Original subtitles

Thank you.

Yes.

Yes.

Great. This is art, baby.

Very, very art.

Yes.

Yes. Look at this.

This is art.

But this is too art. I don't think this will make the catalog.

This isn't for them.

This is for you.

Come on, baby. We've got to finish here, huh? We must finish.

We can shit later, huh?

I love you, Fabrice.

I love you, too.

Can't you just say it?

Don't ask me to say that yet.

In the heat of desire Lost in your eyes

And I'm on fire It's no surprise

You take me higher And higher

It's on the house, in the heat of desire.

Lost in your eyes, I'm all fire.

It's no surprise.

In the heat of desire Lost in your eyes

I'm on fire It's no surprise

You take me higher

you're that, huh?

I'm so sorry I was late, but I got a lot earlier.

Well, there is no time, huh?

I need the filters. I want some coffee.

Let's get to the studio.

I'm sorry, baby, but I got to go.

Hot and cold once again.

I wouldn't know.

Come off it, Patricia.

It's obvious that you worship him.

Why would you film all those videos for him anyway?

I work for him.

You probably watch all those videos too. That's pretty sick, don't you think?

Actually, there are way too many to watch.

Well, he's in love with me.

I'm not talking about yours, Lily.

If you think he's in love with you, think again.

Bitch.

Oh, hey, sorry, morning.

Oh, I'm really running late.

You look

delicious.

Thanks.

I think... No, no, no, what are you doing? You have to be late.

No, honey.

All right.

Ten minutes.

But make it worth it.

Ugh.

Ugh.

Burroughs, what's up?

Hello?

Did you get that? Homicide Westside? Yeah, let's get going.

Whose car?

Separate. I don't want people to know about it. Go ahead.

You're ten behind.

Okay.

Thank you.

The killer taped the victim being shot, and he left the camera and the tape

behind.

The victim is Lily Sampson, famous cover girl.

There's no prints on this, but I think you should check it out.

I found another tape and another camera, but I checked it. Nothing.

Thank you. Whose place is this, anyway?

The photographer's.

Your new partner is already interviewing his assistant.

She found the body.

I thought you liked to work solo.

I don't have a new partner.

Oh, you don't?

Well... Hey, where's this new part?

Hey,

excuse me.

Who are you?

You're late.

Immediate response mean anything to you?

Need to get going.

Thank you for your time, Miss Bouchard.

I'll contact you if I have further questions.

If you think of anything else, here's my card.

Excuse me. Hey, wait a minute. You haven't answered my question. Who are

you? You can't just waltz in here and take over an investigation.

Detective, I can do anything I want.

I'm with special units, and I outrank you.

Now, excuse me.

I have an appointment, and I'm always on time.

Good day.

Let's go.

I'll get you an attorney as soon as I book you.

Chief, what was an agent from special units doing at my crime scene? Why

wasn't that briefed they'd be part of the investigation?

I'm fine, thank you. Nice of you to ask.

Special units? There was nobody there from that department. Who are you

referring to? There was a woman there who identified herself from special

units. She's a real bitch.

Now, Clark, is that any way to talk about one of our own, huh?

You met Allie Holvin. Yeah, she's gonna be your new...

I'll let her speak for herself.

Hi. I'm your new partner.

Look, Clark, I know you like to work alone, but in this case, you have a

partner.

Come on in, guys. Let me see what you got.

Sit down.

So, Holvin, give me the news.

Okay.

The victim was sleeping with a famous photographer that goes by the mononym

Fabrice. Apparently it was pretty hot and heavy. When was the last time they

were seen together?

According to his assistant Patricia, just before her death.

When she arrived this morning, they were involved in extracurricular activity.

She was late, so Fabrice went on ahead to the other location, and she followed

minutes later with some of the gear.

When she left, Lily was heading for the shower.

I thought she was the one who discovered the body.

Yes, Patricia realized she'd forgotten a bag of filters and returned.

So, the obvious next is any leads or ideas?

Well, not at this juncture, but I do have the address for Miss Sampson's

modeling agency and Fabrice's current location.

Nice work.

Start there.

When a famous model gets shot, well, people are going to be watching us.

But I have every confidence that the two of you can pull this together quick.

