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THE END
He must have eaten the little brother.
I say he wants to go out to the discovery.
Yes, he knows how to suffer, poor little chicken.
He is tired of suffocating under the jeans and the mutants.
But he keeps touching him.
I bet he starts to get excited.
He will feel the call of the little bird.
How do you feel?
He would like to get into the cage.
Yes, keep going, keep going.
Yes, yes.
Keep going, yes, yes.
Keep going, keep going.
Oh, Albert, they seem to have done one for the other.
Your chicken is my bird.
What do you want to do? It's nature.
And we don't want to rebel against nature, do we?
Of course not.
Oh, he's up.
Here, he's ready.
Let me do it all myself.
I'll try a particular taste in taking the initiative.
Oh, Dominic, you are...
You are a very good person.
You are incredible.
You are... you are incredible.
Oh, he's really good.
Keep going.
Dominic, Dominic.
What's wrong?
I'm not talking.
Yes, no.
Oh, it's so painful.
Oh, it's so painful.
You are so good.
Yes, yes, yes.
I know, I know.
Take me out.
Get me out of here.
Get me out of here.
Oh!
Oh, yes, yes, yes.
Yes, yes, yes.
Oh, my child.
Come on.
Oh, my child.
Run!
I can't.
Yes, yes, yes.
Come on, run.
Yes, run.
Come on, run.
Come on, run.
Yes, run.
Run, run.
Run, run.
Yes, yes, yes.
Oh, my child.
Run, run.
Run, run.
Yes, yes, yes.
Yes, yes, yes.
Yes, yes, yes.
Run, run.
Run, run.
Yes, run.
Run.
Run.
Run.
Run.
Run.
Run.
Run.
Run.
Run.
Run.
Yes.
I tell you, I left it on the computer.
They were there for a few minutes.
You have a kind of strata.
They were there on the computer.
Look.
Sit.
Let's get closer to the couch. Sit.
But how is it possible?
It will be there.
We don't make noise.
Who will it be?
The commandant is sitting.
Sit.
How are they, darling?
Yes, they are really nice.
Look, she seems really smart.
She looks like a girl.
You know, dear, I'm almost happy.
Oh, dear.
I feel a strange sensation.
Oh, dear.
I feel... I feel wet.
I feel wet.
Yes, yes, she is really smart.
So, suck it all.
The ice-cream is frozen, dear.
Yes, deep down.
Oh, dear, how you are so shy.
Of course, for him, he seems really well-made.
And you? Where do you put it?
Look, what a beautiful forest.
What a beautiful forest, dear.
You are so funny.
Keep going, keep going.
Keep going, keep going.
Keep going, keep going.
Keep going, keep going.
Keep going, keep going.
Keep going.
Keep going.
Keep going, keep going.
Yes, still.
Still.
I'm just two big, dirty pigs.
Oh, my God, my old ones.
Where are you going?
I'm Dominic Dibois.
I belong to a well-respected family of the south of France.
My parents are a couple of good gods,
but they have an old idea of the world of sex.
And here I am, because I'm here now,
on the road that leads to the College of Tuason d'Or.
The mother is angry because dad has been quoted
by seeing me scoping with the truth.
Well, he does everything the mother wants.
And me, all that remains is to start
to spoil the diary of a college student
and to make him understand
that the word sex is the vocabulary of a college student.
And by always canceling the vocabulary,
the word sex.
I see in front of my eyes the College of Tuason d'Or.
A lager-con student with a model,
a head director,
and a guard with a little bit of a fever.
What a mess.
Oh, what are you doing?
Oh, no, don't do that.
I don't want to do that.
Lucia!
I'm going to go to the college.
Oh, you're all crazy.
I'm going to go to the college.
I'm out of here, like a fool.
You're hesitating, don't deny it.
No, it's hot water that gives me this reaction.
Oh, I see it.
I like it when you touch me.
I like to get drunk.
What are you doing?
Put it away.
Come on, give me a little bit.
Oh, how beautiful.
