All language subtitles for The Osbournes - S02E06 - Meow Means No!

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil) Download
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu

Original subtitles

THE NEIGHBORS BACK THERE COMPLAINED. ABOUT WHAT?

APPARENTLY, THE DOGS HAVE BEEN BARKING

AT, LIKE, 12:00, 1:00 IN THE MORNING OR SOMETHING.

HE'S NOT GONNA DO ANYTHING ABOUT IT,

BUT HE JUST WANTS TO LET US --

BUT THEIR (bleep) DOGS START MY (bleep) DOGS BARKING!

WHAT DO YOU EXPECT THE DOGS TO DO -- MEOW?

♪ CRAZY ♪

♪ HEY, BUT THAT'S HOW IT GOES ♪

♪ MILLIONS OF PEOPLE ♪

♪ LIVIN' AS FOES ♪

♪ BUT MAYBE ♪

♪ IT'S NOT TOO LATE ♪

♪ TO LEARN HOW TO LOVE ♪

♪ AND FORGET HOW TO HATE ♪

[ MUSIC BOX PLAYS LULLABY ]

[ BIRDS CHIRPING ]

[ PURRING ]

[ YAWNING ]

[ SNORING ]

AH, WHAT'S WRONG?

LOOK AT CHICKEN.

ISN'T SHE GORGEOUS?

IT'S JUST RIDICULOUS HOW GORGEOUS SHE IS.

IT'S RIDICULOUS HOW YOU'RE HOLDING HER LIKE A LITTLE BABY.

WHY?

'CAUSE SHE'S A DOG.

BUT I LOVE HER LIKE A BABY.

YOU'LL KNOW LOVE ONE DAY WHEN YOU FIND A CHICKEN.

[ LULLABY CONTINUES ]

[ DOGS BARKING ] ♪ 'CAUSE EVERY DOG HAS ITS DAY ♪

♪ LIKE EVERY WOMAN, SHE GETS HER OWN WAY ♪

♪ AND IF THERE'S A SHIP THAT SAILS TONIGHT ♪

♪ I'LL CAPTAIN THAT, TOO ♪

♪ JUST BECAUSE EVERY DOG HAS ITS DAY ♪

♪ LIKE EVERY WOMAN, SHE GETS HER OWN WAY ♪

[ DOGS BARKING ]

SHUT UP!

LEAVE HER ALONE, ARTHUR.

YOU'RE SUPPOSED TO BE THE NICE ONE.

[ DOG GROWLING ]

Ozzy: WHAT THE (bleep) IS THAT?

[ BARKS ] Melinda: CHICKEN.

IT SMELLS LIKE DOG (bleep) EVERYWHERE I (bleep) GO, MAN.

[ GASPS ] OH, MY GOD, I HATE MY LIFE.

WHY? I JUST STEPPED IN (bleep)

OH, MY GOD, I'M SO DISTRAUGHT NOW.

[ WHIMPERING ]

COULD YOU IMAGINE IF I WENT AND TOOK A DUMP IN THE HALLWAY AND SOMEONE STEPPED IN IT?

IT'S DISGUSTING.

(bleep) THOSE STUPID (bleep) DOGS.

I (bleep) HATE THEM.

I'M GONNA REWASH THE ARMPITS ON THIS SHIRT

'CAUSE IT STILL ISN'T OVER WITH, KEL.

THAT JERSEY SMELLS SO BAD. DOESN'T SMELL BAD.

YOU SHOVED THAT SHIRT IN MY FACE, AFTER, WHEN I TOOK IT OFF.

AND I HAD B.O. ON MY LIPS, THE SMELL, THE WHOLE (bleep) DAY. SHUT UP.

[ GASPS ]

IT'S CHILL IF YOU STAY AT THE HOUSE.

YEAH, WELL, YOU SHOULD DEFINITELY COME BY.

IT'S GONNA TAKE SOME GOOD CONVINCING, BUT WE'LL WORK ON IT.

