Original subtitles

Downloaded from YTS.BZ

Official YIFY movies site: YTS.BZ

(whooshing jingle plays)

- Where's Alex?

- I don't know. He was supposed to be on.

- Yeah, he's literally the one that has moved

the time of the meeting.

Like, he said it was gonna be-

- I know. - 15 minutes late,

and then he said half an hour late.

Then he said an hour late. So, like, I'm here.

- I know.

I'm starting to think that what happened was,

well, you know, where he worked in the city.

I wager that he probably met a girl

and you know how smooth he can be.

Remember that party a couple of weeks ago,

and I'm betting he's gone on an impromptu date.

I think that's what happened.

- Sure. Right.

So, are we just gonna go through the research, then?

- [Sam] Yeah. You were researching into the owners?

- Yes. Yes. I have.

- What? That is a big file there.

- You said I should do research. You said it would help.

- What? Okay- - Well, I've done

the research now.

Can I just tell you the research?

- Yeah, sure. Absolutely.

- Yeah.

So, basically, I've been looking through everything I found,

and it's worse than I originally thought.

(ominous music plays)

- [Sam] Okay. That sounds a bit ominous.

- [Maya] Yeah.

So basically, at first, I just thought

there was like, this mythological overlap.

You know, like how different cultures will talk

about the same entity.

(voice skips)

Yeah, so I'm looking at records from medieval Europe.

It's matching.

I'm looking at early Mesopotamian records

and it's matching.

I'm even looking at East Asian folklore and it's matching.

You know, like different cultures, different languages.

Match, match, match.

(ominous music continues)

It's scary.

- Okay.

- Yeah.

They're all saying that...

Like, okay, so they'll describe

like, either like, a wise man,

or a scientist or a researcher.

And then they'll also be describing

like, multiple universes, like, different realms.

- [Sam] That's heavy.

That's like, Lovecraftian heavy.

That's like one of those old sci-fi novels

that I found in my mom's attic.

- Yeah, and that's not even the weird part.

The weirdest part is that these texts are

all describing these like, wise men

or researchers or scientists, whatever,

encountering things whilst researching.

So like, encountering like, entities

while researching these entities.

- [Sam] Sounds like the literal definition

of curiosity killed the cat.

- Or like curiosity invited cat inside.

All of these texts are describing

like, these wise men or scientists or researchers

or whatever being into the occult.

So like, they're interested in black magic,

they're interested in demon magic, spells.

And then they use that to, what does it say?

(ominous music continues)

"As a means of summoning entities

while accessing different realities".

(screaming distorts)

(ominous music plays)

- [Sam] All right. Alex, are we rolling this time, dude?

- [Alex] Yeah. Yeah. Well, we are rolling.

- All right, then. So, where are we?

- [Alex] Okay, we are at Reading.

Hmm. Oh yeah, no names. We can't say any names.

- [Sam] No? - Oh, no, no.

Well, we need to get in the algorithm,

so we got to say names.

Oh, fuck it. My name is Alex.

- [Maya] Okay, so we're doing names,

or we're not doing names?

- [Alex] Yeah. I mean-

- I tell you what.

Look, we're not livestreaming right now,

so I can edit out the names later on.

- Yeah, that's not the point. I just wanna know.

Like, are we saying names? - [Alex] All right.

Boring, guys. Okay.

We are in the outskirts of Reading. Okay?

Don't ask me where, because this is our find.

Yeah, the council was supposed to destroy this building,

but they're taking a while

and they keep fucking around, I guess.

- [Sam] That's what councils do, isn't it?

- [Alex] Maya, can you provide us with the details?

- Okay. Yeah. Right now? - [Alex] Oh, yes, please.

- [Maya] Okay. Yeah.

So, basically, if you were to look up this building,

you wouldn't find that much, but it was owned by-

- Going from three subscribers to two. Okay.

- Speaking of which, what is up with this?

- Yeah, I thought you were gonna get

good cameras for everyone.

- [Sam] Why am I holding a camera that was made

in the stone age?

What is this?

- [Alex] Because that's all we could afford.

- [Maya] Alex, I thought you were gonna bring, like-

- You got a GoMode.

Maya's got a GoMode. I got this thing.

- [Alex] All right, guys. You guys are killing my feed.

All right. Urbex rules.

Don't break anything more than what's broken.

- Okay? - Watch out for needles

and holes in the floor.

And night security. - And ghosts.

Don't forget ghosts.

- [Alex] And ghosts, I guess.

All right. Okay.

- So, shall we get underway, our fearless leader?

All right, here we go in. Here we go. And-

- [Alex] Woo!

- [Maya] Oh my God.

Are we gonna be this loud the whole way round?

- [Sam] Sorry. - [Maya] I thought

we were supposed to be discreet.

- [Alex] Oh, shit. - [Sam] Alex.

Yeah, you're gonna have to keep it down.

All right, Maya?

- [Alex] I guess we gotta turn on our torches.

(ominous music plays)

- [Maya] Okay. Yeah.

- [Sam] Whoa. - [Alex] Whew.

- [Sam] This place is enormous.

Looks like everybody left in a hurry, though.

- [Alex] Yeah, I mean, it happens.

Like, when my dad got fired,

he didn't immediately take away his stuff.

It's normal shit, man.

- [Sam] Left all this stuff behind.

What do you think this place was?

- [Alex] It was like a call center.

- [Sam] Call center.

- [Maya] There's like half a car there.

- [Alex] Oh, shit. There it is.

- [Sam] Huh?

- [Alex] It's like a Lambo.

- [Sam] Somebody's probably just using this place

for storage or something.

- [Alex] Oh, well look, guys, I'm fucking off this way, so.

- [Sam] Hey, don't go too far.

