Original subtitles

I WANT THE BEST TWO, DOWN THERE.

THAT'S A LOVELY ONE.

NO, MUM.

MUM, I LOOK LIKE A --

UNCLE DAVID WITH HIS TWITCH.

I CAN'T USE THAT ONE.

OH, STOP IT. NO, I HATE THAT ONE.

KELLY.

IT LOOKS LIKE, "GOD, IS THAT YOU?"

IT'S STUPID. I HATE IT.

I DON'T WANT, LIKE... "HA HA" PICTURES.

I HATE THAT.

MUM, YOU'RE RETARDED. I'M NOT LIKING THAT ONE.

BUT I'LL STICK --

T-THAT ONE'S OKAY. LOOK.

IT'S UPSIDE DOWN, OZZY.

OH.

♪ CRAZY ♪

♪ HEY, BUT THAT'S HOW IT GOES ♪

♪ MILLIONS OF PEOPLE ♪

♪ LIVIN' AS FOES ♪

♪ BUT MAYBE ♪

♪ IT'S NOT TOO LATE ♪

♪ TO LEARN HOW TO LOVE ♪

♪ AND FORGET HOW TO HATE ♪

[ WHIRRING ]

Ozzy: W-WHAT DO I PRESS NOW?

WHAT DO YOU WANT IT TO DO, COME BACK UP?

COME BACK UP AND DO THE -- DO THE NUMBER.

I LIKE -- DON'T -- JUST DON'T TURN IT ON.

KEEP IT GOING UP AND DOWN. I THINK IT'S GREAT.

THE BATCAVE LIVES.

AAAH. AAAH.

OH, WOW.

IT'S GOING 'ROUND, 'ROUND, 'ROUND.

IT'S ROCK 'N' ROLLIN'.

NOW, NOW, WA-- WATCH -- WATCH -- WATCH THIS.

IT'S -- IT'S COOL.

IT'S (bleep) BROKEN.

(bleep) HELL.

Melinda: WHEN THIS WEEK DO YOU WANT TO --

HAVEN'T I ALREADY SPOKEN TO ALL THESE PEOPLE, ANYWAY?!

SHOW ME.

NO. NO. NO. NO.

SO, CHRIS AMOROSO, WHO'S DOING THE DOGS CALENDAR,

WANTS TO TAKE SOME PHOTOS OF YOU WITH THE DOGS.

NO! I TOLD THEM NO! IT'S A DOG BOOK!

I DON'T WANT TO TAKE -- NO!

THE DOGS ARE YOUR LIFE.

YES, THEY ARE MY LIFE, BUT I WOULD RUCH --

MUCH RATHER BE DOING SOMETHING ELSE, LIKE NOTHING.

OKAY. "KELLY SAID NO.

"PLEASE DO NOT MAKE HER SIT THERE

AND POSE WITH THE DOGS."

SEND.

STRAIGHT TO THE PHOTOGRAPHER.

THAT WAS TO MICHAEL, YOU SCHMUCK.

IT WAS TO THE PHOTOGRAPHER.

THEN WHY DOES IT SAY "MICHAEL AT DIVINE," HUH?

"VANITY FAIR"? HOW LONG IS THAT GONNA BE?

AND WHAT IS IT FOR? IT'S NOT FOR THE COVER, IS IT?

[ TYPING ]

IT'S ONLY A STORY, SO IT'S NOT LIKE --

THEN WHY THE (bleep) ARE THEY FLYING SOMEONE OUT?!

CAN'T I JUST DO IT ON THE PHONE?!

IT'S A VERY IMPORTANT PIECE.

[ MOUSE CLICKING ]

I HAVE TO GO TO NEW YORK TOMORROW.

TOMORROW? MM-HMM.

I HAVE ONE SONG TO DO.

[ Telephone rings ] WHY CAN'T YOU DO IT HERE?

[ Telephone dialing ] [ Dopey voice ] 'CAUSE MY PRODUCER IS IN NEW YORK.

WHY DON'T -- WHY IS HE CALLING UP TODAY, TELLING US WE NEED TO BE THERE TOMORROW?

BECAUSE I WAS SUPPOSED TO BE IN NEW YORK TODAY.

YOU WERE?

BUT NOTHING WAS BOOKED WITH RIC WAKE.

YOU'RE MAKING MORE OUT OF IT THAN THERE NEEDS TO BE!

A MILLION PEOPLE DON'T NEED TO BE DOING EVERYTHING FOR ME.

