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Captions by Able. www.able.co.nz
- Huia!
Huia!
- ♪ Pretty violent,
♪ runners-up in a casualty.
♪ Lost all common sense,
♪ both parties call victory -
♪ one delusional, then there's me.
♪ Pretty violent, making up with an IOU...
- You rang, madam? - Can I borrow your lace gloves?
- Also, do you have a gold coin for mufti day? It's for charity.
- Which charity?
Like, for other people.
I'll have a look, love.
- ♪ You're making me violent, but why?
- Bastards! Who says the script has to be 90 pages?!
Some guy just made that up one day,
and now it's like God's word.
Jules, Jules-Thanks, Mum.
No, he hasn't even read the fucking thing.
No, because he's...
- ♪ Harmony,
♪ living in harmony.
♪ I want you honestly.
♪ Living in spite of me.
- Morning, Da. - ♪ Whoa, oh.
♪ Whoa, oh, oh.
♪ Whoa, oh, oh, oh.
♪ Whoa, oh, oh, oh.
Don't you think they're a bit thin already?
- ♪ My body's nobody's body but mine.
♪ You've got your own body. Let me have mine! ♪
- I just think you're losing a bit of the expression
in your face. - Oh, shush!
Oh.
- Mum, I'm meeting the money men.
What do you think? - Hairbrush.
- Mum, can you drive me? - Oh, no. I'm late.
- Yeah, or I'll drive. - Julie's picking me up.
No, it's just down the road. - But how will I learn
if you never let me drive?
- Your father can teach you. - He lives on a boat!
- Exactly. - God! It's not fair.
- Cass, not now. - No,
but everyone else can drive. I drive all the time,
and I'm actually so bad at it.
Oh!
Please!
- I understand, but... - Please!
- Aah! - It's not fair, Mum!
- I think you should call me Maxine,
just to remind you I'm actually a person.
- Well, it's not fair, Maxine.
- You right? - Oh, right as rain.
- Please? - All right. Come on, Cassie.
- Bye, love.
- All right, everybody listening up, please.
Please be seated.
Please hurry up. Get to your seats.
You're five minutes late already.
All right.
Everyone, this is Cam.
I'm relieved to that say Cam will be coming in
to direct the school Shakespeare this year.
Take it away. - Oh.
Here's the thing, guys. Can I call you guys, by the way?
I mean the kind of guys that means girls too, obviously.
All-inclusive. Onwards.
I don't like Shakespeare.
I love him.
You know, cos it's just the lyricism,
the timbre,
the i-am-bic pen-ta-me-ter.
It's just so laden with rhythm
and meaning,
and pure and simple out-and-out fun,
so I really just can't wait to get in the room,
get on the floor and play with you all, you know?
Well, not like that, obviously.
Trish gets it. - I don't.
- She will.
Ah, you are in for a treat,
because I think this year
is gonna be really special, guys.
Trish here tells me there's some major talent in this room.
Major.
So I hope you'll audition.
We'll have some fun, eh? What do you say?
- Yeah. - Shakespeare on three.
One, two, three.
Shakespeare!
- Making films is a mug's game.
Seriously, the shit you have to put up with,
I don't know why anyone would choose to do it.
And believe me, I have tried not to.
I mean, my life would be a lot easier if I didn't do it.
But the fact of the matter is, for me...
this is not a choice.
If I don't make films,
I start to die.
- Maxine, I'm just a bank manager.
I... I don't know anything about movies.
- It's not movies, Vincent.
It's cinema - art.
And filmmaking is the art of problem-solving.
Look, I've been trying to get this film up
for seven years now - seven. And I am finally,
almost, nearly just about there. But the thing is -
they're more likely to give us the green light
if we've raised half the money first,
and then they'll match us - dollar for dollar.
- Well, a loan of this size for a movie... cinema,
it's not really advisable, Maxine.
- Well, if I only ever did what was advisable,
I wouldn't be here.
Look, it's my house, my mortgage.
My previous earnings back it up. Hmm?
- Just. - We'll put you in the credits.
Yeah? You'll be part of New Zealand cinematic history -
in the canon.
- Hello, my darlings.
Are you a butterfly? - I'm a tiger.
- Oh. Oh, I like butterflies best.
- Me too. - Do you know, in the winter,
when it's very cold, all the monarch butterflies
travel from miles and miles away
to this one forest in Mexico.