- [Alex] Yeah, yeah, yeah, yeah. All right.

(ominous music continues)

- [Maya] Should we go over there?

- [Alex] What was that noise?

(eerie rumbling echoes)

That was weird.

- [Sam] Car seats, computer.

- [Alex] Anything interesting?

- [Sam] We haven't seen much yet.

Oh, hang on. There's some stuff on this desk.

- [Maya] We've got some like, corporate jargon stuff.

Let's see. - [Sam] Safety dos and don'ts.

What's that?

- [Maya] Oh yeah. Holmes Systems.

That's the company that owns the building.

- [Sam] Okay. What did they do?

- They had like, government contracts.

They worked in like, the field of science.

- [Sam] Okay.

- [Alex] Guys, check this out.

- [Sam] Oh, this has gotta be

some sort of weird advertisement or something.

- [Alex] Yeah.

- [Sam] Why are all these photos the same?

- [Alex] Looks like a advert from The Exorcist.

"Quantum Neural Interfacing."

What the hell is that doing in an abandoned building?

(ominous music continues)

Huh? What's this? "Welcome to Holmes Systems."

Oh, and there's power.

Okay.

- I wouldn't mess around with that

if I were you, Alex.

- Yeah. - [Alex] Okay.

- You're gonna get like, electrocuted.

- Okay.

If I die, put me in your will.

- [Sam] No. - [Maya] What?

- [Sam] No, you put us in your will. That's how it works.

- Ah, fuck, yeah. Well, see you in heaven or hell.

Whichever you go to first. All right. All right.

I'm fucking with the power now. All right.

- [Sam] Okay, here we go.

Oh, what?

- [Maya] Oh my God. Are you telling me this place is wired?

- Didn't tell me that on Wikipedia.

- [Sam] Well, you're not gonna see

something like that on there, are you?

- [Maya] This doesn't seem safe, does it?

- [Alex] Power on board now. Let's go.

- Wait, wait, wait. Why do you think...

Wait, do you think

that maybe the demolition guys needed this or something?

Or what?

- [Alex] I don't know.

Maybe it's demolition people, council. Who knows?

All I know is I want to explore Disneyland.

Welcome to Transylvania! Let's go.

- [Maya] Right.

- All right, look, let's just get around this place.

Won't take long.

(Alex gasps)

- [Alex] We got crackhead.

- [Sam] Alex, this place isn't wired, is it?

- [Alex] Crackhead at six o'clock.

- [Sam] Alex, this place isn't wired, is it?

It's gonna get demolished.

- [Alex] Yeah, it probably is.

There's electrical faults everywhere.

It's an abandoned building.

- [Sam] No, what I'm saying to you: is this building wired?

Is it wired to blow?

- [Maya] What?

- [Alex] Wired to blow? - [Maya] What are you talking

about?

Oh my God. - [Alex] Dude.

- Why is there power?

- [Alex] I don't know. I don't know. Look.

- Look, sorry. - [Maya] What?

- I shouldn't have said. It's probably not.

It's probably just a substation

that's still live or something.

Don't worry about it.

- [Maya] What do you mean? Oh my God.

- [Sam] They're gonna demolish the place in a month.

- [Maya] Is this how you guys usually run things?

(video distorts)

- [Sam] Where'd he go?

Mind that door. Watch out for glass.

(door creaks)

(distant metal thumps)

- [Maya] Alex?

- [Sam] Alex? Alex? Where has he gone?

(Alex screams)

Alex!

- Alex! Alex!

- [Sam] Seriously! Pack that in. Maya's already freaked out.

I thought you wanted this to be a documentary.

- [Alex] You should have seen your face.

- [Sam] Alex, Maya's already freaked out.

Don't do that again.

(ominous music continues)

- [Alex] Space. - Come on, Alex.

So, Alex, he likes his cameras like he likes his women.

Old as fuck and with plenty of mileage.

- Where did you get this GoMode from? The toy factory?

- [Sam] What? Where did you get this camera from? The '90s?

Has this thing even got tones?

- Shit, I don't know. More or less.

- [Sam] Well, is it more, or is it less?

- More. Less.

I don't know.

Well, look, it doesn't make a difference anyways, yeah?

Because when they watch this,

guess what they're gonna watch?

- [Sam] What? - The presentation.

Le presentation.

- [Sam] We're not presenting

our catamaran holiday from 2003, dude.

- [Maya] Right, boys, this is wet.

- [Sam] What? Oh. Fuck.

It's probably just some kids messing about.

I wouldn't worry about it.

What you doing?

Wait, Alex? Oh, seriously dude, come on.

- Savory.

- [Maya] Right, Alex,

did you like, actually check this place out

before we came here to make sure it was safe?

- Yeah. - [Sam] Well, we looked it up

on Street View.

- You didn't, did you?

- I went to wikipedia.com. That's scouting, I guess.

- [Maya] What are we gonna do

if there's like, a crack addict living in here?

- [Sam] Look, look, there's not gonna be

a crack addict living in here.

- [Alex] Well, guess what?

Well, we'll give her some more crack,

and we'll do it together!

- [Sam] Come on, now. Come on, dude. Stop messing about.

Come on, mate. You're missing all this stuff down there.

Come on, let's go.

- [Alex] Wooh!

- Alex, come on.

- Woohoo!

All right, fuck it.

- [Sam] Look, we ain't gonna find no crack addict.

And if we do, we'll just throw him at him.

- Hey.

- [Sam] Is there anything down here?

- [Alex] I don't know. Probably your relationship.

- [Sam] Seriously?

- Sorry.

- [Sam] You've just given me more stuff

that I've gotta edit out.

- Okay? - [Sam] Okay. Maya, go.

- Which camera do I look at?