I CAN DO IT.

OKAY.

UM, IT'S ONE DAY I'LL BE AWAY FROM L.A.

Jack: THEY'RE CALLED DILLUSION. I FOUND THEM AGES AGO.

AND I ACTUALLY SIGNED THEM ABOUT 18 MONTHS AGO...

SO IT'S ABOUT TIME THEY GOT THEIR (bleep) TOGETHER.

IT AIN'T THE ALBUM OF THE CENTURY, ALL RIGHT?

YOU DON'T (bleep) KNOW THAT. [ LAUGHING ]

I KNOW IT'S NOT, 'CAUSE IT'S AN E.P., SO IT CAN'T BE THE ALBUM OF THE CENTURY.

AND THEY'RE SITTING AROUND ROLLING UP DOOBS AND (bleep)

GETTING READY TO RECORD.

YOU DON'T NEED TO BE A PART OF THAT.

WE'RE (bleep)

AN HOUR LATE.

[ ROCK MUSIC PLAYS ]

[ MUSIC FADES, STOPS ]

IT'S GOOD. IT'S REALLY GOOD. YOU LIKE THAT?

P-PRETTY GOOD SOUND THAT WE GOT HERE?

BETTER THAN EVER?

[ LAUGHS ] WAS IT THE BEST THING YOU EVER HEARD?

SAY IT, JACK. SAY "BEST EVER."

SAY IT. SAY IT. SAY IT.

ARE WE THE BEST BAND YOU'VE EVER DEVELOPED?

[ LAUGHTER ]

EASY THERE, OLD MAN.

THE WAY I HEAR THE STORY IS THAT KELLY HEARD US FIRST.

THAT WAS, LIKE, THE BIGGEST CONTROVERSY EVER --

WAS IT YOU OR YOUR SISTER?

IT'S LIKE, "WAIT. WHO WAS IT -- JACK OR KELLY?"

IS KELLY HERE RIGHT NOW?

WHAT? IS KELLY HERE RIGHT NOW?

SHE'S IN THE BACK SINGING... RECORDING.

SHE'S RECORDING AN ALBUM.

♪ PAPA, DON'T PREACH ♪

[ High-pitched ] ♪ I'M IN TROUBLE DEEP ♪

Melinda: SONETTI WOULD LIKE TO MAKE KELLY A PRESENT

OF A LADIES' BLUE DENIM, FITTED BLAZER.

WHY NOT?

[ MID-TEMPO MUSIC PLAYS ]

♪ I'M NOT VERY WELL TODAY ♪

♪ NO, I'M NOT FEELING VERY WELL TODAY ♪

(bleep) SAKES!

CAN I NOT GO IN ONE ROOM IN THIS (bleep) HOUSE

WHERE I'M LEFT ALONE, FOR GOD'S SAKE?!

♪ I'M ALL BUMMED UP ♪

♪ AND I'M LOOKING RATHER GRAY ♪

♪ NO, I'M NOT VERY WELL TODAY ♪

♪ NO, I'M NOT FEELING VERY WELL TODAY ♪

I'M SICK OF IT! I WANT A (bleep) BREAK!

YOU HAVEN'T BEEN THERE FOR ALL OF IT, MUM!

WHEN DO YOU WANT THE BREAK, KEL -- NOW?

YOU WANT IT THIS WEEK? OH (bleep)

KELLY, I'LL GET IT FOR YOU. I'LL DO IT FOR YOU.

OH, MY.

WHAT WAS THAT?

JUST KELLY -- SHE'S REALLY UPSET BECAUSE OF THE WORKLOAD

AND EVERYTHING THAT'S COMING IN, AND SHE DOESN'T WANT TO DO IT.

SHE WANTS TO BE A KID. SHE WANTS TIME OFF.

IT'S HARD, AND --

THE NEXT COUPLE OF MONTHS ARE GOING TO BE REALLY HARD.

REALLY, REALLY HARD.

AND THE SITUATION IS, IS THAT KELLY SIGNED THE CONTRACT.

AND SHE'S GOT TO LEARN THAT, YOU KNOW,

IT'S NOT A GAME.

YOU EITHER DO IT, OR YOU DON'T DO IT.

IT'S -- IT'S TERRIBLE.

YOU'VE GOT NO LIFE, BUT IT'S THAT OR THAT.

OZZY, GO TALK TO HER. SHE'S SAD.

GO GIVE HER A HUG.

Melinda: SHE'LL BE ALL RIGHT.

