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Temple: REQUEST BACKUP. PERSHING SQUARE.
14th AND PENNSYLVANIA.
Debreno: 5'8", 170. CAUCASIAN MALE.
[GUNSHOTS]
[TIRES SCREECH]
[TIRES SCREECH]
Debreno: SET UP A PERIMETER.
GET OUT OF MY HOUSE.
Debreno: TEMPLE.
[WHISPERS] All right?
Go.
SON OF A BITCH.
WE LOST HIM.
ALL UNITS, WE LOST HIM.
HE'S HEADING WEST.
CAPTIONING MADE POSSIBLE BY CBS PRODUCTIONS AND CBS, INC.
ALONZO REYES, 32, LATINO,
RUNS THE FAMILY HEROIN BUSINESS.
WANTED IN VIRGINIA FOR A DOUBLE HOMICIDE.
DEALS HIGH END, 80-PROOF JUNK WITH A GOLD STAR LABEL.
ALL RIGHT. NOW HERE'S OUR PROBLEM.
WHAT DO YOU GOT FROM STATESMAN'S HOSPITAL?
ONE VICTIM'S IN CRITICAL CONDITION,
AND THE LITTLE GIRL'S ARM IS BROKEN IN 2 PLACES.
ALL RIGHT. A FATHER TAKES HIS DAUGHTER OUT SKATING.
NEXT THING YOU KNOW, SHE'S IN THE ER.
DEBRENO, YOU FIRED INTO A CROWD OF ICE SKATERS?
ALONZO GOT OFF 6 SHOTS BEFORE I DISCHARGED MY WEAPON.
I HAD A CLEAR SHOT, CHIEF,
AND I TOOK IT.
ALL RIGHT. IF HE'S WOUNDED, THAT'LL SLOW HIM DOWN SOME.
WE CHECKED ALL THE HOSPITALS.
NO ONE'S COME IN WITH A .9mm HOLE IN HIS LEG.
DETECTIVE PAGE, WHAT DO YOU GOT FROM YOUR JUNKIES?
WE GOT 2 EMPTY GOLD STAR GLASSINES, BUT NO LEADS.
NOTHING WE CAN HOLD THEM ON.
ALL RIGHT. DEBRENO, REVIEW THE TAPES OF THE INTERROGATION.
ANY NAMES AND PLACES MENTIONED, I WANT THEM CHECKED OUT TODAY.
ALSO, I WANT A REWARD POSTED FOR INFORMATION.
WE'RE GONNA HAVE AT LEAST 200 JUNKIES
CAMPED OUTSIDE HERE BY NOON
MAKING UP STORIES JUST TO GET THAT CASH FOR THEIR NEXT FIX.
ALONZO REYES IS WANTED FOR DOUBLE HOMICIDE.
HE IS WOUNDED. HE IS DANGEROUS,
AND I WANT HIM OFF THE STREETS.
GO GET HIM.
Woman: ACCELERATE... GOOD. VERY GOOD.
THAT WAS BRILLIANT, JACK.
YOU WERE BORN TO FENCE.
YOU REALLY THINK SO?
I MEAN, I DIDN'T WANT TO HURT MY INSTRUCTOR, BUT...
WELL, LET'S DO IT AGAIN.
[LAUGHS]
Jack: SO, YOU WERE SAYING UPSTAIRS
THAT HEIGHT IS REALLY AN ADVANTAGE?
WELL, HOW TALL ARE YOU?
6'4". I MEAN, THAT'S WITH THE LIFTS,
BUT, UH, I'M ACTUALLY 5'8".
[LAUGHS]
THE FELLOW YOU WERE BEATING UP ON UPSTAIRS
IS A MUCH SHORTER GUY.
IF YOU WOULD PRACTICE, YOU WOULD BE TALLER.
YOU MEAN LIKE THAT, UH,
THAT GERMAN GIRL YOU DEFEATED IN THE OLYMPICS FOR THE SILVER MEDAL.
WHAT WAS SHE? 6'4"?
FRIEDA MUELLER.
HOW DID YOU KNOW ABOUT HER?
I RENTED SOME OF THE OLYMPIC TAPES.
I WAS JUST DOING A LITTLE BACKGROUND CHECK, THAT'S ALL.
WHAT DID YOU THINK? WERE YOU DISAPPOINTED?
VIVA CUBA.
[LAUGHS]
YOU OK WITH THAT STUFF? YEAH. FINE.
LISTEN, I'M GONNA GO RENT CYRANO DE BERGERAC,
JUST SO I'M READY FOR YOU ON WEDNESDAY.
I'M GONNA BE MUCH BETTER.
DON'T MAKE ANY PROMISES YOU CAN'T KEEP.
OH, DON'T WORRY ABOUT THAT.
NOW WAIT A MINUTE. HOLD IT. HOLD IT.
HEY. STOP.
JACK, IT'S OK!
COME HERE! HEY!
I'M TALKING TO YOU! WHAT IS YOUR PROB--
UHH!
YOU TOUCH THAT WOMAN AGAIN,
YOU'RE GONNA HAVE TO ANSWER TO ME.
WHO THE HELL ARE YOU TO TELL ME ABOUT MY WIFE?
PLEASE, LADY.
I DON'T KNOW ANYTHING ABOUT THAT GUY ALONZO YOU'RE LOOKING FOR.
IF I DID, I WOULD TELL YOU JUST TO GET OUT OF HERE.
CAN I GO?
DON'T WASTE YOUR TIME, MAN.
AIN'T NOTHING THERE.
Debreno: YEAH. SHOOT A BAD GUY,
AND I GET LUMPED WITH THIS NONSENSE.
YOU KNOW, I WAS JUST DOING A LITTLE RESEARCH
FOR THIS BOOK THAT I'M WRITING...
HOW TO SURVIVE THE WINTERS IN D.C.
THIS GUY RIGHT HERE? VERY STRANGE.
I HEAR THAT SUPERIOR TONE IN YOUR VOICE, MY FRIEND,
BUT I GOTTA TELL YA,
IT DON'T FAZE ME.
BUT THERE'S THIS OTHER GUY.
I THINK WE CAN FLIP.