- Mexico? - Do you know where that is?
It's a long, long way from here.
In this forest, millions of monarchs
line every space on every tree -
they look like mussels on a rock. And in the morning,
when the sun warms their wings,
they start to fall off the tree, first one by one,
and then more,
until it's just this incredible rain of butterflies.
- Like a butterfly thunderstorm!
- Can you imagine it?
The noise of that many wings rustling all at once.
What do you think that would sound like?
Like...
- It takes a very long time for them to get to this forest.
Sometimes they have to stop along the way...
and die.
But before they do,
they lay an egg.
And that egg becomes a butterfly.
And do you know what? When it's finally ready to fly,
it takes off and follows the exact same journey
that was started by its mother.
- Wow. Is that true? - Oh yeah.
- Oh.
- How are you?
Is there anyone else?
- Just me.
What!?
I love Shakespeare!
- You have terrible taste in men.
- What does that have to do with it?
Way too many Cosmo magazines.
I don't know even what that means.
- Hey, Cassie. Cool top.
Weird gloves, though.
- Mason put you as 'Fuck' the other day in Kill, Fuck, Marry.
- He put me as 'Marry.' So boring.
- Anyway, he wanted me to give you this.
- Sweet. - Sweet
Bye.
- Bye.
- See?
- What? - Nothing.
- What?
What do you want me to say? Hey, you were right.
- Oh my God. Huge news.
I'm gonna audition for the
Shakespeare. You've gotta help me.
Shakespeare's so weird, eh, it's like a different language.
Are you proud of me? Do you think Mum will be proud of me?
Oh my gosh, what am I gonna wear!?
This is pretty snazzy.
- Oh.
I was married in that.
- Ready for piano?
- I think I'll skip it today, love.
- What!? You always come.
Haven't got the walk in me.
- What happened to you? - Oh, it's nothing.
Looks worse than it is.
- Well, I could drive us.
Awhi's been teaching me. I'm honestly so good now.
Please?
- Pull out the choke, love.
- What's that? - That thing.
- OK.
- Good. Off you go.
- OK. Off we go.
- Make sure the road's clear behind you. Good.
- Feels like I'm not gonna make it, though.
- Yes, you are. - Are you sure?
- Yeah. Keep going.
You're good. There you go.
Good.
- Are you OK?
Stop!
Oh!
- It's a stop sign!
- Move! You're in the middle of the road!
- Did you look at the reference examples I put in the proposal?
One of them just won the Palme d'Or.
- That film was international.
- Everything's international if you're not here.
- The thing is that we've already raised half the money
through an independent investor, so, I mean,
we're only asking you to match it.
- Have you got a star, someone with pulling power?
- Oh, yes, we've got a star.
- Who?
- Kathryn Berry. - Ooh!
- Wow. - Has she signed?
- Well, we've just gotta dot the I's and, uh...
- cross the T's. - Yeah. But, yes,
basically. - Crikey.
- That's a development. - Wow.
Shit.
Oh.
- Kathryn Berry? What the fuck was that?
- I panicked. - Well, we have to get her now,
or we don't have a film. Jesus Christ, Maxine.
OK. We'll get her, Jules. Trust me -
I'm a director.
- Who's clever? Me! I am! - ♪ Can I walk here beside you?
♪ Can I speak your name?
♪ Can I just be here?
- We did it.
- Did what? - Got them over the line -
I might actually get to make it - ♪ Can I speak in anger?
♪ Can I speak in shame? - So you're going away again?
- ♪ Can I just be here? - Well, not immediately.
- What does that even mean?
- I could go away a lot more than I do.
- Wow. Thanks, Mum - Anyway, I'm not going away.
It's just the beginning of the process. Films take ages.
- Why can't you just be honest with me!?
- I am. - You're not! You always leave
stuff out, or you say stuff that isn't true.
- Cassie, sometimes things just aren't true yet.
♪ Gonna set your soul on fire.
- I...
- Close the door!
Hell hath no fury like a teenage girl, eh?
Huh.
I blame the parents.
We got the blinking green light.
Hey, what happened to you?
- Oh. Nothing.
Looks worse than it is.
- So you wanna have a bubbles, then?
- No, thanks.
- Yeah, right.
- We did ask you that bring a family member
to the meeting today.