KELLY? KELLY, CAN I -- CAN I COME IN?

LEAVE ME ALONE! [ SCREAMING ]

YOU NEVER (bleep)

[ SCREAMING ]

I (bleep) STOP IT!

(bleep) YOU, YOU BASTARD!

[ INDISTINCT CONVERSATIONS ]

DON'T -- DON'T ASK ME TO DO THAT AGAIN...

'CAUSE I JUST GOT BOLLOCKED TO DEATH.

Sharon: YOU GOT BOLLOCKED?

BOLLOCKED TO -- YELLED AT AND (bleep) REAMED.

I-I-I AIN'T THE (bleep) MANAGER AROUND HERE.

THIS AIN'T MY JOB.

SHE'S SO DRAMATIC. I LOVE HER SO MUCH.

[ CHUCKLES ]

S-S-SHE'S GONE -- SHE'S (bleep) NUTS.

[ BIG-BAND MUSIC PLAYS ]

[ SCREECHES ]

YOU'VE HAD A BAD DAY. IT'S NEARLY OVER. YOU SHOULD GO TO BED.

AND I'M NOT DOING THE BARBARA WALTERS THING.

I TOLD YOU -- YOU DON'T HAVE TO.

KELLY, WHY ARE YOU MAKING SOMETHING OUT OF NOTHING?

I'M NOT.

YOU WERE TOLD YOU DON'T HAVE TO DO IT, SO DON'T DO IT.

DON'T TRY AND LOOK FOR A FIGHT, KEL.

NOBODY'S FIGHTING WITH YOU. YOU DO WHAT YOU WANT TO DO.

[ WATER RUNNING ]

KELLY'S LEAVING NOW FOR NEW YORK.

OH, GOD! D-DO -- ARE YOU ALL RIGHT FOR MONEY, KELLY?

I'VE GOT, LIKE, $100. I'M FINE.

NO, YOU NEED MORE CASH THAN THAT.

HOW MUCH YOU GOT, KELLY?

$100. I DON'T --

LET ME GET YOU SOME CASH.

IF YOU -- IF YOU FIGURE ON PAYING ME BACK...

I'LL GIVE YOU --

MUM, I TOLD HIM I DIDN'T NEED ANY,

AND HE GOES, "WELL, YOU HAVE TO PAY ME BACK."

NO, YOU MUST HAVE SOME CASH.

I'M GONNA MISS YOU. WILL YOU CALL ME AS SOON AS YOU LAND?

YEAH, I'LL CALL YOU WHEN I GET TO THE AIRPORT.

OKAY. YOU'VE GOT YOUR PHONE? IS IT CHARGED?

OKAY.

MM-HMM. I LOVE YOU.

I'M GONNA MISS YOU SO MUCH. KEL, I LOVE YOU.

TWO HANDS.

NOT HALF A HUG, OKAY?

[ CHUCKLES ]

MUM, I'M GOING FOR, LIKE, 24 HOURS, AND I'LL BE BACK.

[ MUMBLING ]

I DON'T NEED THAT MUCH, DAD.

GO ON. JUST -- JUST TAKE IT.

DAD, I REALLY DON'T NEED THIS.

Y-Y-Y-Y-YOU NEED SOME --

I'D RATHER YOU HAVE SOME CASH THAN YOU HAVE NONE.

[ SMOOCHES ]

I LOVE YOU.

SELL THOSE TAPES, DARLING.

I WILL.

ROCK 'N' ROLL, KEL.

[ TELEPHONE RINGS ]

HELLO?

YES. HEY, JASON.

I'M DOING WELL. I'M WAITING FOR YOUR (bleep) DEMO, DUDE.

FOR NOW, GIVE US A CD. WE JUST NEED FINISHED STUFF.

AND THEN GIVE US -- THEN GIVE US THE MASTERS.

DON'T SPOOF IT OFF OR ANYTHING.

JUST BURN IT AS IS.

WE NEED TO GET THIS DONE,

AND I JUST SAID WE NEED THE (bleep) CD.

YEAH, BUT WHAT THE (bleep) HIS PROBLEM, THEN?

WE NEED THE (bleep) CD,

BECAUSE IF WE'RE GONNA GO ANYWHERE WITH IT, WE NEED IT.

WHAT THE (bleep) IS HIS PROBLEM?

(bleep) (bleep) (bleep)

WHAT?

THE (bleep) GUITARIST IN DILLUSION IS A (bleep) ASS-- (bleep)

AND HE'S BEING SO PROTECTIVE OVER THIS (bleep) DEMO.

