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Downloaded from YTS.BZ
Official YIFY movies site: YTS.BZ
(people chattering)
(people chattering)
[AMY] He's a representative of the Trump administration.
[PRODUCER] He's the senior adviser.
[PRODUCER] Yeah, he's the top guy.
[AMY] Okay, let's go.
(people chattering)
[AMY] Hi.
I'm Amy Goodman from "Democracy Now!"
[AMY] Can you tell me-
[WELLS] I gotta go to another meeting.
[AMY] Can you tell us what you think
about President Trump saying climate change is a hoax?
[AMY] You can answer the question.
[AMY] Are you not speaking to the press here?
[WELLS] Excuse me.
I'm sorry. I'm running late for a meeting, thanks.
[AMY] Right, but you weren't running late
like when you're just standing there, so.
[AMY] Can you talk about President Trump's
saying that climate change is a Chinese hoax?
(gentle orchestral music)
[AMY] Are you not talking to the press while you're here?
(gentle orchestral music continues)
[AMY] Can you talk about why the US is here
since President Trump is saying
he's pulling the US out of the Paris Climate Accord?
(gentle orchestral music continues)
Can you talk about why you are pushing coal?
[AMY] No answer on any issue?
[AMY] Can you explain why the US joined with Saudi Arabia
in watering down language around the UN report?
(gentle orchestral music continues)
[AMY] Wells Griffith, can you explain
why you won't answer any questions on the issue
of climate change or why the US is here?
[WELLS] If you would like to set up an interview,
we could do that.
[WELLS] But you're actually harassing me.
[AMY] A reporter asking you a question, Sir, is not harassment.
[AMY] Why not answer a few simple questions?
[WELLS] We can set something up,
if you would give me your contact information.
[AMY] So you're saying you will do an interview.
[WELLS] I'm saying I will connect you with our press folks
and, excuse me.
[AMY] Why don't you give me your card
and we'll set something up.
(gentle orchestral music continues)
[AMY] Oh, thank you. Okay.
You want...
I thought you wanna give me your contact information?
[AMY] Hi.
Can you say who you are?
[ASSISTANT] Email at-
[AMY] I'll take it. Let me take the card.
[ASSISTANT] ClimateCon-
[AMY] You're not going to give me the card?
He said someone would give me a card.
Sir.
Well, we're standing in front
of the United States of America Delegation Office.
We followed Wells Griffith, who is the representative
of the Trump administration.
Wait I have to take my breath.
(gentle orchestral music continues)
(audience applauding)
[REGIS] I went to the annual Christmas party.
[KELLY] Yes, tell me.
On my right was Amy Goodman,
and so I didn't, I was unfamiliar with the name.
"What do you do, Amy?"
She says, "Well I have a show on PBS."
Okay.
"We cover global events."
Oh my gosh.
Global news.
No wonder we haven't seen it.
(audience laughing)
Well now, excuse me, but what am I going
to have in common with someone who covers global news?
-What is global news? -The beautiful baby contest?
That ain't gonna do it!
You realize then-
-Your lack of contribution -What you are doing!
You're doing-
Nothing!
(audience laughing)
(upbeat rock music)
With us, Amy Goodman.
She's the host of the "Democracy Now!"
A daily independent news program.
Goodman has received the
Robert F Kennedy Journalism Award and the
Overseas Press Club Award.
[AMY] What do you say to those who say
that you are a war criminal for the bombing of Iraq?
I've never heard anybody ever say that before!
[AMY] Don't push me.
I'm a journalist here.
You're an activist and a journalist
who say you can do both.
Her program is the only platform
that has given us a voice.
Now, you're a communist, right?
(audience laughing)
You're as mainstream as anybody.
What do you mean by independent?
Independent in contrast to what?
How can you use my name and anti-immigrant
in the same breath?
Radical, leftist,TV program called "Democracy Now!"
[COP] I'm not asking you again.
That way or you get arrested.
[AMY] From Ground Zero.
From East Timor.
As we deplane in Haiti.
In Georgia's death row prison.
We're in occupied Western Sahara.
We've walked across the border.
We're in the middle of Trump Tower.
This is "Democracy Now!"
The War and Peace Report.
I'm Amy Goodman.
Okay, a shipment of US arms.
Roll forward.
Forward, forward.
And we're going to change this one.
Death toll in Israel, and at least, and 1,000 killed.
[AMY] Okay, the majority of Palestinian deaths.
I don't know if you can fix that, Mike.
Keep going.
Meanwhile the scale
of atrocities committed against civilians
is coming to light.
Over 100 bodies were found at the Be'eri kibbutz
near Israel's separation barrier with Gaza.
Yeah, no!
Kibbutzim is the plural.
[AMY] Can you go to the headline, President Biden did not refer
to slain Pales...
To, forward, forward, forward.
[CREW] We're live in five, four, three, two, one.
(upbeat music)
I'm Amy Goodman.
The death toll in Israel and Palestine
has soared to over 2,200 with at least 1,200 Israelis
and 1,000 Palestinians killed
since Hamas' surprise attack on Southern Israel Saturday.
[NEWS ANCHOR 1] Israel has more than 28 villages within two kilometers
of the Israel Lebanese border.
[NEWS ANCHOR 2] There are hospitals struggling to keep up,
amid air strikes from Israel are trying
to take out Hamas' leadership.
We have so much work to do.
[AMY] Tomorrow, I see that someone's already booked in Tel Aviv.
Right?
[MIKE] I have to review what's been done already, but-
Let me see.
I'm looking right now.
[AMY] I would aim to get Sharone Lipschitz.
Her parents are in their 80s and they are hostages.
[AMY] Major peace activists.
And then we should try to get someone
in Gaza because they just turned off the electricity.
[AMY] Oh, God.
Oh, my God, look at this.
(children chattering)
(Amy laughing)
She's a girl, but she marks everywhere.
Oh, that pizza is not for you, Zazy.
[AMY] So Zazou is the name of the anti-Nazi,
anti-fascist youth of occupied France.
They loved jazz and swing,
they went to underground nightclubs
and they fought the Nazis.
And they were called the Zazou.
Now, the problem is, every time I say to someone,
"Her name is Zazu," they say, "Oh, 'Lion King!'"
I didn't know that until after.
But I go, "Yeah, whatever."
Feminist, Feminazi trading cards.
You don't have these.
We're thinking about it.
Female impersonation is not going to go away.
For those of you who are a little uncomfortable
with this, they pack 'em in.
[AMY] I was a big fan
of the Phil Donahue show, from college on.
[PHIL] I have here a collection of some of your quotes.
"If people screw me, I screw back in spades."
Phil, is there something wrong with that?
[AMY] Some of it was the sensational stuff,
but a lot of it were deep issues.
(audience applauding)
And it was the best I saw on commercial media.
I was on this program in 1981.
Phil did the first program about AIDS
anywhere in the world.
I'm on it 10 years later
and I'm still saying the same thing!
(audience applauding)
[PHIL] I suppose we shouldn't be surprised
that prejudice does not go away on the occasion
of one Donahue show, however powerful may be my platform.
(gentle music)
[AMY] When I came back from college, I decided,
"I want to work for the Phil Donahue show.
I will be a producer for "The Phil Donahue Show"
I didn't know who to write
to tell them I would be their producer.
So for two weeks I would handwrite,
handwrite as fast as I could,
the names of every person listed
at the end of the show.
And I mailed them my extremely thin resume.
And then I just waited to hear.
(audience applauding) (upbeat music)
Finally, "The Phil Donahue Show" called.
And they said, "Can you come in tomorrow morning?"
"Absolutely."
And they said, "Great, because we're doing a show
on the unemployed and we'd like you to be
in the audience."
(audience applauding)
So, here's the point.
[AMY] I was devastated, but really I am grateful
to Phil Donahue because instead I found my way
to independent media and WBAI radio.
It's bike week, coming up next on the WBAI morning show.
And I began working with my beloved
colleague Bernard White.
My name is Bernard White.
I'm Amy Goodman.
[BERNARD] And until next time.
Stay strong and pay close attention.
We have a great time.
Me and Bernard hang, we talk, we shoot the beep.
(gentle orchestral music)
[DAVE] WBAI was a special place.
And Amy made it feel like home.
She was all about inviting people in,
and she gave permission to experiment
and try to create something beautiful,
something meaningful, something true.
[DAVE] The first interviews I ever did
were with Amy's pushing and encouragement.
She was giving me advice all the way along,
teaching me my craft.
[PRISON GUARD] Wake Up Call!
Let's go, get up.
Out of bed, let's go!
[DAVE] I was interviewing African American men
at the Louisiana State Penitentiary in Angola.
There was this guy, Moreese Bickham,
and he shouldn't have been in prison.
[MOREESE BICKHAM] My number's 75251.
And I'm 72 years old.
I've been in prison ever since 1958.