- [Alex] Mine. - Okay. Right.

So, for those of you watching,

this building belonged to a company called Homes Systems.

They were shuttered in 2014.

- [Sam] Alex. - Alex.

- Alex, Alex. Come on, man.

- [Maya] They were shuttered in 2014.

Now, we don't actually know that much about the company,

but from the research I did,

I found out that they had government contracts

and they worked in the field of science.

Alex, what are you doing? - Alex?

- I'm getting myself. - Okay. You know what?

Alex? - [Sam] Alex.

- This is actually your part now.

So, why don't you say your line?

- [Alex] Oh- - Yeah, film him.

- [Sam] There we go.

- You know what?

- [Sam] It's your time to shine now, Alex.

- [Maya] Here you go. - [Sam] Here you go.

- [Maya] This is your moment. - So, it opened in the '70s,

and it closed in the '50s.

- [Maya] How could it close in '50s-

- [Sam] So, it's time travel? - [Maya] Opened in the '70s?

It was shuttered in 2014.

- Well then, you do it genius.

- Okay, I will. Right. Okay.

So, when we say it was shuttered in 2014,

we actually mean that the-

- Boring. Went from three subscribers-

- No, we're doing this. - [Alex] To two. Huh?

- We're doing this for your channel

that you started.

- [Alex] It's your channel too.

- I know it's my channel too. - [Maya] You know what, babe?

- You can show a bit of interest.

- [Maya] Babe. We'll just finish it. Okay?

- Put the light on you. Okay.

- [Maya] Okay.

So, when we say it was shuttered in 2014,

we actually mean it was abandoned.

The local police came here and found everyone gone.

- [Sam] Okay, well that's spooky.

So, was there any mention of the company after that?

- [Maya] Well, the company closed overnight.

This building was abandoned overnight, and no one knows why.

- [Sam] Okay. Yeah, that's pretty heavy. So-

- [Maya] What is he doing?

- [Sam] For God's sake.

- [Maya] Alex, what are you doing?

- [Sam] Alex, what are you doing, man?

- I didn't do it.

- [Maya] Oh my God. What the fuck?

- It's vibrating.

(metal thudding and cranking)

- [Maya] Alex, did you do that?

- [Alex] I'm not even touching it.

(ominous music continues)

- [Sam] It's stopped.

All right, Alex, come on. How did you do that?

- Do what?

I'm not a prankster. - [Maya] You're such a jerk.

- [Sam] You're not a prankster?

You've got a long history of pranking people, man. Come on.

How did you do it?

- [Alex] I didn't do anything.

- [Sam] Look- - [Alex] I wasn't

even near the door.

- [Sam] Maya's pretty nervous, okay?

So, let's just not do that, okay? For me?

- [Maya] Can we just like, finish

looking around this place and get out?

- [Sam] Come on. Now, come on.

We gotta get round this building. Come on.

'Cause it's getting late.

- [Alex] All right, cool.

Go!

- [Sam] All right, I'll go on ahead. All right, Maya.

(ominous music continues)

- [Sam] It's weird.

Feels like-

(video distorts)

- Sponge.

- Stop playing about. Let's go.

- [Sam] All right. All right.

- [Alex] Get a move on. Explore Disneyland.

- [Sam] All right.

(distant shrieking echoes)

What was that?

- [Maya] Did you hear that?

- [Sam] Yeah, I heard that.

- [Alex] I don't know.

- [Sam] Alex, you're not messing about with us again,

are you?

- Nah.

- [Sam] All right, look. Come on. Let's go back this way.

(ominous music plays)

Hm.

- [Alex] "Walk, don't run."

- [Sam] Yeah, but emphasis on "run".

- Guys, I'm gonna have a look around.

Just walk up. I'll catch up with you, yeah?

- [Sam] All right, no worries. Let's just...

Come on, Maya. Let's go further up here.

- [Maya] I just checked my phone. I've got no reception.

Got no reception anywhere.

- [Sam] Look, Maya, promise, we'll be out of here soon.

- [Maya] This torch is- - - [Sam] Maybe half an hour-

- [Maya] So weird. Ugh. Anyway.

- [Sam] Did you see that? What was that?

- [Alex] The hell?

(distant groaning echoes)

- Did you hear that?

- [Sam] I don't know.

- Alex. - [Sam] That's why

I picked it up.

- You messing with us?

- [Alex] Look, if you're too chicken to go ahead,

I'll go ahead.

- [Sam] Too? Hang on a minute.

We know that you're a prankster.

Are you sure that you're not...

'Cause we don't need that shit.

- [Alex] It wasn't me. I can't be everywhere at once.

Okay? Now, let's go. You guys are slow as fuck.

- [Maya] I'm really freaked out.

- [Sam] Fair enough.

- What was that? Is there some kind of animal in here?

- [Sam] Look, I don't know,

but look, just come closer, back to me.

Stick together.

- Didn't sound like a person.

(wall thuds rhythmically)

I thought you weren't supposed to break anything, Alex.

- [Sam] Whatever happened to these urbex rules of yours?

- [Alex] Fuck urbex rules.

- Such a dickhead.

- [Sam] You're talking about,

you know, the channel's gonna suffer, but...

- All right. Let's keep exploring.

- [Maya] All right, Sam. Look at this.

- [Sam] Well, you're wondering if the place is wired.

- [Maya] Do you see we've got exposed wires right there?

- [Alex] Guys. Seems like there's an open space out here.

- Yeah. And the walls are wet as well.

This is like, such a fucking death trap.

- [Alex] Hello?

- [Sam] All right! - This is ridiculous.

- [Sam] We're coming. All right, I'm sorry.

- [Maya] Oh my God.

