Original subtitles

(people chattering)

(boy #1) HIKE.

(feet shuffling)

(boy #2) STOP IT!

(boy laughing)

(boy #3) GO!

(boy grunting)

(boy #4) WHAT'S UP, BOYS?

(people chattering)

ALL RIGHT, LET'S GO.

(boy #5) LET'S GO. BREAK.

HIKE.

(boys laughing)

(chattering continues)

(boy #6) HEY, NATHAN.

(car engine humming)

(crashing)

(creaking)

(tires screeching)

(Dad) WHAT? HEY, WHERE ARE YOU GOIN'? COME HERE.

OH, MY GOD, DAD.

GET IN THE CAR.

YOU'RE GONNA BE LATE FOR SCHOOL. COME ON.

MOM'S GONNA KILL YOU.

WHAT?

WHAT ARE YOU DOING?

DAD, I'M DRIVING.

NO, GET OUT OF THE CAR, DAD.

(car door closing)

(sighing)

WHAT?

GET OUT OF THE CAR.

SEAT BELT. YEAH. YEAH.

WHAT'S THE BIG DEAL?

CAN YOU JUST GET IN THE CAR, PLEASE?

(sighing)

(grunting)

(engine starting)

(sniffing)

LET'S GO HUNTIN'.

WANNA GO HUNTIN' THIS WEEKEND?

YEAH, OK. LET'S GO HUNTIN'.

WHERE ARE WE GOIN' HUNTIN'?

YOU CAN USE THAT OLD JAP 243

THAT GRANDPA BROUGHT BACK FROM TRUK.

FROM WHERE?

TRUK ISLANDS, THE SOUTH PACIFIC.

ADMIRAL HALSEY, WORLD WAR II.

OH, YEAH, RIGHT.

I WAS THERE.

YOU'VE BEEN THERE, RIGHT, DAD?

NO.

(sniffs)

HEY, CAN I TAKE YOUR GUYS' PICTURE?

WHY?

I'M JUST, LIKE, DEVELOPING MY PORTFOLIO RIGHT NOW,

DOING RANDOM PROJECTS.

WHAT'S A PORTFOLIO?

IT'S WHEN YOU— WHEN YOU PUT, UM, TOGETHER PICTURES,

YOU KNOW, TO PRESENT YOUR WORK.

GET INTO GALLERIES, STUFF LIKE THAT.

WHAT KIND OF WORK?

ANYTHING. LIKE, PORTRAITS MAINLY.

LIKE, NAKED PEOPLE?

NO. NO?

WANT US TO GET NAKED WITH YOU,

TAKE OUR PICTURE?

NO, NO. NO, NO.

I'M NOT FOR THE OUTDOOR-NAKED THING.

PUBLIC NUDITY IS— NO.

SO, NO, WE WON'T DO THAT.

ALL RIGHT, MAN. ALL RIGHT.

YEAH? OK, GOOD. GOOD.

YOU'RE TOO KIND.

ALL RIGHT, LET'S GO.

BE A LITTLE HAPPIER. COME ON. YEAH.

YEAH, THERE YOU GO.

YEAH, KIND OF— KIND OF LOOK AWAY.

MAKE A FUNNY FACE, YOU KNOW.

ONE MORE.

YEAH, GOOD. KEEP WALKING. KEEP WALKING.

MAYBE ONE KISS.

OH.

PERFECT. ALL RIGHT, WELL, I ACTUALLY GOTTA GET TO SCHOOL. SO—

OK. MY NAME'S CAROLINE.

NICE TO MEET YOU. I'M ELI.

NICE TO MEET YOU, TOO.

WHAT'S UP?

OK, I'LL GIVE YOU GUYS A PRINT

THE NEXT TIME I SEE YOU, OR WHENEVER.

I'LL TRY AND MAKE ONE TODAY.

ALL RIGHT. SEE YOU LATER, MAN.

ALL RIGHT. LATER.

(sniffs)

(car approaching)

ALL RIGHT, DAD, YOU STAY HERE.

PAUL WILL COME PICK YOU UP.

(grunting)

DAD, JUST STAY IN THE CAR. I GOTTA GO.

JUST STAY IN THE CAR, PLEASE.

(sighing)

(coin clinking)

(dialing)

HEY, PAUL? YEAH, IT'S JOHN.

YEAH, DAD'S DRUNK AGAIN. NO—

SO, MR. McFARLAND…

HI, MR. LUCE. I'M SORRY I'M LATE.

UH, MY—MY DAD TOOK ME OUT TO LUNCH.

I MEAN, BREAKFAST.

MEET ME IN MY OFFICE.

YEAH, I'M IN TROUBLE NOW.

YEAH, WILL YOU— WILL YOU PICK HIM UP?

I'LL LEAVE THE KEYS IN THE OFFICE.

CAN YOU DO IT, LIKE, SOON?

'CAUSE I DON'T KNOW IF HE'S GONNA STAY.

OK.

(people chattering)

(sighing)

(people continue chattering)

(girls) AND 1, 2, 3, 4, 5…

(both grunting)

(muttering)

COME ON, BOYS.

(girls) 1, 2, 3, 4,

5, 6, 7, 8, 9, 10.

(girls screaming)

5, 6, 7, 8, 9, 10.

(people chattering)

SET. HIKE!

(players chattering)

4, 5, 6, 7, 8, 9, 10.

1, 2, 3, 4,

5, 6, 7, 8, 9, 10.

1, 2, 3, 4, 5, 6…

SET. HIKE!

1, 2, 3, 4,

5, 6, 7, 8, 9, 10.

(people chattering)

5, 6, 7, 8, 9, 10.

5, 6, 7, 8, 9, 10.

1, 2, 3, 4,

5, 6, 7, 8, 9, 10.

1, 2, 3, 4,

5, 6, 7, 8, 9, 10.