Have you spoken to your daughter?
- Um...
- You really need to, Huia.
What happened to your hand?
- Oh, just a silly accident.
- We'll get the nurse to dress it.
- How long?
Oh.
- Hark! Where goes the beauteous majesty of Denmark?!
- Go. - Oh fuck. Oh shit.
Sorry. Um...
Alas, sweet lady, what imports this song?
- Say you? Nay!
Pray you, mark!
He is dead and gone, lady.
He is dead and gone.
At his head a grass-green turf
and at his feet a stone.
Willy is in the room!
He's vibrating - I can feel it!
Oh, we are going to have some fun.
Nice off-lines, Effy. - It's Awhi.
- Bravo.
Milady.
- He hadn't even read the fucking thing. I was sitting
there, trying to pitch, and I- Oh. What did they say?
- The commission have questioned if she's too old.
- Bastards! - They have concerns
that an audience won't pay to see a middle-aged woman
in a lead role.
- The whole point is she is middle aged -
I mean, menopause is basically the antagonist.
- Yeah. - The good thing is
Kathryn Berry's agent has responded,
which personally I think is a God-given miracle.
The thing is,
Maxine... - Yeah.
- she's only available for the next two months.
- Shit. - I know, it is incredibly soon,
but if we want a chance with Kathryn,
we just have to make this work. - Oh, well, I'll have to come
back and forth for Cass. She's been on my case lately.
Hell hath no fury like a teenage girl, eh?
Seriously, no, no.
Maxine, when we are in the South Island,
you are there until we have this it in the can -
or they don't insure the film.
Can she come down? - Nah, she's got exams.
We'll work it out, eh, Mum?
- Thank you, Huia.
- All right, let's keep going.
Oh.
- See you. Thank you.
- Right. Let's go.
Huh.
- I'm off out. Might be late again tonight.
Trying to pin down Kathryn Berry. Wish me luck.
- It's all bells and buzzers, your life, isn't it?
- I got Rosencrantz! - Oh, well,
that's brilliant, love! - I don't
even know who Rosencrantz is.
- Well, isn't he mates with Guildenstern?
- He?! - You'll be brilliant.
- There's so many lines to learn, it's crazy.
- Well, one foot in front of the other.
- What if I have to cry act? - The trick is you try not to.
Then the audience will.
- Are you gonna be there for the play?
Mm-hm.
I knew it.
- No, I will.
- Really?
- I wouldn't miss it.
Proud of you. You're brilliant. See you later on!
- He gave me a standing ovation. He loves me.
- No one likes a skite.
- You can sort your own tea.
Try that.
Yeah, go for it.
Yeah, no, it's pretty skunky, eh.
I got a part in the Shakespeare today.
- Random.
Hey, uh, you know you used to be in the D Squad?
- What's the D Squad? - The D Squad? Like,
the Development Squad.
Oh, OK, it's pretty much just, like,
hot chicks from school who aren't legal yet.
But, uh, nah, you've graduated now, so...
congrats.
- Um, I'm surprised they, um... they didn't, like,
announce it at assembly.
You know, 'The following...
'The following girls have graduated from D Squad.
'Please come up and get your certificates.'
- You're a weird chick, eh.
- Welcome to Houghton's Travel.
Please take a seat.
Right. And...
where are we off to today?
Mexico.
- Ah. So, the, uh, premium package includes a tour guide,
who will make sure you see all the right spots.
- That's wonderful. - Ooh.
Bit of a hike - you'd better pack your walking shoes.
- Oh, right.
- Bye. - All right, see ya.
- Hello?
Come and see...
For goodness' sakes.
- Sheesh. - It's all rocketing along, Max.
- Mm. - Touch wood.
It's funny how you can feel like a superhero at work
and...
complete shit at home.
- A mother's place is in the wrong.
- I'll take them.
Do you do malaria shots?
- Happy in that we are not overhappy.
- On Fortune's cap, we are not the very button.
- Nor the soles of her shoe?
- Neither, my lord.
- Then you live about her waist, or in the middle of her favours?
- Faith, her privates we.
- OK. I'm just gonna stop you there, Effy.
- Awhi. - Right.
That line is actually a laugh line.
So you should be able to get a big laugh there.
- What's funny about it? - Well,
cos it's talking about her...
You know? You know,
it's probably more just the way you say it, I think.
