Original subtitles

Good m noma, Mr Briggs S. Weu

Two years ago while on vacation in Austria,

she met and married Dr Kurt Zubrovnik.

Shen REVS ie tinea COVER CS

About a year ago, Kurt Zubrovnik was burnt to death

in a laboratory fire in their home.

Martha went on working after her husband's death,

Bo DO ecunees

We have

it is because this man,

is pressuring her to work behind the Iron Curtain.

If it were an ordinary pressure, we could fight it

and M 3 Zubeouas 15 50 being asked

to defect by the ghost of her dead husband.

Mr Briggs, your mission, should you decide to accept it,

would be to keep her from going behind the Iron Curtain

and get her working for us again.

As always, should you or any of your IM Force be caught or killed,

Secretary will disavow

any knowledge of your actions.

Please GiSpose efor rt this Te iBEGIOHag

Martha.

Martha, this is Kurt.

You can't see a beam

It's because I'm using a black light.

Very nice.

All right.

You'll be a psychi

- Ariana, would you for a drink?

- White wine soda, please.

oon a tape Seale ie d. I'd like vat to hear it.

Dr Zui StalES ao his wife

if it Were possible for him to come back

grave, he would.

And he seems to be doing it.

Famil fanise) yoursel

2 fake in the case, huh?

wish you wouldn't that word.

Fakes exist, Ariana.

1 know, but you know how I hate any dishonesty

in regard to the supernatural.

lk

Neither do lI.

't we just convince

Mrs Zubrovnik she's being

thro ctiosts mot rexll

Thank you for that.

Oh, come on, Dan.

the spirit ailieed ere d exists

and! you can't fight belief with loc

if you can't fight ghosts with logi

fight ghosts with ghosts.

That's right.

Ladies and gentlemen...

Why don't you earphones?

Dan was at the séance and he's familiar with it.

Dan, you know the truth about me.

you're as 5 Gnu afa fake as Poljac.

For the sake of the mission,

! don't absolutely sure.

Hello?

! thought we were expected.

Hello!

Hello!

We won't hurt you.

We won't hurt him?

Stay. Stay. Be calm.

Be calm.

Remember many kindnesses.

Good dog.

Good dog.

Who's that?

- Dr Zubrovnik? - Yes.

l believe we're expected.

Oh, yes, of course. I'm so sorry.

- Mister... - Rollin Hand.

- Madame Domi? - Yes.

- Mr Collier. - Yes.

Did you have a difficult trip from Vienna?

What dog?

A big) dog, it looks as if

it might E

Bulba?

Where did he go?

When my husband died,

- Let me show you) to your rooms:

- Oh, thank

You must be so tired 2

I'm so pleased you could come.

had somethinc

hese psychic people.

Sigmund Poljac.

My assistant, Mr Kroger.

- How do you do? - How do you do?

Rollin Hand.

Ariana Domi.

Barney Collier.

The skeptics.

. naire of the supernatural t ‘tua it.

Oh, yes. Of course.

Will you e e me?

Come this way.

Gentlemen, this is your room.

Oh, I hope you don't mind.

eft two of equipment

in the hallway downstairs.

Of course not.

We) look forward to a demonstration!

Perhaps you'd care to join us in an hour or so.

- You Mr Poljac?

- Yes, my husband.

- Looks like it's trying to rain. - Yes.

Soje iS Wein alarms

the exact time they're tripped.

Yes, é

trip the cameras.

Good.

just after we were married.

He if anything should happen

ry to come back to me.

Tonight is the anniversary of his death.

That's like the message Houdini lef

think we have greater

Please sit down, everyone.

Now, join hands.

Your left foot should) be touching

the of the person sitting you.

My control is named Dulois.

who was killed in the

I will try to reach him.

Dulois, we are here.

Dulois, we are waiting.

l feel you comi

approaching from beyond.

Come into me, Dulois.

Come into this place through me.

Dulois, I feel that you are near.

Why is it'so difficult for you to come?

There is doubt.

We are grateful, Dulois, grateful that

you have come to us so quickly.

