Original subtitles

Are you filming filming?

Yeah.

Okay.

Right.

This is all they've released.

Victim is a young woman called Emily Hartwell missing a week ago.

Third victim this year.

Rachel, they're keeping very tight left.

Okay, so I think they're just over that bridge.

I think they're just over that bridge.

I think we can just cut through.

Okay, um, or maybe we could stay here get a wide shot.

No, no, no, we've got to go now.

We're not the first one's there, someone else is going to get this first, okay?

They've got to go.

Okay.

Are we ready?

Yeah, okay, so.

And it's, I think, I think I saw a little bit of movement up there, so.

You want us to go through that?

Yeah, well if we go straight up then we're going to get there Okay if we go around it's

gonna take us like half an hour so Rachel that's quite steep what if we drop the camera?

We're not gonna drop the We're not gonna drop the you're fine aren't you right?

Yeah Stop the camera I know it's not okay I mean there's

a path I mean there's a path so yeah Yeah, just hold on.

I think you need to like go for a run-off.

I don't, okay.

Just can slow down, maybe?

No.

No, okay.

I think it's just up here on the right, just on the right.

Okay.

I mean you said that earlier.

It's all the same thing, it's all the same thing, it's the same thing.

Can you slow down Rachel?

Me and Martin a bit slower.

Yeah, no, we need to be the first ones there.

First ones, okay?

Things we do, Martin, the things we do.

Rachel?

This is it.

This is it.

This is it.

We've got it.

And we're the first one.

Come on, come on, come on.

Okay, okay.

Okay, just there.

Can you see it?

Can you see it?

Can you get him on the ground?

This is a good one.

Yeah, I think that's a really great shot.

Okay, we got the shot, let's go.

No, no, no, no, no, I feel like we can get a little bit closer.

I don't think we've got a little bit closer.

I don't think, we've got it, we've got it.

Maybe an interview and then that's it.

I think then we can move to the one.

I don't think we have to be got enough.

I think we should go.

Okay, well I'm going to give a trip.

Be careful.

She shouldn't be in here.

Literally.

We've got a run up here on.

Okay guys, but we're just one of it's such a general stuff sort of

around, maybe even a few words of the doubt, that'll be really great.

So I didn't need to see the idea.

Yeah, yeah, of course, of course, and because you don't.

I don't want to film it until I see any idea.

Yeah, no, that's fine.

It's over there.

You've got the idea.

That's fine.

But we're going to go over here so we can get some shots around the

body, not of the body, around the body, and he's going to do it to you.

So there we go.

This is the story.

Okay, I'm ready, can I have the... Yep, sorry.

There's your mic.

Okay, okay, okay, that's right.

Okay, that's right.

Are we're just going to, okay, it's fine.

Am I framed?

Shifted a bit left?

My left are your left?

Good?

Yes.

Please have confirmed today that a body has been found in the South Downs Forest.

The victim has been identified as 22-year-old Emily

Hartwell, who was reported missing just over a week ago.

Forensics have been on scene since this morning, and officers say the

circumstances surrounding her death are being treated as suspicious.

Inspector can you give us any more details at this stage?

We're treating this as an isolated case and as you rightly said we are

treating this as suspicious and fell play I think is has been involved here.

Any information that we find we will release in due course, but like I said, and like you

can clearly see forensics are working to try and find any new evidence that they can find.

In the meantime, I asked that if anyone has

any information then they kindly come forward.

No, no, no, no, no, no, no, no, no, I think we're done here, aren't we?

Just, um, you need to stop filming.

Hey, me, do you want to, do you want to be arrested?

No, no, no, no, no.

Sorry, you need to take away.

Do you want to, do you want to be arrested?

No, no, no.

Sorry, you need to take away.

Just one more question.

Come on, Rachel.

Come on Rachel!

For the sake!

Yes, we've got the story.

He would have given us one more package.

He would have put us in cuffs.

I don't really care and I think he's a bit busy.

Rachel, listen, you've got the story, we've got an interview.

Honestly, it would have been worth it.

It would have been worth it for the story.

No, no no no, John here, John here.

