Original subtitles

(inspiring music)

RADIO: A chilling crisis continues

as the dead rise with unconfirmed reports

of city bombings in a desperate attempt

to contain the outbreak.

MALE SPEAKER: Previously on, On the Run.

SCAVENGER: Have you seen this woman?

There's a lot of people out looking for her.

NIKKI (O.S.) Nia. We couldn't find her.

(gunshots) She got away too quickly.

It’s okay. Come on!

LEON (O.S.) I know who you are.

You murdered that little girl.

Ruby! Oh Ruby! Oh my god.

ANNA (O.S.) This house is our best option.

I love you so much.

BELA (O.S.) I love you too.

RYAN (O.S.) This night’s about us.

You don’t have to worry about anything else.

Anna!

(gun clicks)

LEON: Any sudden moves...

you can say goodbye to your friends.

(Anna) This is a mistake!

Please, just let us out of here!

(crowd cheering, hollering)

JIMILEE (O.S.): Family!

(cheering fades)

Family, family, family!

Here we are again.

Why does this keep happening?

Don't you understand?

We're supposed to be a family.

And if we're not family, then you're a problem.

And we don't like problems.

(Hostage) Please. Please.

(gunshot)

(thud)

(crowd cheering)

(crowd falls silent)

(haunting music playing)

(Music fades)

NIA (V.O.) I’ve written this letter a dozen times

trying to find

the right words...

but none of them feel enough.

Nothing feels right.

(zombie snarling)

(fleshy stab)

♪ I am the circle that never completes ♪

(Nia) Nothing I say will make this hurt any less.

♪ The hunger that lingers ♪

My daughter.

She's gone.

♪ I am the river that carries no tide ♪

She was my world.

My purpose.

All I had left.

♪ I am the compass ♪

♪ that spins without ends ♪

There’s this...

darkness inside my heart.

That won't leave.

I need time.

I need time to focus.

The group needs me.

Now more than ever.

I'm leaving you this map.

It will lead you to my grandparents' house.

It's safe.

At least it's safe as it can be

anywhere in this world.

Here's food. Supplies.

And enough protection

to give you a fighting chance.

Forrest.

The rest is on you.

You have to survive.

You have to learn to fight,

to keep moving.

I - I love you.

That's why I'm doing this.

Please.

I hope you understand.

Take care of yourself.

Stay strong.

Survive.

♪ Day without sun ♪

♪ night without star ♪

(chopping wood)

♪ I'll measure the distance ♪

♪ by how lost we are ♪

♪ I am the circle that never completes ♪

(radio static)

Nia?

♪ I am the fire that carries no light ♪

♪ The echo that withers ♪

♪ before it can hide ♪

♪ I am the compass ♪

♪ that spins without ends ♪

♪ I am the promise that breaks when it tries to bend again ♪

♪ I am the language without a tongue ♪

Get out of my head.

(ear ringing) FORREST: She’s not even worth it.

She never even cared about you.

Or else she would have never left.

(items falling outside)

(zombies snarling outside)

Fuck.

Yeah?

Come get it.

(crowbar impact)

(thud)

(thud)

(ringing increases)

(ringing stops)

Forrest.

(Forrest chuckles)

Hey, little brother.

Good to see you.

And it looks like you brought some company.

Great.

How about you uh

come on in and I'll make us some soup.

You can't ignore this Forrest.

She's not the same anymore.

(Forrest) Yeah.

A lot of people change when their kid dies.

Nia’s definitely proved her point.

Yeah. She's not grieving anymore, though.

She's...

hunting.

The hell are you talking about?

(paper rustling)

Look at it.

The ones Nia’s after.

It’s a mother,

a daughter, few others.

We've been tracking them for days.

Come back with me before she gets everybody killed.

She's desperate,

and she's dragging everyone into a death trap.

Come back and help me stop her

before she gets everybody killed.

Before she gets You or I killed.

Or what about this?

I can help her.

(Zane) No. She wants this woman alive.

Yeah, but if I bring her the daughter.

I can make everything

go back to the way it was.

Forrest just think about what you're doing.

You're not seeing this the way I'm seeing it.

I've already lost my world twice!

This is the time that I can use

to put things back together.

Let's go.

(suspenseful music)

(dramatic music)

(zombies snarling) (chain fence shaking)

(LEON) Go ahead and climb that fence.

I'll shoot you.

(Anna) God!

(fence shaking)

I got that package for ya.

LEON (RADIO): I got five in tow.

(radio crackles) NIA (RADIO): Great.

Where should I meet you?

I have them locked up here at the mall.

