Original subtitles

Tonight, we're here to investigate this massive warehouse.

Today, they run escape rooms here.

The theme, "Saw" and "The Blair Witch Project."

Two icons of horror.

Don't upset the witch.

It is the symbol for the witch.

That was crazy, bro.

[Zak] Oh, my gosh.

Whoa!

What the [bleep]?

[eerie music plays]

[indistinct whispering]

[Zak] There are things in this world

that we will never fully understand.

[deep distorted voice] Understand.

[with echo] We want answers.

We have worked years to build our credibility,

our reputation...

working alongside the most renowned professionals

in the field,

capturing groundbreaking proof of the paranormal.

-[Aaron] It's working! -[Zak] Whoa!

I can't give you an explanation.

-[eerie music continues] -[crow cawing]

This is our evidence.

Our "Ghost Adventures."

[eerie music ends]

[haunting tones play]

Tonight, we're here to investigate

this massive warehouse...

[metallic door slam]

...and separate horror fact from horror fiction.

I'm standing in the parking lot

of a -- an old factory

that dates back to 1960,

which was the heyday

of mob influence, here in Las Vegas.

Now, rumors swirl

about mob connections to this structure.

A lot of violence occurring just outside

of the watchful eyes...

-[gunshot] ...of the Las Vegas Strip.

Today, they run escape rooms here.

The theme? "Saw" and "The Blair Witch Project."

Two icons of horror.

If this place is really haunted and unsafe,

then we need to figure it out for everyone's well-being

who moves through these halls, because these films drip

with fear you can taste.

Now picture standing in a building once tied to

mob murders and torture, now a meticulous recreation

of their cinematic nightmares.

It's a strange investigation,

where horror fact and horror fiction blur,

where something uniquely haunting is waiting to surface.

Aaron, don't touch that.

Now, most of the frights inside are manufactured for fun,

but the worst frights, they're very real.

[eerie music intensifies]

This isn't a game.

Because the employees here,

some of them are being violently attacked.

And when the building is shut down and sealed for the night,

they know they're not alone.

And that's why they've called us for help.

Built in 1960, at the height of Vegas mob rein,

this was once home to a poker chip

and playing card company, and, some say,

silent witnesses to mob deals, murder, and torture.

Today, the walls breathe fear,

turning terror on like a faucet.

[eerie music intensifies]

OK, so now we are gonna --

we're supposed to meet the manager.

[Jay] Dude, do you know which door we going?

-No. -[Jay] There's a bunch of them.

[Zak] This place is massive.

Hello?

Hello? Nobody there.

Let's check these over here.

Hello?

[whispering] Let's go in.

Hello?

-[Joey] Hey, guys. hey! -Whoa!

Jesus Christ. What the --

-[Joey] What's going on? -[Zak] Hey, how you doing?

-[Joey] Not bad. -Who are you?

Head of operations around this place.

[Zak] Dude. Just made my heart stop

for 2.4 seconds. Thank you.

Yeah. We tend to do that around here.

[exhales] Yeah.

So where are we?

[Joey] This is the "Saw" escape room.

[Jigsaw's voice] These walls hold five chambers...

You're in the lobby right here.

So we're gonna be investigating, uh...

these two different buildings, right?

There's "Saw" and "Blair Witch Project."

[Joey] Yes, two separate sides of the building.

-So this first side is "Saw." -This is "Saw," yeah.

-[Zak] All right. -We're in "Saw" right now.

[Zak] Have you had experiences

working here? -[Joey] Multiple times.

[Zak] So what I've been hearing is --

is that there's a lot of things that happen at "Saw,"

but if you get past "Saw" through the other side

of the building, where Blair Witch is,

that's the darker energy side. -[Joey] Yeah.

When I started working here, past employees were like,

"Don't upset the Witch." "Don't upset the Witch."

-[Zak] What? -Yeah.

And they say that that's --

[Zak] So a fictional villainous entity...

-[Joey] They call it the Witch. -...has almost come to reality?

Oh, you don't wanna make the Witch angry.

And I'll be in there, touching stuff up,

and you get that... kinda like,

"OK, I'm gonna hurry up and do what I have to do in here,

and kinda go." -Uh-huh.

