Original subtitles

[music]

[music]

[music]

[music]

[music]

[music]

>> Hello there.

Have you seen Mr. Finch?

>> Down that way.

>> [music]

[music]

[music]

[music]

>> No.

>> The servants are looking after the men.

I put out something for you to eat.

>> Yesterday morning

she went to your cottage.

Mary Peel said she left at midday.

She was going to see Michael Radlett.

So, I rode up to Woolper Farm

and they didn't want to talk to me.

There's a girl there badly injured. No,

no, no, it's not Barbara.

But they said she did it.

>> Well, I couldn't let her marry him. I

had to tell her the truth.

>> What truth?

>> That her father was Thomas Mallen.

>> I don't give a damn what you told her.

It's all in the past. Thomas Mallen's

dead.

>> Lord, lock her up again in the morning.

>> She's dead, too.

I can feel it.

>> Dad?

>> I'm here.

>> Some of the men are going out again with

torches. I'm going with them.

>> DON'T BE A DAMN FOOL, YOU'LL GET LOST.

>> CARE.

>> I WISH I'D NEVER BOUGHT THIS damn Mallen

house.

It's not mine.

It's yours.

>> Where is your mum?

>> Mum?

>> I don't know.

She's young.

Oh god.

Why?

>> It's my fault.

What happened?

Whatever happens

with Sarah and with Barbara.

>> No.

>> I finished with her.

It's her jealousy.

>> Wait.

You made love you know.

>> It doesn't matter.

To make love before your wedding, it

doesn't matter, Mom.

>> What she said wasn't true.

Can you believe that I

I did what she said.

>> Like you said.

It doesn't matter.

>> Is that how much you love me?

>> It's the truth.

Isn't it?

Goodnight, Mom.

>> [music]

[music]

>> Wait here for me.

>> [music]

[music]

[music]

[music]

>> Barbara.

Barbara.

Right.

Come quickly, I found her.

>> [music]

>> Is there any talk of the worst, the girl

up at the hall?

>> Not a word. I don't think it can be as

bad as they said.

>> Mr. Dunn said Barbara was hiding and

didn't want to be found. That's why they

couldn't find her straight away.

>> You leave her door open?

>> Oh, yes, miss.

>> Good. Then we can hear her if she makes

a sound.

Now, you shouldn't have said what you

did to her.

It was too much for her to bear.

>> Me, miss? I only told her what was God's

truth.

>> I mean, it wasn't necessary for you to

say anything.

Mary, don't you understand that

everything happened was a direct result

of what you told her.

>> Now, don't you put the blame on me, Miss

Brigmore.

>> Mary.

>> I love her just as much as you ever did.

I am more.

I never cared who she was or what she

was, only that she should manage a bit

of happiness out of life, more than her

poor mother ever did.

>> Don't you talk about her mother.

>> Oh, I. Something bad and you don't want

to talk about it. Why did you never tell

her the truth from the start? She could

have married Michael and been happy.

You wanted her to live up at the hall

and be A FINE LADY BECAUSE THAT'S WHAT

YOU WANTED FOR YOURSELF.

>> MARY, PLEASE, will you remember what

>> Don't call me Mary. You wanted HER TO

SIT YOU WITH YOUR OWN MAN'S MISTRESS.

>> I suppose there may be some truth in

what you say.

I tried to do my best.

I failed.

I'm sorry.

What a day it is.

It was so peaceful.

>> She's awoke.

Yeah.

Are you weakened up, love?

How are you feeling?

Oh, my pet.

Are you not going to say something?

Barbara.

You can sign to me.

We're going to have to start again at

the beginning.

>> I suppose you know

Jim wants to go to Hexham to see a

lawyer.

>> Well,

there's got to be some compensation for

what's happened.

I mean, for heaven's sake, the poor

girl's lost a leg. I mean, her whole

life's ruined.

>> All right.

Well, then I'll come out and call you an

old woman.

>> She settled down, Jim?

>> Fine, thanks.

You didn't need to give her Michael's

room.

She'd have been better off where she

couldn't see the hills.

How's she been nagging me all day to

take her out there?

>> Jim,

sit down a minute, please.

I want to talk to you.

Jim, I've been thinking about what's

best for Sarah.

>> Well, I'll be going to see a lawyer

about that.

>> Listen, Jim.

Why don't I write to Miss Mallon's

guardian? I know Miss Bricknell very

well, and I'm certain she'll make sure

that Sarah's fully compensated for.

>> It's not for compensation, Mrs. Radlett.

There's not compensation enough for

what's happened to Sarah.

No, I'm going to see a lawyer to have

that mad girl put away.

>> She's not mad.

>> You saw her.

>> I watched her push Sarah, that's all.

The rest was an accident.

>> for the law to decide, ISN'T IT?

>> I DON'T CARE IF YOU GO TO THE LAW, JIM.

WAIT, AND YOU CAN LEAVE WELLBOROUGH. I

MEAN IT. I MEAN IT, JIM. YOU won't stay

here. Oh, Sarah.

None of us meant to hurt Sarah.

If you knew us

you'd know we only hurt each other.

>> I

Oh God, I don't know what she's going to

do. How is she going to live like that?

>> There'll be a way.

>> What way?

What work will she be able to manage?

>> I'll marry Sarah if you like.

>> Yes, Michael.

>> Are we going back to Manchester

tomorrow?

>> Do you have to?

>> Well, I like

Well, our John's been on his own long

enough.

>> What will you be doing?

>> You see, he's left me with a bit of a

problem what to do with this place.

Takes some running.

Who's going to look after it now

Briggy's spending all her time with

Barbara?

Is she here today?

>> Yes.

>> Is she any better?

>> I want to marry Barbara.

>> What are you going to live on?

>> Dad, I've got to get her away from here.

>> Look, I'll tell you what.

Go out to France on your own.

Come home in a couple of months' time

and we'll talk about it.

>> Thank

Thanks, Dad.

>> Here. Who is that?

>> It was Brigmore, sir.

>> I'm moving back to the cottage, Mr.

Spencer. I'm very grateful for my

situation here, but I must spend more

time with Barbara. I have to think of

her first. I'm sorry.

>> Now, wait a minute.

You might have asked me.

Second best, you might have told me.

But no, not you. You walk in and out of

my house as if you weren't there at all.

>> Forgive me. I'm sorry.

>> Oh, don't be sorry.

Cuz I'm not.

You've made up your mind up for me.

I'm closing down Ivant's, and no one's

going to live here until I decide

whether to keep it or sell it.

>> Thank you, Peter.

>> Come along.

>> [music]

>> Dearly beloved,

we are gathered together here in the

sight of God and in the face of this

congregation to join together this man

and this woman in holy matrimony,

which is an honorable estate instituted

of God in the time of man's innocency,

signifying unto us the mystical union

Christ

>> Wilt thou have this woman to thy wedded

wife, to live together after God's

ordinance in the holy estate of

matrimony?

Wilt thou love her,

comfort her,

honor and keep her in sickness and in

health,

and forsaking all other, keep thee only

unto her so long as you

>> Oh, Connie.

Connie, I love you.

>> I love you, Michael.

I love you and [music] I want to give

you life.

>> [music]

[music]

[music]

>> I, Sarah,

>> I, Sarah,

>> take thee, Michael,

>> take thee, Michael,

>> to my wedded husband,

>> to my wedded husband,

>> to have and to hold from this day

forward,

>> to have and to hold from this day

forward,

>> for better for worse,

>> for better for worse,

>> for richer for poorer,

>> for richer for poorer,

>> in sickness and in health,

>> in sickness and in health,

>> to love, cherish, and obey.