Chief, I... Clerk.

Don't fight me on this one, okay?

Now, you both know the drill as well as I. Find the murder weapon, get me a

solid list of suspects, keep me apprised of any new developments. Are we clear?

Yes, sir.

Absolutely, sir. Good. And let's start with a little opposite sex psychology,

huh?

Clark, you go hit the modeling agency, and Allie, you go charm that Mr.

Mono, whatever his name is, yeah?

Good, good. Oh, and one more thing.

Why don't you take the empty desk opposite Clark?

Sure, Chief.

So, what is your desk?

This is yours.

Special units, huh? And what was that all about?

And if you aren't an SU, why did you say you were?

We should probably talk about this later. No, here and now is good for me.

Okay.

I used to be with special units, until I took a leave of absence several months

ago. I want to spend more time with my father.

And I find that when an individual is being abrasive or demanding, then it

certainly puts them in their place to pull rank.

Does that answer all of your questions?

Well, now that we have that out of the way, and I think we understand each

other a little better, we better get going.

Here's the address to the modeling agency.

It's run by a woman named Liz Blanchett.

Here's my card so you can reach me.

What do you say we meet up later and compare notes?

Big Harry's, it's a cop register on the corner from there.

I know the place.

Actually, I need to wait a few minutes. Jody said she had some information for

me.

1,800 hours, Clark.

Remember, I'm always on time.

Chin up, chin up.

There we go. This is great, this is great.

Okay.

Yes, yes. Come on.

There we go.

Yes.

Oh,

you are the queen.

Come on.

Okay.

Okay. Oh, yeah. Now you're talking, huh?

Oh, this is great.

Oh, my God.

Okay, hang on. I'm going to change the lenses to be a little closer.

Where's my sister? She should be doing this.

She should have been here a long time ago.

Strip for me.

Thank you.

You seem distracted.

Me?

Oh, you know, I have a lot on my mind. It's a little strange my assistant did

not show up. Maybe she got tied up with Lily or something.

So that's what it really is.

What?

Lily.

I don't understand. What do you mean?

You're falling in love with her?

No. No, I'm not.

Yes, you are.

Another woman can always tell.

I'm not falling in love with her.

Fabrice.

I don't want to talk about this.

It's terrible.

Lily was so sweet.

Well liked by everyone. My clients loved her.

It doesn't sound like she had a lot of enemies.

Lily, no.

Were there any jealous ex-boyfriends, stalkers, that sort of thing?

Not that I'm aware of.

Now, what can you tell me about Fabrice?

Apparently they were having an affair.

She's quite taken with Fabrice.

Enough so to reject anyone else.

I don't approve of any of my girls dating photographers.

They always find a fresher, more beautiful, more leggy ingenue.

Makes things difficult.

I have a rule against that when the models live in this house.

Having them here makes it easy to ensure they reach their potential.

I'd like to speak to those two, if I may, see if they know anything.

That's Kira and Tonya.

I'll introduce you.

I'd appreciate that.

Oh, I have just a few more questions, Miss Blanchett.

Where were you at approximately 8.05 this morning, time of death?

In bed?

Can anyone substantiate that you were here and in bed?

Detective, is this really... Yes.

All right.

I was... with someone.

Ms. Blanchett, I don't mean to pry into your private life, but I do need to

follow up on this.

Who?

Kira.

I was with Kira.

Again, Detective, I appreciate confidentiality.

I'm sure you can understand.

Yes.

I'd like to speak to Kira and Tonya now, would you?

This is Detective Burroughs.

He needs to ask a few questions about Lily.

Right now?

Yes, I was hoping... I don't want to talk about it right now.

Fine, I'll talk with Kira first, but we're going to need to speak within the

next 24 hours.

Are you okay?

Oh, yeah, I'm fine.

Is there somewhere we can talk in private?

Actually, Tonya and I can leave, so you'll have some privacy here.

Thank you for all your help, Miss Blanchett.

Tonya?

Yes, yes, yes.

You're

pretty

cute for a cop.

You can sit right here.

That's all right.

So you knew Lily?

It's awful what happened to her.

Life is for the living.

Detective, would you mind?

I need lotion on my back.

Were you

close to

her?