I'll give you a little bit.
I'm happy, miss.
You remember that we're in a college
that is educated and controlled.
I'm going to give you a kiss.
Hey, Chavon, we're getting drunk.
What do you say, little chock?
Yes, there's a beer at the end.
And then?
Come on, show me that he's not looking for anything.
Yes?
Then let's do the most serious things.
I don't remember.
Let's get the car on the road.
Yes.
Well, the place doesn't seem to be a big one.
Rather, it's a bit of a mess.
There's pure air.
Ideal to cool the hot spirits of our daughter.
This must be the air of a miffol.
Never believe in appearance, my dear.
We were convinced to have a real daughter.
Here, a moment.
Until a few days ago.
Of course, this is from you, Dominique.
I would never have expected it.
Come on.
Come on.
Like this.
Like this.
Come on, Artiola.
Come on.
Come on.
Again.
Again.
Like this.
Come on.
The school seems to have a solid structure.
Let's see if the other side is solid.
Its moral conduct.
The blood is coming.
Come on, fight!
Here I am, a moment.
Come on.
Very nice, director.
Hello, Professor Pellet.
Miss.
His toilet is really refreshing and delicious.
You're very kind.
Last fashion of Paris.
Exclusive model of Yves Saint Laurent.
The model we follow in this school
has sent us from the Suor and Ursuline de Vignon.
Morality and purity are connected to a correct body discipline.
I am a sexologist.
Your daughter here can find the right balance
and a serene indirect of her sexual sphere.
But are we sure that therapy works with Dominique?
Of course.
They are the most difficult subjects that have the greatest chance of recovery.
We fight their weaknesses.
Which are then the weaknesses of all the beings made of flesh and feelings.
Dominique is different from us.
She just needs to understand that her vital energy
is not lost between the arms of the first man who happens.
She will learn to recognize the ethics of sex,
development and harmony of desire.
In the end love and poetry.
Poetry is not burned in a moment,
but decanted with sweetness and gentleness.
Exactly like that.
Welcome, my child.
Don't worry, mother.
I'll see what will change.
Now let's go.
Bye, father.
Stay here for a while.
Bye, mother.
Bye, Dominique.
Come with me, my dear.
Bye.
We must become friends,
confidants,
install a full relationship and total trust.
Oh, my God.
Oh, my God.
Oh, my God.
Oh.
Oh, today he's mixing the charts and turning it around.
And instead you're wrong, it's my turn.
Your turn.
Come on, don't make history.
Today it's my turn, enough.
You're the strong side.
I'm not your turn, I'm what I want to be.
I don't want you.
Take this!
This!
This is it!
You hurt him.
You're done!
Oh, boy, what are you doing? Get her out of here!
This is the way to introduce you to your director!
Stand up!
Excuse us, director!
Four months of treatment have not been of any use to you two.
You are incorrigible.
I wanted to introduce you to your new companion from the police station, Dominique.
Come here.
These are Lucien and Charlotte.
Come on, say hello to your new friend.
You are Charlotte, aren't you?
Hello.
Hello, Charlotte.
Hello, Lucien.
Hello.
Gerard, move! Get on with those valiges!
I'll leave you alone, kids.
Be strict, friends, but not too intimately.
Goodbye, Miss Director.
I don't like that fat girl.
Her gentle ways hide sexual repression and latent misdemeanour.
And, in my opinion, she should be educated to the point of sex, not the girls.
We know what we want, don't we?
What a beautiful woman!
Hey, this is a joke!
We think of her as you, too.
We are for love and for the sake of the couple.
My enemies don't believe in fame,
they don't know that I'm even worse.
Well, to begin with, we'll work our brains off this mess
until we get to the point of being innocent.
But there are Gerard and Professor.
You don't know, but Gerard and Professor are two fuzzies, two false fuzzies.
Two? What?
No, no, you don't get it.
What else? What?
You saw how they look and how they touch.
Yesterday, Professor had a pretense that he would get me out of bed
and touch me in front of him during the class.