Martin, come on, come on.

Let's go, let's go go.

Martin, get in here, get in here.

Yeah, yeah, yeah, yeah, yeah.

Oh, he's getting...

What was he doing?

What was he doing?

He said,

go, go, go, go, go, go, go, he.

Hey Mark.

You're right, Martin.

She said what this is all about.

She just, Tom has been the camera in for all everything?

Are you right?

Better except a week.

Sorry.

Should we get going, yeah?

Sure.

Rachel.

Mark, she's here.

Rachel are you okay?

What's going on?

Well, you robbed?

No, no, nothing was taken.

They left this.

I didn't want to open that alone.

Yeah.

Well, thank you.

You may want to get this.

I think that's blood.

There's more.

I'll stop it.

No, we need to know.

We need to know.

We need to know.

Okay.

What is it?

Mark, what is it?

scaring us off?

How can you be sure?

I can't be sure.

Can I put, I mean, they broke in, they came in through the front door, they left this here,

they could have just come straight upstairs and, you know, done what ever they wanted.

They did do whatever they want.

They gave you an object covered in blood and they

showed they know where you live, they've got me.

They've got Martin lips.

they didn't come to you they didn't go to Martin they came to me they know they know that I can put this together I can figure this is a clue this is someone trying to help

us what screams help about blood and stalking Rachel listen to me listen to me look at me Rachel listen to me look at me Rachel Maybe it's a sign if we stop it if we leave it.

Leave us alone.

No no no.

Maybe we drop the story.

We don't drop this story.

This is our story.

This is our story.

This is the story.

This is my story.

This is your story.

This is your story.

No, no, no, no, you're right.

I know exactly what you mean.

This is a lot.

This is a lot.

We can put this together.

I'll call your legs.

Martin, just take pictures, videos, whatever.

You know what to do, document it.

Let's go for it.

I'll call you later.

Mark.

We can put this together.

We can... Mark!

Show me the footage.

Pause, pause, pause.

God.

Zoom in.

Zoom in.

Behind him.

What is that?

Looks like a shadow or something?

Don't unlock.

I think it's good that he's back.

I think it will be, you know, a whole team together.

I think that's probably what we need and oh here it is.

Right.

See what he has to say.

Hi.

Thanks for coming back.

It's just a lot.

You know, it's quite scary seeing what we saw, but you're right.

We have a job to do and I'm As long as we're careful.

I'm here to do it.

Here to do it.

Good.

It's really nice to have you back.

Thank you.

I've actually been doing quite a lot of work at the moment.

We've got some really good leads for the case.

I think this is... Nice.

I think we've got some really good stuff probably.

Okay.

Good, Martin.

Yeah.

I'm good.

Okay.

Yeah.

They're still looking at us.

They're still looking at us.

They've stopped, but Rachel, that was weird, right?

I mean, I know we've got the camera, but every single person staring at it.

It's not even avoiding it, just directly.

I mean...

It's fine just because we've got a camera and a microphone and this is

a small town they've probably never seen something like that before.

Okay no yeah you're right well we're here now so what's the black?

We ask around the Polar Rose will left for a reason.

Yeah you see that's what worries me.

Rachel they have your flat.

The Polar Rose will have for a reason.

You see that's what worries me?

Rachel they have your flat, They're right on top of us.

Which means we are right on top of them too.

I hope you're right.

I am.

We can't above the place, obviously.

The locals, they remember.

We just need to get them talking.

And what if things get too much?

We keep filming.

That's what we're here for.

Make it all sound so easy.

You're always up.

Hey, are you anything else?

No, we're fine, thank you.

Actually, I'm sorry.

Can you ask the name?

Yeah.

Do you remember Emily?

The girl that they found in the forest.

No.

No, I'm sorry, I don't know.

Are you sure?

It was everywhere, so.

I finished work in an hour, meet the outside.

Where is she?

She said an hour.

Maybe she's gone.

I mean, she clearly something.

She looks scared.

Rachel, we should be scared.

She's coming.

Hi.

Thank you so much for coming to talk to us.

Yeah.