Don't, please come back, Dulois.

They mean you no harm.

Dulois, don't leave us.

Eyes closed, everyone. No one move.

! am with you.

There is a message for Martha.

When you are finished,

Kurt will come to you himself.

Four.

Seven.

Back 19!

Death, not life

is the overture to eternity!

No one else knew.

! was the only one.

! will try to work harder.

! will try, I will try.

Oh, Kurt.

Kurt.

You all right?

Yes.

! was the only one who knew.

Four. Seven.

Back 19.

Open qui

"Death, not life, is the overture to eternity."

"Kurt."

Thank you, Mr Poljac.

And thank you, dear, dear Kurt.

There is life after death.

Very.

And you, Mr Collier?

- Very impressed. - Good.

l was greatly moved.

It seems to me there is no doubt there is a spirit in this house.

- Good night. - Good night.

What about that box?

The rust on the hinges was real.

You the paper; yellow with age,

and the seals on the envelope had not been touched.

Ariana, he was good,

but wasn't his voice a little obvious?

Perhaps.

Oh, come on, level us, Ariana.

It was nonsense.

Perhaps.

I'll try to concentrate.

Kurt your work to

and to be com

The whole house shook.

Bamey, maybelMrPoljaciis\right:

You know you don't re really balla diet

You are not oriented to be a believer.

Rollin, why did you let her think Poljac is right?

- Well, are you sure you can?

- What do you mean?

Well, there's no need to lie about it. ] told him the truth.

There is a spirit, a ghost, if you prefer,

in this house.

l supernatural.

tthe e Spirit here is Pat and loving.

But the spirit here isn't kind and loving,

Unfortunately,

it's quite malevolent.

uswally move 2

And that's w acti find the truth.

Kill the lights. We'll use the burner.

is a young girl of 16,

Frances, who died in 1900.

Frances.

Frances.

Can you hear me?

This is Ariana.

! am far from home,

but I know that you can hear me.

Frances.

Please.

Hear me and talk to me.

We are anxious.

We are so anxious

to talk to you.

Frances.

Ariana.

l hear you.

Frances, Frances.

[ihtete Wasa fife liete alyear'age

Yes.

Frances.

Frances, can you hear me?

Frances.

You were here a moment ago.

lam here.

Vengeance!

There is death.

And agony and close to you!

! don't like to talk about it!

It has an unquenchable power.

It hates. It hates.

It cannot be controlled and it will kill!

Oh, that was the spirit of the fire.

It's another spirit.

- Ariana, are you all right?

- Yes.

The spirit of the man who died in the fire.

That's it.

Kurt Zubrovnik is alive.

1 don't Know how I know.

Youm nyou came uo the conclusion

on the basis of her séance?

No, Barney, no. That's not it.

Now, look. The combination of the lock.

The contents of the letter.

that b box was no i emipered with.

Neither was the letter.

They're even torturing him, possibly.

If Kurt is alive, what was that?

they could 5 [URS someone else.

Wow!

they k of Kurt's interest

iritualism through Pola’

So they faked' his in

oO get of Martha's research.

Now all we have to do is find Kurt.

When I put the luggage in the storeroom,

Let's get a look at it.

No, wait a minute.

What about Martha?

Suppose she's not on the up up.

Suppose she's faki

to defect.

She woulldiet go to all Chek trouble.

Now let's take a look at the trunk.

All right. Ariana?

No. You leave me alone in here.

You try your way and I'll try mine.

That's it.

It's bolted.

Get the window.

- Can we get out the window?

- No, it's too hig

- Give me a hand. - How?

- electric there

and rip the cord off of it.

Here.

Oh.

How did you’ get in here, Madame?

The door was open.

Well, isn't this where the fire started?

Why you?

Oh, I'm interested in the circumstances of the death.

I think the magnet's going to work.

Almost had it.

Good boy.

Get the trunk.

Why, we w © only discussing

Now, why should upset you?

1 should prefer not to continue this discussion.

Kroger.

! want a word with you.

And ! with you.

How are you boys doing?

Did you find anything?

Not what we were looking for.

