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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,501 --> 00:00:02,836 PREVIOUSLY ON "NYPD BLUE". 2 00:00:02,836 --> 00:00:04,971 PROMOTIONS COMING OUT TOMORROW. YOU'RE GETTING FIRST GRADE. 3 00:00:04,971 --> 00:00:06,573 - THAT RIGHT? - YEAH. 4 00:00:06,573 --> 00:00:09,109 THESE ARE GOOD BOYS. YEAH? ARE THEY TRUSTWORTHY TYPES, FRANKIE? 5 00:00:09,109 --> 00:00:10,877 DID YOU LOAN 'EM YOUR LOUISVILLE SLUGGER? 6 00:00:10,877 --> 00:00:14,414 -YOU KNOW ANYBODY NAMED CARLOS HERRERA? - WHO'S THAT? 7 00:00:14,414 --> 00:00:17,951 HE'S A KID THAT WAS KILLED THIS MORNING ACROSS THE STREET FROM BRUNO'S MARKET. 8 00:00:17,951 --> 00:00:19,686 NOW, WE'D BE LYING TO YOU, WALTER, 9 00:00:20,186 --> 00:00:23,823 IF WE DIDN'T TELL YOU THAT, WELL, YOU COULD BE IN HARM'S WAY HERE, I.D.'ing THESE GUYS. 10 00:00:23,823 --> 00:00:26,860 WHAT'S GONNA HAPPEN? THEY GONNA GUN ME DOWN IN THE STREET? 11 00:00:26,860 --> 00:00:30,997 I'M OVER MY HEAD WITH LIERY. I THINK HE MIGHT'VE SLIPPED ME A MICKEY OR SOMETHING, BOBBY. 12 00:00:30,997 --> 00:00:35,301 I REMEMBER WAKING UP 7:00 THIS MORNING AT HIS PLACE. 13 00:00:35,301 --> 00:00:36,870 YEAH, HUH? 14 00:00:36,870 --> 00:00:39,739 - TELL ME WHAT YOU DID TO ME! - I'M IMPRESSED, BUT NOT AFRAID. 15 00:00:39,739 --> 00:00:42,442 MMM? 16 00:01:07,567 --> 00:01:09,069 IS THAT A DETECTIVE? YES, UH-HUH. 17 00:01:09,569 --> 00:01:11,071 MORNING. 18 00:01:11,504 --> 00:01:15,008 I HAVE TO GET TO WORK, BUT, UM, I WANT TO REPORT A BULLET IN MY WALL. 19 00:01:15,408 --> 00:01:16,910 WELL, WHY DON'T WE TALK OVER HERE? 20 00:01:16,910 --> 00:01:20,213 NO, NO. I HAVE TO GET TO WORK. 21 00:01:20,213 --> 00:01:23,083 BUT I'M SAYING THIS PERSON HAS HAD FIGHTS AND LOUD ARGUMENTS AND MUSIC. 22 00:01:23,083 --> 00:01:27,520 AND HE FRIGHTENS YOU, EVEN POLITELY ASKING TO BE CONSIDERATE IN THE HALL. 23 00:01:27,520 --> 00:01:30,924 TELL ME ABOUT THE BULLET. FOUR NIGHTS AGO, THERE WAS A NOISE FROM HIS APARTMENT. 24 00:01:30,924 --> 00:01:33,893 WHICH HE SAYS IS ELECTRICAL. HE SAYS IT'S A KITCHEN APPLIANCE. 25 00:01:34,327 --> 00:01:36,796 BUT THEN LAST NIGHT, I FOUND A BULLET IN MY WALL. 26 00:01:36,796 --> 00:01:40,266 AND THAT WAS THE NOISE FROM HIS APARTMENT, AND HE KNEW THIS ALL THE TIME! 27 00:01:40,667 --> 00:01:44,104 MA'AM, I WANT YOU TO TRY TO CALM DOWN, BECAUSE WE'RE ABSOLUTELY GONNA LOOK INTO THIS. 28 00:01:44,104 --> 00:01:46,606 I'VE HAD IT. I CAN'T STAND THIS ANYMORE. 29 00:01:47,107 --> 00:01:49,976 I NEED YOUR NAME AND ADDRESS. JAMES LIERY, 4-C. 30 00:01:49,976 --> 00:01:52,612 - THAT'SHISNAME? - 854 MERCER. 31 00:01:53,046 --> 00:01:56,116 - AND WHAT'S YOUR NAME? - I'M NOT SAYING. I HAVE TO GET TO WORK. 32 00:01:56,116 --> 00:01:58,985 MA'AM, I NEED TO LOOK AT THE BULLET IN YOUR WALL, AND I NEED YOUR NAME. 33 00:01:58,985 --> 00:02:03,556 JAMES LIERY, AND HE'S A DANGEROUS MAN. I'M SURE HE'S A CRIMINAL. 