Did you talk?

Share personal information?

A little.

Are there any unusual events?

No. Threats?

No.

That feels good.

Did you ever overhear any arguments?

No.

Lower, detective.

Move lower.

Okay, Sean, let me do a few more, and then we wrap up.

Okay.

Did you see her the night before her death?

No.

Detective, maybe we should just go inside.

Maybe we should just finish this up at the station.

Detective! I didn't know you were still here.

Sorry, I didn't mean to startle you.

Ms. Blanchett, do I have your permission to search Lily's room?

Um... Yes.

Of course.

Is the detective gone yet?

Yeah, for now.

Hey, are you okay?

No.

I can't believe she's gone.

Now come on, try and relax.

Come on.

that feels good take

my hand and come with me to a

place and set us free take your

time over me this is the place

to set us free

Touch your body.

Feels like bliss.

Forever sealed with a kiss.

um um

There's a kiss on my lips.

There's a touch of fingertips.

Where the shadows like to play.

A little longer, come and stay.

Waterfall, washing me.

Take your time.

Set us free.

Waterfall.

Feel the spring.

Hello, pretty lady.

So, is there something I can do for you?

You're Fabrice?

Yes. And to whom do I have the pleasure?

So, uh... What's the problem?

I have some bad news, actually.

Lily Sampson was murdered this morning.

What?

It's not true.

How? Where?

Just after 8 a.m.

In your studio.

What? In my studio?

Oh, my God.

Where were you this morning between 7.45 and 8.15 a.m.? Oh, lady, don't tell me

I'm a suspect. I was in love with her.

It's Detective Holvin.

Answer the question, please.

Hi, Miss Ovin.

I was, uh... I left at 7.45 a.m. and arrived here at 8 o'clock.

Did you have any witnesses?

Yes. My assistant Patricia saw me leave.

Who saw you arrive?

No one.

I always come before to have a little time to myself, you know, to think.

So it was only until 9 a.m.

So that's a little over an hour unaccounted for.

You know my sister, Patricia, she was supposed to follow me here. She never

arrived. She never called.

I don't even know where she is.

She forgot something and returned to the studio.

And she discovered Lily's body.

Oh, my God.

Oh, how awful for her.

I'm sure.

What was your relationship with Miss Sampson?

Well, obviously not protective enough.

Look, this is not a good time for me to talk about this. Maybe, uh... Maybe we

could continue this later on this evening.

I don't think so.

Oh, you misunderstand me, huh?

I've just had a very bad experience, and it's going to take me time to accept it.

God knows I'm going to need a drink, maybe some company.

I can't come to this station. I have a deadline here tomorrow at the studio.

Well, then my partner and I will meet you there.

You're a very beautiful woman, but someone needs to help you get in touch

with your softer side.

9 a.m. for breeze.

Martin Perez Sampson

Twins

Wait, I'm not up for this.

Darling, trust me, huh?

It's going to be perfect.

I don't think she likes me. She's been strange ever since we started dating.

No. You know how she is.

She does not like her girls to be with photographers.

Yes, but why her?

Darling, what do you mean?

I mean, have you been with her before?

Darling, no.

Honestly?

I would not let you.

You know I feel about you, Lily.

Why do you want to be with somebody else anyway?

It's not about her.

It's for us.

For us?

This will bring us closer together.

I want to learn things about you that I've never seen before.

Okay.

Thank you.

Thank you.

So long.

Oh, this is so beautiful.

Now it is my turn.

Oh, my God.

Hey, Jodi.

Hey. You got a minute?

You got any thoughts on this case? Intuition?

Sure. Crime of passion.

Crime of passion?

Yeah, the killer was probably the jealous type.

So why the video?

He wanted to share his pain with the world.

So we on for tonight? Your place this time, right?

Yeah. I'm gonna be a little bit late, though. I've gotta go meet my new

partner. In fact, I gotta go right now.

Since when are you Mr. Punctual?

It's Allie.

Detective Holven.

She's a real stickler about being on time. I gotta go.

See you later.

Hey, you're on time. Thanks. What's up? Just running the case through my head.

What are you going to have?

Sorry.

Thanks.

Actually, I don't want any.