The night watchman details an experience so terrifying,

he won't even enter the Blair Witch side

of the attraction anymore.

My biggest experience was in the Blair Witch attraction.

I saw a transparent figure rush towards me

and felt as if it went through me.

I definitely had a sense of fear.

I feel as if something terrible did happen here.

I don't think it wants us to know exactly what that was.

[eerie music intensifies]

I still currently work here,

but I do not work inside the Blair Witch attraction.

We continue to move deeper into the "Saw" room with Joey.

[Zak] Guys, we are inside the factory,

the building from 1960.

And you can see right here,

everybody recognizes that...

face...from "Saw."

And we are in the "Saw" film right now.

Have you heard anything about...

the building or any mysteries about the building?

Yes, heavily involved with, like, the mob and stuff.

Hid money in the walls

and people being tortured, murders.

It's crazy that the secrets of the past,

involving the mob still echo.

[Joey] Right here, this particular area, closed.

-[Joey] It was a Tuesday. -You were the only one here?

Dark day, I was here... pretty much all day by myself.

Right through these grates,

I mean, obviously, the lights were on,

so you can see through this. -[Zak] Yeah.

[Joey] I mean, it was as clear as day.

Somebody just, kinda just...

walked right by that way. -Really?

And I literally was like, "Yo, yo!"

As we continue to collect information

about the "Saw" side,

I just can't stop thinking about the concentration

of energy on the "Blair Witch" side

that Joey mentioned earlier.

So I immediately connect with Sarah,

who had a life-altering physical experience

in Blair Witch,

an experience that will help us understand

the true depth of this haunting.

[eerie music intensifies]

The first time it happened, once I walked in the hallway,

it felt like something grabbed back of my ankle.

I was in tears. I was in so much pain.

The tech at the time had to come in and pull me out.

I feel like there's something that's angry.

The building is closed right now.

All the lights are off.

Would you feel comfortable going to that spot,

if we're with you? -Yeah, I can.

-You would, and show us? -Yes, yes, I can.

It takes a lot of courage for someone

who has experienced something traumatic like this,

to return to the area of the incident.

This is also an extremely important event

for our investigation,

as it can also help lure the entity

directly into our space.

I'm gonna say something right now for camera,

that I'm already feeling

a way different vibe than in "Saw."

I'm getting that --

those first level of, like, static charge on my skin.

[eerie music intensifies]

[Sarah] I was standing right here,

and it was right here where I felt,

and somebody grabbed my ankle,

and like, even talking about it now,

it's really freaking me out. -[Zak] OK.

Grabbed my ankle and I felt like someone

just pushed me forward,

and I fell in this room right here.

When I felt like I was pinned down,

it was right here on this carpet,

and what's under it is the symbol for the Witch.

[Zak] Are you feeling anything right now?

[Sarah] It feels like someone's like on my shoulders right now.

[Zak] Would you want to try to communicate

with this entity right here? -Yes.

Can you hold that... and just stand there?

Is there something in here

that is having a problem with Sarah

being in this building?

Are you angry that certain things are being portrayed here?

Whoever you are,

whether there's one or there's more,

why are you always trying to hurt me?

It felt like you were trying to take away my voice.

I just want to know why.

-Billy? -[Billy] Yes?

Come here right now

and do a quick reading. -[sobs]

-Are you OK? -Yeah, I'm OK.

When you said that, I felt like a pressure on my chest.

Sarah, have you ever felt,

as though this followed you home mentally?

I used to be so, so happy and just full of joy,

and ever since, I feel so hurt.

[Zak] Are you having negative thoughts?

-Negative thoughts, yes. -Bad thoughts.

[Zak] OK.

We're just gonna listen to this, OK?

[garbled recording playback]

-Hey, Billy. -Yeah.

Did -- look at the battery.

Look at how crazy that is.

I put a new battery in this.

Can you get a shot of the screen here?

[garbled recording playback]

Do you see that battery light flashing?

-[Billy] It's flashing? -[Zak] You see that?

-[mumbles] -Go put another battery.

-Let's get out of here. -[Billy] Yeah.

Let's get you out of this area.

[Billy] When she's telling her story, I'm standing right there.

Literally, like a punch in the gut

when we were -- when I came in here.