(students singing)

(students chattering)

(woman chattering)

(door creaking)

(people chattering)

HE'S SO CUTE.

HEY.

HOW ARE YOU?

GOOD, AND HOW ARE YOU?

I'M DOING PRETTY GOOD. HOW WAS MATH?

(laughing)

UH, HOW DO YOU THINK?

THAT GOOD, HUH? THAT GOOD?

(laughing)

THAT'S ALL RIGHT, YOU KNOW, IT HAPPENS.

(laughing)

SO HOW'S SARA DOING? IS EVERYTHING OK WITH HER?

SHE SEEMED A LITTLE OFF LATELY.

YEAH, I GUESS SO. HOW'S SCHOOL FOR YOU?

OH, IT'S— OH, IT'S ABOUT AS GOOD AS IT COULD BE.

(laughing)

IS P.E. TREATING YOU ALL RIGHT?

OH, YEAH.

(people chattering)

UH, EXCUSE ME, MISS? WE NEED TO SIGN OUT.

(woman #1) OK.

(woman #2) THAT PICTURE WAS TAKEN IN HAWAII,

ON THE ISLAND OF MAUI.

WHAT DO YOU NEED, HON?

(people chattering)

(sighing)

GET TO CLASS.

DON'T BE LATE FOR DETENTION.

(woman #2) UH-HUH. OK, BYE-BYE.

(Nathan) EXCUSE ME, MISS? WE NEED TO SIGN OUT.

HEY, WHERE WAS THAT PICTURE TAKEN?

(woman #2) THAT PICTURE WAS TAKEN IN HAWAII,

ON THE ISLAND OF MAUI.

WOW, THAT'S REAL PRETTY.

ISN'T THAT COOL? WHAT DO YOU NEED?

I NEED TO LEAVE THESE KEYS IN THE OFFICE FOR MY BROTHER.

HE'S GONNA COME PICK 'EM UP, 11:30-ISH.

PUT THE KEYS IN THE ENVELOPE,

AND PUT YOUR BROTHER'S NAME ON THERE.

HIS NAME'S PAUL.

(men chattering)

(woman #1) BY THE WAY, WHAT TIME WILL YOU BE BACK?

UH, RIGHT AROUND 1:30.

(woman #2) 11:30 YOU SAID?

(John) YEAH, ABOUT.

OK, GREAT. ALL RIGHT, THANKS.

OH, AND, UH, DON'T FORGET TO BRING YOUR OWN STEAKS, HUH?

(woman) I'LL SEE YOU THEN.

YEAH, OK. I'M—I'M TRYING TO SAVE UP FOR MY CAR.

I'M PAYING IT OFF THIS MONTH.

SURPRISE!

(exhaling)

OH, HELLO.

HI.

WHAT'S WRONG?

NOTHIN'.

YOU WERE CRYING.

YEAH.

IS IT SOMETHING BAD?

I DON'T KNOW.

I'LL SEE YOU LATER. I HAVE TO GO

TO A GAY-STRAIGHT ALLIANCE MEETING.

OK. BYE.

(man chattering)

(people laughing)

HI, ACADIA, HOW YOU DOING? ALL RIGHT.

SO WE WERE TALKIN' ABOUT

WALKIN' DOWN A STREET BEING GAY.

WHAT DO YOU THINK ABOUT THAT?

HOW CAN YOU TELL?

(boy #1) OR—OR CAN YOU TELL?

GOOD QUESTION.

(boy #2) SEE, THAT'S THE THING. I DON'T THINK YOU CAN.

WELL, I THINK IN SOME SITUATIONS YOU CAN TELL

AND I THINK THERE ARE SITUATIONS WHERE PEOPLE WANT YOU TO KNOW.

(group leader) WHAT MAKES YOU THINK YOU CAN TELL?

I MEAN, IF SOMEBODY WANTS YOU—

(boy #1) IF SOMEONE HAS…

(stuttering)

… PINK. DYED PINK HAIR, UH—

I MEAN, WAIT, WAIT, WAIT. WHAT DO YOU THINK ABOUT THAT?

I KNOW IT IS, BUT, COME ON, WHAT DO— WHAT DO YOU THINK ABOUT THAT?

(girl) I DON'T— I DON'T THINK THAT WEARING PINK

INDICATES YOUR SEXUAL ORIENTATION NECESSARILY.

YES, A LOT OF MEN WEAR PINK.

IT IS A LOT, YEAH.

LIKE RAINBOW NECKLACES.

I MEAN, IF YOU HAVE, LIKE,

TONS OF RAINBOW PARAPHERNALIA AND LIKE—

(group leader) JUMP IN ON THIS. SAY SOMETHING.

HELP THEM OUT HERE A LITTLE BIT.

COME ON.

(boy #3) DID YOU GUYS SEE THE COVER STORY

ON THE OREGONIAN ABOUT THE GAY RAMS?

OH, YEAH. SEE, THIS IS A GOOD TOPIC HERE.

GO AHEAD.

BECAUSE APPARENTLY THE FARMERS CAN'T TELL

IF THE RAMS ARE GAY OR NOT.

SO YOU GET A RAM TO BREED

AND, YOU KNOW, AND IT'S NOT,

SO THEY WASTE A LOT OF MONEY.

SO THEY'RE DOING ALL THIS RESEARCH.

YEAH, WELL, THEY SPEND, LIKE, $10,000 ON A RAM.

(group leader) THAT'S A LOT OF MONEY FOR ONE RAM, YOU KNOW. BUT—

(boy #4) BUT THE SCARY THING IS,

IF THEY KNOW WHAT CAUSES HOMOSEXUALITY,

IS THAT SOMETHING THEY COULD CHANGE,

IS THAT SOMETHING YOU COULD, LIKE, REMOVE?