>> To love, cherish, and obey.

>> Till death us do part.

>> Till death us do part.

>> According to God's holy ordinance.

>> According to God's holy ordinance.

>> And there to I give thee my troth.

>> And there to I give thee my troth.

>> With this ring I thee wed.

>> With this ring

I thee wed.

>> With my body I thee worship.

>> With my body

I thee worship.

>> And with all my worldly goods I thee

endow.

>> And with all my worldly goods

I thee endow.

>> In the name of

>> Father

>> and the Son

and the Holy Ghost. Amen.

>> Those whom God have joined together, let

no man put asunder.

As much as Michael

and Sarah have consented together in

holy matrimony

and have witnessed the same before God

and in this company

and have [music] there to have given and

pledged their troth either to the other

and have declared the same by giving and

receiving of the ring and by joining

[music] of hands

I pronounce that they be man and wife

together

in the name of the Father and the Son.

>> Michael

I know why you married me.

Jim told me, but I knew it anyway.

It was only fair.

And I don't always want to marry you.

But I do know why.

It's not because you love me, is it?

So, if you don't want to I shan't mind.

In the morning, I'll say it was all a

mistake.

>> It's not a mistake, Sarah.

I married you because I wanted to.

What's the matter?

>> You look funny.

>> I know. Well.

It's not funny.

>> [laughter]

[laughter]

>> You're funny.

I love you.

>> Mike.

>> [music]

>> Daniel, you have taken me completely by

surprise. You left so suddenly and I

Come in, get warm by the fire.

>> How's Barbara?

>> There's been no change.

>> Well, nothing at all?

>> She hasn't spoken a word or made a sign.

It's worse than when she was a child,

then at least she used to have tantrums,

do you remember?

>> Oh, Daniel, where is she?

>> Sitting in her room.

Talk to me for a moment. It's such a

long time since we've had someone here.

>> Well, I wrote to Dad that I was coming

and he sent the servants from Manchester

to open up the hall.

He might come here himself later.

>> How is he, your father?

>> Oh, he's all right, I think.

I haven't seen him.

>> And Kate? And John?

>> Uh John's getting married in the spring.

And Kate,

well, I don't know.

I'm afraid we've all failed you, Briggy.

>> Why have you failed me?

>> By not living up to your expectations.

We were born Benthams and we stayed

Benthams.

>> Before you go,

I can't offer you any hope that she will

recognize you

or understand you.

But it might be better if you say

nothing of what happened.

I'll get you a cup of tea.

>> Barbara.

Barbara.

I've come a long way

to tell you

something.

I must

tell you

and ask you

whether you can

understand me

or not.

And

whether you can

answer me

or not.

All my life's been a one-sided love

affair.

When we were children, I always used to

take you apart.

I became your ears

and listened for you.

I don't know how you didn't know I loved

you.

I didn't mind your passions.

I understood them and your love for your

cousin.

But that

destroyed you.

Barbara,

when I found you, you were dead.

Come back to life now.

Come away with me.

Away from here.

Come back to Paris.

Wherever you like.

Barbara,

break free from these people

and this place.

Come away with me.

Come on.

>> Here, miss.

Here, miss. I'm here to make you some

tea. Mr. Daniel is here.

>> What?

You'll never guess who I saw in the

village.

Sarah, wait. The girl from Wharfedale on

her crutches.

And you know who was with her? It was

Michael.

And you know what else I heard?

They're married. He went married her.

>> [sighs]

[screaming]

>> BRIDGET, COME QUICKLY. QUICKLY.

OH GOD, QUICKLY.

>> WHAT HAPPENED? WHAT WHAT

>> FOR GOD'S SAKE, she was going TO KILL

HERSELF.

>> SHE HEARD YOU, BRIDGET. SHE HEARD YOU.

>> I KNOW, I KNOW, BUT I SWEAR SHE DID. SHE

MUST HAVE DONE.

>> WHAT DID SHE HEAR? Did she read your

lips?

>> Michael. It's Mary.

She heard me.

>> Miss.

>> Barbara, can you hear me?

Answer me, please.

>> Yes.

>> [snorts]

>> I've heard everything

you and Mary Peel have said since I've

been here.

I don't want your help.

>> Don't let

Don't

>> Andrew, will you leave us, please? I

can't talk with her.

>> You said

you loved me and you'd take me away with

you.

>> Barbara.

>> I'll come to Paris with you.

>> Will you marry me?

>> Yes, if you insist.

>> No.

>> Oh.

>> You'll stay here. You'll stay here.

>> shout at me anymore because now I can

hear you.

You can't teach me anymore because now I

know you.

>> Oh, my dear girl.

I treated you as my own child.

>> [snorts]

[snorts]

[music]

[singing]

[music]

[singing]

[music]

[music]

[music]

[singing]

[music]

[singing]

[singing and music]

>> Only this love is true.

>> [music and singing]

[singing]

[music]

[music]

[singing]

[music]

[music]

[singing]

[music and singing]

[music]

[singing]

[music]

[singing]

[music]

[music]

[music]

[music]

[singing]

[music]

[music]

>> Almighty God

who at the beginning did create our

first parents, Adam and Eve and in

sanctifying and joining them together in

marriage

pour upon you the riches of his grace,

sanctify and bless you that you may

please him both in body and soul and

live together in holy love until your

lives end.

Amen.

>> [music]

[music]

[music]

[music]

[music]

[laughter]

>> Yes.

Don't miss.

She's gone, Mary.

She'll never come back.

>> [music]

[music]

>> Anyway,

it was a lovely

>> wedding.

>> Morning, Sarah.

Sarah, what are you trying to do?

>> Let me do it. I've got to learn, haven't

I?

>> All right.

>> Stop looking at me.

I don't like being looked at me.

>> It's all right, Sarah.

>> No, it's not. I've seen you turn away.

>> All right, well,

you don't dare look at me sometimes.

>> Well, that's different.

I'd better get breakfast.

>> Wait a minute, Sarah.

You're my wife now.

>> You were sorry for me.

>> I

I was sorry for you.

But since then,

what we said in church,

it came true.

Didn't it, Sarah?

What we promised.

>> Yeah, it did.

>> All right, it did.

Morning, Mum.

>> Morning, Malcolm.

You two are up and about early.

>> I'll do that, Sarah.

>> Oh, let her do it, Mum.

She wants to.

>> All right.

Just take care.

Strange, you two.

I was so fond of Sarah as my daughter.

That must be the carrier.

You all right, Sarah?

>> Morning, Mr. Corby.

>> Morning, Sarah.

>> that in the corner for me, will you?

>> Right.

>> Thank you.

>> There's your

paper.

>> Oh, lovely.

>> And your bill.

>> Thank you.

>> Nasty old affair.

>> Oh, it's terrible, isn't it?

I'll just get some money for you.

>> Hey, I got a bit of news for you.

>> Oh, what's that?

>> It's about that Malah

She got married on Sunday.

Married one of the Benhams.

Going to live abroad somewhere.

>> Thank you.

>> Right. Well, I'll be away then.

>> Well, why not?

>> It's over and done with.

Don't talk about it again.

Eat your breakfast.

>> She's free to marry who she likes.

>> Don't you like him?

It's there, Michael.

>> Right.

There it is.

>> We're together now.

And nothing will part us again.

>> Here, miss. Do you think they've got to

Paris yet?

>> Of course they have. They left nearly a

week ago.