You've got to learn to lighten up in this job, Hovind. You're a homicide now,

not SU.

Ooh, that hurts.

No, thanks.

Really keep a clear head today and tomorrow.

That's what happened at Blanchett Models.

Uh, quite a bit, actually. Liz, my chat was really pretty helpful. Thank you.

Um, she gave me a contact list, and I was able to get into Lily's room.

Liz says at the time of death, she was with a model named Kira.

No last name, another model.

Kira was a rather aggressive young lady, so I wasn't able to continue the

interview if you catch my drift.

So it sounds like you had an interesting day.

Anything in Lily's room?

Hmm.

This.

Yearbook. Turn to page 68.

Okay.

Cute. So, um, what am I looking for here, Clark?

Take a closer look.

Ah.

Our Lily has a Lisa.

Good work, Sherlock. Now, I spoke with Lisa, who is flying in tomorrow at 1 p

.m. She said she'd meet us at the station. You can be the Sherlock shit.

Anything else?

rather explicit videotape starring the lovely Lily Sampson, photographer

extraordinaire Fabrice, and Liz Blanchett.

Classic menage a trois. You might look at it sometime, lighten up a little bit.

Sounds interesting, but I'd rather not. Why don't you just give me the

highlights? There are highlights, all right.

Lily Sampson deserves an Oscar nomination.

You seem quite taken with our victim.

Do you want to talk about it?

Let's just say she was a pretty special girl.

Somebody else must have thought so, too.

Hey, didn't you say that the model that hit on you was named Kira? Mm-hmm. What?

That's definitely her.

She never mentioned they were alumni.

You're strange, don't you think?

Yes, I do.

I'll look into that tomorrow.

Look, I gotta go.

Somebody's waiting for me.

Okay. Good night.

Night.

Oh Clark.

I'm so glad you're here.

Let me do this for you.

is that you were having a hot affair with the victim, Lily Sampson.

All my affairs are hot, detective.

Answer the question.

We were involved.

And what was the extent of that involvement?

Well, let's just say that we knew each other's middle names, relay colors,

and we preferred approach to Sunnyside Up.

Cut the crap.

Were you having sexual relations with Lily Sampson?

Yes.

Witnesses say that you two spent a lot of time together.

She was a very beautiful woman, Detective.

Wouldn't you?

Always the wise guy.

Fabrice.

Did you and Lily ever fight?

Have conflicts?

But there is passion. There is always conflict.

Yes, we had conflicts.

Were you ever aggressive or abusive with Miss Sampson?

I would never, Amal.

She was my angel.

Did you know she was seeing anyone else?

She would not see anyone else.

She was in love with me.

I was in love with her.

You were in love with her?

Yes, I... I never told the... I never told the

woman that I loved her. Any woman that I loved her before.

I hope you aren't planning on going anywhere for a while.

Am I a suspect, detective?

Well, let's just say you haven't been eliminated.

How very diplomatic.

Well, in that case, I must... ...return to work.

Sure, but don't wander too far off.

I'm sure we're going to be speaking again.

Perhaps, instead of judging my morality... ...maybe you could solve the

murder, huh?

Excuse me.

Clark,

Allie, you got a visitor in back. Spooked the hell out of me.

Listen, the press is hounding me on this one. You two better have something for

me soon.

Jesus. I'm sorry.

It's just that... I know. It's okay.

I'm Detective Burroughs. We spoke briefly yesterday.

This is my partner, Detective Holden. I'm sorry about your sister, Miss

Hampson. Thank you.

Thank you for coming in. It's important we ask a few questions.

I understand.

I don't think I'm going to be much help to you.

Have you been close with your sister?

Yes, and no. In the last several years, she's led a completely different life,

and we've just drifted.

Do you remember meeting a model named Kira?

Apparently she attended the same high school as you and Lily.

Yeah, Kira.

Kira was Lily's constant rival.

Lily was always in the spotlight, and Kira just resented that.

She was always trying to be one up on her.

And it got vicious on several occasions.

How so?

I remember this one time she tried to cut off a chunk of Lily's hair. And when

Lily stopped her, she tried to grab the scissors and tried to stab her with

them.

What happened?

I stopped her.