Debreno: WAIT A SECOND. GO BACK.
GIVE ME THAT.
IT DON'T FAZE ME.
IT DON'T FAZE ME.
IS HE STILL HERE?
COULD BE. THEY'RE MOVING THEM TO A SHELTER ON 23rd.
WHAT ARE YOU THINKING?
Debreno: WHOA. WHOA. DUFFY, WAIT UP.
IS THIS IT? I THOUGHT YOU HAD 6.
I DID. WE HAD US A MINI JAILBREAK.
2 OF 'EM JUST WALTZED OUT THE FRONT DOOR
ON THE WAY TO THE MOTOR POOL.
YOU'RE KIDDING ME, RIGHT? GOOD RIDDANCE.
THEY WERE STINKING UP THE BUILDING.
[UNDER BREATH] SON OF A BITCH.
HELLO. I BROUGHT YOU A GIFT.
HEY. THANK YOU.
I LOVE GIFTS.
WHOA. PISCO.
I HOPE YOU LIKE IT. IT'S MY FAVORITE. IT'S FROM CHILE.
VERY NICE.
EXCUSE ME.
JUST ONE SECOND. JOE...
GUESS I GOT A MEETING TO GO TO.
NICE MEETING YOU.
YEAH. I'LL LET YOU KNOW.
I JUST WANTED TO THANK YOU
FOR COMING TO MY RESCUE WITH GREGOR.
HE'S LUCKY I DIDN'T HAVE MY SWORD.
DIRTY HARRY.
YEAH, WELL,
EXCEPT CLINT EASTWOOD
WOULDN'T BE CAUGHT DEAD IN TIGHTS.
MY FATHER LOVED CLINT EASTWOOD.
I'VE SEEN ALL HIS MOVIES.
IS HE A LITTLE GUY? OH, NO, DON'T TELL ME.
DON'T TELL ME. IT WOULD BREAK MY HEART.
DID YOU HEAR FROM YOUR HUSBAND?
NO.
GREGOR'S NOT A BAD PERSON, JACK.
WE'VE LOST THE ABILITY TO TALK WITHOUT...
I'VE WANTED A DIVORCE FOR A LONG TIME,
AND HE REFUSES.
NOW I JUST--I JUST WANT HIM TO STAY AWAY,
AND I TOOK YOUR ADVICE. I GOT A RESTRAINING ORDER.
GOOD.
I SHOULD GO. I HAVE CLASS.
YOU CERTAINLY DO.
YOU ARE TOO CHARMING FOR YOUR OWN GOOD.
IT'S GONNA GET YOU IN TROUBLE SOMEDAY.
I HOPE SO.
Debreno: GUNNER. HIS NAME IS CHRIS GUNNER.
WE'VE KNOW EACH OTHER SINCE--
IT'S GOT TO BE, LIKE, TENTH GRADE.
HE WAS THE ONE WHO TALKED ME
INTO GOING TO THE ACADEMY IN THE FIRST PLACE.
THEN FOR NO APPARENT REASON,
HE JUST DROPS OUT A WEEK BEFORE WE WERE SUPPOSED TO GRADUATE.
AND YOU THINK THIS GUY EDDIE AND CHRIS GUNNER
ARE ONE IN THE SAME?
OH, YEAH. IT'S HIS VOICE,
THE WAY HE TALKS.
IT'S SO WEIRD, YOU KNOW?
ME, CHRIS, AND ELLEN, WERE SO CLOSE, AND...
HE JUST NEVER EXPLAINED.
HE JUST CALLED UP ONE NIGHT AND SAID, "THAT'S IT. I'M OUT.
DON'T FAZE ME."
WHAT?
HE WAS ALWAYS SAYING THAT. "DON'T FAZE ME."
JUST SOMETHING HE DID.
WELL, LET'S ROLL. ALONZO'S CALLING US.
YEAH.
YEAH.
CATHY WATSON.
IS THIS SOMEBODY NEW?
NAH. HIGH SCHOOL. THE ONE THAT GOT AWAY.
WHEN MEN DO STUPID THINGS, THERE'S ALWAYS A LADY INVOLVED.
IT WAS DURING A HIGH SCHOOL PLAY, JOE.
CYRANO DE BERGERAC, AND SHE WAS PLAYING ROXANNE,
AND I WANTED TO TRY OUT FOR THE LEAD.
THEY GAVE IT TO THIS GUY TOMMY FITZPATRICK.
THE GUY--HE HAD NO TALENT,
AND THE ONLY REASON THEY GAVE HIM THE PART
IS BECAUSE HE COULD FENCE.
AND I SWORE "ONE DAY, I AM GOING TO TAKE THAT UP."
I WAS DRIVING BY SONYA'S, YOU KNOW,
AND THEY'RE TEACHING FENCING LESSONS.
I MIGHT TRY THAT.
[JOE LAUGHS]
YOU KNOW?
SO I LOST 10 POUNDS.
IT'S A DOGGONE GOOD WORKOUT.
UH, JACK, THE FIRST 10 POUNDS IS WATER WEIGHT.
HA. Woman: HI.
HI, MAVIS. GOOD. HOW ARE YOU DOING?
HOW'S YOUR FAMILY? WILL YOU GIVE ME A HUG?
GIVE ME A HUG.
[LAUGHS]
SEE YA. ALL RIGHT.
CAN I HAVE SOME OF THAT CORN BREAD?
WE'RE CRACKLIN'. OK. THANK YOU.
"A MAN DOES NOT FIGHT
"FOR THE MERE HOPE OF WINNING.
"TIS BETTER, FAR BETTER TO KNOW
"THAT THE FIGHT IS TOTALLY IMPAIRABLY,
INCORRIGIBLY IN VAIN."
PATTON?
NO, CYRANO.
[CELL PHONE RINGS]
OHH.
DO MIND HOLDING THIS UP?
HOW YOU DOING?
HELLO? WHAT IS IT, FERRIS?
ALL RIGHT. PATCH IT THROUGH.
Sonya: JACK, HELP ME!
HELP ME, PLEASE!
JACK, IT'S GREGOR. HE'S HERE.