ALL RIGHT, I'LL BE HERE. LATER, BRO.

UNH!

THAT WAS DILL.

OLD BUDDY, OLD PAL IS COMING TO STAY AGAIN.

WHOO! IT SHALL BE GRAND.

WE SHOULD GET GOING.

OKAY, LOOK, I SACRIFICED MY SHOWERING.

AT LEAST LET ME WASH MY FACE AND BRUSH MY TEETH.

[ Laughing ] WHAT?

THAT'S DISGUSTING.

I HAVE TO PUT MY MAKEUP ON.

SARA, WE'RE GOING TO A BAND REHEARSAL.

I DON'T GIVE A (bleep) HOLMES.

JUST TRY AND MAKE THIS AS QUICK AS POSSIBLE,

SO I CAN GO BACK TO BED.

LET'S GO, LET'S GO, LET'S GO.

Sara: I'VE KNOWN KELLY FOR ABOUT FOUR YEARS.

I MET HER AT THE MALL.

SHE ASKED ME TO PLAY DRUMS IN HER BAND.

IT WASN'T LIKE A "WILL YOU DO IT?"

IT WAS LIKE, "SARA, YOU HAVE TO COME ON TOUR WITH ME."

I SAID, "ALL RIGHT, I'LL DO PERSONAL-ASSISTANT WORK."

SHE GOES, "NO, YOU'RE GONNA PLAY DRUMS IN MY BAND."

SO...I GUESS I'M SET.

[ "PAPA DON'T PREACH" PLAYS ]

SOMETHING -- I WOULD ALWAYS TAP

ON TABLES AND BENCHES AND WHEREVER I WAS.

I HAVE, LIKE, COMPLETE, LIKE, SENSE OF RHYTHM.

CAME, LIKE, NATURALLY. I NEVER TOOK LESSONS.

♪ BUT MY FRIENDS KEEP TELLING ME TO GIVE IT UP ♪

♪ SAYING I'M TOO YOUNG, I OUGHT TO LIVE IT UP ♪

OH (bleep)

OH, YEAH.

[ DOGS BARKING, DRAMATIC MUSIC PLAYS ]

I'M KIND OF -- I'M, LIKE --

I'M WORRIED FOR SARA, FOR THIS THING WITH KELLY.

AND I DON'T KNOW IF SARA IS JUST, LIKE, EAGER TO GET,

YOU KNOW, PLAYING MUSIC OR WHAT.

SHE COULD AT LEAST CONTINUE WITH SCHOOL

UNTIL THERE IS SUCH TIME WHERE THEY --

SHE DOESN'T NEED TO QUIT SCHOOL NOW.

I THINK IT'S JUST THE FIRST THING THAT'S COME ALONG THAT SHE COULD QUIT FOR.

I JUST -- I THINK SHE'S KIND OF -- SHE'S RUSHING.

I THINK SHE KIND OF -- AS SOON AS KELLY SAID YES,

SHE RUSHED INTO IT TOO QUICKLY,

AND SHE'S NOT REALLY THINKING ABOUT HOW -- THE WAY KELLY REALLY IS.

WELL, DO YOU THINK SARA'S, LIKE, GOOD ENOUGH TO...

SARA'S AN AMAZING DRUMMER.

REALLY?

WELL, SHE JUST NEEDS TO PRACTICE.

DRUMMERS ARE WEIRD PEOPLE.

ANYONE THAT WANTS TO SIT BEHIND A DRUM KIT

AND BEAT -- BEAT (bleep) SKINS FOR A LIVING,

THEY'RE JUST A WEIRD KIND OF A PERSON.

IT T-- IT TAKES -- IT TAKES A SPECIAL KIND OF PERSON.

THAT WAS THE WRONG COLOR. I'M GONNA CHANGE IT.

IT'S TOO (bleep) PINK.

OZZY OSBOURNE USING THE COLOR PINK?

YOU NEED TO STOP SMOKING, GIRLFRIEND.