Kira was obsessed with my sister. She dressed like her. She wore hair like

her. It was really eerie.

So how did they both end up at Blanchette Models?

I don't know.

Cruel twist of fate, I guess.

And... And Kira signed up with him. And one thing led to another.

I thought Lily disliked Kira.

It was a love-hate relationship, Detective.

Very... Very dysfunctional.

Lily was so special to so many people.

She... I know this is very hard for you.

Thank you for taking the time. If there's anything I can do, you can reach

me anytime.

You gonna be in town for a while?

A while.

Thank you.

These are my numbers.

You call us when you get settled. Let us know where you are.

We can keep you apprised if we find out anything new.

Okay.

I will.

Hello, knight in shining general order.

I was just trying to be a gentleman.

I know exactly what you're trying to do, Clark.

Yeah.

What about you? Looked like you and our other prime suspect were about ready to

rip each other's clothes off. Not a chance. I don't mix.

Huh.

Right.

Well, I'm going to go back to Blanchette Models. Try to run down a few hunches.

Maybe you could track down Patricia.

Catch up with you about seven, Big Harry?

On the dot, Clark.

Oh. Oh.

Oh.

Jesus Christ, Detective!

Come in.

What can I do for you?

I need to ask you a few questions about Kira, and I need to speak with her as

well. Kira's book today.

Ms. Blanchett, were you aware that Kira and Lily attended the same high school?

No, I wasn't.

I don't know every detail about my girls.

Did Kira ever display any aggressive or obsessive type behavior?

Feelings of jealousy?

Rivalry?

Well, all models have a competitive spirit.

It's a healthy and necessary part of survival in this business.

Miss Blanchette, there is a strong distinction between competition and

overly... I hope you're not thinking Kira had anything to do with Lily's

death.

Well, she didn't.

There's no way.

She doesn't have a vicious bone in her body.

You know who you really should be talking to?

Who?

Fabrice.

He has a reputation for being temperamental and abusive.

A model has returned with stories on one or more occasions.

Thank you for your advice, Miss Blanchett, but I still need to speak

with Kira. When can I expect her? I don't know.

I never know how long these shoots last.

Well, then perhaps I should visit her on the set.

No.

Please don't interrupt her work.

I'll call you the minute she returns, I promise.

One other thing.

I saw some suitcases coming in. Are you going somewhere?

Yes, I am.

I'm taking the Red Eye to Paris tomorrow evening. I have meetings there for two

days.

Then I'll be back.

You know, I need numbers of where you're going to be.

And if you don't get me Kira before you go, well, Ms. Blanchett, you aren't

going.

Thank you for your time.

Hey, Lou. Thank you for being on time.

Oh,

yeah, sure. Whatever you want.

Could you stay over there?

Sure. How's this?

It's fine.

All right. Okay. Let me get... Ooh, I like that.

Okay. Take your shirt off for me, okay?

Miss Bouchard, you trying to take advantage of me?

Maybe. All right.

Ooh, I like that.

Okay, all the way, all the way, come on. You got it.

So we're done yet?

Yeah, yeah we are.

I feel so free.

Spirit's my.

It's just me.

Not wasting time.

Feeling this transformation.

Coming on.

From inside.

I want to take that back.

Can't seem to hide it.

I wanna fly On a secret away

Into the night I wanna fly

On a secret away Into

the night Wanna take that ride I

can't seem to hide it

Yeah.

Yeah. Hey.

Oh, I feel so free.

Spirit's my night.

It's just me.

I want to take that ride.

I want to take that ride.

Into the night

CUTE SANDER

I'm sorry for dropping in like this. It's just... It's okay.

Can I get you anything? Coffee?

No, no, I'm okay.

I'm just having a really hard time dealing with this.

This can't be easy.

No, I just, I can't believe she's gone.

She's all the family that I had.

What happened to your parents?

Well, my mom passed away when I was 16, and I never knew my father.

I'm sorry.

It's okay.

Lily was the one who took it really hard when my mom died.

But that's when she decided to pick up and go to L.A.

Listen, I want you to call this guy, okay?

He's helped me through some really, really tough times.

Tell him I sent you. He'll see you today.

Okay. Thank you.

Well, I'm going to get going now.

