Original subtitles

[music]

In the confusion

billions of people,

just one chance down here. Hey, how is it?

Well, I called you yesterday, but you didn't get me

answered. No,

>> the pizzeria was full of people yesterday

I was devastated. When I returned

[music] at home I collapsed.

>> What are you doing?

>> I try to prepare for the task in

class.

>> Yes, but you have to be careful. Look at that

Lombardi discovers everything.

>> Let's hope you don't realize I'm a pussy.

No, you really do it like this, look at me, at you

I'll lend a hand.

>> Come on, I don't feel like it Simo, what are you going to do

half of these things too.

>> Okay,

>> prepare everyone,

>> I'm coming.

Sing [music] a little to the babbling, a

little My Way.

Press the [music] button R, the button

play

and then [music] like this

you are here

[music]

Monday.

>> Dawn

>> Dante,

>> we study. Eh,

>> yes, with difficulty.

>> In fact I see the face a little

slammed.

>> Eh,

>> listen, when will you come back, Anita? Oh, I think

mid-morning. Why?

>> Perfect. So when he gets back

[music] tells her I asked you to

join me at the botanical garden.

>> But aren't you going to school today?

>> Yes, but I do outdoor lessons, eh. E

helps refresh our ideas [music].

>> Sure, I remember that. You did it too

with us

>> of lace. I didn't miss a single one. Well,

>> okay,

>> I'm counting on it.

>> Yes.owow

>> [music]

[music]

>> So here it could be translated like this:

"Come quickly, sweet night, friend from

black eyelashes. You who protect love,

close your eyelids daily. To those

who love each other, their beauty is enough

shed light while looking for them. For this

they say love is blind.

So, reading these verses you understand

very well what is the difference between the

historical romanticism, that is

of the 8th,

and the perennial, eternal romance that it is

a very passionate way of enunciating

feelings and that has always existed.

In short, Shakespeare is indeed a poet of

600, but it's as romantic as if not anymore

of many poets of the 19th century.

>> He is certainly more romantic than Manzoni.

>> It's true. What's romantic about Manzoni?

Instead Shakespeare says that love does not

has limit.

>> Oh, but what can I tell you? I'm Willy

It's driving me crazy,

>> do you see it? Ah! Ah! And I remind you who

join the theater workshop today

afternoon he called.

>> Okay. Thank you.

>> Okay.

>> Okay.

>> Hi all guys.

>> Good morning. Prof.

>> Hi.

>> How did it go today?

>> Good, very good. We talked about

romance.

Sin. I didn't have time to tell him

that romantic men don't exist

more. And I'll tell you.

>> Ah, good idea. You are the person

better for talking about certain things.

HI.

>> Goodbye.

>> Goodbye.

>> Alright, romantics, romantics,

Get ready, I'll take you out today.

Are you happy? Come on, come on, come on, come on.

Alright guys, here we are. Vi

I only ask you to think about it for a few minutes and

then let's go in, okay?

>> And what are we waiting for?

>> A former student of mine who will be coming with today

us.

>> But it's cute,

>> huh. Judge for yourself, Alba.

Here we are.

>> Hi.

>> Come, come. This is my fifth.

HI.

>> Hi.

>> Come on, introduce yourselves.

>> Nice to meet you Matteo.

>> Dawn.

>> Nice to meet you.

>> Nice to meet you. Viola.

>> Oh, hi. Anita, he often talks to me about you.

I work with her in the bookstore. Yes,

>> let's go.

>> Yes.

Oh, that's right.

>> It has a strange effect being here.

>> Do you remember when I brought you too?

>> In reality I remember little because I and

Gabriele we were apart,

>> we were up there beyond the Japanese garden.

>> I don't want to investigate.

>> Prof, this place is amazing. But

why did we come here? We have come

[music] here, guys, because today

I would like to talk to you about Maria Zambrano, who is

a Spanish philosopher from the early 1900s.

[music]

When she lived here in Trastever, she was

escape from Franco's fascist regime,

he used to come for a walk right here

to the Botanical Garden and think about the plants

they talked

in one of his books he writes: "La

wonder

arises from the perception of the world as

miracle and wonder in everything, in

a plant, in a flower, in an insect,

no?