(ominous music continues)

Like, you're literally putting our lives at risk

coming into this place. - [Sam] I'm sorry, okay?

- Like, I don't know why you thought

I would think this is fun.

- [Sam] We're just trying to do something, you know-

- Oh my God.

You know, it's one thing for you and your-

- [Alex] Guys, hurry up.

- To put...

- [Sam] Stay close.

- [Maya] Yeah.

- [Sam] Just once over all these rooms.

- [Alex] Come on. - [Sam] Oh, Jesus Christ.

(Alex groans)

- Sam, close your mouth.

- [Sam] Oh, really? Come on, man.

- [Maya] What if it's a homeless person?

- [Sam] Oh, you'll be fine.

- [Alex] Right, Sam?

You got the right camera settings, right?

- [Sam] Well, I was only able to get the low light on.

- Well, why do you have low light settings for a dark room?

- [Sam] 'Cause that's all that I could find

on this bloody old camera.

- [Alex] What do you see in this guy?

- [Sam] Hey, look. Come on, man.

Less relationship commentary.

Look around this building.

I thought you wanted to document it.

Look, there's an old server patch bay over there.

- [Alex] Don't care.

(ominous music continues)

- [Sam] Hey, look at this. It's an old server patch bay.

Alex, there's a laptop here.

- [Alex] Don't care.

- [Sam] You don't care?

It looks kind of maybe 10 years old.

- [Alex] Don't care.

- [Sam] What you mean you don't care? It's your channel.

You know what?

- [Alex] Lights just came on.

- [Sam] No, no, no, no, no. Film, film, film.

- [Alex] Yeah. Pick it up.

- [Sam] You know what?

If Alex is gonna break these urbex rules,

then two can play at that game, so-

- [Alex] Heard that.

- [Sam] Yeah, well, you were meant to.

- [Maya] So, if Alex jumps off a cliff,

you're gonna jump off one as well?

- Look, all I'm saying: if we get this thing home,

plug it in, see what's on it.

Maybe some government secrets or something.

- [Maya] Yeah. - [Sam] Either that

or just some, what's the name of that company again?

- [Maya] Holmes Systems.

- Holmes Systems.

Holmes Systems company employee's porn collection

or something.

All right, let's put this over here.

- [Maya] I mean, they were doing scientific research.

I guess it could be cool.

- [Sam] Okay. Well we only can have a look.

Let's have a look.

(bag rustles)

- [Maya] Great. Helping my boyfriend do a robbery.

- It's not a robbery.

- [Maya] I mean, is that yours?

- It's salvage.

- [Maya] Okay. Whatever.

- This building was abandoned, like, how long ago again?

- [Maya] They were shuttered in 2014.

- 2014. Okay.

And I'm pretty sure that if he hasn't come

and collected it by now,

then he's not gonna come back and collect it.

- [Maya] Mm. Okay. Make yourself feel better.

- All right.

Okay.

- [Maya] Oh.

- [Sam] There's still a bit of power in there, look.

(ominous music continues)

(Alex screams)

- [Sam] Alex, are you messing about again?

- [Maya] Alex?

- [Sam] Alex? - [Maya] Alex?

- [Sam] Alex? - [Maya] Alex! Oh my God!

- [Sam] Jesus Christ! - [Maya] Oh my God!

- [Sam] Alex?

- Hey. - [Sam] Alex!

- Yeah. I'm on the floor below.

(Alex groans)

- [Maya] Oh my God. - Hurry up, man.

- [Sam] Are you all right?

- Jesus. - [Alex] I'm all right.

Just hurry up!

- [Sam] All right. Stay put, all right?

I'll come down to get you.

- Yeah.

Jesus Christ! Right.

(Alex groans)

(tense music plays)

- Oh, my leg.

(Alex pants)

Okay. Okay.

- [Sam] Alex!

(distant wail echoes)

(video distorts)

(metal rattles)

- [Alex] Guys, hurry up!

- [Sam] Okay. Stay put!

- [Alex] Okay.

But I'm gonna make my way to the staircase,

so I'll meet you there, okay?

- [Sam] Okay, but when you get there, stay there,

so that we find you.

- [Alex] Okay.

(ominous music plays)

- Oh, fuck me. Right, look. Maya. Maya, look at me.

Look at me. You were right. You were right. I am so sorry.

- [Maya] Okay. Whatever. What do we do? What do we do?

Look, here's what we're gonna do.

We're gonna go downstairs, we're gonna get Alex,

and then we are going to leave, okay?

All right? - [Maya] Let's go.

- I like, I'm so sorry. Come on.

Come on. Let's go. Come on, come on. Come on.

(Alex pants)

- Maya, come on.

Just see.

- [Maya] I knew Alex was jumping the gun.

- I know he did, but just stay close to me, okay?

- [Sam] Wait, that chair wasn't there before.

(metal clangs)

What the fuck was that?

Come on. Nevermind. Let's just go.

- [Alex] He didn't make sure it was safe

before we came here.

- [Sam] There is no way to make sure these places are safe.

- [Maya] What if he broke his leg?

Then I'll carry...

That's the door that was on the floor and near the room.

- [Sam] Come on. - [Maya] I don't know

how to fix- - [Sam] Come around here.

- [Maya] A broken leg. - Don't worry

about Alex's leg.

If he's got a broken leg, I'll carry him.

- [Maya] I guess I can help you carry him.

- You don't need to help me...

Was there a pallet there? That wasn't there before.

(ominous music continues)

That chair wasn't there before.

(video distorts)

(distant crash echoes)

Maya, keep moving.

(tense music plays)

I swear to God, if this is one of Alex's pranks...

We just go downstairs.

We'll get Alex and we'll get out of here.