And he, meanwhile, touched himself under the pants.
Don't tell me you wouldn't like it
if instead of touching you, you'd just do something else, Gerard and Professor.
Oh, well, we're good together, Charlotte.
You know, we're satisfied with each other.
What else can I do?
Oh, sorry, you're trusted.
You're so funny.
Charlotte.
What's wrong?
I don't want to sleep.
We could do something together, just to spend some time.
Dominique, if you want, you can have fun with me.
If you like.
Let's make a joke, Charlotte.
A joke?
What kind of joke?
Charlotte is not the kind who takes it.
Oh, no! You know how much she does to me.
Here, take a picture of everything.
Okay.
And now let's think about the beautiful sunset.
You get it, okay?
Okay.
I'll do a playboy service.
Again.
And now from the top.
Stop like this.
I recommend it now.
Here, like this.
Kiss her.
Kiss her with perfect passion.
Wait a minute.
Yes, sure.
Here.
Now you're excited.
Yes.
Hold it like this.
Perfect.
Yes.
Like this.
Yes.
Like this.
Okay, girls.
Now you, Dominique, do the part of the mask.
Like this.
Like this.
Perfect.
Okay, girls.
And now stop with the pictures.
I'll go to the pool too.
I'm a little dirty.
I'll take advantage of myself while I'm asleep.
You're asleep.
Maybe you are.
Come here, you too.
Here.
No.
No.
No.
No.
No.
No.
No.
No.
No.
No.
No.
No.
No.
rator.
Now.
Now, come and see her.
Come here.
Come here.
May she dreams well.
Keep holding hands.
Oh, my God!
Hey, there's someone behind the door!
Be quiet!
I'm leaving him on the most beautiful one!
Wait, Dominique, I think I know who he is.
Oh, Gerard!
Bring him here, Charlotte.
Oh, yes, bring him here.
Come here.
Here's Gerard, girls.
He wants to join our group.
What do you say? We accept him for him.
Oh, yes!
Come on, Gerard!
Oh, my God!
You're the photographer!
Gerard, photographer, everything!
And now we take our speech.
Oh, my God!
He's coming!
Oh, my God!
Oh, my God!
Oh, my God!
Oh, my God!
Oh, my God!
Oh, my God!
Oh, my God!
Oh, my God!
Oh, my God!
Oh, my God!
Oh, my God!
Oh, my God!
Good morning, Dominique.
Good morning, Gerard.
How are you?
I'm fine.
I'm fine.
I'm fine.
I'm fine.
I'm fine.
I'm fine.
I'm fine.
I'm fine.
I'm fine.
I'm fine.
Good morning, girls.
Good morning, professor.
You can sit down too.
Well, since today is the first day of the lesson for your company, Dominique,
we'll take the chapter interrupted two months ago from the beginning.
The origins of sex and masturbation were not a mess
apart from the nomadic populations of the lower China.
But professor, it wasn't the lower China, but the superior one.
The nomadic populations of the superior China.
Yes, okay.
That's the superior China.
In fact, the two civilizations will soon be able to meet
to form a single chain.
So...
Yes, but...
Yes.
So, since some essential pages are missing in the text,
some essential pages...
Oh, but this seems like a picture of a masturbation, Maya.
Girls, you don't understand the importance of what you have photographed.
We must immediately put the master's teachings in practice.
Let's choose one of you.
Dominique, come here, please.
What do I have to do, professor?
Leave it to me.
Let's see, let's see.
Oh, a drawing like the one used by the woman, Maya.
Perfect.
You were a ferocious,
and sensitive to touch.
Very well, very well.
And the back, master, very well.
Very well, very well, yes.
Now I'll make you try the masturbation art of the master Audi.
Dominique.
Oh, yes.
But who?
The professor sent us.
Oh, what a beautiful perfume.
Perfect.
Accident, what a little.
Oh, yes, yes.
Wonderful.
Wonderful.
Wonderful.
What a pleasure.
What an incredible pleasure.
It's like a marble, like marble, the seat.