And I think that's a lot of reasoning

very charming,

>> also a little cheesy, right?

>> Cheesy,

>> yes.

>> I understand [music] the concept of

living life as a miracle, it is also

fascinating, but if you are also a

a bit rhetorical. If these plants could

talk, I think they would also say that

they suffer.

>> Well, I appreciate yours very much

thought turned to plants, but I would like

continue with my reasoning,

especially with that of Zambrano.

Zambrano says: "Only those who do

wonder

can find [music] answers." E

she tells us we should practice it

daily, the discovery of

wonder. Eh, but I don't know if we are all

able to do it.

>> No, not me, for sure.

>> Ah, I don't even try, but more than that

else because I don't know if I really understood

>> how can we be amazed by the world.

>> Eh, how can you do it? He would beat me

take, I don't know, a a leaf and

marvel [music] at the fact that a

such a small thing, apparently

simple, have the extraordinary

[music]

power to transform the air that

we breathe. But she also tells us that

we can all take refuge [music]

in the shadows, in the dark, maybe for

hide our wounds. But then

a gust of wind is enough to bring it back

the light

and bring back what [music] is

wonder.

for existence.

Now I'll take you to see the [music]

secuoie which are the most wonderful

biggest of all. Come.

>> Okay. Handsome.

>> Not for nature.

Just kidding once without

Your lesson was beautiful, [music]

also very clear.

It was for me, wasn't it?

>> Well, yes, [music] if you felt like it

lost in the dark for a while, yes. I don't know

how much others appreciated it,

but

>> But yeah, maybe it takes a little longer

experience, [music] no, to understand how

orient yourself in the dark. I was lost there.

Now I'm not [music] coming out.

I thank you because it was today

truly a special day.

Eh, I haven't been this good in a while.

>> I'm happy for you.

I hope you enjoyed yours

excursion, because now we return to

reality. On the desk you will find the text from

translate, is by Seneca.

>> Damn, Seneca is a difficult mess,

right? No, no, no, it's easy, don't worry.

The first sentence says: "Who is not happy

he doesn't think he is."

>> Who doesn't think?

>> Mr. Crossbow, what are you doing?

>> No, nothing. I'm trying to understand the

first sentence.

>> He would understand her better if he talked to himself

himself and not his neighbor. And she's close

concentrate instead of chatting?

>> Yes, yes, I concentrate, but I would have

also a name, a surname, if [music]

Allow me, I'm not the neighbor. My name is

Tommaso Valeri, otherwise known

[music] Thomas. Otherwise, he says

>> otherwise yes,

>> correct use of a little-used adverb

in this mode. This marks a

point in his favor. Ass. Thank you.

Where was he?

5 minutes left, stay focused,

do your best it will be anyway

always little.

Let it be. Yes,

>> is the translation of the last two sentences.

You take.

>> I'm missing 10 sentences, not yours.

>> Is everything ok? There are 10 sentences missing

translation.

>> You three over there, finish it. Silence is

of gold, or rather silenzium

aureum est.

I asked Thomas to come and study

with me, he said I have double

turn. I'm sorry, but I'm happy with it

have you all to myself.

>> But I'm worried. That is, if if

Does he work so hard how can he study?

>> You're not just worried, you're cooked.

>> No.

>> Yes. No, actually I fly low.

>> All you do is think about him.

>> Because I want to help him.

>> So,

desperate case, ready to be helped

here in front of you.

>> The desperate case. Meanwhile, if not

disappear at night, do me a favor.

>> You got scared

>> a lot.

What do we eat?

>> Sushi.

>> M

>> please.

>> Sushi.

>> No.

>> Yes,

>> come on. No,

>> come on, what a drag.

Well, colleagues, on to the agenda

there is the educational trip. We have to

decide today to organize well

everything.

>> Sorry, I agree regardless

because I consider the trip educational

really very important.

Certain.

>> Who among you is available to

accompany them?

>> For me, I'm always available, though

let's call these trips what

they are trips and leisure. To them

of education. It doesn't matter a damn

dry, they want the trip.

Well, let's decide where. I would propose

Turin.