I CAN'T.

IT SOUNDS SO DIFFERENT WHEN IT'S NOT REHEARSED.

LIKE, I COULDN'T KEEP THE TIME. I HAD NO IDEA WHERE I WAS.

YOU GUYS -- YOU KNOW THAT BIT AFTER --

BUT AM I PLAYING IT ALL RIGHT?

YEAH. IT JUST NEEDS TO BE A LITTLE QUICKER AND...

I COULDN'T KEEP MY TIMING ON THE SONG.

IT'S NOT THE DRUMS, THOUGH. IT WAS THE GUITAR.

IT'S NOT THE DRUMS.

YOUR HAIR LOOKS KIND OF...FLAMBOYANT.

(bleep) OFF.

DAD, DILL'S COMING TO STAY AGAIN.

NO, HE'S NOT.

HE'S COMING TO STAY FOR, LIKE, FOUR DAYS.

[ LAUGHING ] OH, NO.

YEAH!

DILL'S COMING HOME!

NO, HE'S NOT.

[ LAUGHING ] IT'S GONNA BE FUN.

[ BIG-BAND MUSIC PLAYS ]

Sara: WHAT?!

AND YOU (bleep) UP AGAIN?

YEAH. (bleep) UP?

ENOUGH OF THAT. [ SIGHS ]

YOU NEED A BREAK?

YEAH. JUST A LITTLE ONE.

OKAY. TAKE A BREAK.

SORRY.

I'M, LIKE, STRAINING MYSELF TO THE (bleep) MAXIMUS.

(bleep)

[ ROCK MUSIC PLAYS ]

Jack: THAT'S WHEN DILL BROKE HIS FINGER.

Ozzy: (bleep) IDIOT.

HE'S A GOOD SKATER, ISN'T HE? HE'S (bleep) NUTS.

OH, DID YOU SEE HIS ANKLE JUST SNAP?

HELLO, BOBBY.

WOWEE.

NOW, WHAT OF SARA?

SHE HADN'T PRACTICED ANY OF IT.

I MEAN, SHE DIDN'T EVEN HAVE STICKS.

THERE WAS, LIKE, FILLS MISSING.

I MEAN, IT WAS VERY BASIC, VERY BASIC.

IT WAS THE ENERGIZER MONKEY.

THE ENERGIZER BUNNY.

THE ENERGIZER BUNNY WOULD HAVE GIVEN HER

A RUN FOR HER MONEY, ACTUALLY. [ LAUGHS ]

KELLY WAS ALSO FINDING IT HARD TO SING

BECAUSE I WAS, LIKE, ALL MESSING MY TIME AND STUFF.

THEN, KELLY CANNOT GO --

SHE SAID -- SHE LOOKED AT SARA, AND SHE WENT,

"BUT IT WASN'T THE DRUMS."

[ LAUGHS ]

DILL, YOU ON THE WAY?

YOU ARE? ALL RIGHT.

[ BARKS ]

THE DOG'S SATANIC.

Jack: (bleep) ARTHUR.

Ozzy: BUT WHY ARE THE DOGS BARKING?

I LIVE IN A (bleep) BEVERLY HILLS LUNATIC ASYLUM.

NO, YOU JUST LIVE IN A BEVERLY HILLS DOG POUND.

[ DOGS BARKING ]

I LIVE IN A (bleep) MENTAL HOUSE.

IT'S (bleep) CRAZY.

LIKE (bleep) "DAKTARI."

I SHOULD DRESS UP AS, YOU KNOW, TARZAN --

START SWINGING THROUGH THE (bleep) HOUSE EVERY DAY.

Jack: IS DILL THERE? YEAH.

[ ENGINE IDLING ]

JASON DILL IS HERE!

WHAT'S THE MATTER WITH HIS HEAD?

YOU GOT LICE?

NO, IT'S -- IT HAPPENS TO ME WHEN MY HAIR GETS LONG.