And if he's got a broken leg, I'll take him to the car

and we'll take him to the hospital,

and then you and I are leaving.

- [Alex] Shit. What the fuck?

Sam? Maya?

Hello?

Hello?

(door clatters)

What the fuck?

(distant rumbling echoes)

Hello?

I don't get paid from you guys online

to do this fucked up shit.

Getting the fuck out here. Okay.

(tense music continues)

- [Maya] I'm just like, I'm really confused.

We went down like, two floors, but then we went up.

I thought the building was like, just two floors up.

So, like is it two floors down as well?

- [Sam] No, it's supposed to be just two floors.

- But we went two floors down.

Is it like two floors up and two floors down as well?

- [Sam] Well, if it's got two extra floors,

that means it must have sub-levels or something.

Four floors.

- Oh.

- [Sam] Unbelievable.

Well, you know what?

You know Alex didn't do his research, so...

Look, let's just find him.

- Yeah. - [Sam] And get outta here.

And then, we'll go get something to eat or something,

all right? - Okay. Okay.

(metal rattles)

- [Alex] Hello?

Sam?

(door clattering)

Sam?

Stop fucking with me!

Sam, is that you?

(tense music continues)

- [Maya] Did you hear that?

- [Sam] Yeah, it's probably just gotta be

pipes or something.

Okay. I mean...

(distant groan echoes)

- [Maya] What the hell is that?

- [Sam] Alex? We're coming below you. Shout out again.

- [Alex] Coming below you, shout out again.

- [Sam] Did he just...

Did he just repeat me?

(Alex yelps)

- [Alex] Okay. That was fucking weird, man.

Oh, shit. I really need to get out of this place.

Huh?

A doll.

Yeah.

Yeah.

What the fuck is here?

Hey, guys.

Oh, I hope you're not scared as me. Scared like me.

'Cause I'm terrified right now. Fucking...

What the? Huh?

Picture.

Lab coats. Scientists.

I thought my aunt was making it up,

but I guess they are real.

It's weird how they're just on a wall.

Just one photograph on a wall.

"Get out now".

All right. Message received. Right.

- [Maya] Maybe that was your echo?

- [Sam] My echo? You know what?

He better not be messing with us again. I swear to God.

- [Maya] God.

(tense music continues)

- [Alex] Why are the lights flickering?

I just came through here. Stop fucking with me!

Sam?

Sam?

Maya? What the?

Sam? Maya?

(Alex's footsteps tapping)

(Alex grunts)

What the?

Sam?

Okay.

I don't get paid enough to do this.

I am going home. I'm going home.

(ominous music plays)

- [Maya] I'm really scared.

- [Sam] Don't worry. Maya, don't worry about it, okay?

We'll be out of here before you know it.

Maya. Maya, come on this way. Inside here.

(Alex grunts)

- [Alex] Me coming here was a mistake.

By the time I get out of here,

Sam and Maya wouldn't even be in a fucking relationship.

Sam?

(Alex pants)

Who's there? What the fuck, man?

Why is there blood?

Shit. Man.

God.

Okay.

- [Sam] This is not the same room.

You trying your mom?

- No, I'm trying to call Alex.

The messages aren't going through.

It's not letting me call. The messages aren't going through.

I've tried to call him as well,

and it just says, "Couldn't place call."

- [Sam] "Don't follow the arrows".

- [Maya] There's no connection.

- [Sam] Wait, Maya, I've had an idea.

- What?

- [Sam] Why don't you review your footage?

- What, like there?

- [Sam] Yeah. Review your footage on your camera.

If we can see which levels we came past,

maybe we can backtrack.

- Okay. Yeah. Yeah. That's a good idea.

- [Sam] Okay.

Whoa. Retro.

(tape recorder clicks)

- [Tape Recorder] Bullshit-

(scream echoes)

- Oh my God, Jesus Christ! What is that?

- [Sam] I don't know! I don't know!

- [Maya] Oh my God!

- [Sam] Try and turn it off. Trying to turn it off!

Fucking hell.

- [Maya] Oh my God. What was that?

- [Sam] I don't know. Maya.

Oh, fuck. Maya.

- Yeah?

- [Sam] Did you see anything on your-

- Yeah. I think I found a route.

Yeah, let's just get- - [Sam] Found a route.

Okay? - Yeah.

- [Sam] All right, let's go.

(ominous music plays)

(eerie tapping echoes)

- [Alex] Is this the same corridor?

No, no, no, no, no, no, no, no, no, no, no, no, no, no.

(video distorts)

I just came from here. What the fuck?

(video distorts)

Oh, okay. Okay, okay, okay. Okay.

Okay. I've got to stop drinking. I've got to stop drinking.

(disembodied voices whispering)

PSA for all alcoholics.

If you're gonna drink, make sure you take crack.

Makes the time go quicker.

(eerie distorted music plays)

Creepy.

What's this?

It's family.

"Quantum neural interfacing."

This again.

Great. Computer doesn't work.

"Don't follow me".

Nah, mate. You're not the boss of me.

Oh, Hudson, this is yours?

It's mine now. Okay. All right.

Lockers.

Let me see if he's got any money in it.

(Alex taps metal)

(ominous music continues)

(distant squeaking echoes)

- [Alex] How did this bag get here?

(footsteps shuffle)

All right. It's time to leave.

Let's go.

- [Sam] Maya.

Maya.

- [Maya] What?

- [Sam] Come on.

Just tell me more about this research you did.

What else did you find out about this place?

- Sam, did you do any research at all?

- [Sam] Look, we did, okay?

But most of our research consisted

of whether this building had been explored

by any other groups, you know?

- [Maya] Okay, well, I mean, there wasn't

really that much about like this office block.

Like, just, it was owned by Holmes Systems.

