, my husband, I don't deserve it.

Elena, now you think about it, you turn around.

I'm a shame.

My husband deserves it.

Actually, it's his fault if I'm here.

No, no, leave me alone,

I don't care about you or your husband's,

it doesn't matter anymore.

And now, what do I say?

What do you say?

A little imagination, my dear,

you see that I'm jealous,

I'm angry, I don't want to know anymore,

so try to win me back,

convince me,

first of all, clean yourself,

that always works.

Right away?

Yes, right away,

but right away.

And keep on crying,

tears are essential to you.

You're a scum.

Good, good, a scum is beautiful,

I'm going.

No, it's useless, Elena,

I don't want to know anymore.

Leave me alone.

Do I keep getting down or do I go ahead?

I don't know, you're your instinct,

you do things, you see that I...

No, Elena, no, what are you doing?

What are you doing, Elena?

No?

There, good, you look good, so be it.

Yes, you can also say things,

I want to be yours, understand?

Yes, yours, yes.

I want to be yours, good, good,

try to say things,

I want to be your total.

Yes.

Your total,

your total.

Your total.

What's that?

Yes, yes, yes, yes,

yes, what do you want?

Yes, yes.

Here you go, here you go.

Yes, yes.

There you go.

There you go.

There you go.

There you go.

You're worse than a donkey.

How do you do that?

Where do you want me to leave it?

Go up.

You're breathing in and out.

Come on, up.

Up.

Stop.

Stop.

You always breathe in.

Breathe in.

Don't take it off yet.

Breathe in.

Stop.

Stop.

Stop.

Well, I should have been breathing somewhere.

Sure you're worse than a donkey.

You're worse than a donkey.

Even the beasts breathe in.

Anyway, you're dressed like a pure man.

I'm sorry.

In fact,

I...

I didn't come for the visit.

No?

No.

Why?

You see, professor, I...

I feel sad, alone.

I'd like to take the girl back to bring me home.

Here.

You came for this?

Yes.

Very well.

You can take her back right away.

I'll call her.

No, no, no.

There's no need to worry.

There's no need to worry.

You know, professor,

work is hard, it's a lot.

Two arms in one, at home, it's comfortable.

I tell the truth, you're always sending money to your house.

Yes, but they all end up in the basket.

The basket?

That one.

I made the basket.

So the money is never enough.

I say that you should be sorry,

take it off, and so on.

You, too.

Because I know that Tiresi is in love with you.

Meanwhile, I'm home alone, and I'm starving.

Very well, sir.

How much?

100,000, okay?

Let's make 200,000, and you won't see me anymore, okay?

No, 100, 100.

You see, for one like me, 200,000 is a capital.

It's going to end up in your head, and you're going to save it.

Instead, 100,000, there you go.

But it's true that it's so beautiful.

A beautiful body.

What do you know? Have you seen it?

Clothes, dress, dress, dress.

But you're going to be jealous.

But you may have invited you to Anteprime.

No, I swear.

Oh, finally.

Ulderico, you're worse than Hitchcock.

End of suspense.

Friends, Tiresi.

The wait was worth it.

It looks like it came out of the Aphrodite of Piaflui.

It's the most ugly chamber I've ever seen.

Come, hurry up.

Come, come.

Come, sit here.

Friends, I think you can give them some of yours.

I'm sure Tiresi likes it.

Isn't it true, Teresa?

Yes, thank you.

The owner of the word is also here.

Good.

Of course.

You mean something, Teresa?

The best expression of a woman's thought is silence.

The word is also...

Well, Ulderico, congratulations.

Your Teresa is truly a well-added creature.

But now is the time to send her to bed.

With whom?

Put her to sleep.

Wait, why send her to bed?

You promised a second act and I won't give up.

Did you pay the ticket?

Good, good, sir. Giovanna is right.

Well, every promise is a debt.

And our friends would like to see you in all your splendor.

And now, how to say...

Nature, right?

Nude?

Ah, I see you understand French too.

It's in here, I speak.

Here you go.

Do you want to walk a bit?

Here you go.

Oh, poor thing.

But why are you so old?

An idea.

Let's put it to bed.

I offer 500,000.

600,000?

700,000.

800,000.

No, no, no, stop, stop.

You're so useless, I'm sorry.

But it's not a sale.

Come on, you...

Last year, my uncle refused to sell me at least the girl.

It's because of the uncle.

My uncle was limited only to buy it.

Teresa is my work.

Ulderico Quario signed it.

I think you're enough with this nonsense.

I'm tired.

Go home.

But why, Laura?

Hello, artist.

Good night.

Excuse me, Teresa.

But why are you doing it?

For money?

Ulderico pays you well?

The teacher did a lot for me.