-Yeah. -Yeah, it's strong, it's not --

-[nervously] Phew! -It's not what?

It's not good.

I'm gonna get some palo santo for her.

As Sarah spoke, my chest tightened.

The EMF spiked.

You don't have any authority. You don't have any right.

This is my body. This is my soul.

The recorder's battery suddenly drained.

And Billy, hit with a gut punch,

frantically rushes to cleanse her.

This isn't safe. We need to move carefully.

[Zak] There's a very, uh... oppressive energy in here.

We were talking to Joey earlier. You just don't know.

You don't know what could have happened

in the same exact spot.

Could have been a murder. Could have been torturing.

When you put this kind of thing here,

"The Blair Witch Project,"

you're putting symbols and occult symbols,

and people are being scared.

You're not letting that memory rest.

You're actually causing it to become more powerful.

You're igniting it. You're throwing a match on it.

It's gonna attract more life,

and this life is the witch.

[dramatic chord strike]

Something is here, and it seems like it's very aware of us.

With Sarah, that was interaction.

There was intent there, direct intent.

So whatever is here, has eyes and ears,

a human spirit or spirits that were victim of some crime

that we can't pinpoint, because we just don't know.

We can just speculate.

How do we get validation from speculation?

When we investigate, when we activate our ITC.

Communication is key, communication is answers,

and that's what we're gonna do.

And I have a very good feeling that whatever is here

can't wait to be heard for the very first time.

[eerie music intensifies]

Billy pulls up the audio recording

from Sarah's session for review.

God, why did it get so windy?

-That's weird. -I don't know.

What's the first thing we do before any interview?

-We change batteries, right? -[Zak] Yeah.

We are putting two new batteries in it.

Yeah. Do you know how much audio

we got out of her recording that whole thing?

It should have been about 15 minutes.

How about 18 seconds?

-No. -I swear to god.

-Here you go, ready? -It didn't record the file?

As soon as you were asking about Sarah, it cut off.

-Now listen, here. -What?

-Listen, listen. -[distorted voices]

[Zak's recording] Can you hold that? Just stand there?

Is there something in here that...

is having a problem with Sarah being in this building?

Are you in --

That's it.

It cuts. You roll again --

-The whole file? -[Billy] The whole f -- that's all.

-We lost all the footage? -Everything.

And your -- and --

and the brand new batteries

were drained. -It drained.

I even showed that to the camera that the battery drained.

What's rule number one? Put new batteries in it.

-[Billy] Every single time. -Every single time.

Are you serious? We lost that whole file.

We have 18 seconds. We have --

The whole time, she was crying and all emotional,

you know -- nothing.

That sucks. That's what it is.

[Aaron] It's something with that room.

I don't know if those symbols mean anything or whatever,

but there was something in that room.

[Zak] I have another interview to do.

-Aaron. -[Aaron] Yeah.

I want you and Billy to go back there

and find out what drained the battery

from this recorder

and what stopped the file. -[Aaron] Yeah.

-OK. -[Zak] All right?

-All right, OK. -[Zak] Let's do it.

[Zak] Find out what caused this.

Billy and Aaron head back to the room

where Sarah claims she was attacked.

[Billy] Just watch this.

I've never seen this camera do this, Aaron.

Billy's camera immediately begins to malfunction,

adding to the list of equipment

that mysteriously refuses to operate in this space.

[Billy] I can't believe that just happened.

It has brand new batteries in, three of them.

He continues with his phone,

and Aaron's GoPro is placed facing the altar.

We gotta double check that there's full battery

so everyone can see if it happens again.

-[Billy] Full battery, right? -[Aaron] Yeah.

OK, it's recording. Time code three.

[Aaron] Rolling, rolling,

rolling, rolling, rolling, rolling.

Billy and Aaron finish the session

and immediately review the recording.

They are shocked by the aggressive response

they receive from the entity

before their questions even start.

[Billy, recorded] We're settled. Just be quiet.

-[unintelligible] record. -That "Tch" sound --

Just be quiet.

[Billy] Did you just touch the recorder?

[recording] Settled. Just be quiet.

something touched the recorder.