[DAVE] Myself and an attorney,
we did everything we could to get him out.
And nothing worked.
(gentle orchestral music)
[WBAI ANNOUNCER] This is "Wake Up Call"
with hosts Amy Goodman and Bernard White.
[DAVE] Who was I going to go to but Amy?
I knew that she was going to get it,
wrap her arms around it, and be unrelenting
until the job was done.
So we went on "The Morning Show" with Amy and Bernard
over and over and over again
to try and get Moreese Bickham out.
[AMY] In the summer of 1958,
two white sheriff's deputies in the deep South
in Louisiana came to his home in the middle
of the night and they shot Moreese Bickham
and he loaded his rifle, and he shot back.
People who witnessed what had happened
were afraid to come forward
because he lived in Klan country.
[BERNARD] Right now he's very ill.
He has prostate cancer.
[AMY] He could get out, but he needs the approval
of the Louisiana Governor.
And his number if people are interested
in letting him know how you feel is 225-
The governor was getting so many phone calls
that they had to change his phone number.
(all chattering)
[DAVE] And finally the governor commuted his sentence.
Moreese, I'm Amy Goodman.
How are you?
Oh my god.
It's a great, great pleasure!
[MOREESE] Right on me!
[DAVE] Moreese knew it was because of Amy and Bernard
that he had been freed.
[AMY] Look who's here!
(clapping)
[DAVE] We went right up to New York
and into the studio together.
[MOREESE]
-Oh yeah.
[AMY] And as you speak Moreese,
I'm thinking, you've been in jail at Angola Prison
for 38 years.
You've been in jail for my entire lifetime.
[BERNARD] You know, Moreese, if you put on those headphones
I got something that you might like.
[AMY] Oh yeah, we did promise you something
that day in Mississippi, when you got out of Angola.
♪ I wish I knew how it would feel to be free ♪
♪ I wish I could break all the chains holding me ♪
[DAVE] I think of radio as a medium
of connection and love.
That's the essence of Amy.
She believes that journalism put to its highest use
can be the greatest force for good that the world has seen.
(light piano music)
[AMY] 1988, 1991, 1987, 1992.
A little deck of cards.
November 12th, 1991, the day of the massacre in Timor.
[DIRECTOR] (whispers under breath) Oh god.
(dramatic orchestral music)
[AMY] I went to East Timor for WBAI along with my colleague,
journalist Allan Nairn.
He was doing a piece for "The New Yorker."
And we learned about the horror
that had been going on for years.
(dramatic orchestral music)
(screaming)
(distant gunshots) (screaming)
[AMY] Indonesia invaded East Timor, December 7th, 1975,
and for the next 17 years,
they systematically killed a third of the population.
(gun firing)
(dramatic orchestral music continues)
90% of the weapons used were from the United States.
We had armed, financed and trained the Indonesian army.
(dramatic orchestral music continues)
Most Americans never heard of this.
(person speaking foreign language)
Pure hell on earth.
(dramatic orchestral music continues)
-[ALLEN] Is that the police? -[AMY] Yeah
[AMY] That morning, Allan and I went
to the main catholic church in Dili.
Two weeks before, the Indonesian military
had surrounded the church
and killed a young man named Sebastian Gomez.
(people singing)
On the two-week anniversary of the killing,
there were so many people there that the priest
had to give communion outside under the trees.
(people singing)
(dramatic orchestral music)
After the mass, thousands marched to the cemetery,
where they would honor the dead.
(all chattering)
More and more people joined from workplaces, from homes.
(all chattering)
Allan and I were in the middle
of the crowd interviewing people.
(dramatic orchestral music continues)
And then we saw hundreds of Indonesian
soldiers marching up,
their US M16s at the ready.
We walked to the front of the crowd.
We wanted to make clear that journalists were here.
I held the microphone up like a flag.
Allan put the camera above his head.
The soldiers marched up.
Without any warning, they swept past us
and opened fire on the crowd.
(guns firing)
(siren wailing)
The first to die was a little boy behind us.
He exploded from the gunfire,
and they just kept on shooting.
(siren wailing) (guns firing)
There was another journalist there filming as people ran.
He buried his video tapes in a fresh grave
and would come out under the cover of darkness
and dig them up.
(siren wailing)
A group of soldiers surrounded us.
They beat me to the ground.
Allan threw himself on top of me to protect me.
And they used their US M16s like baseball bats,
and they slammed them against his skull.
They put the guns to our heads.
Western reporters witnessing this was a problem for them.
They killed more than 270 Timorese on that day.
This is a day I'll never forget for the
rest of my life.
I live with every single day.
If we could somehow report it to the outside world,
maybe that would be a way for the killing to stop.
[WBAI REPORTER] In the news tonight, protestors on East Timor
are shot and killed by Indonesian military forces.
WBAI news editor Amy Goodman and journalist Allan Nairn
who are on assignment in East Timor, are also injured
by Indonesian security forces.
[AMY]
[ALLAN] There were some people still standing up trying
to get away and the soldiers were shooting
at their backs and those people were falling as well.
It was massive carnage.
[BBC REPORTER] Incidents in Dili was witnessed
by two American journalists-
[CBC REPORTER] This is CBC radio
[REPORTER] The massacre of 100 unarmed Timorese-
[CBS REPORTER] Suddenly, and without provocation,
say Western reporters, the street became a killing field.
A killing ground
in a remote area of the Far East is beginning,
just beginning to get the world's attention.
That is because Western reporters
were inside Indonesia when soldiers opened fire
on a group of civilians.
We have a report tonight about a very small corner
of the world to which no one pays
very much attention, even though the government
and American oil companies have been involved there
for a long time.
[AMY] The massacre was horrific.
It would change us forever,
and it taught me how critical it was
that we expose what is done in our name.
(dramatic orchestral music)
[AMY] US administrations, one after another,
Democrat and Republican, had ensured the misery
and annihilation of a people.
Yet there was not one mention of East Timor
on the ABC, NBC, CBS evening news
for 17 years,
from the day after Indonesia invaded East Timor
to the day of the massacre.
Free East Timor!
Free East Timor!
[AMY] After the massacre, one congress member said,
"More people have called me on the issue
of East Timor than any foreign policy issue."
[ABC REPORTER] Following the November massacre,
the House voted to cut off all military assistance.
It will be the first American sanction against Indonesia
in all of the 17 years since it occupied East Timor.
(all chattering)
[MIKE] Good morning, everyone.
Nice to be here on a quiet day.
The President of the United States and his lovely bride,
celebrating their 21st wedding anniversary today.
That's the big news at the White House.
[AMY] Will President Clinton push for the sale of F-16s
to Indonesia when Congress returns in January?
[AMY] Jose Ramos-Horta says it's like selling weapons
to Saddam Hussein.
Well, that's not the view of the United States government.
We make arms transfers of that nature
when they are in the interest of the United States.
[AMY] But you are supporting the military dictatorship
by doing it.
Well, you are also advancing US strategic interests
in the region.
Chuck.
[AMY] Will you invite Jose Ramos-Horta-
[JUAN] My first impressions of Amy were
at press conferences, she always tended
to ask the most provocative questions
to whoever was conducting the press conference.
[AMY] Back to the issue of Timor for a second.
President Clinton is not only going to push
for the F-16s.
[JUAN] In the commercial media,
it is accepted that the tougher you are on questions,
the less access you will have.
[AMY] And that was cut off after the massacre
of November 1991 which I witnessed and survived.
Why is President Clinton considering restoring
that military training aid?
I remember thinking,
"Man, she doesn't care what anybody thinks.
She's going to ask whatever she feels is necessary."
(reporters laughing) (dramatic orchestral music)
(dramatic orchestral music continues)
(knuckles rapping)
Hello Daniel, how are you?
Good.
-Very nice to meet you. -You too!
[AMY] I'm very nervous about this interview.
You're nervous?
[AMY] I was trying to prepare all night
reading everything I could.
For my Bar Mitzvah, you have to choose a hero
and a role model.
And I chose you as my hero.
And my role model is Billy Crystal.
[AMY] Billy Crystal.
Very interesting.
Should I start with the questions?
[AMY] Sure.
All right.
How would you describe your personal
approach to journalism?
[AMY] That's a very good question.
I actually was first inspired by my younger brother, David.
He started a press called Dave's Press,
this family newspaper, and I was the one
who made sure that everyone paid their penny subscription.
One day he said, "On this date, Mom spanked Amy."
And so my mother said,
"No, you can't do anything personal in this paper.
No dirty laundry."
David cried censorship.
And he really cried because he was eight years old.
And he said, "It's my right to do this."
(gentle orchestral music)
(gentle orchestral music continues)
[AMY] The Letters to the Editor
were where the whole family fought about issues.
Then it was the war in Vietnam.
My grandfather would write and say,
"Dear Duvidle, you know how much I love you,
but I don't agree with your views on war."