I just, I would like to check up on you and make sure that you're okay later.

That's okay.

Yeah, I'd like that.

I'll be staying at the mansion in Lily's room.

I am so sorry. I am never late.

I just couldn't leave.

Relax. You look flustered. You okay?

Couldn't leave what?

I need a drink.

Bartender, can I have a beer, please?

I thought you didn't drink, Holden.

That was yesterday.

Anyway, I went to Fabrice's studio, and no one was around, so I B&E'd.

Nice. I was sniffing around, and Patricia came back, so I had to hide.

And she was with someone.

She was with someone?

Actually,

I don't want to talk about it.

Really? That good?

Really.

So did you find Kira?

Not yet. She's on location.

Liz says she's on it.

She got a little edgy when I asked to see Kira. Something's going on, but I

can't put my finger on it. Oh, and Liz is leaving. Prepare us. Okay.

So let's take stock.

We have four possible suspects.

Fabrice, no motive yet.

Patricia, probably not.

Kira, who tried to harm the victim and has an alibi dependent on Liz.

And Liz's alibi is dependent on Kira.

Maybe Liz was trying to protect Kira when I spoke with her today.

Maybe she's worried about losing a cash cow.

Maybe. I'm not sure if I bought Fabrice this morning. How about you? I'm so glad

to hear that, Ellie. I thought you were falling for him.

Well, I think he's due for another visit.

I have an idea how to get some quick information.

Well, good. Let's go.

Actually, I'd like to handle him myself.

I think he responds better to members of the female persuasion.

Can you use the little leg, Holden?

I beg your pardon?

You know what I mean.

Clark, don't ever assume that I would use my skirt and trade for information.

I'm a cop.

My mistake. I'm sorry. I was just joking.

I like this song.

Can you dance with me?

What's

up?

What made you join SU?

My dad was in law enforcement, and I wanted to follow in his footsteps.

He wanted me to take it farther, so I joined SU.

Six years of intense, really interesting work.

Then my mother passed away about a year ago, and I realized I wanted to spend

more time with him.

Daddy's little girl.

Always.

Boy, too.

What do you know?

We do have something in common, after all.

My dad was a cop, too.

Oh.

He died in line of duty six years ago.

God, I'm sorry.

Me, too.

He was a good man.

He was a good father.

He was also my partner, which has made it a little tough having to accept

another partner.

Listen, I know I can be pretty abrasive sometimes. Hey, Allie.

You got style.

I don't know if you got substance yet.

Definitely got style.

Thanks, I think.

It's a compliment.

Shake? Buy me another drink, partner, and we'll seal the deal.

What are you so happy about?

Oh, nothing.

Nothing, Daddy. Just thinking about the case.

So everything is going well, huh?

That's great.

You know, I am really hungry.

Where do you want to go eat?

I'm sorry, I can't tonight.

Got a couple things I want to check on.

Catch up later?

Sure.

Don't work too hard.

Hey. What are you doing?

It's over, Clark.

What?

Do me a favor.

Just keep it out of the office, okay?

Oh, and by the way, my name is not Lily.

May I come in?

I was wondering when you would be at my door.

You're very assuming.

No.

Just, uh, no women.

Do you like some wine?

Quite a storm, huh?

Yeah, it reminds me of being back home.

I'm kind of glad you came tonight. Everybody else is gone.

Well, I said I would.

Did I come at a bad time?

Looks like you're getting ready to take a bath.

No, no. Just go wait in there. I have to go shut off the water. I'll be right

back.

So, to what do I owe the pleasure?

There's something I'm not clear on.

Oh, I see.

So this is, uh, official business.

Yes.

And now.

You know, Ali, you're a beautiful, sensual

woman.

But you hold it inside.

You need, uh...

You need someone to release it.

Oh.

And you think that someone is you?

It's what I do best.

Let's stick to the topic here, Fabrice.

I'm not going to be charmed like every woman you meet.

You know, an old friend of mine said to me, thou dost for death too much.

Until you're heat, Ellie.

Stop it.

You must be here for a reason.

Yes.

I don't buy that you loved Lily.

I mean, she's barely gone and you're already trying to make love to another

woman.

I will always love Lily.

The thing is, I have accepted her.