[Billy, recorded] We're settled --

[eerie music intensifies]

I sit down with the owner, Jason,

to see if he realizes just how much actual fear

his attraction is generating beyond the novelty.

It almost seems as though,

from what I'm sensing and hearing,

that there is an entity or entities.

So, what do you want us to do for you?

I wanna find out, like I said,

are they pissed that we're here with them,

that we're reenacting

this type of stuff? -A hundred percent.

-We've seen it before. -Yep.

Demons mimic us to scare us.

So we can try to establish communication

and see if they can come through.

And if they do, we wanna share that with you.

That'd be awesome, yeah,

cause I have to keep a staff here, too.

So, I'm, like, you know,

because that's the thing. I don't want --

I don' want the whole staff to leave,

cause then we don't have a business at that point.

Billy and Aaron continue to review the recording.

Although we are not able

to determine what is being said,

it's clear that something is trying to communicate.

Not only that, insisting on it.

[Billy's recording] Why do you go after the ankles?

Is there something that resides in this room

because of all these symbols?

What are these symbols?

Can you knock something over on that table?

Slow that down -- [unintelligible]?

-I'm ready to get out of here. -[Aaron] Alright, lets go.

OK, this is night number two of our investigation.

This was our initial -- preliminary investigation,

and we're just seeing whether or not

any of that evidence is tangible.

We start by reviewing a visual anomaly

captured by Billy and Aaron when they return

to the Blair Witch room.

[Zak] What do we got?

So this is the only time

that an anomaly appeared on any of the cameras.

-Really? -It went right into the symbol...

-Where she was attacked. -...and left. Exactly.

It's very interesting that the only anomaly captured

in this room goes in and out of the floor

in the exact same spot where Sarah was attacked,

which just happens to be dead center

on the symbol for the witch.

And also, when we had Sarah in there,

and you wanted me

to do readings around her... -Yeah.

...I was paying attention to you

and paying attention to her and the readings.

[Zak] She was getting affected.

This is, like, right behind her,

where she said she felt something

on her back, we got a spike.

-[Aaron] Oh, wow! -[Jay] Oh, yeah.

-5.5 or -- yeah. -5.06.

It feels like someone's like on my shoulders right now.

[Zak] Considering her baseline was a 0.7...

-[Billy] Exactly. -...something was there.

Next, we review a Polaroid that Aaron took.

Yeah, there it is.

Strange light, floating just above my head.

[Aaron] And right below it.

[Jay] So is there, like, something in that doorway?

Cause that's where she got pushed.

That's where you were feeling things. -Yeah.

It's interesting. It's very interesting.

And what about thermal?

I took a lot of FLIR still images.

And there's one photo I want to show you.

-[Zak] Whoa, what is that? -[Billy] Yep.

-I see that right away. -Yep.

[Zak] Looks like a kid standing there, or something.

[Jay] Like a leg, right?

-[Aaron] Yeah. -[Billy] That's right.

[Billy] Does it look like a hand or like an arm?

-[Zak] Like, almost like shorts and an arm. -[Jay] Yep.

I think we should go to that area

and make sure there's nothing there

that could be that.

So it would've been, Aaron.

You're right there by that window.

Oh...wait a minute.

I think it's that.

Yeah, I think this is debunked, guys.

-[Billy] What is it? -[Zak] I think it's the organ.

There's the foot. Yeah, it looks like a foot.

This is what we thought was a hand.

-It actually looks like a hand. -Yeah, OK.

This is why we try to, you know, debunk things,

when we find an explanation for it,

uh...we know that's debunked.

The other thing is, I was standing here,

and that light was above my head, right? -Right.

In this Polaroid, you can see two lights.

We cannot debunk this,

as we are unable to determine

an alternate source of the lights.

Between Sarah, Billy, and myself,

we've now experienced three physical altercations

in this doorway.

It's one thing to be scared when you're surrounded

by these meticulous recreations.

It's another thing, entirely, to be physically affected.

We don't know yet what entity

is behind these real life frights,

which could not be further from fiction.

And that's where the true danger lies.

[eerie music intensifies]

OK, this is it.

Ladies and gentlemen, it is dark,

and you know what that means?

It's --

Lockdown time.

That's right, Jay. It's lockdown time.