(boy #5) THERE'S ALL THIS WEIRD POLITICAL STUFF AROUND IT.

(boy #6) I DON'T THINK WE'RE TALKING

ABOUT, LIKE, THE CHANGE, NECESSARILY.

I THINK WE'RE TALKING ABOUT

IF WE NOTICE SOMEBODY WALKING DOWN THE STREET,

IF WE CAN TELL THEY'RE GAY. I DON'T THINK YOU CAN.

I MEAN, HOW IN THE WORLD ARE WE GONNA KNOW THEIR SPIRIT?

NOW, IF THEY WEAR ONE OF THOSE BRACELETS,

YOU KNOW, THE RAINBOW AND STUFF, THAT'S A GIVER.

(boy #7) SOMEBODY WALKING ON THE STREET,

ALL DRESSED UP, WEARING HIGH HEELS—

(girl #1) RAINBOW BRACELETS

DON'T NECESSARILY MEAN THAT YOU'RE GAY.

I'VE NEVER SEEN ANYBODY WEAR ONE THAT ISN'T GAY.

(girl #1) UM, ME, FOR EXAMPLE.

WHY, AND THEN, SO, AND THEN WHY, WHY WOULD IT EVEN MATTER?

I MEAN, YOU'RE WEARING A BRACELET AND YOU'RE NOT GAY.

AND, YOU KNOW, WHO CARES EITHER WAY?

(woman) WHAT TIME WILL YOU BE BACK?

UM, RIGHT AROUND 1:30.

OK.

OK, NOW HERE'S THE DEAL.

AARON AND I AND SOME OF THE OTHER BOYS,

UH, WE'RE GONNA GO FOURBYING, UH, LATER TODAY.

AND WE WERE WONDERING

IF MAYBE YOU WOULD LIKE TO BRING SOME OF THE GIRLS ALONG.

DON'T YOU REMEMBER WHAT HAPPENED LAST TIME?

OF COURSE I REMEMBER. HOW COULD I FORGET?

WITH SARA AND JESSICA?

WELL, SARA AND JESSICA, THEY'RE…

OH, DON'T BE MEAN.

I NEVER TEASE YOU ABOUT JASON

AND HIS HOT DOGS, OR WHATEVER.

JASON— WELL, OK, THAT WAS AN ISOLATED INCIDENT.

YOU KNOW, THAT'S COMPLETELY DIFFERENT.

BESIDES, I DON'T KNOW IF I CAN GO.

I DON'T KNOW WHAT TIME I'LL GET HOME.

OH, HOME FROM THE APPOINTMENT?

YEAH. YEAH.

UM, DOES THAT, BY ANY CHANCE,

HAVE TO DO WITH, YOU KNOW,

WHEN WE WENT CAMPING, YOU KNOW, 2 OR 3 WEEKS AGO?

I DON'T KNOW. IT—IT COULD BE ANYTHING.

COULD BE ANYTHING?

YOU KNOW WHAT? YOU DON'T HAVE TO WORRY ABOUT IT. YOU KNOW WHY?

BECAUSE WE'RE GONNA BE HAVING A BLAST FOURBYING AS LONG AS…

YOU GOTTA PROMISE TO SHOW UP.

(John) HEY, ELI!

HEY, WHAT'S UP, JOHN?

HOW'S IT GOING? PRETTY GOOD.

WHAT ARE YOU DOING?

JUST TAKING PICTURES.

CAN I TAKE A PICTURE OF YOU?

YEAH, SURE.

(bell ringing)

OK, READY? 1, 2, 3.

NICE.

ALL RIGHT. HEY, I'LL SEE YOU LATER.

HEY, YOU GOING TO THE CONCERT TONIGHT?

NO, I CAN'T. MY PARENTS ARE BEING BITCHES THIS WEEK.

OH, THAT'S RETARDED. THAT HAPPENS.

ALL RIGHT. I'LL SEE YOU.

(people chattering)

BOOMER!

BOOMER, COME HERE.

(laughing)

HEY, WHAT ARE YOU GUYS DOING?

GET THE FUCK OUT OF HERE AND DON'T COME BACK.

SOME HEAVY SHIT'S GOING DOWN.

WHAT ARE YOU DOING?

(male student) WHEN THE ELECTRONS

JUMP FROM ONE ORBITAL TO, LIKE, ANOTHER ONE,

WHAT—WHAT DOES THAT DO?

I MEAN, WHAT'S THE DIFFERENCE BETWEEN THE ORBITALS?

WELL, THE ORBITALS DIFFER IN ENERGY.

THE ORBITALS, WHICH ARE AREAS IN SPACE

AROUND THE NUCLEUS,

THE ONES THAT ARE CLOSER TO THE NUCLEUS, THOSE ARE LOW ENERGY,

AND THE ONES THAT ARE FURTHER AWAY ARE HIGHER ENERGY.

SO WHEN WE PUT ENERGY INTO THE, UH, THE ATOM,

IT KICKS THESE ELECTRONS OUT

FURTHER AWAY FROM THE NUCLEUS,

AND PRODUCES A HIGHER— YES?

AFTER YOU PUT THE ELECTRICITY

INTO THE TUBE FULL OF THE ELECTRONS,

LIKE, AFTER THEY'RE LIT UP, DO THEY STAY LIT UP

OR CAN THEY RUN OUT OF ENERGY?

GOOD QUESTION. WHAT THEY DO, UH,

IS THEY WILL SIT UP IN THIS HIGHER ENERGY STATE

AND THEN DROP DOWN AGAIN.

AND WHEN THEY DROP DOWN, THEY EMIT LIGHT.

(sighing)

(people chattering)

WHAT ARE YOU WRITING?

OH, THIS? YEAH.

IT'S MY PLAN.

FOR WHAT?

OH, YOU'LL SEE.