PEOPLE SHOULD HEAR IT. THEY NEED TO GET THEIR NAME OUT THERE.

AND IT'S JUST A DEVELOPMENT DEAL, RIGHT?

EXACTLY. AS OF RIGHT NOW, THE GUITARIST IS A PROBLEM.

♪ I'M SCREAMING FOR ATTENTION, SO COME DIG ME OUT ♪

♪ AND I SAID HE-E-E-Y ♪

♪ SOMEBODY, CAN YOU HEAR ME NO-O-O-W? ♪

♪ 'CAUSE MY WORLD IS CAVING IN ♪

♪ SO COME DIG ME O-O-OUT ♪

♪ COME DIG ME O-O-OUT ♪

♪ COME DIG ME O-O-OUT ♪

♪ COME DIG ME O-O-OUT ♪

I DIDN'T THINK I COULD SING THAT HIGH.

NOW YOU KNOW. BELT THAT (bleep) OUT. [ CHUCKLES ]

YEAH. IT MUST'VE BEEN ALL THE SCREAMING I DID WHEN I WAS A KID.

YEAH, YOU DEFINITELY GOT THE LUNGS FOR IT.

I WAS TELLING RIC, YOU KNOW.

[ LAUGHING ]

YOU KNOW WHERE IT IS, OKAY? [ CELLPHONE RINGING ]

HELLO?

ALL RIGHT, THAT'S GOOD. HERE WE GO.

OKAY, HERE WE GO.

GOOD. PERFECT.

AND IT'S VERY UNCOMFORTABLE. I KNOW.

GIVE ME A LITTLE BIT, YOU KNOW. I SEE SOMETHING --

I'LL FEEL LIKE A (bleep) RETARD DOING THIS.

NO, NO -- [ LAUGHING ]

GREAT. A LITTLE CLOSE. OH (bleep) I THINK --

I CAN'T REALLY MOVE.

OKAY, LET'S HAVE A LOOK. GO LIKE, LIKE, LIKE --

GOOD.

ALL RIGHT, WE NEED THAT PICTURE.

ALL RIGHT, I MEAN, I-I-I LIKE ALL THIS.

I THINK IT'S COOL, BUT I DON'T THINK

THE MAGAZINE'S GONNA LIKE IT THAT MUCH.

KELLY.

EXCUSE ME.

I'M GONNA (bleep) KILL MYSELF!

Man: It's Kelly on line one.

Kelly. SHE'S PHONING ME.

TOTS?

ALL RIGHT, KEL.

WOULD YOU PLEASE JUST PHONE IN AND LET ME KNOW YOU'RE OKAY?

ALL RIGHT. BYE.

THAT WAS A PHONE CALL TO SAY --

EVERYBODY CAN HAVE THE MONEY BACK.

SHE DOESN'T WANT TO DO ANYTHING ANYMORE.

Kelly: I HATE IT WHEN THINGS ARE UNORGANIZED,

AND THINGS ARE CRAZY LIKE THIS.

I HATE GOING TO THINGS LIKE THIS.

[ INDISTINCT SHOUTING ]

JACK, SO, KELLY WENT OUT LAST NIGHT,

AND APPARENTLY, UM,

PUFF DADDY'S SECURITY GUARD BUMPED INTO HER

AND KNOCKED HER ON THE FLOOR.

AND THEN PUFF DADDY PICKED HER UP

AND PUT HER ON THE TABLE AND APOLOGIZED

AND WAS REALLY NICE TO HER...

AND TOLD HER SHE DOESN'T WEAR ENOUGH DIAMONDS

AND THAT HE WAS GONNA GET HER A DIAMOND WATCH.

P. DIDDY'S THE HOMEY.

HMM? P. DIDDY.

AND I SAID HE SMELLS GOOD.

HE DRESSES NICE. HE'S FINE.

WOULDN'T IT BE COOL IF KELLY WENT OUT WITH PUFF DADDY?

[ DREAMLIKE MUSIC PLAYS ]

AND I WAS PUFF DADDY'S MOTHER-IN-LAW?

PUFF MUMMY?

PUFF MUMMY. IT'S P. DIDDY, MUM.

P. DIDDY-WIDDY-WIDDY-WILLIE- WILLIE-WINKLE.

KEL AND PUFF DAD,

'CAUSE KEL'S LIKE A LITTLE STREET FIGHTER.

SHE'S LIKE A LITTLE MEANIE.