And David would write back,
"From the Editor, Grandpa, it means so much to me
that you were my first subscriber,
but your views on war are stupid."
And then my uncle would write in,
"Shlemi, how could you criticize
your beautiful grandson?"
And then my great aunt would write in and say...
So that's how it went.
But that was the way that we had conversations
about the big issues of the day.
It came from my Jewish education
that you ask questions.
And you take nothing for granted.
And the way you deal with the world
is with intense curiosity and not being afraid
to stand by your principles.
(gentle orchestral music)
I was active in my high school newspaper.
Then we were holding the principal accountable.
I'd write editorials about him
and what the policy should be,
and I saw they really paid attention.
And then we just went onto a bigger stage after that.
(upbeat music)
From Pacifica Radio, this is "Democracy Now!"
Welcome to the maiden voyage of "Democracy Now!"
Greetings to our audiences in California, Texas, New York,
Pennsylvania, Washington DC,
Washington State, Kansas City.
"Democracy Now!" began on nine radio stations in 1996.
We were a daily morning show providing a forum
to challenge those in power
and to bring out the voices of people
who are not usually heard.
[AMY] Juan Gonzalez is a columnist
with the "Daily News" in New York.
He is also my co-host here.
The "Village Voice" calls him "the most radical person
in the above-it-all world of New York daily journalism."
[JUAN] The human rights abuses
that occur, especially in the maquiladoras
and in Tijuana and yet Vicente Fox-
[Juan] When we first started
as a little radio show, my colleagues
in the commercial media would constantly tell me,
"What are you doing working
with that little radical radio station
that nobody listens to," you know,
and "why are you wasting your time with that?"
And I would say, "Listen, the audience for 'Democracy Now!'
is completely different than the readership
of the "New York Daily News."
You have no idea who we are reaching!"
[JUAN] I always saw my role in journalism as helping
to shape a different narrative.
I knew from the beginning,
I can only see the world with my eyes.
Up until this time it wasn't a real radical movement.
It was a movement of the mouth.
And now there's a real movement
and a sense of people committed to social change.
(gentle orchestral music)
I was one of the founding members
of the Young Lords in New York City.
(gentle orchestral music continues)
We probably got the most favorable news coverage
of any revolutionary
organization of the 1960s and '70s.
But it was no accident.
We cultivated that image.
[ABC REPORTER] The Lords have a strong sense of community,
and while they may be regarded as a threat
to the white establishment downtown,
their stock here in El Barrio is rising rapidly.
[JUAN] We understood the importance of being able
to package our message and our stories
for the commercial and corporate media,
and we learned that if
you don't fashion your own narrative,
others will do it for you.
[GUEST CALLER] I don't hear the business community complaining
about the fact that they have inexpensive labor.
[JUAN] The key thing about "Democracy Now!"
is that we just let people talk.
[GUEST CALLER] Members of the local police department admitted.
[JUAN] The more you hear people talk,
you get a better sense of what they stand for,
and you can make up your mind yourself.
[GUEST CALLER] It's an opportunityto point fingers
and to blame people who are different, who look different,
who act different.
[JEREMY] This show was totally swimming against the current.
At a moment when you had right-wing Republicans
and far-right evangelical Christians coming together
to try to, essentially, take over the United States.
Early in the week we talked about whether
or not it was time to rethink this whole business
of women in the military.
[ANNOUNCER] Radio free D.C., with G. Gordon Liddy.
He's on board
the conservative freight train.
[RADIO HOST] It's the liberal
sissy booger-eating nose-pickers.
Welcome to the Rush Limbaugh program,
a program exclusively designed
for rich conservatives and right-minded Republicans.
[JUAN] When Rush Limbaugh was at his height,
the Republican Party National Committee, every day,
would send a list of its key talking points
to Rush Limbaugh, and then Rush
would basically parrot those talking points.
(upbeat music)
It was a complete merger of the commentators
with the political parties.
(upbeat music)
[JEREMY] This is happening at a time
when powerful Democrats
and powerful Republicans are allowing fewer
and fewer corporations to own more and more means
of communicating over the public airwaves.
(dramatic orchestral music)
[JUAN] The Telecommunications Act of 1996
created the giant conglomerates,
the Viacom's and the Fox News's and the Time Warners,
with a responsibility to their shareholders
and to their investors to deliver profit.
And not only to deliver profit,
but its maximum profit.
(dramatic orchestral music)
That laid the basis for the privatization
of the internet, where this incredible invention,
completely financed by the American people,
has been given away to the private market.
[C-SPAN HOST] Amy Goodman is the host of "Democracy Now!"
Thanks for being with us.
It's great to be with you.
An unprecedented wave of consolidation.
How is news affected by this corporate ownership?
Oh, in all sorts of ways.
You have really a homogenization
of a message, of an agenda.
We see towing a corporate line,
we see the lack of criticism, for example,
of corporations, in fact.
[JEREMY] In the midst of this unprecedented
media consolidation,
you have "Democracy Now!" starting up,
the moral bizarro world
of what these very powerful right wing forces were doing.
From Pacifica Radio, this is "Democracy Now!"
[JEREMY] This is a independent, non-corporate,
community radio show that depends
on begging ordinary people for money to stay on the air.
(gentle music)
[JEREMY] In 1996, I was living and working
at the Catholic Worker in New York City.
We had a soup line and then we also would give baths,
showers, haircuts to guys who lived in the subways.
I loved doing the morning shifts there.
We'd go down to the kitchen, we'd be smoking cigarettes
and we'd be waiting for Amy Goodman to start.
"Is Amy on yet?"
"What time is it?"
"When does Amy come on?"
Will you apologize to American women
for calling the First Lady a bitch?
[JEREMY] On one segment.
-That's just plain false.
Amy would be confronting an American politician.
And then she's covering indigenous rights' protests
in Mexico.
And then she's interviewing rebels
in the mountains of Congo.
[AMY] That's our flag of neutrality.
I didn't know who Amy Goodman was,
but I knew there was something incredible
about what I had heard.
And I just knew this was what I wanted to do with my life.
I didn't have a college degree.
I didn't have a CV or a resume.
I would write her things like, "if you have a dog,
I'll walk your dog.
If you have windows, I'll wash your windows.
I'll go and get coffee, like I'll do anything.
I just want to be a part of this."
And eventually Amy had to make a decision.
"Do I get a restraining order against this guy,
or do I, you know, give him a chance?"
The elevator opens
and a plume of smoke
just comes into the elevator from the radio station,
and I see what I think is Amy, and she's got a pair
of headphones on one ear, she's carrying a stack
in both hands of newspapers.
And then she has like maybe a half a dozen big round reel
to reel tapes that we used to use to record audio.
And she's running and I was like, "Amy!,"
and she sees me and she couldn't
have looked less excited to see me.
She says, "Oh, right, come with me."
[AMY] It's cold here.
(printer whirring)
[JEREMY] So we go into a tiny supply closet that has stacks
from floor to ceiling, newspapers and tapes.
She said, "Go through this whole stack of newspapers
from the past several months and clip everything
about Iraq and make a folder for her."
I was like, "Great."
And I said, "Where's your office?"
And she said, "You're in it."
[AMY] Where's the lead?
And can we close the door?
(chaotic music)
[Jeremy] I had imagined an entire newsroom of people working
to create what I was listening to every morning
because it was that good.
And then it turns out it's just her.
Amy and three other people, making this every single day.
That was "Democracy Now!"
(people chattering)
[NERMEEN] I know, I know.
It’s hard to say
but his guy should have arrived.
-No no, it wasn't in there. -So he's just arriving?
Wait, should we put it in.
Oh no!
My phone died, which'll take 10 minutes.
-Here, here Amy. -I might need, no, no, no.
I might need a computer.
A Palestinian child screams out,
"We did nothing wrong, we did nothing wrong"
as Israel bombs for a third day?
This time hitting (coughs) a school by
the UN Refugee Agency!
[Nermeen] Very soon after I joined "Democracy Now!,"
a few months, if that, Amy asked,
"Would you be interested in co-hosting the show?"
From New York, this is "Democracy Now!"
And I thought, "Wow, I mean, yes what an honor,
and thank you so much."
She was like, "Okay how about tomorrow?"
And I was like, "Uh." (laughing)
I'm Amy Goodman joined by "Democracy Now!"
producer Nermeen Shaikh,
who will be co-hosting with me today.
Welcome, Nermeen.
Thank you, Amy.
In Libya, rebel forces say Moummar Gaddafi's strong-
I've never been in front of a camera.
I've never read a teleprompter.
Forget doing these things live!
I felt completely terrified.
But in the breaks, she said, "You're doing a great job,
just relax, it's just like we're having a conversation."
He was, he was so good in the pre-interview.
I thought, this guy's gonna be great on the show.
The strength of "Democracy Now!"
and also its singularity is speaking
with people who have no platform.