(all chattering)

HEY, HOW ARE YOU?

HEY, ELI, WHAT'S UP?

NOT MUCH. I'M JUST GONNA GO

TO THE DARKROOM AND STUFF, SO…

OH, YEAH. WATCH OUT FOR MR. ROBERTSON'S CLASS.

YEAH, I KNOW. NO KIDDING.

ALL RIGHT, WELL, I'LL SEE YOU LATER.

OK. BYE.

HI, ELI, HOW YOU DOING?

PRETTY GOOD, ACTUALLY. HOW ABOUT YOU?

FINE.

HEY.

(humming Deck The Halls)

(clattering)

(clattering continues)

(gym teacher) MICHELLE, MICHELLE, LOOK, WE'VE GOT TO TALK

ABOUT THIS GYM CLOTHES PROBLEM.

THIS IS, UH, THIS IS NOT GONNA DO IT, THESE LONG PANTS.

EVERYBODY ELSE IS WEARING SHORTS.

WHAT'S THE MATTER?

I DON'T WANT TO TALK ABOUT IT.

I DON'T WANT TO GIVE YOU A MARK AGAINST YOU, EITHER.

BUT I'M GOING TO HAVE TO DO IT

IF YOU CAN'T SHOW UP IN SHORTS

LIKE YOU'RE SUPPOSED TO.

LOOK, I WON'T DO ANYTHING ABOUT IT THIS TIME,

BUT TOMORROW, I WANT TO SEE THOSE SHORTS.

OK!

WOW.

(pouring liquid)

(draining liquid)

(girls chattering)

(girl #1) THERE'S THAT NERD GIRL

WHO SITS BEHIND YOU IN MATH CLASS.

(girl #2) THAT ONE RIGHT THERE?

(girl #1) OH, YEAH. HER.

(girl #1) GREEN PANTIES?

(girls continue chattering)

(girl #2) YEAH, SHE DOES SMELL.

(girls continue chattering)

LOSER.

(clock chiming)

(door creaking)

(sighing)

(Eli) WHERE'D YOU TAKE THAT AT?

THE BLEACHERS OUTSIDE.

PRETTY BLURRY, THOUGH.

(girl) WHAT'S THAT?

IT'S A RIP IN HIS SHIRT.

OH, I THOUGHT IT WAS COMING OUT OF HER HEAD.

NO.

NO, I TOOK THAT OUTSIDE AT THE PARK EARLIER.

REALLY?

(pouring liquid)

THAT'S PRETTY. WHERE'D YOU TAKE THAT AT?

AT MY HOUSE.

THAT'S MY LIGHT ASSIGNMENT.

GREAT CONTRAST.

I LIKE HOW YOU CAN BARELY SEE THE FENCE RIGHT THERE.

MMM-HMM.

(liquid splashing)

I THINK I'LL MAKE ANOTHER PRINT, THOUGH.

IT CAME OUT TOO LIGHT.

YEAH, YOU SHOULD— YOU SHOULD BURN IN RIGHT HERE.

(people chattering)

(John) HEY, ELI.

HEY, WHAT'S UP, JOHN? HOW'S IT GOING?

GOOD, HOW ABOUT YOU?

PRETTY GOOD. WHAT ARE YOU DOING?

JUST TAKING PICTURES.

CAN I TAKE A PICTURE OF YOU?

YEAH, SURE.

(bell ringing)

OK, READY? 1, 2, GO.

NICE.

ALL RIGHT, I'LL SEE YOU LATER.

HEY, YOU GOING TO THE CONCERT TONIGHT?

NO, I CAN'T. MY PARENTS ARE BEING BITCHES THIS WEEK.

OH, THAT'S RETARDED. THAT HAPPENS.

ALL RIGHT. SEE YOU.

(people chattering)

(male librarian) COME ON OUT HERE.

I GOT A JOB FOR YOU HERE. YOU CAN TAKE THESE BOOKS

AND YOU CAN RESHELF THEM RIGHT OVER THERE,

IF YOU WOULD, PLEASE.

(Michelle) OK.

I'LL BE HERE IF YOU NEED ME.

(trolley squeaking)

(girls chattering)

(Brittany) I DON'T KNOW. THAT'S WHAT THEY TOLD ME.

I DON'T KNOW. I MEAN, IT'S REALLY HARD TO DECIDE.

YEAH, I KNOW. I KNOW.

I MEAN, THE MONEY'S REALLY NICE, BUT…

HE'S SO CUTE.

DID SHE SEE YOU? DID WHO SEE ME?

DID SHE SEE YOU?

WHO?

HER. HIS GIRLFRIEND.

HE HAS A GIRLFRIEND? SINCE WHEN?

YOU DIDN'T KNOW THAT?

NO, I DIDN'T. A LONG TIME.

ARE YOU JOKING?

I HOPE SHE DIDN'T SEE YOU.

SHE'S NOT GONNA DO ANYTHING.

SHE HIT A GIRL LAST TIME FOR THAT.

HIT A GIRL?

SHE SLAPPED A GIRL.

NO WAY. MMM-HMM.

SHE SMILED, HE SMILED, AND SHE SLAPPED HER.

OH, MY GOSH, I CANNOT BELIEVE THAT.

ARE YOU JOKING? I SAW IT.

WHY WOULDN'T SHE SLAP HIM?

BECAUSE—

IT'S NOT THE GIRL'S FAULT.

ALL GIRLS DO THAT.

JUST LIKE IN THE MIDDLE OF THE HALL?

YEAH. AFTER SCHOOL LAST FRIDAY.

WOW, I AM SO TIRED.

I HAVEN'T BEEN GETTING ANY SLEEP LATELY,

'CAUSE EVERY MORNING, I WAKE UP

AND MY MOM'S GOING THROUGH MY STUFF.

GOING THROUGH YOUR STUFF?