SONYA, WAIT A MINUTE. SLOW DOWN, HONEY. I CAN'T UNDERSTAND YOU.
Sonya: COME AND HELP ME! HURRY! HURRY!
I'M AT THE STUDIO! [POUNDING]
ALL RIGHT. KEEP HIM OUTSIDE. DON'T OPEN THE DOOR.
JOE, GET A UNIT TO 348 CONGRESS.
SONYA, WE'RE ON OUR WAY, ALL RIGHT?
JUST CALM DOWN.
READ IT TO ME.
"1:30 P.M., NEIGHBORS HEARD HER SCREAMS
"AND CALLED 911.
"THE FIRST TO RESPOND WAS OFFICER ARTHUR LEGGETT FROM THE SIXTH.
"HE FOUND THE DECEASED.
"IN A STATEMENT TO THE OFFICER,
SHE ADMITTED KILLING HIM IN SELF-DEFENSE."
SO HOW DO YOU WANT TO HANDLE IT?
WHY DID YOU LET HIM IN?
HE WAS CALMED DOWN,
AND HE SAID HE JUST WANTED TO TALK,
AND A SOON AS I OPENED THE DOOR,
HE ATTACKED ME.
HE WAS DRUNK.
I BEGGED HIM! I PLEADED WITH HIM!
I'LL PUT YOU IN A HOTEL TONIGHT
TILL WE CLEAR THE SCENE.
Noland: CHIEF MANNION.
YEAH.
SELF-DEFENSE. JUSTIFIABLE HOMICIDE.
YOU BELIEVE HER?
I HAD A RUN-IN WITH HIM YESTERDAY HERE IN THE PARKING LOT.
HE WAS GETTING PHYSICAL WITH HER,
SO I HAD TO RUN HIM OFF.
YOU GOT ANY WITNESSES?
YEAH. ME.
THERE WAS AN OLD LADY WITH GROCERIES.
A COUPLE OF KIDS PLAYING BASKETBALL.
HIS NAME IS GREGOR BUKANTZ.
ROMANIAN-AMERICAN, 43 YEARS OLD.
HE LIVES IN NEW ORLEANS.
I DID SOME CHECKING UP ON HIM AFTER OUR LITTLE MEETING.
THEY WERE MARRIED. BEEN SEPARATED ABOUT A YEAR.
ALL RIGHT. WHO'S TAKING HER IN?
JACK, SHE'S A MURDER SUSPECT WHETHER WE LIKE IT OR NOT...
TILL THE U.S. ATTORNEY SAYS OTHERWISE.
I'LL TAKE HER IN.
OK.
[CLICK]
OK. PLEASE STEP AGAINST THE WALL.
THE TIME OF DEATH WAS SOMEWHERE BETWEEN 1:45 AND 2:00 P.M.
THE SWORD NICKED HIS JUGULAR.
HIS BLOOD-ALCOHOL LEVEL WAS HIGH,
BUT THERE WAS NOTHING IN HIS STOMACH.
WE'RE WAITING FOR THE TOXICOLOGY REPORTS.
THE ANGLE OF THE ENTRY WOUND,
THE PRINTS ON THE SWORD,
THE CUTS ON HIS HANDS...
IT ALL MATCHES UP WITH HER STORY.
I RAN BUKANTZ'S NAME IN OUR NEWS DATA FILE BASE.
THERE WAS AN ARTICLE IN A BRITISH NEWSPAPER
ABOUT HOW HE ABUSED HIS FIRST WIFE IN ROMANIA,
BUT SHE NEVER FILED CHARGES.
YOU GOT ANY OTHER WITNESSES?
YEAH. I'VE RUN DOWN 2 OF THE WITNESSES THE CHIEF MENTIONED.
A WOMAN, 65, LEONETTA GODSHALL,
AND OSBORN SPARKS, 18,
WHO WAS PLAYING BASKETBALL AT THE TIME,
AND I'M ALSO REVISITING THE CRIME SCENE,
CANVASSING THE NEIGHBORHOOD
AND TALKING TO THE TENANTS IN HER BUILDING...
AND THEN THERE'S THE CHIEF.
TREAD CAREFULLY.
I WILL.
GOT ANY ADVICE?
YEAH. BE VERY CREATIVE...
AND CATCH HIM AFTER LUNCH.
[EXHALES]
Woman: WHO IS IT?
KEVIN DEBRENO.
HI.
YOU LOOK GREAT.
THANKS.
IT'S OK, SWEETIE. GO ON.
COME ON IN.
Woman: CHRIS DIED 5 YEARS AGO, KEVIN.
AFTER HE QUIT THE ACADEMY,
HE GOT A JOB AT THAT CONSTRUCTION SITE OVER BY THE RIVER.
DOING WHAT?
CRANE OPERATOR,
OR SOMETHING LIKE THAT.
HE COULDN'T CHANGE A LIGHT BULB AROUND HERE, BUT...
HEY, IF THAT'S WHAT HE WANTED TO DO,
THAT WAS FINE WITH ME.
HE WAS HOME MORE AT FIRST,
AND...
THEN HE WASN'T.
HIS FATHER I.D.'d THE BODY.
HE'D BEEN IN THE WATER FOR A FEW WEEKS.
THEY USED HIS DENTAL RECORDS.
I CAN'T BELIEVE YOU DIDN'T HEAR ABOUT IT.
[SIGHS]
THIS WAS A MISTAKE.
I--I SHOULDN'T EVEN BE HERE.
I'M SORRY.
YOU SELFISH BASTARD.
WHAT?
YOU WERE THE BEST MAN AT OUR WEDDING.
WHY DIDN'T YOU COME TO THE FUNERAL?
NOBODY KNEW HIM LIKE YOU.
WE HAD A PLAN, OK?
"LET'S BE COPS", HE SAID.
AND A WEEK AWAY FROM THE JOB,
HE BAILS ON ME.
NOT A WORD. NOTHING.
ONE DAY WE'RE BEST FRIENDS, THE NEXT DAY...
SO, NO, I DON'T KNOW HIM.
I MISS HIM SO MUCH.
I GOTTA GO.