If you think of media as a frame,
you are framing a story.
The problem with a lot of media
is that so much is excluded from the frame.
There's a kind of erasure.
It's as though those people, they simply,
the people don't exist.
Right, so "Democracy Now!,"
what we do is expand the frame so those things
that are on its margins are allowed in.
And not only allowed in, we center those voices.
[MUMIA] My name is Mumia Abu-Jamal.
I'm a journalist, a husband, a father,
a grandfather, and an African American.
In 1981, I was a reporter for WUHY
and president of the
Philadelphia Association of Black Journalists.
I've been a resident on Pennsylvania's death row
for 11 years.
[AMY] The second day of the commentaries
of Mumia Abu-Jamal recorded on death row in Pennsylvania.
[JEREMY] Just as I was starting to work with her,
Amy had made a decision to air the prison commentaries
of Mumia Abu-Jamal,
who had been a journalist in Philadelphia,
convicted of murdering a Philadelphia police officer,
but maintained his innocence.
[AMY] We didn't originate the idea
to air the commentaries.
The credit for that goes to NPR.
(gentle music)
[Mumia] Tune in to hear my regular reports.
From death row, this is Mumia Abu-Jamal
on your public radio station.
[AMY] But right before they were going to air,
the Fraternal Order of Police
were meeting in Washington,
and they put enormous pressure on NPR.
[SENATOR] The last time I checked, we were trying to fight crime,
not subsidize it or promote the fortunes
of convicted murderers
through taxpayer-supported public broadcasting.
[AMY] And that was the end of it.
It was then we thought, "We have to pick up the baton here."
Mumia Abu-Jamal did not talk about his own case.
He talked about what life was like behind bars.
[MUMIA] As over a million persons serve sentences,
many set to expire, if at all, into the next century.
US prisons, far from being a place of restoration,
are social sinkholes of despair, of degradation,
of spiritual death.
As we went to air, we heard that Jazz FM had dropped us.
[AMY] (on radio) Radio station WRTI in Philadelphia,
Pennsylvania, unilaterally canceled "Democracy Now!"
Also affected were 11 other radio stations
across Pennsylvania, Southern New Jersey and Delaware.
[AMY] Just hearing his voice, why was that so dangerous?
(dramatic orchestral music)
We are alone in the industrialized world
in executing people.
It's our job, as journalists, to ensure
that these voices get heard.
[JEREMY] She just wouldn't back down
and continued to air those commentaries.
And there was a real question of whether "Democracy Now!"
was going to be able to continue on because
of the emerging reputation it was getting,
that this is a problematic entity.
That Amy is not really a journalist, she's an activist.
[DAVID] If she believes something, she's gonna fight for it,
and get it out to the world.
And to me that's just straight up journalism.
It's not advocacy, it's just a pure belief in what's good.
And fighting for that with everything you've got.
[AMY] This is my office.
I never really had an office before
so I don't even know what to say.
It's amazing every time I walk into it!
This is my father with a stethoscope,
and in that stethoscope is the image of a nuclear bomb.
"Your doctor is worried."
My dad was with Physicians for Social Responsibility.
My mom started the first chapter of Sane Freeze,
a peace group on Long Island.
They were a mighty duo.
This poster appeared
in all the Long Island Railroad stations.
My dad said the hardest part of the photo shoot
was not being able to smile.
(gentle orchestral music)
He was just a man who deeply believed in justice
and that everyone deserved a chance in the world.
(gentle orchestral music continues)
In 1970, my dad was asked to lead a task force
to integrate the schools of Bay Shore.
(gentle orchestral music continues)
We had a diverse community, but segregated.
I would go with him to the cafeterias and the auditoriums
of the local schools.
Thousands of screaming parents.
People moved to a community to be next to a school
and they didn't wanna change.
(gentle orchestral music continues)
There were death threats against
my dad and other members
of the task force, but he just kept moving on.
And he guided this community to a more just system.
I have a Letter to the Editor from Dad.
"Dear Dave, I enjoy all the publications
of Dave's Press very much.
An occasional cartoon or humorous poem,
just two lines would do, might be a nice addition.
Another idea would be to include a famous quotation
at the end of an issue.
But these are just extra ideas.
The publications are really great.
Dr. George Goodman."
(Amy laughing)
I do remember getting a call while you were
in detention in Indonesia, trying to get into East Timor.
[STEVE] That's exactly right.
It was Thanksgiving.
And so Thanksgiving was transformed
into working the phones
and finally getting through to you.
And I may have said something about calling
from the State Department.
[AMY] Yes, it was in an Indonesian military base.
We were being interrogated.
And the person said,
"Ambassador Dave is on the phone." (laughing)
I said, "Ambassador David?
David?"
And then I took the phone and you said, "Hi, it's me."
I remember when you were going to go to Nigeria.
She didn't want you to go.
-Mom and Dad. -Right.
And she said, "Okay, if you go, I go."
And she bought tickets.
From then on, I only called them from the airport,
and I said, "Hi, I just want to say
I'll be back in a few weeks.
I'm just heading off to wherever."
(birds chirping)
(tense music)
(crowd cheering)
We are going to demand our rights peacefully,
non-violently, and we shall win.
[AMY] You're listening to WBAI.
This is "Wake Up Call."
I'm Amy Goodman.
We're joined in the studio by Nigerian Ken Saro-Wiwa.
I got a call that the Nigerian activist Ken Saro-Wiwa
was in town and they'd like to bring him in.
I said, "Oh my gosh I'm so sorry,
the show is booked solid."
And so we said, "Okay, a couple of minutes."
And as Ken Saro-Wiwa talked about what was happening
in Nigeria, the destruction of Ogoni land
by Shell Oil,
we canceled the rest of the guests on the show.
[KEN]
[AMY] Who is the government now of Nigeria?
[KEN]
[AMY] How do the oil companies,
how do Shell and Chevron deal with you?
[KEN]
(gentle orchestral music)
[JEREMY] Amy was deeply moved by meeting Ken Saro-Wiwa
and then reporting on his execution.
[AMY] Ken Saro-Wiwa and eight other activists
were hung earlier today.
Yes, I do take it personally.
I feel like a failure.
You should think about what you want
to do with your Shell credit card folks.
You should think if you want
that blood put into your gas tank,
if it will serve your car well!
Ken Saro-Wiwa had been executed
for taking this story abroad, trying to put pressure
on this oil giant from the outside.
You know they care.
Just listen to Ken Saro-Wiwa's brother
who had secret talks with top officials at Shell.
They said, "If you call off the international protests,
we will save your brother's life."
I decided to go to Nigeria.
It was the summer of '98.
I had just met Jeremy.
And he said, "I want to come.
I want to be a part of it."
I said, "only if you stop smoking."
Which he did for I think for two days before we went.
♪ Hey yeah ♪
♪ Everybody run, run, run ♪
♪ Hey yeah ♪
♪ Everybody scatter, scatter ♪
♪ Hey yeah ♪
♪ Some people lost some bread ♪
♪ Hey yeah ♪
♪ Someone nearly die ♪
♪ Hey yeah ♪
♪ Someone just die ♪
♪ Hey yeah ♪
♪ Police dey come, army dey come ♪
♪ Hey yeah ♪
♪ Confusion everywhere ♪
[JEREMY] We're going there
to do the most forbidden thing journalists could do.
We're going to go to the Niger Delta,
the oil epicenter of Nigeria, to do an investigation
of the relationship between American
and multinational oil corporations
and a very brutal, murderous dictatorship.
(tense music)
This was extremely dangerous, not just for us,
but for the Nigerians who took us there.
I had just turned 22, 23 years old.
I'd only been out of the US once in my life.
We had to smuggle in our recording equipment.
The whole thing was crazy,
but Amy was totally chaotically
brilliant at the spy game.
She's a magician.
That's how I saw her.
(dramatic orchestral music)
(dramatic orchestral music continues)
While we're on the ground,
we hear that there has been this incident
with the Chevron Oil Corporation.
[AMY] People were protesting the oil leaks
that were destroying their mangrove forests.
We learned Chevron had flown in the Nigerian Kill'n'Go.
That's Kill and Go.
And the military opened fire on the protesters.
They killed two, critically wounded another,
rounded up others and jailed them.
The survivors told us it was Chevron
who flew the military in.
[JEREMY] So Amy says,
"Let's just go to Chevron headquarters."
It's like entering a military base.
And the armed guard comes out, "Can I help you?"
And Amy says, "Oh, yes, we're here to see,"
and she gives the name of this guy.
Said, "Do you have an appointment?"
And, "No, no, we we we've been talking to his office.
We're here to see him."
"Where are you from?"
"America."
Amy says, "America."
"Yeah, but what?
Who do you represent?"
And she says, "America."
And then she's like, takes out her passport.
And she said, "You know, we're here to see him.
We're from America."