So really just emphasise it.
Like this.
Hmm.
Faith, her prrrivates we!
Hold on. It's gone. It's gone.
Can you feed me the line, Hamlet?
Can you say the line? - Then you live about her waist,
or in the middle of her favours? - Oh. Faith, her prrrivates we!
OK. That should do it for today.
That's a wrap, everyone!
And remember, when we're on the sidelines,
we feed our energy on to the stage.
- Whoo!
- Great work, Cass m'lass.
- Thanks.
Hey, listen, if you ever wanted to rehearse one on one sometime,
just let me know.
- OK. Thanks. - No, not at all.
I think you're really talented. - Cass.
- Yeah. - Let's go.
So, does your dad sleep here when he's back?
- If he's back. Ever.
He usually leaves beers in the fridge.
- Ooh! She's a rebel!
You can just dump it there. - Yeah.
Wait. This is actually so cool.
- Awhi. - Hold on.
- Can you just cut it out, please?
Seriously.
- You've been in a mood. - No, I haven't.
Yes, you have.
What?
- I don't think Huia likes me anymore.
- She's your nan - of course she likes you.
Cheer up, Cass, m'lass! Have I told you about the
- i-am-bicpen-tam-met-ter? - What?
- Willy's in the room. I can feel him
vibrating through my ballsack.
- Ew. - Can you feel it?
- Just breathe and feel it. - Ew!
He's such a dick. - He's all right.
- Hmm. You just like him cos he wants to fuck you.
- He does not! - He does, and it's really
fucking weird. You know it's true as well, and you like it!
- No. No! - Yes, you do!
You so do. I see the way you look at him.
- No.
- Just to let you know he is a teacher,
so you might wanna rethink that. - I don't even-Awhi.
- You just, uh,
whip the bottom off if you get too hot.
Whoo!
It's very inventive.
Haven't worn shorts in years.
Feels a bit breezy.
How'd you go? - Kathryn's reps wanna have
dinner with you - all four of them.
- Holy shit. - How soon can you get to
Sydney?
Ah. Uh,
where's Cass? - A rehearsal.
She said she'd be home for tea.
- I thought I'd cook.
- Oh. Righto.
- Yeah.
Oh. Have you seen the card for the house account?
Cos it's not on the bookshelf. - No.
What would you cook, if you were cooking?
Shit.
Shit, shit, shit. Oh!
I... I've got... I've got this.
This bloody thing. It's so sensitive.
Oh.
- What was burning? - Bon appetit.
- Oh.
- What's going on? - Nothing.
Can't I just make tea sometimes?
Let me get some of that. Off you go.
- Thank you. - There we go.
- Love this pumpkin this time of year. It's...
It's really good.
- Well, this is nice.
So, how was, uh, rehearsal today, Cass?
- Good.
- You get up to much today, Huia?
Well, I had a good day.
Kathryn Berry's agents want to have dinner.
Which means I have to go to Sydney.
- When? - Uh, tomorrow.
- But we were gonna work on the play -
we were gonna watch Kenneth Branagh!
- Yeah, but this is important, Cass.
Can't you watch it without me?
- I can't! It's too boring! I'll just fall asleep!
Oh.
Look, why don't...
why don't we go round the table
and say something we're grateful for?
- Stop being weird. - I'm not being weird -
I'm being positive.
- Huia? - It's your game - you start.
- OK. I'll start.
Hmm. What am I grateful for? OK.
I am grateful that Cass is enjoying her Shakespeare.
Hmm? I'm grateful to be working,
putting food on the table, doing what I love best,
even though sometimes it means I have to go away for a minute.
And I'm grateful for Huia, holding the fort for Cassie
while I'm filming. - Oh, but I'm not.
- Not what? - Going to hold the fort.
I never said I would. You assumed.
- OK. - I might be going away too.
- Where are you going!? - Were you gonna tell me
about this? - Were you going to ask me?
- Well, my film is finally happening.
- The world does not revolve around your film, Maxine.
- Well, what about Cass? - What about her?
I'm not her mother.
Have you told her yet you're gonna be stuck down there?
She's going to miss your play.
- You lied to me. - Well, no,
I was just waiting to be sure. We can work around it.
- You're lying! Why do you always lie?!
- I'm not lying, and it would help if you didn't always
freak out about these things.