Debreno: HIS WIFE SAID HE WORKED AT A CONSTRUCTION SITE.
I SPOKE WITH THE FOREMAN. HE REMEMBERED CHRIS.
HE MADE HIM OUT AS A COP WORKING UNDERCOVER.
SAID HE CAME IN ONCE A WEEK TO PICK UP A CHECK.
SO YOU THINK THAT THIS DRUG ADDICT/COP
MIGHT BE THIS EDDIE CHARACTER YOU PICKED UP?
ALL I NEED IS 3 DAYS CLEAR.
I GOT 10 SICK DAYS COMING.
YOU'RE CHASING ALONZO WITH PAGE.
YOU GOT NO TIME FOR A VACATION.
WE'VE TRACKED HIM DOWN THROUGH HIS LAST 5 GIRLFRIENDS
TO A PLACE IN THE SEVENTH.
HE WASN'T THERE WHEN WE GOT THERE,
BUT WE ARE SO CLOSE, CHIEF. I CAN SMELL HIM.
WHAT'S TAKING YOU SO LONG?
WELL, THE WORD'S OUT ON THE MONEY.
WE'RE WAITING FOR HIM TO BITE.
LOOK, I FIGURED THAT
TEMPLE COULD HOLD DOWN THE FORT
UNTIL I TOOK CARE OF THIS THING.
IT'LL TAKE ME 3 DAYS, 4 DAYS MAX. I SWEAR.
NO, DEBRENO.
ALL RIGHT? YOU WANNA FIND THIS GUY?
YOU GOT TO DO IT ON YOUR OWN TIME.
DEBRENO.
ILENE THORNTON, D.E.A.
IF THIS GUY'S UNDERCOVER, SHE'LL KNOW THE PARTICULARS.
TELL HER I SAID HELLO,
AND DO IT ON YOUR OWN TIME.
UH, BEFORE YOU OFFER TO BUY ME DINNER
FOR NOT GOING AFTER DEBRENO
FOR THAT RECKLESS SHOOTING AT THE ICE RINK,
IT WASN'T MY IDEA. CONFLICT OF INTEREST.
WE'RE HANDLING THE SHOOTING VICTIMS AGAINST THE CITY.
WELL, THAT'S NOT WHY I ASKED YOU TO COME HERE.
ARE YOU FAMILIAR WITH THE NAME SONYA RIBEIRO?
THE, UH, FENCER?
THE WOMAN ACCUSED OF KILLING HER HUSBAND?
YES.
WOULD YOU REPRESENT HER FOR ME?
[CHUCKLES] OH, JACK, THAT'S NOT WHAT I DO.
OH, COME ON. THAT'S WHAT YOU DID IN L.A.,
YOU KNOW, BEFORE YOUR FIRST HUSBAND TURNED YOU INTO A BARRACUDA,
AND--AND ALL OF A SUDDEN,
YOU STARTED FIGHTING AGAINST THE PEOPLE
INSTEAD OF FOR THE PEOPLE. I CAN'T--
YOU SAID FIRST HUSBAND,
IMPLYING THERE MIGHT BE A SECOND?
LET'S BE CLEAR. THAT WILL NOT HAPPEN.
CAVANAUGH...
VANESSA...
PLEASE.
I NEED SOMEBODY TO REPRESENT HER THAT I CAN TRUST.
WOW. THAT--THAT SOUNDS LIKE A FAVOR.
YOU ASKING FOR A FAVOR,
THAT'S GOTTA BE... REALLY IMPORTANT.
BULLIES.
I HAVE ZERO TOLERANCE FOR BULLIES.
I DON'T CARE WHETHER THEY'RE WEARING KNAPSACKS OR BADGES
OR UNREGISTERED ...9 MILLIMETERS,
ESPECIALLY THE ONES THAT BEAT THEIR SPOUSES AND ABUSE THEIR KIDS.
WHEN I WAS A KID,
MY FATHER WAS MY HERO.
I USED TO SIT ON THE WINDOWSILL,
AND I'D WAIT FOR HIM TO COME HOME FROM WORK.
I WAS ABOUT 8 YEARS OLD,
AND IT WAS CHRISTMAS EVE,
AND I REMEMBER, BECAUSE IT WAS THE YEAR
I GOT MY ROY ROGERS DOUBLE-HOLSTER SET.
[CHUCKLES]
AND MY DAD CAME HOME...
HE WAS DRUNK.
HE HAD PURCHASED THIS VERY EXPENSIVE DOLL FOR MY SISTER,
SOMETHING WE COULDN'T AFFORD,
AND MY MOTHER MADE THE MISTAKE
OF QUESTIONING THAT DECISION.
"HOW COULD YOU AFFORD TO BUY THIS DOLL
WHEN WE CAN BARELY AFFORD TO EAT?"
Jack's father, voice over: IF I WANT TO SPEND--
Jack: I REMEMBER BEING IN THE LIVING ROOM
AND HEARING THEM IN THE KITCHEN.
THAT'S FOOD FOR A WEEK!
GET THE HELL OUT OF HERE!
Frank's father: AND PISS MY MONEY AWAY ON SOME STINKIN' HOTEL ROOM?
OVER MY DEAD BODY.
Frank: ONE OF THE TENANTS CALLED THE COPS.
Officer: POLICE! POLICE!
Frank: THEY ALWAYS DID.
HE JUST KEPT BEATING HER.
Mother: NO! PLEASE! DON'T HURT HIM!
Frank: AND THERE WAS NOTHING I COULD DO.
Mother: NO! PLEASE! STOP IT!
Frank: MY DAD, MY HERO,
WAS A BULLY...
AND I COULDN'T PROTECT MY MOM.
YOU WERE 8 YEARS OLD, JACK.
THERE WAS NOTHING YOU COULD HAVE DONE.
WELL...
I'M NOT 8 ANYMORE.
YOU HEARD POUNDING ON HER DOOR
WHEN YOU WERE ON THE PHONE WITH HER?
MM-HMM.
I SPOKE TO THE TENANTS IN HER BUILDING.
NONE OF THEM HEARD THE POUNDING.
WELL, I KNOW WHAT I HEARD.