What can you tell us about Emily?

I remember Emily everyone does.

She was such a sweet girl.

Just come in here sometimes.

Look, the night she vanished, people said they saw her going out past the downs.

There are old paths there, no one used to some at night.

You guys should be careful.

Okay, so I think library next, I think we need to find these articles, you

know, we need to get as much information as we can and then locals, more locals.

I think the more people we speak to, the more leads we're gonna get.

And they're gonna talk, they're gonna talk, you know, people have got stuff to say.

So I think that's where we start.

Do you think what Claire said is legit?

it.

I don't know, but, but it's a great place to start.

It's a really good place to start.

And I think this time we do the research, we get it from all angles, we're going to cover every single base, you know, we're going to

find the articles, we're going to find the stuff, and we're going to talk to more than one person, because we're not going to do it,

we're not going to do it, we're not going to do it

wait last time when we're not going to do it again.

I feel like, Martin, I feel like we're back, I feel

like this is our moment, this is our shot, you know?

My name is going to mean something again.

This article, you know, is going to have us back.

Everything, it's going to, we're going to be taken seriously again.

I'm really excited.

I'm really excited.

Do you think he's all right?

It's a lot.

It's going to be so good.

There's going to be so much in here.

This is what we want.

This is what we need.

Make people come down.

Yeah, I mean they've put like articles and stuff around.

Um, newspaper, articles and clippings and everything

that they've got, that's where they're going to be.

So we're looking for anything, like dates, times, locations, anything.

Murder, cults, disappearances, anything weird, okay?

Here, here, yeah, yeah, yeah.

So those boxes, the red boxes, that's going to be, that's going to be

where everything is kept, that's all going to be dated and everything.

Martin, um, anything we find we're going to record it all,

but if you go down one as well, we can sort of work together.

out of you in the vicinity, you know, safety, guys.

Yeah, whatever.

Okay, right guys, see in a bit.

Hey Mark, how do you join?

All right, hey Martin.

Okay, I've come through those.

I still got to do all that, but...

She doesn't see it right, mate.

She's just doing a job.

You think her job is going to get us killed.

look where we are.

We're in an abandoned library.

We saw a policeman eat a corpse.

They then followed us and they have our faces.

If we drop the story, so she will as well.

Right, listen, and I don't want to, we can And ritual killings unsolved unsolved.

No, 1974.

It's not random, it's every few decades.

And look, that shadow, always there.

It's darker than I thought.

No, no, no, it's all connected.

It's the coal and the kids and... And it's all, what?

What?

I've just seen someone down the end.

He was watching us.

Down here?

Right, at the end.

Dead end?

Are you sure?

Are you sure?

Are you sure you definitely saw somebody?

Yes, I'm sure.

Mark.

Sorry.

You got the last course?.

Let's go.

We don't have time for this.

Right, Mark, we'll be on the lookout again, just whoever you see.

Um...

This guy, this guy here, come on, come on.

Come on.

Hi, excuse me, hi.

My name's Rachel Morley, we're just doing a documentary about the local area.

Would it be okay if we asked you a couple of questions?

Yeah, yeah, sure.

Okay, great.

Great.

They're not really.

Look, people love a story, don't they?

They love to talk, yeah?

And a girl goes missing.

All of a sudden it's witches, or it's secret

societies, or, you know, monsters in the woods.

That's rubbish.

You know, I've lived here 50 plus years, right?

I've seen a lot of strange stuff, but people, right..

Emily, yes.

I saw her once, outside the pub last winter.

She was writing in her little book.

The night she disappeared, me and my husband

heard something like a scream carried on the wind.

Even the dog wouldn't go out after.

He still won't.

I shouldn't be saying this.

I've got to go, sorry.

No, I'm sorry.

Excuse me?

Oh, hi.

We're just doing a documentary, would you find if we ask you a few questions?

Yeah, what's it about?

Just the local area.

Oh, yeah.

Great, perfect.

Do you want to sit?

Yeah.

Is that, is that?

Yeah, Emily and I were close.

Yeah, Emily and I were close.

She would say that the town felt wrong.