>> No, no, Venice because it is a theater

open sky, come on.

>> Here, he said the banality of the time of

lunch. Because I married him.

>> No, mostly Venice I think

we've seen it before. Usually it is done

medium, right?

>> Oh, yes.

>> What if we took them to Montecassino?

>> Monte Cassino?

>> Sorry, Montecassino you mean the abbey

Benedictine?

>> Exactly. An asy of peace from which not

they could flee. Eh, they're at

eve of a fatal moment. Maturity

and the abbey is ancient. Lombardi, with

all respect, the abbey means

no wifi, no disco in the evening,

you want [music] the mutiny.

>> You know that in my opinion it is one

beautiful idea.

>> So, maybe you don't realize it in the evening

they go down to the valley, I don't go there

to resume. I'm not at the abbey

I'm going.

>> No, please, Dante,

>> the class needs you.

>> Yes. So, in those places in the evening,

especially at sunset, they come to you

strange thoughts, it just becomes one

severe depression. Here it is. This is it

our philosophy professor.

Gentlemen, school is dead and has it

buried him today.

>> Come on, it's not right.

>> Come on, let's vote. Who is in favor?

>> No, come on, right? But why?

>> Eh, who votes to have the [music]

Professor Balestra among the

companions?

>> But why do I have to be?

>> No, I would spare him if he doesn't want to.

>> Thank you.

>> Well, the majority wins anyway. Not

say I didn't tell you then, eh,

>> forgive me. I would also propose the

Professor Rocc, given that, in short, i

guys love it, so

>> girls

>> and well, I don't know, there's definitely night there

a wonderful darkness, I could bring the

telescope, I don't know. Yes, why not.

>> Nice idea, commendable of you,

professor. Well. Who votes for the

Professor Rocci?

>> Dante.

>> Yes,

>> are you against it? No, sorry, my friend

distracted. No, no, I'm in favor.

After all, if they love it, they love it.

>> Oh, great. So, you've decided the

Professor Balestra and Professor Rocci.

>> All Bazia.

>> All [music] Bazia.

>> Well, they also make kebabs there

Cassino,

>> huh?

>> The kebabs. Very good.

>> Good morning.

>> Good luck.

>> Hi. Look, I was passing by, I wanted to

see your library. She's beautiful.

Compliments.

>> Thank you. [laughter]

>> Oh, were you eating? Sorry, I didn't mean to

settle down.

>> Oh, yes. It's just not with double work

I can never find the time.

>> Oh no, tell me. I struggle with one

alone. No, no, I haven't had lunch yet,

in fact.

>> Here.

>> No, this is your lunch.

>> Eat this sandwich.

>> Okay,

>> take this beautiful one. Everyone is seated.

>> Thank you. No thank you.

>> Go figure.

Eh,

>> well, right there, huh.

>> Thank you.

Is everything okay at school? Mh mh.

>> Yes, we have approved the trip

educational.

>> Oh

>> mh

>> where?

>> Abbey of Montecassino.

>> Oh yes, an idea from Lombardi. He thought

that the kids needed

getting closer to the concept of, you know, of

community, meditation.

>> But did Dante agree?

>> No, he was against it, but it was put to

minority. M

>> from you too?

>> Especially from me. I'm a big fan

of the abbeys. Ah,

but sorry, principal m

>> defended him?

>> No, not at all. Why

>> should have?

>> Well, I don't know. It seems to me that among those

two there is a good feeling.

>> No, seriously? No, Tresca.

>> I don't know, look. I do not know. Not it

I don't even want to know. [music] For

charity,

>> is what bothers you.

>> No, but imagine, why not?

Oh god, maybe a little [music]. Mh. O

Maybe I have to get hospitalized.

>> No, come on, [music] you still don't sound like me

from hospitalization.

>> Eh, because you don't know me well. Oh,

>> okay, I'm here now, let's see if he's come

so we get to know each other better.

>> Are you looking for trouble?

>> Hm.

>> So, I like problems and you know,

I try to analyze them and try to

solve them. it is the scientific method.

>> Hmm

>> mh.

>> So for you it's all about

scientific. Well, if you think about it

basically we are made, no, of

atoms, particles,

>> how many electrons. M

>> This is the infinitely small.