IT'S LIKE -- I DON'T KNOW.

[ IDLING CONTINUES ]

IS HE STAYING HERE?

NO -- YEAH, HE IS STAYING HERE FOR A COUPLE DAYS.

HE'S NOT VERY BECOMING.

HE'S JUST A BIG, RAGGY-ASSED (bleep) APE (bleep)

WALKING THE EARTH. DAD, DAD, DAD, STOP.

IT'S NOT NICE.

OH.

DO I TALK (bleep) ABOUT YOUR FRIENDS?

I AIN'T GOT NO FRIENDS.

DILL'S IN THE GHETTO CAB.

HELLO, SIR. GOOD TO SEE YOU.

HOW ARE YOU, DILL? I'M GOOD.

DUDE, THAT CAB DRIVER WAS AWESOME.

WHO WAS HE?

HE'S JUST THIS OLD DUDE WITH A LOT OF, LIKE, DOG TAGS.

DILL, WELCOME BACK TO THE HOUSE.

OH, MAN, IT'S BEEN AWHILE. YEAH.

WHAT'S THE DEAL, JACK?

NOT MUCH. ROLL IN THE BACK.

AWESOME.

I'LL BE IN THE L.A. AREA FOR, UM, FOR, UM...

STAYING HERE FOR A COUPLE DAYS.

...ABOUT 14 DAYS.

SO, WHAT'VE YOU BEEN DOING?

TRAVELING, SKATING, SAME BULL-- (bleep)

IT'S BEEN GREAT. IT'S BEEN AWESOME.

YEAH. YEAH.

YEAH. YEAH.

[ "WELCOME BACK, KOTTER" THEME PLAYS ]

[ BELCHES ]

♪ WELCOME BACK ♪

HI, DILL. HEY, OZZY.

♪ YOUR DREAMS WERE YOUR TICKET OUT ♪

♪ WELCOME BACK ♪

♪ TO THAT SAME OLD PLACE THAT YOU LAUGHED ABOUT ♪

[ BELCHING ]

♪ WELL, THE NAMES HAVE ALL CHANGED ♪

♪ SINCE YOU'VE HUNG AROUND ♪

♪ BUT THOSE DREAMS HAVE REMAINED ♪

♪ AND THEY'RE TURNED AROUND ♪

IT'S GOOD TO SEE YOU. AND YOU.

♪ WHO'D HAVE THOUGHT THEY'D LEAD YA ♪

♪ WHO'D HAVE THOUGHT THEY'D LEAD YA ♪

♪ BACK HERE WHERE WE NEED YA? ♪

♪ BACK HERE WHERE WE NEED YA ♪

♪ WELL, WE TEASED HIM A LOT, BUT WE'VE GOT HIM ON THE SPOT ♪

♪ WELCOME BACK ♪ [ SNORTS ]

♪ WELCOME BACK, WELCOME BACK ♪ WELCOME BACK ♪

IT'S BEEN (bleep) AWESOME.

♪ WELCOME BACK, WELCOME BACK, WELCOME BACK ♪

I, UM, MY, UH, TOOTHBRUSH...

I THINK IT'S TOTALLY GONE.

I DON'T THINK I HAVE IT.

Jack: WE'LL FIND IT.

[ DOGS BARKING ]

THAT SUCKS.

I FOUND IT, SO IT'S OKAY.

[ GROWLING, BARKS ]

YEAH.

DO YOU HAVE A TOOTHBRUSH FOR ME? [ BARKS ]

DAMN, I HATE THIS (bleep) DOG.

[ DRUMMING ]

Sara: NO. YOU GOT TO HIT THEM.

WHAT? YOU GOT TO HIT THEM HARDER.

SO I CAN'T PLAY. WHATEVER.

(bleep) SARA. WHAT THE HELL WAS THAT?

SO I DON'T KNOW HOW TO PLAY DRUMS. IT'S OKAY.

THE VIDEO SHOOT APPARENTLY IS DEFINITE

FOR A WEEK ON FRIDAY.