So when she went missing, missing.

Obviously it was a massive shock.

She would, um, she would go up to the downs, alone at night.

Obviously, I told her not to.

Being up there on your own is, you know, dangerous

during the day, let alone in the evening.

She still went.

She still went, She would hear something calling, not voices, not exactly.

I guess some people are just chosen.

I guess some people are just chosen.

Some people never get to leave.

I'm out.

I'm out.

Yes, Mark.

Leave me.

I can't, oh my God.

Mark, calm down.

Don't you tell me to calm down.

Do you even see where we are?

Did you see her eyes?

Did you see that smile?

Rachel, tell me you saw that.

You didn't see anything?

I'm caution.

I'm caution because it's all about the story, isn't it?

I can't do this.

If you won't drop it for me, if you don't drop it for Martin, for God saying

then please drop it for yourself, because you are dragging us to help.

And you're not gonna like where this leads.

I can't do this again.

No, I'm done, I'm done, Rachel.

Okay, I'm sorry.

Oh, hi Mrs. Davies, it's, it's Rachel.

Yeah, yeah, it's going really well.

Um, sorry, is, is Mark there?

No, he, he didn't come back to the hotel?

I'm sure it's fine, he said that, um, sorry, is Mark there?

Yeah, yeah, could you ask him to give me a call when he gets back?

Great, thanks.

Okay, bye.

Okay, and now what, Rachel?

I need a drink.

difficult he's just gone but he'll be back you know he'll be back never goes for very long I don't really know what he's like

this I think it's you know I I think it's that thing now with his brother he went you know miss him or whatever I don't know that.

I actually don't think they ever found his body.

I don't know, I don't ask him about it.

It's not really, you know.

I remember he said it was really hard for his parents.

Like I guess they're close or whatever.

But he's going to be back.

He's going to be back.

He just needs to go and grow a fucking spine and then he's going to be back.

I know it.

Just go for some time.

But we don't need him.

Martin, we don't need him because we've got this.

Emily live with her mom.

We'll go there next.

Yeah, no, I think it's this one.

What number was it again?

Okay.

Uh, I think that's a six, so let's try.

I reckon this one?

Yeah, sure.

Yeah, yeah, let's go on this way.

Yeah, yeah, 20 to 59.

That's good.

Three, okay.

Come then.

I hope she speaks to us.

Really hope she speaks to us.

Ready?

Yep.

Who are you?

Mrs Hartwell.

My name is Rachel Mollie.

I, uh, we covered Emily on the local news.

We wonder if we could talk, if that's okay.

Thank you.

Have a seat.

Could you tell me about Emily?

She was my only child.

That beautiful Emily and the minute I held her in my arms.

I loved her so much.

She was always smiling.

She had a natural glow about her.

People noticed.

She was always smiling.

She had a natural glow about her.

People noticed.

But then I started noticing something changed in her, in the middle of last year.

She started missing meals and shutting herself in her

room for hours on end, avoiding my contact with me.

Making notes in this little book.

put it out out of being a teenager when she started going now on her own at night.

Across the dams, across the fields, I was worried.

She said she enjoyed the silence.

The stars helped to think.

against the window as if she was talking to someone out there.

I thought maybe it was a boy she wasn't ready to talk about.

Someone never mentioned it.

I did the same thing myself when I was her age.

If only she talked to me.

I did the same thing myself when I was her age.

They're asking me questions about her.

Who were her friends, where did she go?

What did she do?

They don't understand.

Emily wasn't like other girls.

She didn't have a phone.

Her parties, no gossip.

She was a free spirit.

I was too afraid to open it, but maybe you can make some sense of it.

Please,

Can I pay me on the tree top?

When the wind blows, a cradle will fall.

We need to find out what happened to her.

We need to find out what happened to her.

That's going.

I think that's the town.

Are you getting this?

Yeah, I am.

This is really old.

Those are the boys?

Maybe.

You know, from the article that we found?

I'm not sure.

And that's the farmhouse, the one that was burnt down?

What was Emily doing with all of this?

Who is that?

It's like an old witch's tale.

Greatly.