My only regret is they didn't have a day

like this for their wedding.

I wonder how long it's going to last. We

should get him up if we want while the

roads are clear.

Shall I go into the village on Friday,

miss?

>> If you like.

>> We won't be needing much, just the pair

of us. Even if we were to be snowed in

all winter.

>> That hasn't happened for a long time.

>> Well, I think it might this year.

He gets snowed in every year at

Wolfbarrow.

>> Mary Queen Will you stop talking?

>> I'm sorry, miss. Ever since Miss Barbara

got her hearing back, I seem to be

talking all the time.

Mr. Dan talks nicely and now she can

hear every word he says. They can talk

together just like you and me.

All these years and there's never been

just the two of us.

>> It's not the carrier's day today, is it?

>> Why, no, miss.

>> Has someone come? Mary, run, run, tell

Flo. Stop him. Or else he'll wait.

Where's Harry?

Mr. Bertram.

Something's wrong. You've heard from

Dan.

>> No, nothing's wrong.

I haven't heard from anyone.

>> Excuse me.

I wasn't expecting visitors.

I thought you'd return to Manchester

after the wedding.

>> I well, I have something to settle here

first.

>> About High Banks?

>> I I, it's to do with that.

>> Are you going to sell it?

>> Do you think I should?

>> It's nothing to do with me.

>> Oh, you must have an opinion.

>> I'm a retired governess.

I've been told I wasn't even a good

governess, that I harmed the children in

my charge. Well, they've left me now

they can make their own mistakes.

>> You told me that I was unworldly and

therefore my opinion was unreliable.

You've come a long way to laugh at me,

Mr. Finch.

>> [laughter]

>> Ah, you're still a damn good governess.

You make me feel like a boy caught

stealing.

No, you're quite right.

I've made my mind up about the hall.

In fact,

I've come to ask you there for dinner.

>> No, thank you.

>> Oh, come on.

I'm better company than her.

I and I'll give you a better dinner.

>> One last look at the hall.

>> I.

>> Will you give me a moment?

>> As long as you want.

>> Can Mary Peel come, too?

>> Put your bonnet on, Mary.

>> Oh, miss.

>> I'll leave it there.

I'll call you when I'm ready.

I.

I've never seen you look so grand.

I'm glad I ordered up the champagne.

>> Champagne?

>> Why?

Well,

it is what gentlemen

give ladies, isn't it?

>> I believe so.

Certain gentlemen.

Certain ladies.

I don't know how you can think of

selling this house.

>> You love it, don't you?

>> It's been a great part of my life,

Highbanks.

And the people who lived here.

The Farrington girls, Barbara,

Thomas Mallen.

I loved him.

Are you shocked?

>> I

a bit.

>> I'm not a governess anymore.

Now I can talk about these things.

>> Mhm.

Not in front of the children.

>> The children are all gone now, so I

suppose the house can go, too.

>> I

I let it go.

What do I want with it?

You know,

when I first come into money,

I fancied myself as a country gentleman.

Even had Kate and the boys brought up

proper.

God knows if it did them any good or

not.

But I'm not that sort of stuff.

Tilda knew that.

Actually, knew she weren't a lady.

>> Oh, she wasn't

>> Oh, no, no, no, no, she weren't.

Not like you.

Oh, you're a lady if ever there was one.

That's why I used to swear at you to

make you bridle.

>> Mr. Bencham.

>> Oh, not Mr. Bencham. Can't you call me

Harry for once?

>> No, I can't.

>> Like I should call you Anna.

Uh what was I talking about?

>> You're leaving Highbanks.

>> Oh, am I?

Perhaps I am.

It all depends on you.

>> Why should it depend on me?

>> Don't you know what I've been trying to

say?

What I've been trying to ask you?

Don't you know

that I've cared for you all this time?

Long before I lost Tilda. Oh, she knew.

In fact,

I think it made her going easier for

her.

I've never met another like you for

talking and telling me and putting me in

my place.

I

respect you, you see.

Oh, no, no, it's more than that. It's

more than caring.

What's the matter?

Hey, listen, Anna.

I'm not asking you to be my mistress.

I'm asking you to be my wife.

Oh, well,

if you can't see your way clear to

becoming Mrs. Bencham,

I'd still want you to live here.

I told myself if you turn me down,

I'd sell the place, but I can't

knowing what it means to you.

Oh, yeah, now.

Yeah, I'm sorry.

Oh, I've made you bubble.

You never heard that word before, have

you?

My grandma, she used to say, "Here, stop

your bubbling."

>> You're doing me a very great honor

proposing to me at this hour.

>> Oh, here, Briggy.

Not now.

Well, if you want to tell me

say yes or no and let's have it.

>> I'm honored to accept your proposal.

>> Well.

Hey, lass.

You really are the limit.

Now, repeat after me.

Harry

I'll take you.

>> Harry

I'll take you.

>> There, now.

That wasn't so bad, was it?

Oh, there's some

good years ahead of us yet, lass.

>> Yes.

Mr. Betch.

>> [music]

[music]

[music]

[music]

>> Are you

happy to be back here?

>> You know I am.

Are you?

>> I will.

>> [music]

>> There's nowhere else quite like you, old

Ben, is there?

>> We'll spend the summer [music] here.

Thank you.

Go to Manchester for the winter.

>> I would, not too late. Want to keep my

eye on John.

And there's Kate.

>> Well, I was going to suggest having her

here.

>> I

It's not a bad idea.

Wait a minute.

>> Oh.

You don't take enough exercise.

>> How far is this cottage?

>> You've been there.

>> I

in the carriage.

>> It's not far from here. I've walked it

many times.

>> Well, then.

>> That's the first time I've seen her

since it happened.

God, I used to pray that Michael marry

Barbara.

If that's the answer to my prayers.

>> Aye, lass.

>> Oh

God.

How could she?

I suppose because he wouldn't give

Highbank to the Mallen girl, she had to

go and marry him herself to get it.

>> What?

>> Mary?

Mary!

Mary, where are you?

>> Anna?

Yeah, Anna.

Woman's ill.

It's Lorna.

Uh

I'll go back to the hall and send the

carriage for you.

>> Be careful how you go. Don't run.

>> All right.

>> Mary.

Mary.

Mhm.

What is it?

What's the matter?

Oh. Don't. Don't. Don't.

Don't.

Shh.

Mhm.

>> I'm very

sorry, miss.

>> There's nothing to be sorry about.

I'm sorry that I left you here in your

room.

Why did you take the laudanum?

>> For the pain.

In my back.

>> Why didn't you go to the hall?

>> You weren't there, miss.

>> They should have sent for me. I would

have come here.

>> No.

No.

Not now you're the lady.

No.

No.

No.

No.

No.

No.

>> Where did you get the laudanum?

>> No.

Miss Bapu fetched me some medicines.

And it was there.

Is she up at the hall?

>> No, she's still in Paris.

>> Oh.

Will I see her again?

>> Yes, of course you will.

>> I'd like to.

I'd like miss.

No.

>> I promise you'll see her.

Rest.

Carriage will be here soon.

>> She hasn't changed anything.

>> Who hasn't?

>> Bricky.

Mrs. Bencher.

>> Bricky will do.

Why should she?

>> I don't know. I just thought that

>> Come on, spit it out, lass. Else I'll

tickle you.

>> I just thought that when she became Mrs.

Bencher, she'd change things. That's

all.

>> Well, she could have if she wanted to.

But she had more respect for your mother

than that.

Aye.

And more consideration for you.