SARA, DID YOU GET ALL OF THAT? KILL ME.

THIS IS NOTHING. WAIT TILL WE'RE DOING, LIKE, (bleep) FOUR OR FIVE IN A ROW.

I CAN PLAY THE SONGS AND STUFF, BUT IT'S JUST LIKE...

YOU NEED TO START WORKING OUT, GIRL. IS THAT YOURS?

YOU'RE GONNA HAVE -- THE BAND'S GONNA HAVE FOUR WEEKS.

SHAPE UP, GIRLIE.

[ COUGHING ]

SHAZ?

Sharon: BOBBY.

SARA JUST DOESN'T HAVE THE CONFIDENCE.

I THINK IT WAS A MISTAKE IN THE BEGINNING

TO BRING A FRIEND IN.

YOU KNOW, IT SOUNDED LIKE A GREAT IDEA AT THE TIME.

JUST FILE IT UNDER "GREAT IDEAS AT THE TIME."

ANY ONE OF THESE GIRLS IS, LIKE, A HUGE IMPROVEMENT.

THESE TWO ARE THE BEST.

SHE'S CUTE. SHE WAS A GOOD DRUMMER.

AND IF WE'RE LOOKING FOR SOMEBODY THAT'S TOTALLY UNKNOWN --

22. OH, HOW CUTE IS SHE!

SHE'S CUTE.

SHE'S BEAUTIFUL.

DID SHE SMOKE? NO.

[ CHUCKLES ]

SWEET LITTLE THING. SHE LOOKS YOUNG.

YEAH. LOOK AT HER HEAD.

DOESN'T GRIMACE WHEN SHE PLAYS.

[ LAUGHS ]

SARA'S LIKE...

IS SHE?

SARA REMINDS ME OF POPEYE BEHIND THE DRUMS.

[ LAUGHING ]

[ GRUNTING ]

POPEYE!

[ LAUGHING ]

MOM... I CAN'T SAY IT TO HER.

SHE'S THE ONLY ONE WHO I'M REALLY FRIENDS WITH IN THE BAND.

IT -- IT REALLY SUCKS.

TELL HER YOU NEEDED TO GET ANOTHER DRUMMER WITH MORE EXPERIENCE.

LISTEN, KELLY, I'M GOING TO DO IT.

ALL RIGHT, ALICIA, THANKS VERY MUCH.

AND YOU DID REALLY GOOD. YOU DID REALLY GOOD.

THEY LIKE YA.

OKAY? SO WE'LL SEE YOU THEN.

ALL RIGHT, BYE-BYE.

WHAT'S UP, SARA?

CAN I TALK TO YOUR MOM FOR, LIKE, A MINUTE?

Woman on TV: I JUST LIKE THE VIEW FROM HERE.

[ BIG-BAND MUSIC PLAYS ]

♪ YOU SAY I SHOULD DO IT DIFFERENTLY ♪

♪ I DON'T NECESSARILY AGREE ♪

♪ STAND UP, SIT DOWN, BE NICE ♪

♪ DID YOU HEAR ME ASK FOR YOUR ADVICE? ♪

♪ NOTHING YOU CAN SAY ♪

♪ MEANS A DAMN THING TO ME ♪

♪ SO SHUT UP ♪

♪ BLAH BLAH BLAH-BLAH BLAH-BLAH BLAH-BLAH BLAH-BLAH ♪

♪ THAT'S WHAT IT SOUNDS LIKE YOU SAID TO ME ♪

♪ YOU NAG AND YOU BRAG AND I GAG ♪

♪ THERE'S SO MUCH BEAUTY IN WHAT WE HAVE ♪

HEY, I'M EVAN, THE DIRECTOR.

I'M SARA. HEY, NICE TO MEET YOU.

LET'S SEE -- UH, DO THE SLATE. HAVE HER DO THE SLATE.

SHE'S GONNA SLATE FOR THIS. WHAT?