Like a carnal, oh yes, like a carnal.
The seat is beautiful, the seat.
Oh, yes, yes.
Oh, yes, yes.
Wonderful.
Wonderful.
Wonderful.
Yes, it continues.
It continues like this.
What a sublime masturbation.
What a beautiful face.
What a professor.
Wonderful.
Wonderful.
A professor.
Yes.
Wonderful.
Now I'll let my professor do it.
I'll continue.
Wonderful.
Wonderful.
Wonderful.
Wonderful.
Wonderful.
Oh, don't worry.
They are beautiful.
Wonderful.
Wonderful.
Oh, if you had known it before.
You knew it before.
We want to participate too.
Oh, girls.
Oh, girls.
Oh, girls.
Oh, girls.
Oh, girls.
Oh, yes, like this.
Oh, yes, like this.
I'll do it.
Move, move.
Oh, yes.
Oh, you two masturbation.
Oh, yes.
Oh, yes.
Oh, yes.
Oh, yes.
Oh, yes.
Oh, yes.
Oh, yes.
Oh, yes.
Oh, yes.
Oh, yes.
Oh, yes.
Oh, yes.
What is happening in this class?
I demand a quick and persuasive explanation.
But...
Oh, yes.
Excuse me.
The explanation was not very fast,
especially not persuasive.
The directors were very angry,
because they had interrupted the daily exercise
of the bedside table between the masturbation.
And he felt that from that day on,
he would be under his video, the severe control.
Hey, Gerard.
Tell him we're going further away.
They're coming.
Hey, what are you doing, guys?
Look how good I am, Gerard.
I also have a good resistance.
Isn't it true, girls?
And now look at me, Gerard.
I'm able to do everything.
You're not a phenomenon.
You're not a phenomenon.
Ready?
Hey, girls, what do you think?
That I'm less than you?
I'm also able to send her away.
Let me see.
Hey, girls, look at Gerard.
He's going to double the number.
So he's going to the first one to go.
Yes, let's go to visit him.
Yes, let's go.
Let's go, girls.
Careful, here's the slide.
Go ahead, Lucien.
Be careful, Dominique.
Come on, girls, I'll help you.
Come on, wait for me.
There are almost.
Come on, Dominique.
I can't be here.
Come on, girls, get out of here.
Come on, honey.
Come on, get out.
It's a good moment, girls.
I can't get out.
Come on, girls, don't be so nervous.
That's how you hurt me.
Wait for me, you're going to be fine.
Come on, Gerard, don't make a moment.
Get out and try to do a little bit of a squat.
Calm down, girl.
Let me go.
I don't want to wait for you.
Come on, get out.
Come on, girl, get out.
What are you going to do, Gerard?
Come on, girls, get out.
Now, from the shoulder.
What do you want to do?
Get out, Gerard, because there's no other way.
That's how we did one for each of us.
Come on, girl.
You're going to be so nervous.
Oh, my God!
I can't believe I'm seeing Charlotte with her mouth.
It's true.
I was just passing by something more concrete.
Come on, Gerard.
What are you doing?
I told you to come here.
You're going to be so nervous.
I'm going to be so nervous.
I'm going to be so nervous.
Come on, Gerard.
Come on.
One moment, Gerard.
Come on.
Good.
Come on, Gerard.
I'm going to be so nervous.
Come on, Gerard.
Come on, Gerard.
You're so stupid.
Come on.
Come on.
Come on.
Don't die, flower.
Let me get everything in your pocket.
Let me get everything in.
I'm so happy.
Really?
Come on.
Come on.
Come on, Gerard.
Open your shirt.
I want to kiss you all.
Come on, darling.
Give me the hair.
Come on, darling.
Give me the hair.
Come on, honey.
Call me to the side.
I'm ready, Gerard.
I'm waiting for you.
Maybe.
I'm already all wet.
Here I am.
Now I'm coming, my horse.
Wait for me, I'll take the hair.
Come on.
Come on.
Come on.
Come on.
Come on.