>> I wasn't going to come back here ever.

First mother dying.

Then Dan married Barbara.

Then you.

>> Well, why did you then? Hey?

You could have stayed with John and

Jenny in Manchester.

>> They didn't want me.

Nobody wants me.

>> Oh, don't be daft.

>> And my dad.

>> Course you have.

That chap wanted to marry you, didn't

he? What was his name? Farrier. There'll

be others.

Tell you what. I'll have a word with

Anna about inviting some young men over.

>> I don't want any young men.

I want things being as they were, dad.

She did change things. She changed

everything, just as she wanted.

>> Perhaps she did, lass.

Or perhaps she got changed along with

the rest of us.

Nobody ever really knows why things

happen as they do.

Hello young lady, come and have some

tea.

How is Mary?

>> I wish Stan and Barbara would hurry.

Are they coming?

>> Of course.

>> Do you think that's wise? I mean, for

Barbara to come back here?

>> This is Barbara's home as much as it is

yours now, Kate.

>> You mean to say

>> What happened between her and her

cousin?

After what she did.

>> I know what you mean. And I'm ashamed of

you.

Barbara's married to your brother.

She won't see those people. She won't

think of them again.

Mary Peel is dying and I pray she

arrives in time.

>> I'm sorry.

>> Here, Kate.

She said she was sorry.

>> Oh, [sighs] Harry.

Can we ever be rid of the past?

>> Mom, there's a lady here to see you. A

Mrs. Radlett.

>> Ask her to come in here.

>> want to see her.

>> She must have been Mary. Come in, lass.

You can't turn her away.

>> Mrs. Radlett, Mom.

>> Mrs. Radlett.

Uh will you excuse me, please?

Constance.

>> I'm sorry to disturb you, Miss

Mrs. Bentham, but I heard in the village

that Mary Peel was ill. I'd like to see

her.

>> Yes, of course.

But I must speak to you first. Won't you

have some tea?

I was going to write to you. Oh, Connie,

she's very ill.

I didn't discover until I went to the

cottage the other day.

You passed us on the road.

She said rheumatic fever. It's affected

her heart.

>> Why did she stay at the cottage?

>> She wanted to.

She had many memories there.

She sleeps most of the time.

When she wakes,

all she talks about is the cottage

and the time you were there with your

sister.

>> Does she remember that?

>> The past is clearer to her than the

present.

You know,

it was Mary who told Barbara the truth

about Michael. It wasn't me.

>> That's all over.

Michael's happily married.

I haven't had the opportunity of

congratulating you, Mrs. Bench.

>> Me?

I can hardly realize it myself.

Isn't it surprising to find myself here

at last?

>> Not at all surprising.

I had hoped I'd never have to see

Highbank Hall again.

I have no happy memories.

>> I'd like to see Mary Peel now.

>> Well, I expect she's asleep.

Yes, come and see her.

She's in your old room.

>> Dad.

>> Eleanor.

>> Dad.

>> What happened to my mother?

>> Barbara?

>> Hey Dee,

it's Barbara.

>> Mary?

>> No.

No.

It's never my bed.

>> Better see you in the night.

>> Thank you for coming to see me, miss.

I hope you'll be happy.

I hope you'll be happy.

>> It's the medicines she has to take.

Poor Mary.

She didn't have much.

She's sleeping.

How are you?

I'm done. Are you happy?

>> Oh, papa.

>> Yes.

>> Oh god, she's dead.

She's dead.

Oh,

poor papa.

Oh my poor

papa.

>> Think about your mother.

>> Oh.

>> Mary.

>> Oh.

>> Mary.

>> Oh.

Oh.

Oh.

Oh.

That was a sad day.

Oh.

Give me some brandy, love.

>> I'm afraid I'm upsetting her.

>> Papa.

Oh,

Papa, I'm [crying] out of bed.

Kiss

me.

Oh.

Oh.

Oh, Papa.

What is it, cats?

What's the matter?

Don't worry, I'll sit up with you.

She can't help it, Miss.

She can't hear what you're saying.

>> I can't hear, Mary.

>> Yes.

Yes.

We never needed to say anything.

>> Nothing.

>> When I went up.

>> No.

I can't afford to go on living in Paris.

>> Oh.

Extravagant is she?

No.

>> It's not money.

I want to come back and find a job.

>> I don't know. I'll have a word with

John.

>> But not in Manchester.

If I'm going to be a failure, I prefer

to do it somewhere I'm not known.

>> Well, that's a bloody good start. I

suppose I am a failure.

>> You know what I mean.

>> Let's say I found you somewhere.

What would Barbara say about it?

>> Oh, we've talked about it. She doesn't

seem to mind.

>> What about Newcastle?

>> The warehouse?

>> Ah, could manage it, couldn't you?

And I could keep my eye on you from up

here.

Ah, never mind, lad.

I wanted you to be educated. Now you

know a bit about everything and a lot

about nothing. Come in.

>> Everything's ready.

>> Thank you, Brooke.

>> We'll talk about it.

>> One thing, Dad.

I'm not sorry.

Barbara and I are happy together.

>> I

>> Everything is arranged.

I wish I'd done more for her when she

was with us.

Barbara, will you come in the first

carriage?

Kate and Dad will be in the second.

Mary Peel came here when she was 12

years old.

>> [bell]

[bell]

>> I knew Mary Peel all my life.

>> [bell]

>> She was at the hall when my sister and I

first went there.

>> [bell]

>> I have every right to be here.

>> Why, Mary?

>> To show them that we're not ashamed.

Benchams [music] don't own everybody.

>> My eyes are

>> [bell]

>> We belong here more than they do.

>> We brought nothing into this world

and it is certain we can carry nothing

out.

The Lord gave

and the [bell] Lord has taken away.

Blessed be the name of the Lord.

>> [bell]

[bell]

[bell]

[music]

>> I didn't think you'd dare show your face

again.

>> [bell]

[music]

[music]

>> Well, Adam's going on to Paris to settle

his affairs there.

Says it will probably take a week or

two.

>> A letter for Kate. Did you find a house?

>> All right. Gosforth.

3 miles out of Newcastle.

I had a thought Barbara would have gone

with him.

You're pleased you're staying, aren't

you?

>> Of course I am.

>> You know, Adam went out of his way to

tell me how happy they were.

>> She's obviously grateful to him.

He has the sense to be patient.

There are worse foundations for

marriage.

>> Ah.

Well, I

and there's better.

Ah, she'll be company for Katie.

>> I'd like to go for a drive.

Would you mind if afraid break, Mr.

Bentham.

>> Huh?

Oh, no, not at all.

>> May I have the keys to the cottage?

If I'm over that way, I'll look in. See

if everything's all right.

>> good idea.

Is Kate going with you?

>> No, I don't think so, Kate.

>> Take one of the cars.

>> No, I'll drive myself.

>> You always say no, Bridget.

There's a letter for you, Kate.

>> Whoa. Whoa.

Well,

>> Spendale Manor.

Do you remember Patrick Ferrier?

The man who proposed to you.

His father died.

He's the Patrick now.

I had a letter from him.

He still wants to marry me.

And you?

>> Okay, don't marry him unless you love

him.

>> I don't know.

You won't say anything to Dad.

Remember how you used to pretend to go

out riding with John?

>> Good morning.

Mrs. Bentham.

Mrs. Bentham.

>> Mr. Patrick, we were just out for a

drive. I

>> What a pleasant surprise.

>> You go with him. I'll come back for you

at 3:00 and we won't say anything to

anyone.