We got a really mysterious location here,

because not a lot's known about its history,

but we can speculate

because of the age of the building,

where it's at,

and some also clues that we were given to

by the owner.

So our main objective for this investigation is to see

if we can find any evidence of a ghost.

And there it is. Look, turn around.

[everyone laughing]

[Billy] Oh my god.

[Zak] Umm...that was not a ghost.

That is somebody that is walking around like that.

Umm...OK.

Again, our objective is trying to get evidence

of this entity or spirit

that Sarah was claiming

that she was viciously attacked from.

Something grabbed the back of my ankle.

I was in so much pain.

The tech at the time had to come in and pull me out.

Joey, will you do us the honors...

-Yep. -...and lock us down

inside this compound?

Once he shuts these gates, we cannot leave.

Thank you, Joey.

That is a real lockdown, ladies and gentlemen.

There is no other way out of this compound.

I think that there were murders here.

I think there was torturing here.

And I think that there could be bodies buried here.

That's what my gut is telling me.

Can't prove that right now,

but it makes the best sense.

So guys, let's gear up

and let's get ready for lockdown.

[loud metallic slam]

We all gear up at base camp and make our way

into the old gaming chip factory.

OK, right now we're headed to the area

where we interviewed Joey.

And Joey said he saw an apparition

of a man walking through the room up here.

And beyond this door, a little further,

we've never been there. It's uncharted territory.

This part is uh...occupied by the "Saw" escape room.

Then we'll get into "The Blair Witch Project"

where the attack happened.

But again, we're investigating this building, this structure.

It's all original, and it does have a very seedy past.

[eerie music intensifies]

Listen, we're gonna be walking through here,

and...I just have this feeling

that you're...a human being.

I think you were murdered here.

You're trying to tell people what happened to you,

and you're aggressive,

'cause I think you're also kind of a bad person.

That's just the feelings I'm getting

from everything I heard about and based on our evidence.

Just seeing the lockers,

and just scanning for anything.

[eerie music intensifies]

[door squeaks]

[Aaron] Whoa, whoa, dude.

I just thought something brushed across my [bleep] ankle.

-Really? -[Aaron] I swear to God.

Yeah, I felt like I -- like I bumped something,

like cardboard or string, but it came from the back.

I was taking a step there,

and I felt on the back of my ankle,

like something, like a rope whipped me,

that's my first thought. -[Jay] Right.

-[Jay] There's nothing down there. -[Billy] There's nothing there.

-[Zak] It's clear. -[Aaron] That was weird, dude.

It's like lightly slapped the back of my --

Well, that's what the one worker feels, right?

-Like something hits her ankle... -[Aaron] Right.

...or grabs her ankle?

[Zak] Can you make a noise for us?

[door creaks]

Whoa.

It's a big room.

At this moment, I capture a round

thermal anomaly right here.

OK, we just reached the big room.

Just doing some scanning.

And then, a bit later, the anomaly returns and moves

in the opposite direction.

[uneven footsteps]

[Aaron] Whoa.

You hear that?

Sounds like someone...

either, "Shh", or [with guttural voice] "Eh."

[Zak] I don't know what I'm doing, guys.

[Zak] It's like a old man sound.

[metal clinking]

[metallic clunking, squeaking]

-Billy. -[Billy] Yes.

-Oh, my god. -What?

[Zak] Dude, your face looks freaking weird.

It's the thermal, right?

Yeah, but I've never seen anybody's face look like that.

-What's Aaron's face look like? -[Zak] Look at me, Aaron.

[Zak] Yeah, he just looks like a regular person,

you're just weird.

[Aaron] Yeah, even on night vision.

Just kidding. You look hot on night vision.

Guys, something's really [bleep].

Like, I was fine before this started.

[Aaron] Uh-huh. You were fine outside.

I'm really, really, really messing

with my stomach right now.

Yeah, it's as soon as we got

into the meat grinding. -[soft exhale]

-[Aaron] Yeah. -Shh!

-What was that? -Guy's voice?

-Yeah, did you hear that? -[Zak] Yeah.

[Aaron] That's what I heard earlier.

-It was like, "P-show." -That's what I heard earlier!

-[Billy] Right, right. -[Aaron] You were fine outside.