Life is to be lived.

You are very much alive.

I'm really glad you came over tonight.

Because I didn't want to be home alone.

You're special.

Like her, you know?

What do you mean by that?

You said she was special, that she had a way of making people feel happy.

So do you.

You feel really good being around you.

Here's a toast.

To what?

Just wanted to thank you for being there for me.

Sure.

Properly thank you.

I'm going to show you how sincere you are so that you will believe

and never not do it again.

Faris, I don't think it's a good idea. I told you, Ellie.

Go.

I can't let anyone see it.

No one will see it.

You'll watch it afterwards and then I'll write it.

I promise you.

Keeping an eye on you.

Better watch what you do.

When you're naughty, when you're nice, when you're up against the wall, I'll be

keeping an eye on you.

Better watch your step.

Gonna make you pay no matter what you do.

I'll be keeping an eye on you.

I'll be keeping an eye on you.

Undercover All the way Undercover

Every day Under the window

Feel the pain I can see what you do

Cause I've been watching you Every night and every day Don't try

and get away

Undercover All the way

Huh?

Undercover all the way.

Undercover every day.

When you're a criminal, you will pay.

I can tell you what you do.

Cause I've been watching you every night and every day.

Don't try and get away.

Undercover.

I will catch you. And

I'll be there.

That's how I'll stay.

Every day.

When you're a criminal, you will pay.

I can see what you do.

Cause I've been watching you every night, every day.

I'm gonna try and get away.

Undercover.

Undercover.

Lisa,

I'm sorry. I gotta listen to my messages and check up on my partner.

Isn't there someplace private I can go?

Yeah, you can use the phone in Liz's office.

I'll be right back.

Alright,

now I'm going to show you just what an incredible woman you are.

Hmm.

What?

It's off.

That must mean that the tape ran out.

Which means it was close to the end.

Perhaps it did not capture you for once.

Maybe just a part of it.

For my sake, hopefully didn't catch any of it.

You know you want to see this.

Come on.

Let's see what we have.

Stop, what was that?

Put that forward.

Okay, stop.

Oh my God, this must be... Okay, take it back a few seconds.

You know what this is?

This tape is a record of the last time Lily and I were together.

Patricia was supposed to film it, but she never showed up. So it can't do.

And forgot all about it.

And the tape played all the way through to the end.

Then one of the guys must have rewound it a few seconds.

Saw the bed and the empty room and thought it was nothing.

Right.

Okay. Play it forward now.

I do too. It's Liz.

I found the murder weapon.

And I got her at the scene with the gun on video. Sound of the shots,

everything.

Clark, when is she going to catch that flight to Paris?

She's on an 1145.

Good. Then I think we have time. We're going to get her. Meet me at the

station. You got it.

I need that tape.

I, uh...

I removed the love scenes if I did.

Thank you.

It's enough that I'm no longer a suspect.

Am I going to see you again soon?

I need to go.

I wish I could have been there.

Stopping at 747 on the runway. Boarding a plane. Very glamorous.

Well, at least we got her.

I'll drink to that.

Simple case of jealousy.

In love with that photographer.

Didn't like the fact that he fell for one of her girls and murdered her top

moneymaker. So I guess love is more important than money.

Good point.

Well? Well?

Excuse me for breaking up this little interlude, but I just wanted to

congratulate the two of you.

So do I get any hugs around here, or is he entitled to all of them, huh?

I'm dead.

When were you going to tell me that you were the boss's daughter?

I wasn't.

You know, Clark, I was thinking of making you and Allie permanent partners,

but maybe that's not too good right now.

Permanent? Yeah, it seems that you two work really well together.

Of course, after what I've just seen here, maybe you two want to be another

kind of partner.

So, what's it going to be?

Do you want to be partners, or do you want to be partners?

The first, you know?

Yeah, partners.

Okay, then.

Partners it is.

Hey, bartender, we need a little more here.

Sit and relax.

Have one on me.

I'm here for you anytime.

For company.

It's on the house.

In the heat of desire.

Lost in your eyes.

I'm on fire.

It's no surprise.

You take me high.

Your shelter from the storm.

We could take some special time.

Keep each other warm.

It's on the house in the heat of desire.