34 00:02:03,556 --> 00:02:06,159 I'LL GET SHOT OR DIE FROM FEAR. 35 00:02:10,396 --> 00:02:12,298 DID YOU HEAR WHAT THAT WOMAN JUST SAID? 36 00:02:12,298 --> 00:02:14,167 [ Clears Throat ] DYING FROM FEAR? 37 00:02:15,468 --> 00:02:18,404 FOUND A BULLET IN HER WALL. SAYS JAMES LIERY PUT IT THERE. 38 00:02:22,909 --> 00:02:24,878 [ Sighs ] 39 00:02:33,086 --> 00:02:35,054 MORNING. HOW'S IT GOING? 40 00:02:35,054 --> 00:02:39,626 THAT KIND OF COMPLAINT, IF WE CAN'T ACCESS THE APARTMENT, DO WE STILL TAKE A CASE? 41 00:02:39,626 --> 00:02:41,494 [ Shakes Sweetener Packet ] 42 00:02:41,995 --> 00:02:44,364 WOULD YOU, UH, MIND IF I WORKED IT? 43 00:02:44,364 --> 00:02:46,166 NO, UH-UH. 44 00:02:46,599 --> 00:02:48,601 THANKS. 45 00:02:48,601 --> 00:02:51,271 HOW ARE YOU GONNA DO AT YOUR PROMOTION CEREMONY? 46 00:02:52,772 --> 00:02:55,675 JUST GOTTA TRY NOT TO TRIP. [ Chuckles ] 47 00:03:05,418 --> 00:03:07,420 I GOTTA GO SOMEPLACE. 48 00:04:24,364 --> 00:04:27,133 DETECTIVE, CLERK GRABBED THIS KID WALKING OUT A SILK SHIRT. 49 00:04:27,567 --> 00:04:30,069 AH, EXPENSIVE TASTE, HUH? 50 00:04:30,069 --> 00:04:32,071 WHAT'S YOUR NAME? MARCO RAMIREZ. 51 00:04:32,572 --> 00:04:34,073 TELL THE DETECTIVE WHAT YOU TOLD ME. 52 00:04:34,073 --> 00:04:39,045 I KNOW WHERE A BODY'S AT, BUT YOU GOTTA DROP THE SHOPLIFTING. THANKS, DONNY. 53 00:04:39,045 --> 00:04:43,850 COME HERE. ALL RIGHT, UH, THE BODY'S WHERE YOU SAY IT IS, 54 00:04:44,350 --> 00:04:46,853 AND YOU'RE NOT THE ONE PUT IT THERE, YOU GOT A DEAL. 55 00:04:46,853 --> 00:04:49,389 ALL RIGHT, THEN. 56 00:04:49,756 --> 00:04:54,294 THERE'S A DEAD MAN LAYING ON THE FLOOR IN APARTMENT 3-D, 57 00:04:54,294 --> 00:04:57,163 947 FOURTH STREET. HOW'D YOU COME TO KNOW THIS? 58 00:04:57,563 --> 00:04:59,999 SOME GUY BROUGHT ME UP THERE SAYING HE WAS GONNA GIVE ME A BOOM BOX, 59 00:04:59,999 --> 00:05:01,868 ONLY THE SON OF A BITCH AIN'T GIVE IT TO ME. 60 00:05:01,868 --> 00:05:04,937 - WHAT'S THE GUY'S NAME? - SOME GUY I MET ON THE STREET. 61 00:05:05,438 --> 00:05:08,841 TRIED TELLING ME THAT DEAD MAN WAS JUST DRUNK, BUT HE WAS DEAD. HIS EYES WAS ALL WEIRD. 62 00:05:08,841 --> 00:05:11,577 [ Martinez ] WHAT WERE YOU SUPPOSED TO DO FOR THE GUY TO GET THE BOOM BOX? 63 00:05:11,944 --> 00:05:13,413 - WHO SAID I WAS GONNA DO ANYTHING? - HOW OLD ARE YOU? 64 00:05:13,746 --> 00:05:15,381 - SIXTEEN. - NO, YOU'RE NOT. 65 00:05:15,748 --> 00:05:18,785 - WELL, NOT YET. I'M 15. - I DON'T THINK YOU'RE 15. WHERE DO YOUR PARENTS LIVE? 66 00:05:18,785 --> 00:05:21,888 - DON'T HAVE NONE. THEY'RE DEAD. - YOU DEALING DRUGS? 67 00:05:22,288 --> 00:05:23,790 NO. SO YOU'RE ON THE STREET? 