Now I'm going to wash you.
Yes, yes.
Let me get everything.
I want to enjoy.
Let me enjoy, Gerard.
Iант myself.
I don't want to seeGIve myself.
I need some everything in the body.
I'm going crazy,
I'm going crazy with that snake.
Still
I'm going crazy.
No way, and it hurts.
No yet.
I can't run away from here.
I can't believe it.
Again.
Now I want to find you.
Give me a minute.
What? Why?
Why do you want to find me?
I just wanted to take you away.
Get up.
Yes, yes.
Come on, Lucian.
You'll see how beautiful the manganese is.
I'll take you to the American.
I'll enjoy it.
Come on, take me.
I want you to put me down right away.
You're the strongest of all.
You're a great woman.
Don't come up right away, Lucian.
Come on, Geronica. You're expecting me.
Come on.
Oh, God.
I'm so beautiful.
How can I feel?
I feel it.
It's like this.
I feel it.
Gerard, you're amazing.
I'll kick you out.
One more time.
I'll kick you out.
No, Gerard.
I'm so sorry.
I'll kick you out.
I'm so sorry.
I'm so sorry.
I'm so sorry.
Oh, God.
I'm so sorry.
I'm so sorry.
Let me go.
Leave me alone.
I can't.
Let me go.
Let me go.
Let me go.
Let me go.
I'm dying!
I'm so sorry!
I'm dying!
I'm so sorry!
I'm sorry!
I'm dying!
Oh, you're so stupid!
Kill me!
I want everything!
I want everything!
Yes!
Yes!
No!
No!
No!
No!
No!
No!
Good boy!
You're so good!
I still want it!
I want it back!
Good boy!
Oh, it's so beautiful!
You can't find it?
Yes.
Hey, what's up with Lucienne?
I don't want to face her with mine!
Look!
What do you think of these two cacoms?
I don't know.
I don't know.
I don't know.
I don't know.
I don't know.
I don't know.
I don't know.
Are you happy with these two cacoms?
Touch them.
You don't have to be shy about the volume.
But how much loneliness we are not.
Oh!
Caffé is badly touched!
No!
Leave me alone!
Come and check that the effect has had your tits.
Oh!
Dear, you're great!
Oh!
Oh, die!
My love!
Oh!
Oh, no!
Oh, no!
Oh!
Wow!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
Oh!
I beg you, come on.
Come on, come on.
Here you are, my love.
Come on.
Wait.
No, like this.
Yes, like this.
Don't move.
Calm down.
Let me bounce back.
Let me bounce back.
Let me bounce back over you.
Come on.
Come on.
Come on.
Come on.
Where do you think you're going without me?
Oh, my love.
Please, let me come with you.
I won't bother you, I'll be your shadow.
I have to go to the bathroom to do the cleaning.
No, you're lying to me, it's not true.
Please, I beg you, bring me with you.
Pato, what are you wearing?
And this one too?
Now you can come.
Yes.
Come on.
Move, come on.
Yes, yes, here you are, my love.
I just got out of the shower.
That's why I'm in the laundry.
Oh, but you don't have to worry, dear Gerard.
We're here alone, too, just in case.
We're here to check the reactions of the students.
The sexual reactions, of course.
Let's go.
Hello.
Come on, let's move.
Come on, let's go.
Slowly.
What?
I'm going to Domini.
What? I'm going to Lucien.
Oh, well, I'm going to leave him.
Beautiful, beautiful, you're here, Father Natale.
Oh, Gerard, it's you.
Where are you, beautiful?
I'm here, your teacher.
I'm here.
Oh, Gerard.
Yes, it's too much.
You've made it better.
You're here.
You're so beautiful, Gerard.
Oh, Gerard.
Oh, I love you.
I love you.
I love you.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
Oh, Gerard.
No, no, no.
No, no.
No, no, no.
No, no, no.
No, no, no.
No, no, no.
No, no, no.
No, no, no.
No, no, no.
No, no, no.
No, no, no.
No, no, no.
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