I'm really, really, really messing

with my stomach right now.

Yeah, it's as soon as we got into the meat grinding.

-[Aaron] Yeah. -Shh!

We got into the meat grinding.

-[Aaron] Yeah. -Shh!

-What was that? -guy's voice.

-Yeah, did you hear that? -Yeah.

That's what I heard earlier.

It was, like "P-show".

-That's what I heard earlier. -[Billy] Right, right.

[eerie music intensifies]

[Zak] Yes, we're trying to find you.

-Where are you at? -[Zak] You want our help?

You attacking that lady?

We don't stand for that [bleep].

You want to be violent -- what was that?

-[Aaron] Footsteps, footsteps. -[Zak] Yes --

what was that, Billy?

-[Billy] I don't know. -[Jay] It was on the metal.

[Billy] It's over here by me.

-Hear that? -Shh.

[metal clacking]

-[Zak] What? -What the [bleep]!

-[Zak] What is that? -That was on the metal grate,

right behind me. -[Zak] OK, quiet.

-Are you [bleep] kidding me? -[Billy] Dude,

it was literally walking up right behind me.

-You heard it, right? -[Jay] Yeah, you were still.

-I was standing -- -[Jay] Something walked up

on you. -[Billy] Right.

-[Jay] It was on the metal. -[Billy] It's over here by me.

-Hear that? -Shh.

-[Zak] What? -What the [bleep]!

[Zak] What is that?

Can you appear?

I can hear you walking behind Bill.

Whoa! Did you see that?

I didn't. I was looking at my email.

Oh, my god. It was as big as a beach ball.

-[Zak] Really? -It shot right at us.

Yeah, it was huge.

Can you walk across the metal again?

We continue to move on throughout the factory

and enter the boiler chamber.

[Jay] But it's like it's moving with us.

-[Billy] Right. -[Jay] Like it's following us around.

[Aaron] Yeah, it's been behind us the whole time.

[Billy] Following us?

Bill, because of what we've experienced,

things happening behind us, you are the rear now.

-[Billy] OK, I'll just keep scanning. -[Aaron inaudible]

You were right, Zak.

-It's like, chasing us. -[Zak] Yeah.

Guys, I don't know where I'm at.

[Jay] Yeah, I don't know. This doesn't look familiar at all.

-[Aaron] You all right, Bill? -[Billy] Yeah.

-[Jay] What was that? -[Billy] Zak?

-[Zak] Yeah? -[Billy] [bleep]

There was that big giant black anomaly

that just came right at me and then ducked.

-[Zak] So, like, it's following us. -Yes.

Watch as the XLS maps in a quick image

of a figure sitting on the floor

with its back against the wall.

And then it disappears as a black anomaly.

[Jay] Oh, this is the original room

from the original movie.

-Remember, he was chained up? -[Zak] Yeah.

[Billy] Oh, god.

I've never been in this room.

None of us have.

[Billy] Oh, god. It smells horrible in here.

There's something grabbing your ankles, Aaron!

-Are you serious? -[Billy] I'm not [bleep]!

-[Aaron] [bleep] What? -[Billy] Don't move.

Don't move.

It was grabbing all of your ankles.

-It's on the floor. -[Zak] All -- all of us?

[Billy] It's grabbing Aaron's ankles. Grabbing Aaron's ankles.

-Now it's grabbing -- -[Zak] Oh my God.

-[Billy] Now, Jay, it's grabbing yours. -[Zak] Holy [bleep]

[Billy] [bleep] Aaron's. It grabbed Jay's, it grabbed yours --

-[indistinct] -[Zak] Oh, my God! Oh, my God!

-[Zak] It's on his ankle! -[Aaron] Yes, it's my ankle!

[Zak] Its arm is on his ankle! -[Billy] Yes.

-[Zak] Oh, my God! -Aaron!

It's grabbing his ankle, just like the spirit...

-Exactly, exactly. -...of the girl's who said it grabbed her ankle [bleep].

This is beyond incredible.

We are now capturing scientific LiDAR evidence

of this entity grabbing Aaron's ankles.

Exactly what Sarah told us,

that this is what the spirit does to her.

It was right here where I felt somebody grab my ankle

and I felt like someone just pushed me forward.