>> On the other hand, I also really love pushing myself

towards the infinitely large, you know, lo

space, galaxies.

>> Ah, so maybe you know what it is

beyond the stars at this point?

>> Stars.

Ah! M

>> And after?

>> Stars.

>> Ah,

>> yes, more stars, then stars, [music]

then stars, stars, stars.

>> And if you think about it, you don't get a bit of

dizziness?

>> Yes, [music] all the time. But that's the one

nice, right? the sense of giddiness.

Ah,

>> you are a romantic.

>> My way.

>> A romantic scientist. [music] Mh

>> mh.

You want

>> some water?

Nut.

>> Mom,

>> what are you doing? You are scanning your universe

internal?

>> Well, yes, maybe. Mh. And I think it would be a

useful exercise for everyone. Oh yes, you have

reason.

>> And what do you see inside yourself?

>> Eh,

doubts.

>> Today I was teaching about this philosopher

Spanish Maria Zambrano. Mh

>> mh.

>> And his concept of wonder. No. And

finally, thinking about it, I arrived

to the conclusion that it is really me from

some time not to see it anymore

beauty of the world.

>> I understand.

I'm going to prepare my cat for you [music]

wonderful.

>> Thank you,

>> Greta.

>> Yes. I sent you messages, but

why don't you answer me?

>> Because I was with Simone. Mom, you don't have

beds, don't worry.

>> But how can you tell me to stay calm

after what happened?

>> Because your concerns are

useless. You suffocate me.

>> Useless.

I remind you that I had you the other night

recovered on the bank of a canal.

>> So what?

>> So what?

>> I didn't want to kill myself. Mom, you are

what you think. If you wanted me

I would have just done it and killed it.

>> But how do you speak? But you realize

How serious are the things you say?

You hurt me with

>> Oh, there it is. It seemed strange to me. Here it is.

You, you, you. Mom, you're always the one who

he is ill and in pain. Always you.

You know what, Mom? Put it in your head.

My problem is you.

The release results are

enlightening, not always in the right sense

positive. 5 and a half.

Moon 6,

Laura 7, but you know I expect it from you

always a little more.

Matteo [music]

5 which compared to the three of the last one

version is already something.

Zeno 7 men

viola 7 more or Simone 7 and you don't get from there

move neither up nor down. Greta 8.

Well done.

And then, oh, here we have the masterpiece

NC not classified. [music]

>> Fuck,

>> please, sorry.

>> No, nothing, I regretted it to myself.

>> Ah, here it is. I have never seen so many errors

blue. Maybe you don't know it, I am

beaten, to get you admitted here, eh, but

your latin is appalling. [music]

>> Thank you. On the other hand, not everyone is

suitable for study. Why bother

school when you have them in front of you

bright careers where there is a need

arms, that is, manual labor?

>> Prof doesn't make fun of him, but Thomas

he knows very well what it means to work.

He simply missed school for a while

some time. It's rusty, it will get better.

>> Oh, yes. And how do you know? I am

helping to study. It just takes a little

of time.

>> Eh, but that's exactly what's missing, the

time. High school graduation is in June, dear.

Tempus Fugit.

>> Sorry, professor, can I can [music]

go to the bathroom, please?

>> Go, go. Certain.

>> Thank you.

A little to see.

>> What do you think?

>> How to help Thomas?

>> What do you want to do?

>> I'm selling the Vespa.

>> The Vespa?

>> Would you really do that? It's not like I would,

I do it.

>> Hi Thomas.

>> How's it going? Everything OK?

>> Yes, yes.

How come you're not classy?

>> No, there is physics class.

>> M

>> they're all enchanted to hear the guy

which talks about stars. The stars to me

they appal me.

>> Well, frankly it doesn't seem good to me

reason for not going to class.

>> Yes, yes, you're right, but today I'm a little

shot.

>> Shot because

>> I took unclassified in Latin.

>> Ah,

>> no, that's not why the professor

Lombardi made me weigh it in front of

all humiliating me. I can say what

do I think of him?

>> No, no.

Tough here. Maybe I was wrong to return

in Rome. I feel lost.