YEAH, YEAH.

COMPLETELY, LIKE, RUFFLING THROUGH MY COVERS AND LIKE—

YOUR COVERS? YEAH.

LIKE, WHAT WOULD I HIDE THERE?

WHAT AM I GONNA BE HIDING?

I DON'T KNOW. DIDN'T YOUR MOM USED TO DO THAT TO YOU?

YEAH, SHE DID THAT LIKE A COUPLE OF DAYS AGO.

SHE STARTED GOING THROUGH IT, AND I WAS LIKE:

"DON'T GO THROUGH MY SHIT. I DON'T GO THROUGH YOURS."

THAT'S CRAZY!

"IT'S NOT LIKE YOU OWN MY STUFF. I DON'T OWN YOUR STUFF."

I DON'T KNOW. I MEAN, LIKE, I TALK TO HER ABOUT IT,

AND SHE'LL BE LIKE, "OK, I'M SORRY. I WON'T DO IT ANYMORE."

YEAH, I THOUGHT YOU GUYS SMOOTHED IT ALL OUT.

AND THEN ALL OF SUDDEN, I'LL COME HOME, AND SHE'S IN MY ROOM.

THEY THINK IT'S THEIR JOB BECAUSE THEY'RE THE PARENTS OF THE HOUSE.

YEAH, I'M SICK OF IT. I WANT OUT OF HERE.

I'M SO READY TO GO TO COLLEGE.

YEAH, I WANNA OUT OF HERE.

ONLY ONE MORE YEAR, THOUGH, YOU GUYS.

ONE MORE YEAR. COUNT IT DOWN.

(chuckling)

COUNT IT.

(sighing)

WHAT TO EAT?

I CAN'T WAIT TO GO OFF CAMPUS.

(woman) CAN I HELP YOU?

CAN I HAVE A MILK?

OH, WAIT, NO, I THINK I WANT A CAPRI SUN.

CAN I HAVE A JUICE?

I'LL HAVE THAT MILK, ACTUALLY. THANKS.

(woman) JUICE. THIS ONE.

YEAH. THANKS.

WHAT DO I WANT?

NONE OF IT LOOKS THAT GOOD.

(chuckling) IT NEVER DOES.

SOME KIDS LIKE THIS STUFF.

THANK YOU.

(Brittany) I KNOW, THEY COME BACK FOR, LIKE, SECONDS AND THIRDS.

THEY JUST KEEP COMIN'?

(Nicole) THANK YOU.

(Brittany) I DON'T WANNA EAT THIS STUFF.

SALADS?

YEAH, SALAD IS FINE.

PSST.

(utensils clattering)

(girls chattering)

NOT WHERE WE SAT LAST TIME. I DON'T LIKE THAT.

IT'S TOO CROWDED. LET'S GO TO THE BACK.

WHERE'S A TABLE NOBODY'S SITTING AT?

WHERE'S YOUR SALAD DRESSING?

I DON'T EAT SALAD DRESSING ANYMORE.

YOU DON'T? I THOUGHT YOU LOVED IT.

NO, I HATE IT. I USED TO LIKE IT,

AND THEN I TRIED ONCE WITHOUT IT.

I CANNOT STAND IT WITHOUT.

YOU KNOW IT HAS FAT? YEAH.

YOU KNOW SALAD DRESSING HAS 20 GRAMS OF FAT IN IT?

SHUT UP.

IT'S NOT LIKE IT STAYS IN US ANYWAY.

(Nicole) I CAN'T BELIEVE YOU JUST SAID THAT.

WHAT IF SOMEBODY HEARD YOU?

(Brittany) IT'S THE TRUTH.

IS THAT JOHN?

WHAT IS HE DOING?

(Jordan) IS THAT A DOG? OH, IT'S SO CUTE!

I DIDN'T KNOW HE HAD A DOG.

WHY WOULD HE BRING IT TO SCHOOL IF HE DID HAVE A DOG?

I HAVE NO IDEA.

MAYBE HE JUST FOUND IT.

WOW!

(sighing)

OH!

YOU GUYS WANT TO GO SHOPPING TODAY?

OH, THAT SOUNDS LIKE FUN.

I DON'T KNOW. BEN WANTED TO DO SOMETHING.

ARE YOU JOKING ME?

WHAT?

THIS IS, WHAT, THE 5TH DAY IN A ROW

THAT YOU'RE NOT HANGING OUT WITH US.

YOU GUYS, I— IT'S LIKE, HOW MUCH TIME DO YOU WANT?

PUT A NUMBER ON IT.

I DON'T EVEN WANT TO TALK ABOUT IT.

YOU SPEND SO MUCH TIME WITH HIM.

YOU GET, LIKE, 75 TO 85 PERCENT OF MY TIME.

YEAH, RIGHT. MORE LIKE 20.

YOU DO!

SCHOOL, AFTER SCHOOL… MAYBE.

YOU KNOW, YOU CAN'T HAVE BOTH WEEKENDS.

I NEED TO SPLIT IT A LITTLE MORE EVENLY.

WE'RE NOT JUST PEOPLE TO BE PUSHED OUT OF THE WAY.

I'M NOT SAYING THAT.

BUT I'M SAYING THAT YOU'RE BOTH VERY IMPORTANT TO ME.

I'M SUPPOSED TO BE YOUR BEST FRIEND AND YOU PUSHED ME OUT OF IT.

YOU GUYS ARE BOTH EQUALLY AS IMPORTANT,

BUT MY TIME HAS TO BE SPLIT UP.

WHAT DO YOU WANT? 95 AND HE GETS 5?

I DON'T WANT TO BE EQUALLY AS IMPORTANT.

YOUR FRIENDS ARE SUPPOSED TO BE

JUST AS IMPORTANT, IF NOT MORE.