>> But Barbara, where

>> Where are going?

Barbara.

Barbara.

>> [music]

>> Come inside.

You'll be quite all right.

>> I wasn't concerned for myself.

>> [music]

[music]

[music]

[music]

[music]

[music]

>> Michael.

>> Been here every day since I saw you.

>> Michael, I can hear you.

>> I broke in.

I stayed waiting here all day.

>> I can hear your voice.

>> I told a different lie each day where

I'd been.

>> Say I love you.

Oh, yes.

Yes, I love you.

Love you.

Michael.

>> [music]

>> Strange you can hear now.

>> I can hear myself telling lies

to other people.

>> When shall we see each other again?

>> Friday.

Dan's coming in.

I'll be here on Friday.

>> God knows.

Yes.

Somehow.

Barbara.

Is this love?

It's all we have of it.

>> [music]

>> Where did you go today?

>> You tell her, Kate.

>> Over the hills and far away.

>> Over which hills? How far?

>> I don't know, Briggy.

Such a lovely day. We just went

anywhere.

>> I must know where you went.

Kate, you ought to know by now that you

can't fool Miss Brigmore.

>> The truth is, we went all the way to

Alston, but we didn't want to admit it.

>> Why didn't you want to admit it?

>> In case Mr. Bentham told us off for

driving his horse too far. Wouldn't let

us have the break again.

>> Nonsense. That's what it's for, to be

used. You can take it when you want it.

>> But not to Alston. That is too far.

Why did you go to Alston? Can't you stop

being a governess?

>> Katie.

She asked you a question.

Why did you go there?

>> It's my fault. I wanted to send a

telegraph to Dan in Paris.

>> Hexham was nearer.

>> We were nearer Alston.

>> Did you send it?

>> Well, when we got there, we realized

that neither of us had any money.

>> I'll have it sent tomorrow.

>> Thank you, Mr. Bentham.

We better not go out again.

>> May we have the break again on Friday?

>> Aye, if you want it.

>> We'll go to Hexham.

>> Dan'll be back next week.

I'll get him fixed up.

And then we're going back to Manchester.

>> But But summer isn't half over.

Oh, Rose, would you go to Miss Benson's

room and tell her I'm waiting, please?

>> Yes, ma'am.

>> We must leave here before they come

down. We don't want to answer any

questions.

>> Where are we going?

To see Patrick.

I don't know if he'll be there.

>> If he loves you, he'll be there.

>> Oh.

You're going out to break some side.

>> Dan, there's something I have to tell

you about that. No, it doesn't matter.

>> Thank you.

How are you?

>> You're home early, aren't you?

>> Yes, yes, I finished early.

>> Must be tired. Do you want to go

upstairs and change?

>> Yes. But where were you going?

>> Oh, just out for a drive.

Neither of us wants to hurt him.

>> I'm sorry, sir.

>> Oh, no, please do clear away. We're

going up in a minute.

I know you'll like the house when you

see it.

It's quite big. There are four bedrooms.

We could turn one of them into a

nursery.

When you're going to come and see it?

There are all sorts of decisions to be

made about the decorating and the

furniture.

You can easily get to Newcastle and back

in a day or you could stay at the hotel

with me.

>> Goodnight, sir.

>> Goodnight, thank you.

Barbara,

what's changed?

Since we came back, something's changed.

We were happy in Paris.

We were.

I know

when I asked you to marry me,

I know you didn't love me.

I know why you married me.

But we were

happy in Paris.

Weren't we, Barbara?

When you were deaf,

you always spoke the truth.

Now you can hear me, you don't say

anything.

How you've changed.

before you could hear

you were aware of every breath around

you.

You felt our feelings.

You were alive to us.

How you get about?

As if life's not worth living.

As if it's not worth hearing or feeling

anything at all.

As if it was better to be deaf.

Perhaps it is better to feel nothing at

all.

>> Michael.

It wasn't my fault that came back.

He's gone to Newcastle now.

>> All right.

Well, I cannot go on waiting here every

day.

>> Well, I waited for you today.

>> Oh.

I know it's impossible.

I have to persuade Kate to go out and

then lie

and lie and go on lying.

>> I don't know what they're thinking.

They look at me as if I'm mad.

>> Let's go away.

Oh, love, let's go away before we do go

mad. I don't care about them, any of

them. Please, let's go away.

Oh, why not?

Why not? There's nobody, nothing to keep

us here.

>> It's all right for you. You are free.

>> No, I am not free.

I'll make myself free.

>> How can I leave them?

Well, Sarah's crippled.

How can I leave her?

>> won't leave your mother.

It's her. She crippled Sarah. She

crippled you.

>> I'm not

>> You have no will. That's what she broke

in you.

We'll go away tomorrow.

>> I'm going to

>> Don't leave them. Leave them, Michael.

>> I'll go back.

Oh, Mike.

>> Well,

let's make a day.

One day a week

to meet here.

Friday?

Michael,

one day?

>> I don't know.

I don't know.

>> We'll be alive on Fridays.

>> Kate,

where did she go?

>> I think she's meeting her cousin.

>> Have you said anything to your brother?

>> I can't.

Quite honestly, Patrick,

I hope she leaves him.

She's never loved him.

>> It isn't good for us

to be involved in this.

My dear girl, last year I asked you to

marry me and you said no.

>> Patrick,

will you marry me?

>> What were you going to say?

>> I told you I don't care. Anything.

>> Anything would have been the truth.

>> Mrs. Bentham has asked to see you in the

drawing room. I regret dinner is over.

>> Oh.

Want to be scolded and sent upstairs to

bed without anything to eat.

>> We were about to send the men out to

look for you.

Where have you been?

Barbara.

Don't be childish and don't treat me

like a child.

I will ask you again.

Where have you been since 10:00 this

morning?

>> Ask Kate.

>> I'm asking you because I've always

regarded you as my responsibility.

This is absurd. I have every right to

know where you've been today.

>> Today

we went to Allendale.

>> You used to be incapable of lying.

>> Barbara.

Barbara, she was only asking because she

was worried sick about you, both of you.

>> I'm sorry, Dad.

Briggy.

Barbara's been protecting me. She's been

with me.

I've been meeting Patrick Farrier at

Burndale.

That's where we went before.

>> What are you talking about? What are you

talking about?

What have you been up to?

>> Dad, I'm going to be married.

>> To him? Oh, no, you're not. You haven't

got my consent.

>> But you gave it to me before.

>> And you turned him down.

>> Well, yes, but the offer was still there

and this time I accepted it.

You can't go back on your word because

>> Because what?

>> Because you're my dad and you love me

and

it's a surprise.

Dad

Now, can I go and get something to eat?

Come on, Barbara.

>> Well, I wish you'd have said something

before.

>> It's wonderful news, my dear, and what a

surprise.

>> I

but I could have done without the

deception.

>> I expect Kate felt a little foolish.

>> And Barbara?

>> Barbara stood by her.

>> She told all the lies, you mean?

I've got my doubts about that young

woman. Now, tell me,

what's she staying on here for when she

ought to be with Dan in Newcastle?

>> She'll go as soon as the house is ready.

>> Oh, it is ready. It's been ready for the

past 2 weeks.

>> Dan never said anything.

>> He didn't say anything cuz he didn't

know what to say.

Anna,

there's something keeping her here.

>> She loves Highbank.

>> She's always out somewhere and then

lying and making excuses about where

she's been.

>> That's not true.

>> Oh, I know. She can do no wrong in your

eyes.