And that's Professor Francis Holmes.

He worked on the Manhattan Project

before he came back to the UK.

- [Sam] Wait, wait, wait.

So, he was working in New York

before he came back to the UK?

What was he doing in New York?

- Like Oppenheimer, the atomic bomb.

- [Sam] Oh. Oh, that? Okay.

- Yeah.

- [Sam] Shit. Okay. That's some heavy shit.

- Yeah.

- [Sam] And he was working in this building?

What was he working on?

- [Maya] Yeah, he owned the building.

He was like a scientist.

- [Sam] Maya, don't get too far ahead.

- [Maya] Oh my God. Sam.

I know this is like absolutely mental,

but is this the same room?

- [Sam] What? No.

- Is this the same room? Look at this.

What, you mean where...

It can't be.

- Yeah, look at this. It looks exactly the same.

- [Sam] I know it looks exactly the same.

Apart from the fact that there's no hole.

- [Maya] I swear it said boo there before. Look at this.

- [Sam] Yeah. Well, graffiti artists do that.

- Okay, let's just look in the other rooms.

- [Sam] All right, let's just get...

Okay, look, we'll just go and check the other rooms, okay?

Can't have gone far.

- [Maya] Look at this. This room is different.

It's not the same as before.

- [Sam] It's not- - [Maya] Look at it!

Look at this! - [Sam] Look, listen.

- [Maya] I remember it said, "Do not use mobile phones".

It said that before. Do you remember that?

- [Sam] Yeah. Well, it says that

in a lot of the other rooms.

- [Maya] Well, let's just keep looking round.

- [Sam] It's probably just the same floor plan.

It's a different floor.

- [Maya] It's like the same room,

but like, in a different variation.

- [Sam] How can it be that exactly the same?

- [Maya] I don't know. Like, things are changing.

- [Sam] Buildings can't change, Maya.

- [Maya] Look at this! This room is different.

It's not the same as before. Look! See?

It's different.

- [Sam] Okay. I do remember that.

I do remember that thing there.

Where I found the laptop.

- [Maya] The same but different variations.

Fuck!

- [Sam] What? What's the matter?

- [Maya] Where the fuck's our car?

- [Sam] Our car? - [Maya] Yeah.

Where the fuck is our car? Look at this.

What the fuck was that?

Our car is fucking missing. Someone has stolen our car.

- [Sam] All right, listen. Maya, Maya, Maya, Maya.

Listen to me. Look at me. Look at me.

We're gonna go, and we're gonna find Alex,

and then we're gonna leave this building, okay?

We're gonna find our way right back to the main entrance.

And we're just gonna leave.

And if we haven't found Alex by then,

we're just gonna call the police

and then they can find him, okay?

Okay? Right, now, let's just get outta here.

Come on.

Maya, come on, this way.

- [Maya] Yeah, yeah.

(ominous music continues)

- [Sam] All right. We came this way, this way.

But this is the same room that we were in before.

Wait, that wasn't there before.

- [Maya] See, I told you stuff is changing. Do you see this?

- Well, either stuff is changing,

or somebody's in here fucking with us.

What does this even mean? Quantum...

What is that? "Quantum superstition collapse."

"Not observed." What was that?

"Not observed temporal gap feed."

- [Maya] I don't know.

- This Holmes Systems that you researched,

anything about this kind of stuff on there?

- [Maya] No, there wasn't that much info.

- [Sam] That three wasn't there.

Was that there before?

- [Maya] Do you think someone's just like, writing stuff?

- What do you mean?

Like just someone just randomly in here, graffitiing?

- [Maya] Yeah. I don't know.

- [Sam] Oh, fuck it. Let's just find Alex.

All right, let's get out of here. Come on.

Let's go down there. Just be careful. Careful, Maya.

I'm behind you.

- [Maya] Okay.

(ominous music continues)

(door clunks)

(video distorts)

- [Maya] Huh? Weird.

Sam, come listen to this.

Sam?

(video distorts)

- [Sam] Maya, you getting this?

Maya? Maya?

(eerie distorted music plays)

- [Maya] Sam?

- [Sam] Maya? Maya!

Maya! Maya!

Fuck.

- [Maya] Sam? Sam! Sam!

- [Sam] Maya!

- Sam, where were you?

I was in there. I was calling you. Didn't you hear me?

- [Sam] Wait, wait. What do you mean you were in there?

I was just in there.

- What are you talking about? I was just in there.

- [Sam] I was just in that room.

That room that you just came out of.

- Yeah, that's where I was.

- [Sam] Okay.

Right.

From now on, we don't get out of each other's sight, okay?

For any reason whatsoever.

- Okay. - [Sam] Okay?

- Okay. Yeah.

- [Sam] Right. Come on, come on.

- Okay. Should we go this way?

- [Sam] Yeah.

- [Maya] Okay. Okay, stay close by.

- [Sam] Yeah. Yeah. Don't get out of my sight.

- [Maya] Okay.

(ominous music plays)

(switch clicks)

(machine whirs)

- [Alex] There be light!

Crazy.

(phone rings)

Why is a telephone ringing?

- [Alex] Hello?

Hello?

(receiver clicks)

- [Voice] All time exists at once,

every moment layered upon itself.

To experience this is madness.

The mind cannot process simultaneously.

It clings to sequence, to story,

filling gaps with whatever it must.

What you believe is real

is just what you have chosen to keep.

(ominous music continues)

- [Sam] Maya, stay close. The light wasn't like this.

- [Maya] Hello?

- [Sam] Hello?

Mate?

Hey. Excuse me, mate. Do you work here?

Are you security?

- [Maya] Hey, hey, hey. Don't get too close.

- [Sam] Where did he go?