Got the woman.

And the boy.

Meet me at checkpoint Charlie.

(Kevin) What do we do!

(Ryan) I don’t know.

(Zombies snarling)

(Kevin) Here. Boost me up.

Alright.

One. Two.

Three.

(Ryan) How's it looking?

- We got about a 15ft drop.

Shit.

Okay.

(zombies snarling) (chain rattling)

PA SYSTEM: Everyone load up.

The fugitives have been found and are trapped.

It's time we get back what’s been stolen from us.

From all of us.

Let's move!

(guns rattling)

(vehicles driving)

(zombies snarling) (fence shaking)

Mom!

BELA: Mommy!

(suspenseful music playing)

ANNA: Bela!

Hurry! Hurry! Hurry! (grab)

ANNA: Don’t you touch her!

Whose kid is this?

Don't touch! She's mine.

It's okay Bela! It's okay.

I love you, honey.

LEON (O.S.): You're a mother?

Yes. She’s mine.

Please just let us go.

She's gonna be here any minute.

She will kill all of us.

She’ll kill that baby!

(Anna) Please just let us go.

Bela come here.

Come here. It’s okay.

(Leon) Damnit.

They kill kids?

(Anna) Yes, they already have.

And they... They don't care.

They'll kill anybody.

Let us go, please.

It’s okay. Look at me.

Just look at me.

(Bela) Mommy I’m scared.

(keys jingling)

KEVIN: Okay. Come on.

Hurry. Hurry.

Bela. It’s okay.

(tense music builds)

(Leon) Follow me. I’ll get you your stuff!

(zombies snarling)

(dramatic music)

(footsteps running)

(dramatic music)

(mournful music playing)

I had a daughter once.

I couldn't save her.

But you could save yours.

Go! Go!

Get out of here! Go! Go!

Come on Mommy!

Come on!

(intense music playing)

(trucks driving)

(distant gunfire) (metal impacts)

(gun clicks)

(gunshots) (trucks braking)

(Nia) Oh Leon.

Why did you disobey my direct orders?

Huh!

Why? Why did you disobey?

Tell me huh Leon?

What happened, huh?

LEON: I don’t...

NIA: You don't what?

- I don’t turn in kids!

Oh! He doesn’t turn in kids guys!

Aw! Poor Leon.

Well, guess what, Leon?

You don't kill anybody anymore.

(gunshot)

Yeah!

Well, that's how we do it, guys!

(footsteps running) There they are!

Get em!

Let’s go guys! Let’s go!

(engines starting)

(crowd cheers) (shouting)

(tires screech)

(sinister music playing)

(footsteps) (gear rustling)

ANNA: Come on! This way!

Come on!

(dramatic music)

(vehicles passing)

(zombie snarling) (Anna yells)

(gunshot)

(zombie snarling)

(slash)

(Kevin struggling)

(gunshot)

(Anna) Go in there!

Go! Go! Go!

Go!

Come on, guys.

(dramatic music)

(trucks braking)

(action music playing)

GUARDS: Search the area!

They’re close.

Go! Go! Go!

(gear rattles)

ANNA: Bela.

Listen.

I need you to focus, okay?

Slowly.

In and out.

(Bela panting) Slowly.

Calm down.

RYAN: We don’t have time for this.

ANNA: She can’t run if she

can’t breathe Ryan, Jesus!

It’s okay.

It's okay.

AMELIA: Guys, I’m gonna go and try

to find an exit.

(Max) They're not getting away this time.

We got a fresh body over here!

(sinister music playing)

This is fresh.

It just happened!

FORREST: Alright, spread out!

Search the cars!

(slide racks)

(dramatic music intensifies)

(snaps fingers) Hey.

In there.

(dramatic music)

We know you're in there!

We're coming in.

Your asses is all dying today,

so you better get used to that idea.

Just come on out, okay?

NIA (O.S.) Make this easy on everybody...

Just get out here

and we can end this nice and clean.

(backpack shifts)

ANNA: Take this okay?

But mom.

(Anna) Come on. Just like we trained.

Remember?

It's okay. Come on.

We're gonna have to fight.

(music intensifies)

NIA: Come on out.

Okay?

Make it easy on everybody.

Just get out here and we can end this.

Nice and clean.

All right, or we can do it pretty dirty.

(Kevin) Ready?

(gunshot) (glass shatters)

(several gunshots)

(Kevin gasping) (glass shattering)

(glass breaking)

(mysterious music playing)

Dammit!

ZANE: Anything?

(gasps)

Why the fuck does this keep happening?