>> What are your reasoning? You solved a

lots of problems? You want to give up

now?

>> And I understand, but it's so difficult. Mi

I've [music] forgotten so many things.

I'm behind on pretty much everything.

>> Okay, I'll try to talk to Lombardi and

I try to convince him to do something else

another check. Okay,

thanks.

>> Ok, we're done. Thank you all. E

for those who want, it will be possible tonight

observe the nicknamed comet

Devil.

>> But where in the sky should we go

search?

>> Behind the little wagon. Only from

city ​​will be a little more complicated.

You should find a place with less

light pollution.

>> Ok,

>> okay. Come on, enjoy. HI.

Don't miss seeing it.

>> But if you want you can come to me at my house.

There are no lights there.

>> Can I?

>> Sure,

but how do you come to me?

>> Well, I'll take a taxi.

>> Taxis? Oh yes, taxis exist.

Dante, sorry, you were making me do it

a lot.

>> Yes, but I'm telling you about Thomas later

everything you did for him, that

does soaking or not classified.

>> Look, his task was below

of degree zero.

>> Yes, but we have to try to help him

in a difficult moment. No,

>> but severity is what really helps

guys. Listen, give it, give it give it

another chance, huh. pretend that

that check doesn't exist and you do it

ask an oral question about a

random theme, I don't know, the verbs. Eh,

so we give him the chance to

leave again, what do you say?

>> Yes, okay, okay, but now I'm me

I should go. And you're sorry not

treat me like a kidnapped person? Yes,

sorry. Oh,

>> I mean, thanks, eh. Thank you. Good evening.

HI.

>> Hey, everyone's out. Aren't you going away?

>> Yes, I'm going now.

>> I heard you taught a lesson on Maria

Zambrano. Good thing it's still there

someone who remembers who I am

There were also female philosophers. You have

talked about the wonder?

Yes, I don't know if girls understood,

I mean, I looked beyond all that

that they see every day, to let them see

the extraordinary,

but I don't know if I succeeded.

>> Well, it would be nice to be able to see it,

but how do you do it?

You should explain it to me too

>> whenever you want.

Thomas, hi

>> professor. Good evening.

>> How's it going?

>> All is well. It's a little early for

eat for

>> No, no, but I didn't come to eat.

I wanted to tell you that I convinced Lobbardi

to give you another chance.

>> That is,

>> but nothing, a little question.

It asks you for the verbs and two lines of

translation.

>> But I profile Latin, not

>> You can't miss this opportunity,

you have to make up for the unclassified, lo

do you understand this? No, come on, come on, put it there

all. You can do it, you can do it, you can do it.

Yes.

Here, always in the moments. Eh

eh eh.

Hi Manuel, where are you?

>> I am in India in Mumbai. Look, I have

I looked for Simone, but I didn't find him,

so I'll tell her.

>> Okay.

>> My journey as a fanboy already on

term. Feel how poetic I am.

>> Yes, very poetic.

>> My father was forced by my mother

to host me in Tokyo because I have them

I promised I won't waste the year, so

I was looking for Simone because he has to send everyone to me

the notes to the books, so I get back into it

I'm talking about studying.

>> Ah, so you put yourself under a

study. Well done, well done. [music] But

what are you doing there in Mumbai, in Tokyo, come back here,

get on the plane and come back. No,

>> but for goodness' sake, professor, look at that

you learn a lot of things abroad,

eh.

>> For example, [music]

>> eh, for example, I understood that the

Indians, even if they say no, with the

head, they say yes.

>> Here, come back. HI.

>> However you are lucky to have all the

days this wonder.

>> Well, yes, actually.

>> Who knows what the physics teacher would say.

>> I don't know.

>> Definitely something notable.

I have to confess something to you.

I had a bit of a crush on him.

>> Why does he give good lessons?

>> Because it's wonderful, because it has a soul

kind. [music] That is, if all the

people were like him, the world

it would be a better place.

>> But I too am a kind soul.

>> In fact you too make the world a place

better.

>> But you didn't have a crush on me.

Maybe in another life, I don't know.

You think [music] I'm crazy for being

have a crush on a professor?