(Alex coughs)

(piano keys blare)

- [Alex] What was that?

(Alex laughs)

Shit. Fucking win again.

Fuck.

What we got here? What's this?

"Don't trust yourself. Don't trust the tape.

The arrows lie.

It eats the gap between things."

Okay. Shit's weird. All right.

Fucking taking this.

I don't give a fuck about the rest. Oh, what's this?

Shit.

Okay.

Go on, then.

(Alex laughs)

Goodbye, Mr. Mannequin.

Time to explore.

We're back in this godforsaken room.

How much you bet that I can't make this jump?

Ooh.

Okay, gonna jump.

Like and subscribe.

(Alex yelps)

What the fuck? Oh, my leg.

Why the fuck did I do that?

(Alex groans)

Shit.

I did that for you guys! Like and subscribe!

Oh, my leg. Like and subscribe!

Oh, shit.

The intercom's still playing.

Enough playing around.

I need to get out of here.

Ow.

(eerie growling echoes)

What the?

(distant scream echoes)

- [Alex] Shit! Shit! Shit! Shit, okay.

What the fuck was that?

What the fuck was that? Okay.

(creature shrieks)

(Alex pants)

It stopped.

(creature shrieks)

- [Alex] What the fuck was that? Shit.

(Alex pants)

Shit. My leg. Ow.

(video distorts)

(ominous music plays)

Sam?

Sam, is that you?

What's wrong with your face, man?

- Don't follow me. Don't follow me.

(wings flap)

Free the doves.

(Alex screams)

- [Alex] What the fuck's happening, man?

What the hell is happening?

- [Sam] Let's go this way. Jesus, Alex!

- [Maya] Alex! Alex, Alex!

Are you okay?

- No! No, no, no, no, no. I-

- Your leg's-

- I went to the front.

And I saw Sam! Sam with blood on his face.

- What do you mean you saw me?

- [Alex] Stay away from me?

- No, no. He's okay-

- [Alex] Stay away from me!

- What's wrong with you? - [Maya] He's okay! He's okay!

Look at him. He's okay.

- [Sam] We saw a weird scientist guy as well.

- [Alex] I went to the warehouse, and there was a door-

- [Sam] Warehouse? - And there was something

banging against the door.

- [Maya] We're fine. We're fine.

- Just, right. Calm down. Okay.

Which door did you come in through?

- No, I came from there. No, there, there!

- [Sam] Right. No.

- [Maya] We came from there.

- [Sam] Right, listen to me.

- Okay. Okay. - Right.

Here's what we're gonna do. Okay?

We're gonna pick a direction. Stay on me.

- [Alex] Yes. - We're gonna head

back to the front.

We're gonna get out. Okay? All right.

- We're together. Let's just open this door.

Let's get this open.

- [Alex] Hurry up!

- [Maya] Just get it open.

- Okay, I'm gonna get the door open and you can-

- [Maya] I'm gonna check the footage.

- [Sam] Yeah. Track your footage, just like you did before.

Okay? Right.

- [Alex] Okay.

(camera beeps)

(door rattles)

- [Sam] Come on. Stay close.

- [Maya] Okay.

- Oh, Jesus, Alex!

- [Maya] Oh my God, Alex! - [Sam] Alex!

- [Maya] Alex, Alex, are you okay?

Are you okay?

- [Sam] What?

What do you mean, there was blood on my face?

- [Maya] No, no, look, he's fine. He's fine.

Look, okay?

- [Sam] What? What's wrong with you?

- [Maya] He's okay. He's okay. Look at him. He's okay!

- We saw a weird scientist guy too.

Okay. All right.

- [Maya] Okay.

- [Sam] Just...

For fuck's sake!

(Sam hits door)

Fucking (indistinct) fuck!

(ominous music continues)

- [Maya] Okay.

- [Sam] Fuck! - [Maya] Okay, okay.

I don't think it's opening.

- [Sam] Sorry.

Like I said before, we're just gonna pick a direction,

and keep going until we find something familiar.

Find our way back to that main entrance, okay?

Same way we came in. We're going straight-

- [Alex] Okay, let's just go! Let's go.

- Okay, let's walk. - Let's go. Okay.

Okay. Alex, you're okay. Okay.

- [Alex] I should have never come here.

I should never come here. I should never come.

- Damn right, we shouldn't have come here.

- [Alex] I should never come here. I should never come here.

(video distorts)

- [Sam] I'm sorry.

- [Maya] I know.

- [Sam] Right, everyone stick together this time, okay?

- [Alex] Yeah.

- [Alex] Hey, wait. That was not here before.

- Internal log. Subject breach confirmed.

We believe the anomaly was temporal layer,

folding of time, slippage.

I see. That was comforting.

Time can be plotted, measured, closed.

What we opened wasn't when it was beneath.

The building became a throat.

We taught it how to swallow.

It was us.

The ones who ran didn't escape.

They scattered.

Oh, God.

It is already splitting.

I thought if I'd stayed,

if I had recorded everything, I could act as a stopper!

(man cackles)

A cork in hell.

(distant shriek echoes)

(man whimpers)

It's here!

It's here!

(man gasps)

We must run, we must escape.

The ones who run didn't escape. They scattered.

It's coming. It's gonna end you.

(static bursts)

- [Alex] Fuck this freakshow, and let's go home.

- [Sam] All right, Alex, Alex, we need a plan.

- What plan? We're in a demonic hell hole!

- [Sam] Listen to me! Listen to me!

It's like, I can't believe I'm gonna say it.

It's like a time loop, okay?

Just like he said on that tape recorder.

Something about a time slip.

Maybe they were fucking with something in here,

and it got out of hand.

- [Maya] This place feels

like we're in some kind of Escher painting.

- [Sam] Alex, come on man.