Do you know what that is?

No.

No, neither do I.

There again.

Maybe this is about some demon.

There's so many places.

I think she knew too much.

What is that?

I think it's a poem.

Or spell?

Maybe instructions.

That's a shot.

It's an address.

At least we've got something to investigate.

29th of November, 1998.

Do you hear that?

Listen.

Can you hear what they're saying?

It's too distorted, tonight.

No, no, no.

That was screaming.

This is too dark.

Maybe we should start thinking about.

Oh my god.

The one.

Rachel.

Did you see the date?

What date?

The one on the tape.

Yeah, this is the place.

There we go.

Hello?

Hello?

It's like a ghost shop.

Hello?

Where is everyone?

This is creepy.

Maybe down there...

Hello?

No one here.

Ah, let me guess.

You're the people making the documentary film around the town.

How do you know that?

Well, for a start, your companion's holding a camera.

And your antics have been causing quite the buzz on the street, so I hear.

Sorry, we didn't want to disturb anybody.

Not at all.

So you're just a duo then, a crew of two?

Yeah, just, um, just the two of us.

Oh, how cozy?

How can I help you today?

We found this.

I'm wondering if you can give me any information about it.

Oh.

Hmm.

Well, I'm no expert, but I mean, surely this looks like ritualistic work.

Do you know anything about a cult in the area?

Old stories never die.

Certainly there was talk about a cult in the

town years ago, and nowadays, I don't think so.

May ask why you're asking me about this?

I found this in the album.

Did you?

All right.

We'll do this.

As a matter of fact, I do know someone who was once involved in certain gatherings.

Many years ago, I always thought it was more play-acting than anything serious.

But I think she just might talk to you, if I ask her nicely.

She'll certainly be interested in seeing your album.

Just a tick, I'll give her a call.

I shall keep you waiting long?

Yes, this is it, Martin, this is what we've been waiting for.

Not sure.

No, no, no, no, trust me, this interview, this is what we need.

Seems it's your lucky day.

Here is her address, her name is Marion, and she said you'll be more than

happy to talk to you about certain practices for your little documentary.

Martin.

Thanks.

Well, there you go.

I think it's around here.

I think it's around here.

You know, this isn't actually that far from where they found Emily's body.

I think it was, the woods it just through that.

Martin I actually have a really good feeling about tonight.

I think, um, I don't know, I just think we're going to find out what happened.

Finally, everything is going to come together and...

I feel like we're going to solve this and then we're back Martin this is this

is our story you know this is what we keep saying it's our story this is our

moment this is it Martin are you ready yeah I'm ready Let's go.

That one at the end.

What is how is

it?

Yeah, I'm coming.

Can't hear anyone.

Okay.

Oh,

I can't hear anyone.

Um, should we go round, do you reckon?

Yep, let's try that way.

Lots of stuff on the floors, just, you know, be careful.

Hello?

Hi.

Hi.

Come in.

Um, Marion.

Yeah, I'm Rachel.

Martin.

Hi.

You must be the ones making a documentary.

Yeah, yeah, that's us.

Yeah, I'm Rachel.

interested in old things.

Yeah.

You see, nothing grows in the winter.

I'm sure you're cold.

Let's go inside.

Yeah, please.

Please, please come this way.

I'm going to get you a cup of tea.

Oh no, we're good, thank you.

Please sit, make yourselves at home.

I've just got to make a quick call, so I'll be back in just a minute.

Okay, great, thanks.

Right, Martin, film everything, okay, I need to watch all of this back later.

So you're making some kind of documentary?

Yeah, we're covering the girl in the woods.

Oh, the girl found dead.

The tragedy.

Such a young soul.

Um, Eddud said that you might recognize something from in there.

A sold album.

Where did you find it?

Emily's mom gave it to us.

Interesting.

This isn't just an album.

This is a record.

I was younger than you when I first saw them.

Gatherings in the wood.

It wasn't about gods at first.

It was about power.

Belonging.

12 of us, always 12.

The land was hungry.

If we gave it something, it gave back.

And you just went along with that.