My dear, don't you see how different she

is?

As if nothing in the world matters to

her but herself.

>> I know you didn't want Dan to marry her.

>> I want him to be happy and he's not.

He's been damn good to her and there's

not many who'd have taken her after what

she did.

>> That's nonsense.

>> IT'S NOT NONSENSE, WOMAN.

I'LL SEND HER AWAY. SEND HER AWAY BEFORE

SOMETHING happens we'll all regret.

>> Don't speak to me like that. I won't

listen to you. I won't listen to

anything you have to say about Barbara.

>> Hey, Anna.

>> [music]

[music]

[music]

[music]

[music]

[music]

>> I can't hear.

>> I love you.

All right.

I love you.

Can you hear me?

>> I love you, Michael.

>> [laughter]

>> You win.

Thank you.

I had a letter from Kate this morning.

They've arrived in Venice.

I shall write to her later.

Shall I say that you and Dan will be

moving into your new house soon?

>> You can if you like, but it won't be

true.

>> You're not being very fair to Dan.

Did you ask me whether I wanted to live

in Newcastle?

Mr. Bensham was asking

Mr. Bensham was asking you when you're

going to move in with Dan.

>> Dan doesn't mind me staying here.

>> Barbara, tell me the truth. Can you

really not hear what I'm saying?

>> Hey, what what do you mean you can't

talk to her?

>> There's no harm in her staying here a

bit longer, is there, Dad?

>> She ought to be in Newcastle with you.

>> Well, I've told her she can stay here if

she wants to.

>> You don't want to face it, do you?

You might have made a mistake.

>> I'll tell you what I don't want to have

to face,

ever.

Her leaving me.

>> You say so.

Your life,

not mine.

>> I have to be alone sometimes.

You understand that, don't you?

It used to be a part of my life I could

choose whether I heard somebody or not.

When I looked away, they weren't there

anymore.

>> Yes, yes, I know.

Barbara,

I just told Dad I didn't mind just

staying here.

Not forever.

>> How long's that?

>> The summer.

>> That's a long way short of forever.

Oh, I think I shall be here in a hundred

years' time.

>> Will I be with you?

>> I don't know.

I don't know, Dan.

>> I'm here, Barbara.

Turn away from me if you like.

But I'll always be here.

>> I've watched over every moment of her

life, Harry. Do you think I wouldn't

know?

>> Well, what are you going to do?

>> You couldn't help her when she was a

child.

She went through agony. I don't suppose

she wanted them to practice on her

anymore.

>> She'll have to be with someone.

She'll have to go with Dan.

>> Dan Newcastle?

>> Aye.

>> It'd be the worst possible place for

her. It's full of strangers. No, she

must stay here where she's known and

loved.

>> I'M GOING INTO HEXHAM ON MY OWN.

>> WHY?

>> BECAUSE I SAID SO, THAT'S WHY.

>> IS THIS SOMETHING NEW?

You're going to start playing the master

now, are you?

You better ask your mom first.

>> This farm belongs to me.

>> All right.

But what about Sarah?

What about my sister? WHAT ABOUT YOUR

WIFE WHO'S GOING TO HAVE YOUR BABY?

>> NOW YOU LISTEN TO ME, JIM WAITE. I'VE

had enough of you.

I'm going to do what I want, when I

want. And if you don't like it, YOU CAN

GET OUT ON THE ROAD AND take Sarah with

you.

>> Michael, WHAT'S ALL THIS SHOUTING ABOUT?

WHAT'S THE MATTER NOW?

>> TELLING HIM I WAS MASTER.

>> IT'S NOTHING, MRS. RADLETT.

Just he said he was going into Hexham on

his own.

And it's Friday.

Are you going into Hexham?

>> Aye.

Don't you want me to?

>> You must do what you want.

>> Right. Well, I'll go then.

>> I don't mean just going into Hexham for

a day. I want to talk to you.

>> Mam, please.

>> I never told you the truth because I

thought you'd hate me.

But I was wrong, wasn't I?

You see, I can tell without you saying

anything. But when they died, Matthew

and Donald, I only had you to live for.

>> Mam, I want to say something.

>> Listen, Michael, it's been a long

struggle, but for all these years I've

been saving money from the farm. It's

for you, Michael. You're married now,

and you're you'll soon be a father. It's

time you decided what you wanted to do

with your life. You've got to consider

Sarah now. She's having a baby. But

look, you could sell Wulfhall and buy a

bigger farm. There's quite a lot of

money UP

>> I DON'T WANT IT. I DON'T WANT TO LEAVE

WULFHALL.

WHERE COULD WE GO where people talk

about us and point at Sarah?

>> Do you want to go, man?

Do you want to leave Wolfbarrow?

>> Michael, don't you even want to see her?

>> No!

It's yours! It's all yours! AND

WOLFBARROW'S YOURS, TOO, HOWEVER MUCH

YOU SAY IT'S MINE.

>> I THOUGHT THAT ONE DAY YOU MIGHT GO AWAY

FROM ME, AND I NEED YOU.

OH.

Hold me.

>> Please.

>> I didn't want you to think badly of me.

To think I'd leave you.

>> I never thought I could hurt you because

I never thought of you at all. It was

always me.

I love my life. You know because I love

you.

>> If you're going to market, we need some

more cattle cake.

>> All right.

Do you want anything, Sarah?

Well, you must want something.

>> I want to be able to dance again.

>> You don't look in very good spirits this

morning. Is there any particular reason?

Don't shake your head, madam.

You going out today?

>> No.

>> Is the horse still lame?

>> Harry, she can't possibly see if you're

talking to her.

>> Doesn't matter.

>> What would you like to do this week?

>> I don't know.

>> Why not the same as last week and the

week before?

>> No, really. Either you're taking part in

this conversation or you're not. We

really can't be shouted at from the far

side of the morning paper.

>> What I said was

why don't you do the same as last week?

Which is nothing

until Friday.

>> I think I will go out later.

May I take the break?

>> All right.

>> Will you come with me, Bridget?

We can go to the village.

>> Yes, I'd love to.

>> What are you up to?

Are you planning a surprise with

Barbara? Is that why Dan left?

>> That he's so happy.

>> Dan left looking happy because he

doesn't know anything to make him

miserable.

>> Oh.

>> Is he fine now?

>> Well, did you do what you said?

>> I I did. I rode him up to the crossroads

and I gave him his head. He took

straight off towards Cartfell.

I reckon he'd find his way to that

footage playing for

>> We should have a shopping

We need

just the same thing.

We could do that.

>> [bell]

[bell]

>> I can't breathe in there.

Has she ever gone to Newcastle with Dan?

>> Newcastle.

This is her home, Harry.

I don't want to argue about it.

>> You know damn well where she should be.

What's keeping her here, Aniche? Or

who's keeping her here?

You know where she goes every Friday? Do

you know who she meets?

She goes to your cottage.

Did you know that?

Well, every damn servant in the house is

talking about it. They say

she meets that boy.

THEY'RE LOVERS. YEAH.

>> [bell]

>> LOVERS!

>> [bell]

>> I'm going to Manchester next week.

Come with me.

>> How long will you be in Manchester?

>> Well, I don't know.

Perhaps the rest of my life.

>> Harry.

>> There are slums there, more wholesome

than this place.

I

and the people.

>> Yes, let's go to Manchester. It's far

too quiet here.

We can visit concert halls and theaters

and go out to dinners and invite our

friends and talk about each other.

>> Anna.

>> Oh, I forgot. There's nothing to talk

about in Manchester.