What's even crazier is that earlier,

Aaron even felt something go past his ankles

when we first entered the factory.

I just thought something brushed across my [bleep] ankle.

-[Zak] Bro, this is validating the attack. -Yes.

It felt like wind kinda hit my neck,

like, I swear to God, -First of all, appeared on the floor,

because I had all three of you on cam.

it went to Zak first, his ankles,

then Jay, and then it went straight for Aaron.

Look what they reenact in here.

-The guy's ankle is chained up. -[Aaron] Oh, yes, yes.

He cuts off his ankle.

So is the spirit -- we thought of this before --

is the spirit mimicking this act that is probably done here,

and there's probably somebody in the shackle

or ankle, and all that.

The spirit is mimicking it.

We just saw the spirit grabbing Aaron's [bleep] ankle, bro.

-That was insane! -[Billy] Insane.

Guys, stand where you were at.

I'm gonna shoot this one more time.

[Jay] At the -- the first time? Here.

[Zak] Aaron, face the camera.

[Jay] Zak was probably around here.

[Billy] I just want to see if It'll come back.

It's not coming back.

-Whoa! -[Zak] What now?

-[Billy laughs] Whoa! -[Zak] What?

A gigantic --

I'm talking big, like a volleyball-sized black amount

that came out of Aaron's chest.

Watch as this huge black anomaly

touches Aaron, as you can see it follow the contours

of his back and shoulder.

Who are you?

Why do you mess with ankles? Is it because of this?

Did something happen to you in the past?

[static crackling]

Are you like an old mobster or something?

Whoa!

Dude, this super bright white light just went like this.

-[Aaron] In front of me? -[Zak] And there's nothing

I'm capturing. -Really?

[Zak] You can see, yeah, this is, like, super bright.

-[Billy] What? -Light.

-[Aaron] In front of me? -[Zak] And there's nothing I'm capturing.

And you can see, yeah,

-this is, like, super bright. -[Zak's recording] The light?

You can see, yeah, this is, like, super bright.

-[Billy] What? -Light.

[eerie music intensifies]

Would you like to say anything else,

we're gonna leave this room?

Are you follow us around here?

[interference]

[device] Be careful.

Whoa! What'd she say?

-[Billy] I don't know. -Oh, we got to review these.

-[Billy] Same female, too, right? -Yes.

-[Jay] Sounds the same voice. -[Zak] Yeah.

[Aaron] Are you gonna follow us around here?

Whoa!

Whoa!

Do you hear me? Who attacked Sarah?

Did the mob kill you?

Where's your body at?

Is your body here at the factory?

[device] Sorry!

-Whoa! -"Sorry." Woman's voice.

-[Jay] Yeah. -[Aaron] "Sorry."

[Zak] Is your body here at the factory?

Whoa!

Whoa!

"Sorry." Woman's voice. "Sorry."

Did you guys all die here at the factory?

Was there a massacre here?

How many of you are in here with us?

Give me a number.

[device] That's gotta hurt -- [indistinct]

Dude, that's like spirits talking to each other, bro.

Listen to this conversation between two spirits,

a male and a female.

We think he starts by saying, "That's gotta hurt,"

but we can't decipher the rest.

Dude, that's like spirits talking to each other, bro.

Whoa, dude! Did you just touch me?

-No. -[Aaron unintelligible]

-[Zak] What the -- -Dude, that was crazy, bro.

-[Zak] What the -- -Whoa!

Don't get too deep. We know what happens

if you keep that on for too long.

When we react to too many. Take a break.

Take a break. We know what that leads to.

We heard a lot of intelligence there.

We reacted to a lot of it.

And the more you do that, it's like that movie, "Ghost,"

Oda Mae Brown. Same [bleep].

All right, so we just finished the first half of the building

and absolutely incredible activity.

I can't wait to analyze all that evidence,

that Polterpod. -[ghostly voice]

So now we have the second half of the building,

which "The Blair Witch Project" theme occupies,

and that's where the dark stuff is,

and that's where this woman, Sarah,

got viciously attacked.

Before we head into the second part of the building,

we return to the bathroom,

because of all the evidence we just captured

and deploy our infrared rover camera.