How about you?

Ofs SUES, al small community

and the butchering of lambs and cattle.

- The town we drove through. - Maybe.

Well, that's as good a guess as any.

lemen. me, Mr Poljac.

Somebody's tripped this camera by hand.

aoaltantellly moved d the lever.

That looks like the way out.

- Come on, Ariana.

Trying to find Kurt Zubrovnik

idea 10 minutes ago.

Kurt Zubrovnik is dead.

What's that blur in the corner?

That's a bee.

How do you know this? How did he die?

What I feel.

You're sure you feel?

All 1 know is what I feel, not what I think.

Hello. Yes, this is he.

Yes.

Kroger.

and he loses control over Martha,

he could make a sudden move.

You're right.

Tih 30 Son

Forgive me for bringing you

distance

for so brief a visit.

You're leaving? you going?

! must complete my work.

Away from this place ae coll = able 5,

If With) Poljacy we're finished

Poljac, the door is locked!

Kroger.

What is it?

Kroger!

He's dead.

Our only chance is to have

another they get away.

I've already got my spots picked) out:

Twenty to twenty-five minutes at the most.

Good.

Ariana, ! want you\ to get to Me

et her to agree to another séance.

Tonight. In half an hour.

ghost of Kurt Zubrovnik

accuse Poljac of being a murderer

and having held him prisoner.

Oh, Rollin. 1 can't.

- I'm sorry. - You've got to.

~testto Inenre bitin there tial

You mustn't ask me to do this.

he supernatural.

Barney, we're on our own. Better get started.

while we're in the living room?

Oh, don't be angry with me.

an ce Il try to arrange anothe e. But the rest is up to you.

- Yes, who is it? - It's Ariana.

l know how tired you must be; but I'd like to talk to you.

Come in.

What is it?

for a couple of days.

we'djreallylikejto\documentiit!

I must get away from

and complete my work.

That's what Kurt wants.

Martha, are you all right?

Martha, may l come inside?

- Yes, come in.

for a couple of days.

Were you?

feel husband's presence

very close to me.

You feel?

- A medium? - Could you?

There will be no one else.

- No. - You mustn't deny him to me.

ing)him tome)

Very well. But we must do it immediately.

I'll change at once.

Okay, try it.

Perfect.

We're going to have another séance.

Oh, really? Wonderful.

It always happens when there's a storm.

- Well, let's wait then. - Yeah, let's wait.

No, no, there isn't time.

Sit down.

Please sit down.

Dulois, moments of anxiety:

slZubiotnlls Kees

that the spirit of her husband is near

urgently demanding audience.

Dulois, is Kurt disturbed?

Is he near you?

Yes. He is near me.

He is impatient.

There are still strangers with you.

They annoy him.

His wife must finish her work.

When she arrives,

Kurt will come to her himself.

He is proud of her and of her work,

but he does not want to speak to her again

until she has arrived at her destination.

Martha, Martha.

! will speak to you.

Martha.

Martha, it is I.

It is Kurt.

Itis I.

What is this interference?

to come to you.

Martha, this is trickery!

No.

Martha.

Martha.

! am with you.

1 do love you.

Do not be afraid.

! thought you were angry with me.

! am not angry with you.

It is another man who was angry.

! don't understand: What man is angry?

It is a simple man who was murdered.

He was a beekeeper.

It was he, the beekeeper, who was angry.

! don't understand it. The damper's open.

Mr Poljac.

What's happened?

Mr Poljac!

- What's wrong with the

- Is that bees? - Mr Poljac.

- Oh, thank you. - Yes.

We wish you'd change your mind:

l want to stay here, w where Kurt is Ss.

And I'll work well, now that I Know the truth.

We need you and we'll miss you.

- Good. - Goodbye.

- Goodbye, Mr Collier. - Goodbye.

- Goodbye and thank you. - Goodbye.

Thank you.

at beekeeper?

l saw bees. It was a hunch.

Ariana, I'll never doubt you again, out loud.

And you, Rollin?

Well, ! don't know.

You don't know?

Jreatest

performance.