>> Yes, definitely.

>> Got it?

>> Do you know that you're really good at cooking?

>> Thank you.

>> But are you saying that you were surprised? How

If No, don't you trust me? Eh

>> no, you don't give me credit.

>> No, absolutely not.

>> And you were right. No, I was really a

disaster once, then you know, you get old

as I get older I've become a bit of a bear,

so I often stayed home and cooked.

For me, I like to eat well. I had to

learn.

>> I get older, I get older, I get older,

I grow old.

>> I turn up the hem of my trousers.

Who was it that said that?

>> It's Thomas Elliot.

>> Elliot.

>> They are the first verses that are studied ad

anglicistics.

>> Res memory. No, maybe I have something

I remember, but oh well.

>> Come on, let's hear it.

>> No, [laughter] come on,

>> come on.

Um,

>> I grow old. I grow old.

I the bottom of my trous.

Eh,

ok. Yes, the sky has been freed. I thought

didn't happen, but I wanted to show you one

what. You come.

So, see that little diamond with the trail

there?

>> That star?

>> Oh, yes, it's actually a comet,

>> really.

>> Yes. And And we can see it because it is

passing very close to the Earth.

>> Ah,

>> and this happens once, every 71

years.

Nice

what an opportunity,

>> huh. It was windy.

me

[music] you to push me heart is you

[music] see the

I'm bleeding

I'm bleeding

you to push me down

on the you want me to believe

that I'm

I'm

Dear professor, [music]

I am writing to you from this remote town of

mountain where my parents every winter

parents force me to pass

parties. An anniversary that saddens me

more every year. This is the last year

of high school, the last one that she, Alba, Leone

and [music] I will pass together. After

who knows what will happen.

What a strange thing youth is leaving

inexorable even when we would like

stop it. What does he say about it

his philosophy?

Whoa!

[music]

Beautiful.

[music]

>> Hi Anita.

HI.

Are you still awake?

>> Mh, I'm not sleepy.

>> Ah,

>> I had a nice evening today.

>> So, this is really cute

friend.

>> It's cute. It's cute. He's a bit clumsy,

eh, but it's cute.

>> What did you do instead?

>> Eh, I went to the cinema with one of mine

friend.

>> What did you see?

No, we were late in the end and

we went to dinner. E

>> Ah,

>> I'll make some herbal tea, do you want it?

>> Yes, thank you.

Thomas,

I have something for you. For me m

>> it's a gift.

>> But what is this money, Simo?

>> I sold the Vespa. So you stop

kill double shifts at the pizzeria.

>> Why did you do this?

>> Why do you need them.

>> I need your money. What the fuck are you doing?

Give alms to your poor friend.

>> No, it's just that I'm sorry. I know it is

difficult to work, study, so I have

thought of

>> Yes, but you thought wrong. I don't have it

need your pity, I get by

alone. Here.

>> Look, I'm really sorry. Mi

I'm sorry to see you every morning

asleep on the desk, so I thought

to help you.

>> Yes, but it's as if you were me

saying that I can't do it alone

do. Do you get there?

>> Look, I'm not doing it out of pity, lo

I do it because I'm sorry.

>> Enough, Simo, take this money. Go to

buy the vespa back.

Congratulations,

You've settled in well here.

>> What do you want? [laughter]

>> Hey, what's the way to talk to us? You are

Have you forgotten that we have a debt? No,

I didn't forget, but I started again

to work, so as soon as I can true

everything.

>> And where have you been all this time?

>> In community, do you know?

>> Has the community done you any good?

>> Yes, I'm clean. It took a while to clean yourself

all this time. Almost a year that we have been there

you have to give the money. Eh,

>> listen, I don't have them now, though

just now

As soon as I can I'll give you everything.

>> We can wait in the meantime, though

take it.

>> I don't want it. I don't want anything.

>> And don't worry, we'll put it in

account.

>> Please go away. We were just thinking

to be of help here and there anyway

We decide when I would leave.

[laughter]

Valeri, come to the teacher's desk.

Thomas, come to the teacher's desk.

So, won't you thank me? I'm giving you

an opportunity. You come.

>> No, no, I'm not coming.