WOULD YOU HAVE ANY PROBLEM
WITH ME GETTING A COPY OF THE PHONE CALL?
I UNDERSTAND IT WAS PATCHED THROUGH YOUR OFFICE AND RECORDED.
FINE.
OK. I RAN DOWN THOSE 2 WITNESSES YOU SPOKE OF.
THEY SAID YOU GRABBED HIM BY THE, UH--
YEAH, LET'S JUST SAY BELOW THE BELT.
I DID.
WELL, WITH ALL DUE RESPECT, SIR,
THEY DIDN'T SEE HIM COME AFTER YOU.
HE DIDN'T.
HE WAS THREATENING HER.
HE GRABBED HER ARM.
SO HE ONLY GRABBED HER ARM,
AND YOU DIDN'T HEAR THEIR CONVERSATION.
YOU WERE TOO FAR AWAY.
I COULD TELL BY HIS BODY LANGUAGE, NANCY.
I MEAN, HE WAS VERY AGGRESSIVE.
HE WAS INVADING HER SPACE.
HE THREATENED THE WOMAN.
HMM.
HMM?
CHIEF, DO YOU MIND LOOKING THROUGH HERE
OUT INTO THE BULLPEN?
SURE.
AND IF YOU WOULD,
COULD YOU PRETEND FOR A MINUTE THAT I'M GREGOR?
PLEASE. JUST--JUST GO WITH ME.
ALL RIGHT.
[MOUTHING]
OK.
OFFICER RUBLESKI,
PLEASE TELL THE CHIEF WHAT I SAID TO YOU.
YOU SAID YOU...
CARE FOR YOU MORE THAN ANYTHING IN THIS WORLD.
WE BELONG TOGETHER. DON'T LEAVE ME.
CAN'T YOU SEE THAT I LOVE YOU?
PLEASE. DON'T LEAVE ME. PLEASE.
ALL RIGHT. THANKS, OFFICER.
THAT'S NOT WHAT I SAW.
IT DIDN'T HAPPEN THAT WAY, BUT...
GOOD DEMONSTRATION,
BUT--ONE SECOND.
DID I HAVE ANYTHING TO DO WITH YOU BECOMING SUCH A GOOD DETECTIVE?
YEAH. IT WAS ALL YOUR FAULT.
I THOUGHT SO.
YOU DESERVE A COOKIE.
[STAR-SPANGLED BANNER PLAYS]
[SONG STOPS]
WHY DID YOU CALL GREGOR AT THE HOTEL
2 HOURS BEFORE HE WAS KILLED
ON THE SAME DAY YOU FILED FOR A RESTRAINING ORDER AGAINST HIM?
YOU DON'T HAVE TO ANSWER THAT.
MY CLIENT IS FREE ON BAIL.
SHE'S HERE TODAY WILLINGLY.
SHE'S COOPERATING.
YOUR LINE OF QUESTIONING
IS INSINUATING A CLIMATE OF DECEPTION.
I KNOW YOU CALLED HIM. WE HAVE YOUR CELL PHONE RECORDS.
BUT WHAT DIFFERENCE WOULD IT MAKE?
HE WAS MY HUSBAND. WE TALKED ALL THE TIME.
I'M TELLING YOU THE TRUTH.
WHY DON'T YOU BELIEVE ME?
MS. RIBEIRO, WE'RE TRYING TO UNDERSTAND
YOUR RELATIONSHIP WITH GREGOR.
THERE WAS A TIME THAT I LOVE MY HUSBAND VERY MUCH.
CAN YOU UNDERSTAND LOVE?
CAN YOU UNDERSTAND WHAT IT'S LIKE TO BE AFRAID?
TO WAKE UP EVERY MORNING? AND--
WHERE'S JACK?
HE TOLD ME IT WOULDN'T BE LIKE THIS.
I THINK THAT'S ENOUGH FOR NOW.
OK?
IT WAS MY LIFE OR HIS.
WHY CAN'T THEY UNDERSTAND THAT?
Man, on tape: ARCHIE. ARCHIE.
Archie, on tape: TAKE IT EASY.
Man: LOOK, THEY'RE ON TO ME, MAN.
JUST--JUST PULL ME OUT, OK?
PULL ME OUT.
Archie: GIVE ME YOUR ADDRESS.
I'LL COME AND GET YOU.
Man: ARCHIE, YOU'RE TALKING TO A DEAD MAN.
Archie: WHERE ARE YOU?
Man: I'M RUNNING. I'M RUNNING.
Archie: CHRIS! CHRIS!
THAT WAS THE LAST CONVERSATION I HAD WITH HIM.
WE TRACED IT TO A PAY PHONE DOWN BY THE DOCKS,
6 MONTHS AFTER WE FAKED HIS DEATH.
AT THE CONSTRUCTION SITE?
IT WAS DONE TO PROTECT HIS FAMILY.
HE WAS IN A SITUATION WHERE--AHEM--
HE FOUND OUT THERE WAS A PRICE OUT ON HIS SON'S HEAD.
HE COULDN'T LIVE WITH THAT.
WE FAKED HIS DEATH TO TAKE THE CURSE OFF OF HIS FAMILY.
AND HE NEVER TOLD HIS WIFE?
WE LEFT THAT ENTIRELY UP TO HIM.
SO, WHEN HE WAS UNDERCOVER,
WAS HE GETTING HIGH?
IN ALL HONESTY, I MEAN,
WHEN YOU'RE AS CLOSE AS CHRIS WAS TO THE BEAST,
YOU ALMOST HAVE TO.
IT GOT WORSE WHEN HE CUT HIMSELF OFF FROM ELLEN AND HIS SON.
WE WANTED TO PULL HIM OUT,
BUT THE BUSTS HE GAVE US, THE CASES HE PUT TOGETHER,
IT WAS HARD TO LET GO,
AND THEN THE PHONE CALL HAPPENED.
WE TRIED TO FIND HIM.
WE LOOKED FOR HIM FOR YEARS.
YOU WERE A FRIEND OF CHRIS'?
YEAH, THAT'S RIGHT. A GOOD FRIEND.
WELL, I'M SORRY.