He taught me so many things I didn't know.

And I owe him a lot.

I'm willing to do everything he asks me to do.

Ah, but this...

It's love.

You understand, don't you?

It wasn't like taking you to the market.

It was an honor to show others

that you can do something exceptional.

A wonderful object.

Object or subject?

Object.

You're great, Tiresine.

You're a wonderful girl.

I didn't kill you.

I didn't kill you.

I didn't kill you.

You're wonderful.

I didn't kill you.

I completely lost it.

I'm so tired.

Look at this.

The sun is beautiful.

It's not a good day.

What's wrong?

It's a pity.

Let's leave it open.

What's this?

What perfume is it?

French?

It's a urine.

It's mine.

I'm pregnant.

What? You're pregnant?

And who?

It's a word.

It could be your father.

Don't tell me you were thinking the same thing.

Well, yes.

Are you ready?

Run away, my dear.

I'll be back.

I like it that way.

I'm going to get the tests done today.

Yes, I'll do it so Ulderico finds out.

Hello, he's coming.

The lady is here.

Who were you talking to?

No one. I was wrong.

I must believe you.

You didn't give me bread.

Sorry, I forgot.

Let me forgive you.

We're going together in a place I know.

A shop on the lake.

No, I can't go today.

Why not?

I have to go to the hairdresser.

You have to go?

Yes, I'm going to the hairdresser.

You think you can take me around?

I'm going to follow you.

From whom?

From the doctor to the doctor.

That was the hairdresser?

No, I'm not going.

You're going to the hairdresser?

No, I'm going to the hairdresser.

What do you say?

I'm not going to tell you.

I'm going to tell you the tests.

Are you pregnant?

Yes, very much.

Of course, it's a delicate problem.

It's a problem that can be solved easily.

Just calm down and don't lose your mind.

It's a success.

It's my fault.

I take all the responsibilities.

I'm ready to repair it.

Then, the bride?

I said you need to keep your head down.

I'm ready to repair it, but don't make any mistakes.

I'm going to marry Tiresina.

She would be a crazy woman.

No, you have to find a ready remedy.

It's effective.

Here, it's for you.

Listen, my child.

If you don't find a ready remedy,

you'll be a man and a doctor.

I find some real murderers.

But when a gender interviewee is necessary...

What a paradox.

Oh, well.

I would really laugh if I married the teacher.

What would people say?

A girl like me who married an old man

would become the grandfather of her son?

Yes, it's absurd.

Anyway, he's my son and I have him.

Well done.

Wait a minute. Let's fix it.

No, we have nothing else to say.

Let's go, Vace and Kine.

Let's go.

How do we go?

Wait a minute.

Tiresina, you're...

Look.

Here you are.

Hi, Dad.

Tiresina, you're not licensed?

I am licensed.

Oh, sir.

Oh, sir, I'm Ruina. I'm pregnant.

Why?

Why?

I was in the house,

I ordered the salad, the buffet and the TV.

Oh, sir.

I did all this for you,

because one day this house will be yours.

No, Dad, I'm not going back here.

I'm just passing by.

Don't worry.

You can also buy the fridge.

I'm looking for another job,

and then I'll pay for the double.

Really?

Yes.

Yes?

Now?

Come.

Come, Tiresina.

Go, Chiaroba.

Huh?

Look.

Look, what a masterpiece!

This is the conquest for us.

You deserve it, Tiresina.

We're the guests of the neighborhood.

There's everything, go ahead.

There's also the cup.

You can hear it.

You can hear the waterfall.

Oh, damn.

Maybe you've pulled the rope a little too much.

Yes.

Maybe I too.

Where's Tiresi?

He's there, can't you see him?

Tiresi!

Tiresi!

How do you like it?

I signed a change of hands

that still kept me in my hands.

Now I'm a godfather,

I have a truck, all mine.

I knew you were a license plate.

I'm not a license plate.

I'm not a license plate.

I'm not a license plate.

I'm not a license plate.

I knew you were a license plate.

Are you happy?

If you know it, I'm happy too.

You know what that truck means to us.

You realize it.

What?

Well, we could get married.

Why do you want to marry me?

And you ask me.

When two want to get married, what do they do?

They get married, they make love.

A little love.

Why not?

Maybe a mask.

Like your father.

No, not anymore.

More than your father.

A...

Stop thinking about us.

And drink this.

Drink this camomilla.

It calms you down.

Why, Catarina,

wouldn't you like a little aquarium for your house?

Listen, Ulderico,

who do you want to get rid of?

You and the child don't care about anything.

You are the child you want.

You have been beaten up by that child.

No, no.

It's just that I know how to deal with it.

Exactly.

And maybe you come out with the excuse of the little Ulderico.