And he's looking at her and she's looking at him
and she's just as though, it's like just as clear
as day that that's a perfect answer to the question.
"We're from America."
And somehow the gate opens.
We end up sitting face to face with the head
of Chevron's media operations in Nigeria,
and Amy starts confronting him with questions
and Amy starts confronting him with questions
and Amy starts confronting him with questions
and Amy starts confronting him with questions
about these operations, and he admits
to basically everything.
We had all the proof.
We had the people saying
they recognized the Chevron helicopters
and we had Chevron themselves saying proudly,
"We brought them in."
[JEREMY] We hightailed it out of there.
We managed to smuggle out our tapes.
We came back to the United States,
asked for an interview with Chevron, based in California,
and they said, "We're not going to
waste our time on you.
You already talked to our chief
spokesperson in Nigeria."
[AMY] (on radio) Drilling and killing:
Chevron and Nigeria's oil dictatorship.
A special report, coming up.
[JEREMY] We're about to go on air live
with this high stakes thing
where we're accusing a powerful American corporation
of murder.
(upbeat music)
You couldn't have been in a bigger pressure cooker.
The theme music is starting,
and Amy wasn't even finished editing it
when it started to play on the air.
[AMY] (on radio) From Pacifica Radio, this is-
[JEREMY] And it wasn't like you have it in a computer.
It was on reel to reel tapes.
[RADIO VOICE] Chevron, just like Shell-
[JEREMY] She cuts the documentary
literally with a razor blade in half,
and she puts the first half of it on one set
of reel to reels,
knowing that she has
to read the headlines and then immediately go
and edit the end while we're live on the air.
[PROTESTERS] For oil money.
[JEREMY] And we can see the counter clicking downwards
of how many minutes are left.
And now she cuts the second half into half
and starts playing that
so that she can edit the end of the documentary.
And she pulled it off.
[JEREMY] And Chevron eventually did try to go after us,
and they lost.
[DIRECTOR] Do you have a trick
to get these kinds of admissions on tape?
It's just showing up and asking the questions.
No one had bothered to ask him.
Tricks is an interesting word.
One thing that I just have seen Amy do over
and over again-
[AMY] Mr. Mayor, we all packed in there
to ask you questions.
It's okay, I'm from New York.
[JEREMY] If she has zeroed in on a target,
she always finds a way
to ask the questions no one else will ask.
Whether its powerful corporate people
or the president of the United States.
(upbeat music)
[AMY] (on radio) $25 or $30 gets you the DVD
of our Sunday night event
as we talk about independent media in a time of elections.
It's Election Day 2000.
This is the presidential race between George W. Bush
and Al Gore.
We got a call.
I thought they said, "the White Horse calling."
That's a historic bar in Greenwich Village
where Dylan Thomas drank himself to death.
And they said, "The President would like to speak to you."
I said, "the President of what?"
And they said, "The President of the United States."
"Oh, the White House, not the White Horse!"
So we go running into master control
and it's an alternative Latino music show.
Gonzalo Aburto is at the controls.
You hear salsa music loud,
and underneath it all President Clinton
is saying, "Hello, hello.
Is anyone there?"
-Mr. President, are you there? -I am.
[PRESIDENT CLINTON] Can you hear me?
[AMY] Yes, we can.
You're calling radio stations to tell people
to get out and vote.
What do you say to people who feel that the two parties
are bought by corporations
and that their vote doesn't make a difference?
[PRESIDENT CLINTON] That there's nota shred of evidence
to support that.
That's what I would say.
It's true that both parties have wealthy supporters.
[AMY] It was very interesting talking to the leader
of the free world.
President Clinton,
Amnesty International has described what
the Israeli forces
are now doing in the occupied territories is-
[PRESIDENT CLINTON] Listen, I can't do a whole press conference here.
It's election day and I've got a lot of people
and places to call.
[AMY] Well I guess these are the questions
that are very important to our listeners.
[PRESIDENT CLINTON] Now, let me just tell you,
on the Israeli-Palestinian thing,
the only answer is an agreement
that covers all the issues
that the Palestinians feel aggrieved by,
that guarantees the Israeli's security and acceptance
within the region, and is a just and lasting peace.
He was animated, he was angry, he was forceful,
and he was staying on the phone.
Many people say that you've been responsible
for taking the Democratic Party to the right.
[PRESIDENT CLINTON] What is the measure of taking the Democratic Party
to the right?
That we cut the welfare rolls in half?
That we have the lowest African-American,
the lowest Latino unemployment rate in the history.
-[AMY] Some people- -Now let me just finish.
-[AMY] Let me just say - Let me, now wait a minute.
You started this and every question you've asked
has been hostile and combative.
So you listen to my answer.
Will you do that?
[AMY] They've been critical-
[PRESDIENT CLINTON] Now, now you just listen to me.
You have asked questions in a hostile, combative,
and even disrespectful tone and you have never been able
to combat the facts I have given you.
People can say whatever they want to.
Those are the facts.
[AMY] What people say is that you pushed through NAFTA,
that we have the highest population of prisoners
in the industrialized world, that more people
are on death row in this country than anywhere else
and that people are-
[PRESIDENT CLINTON] Well, all right.
I disagree.
I think NAFTA has been good for America.
Now, I've talked to you a long time,
-It's Election Day. -[AMY] We appreciate that.
There are a lot of other people in America
and I've got to go.
[AMY] Thank you for spending the time, President Clinton.
[PRESIDENT CLINTON] Thank you!
-Goodbye. -Goodbye.
[GONZALO] Hasta la vista, President Clinton.
[AMY] I go into my office and I get a furious call.
"You broke all the ground rules."
And they were weighing whether
to ban me from the White House.
I said, "what are you talking about?
He called me!
I didn't call him."
"We told you he had a few minutes.
You kept him on the phone for more than half an hour."
I said, "He's the leader of the free world.
He could hang up if he wanted to.
Did no one ask questions outside getting out the vote?"
And they said, "No one did."
(gentle orchestral music)
[AMY] My mother's father was an Orthodox Rabbi.
But he would accept all questioning,
fundamental questioning.
We would argue about everything.
I would walk with my grandfather
through the streets of Brooklyn
and we would go into shuls, synagogues.
And on the first floor the men would be praying,
and on the second floor the women would be praying.
I'd say, "Zadie, I'm going to pray next to you."
And he would say, "No you are not.
You are going to go upstairs."
I'd say, "No.
There's no reason to separate men and women."
He said, "Don't be ridiculous.
The men are very observant and filled with prayer,
and the women, they gossip."
And so I'd have to go to the second floor
and I'd be with the women,
they would be (speaking Hebrew).
The women.
And we would look down at the men
and they would be slapping each other on the back.
And I would say, "Yeah, who are the observant ones Zadie,
and who are the ones that are filled with prayer?
I think I know why you don't want us
to see what's going on down there."
(train clattering)
(train clattering)
Hi, it's Amy.
Is grandmamma there?
I forgot to tell her I was coming.
I don't like to give her too much advance warning
because from the minute I tell her she thinks I'm late.
She was a refugee from Russia and Poland
and she came over by boat through Ellis Island
with her husband, my grandfather.
She is a woman of three centuries.
(knuckles rapping)
She doesn't like it when my hair is messy.
-Bonjour! -Hello!
[AMY] I brought some friends from New York City.
[AMY] Our friends here, we're finding it very difficult
to believe how old you're going to be, 106 years old.
Can you hear me?
No.
Maybe we could try a little experiment.
Can you hear me fine?
[AMY] Well, more or less?
Yes.
(Amy laughs)
[SONIA]
[AMY] There was a time in my grandmother's life,
they had no money.
And on the side as a Rebbetzin, a rabbi's wife,
she got a beautician's license.
[SONIA] Yeah, that's right.
This is the best gift I could give to my grandmother
on a Sunday afternoon is to comb my hair.
I always try to do it just in her honor
at least once a week.
Do you know who George Bush is?
(Amy laughs)
Can you hear me better now?
Yes.
(Amy laughing)
Oh well, so much for technology.
(door clicking)
(door clicking)
(traffic humming)
[JUAN] When we set up at Downtown Community Television,
we started with this little cubby hole up
on the top floor.
Literally, it was a cubby hole.
[JEREMY] We were becoming more popular as a radio show
and we started flirting with the idea
of doing television journalism.
What if people looked in at something?
Like in a frame of a radio?
[JEREMY] And Amy was stuck in this zone at the beginning
of it being a TV show that's about a radio show.
I think one person
with a handheld would be more interesting.
[AMY] Radio was the heart of what we did.
I said, "As long as the TV cameras that you set up
at Downtown Community Television don't get
in the way of the sound."
[AMY] (on radio) How do you, as a woman political activist,
deal with the voice of the government?
[RADIO GUEST] The voice of the government or the voice
of the citizens.
[AMY] I'm going to interrupt this taped conversation.