>> Why aren't you coming?

>> And why?

>> Why

because I don't need the help of

none, let alone his own. Thank you.

>> Look at meeting the problems

of students is part of ours

task of teachers.

>> Yes, yes, I understand, but I don't

interests. I will recover in due time,

really. I don't care. M. Frankly

I don't understand you.

>> Well, that doesn't surprise me. She is a

old. Old people don't like certain things

they understand, at least they don't get it.

What do I do? I have to explain to him [music].

I.

>> Eh, but do you realize that you are using the

word old as an insult?

>> Yes, yes, I realize. It means that the

I want to insult. No, she doesn't know anything

of my life, but he talks about me as if

I was stupid. As he delivered the

yesterday he tried to do checks on me

feel like shit and I'm not one

shit if you stick that in your head. Hey, hey,

hey, hey, tone down your language. I don't

I tolerate these terms in school. It is

clear?

>> What the fuck do I care what

she tolerates or she does not tolerate.

[music]

All stoned

>> Thomas, what's going on? Where are you going? Meals I

I can't stand it in here anymore,

really. I'm I'm full of all this

situation of Professor Lombardi, by

her, Simone, everyone on top of her.

>> Okay, but excuse me, let's talk about it,

let's go back to class and talk about it too

with Lombardy.

>> What should we talk about?

>> Let's talk about it. These things get resolved

always talking.

Come on,

do you trust me? Come on,

put yourself here.

>> Not Marti, what happened? The student

Valeri Tommaso, known as Thomas, has me

pointed out that I'm old, like

if I didn't know it with pain already

alone. And then this still never happened to me

happened. He used the old term

as a useless, waste, material person

as a result. Eh, maybe he's right, maybe

I'm too old for them and maybe

it's true that I [music]

I don't understand them anymore because they are too much

away from me.

>> Noni, you [music] are not old,

you are not old at all.

Boy,

Lombardi is dedicated his life

to teaching,

he saw pass in front of him [music]

entire generations of students and has

always done with great commitment.

When you are young, like you are

now, time never seems to pass,

no? It feels immortal, but that's it

a condition that doesn't last forever,

you don't stay kids forever.

At a certain point you realize that

the years have passed.

And I assure you it's not pretty

surprise.

Zambrano said that adults, that

you call old people, they desire

metaphorically be eaten for

become [music] nourishment of

youth.

But metaphorically

no one is allowed to insult them,

smear their story

and I assure you that Lombardy has one

story before which everyone

you should kneel down.

>> Thomas, did you understand this?

>> Yes, yes.

>> Do you want to tell me something to the professor?

I'm sorry, I don't think about them

really the things I said, which are

in a somewhat tense period for the

work and

when I leave then I get pissed off, I'm sorry

really.

>> I don't know if Trecania already has it

accepted this verb

screw up.

>> He accepted it. And then me in the meantime

I accept your apologies, eh,

and let's end it here.

It's a knocker.

Thank you.

Thank you.

Good lesson.

Come on, come on. Only three.

>> Oh, bring me these three dishes for seven, though

please?

>> Come on, be careful. Very quietly. Oh, but

what are you doing? But you don't lack the ability to

bring two plates. Excuse me,

>> but I'm sorry. Are you incapable?

>> Oh, I apologized, but you have to stay

calm.

>> I told you that you are a [ __ ]

understood? Oh,

>> what the fuck are you doing? What the fuck are you?

>> Oh, why are you putting your hands on me

me? You have to shut up with me. Shut up.

[music]

>> What the fuck did you do?

>> Oh, I want to get paid. You understood that

do you have to give me my money?

>> [music]

[music]

>> Imagine a cat in a box with

inside the radioactive substance.

So, is the cat dead or alive? Not it

we know, that is, it can be 50% alive or

50% dead and we won't know until

we'll open that box. And so for

us, in the current state of ours

knowledge, the cat is both alive and

dead.

>> Eh, but it's not possible, that is, it's not

possible.

>> Eh, but it's actually a contradiction. Not

he can be alive and dead at the same time

time.