- [Alex] Why are you calling me Alex?

- [Sam] What?

- [Alex] I'm not Alex.

- [Sam] What? What? What do you mean?

- She's not Maya.

And you're not Sam.

(video distorts)

(Maya groans)

(distorted screech blares)

- [Maya] Hello? Sam?

Alex?

Sam?

Alex, where the fuck are you guys? Hello?

Sam?

(video distorts)

- [Alex] Fuck.

(ominous music plays)

(creature shrieks)

(Alex screams)

Shit!

Fuck!

(Alex screams)

(Alex pants)

What the fuck?

- [Sam] He got me.

- [Alex] What?

- [Sam] Let him get me.

I was good at running. Kept out of his reach.

- [Alex] Sam?

- [Sam] Years, Alex. Years.

What happened to you?

- [Sam] He's never hungry.

- [Alex] What the fuck?

- [Sam] Not really. - [Alex] Stop playing games,

Sam!

- [Sam] He just waits.

- [Alex] What the fuck?

- [Sam] I am tired of the game. Too tired now.

(creature shrieks)

(Alex screams)

(Alex whimpers)

(Alex screams)

(Alex pants)

(ominous music continues)

- [Speaker] You must follow me.

Have you seen him?

We're playing the game again.

I'm too old for this now.

He's faster than me.

I will give myself to him.

I've missed you. I wonder where you went.

(Maya screams)

(Sam retches)

- [Sam] What the?

What? What? What the fuck? What? What the fuck?

Maya!

Maya! Alex!

Maya!

Oh, shit. Oh, Jesus Christ. Oh, Jesus Christ.

Oh, Jesus Christ.

Need to find...

Need to find Maya.

Find Maya.

Maya. Maya. Maya.

Maya! Maya!

Maya!

(Sam pants)

Maya!

Maya!

(Sam coughs)

(ominous music continues)

What the fuck?

Alex. Alex.

(Sam pants)

- [Sam] Alex. Alex?

Alex? Is it you?

(ominous music plays)

Alex?

Alex? Alex?

(Alex screams)

Jesus Christ! Jesus Christ!

Shit! Fuck, fuck!

- [Alex] Sam? Maya?

Sam? Sam?

Maya.

Sam! Maya! What the fuck is going on?

(Alex pants)

Maya?

Sam? Maya?

(Alex falls)

(Alex yelps)

Sam! Maya!

Sam?

(Alex whimpers)

(Alex screams)

(flesh squelches)

What the fuck?

What the fuck?

What the fuck?

What the fuck? What the fuck? What the fuck?

(Alex screams)

Shit. What the fuck? What the fuck?

- [Sam] I'm gonna find a way out here. Find Maya.

Find my old (indistinct). What the fuck? What the fuck?

Who's that? Who's that?

Oh, shit, oh, shit, oh, shit! Oh, shit, oh, shit, oh, shit!

(Maya pants)

(Maya screams)

(ominous music continues)

(Maya screams)

(Maya thuds)

(Alex whimpers)

- [Alex] What the fuck, man? Why is there no hole?

Why the fuck is there no hole?

Backpack. This is my shirt.

Why is it here? Why the fuck is it here?

Crazy.

Getting out here, man. I'm getting out here!

What the? What the fuck, man?

Oh. No.

No!

I just came down here.

What the fuck, man?

What the fuck? What the fuck, man?

This is the same corridor!

(Alex whimpers)

What the fuck? What the fuck? What the fuck?

What the fuck?

(ominous music continues)

(Alex screams)

What? Oh God.

What the fuck? What the fuck? What the fuck is that?

Stay away from me!

(creature roars)

(Alex screams)

Oh, shit. Shit, shit. Fuck.

Oh, shit. Shit, shit. Fuck.

(Alex whimpers)

Leave me alone!

(creature shrieks)

(creature shrieks)

(video distorts)

(body drops)

(video distorts)

(eerie rustling sounds)

(Alex screams)

(Alex screams)

(Maya pants)

- [Voice] You both did it. You are dead.

You are dead. You both did it.

You are both dead. You are dead. You are dead.

You are dead. You are dead. You are dead. You are dead.

You are dead. You are dead. You are dead.

(dramatic music plays)

- [Sam] Fuck. Jesus Christ. What the fuck is this?

Sam? Maya!

Maya!

Maya, look at me!

(video distorts)

What? Maya! Maya! Maya! Maya! Maya!

(creature growls)

Oh, shit!

(Sam screams)

(eerie music plays)

♪ Stay with me ♪

♪ As evening quickly falls ♪

♪ The darkness deepens ♪

♪ Lord, stay with me ♪

♪ When others fail and comfort disappears ♪

♪ You are the help for the helpless ♪

♪ Stay with me ♪

♪ Life is moving quickly toward its end ♪

♪ The joys of earth grow faint and fade away ♪

♪ Everything around me changes and breaks down ♪

♪ But you do not change ♪

♪ Stay with me ♪

♪ I need your presence every passing hour ♪

♪ Only your grace can overcome temptation ♪

♪ Who else could guide me? ♪

♪ Every man beside me ♪

♪ Through cloud and sunshine ♪

♪ Stay with me ♪

♪ I'm not afraid with you here to bless me ♪

♪ Troubles lose their weight and tears lose their sting ♪

♪ Where is death's power ♪

♪ Where is the grace, victory? ♪

♪ I still stand strong ♪

♪ If you stay with me ♪

♪ Hold your cross before my closing eyes ♪

♪ Shine through the darkness ♪

♪ And lead me to the light ♪

♪ Morning, noon, heaven breaks ♪

♪ And earth's shadows fade ♪

♪ In life and in death, Lord ♪

♪ Stay with me ♪