You marry her.

No, I don't think about it.

You think about it.

How?

But I warn you.

If that child still stands in this house,

I'll leave.

Don't you see me anymore?

What are you doing with me?

Poor little girl.

She ruined her.

What a shame. What a humiliation.

But she didn't even tell you who she was.

You don't know.

No, no, she doesn't mean it. She doesn't talk.

She also defends it.

I'll find out who it was.

I swear I'll strangle the chickens with these hands.

Where did you hide?

I don't know. She said she was going back to town.

She found a place and gave a family for good.

From whom? Where?

I don't remember.

I think it's a doctor.

I don't remember the name.

I'm so confused.

Well, see if you remember now.

I don't remember.

Dr. Alberto Marengo and Mrs. Laura.

The late Luigi Settembrini, 18A.

Skala B, 3rd floor, 7th floor.

Thank you, professor, for being my child.

Thank you.

You're a professor without sugar, aren't you?

Yes, thank you.

Thank you.

Excuse me, Miss, I took advantage of you.

The housekeepers have all gone.

Yes, Miss, also the kitchen.

Do you need anything else?

No, thank you. I'll be right back.

I swear to you, we didn't do anything to take you away.

She said she was going to the hospital.

She said she was going to the hospital.

She said she was going to the hospital.

I'm sorry, Miss.

I'm sorry, Miss.

She said she was going to the hospital.

She said she was going to the hospital.

But if you want, you can take her back.

No, I'm not here to complain about a maid.

But I don't understand.

What kind of mansion would you have?

The housekeeper.

The housekeeper.

The housekeeper.

Do you realize what she's in charge of here?

I mean, you didn't notice any harm in these last few days.

I don't know, lack of patience, vertigo, nausea.

The girl is healthy, strong.

She'll have a great pregnancy.

Oh, come on.

But why, do you know that?

Now you know it a lot.

The voice runs.

They say that the child is yours.

But, but, but, but, but, but, but,

you have to show it.

How could I tell you?

No, kidding.

But, you have to make a girl your age.

And then, with your experience.

Well, it happens.

Excuse me, excuse me.

Listen, could I call a phone number?

Can I have it?

Sure, sure.

But, since she's looking for a girl,

you know, a little girl of mine,

I'll explain her.

7-4-2-3-1.

Ah, ask for Aguzzi Teresa.

Thereseen.

Yes, ready?

They're from the Swalters, the lady of Thereseen.

But, the girl.

I know that much about who's phone number.

Thereseen, they're from a derigo.

He doesn't want to talk to us.

I understand, I'm good, I'm referring.

Is she a derigo?

Yes, I know. What did she say?

She said she was a swindler.

You don't have much?

Eh, Laura!

Hi, what are you doing here?

I wonder what you're doing.

Ah, I see.

Sir, good morning.

Ah, good morning.

Listen, I'm broken,

to be the cameraman of my room.

What are you saying?

I'm not.

No, no, no.

I'm sorry, I was just a little bit drunk.

I can't do the maid of my maid.

You have to manage to do the expenses.

Why not?

Because you're here to do the P.P.

She doesn't put the nose out of the house.

So there are two cases.

I change the maid or you change the spa.

I don't know what you're doing.

But you have to come here every morning.

Be patient, it's my fault. I do the P.P.

And then when she gets away, as your husband says.

Listen, Laura, how is the girl?

She's fat, she's showing something.

She can't see anything. She's not pregnant.

She's never been.

What are you saying?

She took us around.

Did she tell you? To us? To everyone?

No, I saw the analysis.

She went to Dr. Mallandrio, examined the urine.

Yes, that's her. Another one.

Of a friend of hers.

They were...

Hi, Laura.

I'm sorry, I'm sorry.

Come on, Diabolica.

I think she's great. She's not great.

She's...

Yes, yes. Great.

Nothing to do.

She's locked up in her room and doesn't want to leave.

She doesn't want to leave?

Why don't you try again?

All right.

A miracle has changed for the parents of the bride.

Maybe it's over, that your companion has gone up.

Tell me a little.

It's not a pretext to bring you home.

Nothing to do.

I want to marry her. I swear.

Then you're dead.

Why?

It's not the first time a man like me

married a maid.

I'm not a maid.

It's a classic.

A misagant, to tell the French.

A nice, crazy one, to tell the Italian.

Come on.

He spoke.

What did he say?

He said...

What will he think?

He'll think.

No, Mary!

I'm coming, Mary!

I'm coming!

Oh, my darling.

How will you say the cat now?

This is really hard.

Say the cat.

But...

Cat...

Cat...

Cat...

Hello.

Hello.

Cat, you just saw me, you went to the vales.

Well, he said so.