>> It is not for quantum physics

according to which, until you observe

directly a phenomenon, all the

possibilities coexist and only in

the moment we open the box, the

reality collapses and shows us

actually whether the cat was alive or

he was dead. And this is the paradox of

Schringer. Well, crazy.

>> Yes, a bit like in life, right? Not

we never know what might

happen until it actually happens.

>> And the reality that is not defined until

We don't dive into it, do we? But

this is a bit more [music] discussion

philosophical, I think. What do you do, Professor?

He confirms?

Please.

>> No, I say confirm what he says

professor.

>> Ah, no, sorry, I wasn't following why

I typed to get the tarol light,

instead he gave me the croissant. Success.

>> Professor, but you know it makes you la la

physics is a subject I almost don't know,

I don't know romantic.

>> Thank you. But I don't think it's me. I believe

that it is precisely the matter. That is, it is

romantic if you think about it, because you

it forces you to imagine, to push you

beyond human knowledge. But that's right

romantic, right?

>> Just don't end up in a box

company of a radioactive substance.

>> Great tip.

>> I'm going with class.

>> See you later.

>> I'm going too. Eh, I have to go to fourth grade

and now. HI. HI.

>> Goodbye.

What is it?

>> What is it? Nothing,

no? which today is a look a little

different. I don't know, maybe

quantum physics?

>> Maybe.

>> Who can say?

>> In your opinion, because we don't see each other

more?

>> Why are we no longer a couple, Dante?

We're friends, right?

>> Yes, but friends are called, right? Yes

they see, they feel, right?

>> What do you want to know?

>> Nothing, so to speak.

>> It's not just saying. If you want to know

ask her something.

>> I don't want to know anything. Not you

I want to ask anything. It was, you know the

discussion in general? You're [music] in

general. Mh.

>> Oh, no. And instead I want one thing

ask you. Sunrise.

>> Eh.

>> And he hasn't been seen since yesterday.

>> Come on, I'll try to call her

>> I don't know where he lives.

>> One moment. Do you do me? Understood? Eh, I have

understood. I said nothing. I said

>> the customer you called.

>> No, it's actually disconnected.

>> So, can you give me the address, please?

So maybe for lunch I'll take the bike and

I'm going. Who knows, maybe he's not well.

>> No, forget it. He lives in one place

away from everything.

Come on, I'll pop over after school.

Okay,

>> come on. Okay, thanks. Hi, I'm going.

Sunrise.

>> [music]

[music]

>> Dawn,

Dawn! [music]

Hey,

>> but what did they do to you? What happened?

Always to me

the disgust. Always to me.

>> Come, I'll take you to the hospital.

>> No, I don't want [laughter] to go in

hospital.

>> Okay, then no. Then no. Hey,

>> it's all my fault.

>> But of what?

>> It's all my fault,

>> Gabriele,

>> don't think about Gabriele. Now tell me who

he did this to you. Who was it?

>> Those who want money have come.

>> What money? I have to give him some money,

but I don't have them.

>> But are they drug dealers?

>> Yes, but

it's an old debt, from a year ago.

>> Come with me, come with me.

>> I don't want to go to hospital.

>> I'm not taking you to the hospital, I'm taking you to a

safe place. Do you trust me? Eh,

trust me.

Come on, come on,

Now we're as beautiful as before, eh?

Indeed, more than before. Mh.

Then,

there, done.

Thank you, thank you very much.

Don't even say it.

>> How are you?

>> Nice.

He reacts.

>> Did you happen to tell him about the hospital?

>> Yes, I told him he doesn't want to go.

No, there is fear of those who

they beat her up. He told me they were in

two.

>> You are sure that it is not a problem for

can you keep her here for a few days?

>> Of course, are you kidding? No,

>> it's here, it's here. Here is the safe and

above all she is not alone.

>> Which is the most important thing. Now

>> you should have seen it. He cried, he cried, not

he just thanked me.

These disgusting damned things, look.

But why didn't you tell me that Alba

did he live like this? What happened to him this time

girl in the past?

I'll tell you about it.

Thank you.

Don't thank me

pig.

It's just madness, [music]

a leap in the wind,

a perfect beat

which lasts a moment.

[music]

Wow! Wowow! Oh. [music]

[music]

>> [music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]