ALL THE TIME. HAVEN'T YOU EVER HEARD THAT?

I'VE HEARD THAT, BUT IT'S DIFFERENT.

I'VE BEEN THERE FOR YOU, THROUGH EVERYTHING, THROUGH EVERYTHING.

I KNOW.

WE'VE BEEN BEST FRIENDS FOR, WHAT,

3 YEARS NOW? EVER SINCE HIGH SCHOOL STARTED.

I KNOW, I KNOW I'M WORKING.

(Brittany) I'M DONE, GUYS.

LET'S JUST GO.

WELL, I'M GOING SHOPPING.

(Brittany) SOUNDS LIKE FUN. I'LL GO.

(Nicole) I DON'T WANT TO BE THE ONLY ONE NOT GOING.

I'LL GO.

OK, I'LL GO, BUT YOU, YOU CANNOT DRIVE.

YEAH, YOU'RE NOT DRIVING.

I AM SUCH A GOOD DRIVER.

YOU ARE NOT.

YOU ARE SO MEAN. YOU GUYS CAN'T SAY THAT.

LET'S SEE, UM, HAVE YOU BEEN INTO IT?

YEAH, TOTALLY…

I DON'T— I DON'T UNDERSTAND 'CAUSE, LIKE, EVERYONE ELSE THINKS I'M A GOOD SINGER

AND A COUPLE OF WEEKS AGO, WHEN I SANG STAR-SPANGLED BANNER,

EVERYONE THOUGHT IT WAS, LIKE, REALLY GOOD.

THAT'S WHY I'M, LIKE, REALLY CONFUSED

THAT YOU WOULD SAY SOMETHING LIKE THAT.

SERIOUSLY, I MEAN, WHY?

WHY DO YOU THINK I'M SUCH A BAD SINGER?

(Jordan) DO YOU GUYS HAVE CARS?

BECAUSE I DON'T THINK YOU DO.

SO, HOW ELSE ARE YOU GONNA GET ANYWHERE?

WE'LL GO, JUST DRIVE, YOU KNOW, LIKE, 15 UNDER THE SPEED LIMIT.

YEAH, AND YOU HAVE TO HAVE YOUR HANDS AT 10 AND 2.

THAT'S NO FUN.

GO BACK TO THE BASIC RULES.

WHEN YOU GUYS GET YOUR LICENSES, YOU'LL UNDERSTAND.

WE'LL UNDERSTAND?

I JUST WANT TO LIVE TO GET MY LICENSE.

OK, YOU KNOW, WE WANT TO LIVE TO SEE THE REST OF OUR LIVES.

I'M NOT GONNA KILL YOU.

IT'LL BE IN THE NEWSPAPER—

I MIGHT RUN INTO A COUPLE OF PEOPLE ON THE WAY, BUT…

IT'S NOT FUNNY.

(giggling)

OH, MY GOSH. I'LL BE FINE., IT'LL BE FINE. WE'LL JUST GO. BUT…

THIS IS DISGUSTING.

I ATE TOO MUCH. I DID, TOO.

I ALWAYS FEEL SO FAT AFTER I'M DONE EATING.

EVERY TIME.

DO YOU EVER GET…

YEAH, THE PUDGE RIGHT THERE?

WHERE IT STICKS OUT ABOVE YOUR BELT?

AND YOU CAN'T GET RID OF IT, NO MATTER WHAT.

(sighing)

(Jordan) SO GROSS.

(girls vomiting)

(toilets flushing)

(playing Beethoven's Fur Elise)

(knocking on window)

THAT'S AWESOME.

WHAT'S UP?

(playing Moonlight Sonata)

(playing incorrect notes)

(playing discordant notes)

YOU SUCK.

(chuckling)

(wind howling)

(thunder rumbling)

(thunder cracking)

(Father) SEE YOU TONIGHT, DEAR.

(Mother) YEAH.

YOU KNOW, JARED'S GOT THE POLE THIS WEEK AND THE TRACK RECORD.

(cutlery clattering)

(Alex) WHAT'S THAT SMELL?

OH, THAT'S JUST YOUR MOM.

(Mother) YOU KNOW, YOU COULD FIND OTHER PLACES TO EAT.

I'M SURE THERE'S BETTER RESTAURANTS IN TOWN.

NO, YOU'RE THE BEST.

WANT MORE OF THESE?

NO THANKS.

(Mother) ALL RIGHT, LOCK THE DOOR.

(male television announcer) The radio has wholly taken over.

(man speaking German)

Many of the cinema's leading producers…

(Eric) WHAT WAS THAT?

know what kind of films the Nazis want.

I DON'T KNOW.

All scripts must now be vetted.

The casting of actors must be approved.

From now on, the German people will only know

what their Fuhrer wants them to know.

(man) Propaganda brought us into power.

(Eric) THAT'S A LOT OF FLAGS.

Propaganda will enable us to remain in power.

THIS WAS MADE IN GERMANY, RIGHT?

(Alex) YEAH.

Propaganda will enable us to conquer the world.

(male announcer) In his early Munich days,

Hitler had taken an old Hindu symbol,

the hooked cross, the Swastika, as the Nazi symbol.

Now he multiplies it a million times.

From the Romans, he steals the standards…

CAN YOU STILL BUY NAZI FLAGS?

SURE, IF YOU'RE A NUT.

From Mussolini, he steals the Fascist salute.

CHECK IT OUT.

The people are fed with slogans.

(man) Fuhrer, command, we follow you.

The Fuhrer is always right.

WHO'S THAT GUY?

THAT'S HITLER, RIGHT? YEAH.

(male announcer) Hitler is a man

who fears the intellect and hates all intellectuals.

So into the flames are flung the works

not only of German philosophers,

scientists, doctors, poets, playwrights, novelists,

but those of all the world.

Students as well as storm troopers obey the Fuhrer's orders.