So...

How many disasters did you combine with me?

You see only the disasters I combine.

But I asked you to marry me.

Do you think so little?

No, very much.

I just...

You asked me.

This is important to me.

Now, come to bed.

What's wrong?

What's wrong, Ulterico?

Do you feel sick?

Ulterico, tell me that it's nothing.

You're joking.

No, no, no, I'm not joking.

Take my pillow.

No, Ulterico, no.

No, no, no.

I'm not joking.

I'm not joking.

I'm not joking.

I'm not joking.

I'm not joking.

I'm not joking.

I'm not joking.

Ulterico, no.

You're reciting.

No, you must be...

You must be...

You must be like the fire.

Everything in order?

Yes, everything in order.

Regarmoa Teresa.

The destiny...

...has wanted...

...on the Champs.

On the battlefield like a king.

Teresa, my love...

...you're beautiful.

I believe you, you know.

You're my masterpiece.

Let me see you again.

Please.

Come.

Beautiful.

Beautiful.

Live, let go.

Well?

What happened?

She's dead.

She's dead, the happiest we've ever seen.

Me, co-lions.

You left all this stuff.

Yes, because you haven't seen the rest in the strong house.

Come.

What?

A moth.

My dear co-lions.

You've made me feel so good.

Full faith.

Already taken.

You've got the same idea.

Come on.

I was expecting this from him.

Who are those things?

Who are those things that can be done with all this money?

Then we'll think about it.

The important thing is to invest them well, don't you think?

You little shit, what a good idea.

The usual selfishness.

To go before me.

This is the real deal, where do I do it?

So?

What have you decided?

Do you want them?

Maybe one, just the blue cave.

No.

I sell all the stock, eight cases.

I'll leave them.

Let's take them.

You've done it.

The senator Merlin has won his battle.

Italy has said no to the exploitation of women.

The prostitution is abolished.

The houses are closed.

At midnight this evening,

after eight months of his approval to the camera,

the Merlin law establishes the final closure of the 543 cases

of tolerance spread throughout the country.

And it's fucking cool.

There was a nice blow, Sorabini.

I think he already knew that this law would be passed.

We had a nice blow from the end of the day.

Tonight we have eight cases closed.

Closed.

We'll do something.

But we'll do something.

The important thing is to close in beauty.

As he would like.

I'll be back.

Slow down.

Where are you running?

The consumption is at least half a night.

But you have to do the pull.

Go on, three more.

One, two, three.

Hey, where are you going?

You've been here four times.

So? What's so strange about this?

There's nothing written there that until midnight the consumption is free.

And so? I can consume.

Is it okay? Can I go out?

I think so.

Oh, fuck off!

Go on, go on, go on, go on.

Come on, come on, go on.

Here you are.

Let's go a bit. Let's go to the bus stop.

The girls, the girls, come on.

They'll open the doors soon.

They'll start the invasion.

It's half past midnight.

You have to be happy all the city.

Come on, get the card up.

No, thanks. Today is all thanks.

I'm on my knees.

It's all thanks.

All thanks.

I'm so lucky.

Ale, two at a time.

The red one is like a cat.

But why is it so wet?

Maria Pierre, are you still inside?

Mom, don't go.

Calm down.

I didn't do it for the money.

I did it for passion.

But it's not enough to see your new vocation.

Go on, calm down.

My joy.

We'll be killed when they kill us.

A beautiful girl.

Go on, go on.

And don't you remember this vocation?

No, no.

I think it's enough now.

I can't take it anymore.

I've been a lot of doctors.

But this is never better.

Maria Pierre,

who was it?

Ah, I can't believe it.

I'm five.

But it's not enough.

But come on, let's go slowly with that bow with my beautiful face.

Let's leave it to Violino.

Hey, you can go until midnight.

We still have seven hours left.

But you know,

you know how many shows I do with her at midnight.

Because her violin, what do you want me to tell you?

I have a bow with her, I feel like a pig.

I have a bow tonight.

Come on, come on.

Tonight, look, the mess is against you, it's nothing.

Make it long.

Make it long, it's love.

Come on, come on, come on.

What are we doing now?

We're going to make some cookies.

I'll keep them for you.

Chéquina, things are getting complicated.

There are many people out there.

People are growing up.

Some girls would like some more cookies.

Eh, you need some too.

Me?

What do you mean?

Well, one day like this,

with all the work you have,

you could even make a mess, no?

A hand would be more comfortable.

But what hand?

What do you say?

I'm a professional, I'm a master.

I'm a master, as you say.

Unless you don't want to hurt me, you choose.

Go up, I'm free.

Maybe, guys, we're different, we have to be together.

Let's go, let's go.

Then?

Okay, but we choose them.