- Yeah, because you don't tell me anything!
- Because you freak out.
Cassie, why are you so dead set on punishing me?
- Because you're never here! - I'm the one who is here!
- I'm staying at Awhi's.
Thanks for that
- This is why your father never loved you.
You were the one he didn't like.
- Hey.
Easy.
You all right? - Mm-hm.
- Looks like another game of 'Who's The Coldest'.
I'm staying an hour - max.
- Come on, Grinch.
Come on.
Come on.
♪ Pito Saute Aukilagi. It's the remix!
- ♪ It ain't good, it ain't good,
♪ cos you'll get jumped in my hood.
♪ Pito Saute Aukilagi. It ain't good.
♪ It ain't good, cos you'll get jumped in my hood.
♪ I'm hearing you still talking that shit,
♪ but none of your actions here are speaking to me.
♪ I'm talking it, walking it,
♪ my stomping style will stop your movement.
♪ Hold up who's this?
♪ Still leaving you with cuts and bruises.
♪ So cut the bullshit,
♪ before I rock your face with a pool stick.
♪ Dirty, Dawn Raid and Frontline, P-Money, Scribe,
♪ Savage and Con Psy...
- Tell me it's been an hour.
- This is fun. - No.
♪ Everyone just bounce your asses. Keep it moving, uh-huh,
♪ New Zealand music, South Auckland, raise your arms...
- Hey, uh, sorry - there's no glasses left,
so you guys might just have to use that one.
Crack-up.
♪ How many dudes you know roll like this?
♪ How many dudes you know flow like this? Not many, if any.
♪ Not many, if any. How many dudes you know
♪ got the skills to go and rock a show like this?
♪ Uh-uh, uh-uh, I don't know anybody.
♪ Y'all know who this is, act right.
♪ It's the kid coming up that's flow is untapped.
♪ Wrote enough drafts, know enough raps...
- Oh, hey, I got a, um, bet going with my mates over there.
- What? - I said I got a bet going with
my mates over there.
They, uh... They reckon I can't get you two to hook up.
- Dick! - Nah, like,
I'm actually serious, though. Like, it would be so hot.
♪ Cos I stay on. Give me your words to play on,
♪ and I'mma make your writtens look thick...
- Should we? - Go? Yeah. Hell yeah.
- You mean like this?
Oi, boys!
Awhi!
Wait. Awhi. Wait. Wait. Oh my God.
- Yeah, get it, Mason!
- Fuck. - Awhi. Wait.
- I'm fucking tired of being an accessory to you!
- ♪ Congratulations. You made it. Not many, if any.
♪ Not many, if any...
- Social climber. - ♪ Welcome to the remix...
- ♪ Please don't cry
♪ in the morning light.
♪ Please don't cry
♪ in the morning.
♪ Please don't cry
♪ in the morning.
♪ Please don't cry
♪ in the morning light.
♪ Please don't cry
♪ in the morning.
Hey, babe, um, can you just hop up?
Cos I'm getting pins and needles. Just turn your head.
Oh. Sorry.
- Are you my boyfriend, Mason?
- Nah, I like you, but no... no love, eh?
Like, no love involved.
- Oh. Yeah.
Is this an apology tea?
- That was really mean.
- I know, Max.
- She's ignoring my calls.
I'm trying to do it all, and instead,
I'm doing...
What if I can't pull it off? - Of course you can, love.
We'll be right.
- And what about your plans? - Oh.
They'll keep.
- Really?
- Mm.
Mmm.
Mmm.
Thank you.
- Thanks.
I'll, uh, text you when I land, if I can get the global roaming.
- Go well, love.
- Thanks, Mum. Love you, Cass.
Watch when you cross the road!
Double, double, that, that.
Double, double, this, double that.
Double, double this, that. Double, double,
this, this. Double, double, that, that. Double, double,
this, double that. Double, double, this, that.
Double, double, this, this. Double, double, that, that.
- Hey. Where's Effy?
- Double, double, this, that. Double, double, this, this.
- Oh, God. Hope she hasn't dropped out.
I might have to be her understudy.
- Double, double, this, this. Double, double, that, that.
Double this, double that.
All right, everyone, let's practise the opening tableau.
God, I love a good tableau.
I also just like saying the word 'tableau'.
Tableau, tableau!
- Cass! Come in, darling.