You'll believe anything if you're young, and you want to make the night less empty.

Costumes, chanced fires.

You'll believe anything if you're young, and you want to make the night less empty.

Animals gutted on door steps.

And then the children.

Emily wasn't the first.

Not the first.

Who else?

The land keeps count.

Every few decades it calls someone.

Those kids, the kids from the fire.

And what about the passages and the symbols do you...?

know what any of that means?

Some of prayers.

Some are warnings.

Emily must have been close.

Very close.

Why are you eating people?

Rachel.

They require a sacrifice, and we are happy to rely on them with what they need.

Who would they?

Look to the place in the pages, that's where you'll find the answers.

Be careful.

If you look too closely, it starts looking back.

My dear has been no good.

On time, as always.

Well, well, you've got here on time too.

Rachel, let's go.

I think that we should probably be going actually.

Leaving already.

That would be rude.

Oh, we don't need this effect or anything.

It's just that... Perfect.

You'll stay for dinner.

That's sad.

throughout we have guests.

Besides, you've already bought us something.

It's only fair that we give you something in return.

Well, keep it simple.

Bread and stew.

At least we can do for guests.

I think that's a very good idea.

Hmm.

Make it off at home.

We'll be back soon.

For God's sake, Rachel, we have to leave now.

One minute.

Are you crazy?

We are so close.

Please wanted, we are so close.

This is it.

This is it.

This is the only chance we get to do this.

But Emily... Just one minute.

Okay.

Thank you.

Anything?

Go.

Let's go back.

Let's go back.

Okay.

There's more pictures.

More pictures of people.

What?

Sorry.

Oh, shit, shit.

shit.

Marion.

They come!!

We are!

We were married.

We were just, um...

Go, go, go, go!

Go!

She's locked door.

Oh my gosh!

Oh my gosh!

Fucking bitch!

Okay, let me have to go.

Oh my God, this place is fucking, we have to

go, okay, okay, come on, come on, come on!

Come on, come on, come on, oh, come on, come

on, come on, come on, come on, It's clear.

clear, let's move.

Okay, okay, okay, okay, okay, come on, come on, Oh my God.

Oh my God, okay, come on, come on, come on, okay.

Okay, okay, okay, okay, okay, are you ready?

Yeah, I'm ready.

Three, two, one, go, go.

What is this?

Okay.

Okay.

Okay.

We need to go.

We need to get out of him.

We need to get out of him.

Here, here, here, here, here, here.

Come on, okay?

Okay, go, go.

Oh my God, God.

Oh my God.

I'm going first.

Keep the light on me.

Be careful.

Keep the light.

Where is that?

What is that?

Come on, Martin the light.

What, Rachel?

This is blood, we have to get out.

We need to go.

No, no, no, no, no, no, no, no, no, Martin the light.

Martin, the fucking life, put the eye on the eye on.

Oh my God, oh my God, oh my God, I don't see anything.

You can barely see.

Wait, wait.

Did you hear that?

Did you hear that?

Martin, did you hear that?

Yes.

Martin,

did you hear that?

Yes.

It's a snake loose.

Come on, come on, come on.

There's steps, there's steps.

No worries.

There's steps.

No worries.

No.

Okay, can you see anyone?

Where it is, dump down it.

Shh, shh, shh, shh, shh.

All these chairs and tables.

Okay, come on.

There's a door, there's a door, there's a door, and there's a door.

Okay, go, go, I'm gonna go.

What do we do?

No, no, no, no, no, no, no, no, no, no.

Oh, come back.

What do we do?

I need you to stay focused.

I need you to stay focused.

We've got an offender's.

This is our story, remember?

Which you need to be strong for a little while, okay?

Okay.

We can make it.

You ready?

Okay, I'm ready.

Okay, I'm ready.

Okay, let's go.

Go,

go, go, go, get it, go, go, get it, go, go, go, get it, go, come on.

I'm going to go talk to us.

Rachel, don't go.

This might be aren't any jobs to get out.

Please.

See?

Don't go.

Hello.

It's Rachel.

Rachel!

Oh, no!

Thank you.

You're not going to be here.