THIS IS A COLD, THANKLESS BUSINESS, DETECTIVE.
IS THAT WHAT IT IS, ARCHIE?
'CAUSE YOU KNOW WHAT IT SOUNDS LIKE FROM OVER HERE?
IT SOUNDS LIKE A DESK JOCKEY COVERING HIS ASS
FOR LEAVING A GOOD COP OUT IN THE STREET.
IF THE BLADE REMAINS STILL INSIDE THE CAVITY,
YOU BLEED, BUT NOT AS MUCH AS YOU WOULD IF THE BLADE GETS TWISTED.
IT'S THAT LITTLE FLICK OF A WRIST THAT DOES ALL THE DAMAGE.
SO SHE STABBED HER HUSBAND AND THEN TWISTED THE BLADE?
LOOKS THAT WAY.
SO IT'S POSSIBLE THIS WASN'T AN ACCIDENT.
THIS MIGHT NOT HAVE BEEN SELF-DEFENSE.
SO YOU'RE SAYING THAT SONYA TWISTED THE BLADE?
YES, SIR.
WELL, THE BLADE COULD'VE TWISTED
WHEN HER HUSBAND FELL TO THE GROUND, RIGHT?
IT'S POSSIBLE, BUT--
YEAH, POSSIBLE. I MEAN, WHAT, 10% POSSIBLE?
50% POSSIBLE? 70% POSSIBLE?
I MEAN, THE MAN IS DRUNK. HE COMES IN.
HE'S TOWERING ABOVE HER. HE'S ENRAGED.
IN SELF-DEFENSE, SHE REACHES OUT, SHE STABS HIM,
HE GRABS THE BLADE WITH HIS HAND
AND TWISTS IT AS HE FALLS,
AND YET YOU'RE PREPARED TO TELL ME YOU'RE 100% CERTAIN
SHE TWISTED THE BLADE?
I CAN'T BE CERTAIN.
NO, YOU CAN'T.
I CAN'T.
NO.
Mannion on computer: NO, WAIT A MINUTE.
SLOW DOWN, HONEY. I CAN'T UNDERSTAND YOU.
Sonya on computer: HE'S HERE, JACK! IT'S GREGOR! HE'S OUTSIDE. I'M IN THE STUDIO!
Mannion: WHERE ARE YOU, SONYA?
Sonya: I'M IN THE STUDIO. WHAT SHOULD I DO?
ALL RIGHT. TAKE OUT THE VOICES.
I JUST WANT TO HEAR THE POUNDING.
[POUNDING ON DOOR]
[BREATHING]
[POUNDING]
Man: OH, SHEESH.
[POUNDING CONTINUES]
[POUNDING ON DOOR]
[POUNDING ON DOOR ON TAPE]
OH, SHEESH.
[POUNDING]
KEVIN, YOUR FRIEND, THE ONE THE D.A. SAYS IS DEAD...
WHAT ABOUT HIM?
I JUST GOT OFF THE PHONE WITH HIM.
YOU SURE IT WAS HIM?
"DON'T FAZE ME." HE MUST'VE SAID IT ABOUT 3 TIMES.
WELL, WHY'D HE CALL YOU?
HE WANTS REWARD MONEY. SAYS HE CAN GET US ALONZO.
PAGE.
WHAT THE HELL TOOK YOU SO LONG, MAN?
I'VE BEEN FREEZING MY ASS OFF UP HERE.
YOU PICKED THE SPOT, DOG.
CHRIS.
KEVIN.
[BLOWS]
WOW!
OK, WHAT? YOU GUYS GOT THE MONEY, HUH?
WHAT HAVE YOU GOT FOR ME?
WHAT HAVE I GOT FOR YOU, MAN?
ALONZO REYES, THAT'S WHAT I GOT FOR YOU.
NOW SHOW ME THE MONEY.
IT DON'T WORK LIKE THAT.
WHAT DO YOU MEAN? DON'T TELL ME HOW IT WORKS. I KNOW HOW IT WORKS.
WHAT THE HELL ARE YOU DOING, MAN?
A LITTLE BIT OF THIS, A LITTLE BIT OF THAT, YOU KNOW.
TRYING TO STAY BUSY. HOW ABOUT YOURSELF?
UH-HUH.
I SPOKE TO ARCHIE CRYER.
HE SAID YOU WERE DEAD.
MY MAN, ARCHIE, HUH?
WELL, TO HIM I AM DEAD.
BUT, YOU KNOW, TO OTHER PEOPLE I'M NOT, MAN.
TO OTHER PEOPLE I'M NOT HERE.
I'M WORKING THE POINT, BABY. I'M RUNNING THE STREETS.
YOU KNOW HOW THAT IS.
ACTUALLY I DON'T. MAYBE YOU SHOULD TELL ME.
THAT STUFF IS WAY OVER ARCHIE'S HEAD, MAN.
I WAS DEEP, KEVIN. I WAS DEEP UNDERCOVER,
JUST LIKE I AM NOW.
CHRIS, DO YOU THINK WE'RE STUPID?
THERE'S JUST SOME THINGS YOU CAN KNOW,
BUT THERE'S OTHER THINGS, MAN...
THERE'S OTHER THINGS THAT IF YOU KNEW,
I'D HAVE TO KILL YOU, MAN.
DO YOU THINK THAT
WE'RE REALLY GONNA BUY THAT GARBAGE?
JUST CALL ME EDDIE, MAN! ALL RIGHT? JUST CALL ME EDDIE.
ALL RIGHT? THERE'S NO FLUSH
AT THE END OF THIS FOR ME, ALL RIGHT?
I DON'T ALWAYS LOOK LIKE THIS.
AW, CUT THE CRAP, CHRIS.
YOU'RE DOING THIS FOR THE PRICE OF A FIX.
THAT'S NOT RIGHT. I'M NOT.
YES, YOU ARE!
NO.
HOW DO WE GET TO ALONZO?
THAT'S WHAT I WANT TO KNOW.
YOU DON'T, MAN.
THE GUY'S LIKE OSAMA.
HE NEVER SLEEPS IN THE SAME PLACE MORE THAN ONE NIGHT.