Just a little while ago, we heard
a loud sonic boom-like crash, and we heard sirens.
Well, it appears that planes crashed
into the upper floors
of both World Trade Center towers, minutes apart.
We're in Chinatown.
We're not far from the World Trade Center buildings.
This is all unfolding as this broadcast takes place.
Clouds of smoke engulfing the World Trade Center.
[JUAN] I was actually there the day of the attack,
covering it for the newspaper
as well as for "Democracy Now!"
All of lower Manhattan turned dark in the middle
of the cloudless, sunny day.
(dramatic orchestral music)
[AMY] (on radio) You are listening to Ground Zero,
The War and Peace Report.
We're broadcasting just blocks from what used
to be the towers of the World Trade Center.
This weekend, not much luck with finding anyone alive
in the rubble.
We spent last week since the attacks here
because we were afraid we would not be able to come
in to broadcast if we ever left the site.
We are in the evacuation zone.
[JUAN] That whole area was off limits after the attack.
But Amy managed to keep producing the show.
(clearing throat) Military- (coughing)
There's a lot of smoke around here. (coughing)
[JUAN] There were so many toxic chemicals
in those buildings,
all pulverized and burning at Ground Zero for months.
[PRESIDENT GW BUSH] This nation stands with the good people
of New York City and New Jersey,
It was George Bush
who personally ordered the reopening
of the financial district within a week of the attacks,
sending hundreds of thousands of people back to work,
into that toxic area.
(dramatic orchestral music)
[NYSE SPEAKER] Ladies and gentlemen, our heroes
will now open the marketplace.
(bell ringing)
(dramatic orchestral music continues)
[JUAN] There was a concerted effort
of the business community,
the national leaders and the local leaders
to quell the idea that there were problems at Ground Zero.
The air quality is safe and acceptable.
Everything we're getting back
from the sampling that we're doing
is below background levels.
[JUAN] And the press bought the official narrative.
[NEWS ANCHOR] Tests conducted by the EPA say that once again
no hazardous substances have been detected in the air.
If the Mayor says it's okay,
then I believe him, it's okay.
[AMY] (on radio) Co-host Juan Gonzalez has a cover story
in today's Daily News.
He says toxic chemicals
and metals are being released into the environment
around lower Manhattan.
Dioxins, PCBs, benzene, lead.
[JUAN] No one else was following the story,
and all the government officials
were denying what I was saying.
My editor was removed just because he continued
to defend me.
They buried me back in the back pages of the paper.
But I continued reporting the story, and at "Democracy Now!"
we continued to get information into
the hands of the public.
No one tested the dust clouds that came down
on tens of thousands of people.
So no one can say what the impact
of such a massive dose of-
The only thing that I was wrong about
was that it didn't take 20 years for people
to start dying.
It only took five years.
[AMY] Search and rescue workers are experiencing a high level
of respiratory illness.
But it's not only the rescue workers.
Chronic coughs, upper respiratory infections,
bronchitis, pneumonia, asthma are plaguing residents
and students at Ground Zero.
(dramatic orchestral music)
I think about, wow, what it was like then.
And how it's this ritzy area and how so many people
had to have gotten very sick and they don't (coughing)
think of that. (coughing)
I say as I'm coughing.
[NERMEEN] Yeah, cough is also related to 9/11.
[AMY] The emergency cough button is right here.
Whenever I have to cough on the air I just hit it.
[AMY] I remember the day when the elevator came up
to the garret of the firehouse and opened
and for some reason at that moment,
there was this kind of gust of wind that came out
of the elevator and I had
an absolute- Dust-
Coughing attack.
It was my first that I can remember,
and I think it was on the air, and we went to break.
And from that moment on I've coughed.
I've discussed it with Dr. Zazu, but-
And what's Dr. Zazu's take?
She didn't have a formal enough education
to really understand it.
Okay, Baba.
[PRESIDENT GW BUSH] Either you are with us or you are with the terrorists!
(audience applauding)
[ATTORNEY GENERAL] The Department of Justice is waging a deliberate campaign
of arrest and detention, removing suspected terrorists
from our streets to prevent further terrorist attack.
[SHARIF] After 9/11, someone turned me on to "Democracy Now!"
and I started to listen.
And it was the first place, there were people who were
from my region speaking on the air.
There was deeper analysis.
What about the relationship between US Intelligence,
which helped to train Osama Bin Laden
and other Islamic militants in Afghanistan?
[SHARIF] When I started working with Amy,
I would stay up all night following all the news
and writing headlines.
Once in a while, Amy would read one of my headlines
and I would be very excited.
Where is the lead?
I need the lead.
[AMY] I believe I'm missing the first page?
[SHARIF] I had just quit a job at an investment bank,
structuring deals for multinational corporations.
So I had to write a lead about the World Trade Organization.
It said something like,
"Leaders of the world's richest nations
are gathering to solve the problems of the world's poor."
I handed it to Amy during the break.
And then she looks and she goes "I'm not
reading this shit!"
[PRODUCER] We go back to it and then we go to the song.
And she threw it and she goes, "I'm going to wing it!"
We are going to go briefly to the streets
of Cancun where thousands
are protesting the World Trade Organization.
[SHARIF] I was just horrified.
It was the first time that anything
like that had happened to me.
And afterwards she came and she said,
"Look, you need to read up."
I was learning an alternative history,
an alternative economics, an alternative way
of seeing the world.
(all chattering)
Many of those who lost loved ones
in the World Trade Center attacks are saying,
"Not in my name."
[RITA] It is in my brother's name that I pray that we,
this country, that has been so deeply hurt,
not do something that will unleash forces
we will not have the power to call back.
(dramatic orchestral music)
[AMY] Why did George W. Bush invade Iraq in 2003?
If you asked most people at the time they would say,
"Well, for 9/11 of course!"
9/11 had nothing to do with Iraq.
But the US was on a mission of war.
[JEREMY] The first big video
field reporting that "Democracy Now!" did
was Iraq after 9/11.
(on TV) This is Jeremy Scahill,
with Jaquie Soohen, on the highway into Baghdad.
We figured out a way to circumvent
Saddam Hussein's secret police,
and we're interviewing Iraqi civilians
about how they see this impending attack,
and we're telling stories about ordinary Iraqis.
[AMY] When you hear someone speaking from their own experience,
it makes it much less likely you'll want to destroy them.
Tens of millions of people took to the streets
over the weekend in some 600 cities
around the world to protest
the Bush Administration's plans to attack Iraq.
Over and over again,
the world is saying no to war.
Pay no heed to the peaceniks
and the left-wing rock stars.
They've had their 15 minutes of fame.
[AMY] The corporate media has become a recruiting arm
for the military.
The advanced troops for the Pentagon,
waging war on another innocent population.
[BILL O’REILLY] Once the war against Saddam begins.
We expect every American
to support our military,
and if they can't do that, to shut up.
[PRESIDENT GW BUSH] The United States and our allies are authorized
to use force in ridding Iraq of weapons
of mass destruction.
This is not a question of authority,
it is a question of will.
[DENNIS] We have an ill-informed populace in this country
who are seeing war being turned
into a game-made attractive, exciting, romantic almost.
It's bizarre to see this happening.
Dennis Halliday,
former assistant UN Secretary General,
there for more than 30 years.
Now on the outside speaking out.
You are listening to "Democracy Now!,"
back in a minute.
[DENNIS] I don't think I've ever been so depressed
as I am now about what's about to happen this week?
It's just...
I still think it's conceivable it's not going to happen.
[DAN RATHER] American reporters have now joined US military units
in Kuwait as part of the Pentagon's effort
to make any war with Iraq
what the Pentagon calls a media friendly campaign.
[SHEP SMITH] We have a number of correspondents in bed
with our troops across the region.
Very deeply embedded in a personal way
with the marines that he is traveling with.
[AMY] The embedding process brought the media
to an all-time low.
US Army's 7th cavalry-
[AMY] How do you think a reporter's gonna feel
when they're eating with the troops,
sleeping with the troops, when your life is in their hands.
You have a certain perspective,
but from only the trigger end of the war.
[REPORTER] The clock is ticking
for the end of that ultimatum.
[REPORTER] And the oil fields are left largely intact.
Let's not just stop
at a couple of cruise missiles.
[NBC ANALYST] We have been told so many times, shock and awe,
to just bomb a few targets and then back off
for 14 hours while we wait for darkness
is not my idea of shock and awe.
I mean, it's just a bloodlust.
Let's call Baghdad.
[DN! REPORTER] Are there any other Americans there?
Hello?
[AMY] They said they're going to engage
in the largest bombing campaign in
the history of the world.
On a civilian center?
(dramatic orchestral music)
[SHARIF] The first day of the Iraq war, the show was live.
And it was just absolute mayhem.
The onslaught began.
Buildings are on fire.
Plumes of smoke can be seen rising
from the heart of the city.