(glass crunching)

ZANE: Just let them go.

We don't have the fighters like we used to.

Why would I do that?

Because they have a child Nia.

I had a child Zane.

But she was murdered

from her.

She didn't give a fuck.

So why should I?

(Nia) Circle the streets!

Search every fucking inch.

Move! Go! Now!

(trucks start)

(zombie snarling)

(stab)

(body thuds)

Let's go.

(dramatic music)

(distant truck passing)

What is it?

What is it?

I thought I heard something.

It's clear. Let’s go.

RADIO: Team A and Team C

are going to check the school

on east street.

WOMAN ON RADIO: Copy.

They’re nearby.

We’re gonna catch those fuckers.

(suspenseful music builds)

(tires screech)

Go go! Go!

Go! Go go go go!

(gunshots) (fabric rustling)

Let’s go! Let’s go!

(gunshot)

(action music playing)

(gun reloading)

BELA: Mommy?

Mommy.

ANNA: Ryan!

Oh. Ryan.

Hey. It’s okay.

You’re fine. You’re alright.

Hey. It's fine. It's fine. All right.

You're fine.

Hey!

(emotional music swells)

You gotta get up.

Okay. Come on, please get up.

- You have to go. - Please get up.

No.

- She’s not gonna lose you too. - Get up.

You’re going with us!

(Ryan) No I’m not.

Go!

Please come with me!

I’ll hold them back.

Go.

(Anna cries)

Go.

ANNA: I love you.

I love you too.

I will hold them off for you!

Get out of here! Go!

Let’s go.

BELA: Ryan! No! No!

(Suspenseful music builds)

We got the boyfriend.

(Radio static)

NIA ON RADIO: What's your position?

The alleyway on second.

JANE: What now?

We go get the rest?

NIA ON RADIO: Okay. Hold position. We're coming to you.

Don't let him get away!

(distant motorbike)

(body grabs) (Ryan panting)

(body thuds)

(gunshot)

(gun clicks)

(Knife unsheathes)

(Forrest screams)

(Nia) I said I need him alive!

(Forrest) You said kill on sight.

No.

Hold this.

It’s not going to be that easy.

We’re gonna use you as leverage.

Let’s see if your girlfriend will come out to play now.

Put you on that fishing line.

All right, let's go.

Lift him up.

Let’s get out of here, guys.

Come on.

Let's go.

(grunting)

(mournful music playing)

(Anna shushing Bela)

(door closes)

(Bela whimpering)

We can't go back that way.

(Kevin) It’s clear.

I got you, okay?

Are you good?

You good?

Yeah. You okay?

(Kevin shushes Bela)

(Kevin) Here take this off.

No. No.

(Bela) I don’t want to leave Ryan.

It's okay. It's okay. Okay.

Take this off. Shh.

It's okay.

Why would you leave him?

We can’t -

leave him.

(Kevin) I know you’re scared.

It's okay.

I need you to be brave, okay?

(Bela) Okay.

Alright?

Here.

Daisy.

What would Daisy say?

She would say that I have super powers.

Okay.

And what else would she say?

She would say that I’m a big girl and that I’m brave.

Yes. You're brave.

You gotta be strong

if we're gonna get out of here.

- Okay? - Alright. - Alright.

Okay.

Here. Put Daisy in here.

Let’s go see Mommy.

Okay.

(Anna) I love you so much.

I love you too mommy.

I'm so sorry.

I'm sorry.

I love you.

I love you, too, mommy.

(soft crying)

Go with Kevin. Okay?

(Kevin) Let’s go find an exit.

Okay.

Come on. Come on.

(Kevin) Maybe a game of Eye Spy?

(door closes)

(somber music playing)

(Anna crying)

(Amelia) Anna?

Anna. Where do we go?

(door opens)

Ah. Found you!

Hold it right there.

Don’t move.

(tense music playing)

Where's the girl?

Where is she!

(slow motion gunshots)

(automatic gunfire)

(shell casing drops)

You killed the pregnant lady?

Really?

(Amelia weakly) Help... me.

Tell me where the girl is. Or else

you'll end up like your little pregnant friend

over here.

(Bela yelling upstairs)

(door upstairs closes) No!

(Thud)

(distorted ringing) Forrest.

Wait!

All we need is her.

That's all Nia wants.

Yeah? I know.

Nia wants her alive.

Take care of it

Alright?

Radio the others.

I'll be right back.

Forrest!

Forrest!

(fast-paced music playing)

(zombie snarling ahead)

(thud)

(gun reloading)

(Kevin) Bela. Come on.