ALL RIGHT. OK. TELL HIM WE CAN MOVE SOME WEIGHT.
NO, HE'S GOT MORE THAN HE NEEDS TO MOVE.
WHAT DOES HE WANT?
HE WANTS HIM.
HE WANTS YOU, MAN.
HE'S OBSESSED WITH YOU,
HE WANTS THE COP THAT SHOT HIM.
THAT'S RIGHT. YOU KNOW THAT PICTURE
FROM THE PAPER OF YOU IN THE ICE RINK?
HE'S GOT THAT, MAN. HE LOOKS AT THAT THING ALL THE TIME.
HE WANTS TO KILL A COP.
IF I CAN TELL HIM THAT YOU'RE GOING TO BE THERE,
HE'LL SHOW.
WHY WOULD HE BELIEVE YOU?
BECAUSE HE TRUSTS ME, MAN!
HE THINKS I'M A LAWYER.
ALL RIGHT, OK. CAN WE HAVE A MINUTE?
COME HERE.
EVERY WORD OUT OF HIS MOUTH IS SMACK.
WHAT MAKES YOU THINK HE'S GONNA DELIVER ALONZO?
COME ON. THE GUY IS A JUNKIE. HE'S GONNA TAKE THE MONEY
AND HE'S GONNA SHOOT IT UP HIS ARM.
I SAY WE GET HIM OFF THE STREET RIGHT NOW.
LET'S GIVE HIM ONE MORE CHANCE.
IF HE SCREWS UP, WE'LL GO BACK OUT,
WE'LL GRAB HIM BACK IN. THIS IS OUR BEST CHANCE AT ALONZO.
COME ON, MAN, YOU GUYS WANT ME TO DELIVER HIM OR WHAT, HUH?
I DON'T NEED THIS GRIEF.
NOW, HOLD ON, HOLD ON.
I'LL GIVE YOU $200 NOW.
ALL RIGHT?
$300 LATER WHEN YOU DELIVER ALONZO.
YOU CHEAP BASTARDS.
GIVE ME THE MONEY.
GIVE IT TO ME, MAN.
HA HA HA HA!
ALL RIGHT, SO HOW WE GONNA DO THIS?
YOU GUYS SET UP A DECOY UNIT, ALL RIGHT?
YOU JUST TELL ME WHEN AND WHERE YOU WANT HIM
AND I'LL DROP HIM IN YOUR LAPS.
ONE MORE NIGHT ISN'T GONNA KILL HIM.
SEE, WE LET HIM GO OUT THERE, GET US TO ALONZO,
THEN YOU CAN GO HELP YOUR FRIEND.
GET DOWN!
[GUNSHOT]
YOU OK?
YEAH.
YOU GOT THIS ONE?
YEAH, I GOT HIM.
Kevin: CHRIS!
CHRIS!
HYAH!
OHH.
WHEW!
IT'S A DIFFERENT JACK MANNION TONIGHT.
WHERE DID YOU LEARN THAT MOVE?
WELL, I WAS WATCHING THOSE OLYMPIC TAPES.
YOU KNOW, THEY'VE GOT SUCH GREAT COVERAGE,
YOU CAN LOOK AT IT FROM 5 DIFFERENT ANGLES.
AND THERE WAS SOMETHING VERY INTERESTING, SONYA.
YOU HAVE THIS ODD HABIT OF TWISTING YOUR WRIST
WHEN YOU SCORE.
IT'S KIND OF LIKE A BASKETBALL PLAYER
WHEN HE FOLLOWS THROUGH.
EXACTLY.
I LOVE THE WAY YOU THINK, JACK MANNION.
YOU KNOW, I THINK THAT'S WHY YOU AND I HAVE SUCH A--
A CONNECTION.
YEAH. RIGHT.
DID YOU KNOW GREGOR WAS ENGAGED?
YEAH. I FOUND THE RECEIPT FOR THE RING IN HIS WALLET.
WHAT DOES THAT HAVE TO DO WITH ME?
IT SEEMS JUST ABOUT EVERYTHING.
YOU SEE, I WENT AND TALKED TO HIS FIANCÉE.
SHE SAID THAT HE WAS COMING OVER HERE
TO GET YOU TO SIGN THE DIVORCE PAPERS
AND THEN I REMEMBERED YOU SAID YOU WANTED A DIVORCE, TOO, RIGHT?
I MEAN, USUALLY WHEN 2 PEOPLE AGREE ON SOMETHING,
USUALLY IT HAPPENS, UNLESS ONE OF THEM IS LYING.
WHAT ARE YOU SAYING, JACK?
YOU DIDN'T WANT TO GET DEPORTED.
YOU GET DIVORCED FROM GREGOR,
THEY'RE GONNA KICK YOU OUT OF THE COUNTRY, RIGHT?
BUT THEY DON'T DEPORT WIDOWS.
I THINK YOU SHOULD LEAVE.
YOU WERE SO CLEVER.
YOU KNOW WHAT THE REAL STROKE OF GENIUS WAS?
YOU GOT ME INVOLVED IN THE PHONE CONVERSATION.
THE POUNDING, POUNDING, POUNDING...
THAT WAS BRILLIANT.
THEN I REMEMBERED...
IT HASN'T LEFT ME...
THE OLD MEMORY...
I SAW THE TAPE HERE...
PLAY MISTY FOR ME.
RIGHT?
I SAW IT. I KNOW I DID.
AND THERE'S THAT GREAT SCENE IN THE MOVIE
WHERE SHE'S POUNDING ON THE DOOR,
TRYING TO WAKE HIM UP. POUNDING, POUNDING, POUNDING, POUNDING.
I'LL BET YOU IF I PUT THE TAPE IN THE VCR RIGHT NOW
IT'S CUED TO THAT VERY SPOT.
AM I RIGHT?
I'M NOT GOING BACK TO CUBA!
YOU'RE UNDER ARREST FOR THE MURDER OF GREGOR BUKANTZ.
[NO AUDIO]
HEY, RUDY! HEY. HEY, BUDDY, WHERE ARE YOU GOING?
HEY!
UP THE STREET, MAN.