Any culture except Nazi Kultur must be destroyed.

(van engine grinding)

(delivery man) HEY, HOW YOU DOIN'?

YOU GUYS MUST BE OUT OF SCHOOL TODAY.

YEAH.

GOOD FOR YOU.

I'LL HAVE YOU SIGN FOR ME HERE.

THAT'S GREAT. THANK YOU VERY MUCH.

MMM.

ALL RIGHT.

(Eric) SWEET. IT'S HERE.

(male announcer) At a vast meeting in Berlin,

Mussolini thanks Germany for her help

in his brutal Abyssinian War.

(man speaking German)

And the Fuhrer replies:

(Hitler speaking German)

(Eric) OH, YEAH, DUDE.

THIS IS SO AWESOME.

(male announcer) "Peace," did Hitler say?

LET'S CHECK THIS SHIT OUT, MAN.

HELL, YEAH, DUDE.

SWEET.

(cocking)

BACK UP.

WHOA, DUDE, THAT WAS AWESOME.

(panting)

HEY, ELI!

HEY, WHAT'S UP, JOHN?

HOW'S IT GOING? PRETTY GOOD. HOW ABOUT YOU?

PRETTY GOOD. WHAT ARE YOU DOING?

NOT MUCH, JUST TAKING PICTURES.

YEAH, CAN I TAKE A PICTURE OF YOU?

ALL RIGHT.

(bell ringing)

(Eli) NICE.

(John) I'LL SEE YOU LATER.

YOU GOING TO THE CONCERT TONIGHT?

NO, I CAN'T. MY PARENTS ARE BEING BITCHES.

THAT'S RETARDED.

ALL RIGHT.

SEE YOU.

HI, MICHELLE. GLAD YOU COULD MAKE IT.

PLEASE COME IN AND SIGN IN HERE, THEN COME OUT.

THERE ARE A FEW THINGS WE CAN WORK ON TOGETHER.

OK.

FIRST, IF YOU WANT TO JUST TAKE THIS CART OF BOOKS

AND YOU CAN RESHELF IT OVER THERE IN THE NON-FICTION.

OK.

I'LL BE RIGHT HERE TO HELP YOU IF YOU NEED ME.

(trolley squeaking)

(gun cocking)

(turning tap)

(shower running)

I GUESS THIS IS IT. WE'RE GONNA DIE TODAY.

YEAH.

YEAH, I'VE NEVER EVEN KISSED ANYBODY.

HAVE YOU?

(Eric) "I DON'T APPRECIATE YOU PUTTING SIGNS OUT LIKE THAT."

THE NEXT DAY, HE CALLED UP HIS FRIEND

AND HAS HIM PUT OUT ANOTHER SIGN.

AND SHE DOESN'T— SHE DOESN'T SEE IT.

AND SO HE PUTS OUT ANOTHER ONE.

UM, LIKE, RIGHT IN FRONT OF HER HOUSE,

UH, IN FRONT OF HER APARTMENT THING. IT SAYS:

UM,

UM, "TIM CAMPBELL'S WHOREHOUSE HAS BEEN SHUT DOWN."

OR "HAS BEEN PLACED UNDER NEW OWNERSHIP BY" WHATEVER HER NAME WAS.

HE COULDN'T CUT IT ANYMORE.

(Alex) ALL RIGHT, LET'S SEE THIS.

SO, WE'LL PARK HERE, RIGHT?

WE'RE GOING IN THROUGH THE SOUTH ENTRANCE, RIGHT?

THEN WE GO PAST THE TROPHY CASE THE ME— MEDAL CASE,

AND WE'LL ENTER THROUGH THE LANGUAGE LAB.

THEY DON'T USE IT ANYMORE, SO THERE SHOULDN'T BE ANYBODY IN THERE.

WE'LL GEAR UP THERE, AND THEN WE'LL HEAR THE PRIMARY EXPLOSIONS

GO ABOUT HERE IN THE CAFETERIA, RIGHT?

WHEN THAT GOES, WE SHOULD BE ABLE TO, YOU KNOW, PICK OFF KIDS

AS WE TRAVERSE THE EAST WING, RIGHT?

(guns firing)

AND THEN WE HAVE ANOTHER EXPLOSION THAT SHOULD GO OFF

HERE IN THE GYM… YEAH.

… AND HERE IN THE AUDITORIUM.

RIGHT.

AT ABOUT THAT TIME, THERE SHOULD BE KIDS FLUSHING ALL OUT IN ALL DIRECTIONS

AND WE'LL JUST BE ABLE TO PICK 'EM OFF, ONE BY ONE.

(gun firing)

(students screaming)

THEN AFTER THAT, YOU'LL HIT YOUR YELLOW LINE RIGHT HERE,

WHICH IS PLAN— YOUR PLAN B.

AND YOU'LL GO UP THROUGH MR. LUCE'S OFFICE AND TAKE CARE OF ALL THAT.

(gun firing)

FUCK!

WHILE I GO, ON THE RED LINE, UP THROUGH THIS HALLWAY

WHERE WE SHOULD HAVE THE BEST TARGETS,

YOU KNOW, LIKE, DUMB-ASS JOCKS AND SHIT.

BECAUSE WE'LL HAVE A FUCKING FIELD DAY DOWN THERE.

I MEAN, COME ON. YOU'VE GOT YOUR TEC-9 AND YOUR RIFLE,

AND I'VE GOT MY SHOTTY AND MY 223 ON MY BACK.

YEAH.

AND I GOT A COUPLE PISTOLS AND A KNIFE.

WE HAVE ENOUGH EXPLOSIVES TO LAST US ALMOST A DAY.

MOST IMPORTANTLY, HAVE FUN, MAN.

YEAH, MAN.

(turning key)

(engine starting)

HEY, WHAT ARE YOU GUYS DOING?