[JEREMY] This area where the heavy attacks appear
to be taking place
is also a very crowded residential area.
It is not just an area
where there are government buildings.
(explosions booming)
(dramatic orchestral music)
I really naively felt, "We are gonna do this,
we're going to stop this war!"
(dramatic orchestral music)
[JEREMY] We were working 18, 20 hour days.
(dramatic orchestral music continues)
(dramatic orchestral music continues)
[JEREMY] There was a lot of sorrow and sadness and anger.
We failed.
We didn't stop the war.
And in fact, it was worse than we could have imagined.
(dramatic orchestral music continues)
(crowd chanting)
♪ Mothers and fathers are crying ♪
♪ Because their children are dying ♪
♪ Why don't y'all send 'em back home ♪
♪ This is where they belong ♪
♪ This is a rich man's war ♪
♪ We are the veterans ♪
♪ The anti-war veterans ♪
♪ The anti-war veterans ♪
♪ The pissed-off veterans ♪
♪ The pissed off veterans ♪
Amy, Amy, nice to see you.
(all shouting)
(crowd chanting) This is what democracy looks like.
(phone ringing)
[SHARIF] Nicole and I were
at the TV station where "Democracy Now!"
was based during the convention.
And we looked out the window
and saw just a massive phalanx of police
in riot gear walking down the streets.
[PROTESTORS] Whose streets? Our Streets!
Whose streets? Our Streets!
Whose streets? Our Streets!
Whose streets? Our Streets!
Whose streets? Our Streets!
(gun cocking) (tense music)
(guns firing) (all yelling)
(can spraying)
Ow!
(all shouting)
[SHARIF] The police very violently arrested Nicole.
And then they beat me up and arrested me.
(siren wailing)
And then God bless her, Amy came.
[DENIS] Release the accredited journalists!
Release the accredited journalists now!
[RIOT COP] You're under arrest.
Stay right there.
Back up.
Back up. Let go.
[DENIS] Release that accredited journalist.
[JOURNALIST] Hey Max, they just arrested Amy Goodman,
Nicole Salazar and Sharif Abdel Kouddous.
(upbeat music)
♪ Celebrate good times, come on ♪
♪ There's a party goin' on right here ♪
♪ A celebration to last throughout the years ♪
♪ So bring your good times and your laughter too ♪
[KATIE] Lookie here, I've been joined by another white male
here on the platform.
But you're always welcome.
[AMY] I was just wondering if you were doing any coverage
of the reporters, who were getting arrested here.
I was just arrested on Monday.
You were?
I have actually,
I will actually do it very quickly, you know,
we haven't done very much
on the reporters who're getting arrested
or the protestors and I actually asked
about that the other day.
Unfortunately, you know they are packing in speeches
and a lot of videos that people wanna see,
but I'm definitely following it and paying attention to it.
The whole world is watching.
The whole world is watching, the whole world is watching.
Media.
B-I-N-I-O.
[PROTESTOR] You're arresting reporters.
You don't give a shit.
You're arresting reporters.
[JEREMY] That's the difference between Amy
and so many corporate journalists.
For her, the center of the action is what is happening
in the street.
Those are the people that are mocked, made fun of,
dismissed, not allowed on TV.
Amy takes those people seriously.
She's rooted among people of conscience,
people of struggle, people that dare to say no
during a time of universal yes.
(dramatic orchestral music)
[AMY] We turn to a growing protest in North Dakota
where hundreds of Indigenous activists
have shut down construction on the 3.8 billion dollar
Dakota Access Pipeline.
The oil pipeline threatens
to contaminate the Missouri River,
which provides water not only for thousands
of residents on the reservation,
but also for millions living downstream.
[AMY] One man in a hard hat threw one
of the protestors down.
Protesters on horseback have just ridden up.
The security with dogs.
The dog has blood at its nose and its mouth.
He just maced me in the face.
[AMY] Sir, what are you spraying people with?
I haven't sprayed anything, ma'am.
[AMY] But what is that?
[AMY] We kept our cameras rolling.
We had the videotape.
We posted it online that night.
Within 24 hours, there were 14 million views.
(dramatic orchestral music)
All the networks used our video.
A standoff in the Great Plains.
200 native American tribes are fighting construction
of an oil pipeline.
Protesters stormed the site and private security
for the pipeline company, Energy Transfer,
responded with dogs and pepper spray.
Anger over a new pipeline in North Dakota
[JOY] Here's a report
from the scene courtesy of "Democracy Now!"
[SCOTT] Captured by Amy Goodman
and her crew at "Democracy Now!"
[REPORTER] Protestors accused security guards
for the construction site of using dogs.
[AMY] A few days later they issued an arrest warrant for me.
This wasn't personal.
The authorities in North Dakota were sending out
a warning to all journalists:
"Do not come to North Dakota."
It may be one of the most important civil
and environmental rights stories of our time.
So, has it been under-covered?
Amy Goodman, the host and executive producer
of "Democracy Now!" says yes.
She joins me now here-
[AMY] Often when I had gone into CNN and MSNBC,
I would say to the host,
"Why don't you cover the climate issue?"
And they'd say, "The executives upstairs say
it makes people's eyes roll and we care about eyeballs.
Right?
We care about people watching."
This gave the lie to that.
[AMY] Why is this such an important fight to you?
Because water is life.
Thank you, we appreciate your being here!
Our philosophy is, "Steal this Story, Please."
If the media covers the climate emergency,
that is fantastic.
The problem is, do they connect the dots?
[REPORTER] Overnight, an apocalyptic scene
across Southern California.
[FOX ANCHOR] Do we know how this happened?
I don't think we do!
And have we ruled out all outside agitators?
No.
It truly is a really tough situation
to wrap your mind around.
It actually looks pretty.
Nine feet, that's enough to completely submerge
some buildings.
[JUAN] It's part of the entire way of being of the media.
If you try to make sense of the world,
if you're trying to figure out
hot to solve the problems, that's boring.
If there's terror, if there's fright,
if there's a sense that the world is out of control,
that's when people will tune in.
(camera shutters clicking)
(dramatic orchestral music)
[AMY] Donald Trump used the media masterfully.
In 2016, they rolled out the red carpet for him.
Five billion dollars worth of free media.
(crowd cheering) (dramatic orchestral music)
Go ahead.
[AMY] Sure, he questioned the media.
He viciously attacked the media.
[TRUMP] You're the enemy of the people. The press.
[AMY] Journalists needed security guards to go out
and cover his rallies.
But he understood that the networks
would do anything for those ratings to bring
in the advertisers who would pay ever more money.
(bell ringing)
If you stoke fear and insecurity enough,
you're going to get a reaction from the masses of people
that you feed that to.
[TRUMP] We will root out the communist,
Marxists, fascists,
and the radical left thugs that live like vermin!
They're poisoning the blood of our country!
(all shouting)
Let's go.
[AMY] This is where my grandmother was born.
Something like a third of the city or more was Jewish.
The Nazi headquarters of all of Ukraine was right here.
(gentle orchestral music)
All my grandparents were from Eastern Europe.
Our whole life was infused with the sense of people
who were persecuted, people who escaped,
and people who didn't.
On November 7th, 1941, the Jews of Ruvna were called
to the town square and they were told they were going
to be transported to a place that they would have to work.
But instead they were brought here.
The Nazis, with Ukrainian police help, dug ditches
and over three days,
they slaughtered 25,000 Jews.
My grandmother, Sonia Shoukat Bachelchok,
she left with her husband, Benjamin Bachelchok,
because of the pogroms leading into World War II.
But some of her family didn't leave,
and we believe that they were slaughtered here.
This is like le, la, Rayla.
(speaker speaking foreign language)
It could be Raisle.
They were 30.
They were 30.
And their baby was four.
This is the family Shokat.
And each of these stones are another family?
(Amy praying in Hebrew)
Amen.
Thank you.
Thank you.
(person speaking foreign language)
(no audio)
[AMY] It's so terrifying finding out
what hostages are out, what aren't.
There's a little girl who's three,
who's gonna be released.
Her fourth birthday is Friday, tomorrow.
-[DENIS] Abigail. -Abigail, that's so sad.
Let me know when you're recording.
As Israel's seven-week bombardment of the Gaza strip
has killed over 14,000 Palestinians,
more than 5,000 of whom were children,
courageous Palestinian journalists working
in Gaza under unbelievably difficult
and dangerous circumstances are being killed one by one.
The US media has primarily relied on reporting
from inside Israel, venturing into Gaza only
when embedded with the Israeli military.
[CNN REPORTER] Journalists embedded
with the IDF in Gaza have
to submit all materials and footage
to the Israeli military for review prior to publication.
The Israeli military is taking us into Gaza.
We are inside an armored personnel carrier.
[FOX REPORTER] Driving into Gaza,
we're embedded with the IDF's 55th brigade.
known as the tip of the spear brigade...