I GOT TO MEET SOMEBODY.
PULL UP YOUR PANTS, MAN. YOU'RE EMBARRASSING ME. DAMN.
I LOVE THAT LOOK.
HALF MY COLLARS ARE GUYS LIKE YOU
TRIPPING ON THEIR OWN PANTS.
WOULDN'T SURPRISE ME
IF IT WAS A COP WHO INVENTED THAT TREND.
AND HOW YOU DOIN', KEVIN?
YOU LOOK GOOD.
EH, I'VE BEEN BETTER.
YOU DON'T CALL ANYMORE. WHAT'S UP WITH THAT?
I GOT BUSY.
YOU GOT A NEEDLE IN THERE?
RUDY, YOU WOULDN'T WANT OLD DEBRENO TO PRICK HIS FINGER NOW,
WOULD YOU?
HERE, MAN.
YOU HOLDIN'?
I DIDN'T DO IT.
I KNOW YOU DIDN'T.
YOU DO?
SURE. IT COULDN'T HAVE BEEN YOU.
COULD IT? HA HA HA HA HA.
LISTEN, I NEED SOME HELP.
WELL, I'M HERE FOR YOU.
WHO'S DEALING GOLD STAR?
SHOOTIN' GALLERY, FIFTH AND ELLIOTT.
GET YOURSELF A BELT BEFORE YOU KILL YOURSELF, ALL RIGHT?
HEY, MAN, YOU GOT ANY GOLD STAR?
OH, YEAH. CHECK ME OUT. IT'S COOL.
OH, THAT'S JUST MY KIT, MAN.
IS 40 OK?
ALL RIGHT. SURE.
OK. SERIOUSLY.
THANKS, MAN. APPRECIATE IT.
COOL. LATER, MAN.
SORRY ABOUT THAT.
HEY, CHRIS.
CHRIS.
CHRIS.
[GRUNTS]
[FOOTSTEPS]
[GASPS]
O--HEY, KEV.
WHAT--WHAT ARE YOU DOIN', MAN?
I'M TAKING YOU OUT OF HERE.
WAIT A MINUTE. LISTEN!
OOH!
[COUGHING]
SETTLE DOWN.
[CRYING]
GET OUT.
GET OUT OF THE CAR.
[UNLOCKING HANDCUFFS]
YOUR ALONZO MONEY.
YOU KNOW, I'VE NEVER RATTED ANYBODY OUT BEFORE.
I MEAN, IT'S NOT REALLY
AS SOON AS THEY PULL ME OFF THIS CASE, I'M GONNA KICK--
OH, CHRIS, STOP LYING TO YOURSELF.
YOU'RE NOT A COP ANYMORE.
YOU'RE NOT EDDIE LONDON. YOU'RE CHRIS GUNNER.
YEAH. AND YOU'RE A JUNKIE.
PLAIN AND SIMPLE.
YOU'RE A JUNKIE.
YOU MAKE ME SICK.
YOU KNOW, I KNEW THE CHANCES OF YOU GOING THROUGH THAT DOOR WERE PRETTY SLIM.
BUT I HAD TO TRY SOMETHING BEFORE I FOUND YOU
FACE DOWN IN YOUR OWN VOMIT SOMEWHERE DYING.
YEAH, IT'S EASY FOR YOU TO SAY IT.
YOU UNGRATEFUL BASTARD!
DO YOU HAVE ANY IDEA WHAT I'VE BEEN THROUGH THIS WEEK FOR YOU, HUH?
YOU DON'T KNOW WHERE I'VE BEEN.
YOU DON'T KNOW WHAT'S IT LIKE!
YOU--YOU KNOW WHO I SAW THIS WEEK, HUH?
ELLEN. I SAW ELLEN. I SAW YOUR SON.
THAT'S RIGHT, CHRIS.
[CRYING]
HE HAS YOUR EYES, BUDDY.
YOU KNOW, I SAW MY KID HIT HIS FIRST HOME RUN.
HOW MANY FATHERS CAN SAY THAT, HUH?
OH, BIG DEAL.
DID HE EVEN KNOW YOU WERE THERE?
DID HE EVEN KNOW YOU WERE THERE, CHRIS?
NO.
I DIDN'T THINK SO.
DO ME A FAVOR.
JUST STOP CARIN' SO MUCH, ALL RIGHT?
LOOK, CHRIS, IT'S YOUR CHOICE.
YOU CAN GO IN OR YOU CAN WALK AWAY.
DO WHATEVER YOU WANT.
COME ON, KEVIN. IT'LL BE AN ADVENTURE.
[ENGINE STARTS]
I TURNED HER DEFENSE OVER TO ONE OF MY ASSOCIATES.
UH-HUH.
DO YOU LIKE ONIONS? I FORGOT.
NO. NO.
REALLY?
YEAH, REALLY.
HOW ABOUT CHEESE? YOU LIKE CHEESE?
I LOVE IT.
IT'S DELICIOUS.
ALL RIGHT.
MM. ISN'T THIS NICE?
EXCELLENT.
OH. A TOAST?
OH.
TO YOUR...BEAUTY.
OHH. THANK YOU.
BETCHA.
SO TELL ME SOMETHING, VANESSA.
WERE YOU SERIOUS WHEN YOU SAID
YOU WERE NOT GOING TO HAVE ANOTHER HUSBAND?
WHY? ARE YOU PROPOSING?
NO. NO.
JUST CURIOUS.
SO HAVE YOU GIVEN UP FENCING?
I DECIDED TO GO BACK TO MY ORIGINAL PASSION,
WHAT I'M GOOD AT, WHAT I KNOW THE BEST.
HMM. AND THAT IS?
THE DANCE OF LOVE.
HMM. THE DANCE OF LOVE?
THE TANGO.
OH.
[TANGO PLAYING]
THEY ONLY COST $15 AN HOUR.
15.
I'M NOT QUITE UP TO THIS. HA HA HA!
YOU WILL BE.
WELL, I NEED SOME LESSONS.
CAPTIONING MADE POSSIBLE BY CBS PRODUCTIONS AND CBS, INC.
CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE - www.ncicap.org--
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