(rapid gunfire) (shell casing drops)

(eerie music playing)

(Anna) No. No!

I'm trying to do you a favor.

No one else needs to die today.

(kick)

(kick)

(action music playing)

(Anna yells)

(impact)

(body grabs)

No!

(boots kick wood)

(body impacts floor)

(Zane) Stop!

Let go of me!

I can’t do that!

(both struggling)

Listen, I could talk to Nia.

She’ll let this go.

(soft pats)

(heavy breathing)

(Zane) Listen.

You need to relax.

I can talk to Nia,

okay?

We can deal with this together.

Nobody else needs to die today.

Okay?

I can talk to Nia.

Listen.

(wooden impact) (Anna screaming)

(Anna struggling)

(hard kick)

(body impact)

(both struggling) (hand grabs)

(Anna grunting)

(tense music swells)

(door opens)

(dramatic music)

We're gonna have to crawl

and be very quiet okay?

Okay.

(Bela softly) Please don’t leave.

Just stay here.

(suspenseful music playing)

(clank)

(tense music builds)

(floor creaking)

(gun grab)

(automatic gunfire)

(Kevin grunts)

(heavy breathing)

Oh, no.

(Forrest yelling)

(eyeball squishing)

(body impact)

(intense music playing)

(knife stab)

(Kevin screaming in pain)

(kick impact)

(gun clicking)

(both men struggling)

(tense music builds)

(choking)

(Zane) Let go!

(distorted heartbeat effect)

(kick impact)

(tense music builds)

(wood impact)

(Zane) Wait. Wait.

(whack)

(Anna gasping for air)

(men struggling) (objects falling)

(Kevin gasping)

(cicadas chirping) (Bela panting)

Ah! (body hitting ground)

(punch impact)

(punch impact)

(Kevin choking) (breathing heavily)

(gun rattling)

(gunshot)

(Kevin) Bela.

(gunshot)

Bela!

(zombie snarling)

(footsteps)

(impact)

(fast-paced music playing)

(squeaky door opens)

(atmospheric music playing)

(locked door rattles)

(squeaky door opens)

(locked door rattles)

(squeaky door opens)

(Kevin) Bela?

(gunshot)

(gun clicks)

(dramatic orchestral music playing)

(panting, grunting)

(Kick) (gunfire)

(Nikki on radio) We hear gunfire on the east side of town.

That's where the church is.

I'm sending a team out now.

(Nia on radio) Everyone hold your position.

I will be handling

what's going on at the church.

Everyone else.

You just make sure that

the dead don't interrupt us.

If you see any of the fugitives running...

you're going to capture them, and

return them back to the compound.

(music intensifies)

That woman will pay for what she did.

Her and everyone else.

(zombie snarling) (footsteps approaching)

(plank impact)

(haunting music playing)

(Kevin choking)

(distorted ringing) (Kevin choking)

(Anna) Get off of him!

(body impact)

(tense music playing)

(punch impact)

(punch impact)

(punch impact) (Glass movement)

(punch impact) (punch impact)

(Forrest grunting in pain)

(Stab)

(Anna screams)

(wound tearing open) (fleshy sounds)

(Stab)

You bitch.

(tense music builds)

(Anna) Come on.

Fucker!

Is that all you got?

Huh?

Come on!

Oh yeah? (Forrest chuckling)

You know what?

(Kevin) Hey!

(whack)

(whack)

(whack)

(Forrest falling) (gagging)

(Forrest choking on blood)

(impact)

(impact)

(impact)

(ominous music playing) (Kevin hitting Forrest)

(Kevin breathing heavily)

(metal wrench rattling)

(sinister music playing)

(door opens)

(Ruby) Mom?

Oh my god. Baby!

Oh!

Baby!

Baby, it’s okay.

Baby come back!

Baby!

(bass impact)

(gunshot)

(grunts in pain)

(tense music builds)

No. No.

No!

(cries out)

God damnit!

You!

Kevin.

Now bitch it's just you and me.

(Nia) This is everything I have been dreaming of.

(Anna groaning)

Jesus.

You can't even stand up.

You’re fucking pathetic.

Are you happy now?

It's what you wanted, huh?

Oh no.

This is only half of what I wanted.

Because I really wanted to see your face

when I murder your daughter.

It’s eye for a fucking eye.

You killed my daughter.

Now I'm going to kill yours.

(Anna) I did not kill your daughter.

I saw you.

You shot her.

(distorted gunshot)

(Anna) She shot herself

Nia!

With a gun that you gave her!

That’s fucking bullshit.

She knew everything she was supposed to do that day.