- Are you gonna do the show?
Well, I'm begging you to, because, um,
Cam's your understudy.
Do you ever get that feeling...
like you just don't know who the fuck you are,
like, even a little bit?
I feel like that the whole time.
Awhi, all I want is for someone to tell me that I'm OK.
- You need to sort your shit out.
- I want you to know that I'm always gonna be there for you -
always.
- Know that the way that I feel right now,
I've not felt in a long, long time -
to have that rejection, to be rejected.
And it's kind of funny because I'm sitting here rejecting guys;
25 guys went home that were 'rejected'.
And in the end, I'm getting rejected.
Oh, blast.
Ooh!
Oh!
Oh!
Argh!
- 7pm? Yes, of course.
- Just pop you in here. - Oh, it's lovely.
- Can I get you anything to drink?
- Uh, just water - tap, uh, please.
Oh, excuse me. Um... Can I just, um...?
Could you please treat me like I'm a big deal?
- Absolutely, madam.
It's an honour to have you dining with us this evening.
Shit.
Huia?!
Huia!
- She's just round the corner there.
- Hi. - Kathryn.
- Sorry I'm late.
- Uh, hello.
I wasn't expecting you. - I'm always so late.
God, so am I.
- I'd say I'm working on it, but, you know,
after a certain point, I think you just have to accept
this is who you are - you're probably not gonna change.
I blame the parents.
Oh, God, I don't know why I carry so much shit everywhere.
Ah, here.
I brought you this.
Um...
Her writing just...
Well, it just reminds me of yours - so tender, detailed.
The bigness of small things.
Your script,
it's beautiful.
That ending - I just... God, I cried like a baby.
- Oh! Really, Kathryn, that means so much to me.
- Oh, you just have no idea how much work I usually have to do
to make it... you know, to just make it feel like a real woman.
I... But...
you did it. I mean, it's...
It's all just there.
- Menopause is the antagonist.
I know.
I know all about it.
- Hey. Hey, hey. - It was here. I lost it.
What are you doing? Hey.
- Stop! Stop!
Huia. - She was here.
- What are you doing? - I lost her!
I... - Hey. Stop, stop. Stop.
Stop. Stop.
- It's OK. It's OK.
- Is everything to your liking, madam?
- Can I have a hug?
OK.
Yeah?
Sorry. Sorry. Um... - It's OK.
- Can I use your landline?
- Yeah. Yeah. - I haven't got global roaming,
and I just need to call. Thanks.
Goodnight.
- The number you have called is outside this coverage area.
Please try again later.
Huia?
Huia!
- Fuck.
Sorry. Hi. Sorry.
I'm looking for my mother.
- Tried to go through Security with a bag full of foliage.
Wrong ticket - caused quite a scene.
Poor lady. I think she's a bit confused.
- I'm right here.
- I'll give you a minute.
- Thank you. Thanks.
Where were you going?
- Mexico.
The...
doctor did some tests.
Dementia.
I don't think I'll see that butterfly rain.
- Hey. It's OK.
- I've got you, Mum.
- Are you sure?
- I can't be starting prep next week.
- We'll lose Katherine.
If we lose her, we lose finance.
- I know.
- He does confess he feels himself distracted,
but from what cause he will by all means speak.
- By no means speak. - What?
- He does confess he feels himself distracted,
but from what cause he will by no means speak.
- Oh, are you serious? I've been saying
that wrong the whole time? - Mm.
- Oh my God. I can't relearn it on opening night!
I can't learn it different now! It's, like,
in my muscle memory or whatever.
I'm so gonna be in my head for the whole performance now!
What happened?
- Nerves. - Oh.
- I can't do it.
- Nah. You're right - you probably can't.
- What? - Well, you're right.
You probably can't do it - better off not to try.
- Really bad. - Yeah.
- Guys, I've actually worked really hard.
- Not hard enough, though, judging by these lines.
- Mm.
- Oh.
I know what you're doing. And I don't have time for this,
because I actually have to get ready now for my play -
that's gonna be really good!
♪ My mother makes me munch my M&Ms on a Monday
♪ morning, ooh, ahh.
♪ My mother makes me munch my M&Ms on a Monday morning,
♪ ooh, ahh! - Great.
- ♪ My mother makes me munch my M&Ms on a Monday morning,
♪ ooh, ahh! - Big smile.