AND THERE'S BIG OLD P. DIDDY-DIDDY-DIDDY-DIDDY.

NO.

I THINK THEY'D BE SO CUTE TOGETHER.

NO, Y-YOU'RE JUST SAYING THAT 'CAUSE HE'S FAMOUS AND HAS LOTS OF MONEY.

NO, I'M NOT. HE SMELLS GOOD.

SO (bleep) WHAT? I SMELL GOOD.

[ BIG-BAND MUSIC PLAYS ]

♪ WHAT'S WITH THE TEMPERATURE NOW? ♪

♪ WHAT'S THE HI-I-GH? ♪

[ Deep voice ] ♪ WHAT'S THE LOW? ♪

[ GASPS ]

MUM, I JUST -- I'M SORRY. I'M SO SPOILED, ANYWAY.

YE-- BUT IT'S LIKE, SERIOUSLY, LIKE --

But it's not the bad spoiled,

where it's like, "I want it now"...

LIKE "VERUCA SALT" SPOILED.

BUT IT'S NEVER BEEN LIKE WE'VE BEEN LIKE,

"I WANT THIS, AND I WANT IT NOW,"

AND, LIKE, BITCHED UNTIL WE GOT IT.

DO YOU THINK COMPROMISATION

IS THE BEST WAY TO GO ABOUT ANYTHING

THAT YOU DON'T WANT TO DO?

♪ WELL, GET ON BOARD, GET ON BOARD ♪

[ BOTH LAUGHING ]

OH, MY GOD.

WHAT?

YOU ARE SUCH A (bleep) MELINDA.

[ GASPS ] OH, SORRY. [ LAUGHING ]

♪ THERE'S ROOM FOR MANY A MORE ♪

Jack: ALL RIGHT, LET'S SEE IT. LET'S SEE IT.

[ DOG BARKS ] KELLY!

IS THAT NOT THE HUGEST WATCH YOU'VE EVER SEEN IN YOUR LIFE?

IT'S YOUR MAMA.

MUMMY!

I DON'T (bleep) TRUST IT.

[ LAUGHS ]

DON'T TALK ABOUT MY SON-IN-LAW THAT WAY.

YOU'RE CRAZY, MUM.

THAT'S GORGEOUS, KELLY.

ISN'T IT?

IT'S REALLY GORGEOUS.

DOESN'T HE SMELL NICE, KELLY?

NO, MUM, HE'S -- HE'S SO MANICURED.

HE'S SUCH A GENTLEMAN. HE'S SO WELL PUT TOGETHER.

I KNOW HE IS. HE'S PERFECT.

Melinda: HIS NAILS WERE PERFECT. HIS SUIT WAS PERFECT.

I BET HE'S GOT A NICE OLD WILLIE, YOU KNOW.

OH, MY --

PUFF DADDY'S WILLIE. MUM, YOU'RE MAKING ME (bleep) SICK.

OH, YOUR MUM'S TALKING ABOUT DIDDY'S WILLIE.

MUM, SERIOUSLY, YOU CANNOT TALK ABOUT STUFF LIKE THAT.

[ LAUGHS ] I BET IT'S SMOOTH.

AAAH!

[ LAUGHTER ]

I BET IT'S OILED, AND I BET --

AAAH!

PLEASE DON'T! IT'S MAKING ME SICK!

[ LAUGHTER ]

I BET IT'S JUST PERFECT. I'M WALKING AWAY.

I SHOULD'VE ASKED HIM TO SEE IT.

[ BIRDS CHIRPING ]

Ozzy: W-W-WHERE'S KELLY, BOB? HAS SHE GONE OUT?

Bob: NO, SHE'S IN THE OFFICE.

SHE'S DOWNSTAIRS.

♪ I DON'T NEED A TISSUE ♪

♪ TO BLOW MY NOSE ♪

[ LAUGHING ]

♪ MY HEAD IS CLEARING ♪

♪ AND I CAN TWIDDLE MY TOES ♪

AAH! OW!

♪ I'M FEELING MUCH BETTER TODAY ♪

EWW! EWW!

♪ YES, I'M FEELING MUCH BETTER TODAY ♪

OH (bleep) ♪ I'M READY NOW TO GO OUT AND PLAY ♪

STOP IT! YOU'RE GONNA BREAK IT.

♪ HOORAY! ♪

STOP!

DO YOU WANT TO GET ME YOUR RECORD? [ LAUGHING ]

OH (bleep) YOU, THEN.