OK, right now we came back to this bathroom area

because of all the activity that just happened.

And if you look here, we have a tracking camera

that is active right now.

-You can see this is scanning. -[Billy] Yeah.

[Zak] So right now, this little camera

on this little rover down here

is aiming back in the direction

where we capture the XLS figure.

This is looking for any object

or any spirit to manifest in front of it,

and it will move towards it.

I have a full spectrum camera

that's also shooting it and the room,

so we're gonna leave this here and see if any residual activity

can activate this device.

Aaron, Billy, and myself are heading to the second half

of the old factory.

And this is where "The Blair Witch Project" room is set up.

But again, this is the original factory.

And this is also where Sarah got viciously attacked

to the point -- to where she was crying very badly.

So we're going to go in there, just open an investigation,

see what happens, see what we feel.

And I'm gonna do a little provocation,

see if we can get attacked.

[eerie music intensifies]

Whoa.

It is freaking dark in here.

Hey, are you living back in this back part?

You're a mean spirit, huh?

Did you attack Sarah?

[whispering] OK, we reached the hallway where Sarah was attacked.

And it was down at the end of this hall there.

But we've already gotten evidence

of a spirit grabbing an ankle

on the other side of the building.

This is a way darker vibe.

Whoa.

-Billy? -[Billy] Yeah?

You have to check the footage on that.

[Billy] What -- what'd you see?

There was an anomaly.

-[Billy] Just now? -Yeah.

We capture this strange anomaly

making a very sudden right turn movement

before it disappears into the wall.

[eerie music intensifies]

All right, so this is what I'm gonna do.

I'm gonna flip the rug open, like what she said.

She was attacked, thrown in here.

So I'm gonna lay down on the mark

where she was attacked.

She said that it was pinning her down.

[exhales] You want to get on top of me?

Let me feel you pin me down.

Come here.

Did you attack Sarah?

Let me feel it.

Get in me. Get on me.

-Get on me. -[laughing] Stop.

Stop, Bill. I'm being serious.

I'm trying to provoke.

[Billy laughs]

-Is that provoke or inviting? -[Aaron laughs]

Stop.

-[whispering] Whoa. -[Billy] You feel something?

Yeah, ice cold. Oh, my God.

Are you on top of me right now?

What are you? I need your identification.

Hey, do you guys feel

the ice coldness or no? -[Billy and Aaron] No.

[Billy] Not at all.

Billy, put your [bleep] hand down here.

Get your hand down here right now.

-What the [bleep]? -[Zak] I'm serious.

Put my hand down where?

[bleep] Between my legs and feel this right here.

[Aaron and Billy laugh]

Put your hand through here and feel this.

-[Billy laughs] -[Aaron] Do it, man.

I'm saying, "I'm being serious, Billy."

Stop. This is not [bleep] funny.

-For science, bro. -Do it.

No, guys, stop. You guys are tripping me up.

You guys are making me panic.

Keep laughing. Keep mocking it.

Cause you all think this is, "ha ha!"

I know this is gonna have something.

[Zak's recording] Are you on me? Are you on top of me right now?

Keep laughing. Keep mocking it.

You all think this is "Ha-ha!"

-[indistinct voice] -[everyone] Whoa!

I told you, you [bleep]!

[Zak's recording] Keep laughing. Keep mocking it.

You all think this is "Ha-ha!"

[Zak speaks indistinctly]

-It says [unintelligible] -[Billy unintelligible]

-It says, "Just -- just wait." -[Zak's recording] Keep laughing.

Keep mocking it. You all think this is "Ha-ha!"

[Zak] I want you to manifest yourself.

Dude.

Back on the other side of the building,

the rover cam has been sitting still

for over an hour,

when suddenly, it sees an anomaly here.

It then starts chasing something.

[motor buzzing]

As we wrap up the investigation,

back at the altar room where Sarah got attacked,

we capture this black mass that appears in midair.

A spirit clutches an ankle

like a shackled victim in "Saw."

Torture favored by the mafia, to make a point.

A witch's haunting echoing the legend of the Blair Witch.

These synchronicities stitch together

this warehouse of horror,

where fact and fiction bleed into each other,

indistinguishable.

[eerie music intensifies]