- ♪ My mother makes me munch my M&Ms on a Monday morning,
♪ ooh, ahh! - And smiling in the eyes.
- ♪ My mother makes me munch my M&Ms on a Monday morning,
♪ ooh, ahh! My... ♪
Ooh. Nearly got me.
Great energy, guys. Remember, everybody,
we are all Shakespeare.
Oh, there she is. I see you decided to join us, Effy.
- It's Awhi, you fuck!
- We've been rehearsing this for weeks, man -
learn her fucking name!
- OK.
Break a leg, Awhi.
Curtain call in 10!
You're a psycho!
- Ah. We'll go in a bit.
You look beautiful, Mum.
How do I look? - Hairbrush.
Go on.
Off you go.
- God save you, sir! - My honour'd lord!
- My most dear lord! - My excellent good friends!
How dost thou, Guildenstern?
Ah, Rosencrantz!
Good lads, how do ye both?
- As the indifferent children of the earth.
- Happy in that we are not overhappy.
On Fortune's cap we are not the very button.
- Nor the soles of her shoe? - Neither, my lord.
- Then you live about her waist, or in the middle of her favours?
- Faith, her prrrivates we.
- Cass. - Yeah.
- Come on, darling - come get in the car.
- Why? - Come on. Come, quick. Come on.
- Mum!
- Darling. Sorry.
Are you all right?
- I would say, at Huia's age, it is pretty unusual for someone
to return to full mobility.
Has she been
this way for a while? - Thanks, sweetheart.
No, she was never anything like this.
- It can happen following a traumatic event.
You might want to consider a care facility moving forward.
It's pretty clear her dementia's progressing fairly rapidly.
What?
Can we continue this conversation outside, please?
- What did you say?
Mum?
What did he say?!
We were just waiting for your play.
- Look, I do need to go over some things with you.
We can use the conference room down the hall if you like.
- Were you close to your nanna, were you?
No, we need to leave that line in, dear.
Leave that line in.
It can happen sometimes with dementia patients.
It's all right. She probably won't be the nana
that you're used to anymore.
I'm gonna have to take this out now.
That's what happens when you pull on it.
- Argh! - She doesn't like that!
Excuse me.
- Choke.
- How does this even happen? - I'm so sorry. I didn't see.
- What do you mean you didn't see? Your only job is to...
is to...
Oh.
Shit.
- Huia?
Huia.
It's OK. It's OK.
Hey.
Hey.
Let's get you inside.
OK.
Yeah.
Ready? Ready?
Fuck!
Where is she?
This way. This way.
Wh-What should I do? Tell me what to do.
- Cassie. Where are you?
- The boat-shed.
I've fucked up.
I don't know how to fix this. I don't know what to do.
- You're OK. OK. Listen. You need to breathe, all right?
I need you to breathe along with me. Can you do that? OK.
Listen to me. Listen. Cassie.
- Cassie, breathe with me. Now, breathe with me.
In.
- And out.
And in.
Out.
In.
Out.
- In.
And out.
- In.
Out.
- And in.
And out.
Where is Huia now?
- She's in the bed. I think she's in pain.
- I want you to go over to her and see if she's warm enough.
Yeah.
No, she's cold. - She's cold.
OK. OK. I need you to just get close with her.
Right? Skin to skin is the best way to keep someone warm.
So I need you get in. Can you do that for me?
Yeah.
OK. - All right.
Get in nice and close to her, all right?
- Yeah.
- OK. Is that working? - I think so.
- OK. - Yeah.
- It's all right. It's all right. I love you.
I'm coming.
- I don't wanna lose her.
- Neither do I.
Two is not a family.
- Two is a family, Cass.
It's our family.
I think it's gotta be.
It's all right, Cass. I'm here.
Hey, give me your hand.
I'm so sorry.
- Me too.
So, what's happening with your film, Mum?
- It's just on simmer right now.
Gotta make sure everyone's tickety.
I actually got a call from Kathryn the other day.
She's still keen.
- You can do it.
One foot in front of the other.
Perfect.
Yes.
I was just looking for you.
Happy birthday, Mum.
Mwah.
- Oh.
How do I look?
- Hairbrush.
Here we go.
- Here you go. Go...
You look beautiful.
We've got a surprise for you.
- Can we come watch? - Yeah.
- Look up.
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