I taught her. I made sure of it.

You're a fucking liar.

You shot her

and you just left her there to bleed out.

Huh!

It doesn't even matter.

You gave her that gun.

Liar.

You sent her in there.

It's your fault.

Shut up!

Shut up!

I don't hear any more of your mouth.

This is too fucking easy.

I’m not gonna use this gun on you.

(Anna) You're wrong.

I went to get help to come back for her!

Shut up!

Shut up! Stand up! Get up!

Stand up now!

I’ve had it with you.

I want you to feel

all of the pain that I'm going to inflict on you.

I don't need this.

Or this.

(punch)

(Nia chuckling)

Is that all you got, Little Miss?

That's everything.

(body kick impact)

Come over here!

(Nia) Oh? You don’t wanna see that pretty face get

all messed up do you, little Bitch!

(Nia) I’ll fuck your face up!

You know who used to have a pretty face?

My daughter had a pretty face

until you fucking killed her!

You fucking bitch!

Get up!

Get your ass up!

(Nia) Let’s do this.

(punch impact)

(punch impact)

(punch impact)

(kick) (Anna screams)

(loud thud)

(grabs glass shard)

(punch impact)

(punch impact)

(biting) (flesh squelches)

(Nia screaming)

(Nia) You fucking bitch!

(kicks thud)

(kicks thud)

(kicks thud)

(heavy breathing)

(stab, flesh opens)

(Nia cries out)

(kick lands)

(kick lands)

Nia!

(punch impact)

(punch impact)

(grunts in pain)

(kick lands)

(ringing sounds)

(kick lands)

(stab)

(punch impact)

Look at you.

You couldn't even get the blade in all the way.

How are you even going to survive

in this world?

Huh!

Look at your mommy.

So pathetic.

I think I'll take you with me.

I'll keep you safe.

I can train you how to survive.

Way better than your mommy can.

You won’t have to be on the run anymore.

But if I'm taking you with me,

I'm gonna have to kill your mommy

because one of you has gotta die.

Sorry.

But it's only going to make you stronger.

(footsteps approaching)

Nia!

(Anna grunts in pain)

(Nia) I’m gonna kill your mommy first.

Okay?

No.

Here.

(Bela) Stop!

You’re coming with me!

(Anna) Nia!

(loud gunshot)

(gunshot)

God!

(Nia cries out)

(Anna breathing loudly)

(coughing weakly)

(gasping for air)

(ominous music playing) Kevin?

Are you okay?

Are you alright?

Look at me. Look at me.

You're okay.

Alright? You're fine.

You're fine.

All right. Just um.

Keep pressure there.

Just hold on a second.

Alright.

Something in here?

Okay.

All right, all right,

Lean up.

It's okay.

(Kevin grunts in pain) It's okay. You're fine.

You're fine. All right.

Okay.

(Kevin) Oh, God.

No. No.

Oh! Stop!

Stop! All right.

Come on, come on.

Come on. Let's go.

Get up, get up. We have to go.

(Kevin struggling)

I can't, I can't.

This is it for me.

(Anna) Oh, no.

Don’t.

They’re gonna keep coming.

- No no no no.

(Kevin) You gotta go.

No.

- Yeah. - You're coming with us.

Let's go now.

Come on.

Please take her.

I don't want her to see this.

Please.

Hi Bela.

Sweet girl.

I need you to take care of your mom.

Okay?

Okay.

Promise me, okay?

You'll be there for her?

Yes.

(Kevin softly) I need you to be a...

A big girl.

- That's right. - I used my super powers.

You’ve been my -

You've been my

Very good friend.

My best friend.

And you've been the best uncle to Bela.

Do you remember the time?

Do you remember when you guys

were racing through the field

and you picked her up

to carry her across the finish line

so you’d finish together?

Do you remember that?

That was really sweet.

I'll never forget it.

And we’ll never forget you.

I love you.

I know you're ready to go be with your mom and dad now.

It's okay.

You can go.

We'll be okay.

(weak exhale)

Kevin?

(both crying)

Kevin!

Kevin! Wake up!

Kevin! Kevin!

Wake up!

Wake up!

Wake up.

Wake up.

(Bela) Wake up!

Kevin.

(Anna sobs)

(vehicle approaches)

(Bela) Wake up.

Bela...

We gotta go, okay? Alright?

We gotta go.

Alright? Let's go.

Come on.

No no, no no!

(Anna) Come on!

Mommy! No!

No!

No!

Bela! Come on!

(dramatic music swells)

(dramatic music)

(inaudible words)

(dramatic music)