Only here.

And we don't talk about it. It's the

servants who talk about it.

>> Well, the truth's the truth.

Whether you want to talk about it or

not.

Whether you want to hear it or not.

I haven't believed a word Barbara said

since she came back from Paris. Where do

you think she goes every Friday?

She always has an excuse.

She was delayed. The horse cast a shoe.

Never trust someone who's always got an

excuse.

>> Well, if if she goes to the cottage, she

has every right. If the law STOPS HER

>> NO, TO TELL A LIE, she's got no right to

deceive my son.

>> What makes you think she's doing that?

She wouldn't do that, not Barbara.

>> Why? WHY CAN'T YOU ACCEPT the truth? You

can live with the truth. You can't live

without it.

>> Will you say anything to her?

>> No.

>> Will you go there on Friday?

>> If

she goes out, yes.

>> And what if you're wrong?

>> Then I'll never say another word about

it.

>> I pray God you're wrong.

>> Alas,

so do I.

I'll drive it myself.

>> [music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

>> Right into action for Dr. Kelly.

Brooks.

Harry.

Harry.

Oh my dear man.

The doctor's coming.

Dan's coming tomorrow.

And John.

Harry.

Can you hear me?

Can you hear me?

Make a sign that you can hear me.

My dear.

Oh my dear.

Did you go to the cottage?

Did Barbara to the cottage?

Was anyone else there?

>> Was there anything more

>> No. No, thank you.

You know I must ask you.

Was anyone else there?

Was it Michael Wratten?

God.

I'm sorry.

>> I shall call back again this afternoon.

Mr. Bentham is very ill, Mother. That

was the doctor leaving.

>> How was he?

What happened?

>> Get out.

>> You said you were going to Hexham.

>> I did.

>> Why are you back so late?

>> I stayed longer than I thought.

>> Don't lie, Michael.

>> What's up?

What's up with you all? I've been at

Hexham. Where do you think I bought all

this?

>> Jim saw you.

He followed you and he saw you.

>> Well, I followed you to Hexham and back

again.

I saw you at the cottage on Car Fell

with her.

>> You were with her. You've been going

with her all the time.

>> It's not true.

>> He saw you. He saw her, that Mallen

girl.

>> All right, what difference does it make?

>> MICHAEL!

>> WHAT DIFFERENCE does it make if I have a

woman now AND AGAIN?

>> YOU BASTARD!

>> NO, JANE, JANE, MICHAEL, STOP!

>> NOTHING. NO.

TAKE SARAH UPSTAIRS. COME ON, SARAH.

You're married. She's married. You're

cousins.

>> You were married. It was your husband's

brother.

>> But he was dying of consumption. When I

found I was pregnant, I married his

brother. I loved Matthew.

>> I love Barbara.

>> Oh, no, Michael. You can't bargain your

shame against mine.

>> I would have married her.

>> But you didn't.

When you had the chance, you didn't. If

you'd have really loved her, you'd have

married her whatever she'd done.

I don't believe you love her now.

She doesn't love you.

>> She does.

>> Then why does she treat you like a

[ __ ]

You were happy with Sarah who loves you

and has always loved you as we all love

you. I beg you not to see her again. I

know we can't stop you, but think where

it's leading and how it must end.

You know in your heart it's wrong.

>> What do you want me to do?

>> Swear you'll never see her again.

>> I can't.

>> For your own sake, Michael.

>> What do you want me to say?

Um

Mom.

>> Nothing, Michael.

>> Is there any change in my father?

>> No, sir.

Mrs. Bencher is in the dining room. She

asked to see you as soon as you arrive.

>> Oh, Dad.

>> Thank you, Margaret.

What happened?

>> Do you want some breakfast?

>> No, no.

I'll go straight up and see him.

What happened?

>> He went out alone in the break

yesterday.

He had a stroke.

The doctor has been.

>> What did he say?

>> Dan.

Bridget won't let me in the room.

>> It's all right.

I'll go up and see.

I'll speak to her.

I'll come and tell you later.

Oh, Margaret.

He's my father.

>> Would you like some more tea, Mom?

Oh.

>> Bridget.

>> Come in, darling.

>> Dad.

Dad.

>> John's coming.

I've cabled the clinic to return as soon

as possible.

>> Can he understand?

>> I don't know, perhaps.

>> Barbara told me

what the doctor said.

I'm sure there's nothing.

Of course not.

What's happened?

Dad.

Dad.

Can you hear me?

Oh, Dad.

Oh, Dad.

What's it

What's it about, Dad?

What is it, Dad? What What are you

trying to say?

What's Dad?

What is it, Dad?

Please.

Dad, can you Can you write Can you write

Briggy?

Can you Can you get me paper?

>> Yes.

Yes.

You tell me if you must, Harry. I can't.

>> Yes, Dad.

Yes. Yes, that's what you wanted. Look.

Look here.

And

The mill The mill, Dad. Something about

the mill.

John John's on the way here.

And May

Mellors

What's his name?

Bob

Bob. [sighs]

Yes.

He

He wanted to hear all the time.

I'm going to fetch Barbara, Dad.

You want Barbara here.

>> I know what you want to say, Connie.

I know.

God give you peace.

>> No, I don't pray that.

No, I don't pray.

>> Oh, Connie, I don't

You'd upset him if you knew what you'd

done to him.

Oh, God help

What if it does more harm than good?

I'm afraid.

>> [snorts]

>> Yes, I'll tell them.

It will be all right.

I promise you, my darling. Have you my

word.

You're so good.

You shouldn't be troubled by me.

You've been so good to me. Thank you.

Thank you, Harry.

I love you.

I want you to get out of this now.

Please, please, hospital.

Please.

Come here, darling.

Come here.

No.

Come here.

No.

No.

>> [snorts]

>> You finished the word.

>> What did What did you mean? What did you

mean?

M A

>> Matilda.

Your mother.

Oh.

Oh my god.

Oh.

Oh, I

just couldn't get away last Friday.

Did you hear that Mr. Bentham was dead?

Such a shock to everyone. He was so full

of life.

Suddenly he was gone.

I had to be at the funeral, but all the

time it was going on I was thinking of

us together.

>> Barbara, they found out.

They know about us.

>> The house was full of

>> Jim followed me here and they saw us

together.

>> Luckily most of them have gone now.

Dan's still here.

And John, he's leaving today.

Bridget's walking about like a ghost.

It is terrible for her. They were only

married last year.

I said I had to slip out for an hour or

two.

Oh my god.

>> Barbara,

they found out.

My mother knows about us.

I could only come today because Sarah's

ill and they've taken her to the

hospital.

Oh my god.

>> Now you're free.

Now you can leave them.

Surely they want you to leave them. Now

we can go away.

>> But does he know the truth?

They don't want me to go.

I cannot go.

They trust me.

>> Why are you here?

>> Don't pretend, Barbara.

I'm not free and neither are you.

It's over.

It's better if we admit it's over.

>> I walked out of a room

full of people

with Dan and Briggy watching me.

If anyone had asked me where I was

going,

I would have said

to meet you.

It isn't over.

I think perhaps they know, too.

The rooms are full of eyes.

They turn away from me when they speak

so that I shan't know what they're

saying.

I can hardly bear to live there anymore.

Help me.

I don't care.

I hope they do know.

Then we can be together.

You must never say it's over.

I shan't look at you.

You didn't come here to tell me that

it's over.

If you believe that, you wouldn't be

here.

You're here, Michael.

You can't help it.

You love me and you can't help it.