(gentle orchestral music)
[AMY] 1988.
I went to Israel and to the West Bank
and Gaza to investigate the situation there.
It was terrible.
How could people tolerate how repressive it was
in the occupied territories?
Certainly people in Israel knew what it meant
to need a safe homeland.
And it's exactly what the Palestinians wanted
and were fighting for.
(gentle orchestral music continues)
In that sense they weren't so far apart.
But they were worlds apart.
Many members of my family had gone
to Israel, fleeing persecution.
And so as a kid I went there to visit my family
and saw it as a place that was a refuge.
And then as a grown-up, I go back
and I see that very same place
that I had those childhood identifications
with as a refuge for some.
But for others, they were being persecuted.
It seems to run against everything
I was raised to believe Judaism represents,
warmth and protection, belief in the highest ideals.
It's so important that this is not seen
as something inherent in a religion,
but this is a terrible political problem.
[AMY] Sharif, can you talk about what happened
since we last spoke 24 hours ago?
Well Amy, right after I spoke to you, news broke
of that shelling of the UN school in-
[SHARIF] We covered Palestine
and Israel over the years, and through it all,
Amy covered it as she would anything else.
She covered it as she would cover Iraq
or as she would cover Minneapolis.
21 people have been wounded in a bus bombing
in the Israeli city of Tel Aviv.
Tuesday saw an unrelenting wave of Israeli strikes
on the Gaza strip,
[SHARIF] She taught me who to talk to, how to talk to them.
How to cover a story properly.
It's speak to the people on the ground,
speak to the people at the target end of the bomb.
Speak to those who are being deliberately silenced.
And yeah, put those voices on the air.
(dramatic orchestral music)
[SHARIF] Israeli victims of Hamas, we know their names,
we know their stories.
We know about their families and how they are suffering.
And we should!
We do not know the other side.
When you see who Amy is having on,
she's not ignoring all the civilians that Hamas killed.
She's speaking to the relatives of hostages,
she's speaking to people who have had relatives killed.
[MOAZ] The cycle of blood between Israelis and Palestinians.
My cry, my cry is to stop the cycle.
[SHARIF] She's just covering the whole story!
The bombardments were relentless.
There is no safe passage for people to move
from the North to the South.
If you say Gazan should leave Gaza.
To go where to?
It's not enough, the words that I need do not exist
in our dictionaries to describe the horror
that my friends in Gaza now go through.
Three generations of one side
of my family were all killed.
My cousin Jamad Farra, his son
who was a physician Dr. Tofir Al Farah.
His wife who was pregnant,
two of their beautiful daughters Reem and Hannah,
Jamad's brother, Asam, his wife, Samad,
their daughters Rosa Tokah and Adian Tokah,
her wedding day was the day she was killed.
Couple days later, one child out
of that whole three generations survived, Hamza.
His siblings, his parents,
his uncles and his aunts, his grandparents, all had died.
Excuse me.
And then he died himself.
[DN! GUEST] In Shifa hospital, 100 burn patients
with more than 40% burned body surface area,
most of them children.
Infections in these burns are fatal.
They get septacemia.
So to cut off the water to 2.8 million people...
(dramatic orchestral music)
Oh god!
Sorry, I'm in no condition after a show.
(dramatic orchestral music continues)
(siren wailing)
(dramatic orchestral music continues)
(protestors chanting indistinctly)
Ceasefire now,
ceasefire now, ceasefire now,
[AMY] Thousands of people converged
at Grand Central Station for the largest sit-in protest
the city's seen in over two decades.
[POLICE] I am ordering you to leave the premises now.
You will be arrested on the charge of criminal trespass.
As a Jew, I believe it is absolutely imperative
that we stand up today.
Right now I believe that Palestinian rights
are inextricably tied to Jewish safety.
[AMY] Why are you getting arrested?
I was horrified by what Hamas did to Israel,
but I am horrified now by what Israel is doing to Gaza.
So many of the Jewish New Yorkers here
are struggling through heartbreak and mourning
of October 7th, and they have made it very clear,
do not use their heartbreak, their tragedy,
as the justification for the genocide of Palestinians.
My parents were Holocaust survivors,
and there's one thing I learned.
Never again means never again for anyone!
Ceasefire now!
[SECURITY] You gotta stay out of the way.
You have to stay out of the way!
[AMY] I've got to do my job!
Just getting this video in.
As you can see, virulent, widespread hatred,
anti-semitism at a level that beyond shocks the conscience.
I'm 81.
What do I have to lose?
Let's go then!
(dramatic orchestral music)
(dramatic orchestral music continues)
I was saved by God to make America great again.
(crowd cheering)
(upbeat rock music)
Donald J Trump has been sworn in
as the 47th President of the United States.
I think we're going to do things
that people will be shocked at!
♪ There was a wicked messenger ♪
♪ From Eli he did come ♪
♪ With a mind that multiplied the smallest matter ♪
The White House Correspondents Association
has long dictated which journalists get
to ask questions of the President
of the United States in these most intimate spaces.
Not anymore!
You are an obnoxious, a terrible,
actually, a terrible reporter!
I think the license should be taken away from ABC!
Are you stupid?
Putting American people first,
your thoughts on that.
We are, thank you.
I like that question.
Boy, I want more questions like that.
[REPORTER] What has made you and your team so effective
in finding locating, apprehending
and deporting these violent, illegal migrants?
I love this guy!
(crowd cheering)
USA, USA, USA, USA.
A number of major news organizations face accusations
of already bending a knee to Trump.
ABC settled a defamation suit
by making a $15 million donation
to his future presidential library.
The parent company of CBS News has agreed
to pay $16 million to settle a lawsuit brought
by Donald Trump as Paramount seeks federal approval
for its $8 billion merger with Skydance media.
[NERMEEN] "Out with the fact checkers!"
That was the message delivered by META CEO Mark Zukerberg,
as he announced sweeping changes at Facebook,
Instagram and Threads.
The decision comes a week after META
donated a million dollars to Trump's inauguration.
[JUAN] A system of knowledge and information unparalleled
in the history of the world has been hijacked
by companies who just want to sell you stuff.
They don't want to inform you.
They want to increase their wealth and their power.
[DAVID] Ownership really matters,
and you know we're not just another widget company,
This is not a time in American history
where anybody can remain silent or neutral.
The media has to reflect on itself.
What it allowed to happen.
And what still could happen!
(all chattering)
You don't have the authority to arrest US citizens!
[WOMAN] I'm gonna give you my ID back,
you give me my daughter back.
One more.
You go back there and I'm gonna put you under arrest.
This is United States federal government.
I will arrest you.
(person screaming)
I was just trying to get to the doctor
and I'm autistic.
It takes me a second to understand.
[ICE] Get back!
(door banging)
[WOMAN] My son is a citizen.
We have all the paperwork!
What rights you lose today, you will not get back!
(dramatic orchestral music)
[AMY] Hans and Sophie Scholl.
They were a brother and sister in Nazi Germany.
And they thought, "What can we do in the face
of the Nazi atrocities?"
And together with their professor and other students
and workers, they formed the White Rose Collective.
They published six pamphlets.
On the fourth was written the words,
"We will not be silent."
They were beheaded by the Nazis.
"We will not be silent."
Those words should be the hippocratic oath
of the media today.
Should be the hippocratic oath of us all today.
We will not be silent!
Democracy now!
(audience applauding)
(upbeat rock music)
♪ I was dreaming in my dreaming ♪
♪ Of an aspect bright and fair ♪
♪ And my sleeping, it was broken ♪
♪ But my dream, it lingered near ♪
♪ In the form of shining valleys ♪
♪ Where the pure air recognized ♪
♪ And my senses newly opened ♪
♪ I awakened into the cry ♪
♪ That the people have the power ♪
♪ To redeem the work of fools ♪
♪ Upon the meek the graces shower ♪
♪ It's decreed ♪
♪ The people rule ♪
♪ People have the power ♪
♪ People have the power ♪
♪ People have the power ♪
♪ People have the power ♪
♪ Vengeful aspects became suspect ♪
♪ And bending low as if to hear ♪
♪ And the armies ceased advancing ♪
♪ Because the people had their ear ♪
♪ And the shepherds and the soldiers ♪
♪ Well they lay beneath the stars ♪
♪ Exchanging visions and laying arms ♪
♪ To waste in the dust ♪
♪ In the form of shining valleys ♪
♪ Where the pure air recognized ♪
♪ And my senses newly opened I awakened to the cry ♪
♪ Come on ♪
♪ People have the power ♪
♪ People have the power ♪
♪ To occupy ♪
♪ To vote ♪
♪ To strike ♪
♪ To rise up ♪
♪ To act ♪
♪ To dream ♪
(crowd cheering)
[PATTI SMITH] Use your voice.
Democracy now!
(crowd cheering)
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