I WILL! I'M GOING, DAD! DON'T HIT ME, JACK!

I'M COMING! DAD, I'M COMING!

YEAH.

WHAT SONG DO YOU WANT TO HEAR FIRST?

I MEAN, D-DID -- WHAT --

THEY'RE ALL -- THIS HAS GOT THREE SONGS ON IT,

AND ALL OF THESE HAVE ONE SONG ON THEM.

HAS THIS GOT THE SAME SONGS?

NO, THEY HAVE ALL DIFFERENT SONGS ON THEM.

UH, UH, UH, LET ME -- LET ME -- LET ME FIX THIS.

WHAT TIME IS IT?

♪ THE COUCH SUCKS ME DOWN TO THE FLOOR ♪

♪ AND THE FLOOR SUCKS ME DOWN TO THE EARTH ♪

♪ AND I'M COVERED AND BURIED BEFORE ♪

♪ MY HEART HAD A CHANCE TO START WORKING ♪

♪ HE-E-E-Y ♪

♪ IT'S HEAVY UNDERGROUND ♪

♪ I'M SCREAMING FOR ATTENTION ♪

♪ SO COME DIG ME O-O-OUT ♪

♪ AND I SAID HE-E-E-Y ♪

♪ SOMEBODY, CAN YOU HEAR ME NO-O-O-W? ♪

♪ COME DIG ME O-O-OUT ♪

♪ COME DIG ME O-O-OUT ♪

♪ COME DIG ME O-O-OUT ♪

♪ COME DIG ME O-O-OUT ♪

♪ I NEVER THOUGHT I'D FALL 10 FEET UNDER ♪

THANKS, DAD.

YOU SHOULD BE REALLY PROUD OF YOURSELF.

I KNOW I AM.

Jack: SORRY ABOUT THE MESS.

CASEY'S JUST -- HE'S HIGH-STRUNG ALSO, YOU KNOW THAT?

TOTALLY HIGH-STRUNG. LIKE, HE'S WAY HIGH-STRUNG.

AND ESPECIALLY WHEN IT COMES TO SOMETHING HE CARES SO MUCH ABOUT.

I'M JUST HOPING THAT -- I'M JUST HOPING THAT CASEY

JUST DOESN'T START BECOMING LIKE A KIND OF, UH...

A NUISANCE, YOU KNOW, THAT'S ALL.

[ CHUCKLES ] TO YOU, MAYBE.

[ ROCK MUSIC PLAYS ] YOU GET ANNOYED EASILY.

IT'S REALLY MUDDY.

FIVE.

YEAH, I LIKE IT.

OH, YEAH.

IT'S GOOD (bleep)

IT'S GONNA BE GREAT AFTER IT'S M-- ALL DONE.

MM-HMM. BE REALLY COOL.

WHAT ARE YOU GRINNING ABOUT?

YOU'RE LIKE, "AAH! LITTLE DOES HE KNOW. HA HA HA!"

LOOK AT YOU.

[ Laughing ] YOU -- YOU GOT SUCH AN EVIL GRIN.

YOU SERIOUSLY ARE GONNA BE A...

LIKE ONE OF THOSE, LIKE, SUPERVILLAINS.

SUPERVILLAINS? ONE DAY... YOU'RE GONNA GET DISGRUNTLED

AND, UM... AND, LIKE, WANT TO TAKE OVER?

YEAH, EXACTLY. YOU'RE GONNA TAKE OVER THE WORLD.

WE'D WATCH THIS VIDEO EVERY DAY WHEN WE WERE KIDS.

ME AND AIMEE DID.

I KNOW. I USED TO WATCH IT ALL THE TIME, TOO.

Annie: I LOVE YOU, DADDY WARBUCKS.

YOU'RE, UH, GOING TO AUSTRALIA IN ABOUT --

OH, 10 -- 10 MINUTES.

I HAVEN'T PACKED. [ LAUGHS ]

♪ TOMORROW ♪ ♪ THE SUN'LL COME OUT TOMORROW ♪

♪ BET YOUR BOTTOM DOLLAR THAT TOMORROW ♪

♪ THERE'LL BE SUN ♪

WHAT ARE YOU LAUGHING AT? [ CHUCKLES ]

♪ TOMORROW ♪ ♪ JUST THINKING ABOUT TOMORROW ♪

♪ SLEEP AWAY THE COBWEBS AND THE SORROW ♪

♪ COME WHAT MAY ♪

AAAH. AAAH.