YOU'RE GONNA DO THIS IN FRONT OF CAMERA,

AND THEN JUST SIT DOWN AND...READ SOMETHING.

ROLL PLAYBACK.

[ BEEPING ] YES.

♪ YOU SAY I SHOULD DO IT DIFFERENTLY ♪

I'M OUT OF (bleep) DEBT.

FROM THE FAMILY, FOR PLAYING DRUMS.

10 (bleep) GRAND.

Kelly: SARA!

WHAT?

Jack: LOOK -- LOOK AT HER.

SHE'S GOING.

Dill: YEAH, THOSE DOGS LIKE TO SKATE. OH (bleep)

KICK-FLIP, LOOK... THAT'S AWESOME.

[ DOG GROWLING ] LOOK, HERE WE GO.

[ LAUGHTER ]

LOOK AT HIM!

YOU'RE TRYING TO HUMP HER.

SEE, DUDE? DUDES LOVE CHICKS THAT SKATE.

GO, GO, GO, GO, ARTHUR, GO.

[ DOGS BARKING ]

THESE DOGS LEAD LIVES, MAN, THAT WE'LL NEVER KNOW ABOUT.

WE WON'T, THEY JUST -- AT NIGHT,

THEY DO THINGS THAT WE JUST HAVE NO IDEA ABOUT.

THEY LIVE A CLEANER, HEALTHIER LIFE THAN I'LL EVER KNOW.

[ SPITS ]

[ CAT MEOWING ]

[ UP-TEMPO MUSIC PLAYS ]

♪ OHHHH ♪

♪ YOU KEEP ON ASKING ME, BABY ♪

♪ IF I STILL LOVE YOU ♪

♪ BUT HOW CAN I TRY WHEN YOU MAKE ME CRY? ♪

♪ IS THAT WHAT YOU LIKE TO DO? ♪

♪ BUT IF YOU JUST OPEN YOUR HEART UP TO ME ♪

♪ THEN YOU WOULD SEE ♪

♪ THAT THERE'S NO OTHER ♪

♪ YOU'RE MY ONLY LOVER ♪

♪ JUST TURN AROUND AND YOU WILL SEE ♪

♪ YOU'RE MOVING IN THE WRONG DIRECTION ♪

♪ YOU'RE TAKING IT TOO FAR AWAY ♪

♪ OOH ♪

DUDE, DID YOU HEAR WHAT (bleep) ARTHUR DID TO GUS?

ARTHUR BUTT-RAPED GUS, LIKE, FULLY.

NOT JUST, LIKE, POKED AND PRODDED --

LIKE, PENETRATED GUS.

NO. NO WAY. YES.

AND THEN HE WAS CRYING, CRYING.

MY POOR BABY. HE WAS RAPED.

LOOK AT HIM. LOOK.

YOU CAN TELL HE'S BEEN SEXUALLY ABUSED.

Robert: HE'S BEEN RAPED.

BUT GLORIA CALLED UP THE VET,

AND THE VET SAID IT COULDN'T HAPPEN.

NOW, HOW COME A DOG

CAN'T STICK ITS (bleep) UP A CAT'S BUM?

AND DOGS -- THAT'S WHY HE WAS CRYING,

AND THAT'S WHY HE (bleep) EVERYWHERE.

AND DOGS' WANGS DON'T GET TOO (bleep) I DON'T THINK.

WHAT HAPPENED TO GUS?

Kelly: ARTHUR PINNED GUS AND (bleep) HIM IN THE ASS.

[ LAUGHS ]

WELL, IF WE BOMB IRAQ,

WHAT ARE THEY TRYING TO ACCOMPLISH, AGAIN?

OIL -- THEY WANT OIL.

(bleep) YEAH, AMERICA, RIGHT ON.

AND I THINK IT'S COMPLETELY GREAT.