GET THE FUCK OUT AND DON'T COME BACK.

SOME HEAVY SHIT'S GOING DOWN.

HEY, HEY.

HEY, DON'T GO IN THERE, OK?

HEY, YOU GUYS, DON'T GO IN THERE.

I THINK SOMETHING BAD'S GONNA HAPPEN.

DON'T GO IN THERE, OK?

DUDE, WHAT THE FUCK?

DON'T WORRY ABOUT IT, IT'S PROBABLY JUST SLOW.

LET'S GO TO PLAN B.

ARE YOU SURE YOU SET IT RIGHT?

POSITIVE.

PLEASE.

HEY, SIR, DON'T GO IN.

SIR, DON'T GO IN THERE! DON'T— TRUST ME!

JUST DON'T GO IN THERE, PLEASE. DON'T GO IN!

DAD!

(gun cocking)

(Michelle) HEY, YOU GUYS—

(gun firing)

(gun cocking)

(gun firing)

(students screaming)

(gun firing)

(continues firing gun)

(student crying)

WHAT WAS THAT?

IT'S JUST BOMBS. THAT'S FINE.

NO MORE HOMEWORK, NO TEACHERS.

THAT'D BE SO COOL.

THAT'D BE NICE.

OH, HEY. HI.

HEY, WE WERE JUST TALKING ABOUT YOU.

WHAT'S WRONG?

WHAT THE HELL IS WRONG WITH YOU?

OK, THEN BE A BITCH.

WHATEVER…

WHAT A FREAK.

OH, MY GOD!

(all screaming)

(students chattering)

(boy) I THINK IF EVERYONE— MAYBE EVERYONE COULD BRING…

WELL, I DON'T DRINK, I DON'T DRINK SODA, BUT SOME PEOPLE DO—

(gun firing)

(Nate) WHAT WAS THAT?

FIRECRACKER. DON'T WORRY ABOUT IT. IT'LL BE OK.

NATE, COME, SIT DOWN. JUST SIT DOWN.

LET'S FINISH THIS. LET'S FINISH THIS.

OK NOW, WE TALKED ABOUT WHAT WE'RE GONNA DO—

(girl screaming)

NATE? NATE, COME ON, GET UP, NATE.

NATE.

NATE.

GET UP.

NATE, COME ON, NATE.

(girls crying)

(girl) SOMEBODY CALL AN AMBULANCE!

(boy) WE SHOULD GET OUT OF HERE.

NATE, NATE, NATE.

LET'S GO OUT THE WINDOW. COME ON, GUYS.

(boy chattering)

(boy) HERE WE GO, LET'S GO.

(gun firing)

(Mr. Luce yelling)

COME ON, LET'S GO, NOW!

IT SOUNDS CLEAR. GO!

DOWN THE HALLWAY, DOWN THE— TO THE BAND ROOM EXIT!

HEY, MR. LUCE.

ERIC.

WHY ARE YOU DOING THIS?

ERIC, PUT THE GUN DOWN.

I AIN'T PUTTING SHIT DOWN!

PUT THE GUN DOWN, WE'LL TALK ABOUT THIS.

SHUT UP!

DAD.

THE SCHOOL'S ON FIRE.

ARE YOU ALL RIGHT?

YEAH, WHAT'S GOING ON?

I SAW 2 GUYS COME IN THE OTHER SIDE.

HOLY COW!

THEY HAD BIG BLACK BAGS AND CAMO GEAR ON.

MY GOD.

WHERE DID YOU GO?

I JUST…

I'M SORRY. OH, MY GOD!

(Eric chattering)

(Eric) YEAH, YOU DID,

AND I SHOULD SHOOT YOU RIGHT NOW FOR IT,

YOU KNOW I SHOULD.

BUT I THINK I JUST MIGHT LET YOU LIVE,

MAYBE, BECAUSE I WANT YOU TO REMEMBER THIS.

AND THE NEXT KIDS THAT COME UP TO YOU WITH THEIR PROBLEMS,

THAT THEY'RE BEING PICKED ON, YOU SHOULD LISTEN TO THEM…

NO MATTER WHAT TWISTED SHIT THEY SAY.

FUCK.

ANYWAY, MR. LUCE, WHATEVER.

(smirking)

YOU KNOW THERE'S OTHERS LIKE US OUT THERE, TOO.

AND THEY WILL KILL YOU IF YOU FUCK WITH THEM LIKE YOU DID ME AND JARED.

GET OUT OF HERE, BEFORE I CHANGE MY MIND. GO!

(gun firing)

BITCH.

(cocking gun)

"SO FOUL AND FAIR A DAY I HAVE NOT SEEN."

(water running)

FUCK!

(both panting)

OH, MY GOD, THERE HE IS!

OH, SHIT!

(birds squawking)

(Eric) HEY, MAN. I WOULDN'T DRINK THAT.

YOU'LL GET HERPES OR SOMETHING.

(snickering)

SO HOW DID YOU DO?

DID ALL RIGHT. WHAT HAPPENED?

I SHOT THE PRINCIPAL AND SOME OTHER PEOPLE, AND—

(gun firing)

(clattering)

WELL, WELL, WELL.

LOOK WHO IT IS.

(Nathan) DUDE, COME ON, DON'T DO THIS.

EENY… PLEASE.

YOU STUPID FUCK! WHAT ARE YOU DOING?

… MEENY, MINY… PLEASE.

… MOE. DON'T.

CATCH A TIGER…

THIS ISN'T SOMETHING YOU WANNA DO.

… BY HIS TOE.

PLEASE.

IF HE HOLLERS…

WHAT THE— YOU'RE FUCKIN' SICK. DON'T DO THIS.

… LET HIM GO.

EENY,

MEENY,

MINY,

MOE.

(birds squawking)

(birds squawking)