But I love you more.

>> I wish we had time.

Time?

>> I thought you said died.

I wish we had died.

I'm 20.

I'm 40.

Sarah's 17.

God, it's going on forever.

>> I won't let it.

I won't let you go.

I'll make you come away with me.

I won't let you go.

>> Barbara, my love, I must get home and so

must you.

>> No.

>> There's no more time.

>> Can't you see I'm guilty enough as it

is?

>> Guilty? We're not guilty.

>> We are.

>> Why?

>> Sarah, all of them.

>> No, Sarah.

No, no.

They made what happened to Sarah. We

could have been mad.

>> It happened.

And that is the end of it. No.

>> No, I shan't look at you.

It's not the end. It'll never be the end

because when you say that I won't look

at you.

>> You're making me choose.

You're forcing me to choose.

Barbara.

I've got to choose.

>> No.

We can go on.

Dan can't make me live with him not now

that he's all alone.

You don't have to choose, Michael.

There's nothing for you to choose.

>> I might not be here next Friday.

>> I didn't hear you.

I love you.

I must stay with Brigit.

>> Yes, yes, I know.

>> John and Jenny were in a hurry to leave.

>> Well, he has to be at the mill.

>> So, I have to stay with Brigit.

>> But, Barbara.

You can't shut yourself off from me.

I won't let you.

I know you married me to escape.

But, we were all right together in

France.

>> Let me go, Dan.

>> It's only when you came here.

This place took you back from me.

I love you, Barbara.

I won't let you go.

Wherever you are.

You're my

wife.

>> I'll be back on Saturday.

Thank you, Brooks.

>> Dan's just gone.

>> I wanted him to go before I spoke to

you.

>> He's coming back on Saturday.

>> I know.

And this time when he leaves, you'll go

with him.

I know you can't hear.

You will go with your husband.

>> Yes, Ms. Brickmore.

>> I'm Mrs. Bankston.

I'm proud to have his name.

I loved my husband until you took him

from me.

>> What do you mean?

I took him from you. What do you mean?

>> You caused his death.

Just as you caused that poor girl's

tragedy at Wolfburg.

>> That wasn't my fault. How could I have

done anything to Mr. Bletchum?

Why should I?

>> You don't need a reason.

My husband was an honest man.

He hated deception.

He didn't approve of your marriage, but

he never thought you capable of

adultery.

>> That's not true. True?

>> You were seen.

He saw you at the cottage. Where do you

think he went that day? It was Friday.

>> When he came back,

he he couldn't speak. He couldn't say a

word.

>> Words aren't always necessary.

You know that.

I'd have thought you'd have seen it in

his eyes.

>> I didn't. You wouldn't let me see him.

>> You saw enough.

You will never forget.

But if you want words,

he was trying to write your name.

He wanted Dan to know the truth about

the Malins.

>> You said he was writing Matilda.

>> He wanted Dan to know the truth.

I promised him, God forgive me.

You're going to go away from here.

You're going to leave Highbank and live

with your husband.

>> No.

Or what? You'll tell Dan. He won't

listen. No, if he does, he'll

understand.

>> No, he's too much like Harry. It would

be bad for him.

>> The truth might save him.

You never told me the truth until it was

too late. You never told me the truth

about Michael. We could have BEEN

MARRIED.

>> NO.

>> WHAT HAPPENED TO US WAS YOUR FAULT, NOT

MINE. I ONLY KNEW WHAT YOU TOLD ME. I

WAS DEAF, BRIGIT.

I didn't CAUSE ANYTHING. YOU DID. AND

NOW I'M DEAF AGAIN. I DIDN'T MAKE HIM

DIE. YOU DID. YOU DIDN'T LOVE HIM. YOU

WERE TOO OLD TO LOVE ANYONE. YOU LOVED

THIS. IF YOU SEND ME AWAY, I I WON'T

live with Dan. I'll leave Dan.

>> Who will you live with?

>> Michael Radley.

>> You think he'd ever leave his mother for

you?

>> Oh, yes, I know he will. He'll do

anything for me if I ask him.

>> He's weak like his father. If he loved

you enough, he would have left

Constance.

>> I LOVE MICHAEL. YOU CAN'T STOP ME. I

CAN'T HELP IT. [laughter] I'M DEAF. I'M

DEAF. BRIDGET!

BRIDGET!

I'VE NO SORT OF FEELING FOR YOU ANYMORE.

You'll leave this house

and pray to God I never see you again.

Say that again.

I won't tell Don the truth.

I won't hurt him.

I'll leave that to you.

But you'll leave with him and you'll

never come back here.

I don't want to see you or speak to you

again.

I'm going TO MICHAEL.

I'M GOING AWAY WITH MICHAEL.

>> THEN YOU WILL WALK. THE STABLES ARE

CLOSE TO YOU. YOU'LL TAKE NOTHING from

this house.

>> [music]

[crying]

>> Michael! Michael! Oh my god, Sarah.

>> [screaming]

>> What?

No, what's happened?

>> She fell over. I think the baby's

coming. Go upstairs and get some

blankets. I'M FRIGHTENED.

>> I'M GOING UP.

>> HOW WAS UPSTAIRS? I HEARD HER SINGING.

SHE SHOULDN'T try to

>> Move. Well, you couldn't stop her. You

let [ __ ] up the hall couldn't stop her.

>> She's wanting me to take her and get Dr.

Kelly.

>> I I'LL GO.

>> NO, SHE'S NOT. SARAH, SARAH, I'LL NEED

the doctor. Michael and I will stay with

you.

>> That's right. Now you let go.

>> No.

Sarah, I'll need help. My your husband.

>> I DON'T WANT HIM.

>> I'LL TELL HIM TO GO, MRS. RYAN. LET ME

PHONE BEFORE IT'S TOO LATE.

>> MICHAEL, YOU RUN AND TELL HIM TO GET DR.

KELLY. GOD KNOWS IF HE CAN GET HERE.

>> NO, MUM. I'D BETTER STAY. IT'S MY WIFE.

IT'S MY CHILD.

>> Oh Michael.

Michael, you're here.

Listen, I'm free. They can send me away

from Highbank. I've got TO GO AWAY AND

NOW WE MUST GO AWAY TOGETHER.

>> I'VE GOT TO GO. GO ON. I'm going for a

doctor. It's Sarah.

>> Oh no. No. NO, YOU'RE NOT GOING. NOT FOR

SARAH. NOT AGAIN. MICHAEL, you and me

now.

They can send me away from Highbank.

I've got nowhere to go but you.

>> Your husband.

>> Just send me away FROM HIGHBANK. I'VE

GOT NOWHERE TO GO BUT YOU.

>> SARAH COULD BE DYING.

>> COME ON, BOY.

Come on.

>> I've got to go on. I CANNOT STOP FOR

YOU.

>> MICHAEL.

>> COME ON.

COME ON.

>> GO ON. WHERE AM I TO GO?

>> I told you not TO MAKE ME CHOOSE.

>> MICHAEL.

>> BARBARA.

BARBARA.

>> OH.

OH.

OKAY.

AH.

>> [music]

[music]

>> I'll dance with you now.

>> I told you.

>> This [music]

>> No you don't KNOW NOTHING, YOU BASTARD.

YOU RUINED ME.

>> WHERE DID HE GO OFF TO?

You're my

wife.

>> They're lovers.

>> [music]

>> Michael, YOU AND ME NOW.

>> [music]

>> Over here.

>> Come along. Go home.

>> [music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

>> Woo!