IN KUWAIT, IF THEY CAN GET KFC FROM AMERICAN CULTURE

AND HAVE A GREAT TIME, THAT'S AWESOME, TOO,

BUT THERE IS NOT A (bleep) DAMN THING

YOU OR MY LAZY ASS IS GONNA DO ABOUT ANY OF THIS.

IT'S COMPLETELY (bleep) AND IT'S --

IT'S -- IT'S ALMOST AWESOME, IN A WAY.

IT'S LIKE THE CRUSADES OR SOMETHING, MAN.

IT'S (bleep)

AS, BESIDES, THE TALKING PICTURE BOX TELLS ME.

WHOA, MAN, LIKE --

IT'S LIKE LIVING IN THE (bleep) '60s.

IT'S JUST --

WAIT, YOU WERE ALIVE IN THE '60s?

NO, NO, BUT JUST -- [ LAUGHTER ]

IT'S JUST -- IT'S JUST -- IT'S JUST IN RELATION.

DO YOU KNOW HOW WEALTHY AMERICA WOULD BE IF WE CONQUER IRAQ?

WE'LL BE ONE OF THE MOST POWERFUL NATIONS.

I THINK THAT'S DOPE. NO, IT'S NOT, BECAUSE AMERICA --

TAKE THE POWER BACK. YOU KNOW, I GUARANTEE YOU

THAT AMERICA'S ONLY GOING TO BE AROUND FOR 50 MORE YEARS.

50 OR -- 50. 50.

YEAH, BUT, JACK, DON'T SPOUT OFF PIECES OF INFORMATION

THAT YOU GET FROM PLACES, BECAUSE, LIKE,

YOU ARE A COMPLETELY IGNORANT HUMAN BEING.

[ "NIGHT ON THE BARE MOUNTAIN" PLAYS ]

AAH!

[ COIN CLINKS ]

WHAT ARE YOU DOING, DUDE?

Jack: GUESS.

[ ROOSTER CROWS ]

YOU MAKE A (bleep) OUT OF YOURSELF, MAKE A (bleep) OUT OF YOURSELF.

I JUST HAPPEN TO BE PRETTY GOOD AT THAT.

I GOT MY TOOTHBRUSH.

[ Spanish accent ] ARTHUR WAS FIXED SEPTEMBER THE 27th,

MOM, GET RID OF HIM. JUST RECENTLY,

SO HE IS STILL GO THROUGH EMOTIONS, HE SAID.

NO, NO, NO, NO, NO. THAT DOG HAS GOT TO GO.

IT (bleep) IT (bleep) GUS IN THE ASS.

HIS (bleep) WAS IN GUS' ASS.

GUS WAS SO SCARED THAT HE (bleep) HIMSELF IN THE KITCHEN.

HE (bleep) TWICE. IT'S IMPOSSIBLE.

IT'S IMPOSSIBLE. THAT WHAT THE DOCTOR SAY.

IT'S NOT IMPOSSIBLE. NOBODY GOING TO BELIEVE IT.

"OKAY, TELL HER CONGRATULATIONS.

SHE'LL HAVE A CAT AND DOG."

[ LAUGHS ]

NO, BUT HIS (bleep) WAS IN HIS ASS.

IT'S IMPOSSIBLE. THAT WHAT HE SAID.

HE'S WRONG.

ARTHUR?

HE'S COMING WITH ME.

YOU ARE A HORNY TOAD.

HE'S STILL GOT THAT BIG WILLIE.

HE STILL GO THROUGH EMOTION.

HE NEEDS A NIGHT WITH ANNA NICOLE.

Sharon: OH, LOOK AT THIS, OZZY.

Ozzy: WHAT THE (bleep) GOING ON?

I'M GONNA FIND A NEW APARTMENT,

AND I'M GONNA TAKE CHICKEN AWAY FROM THIS MADNESS,

WHERE THEY EAT (bleep) AND (bleep) CATS.

[ BIG-BAND MUSIC PLAYS ]

AWESOME. I'M A TOTAL (bleep) THAT DOES NOTHING.

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.