68 00:05:24,290 --> 00:05:26,125 YEAH. AND YOU'RE GONNA LET THIS BOOM BOX GUY... 69 00:05:26,125 --> 00:05:27,894 GET OVER ON YOU SO YOU COULD GET AIDS AND DIE? 70 00:05:27,894 --> 00:05:30,263 I'M TAKING CARE OF BUSINESS. I'M MAKING A LIVING. 71 00:05:30,263 --> 00:05:32,865 YEAH, YOU'RE DOING GREAT, KID. YOU DON'T KNOW NOTHING. YOU'RE A DAMN FOOL. 72 00:05:33,132 --> 00:05:35,134 OKAY, MARCO, YOU'RE GONNA STAY HERE AND, UH, 73 00:05:35,134 --> 00:05:37,136 WE'RE GONNA CHECK OUT THE CORPSE AT THE APARTMENT YOU GAVE US. 74 00:05:39,439 --> 00:05:40,940 WE'RE GOING OUT TO LOOK FOR A POSSIBLE D.O.A. 75 00:05:41,441 --> 00:05:43,309 WHEN HE GETS IN, CAN YOU TELL THE BOSS? SURE. 76 00:05:43,309 --> 00:05:45,311 WHERE YOU PUTTING ME? THE YOUTH OFFICE. 77 00:05:51,984 --> 00:05:54,687 - DETECTIVE SIPOWICZ. - WALTER HOYT. 78 00:05:54,687 --> 00:05:57,156 THOSE BASTARDS STOLE MY PAINTINGS. WHICH BASTARDS? 79 00:05:57,490 --> 00:05:59,559 TWO YEARS' WORK. THEY RANSACKED MY PLACE, STOLE MY PAINTINGS... 80 00:06:00,059 --> 00:06:02,061 SO I WOULDN'T BE A WITNESS AT THAT MURDER TRIAL. 81 00:06:02,061 --> 00:06:03,963 THAT BASTARD FRANK PISCIOTTA SENT 'EM. 82 00:06:04,330 --> 00:06:05,832 THERE'S NO QUESTION IN YOUR MIND IT WAS PISCIOTTA? 83 00:06:06,332 --> 00:06:11,270 I WENT AND SAW HIM AT HIS RESTAURANT. HE JUST ABOUT ADMITTED IT WAS HIM. 84 00:06:11,270 --> 00:06:14,440 YOU COULD'VE GOTTEN YOURSELF STOMPED, WALTER. 85 00:06:14,440 --> 00:06:17,108 PISCIOTTA SAID HE'LL MAKE SOME CALLS, AND IF HE GETS MY PAINTINGS BACK, 86 00:06:17,108 --> 00:06:18,860 THEN I SHOULD GO SEE THE GREAT ART IN ITALY. 87 00:06:18,860 --> 00:06:22,030 HE'D BUY THE PLANE TICKET? HE'D HAVE THE TICKET WITH THE PAINTINGS. 88 00:06:22,030 --> 00:06:24,749 [ Sighs ] 89 00:06:24,749 --> 00:06:30,755 WALTER, WE WANT TO CONVICT PISCIOTTA'S SOLDIERS FOR THAT MURDER YOU SAW. 90 00:06:30,755 --> 00:06:35,760 BUT I KNOW HOW IMPORTANT THEM PAINTINGS ARE TO YOU, SO, YOU GOTTA DO WHAT YOU GOTTA DO. 91 00:06:35,760 --> 00:06:40,682 WELL, I WAS THINKING. WHEN I GO TO PISCIOTTA TO GET MY WORK BACK, 92 00:06:40,682 --> 00:06:42,967 MAYBE I COULD BE WEARING ONE OF THOSE BODY MICROPHONES. 93 00:06:42,967 --> 00:06:46,054 GET HIM TO INCRIMINATE HIMSELF SO YOU GUYS CAN ARREST HIM. 94 00:06:47,855 --> 00:06:49,857 THAT'D BE A PLAN. 95 00:06:55,179 --> 00:06:58,650 MAN, SMELL THAT GREASE. 96 00:06:58,650 --> 00:07:00,652 WHY DO PEOPLE EAT ALL THAT FRIED FOOD? 97 00:07:00,652 --> 00:07:02,654 I LIKE FRIED EGGS. I FRY MY BURGERS. 98 00:07:02,654 --> 00:07:06,457 YOU SHOULDN'T. TOO MUCH FAT. I SHOULDN'T EAT HAMBURGER? 99 00:07:06,457 --> 00:07:09,911 [ Men Chattering ] 100 00:07:09,911 --> 00:07:11,663 HOW'S IT GOING? YEAH. GOOD. 101 00:07:11,663 --> 00:07:16,050 [ Chattering Continues ] 102 00:07:16,551 --> 00:07:18,052 [ Man ] HOW MUCH YOU WANT FOR THAT? 103 00:07:18,052 --> 00:07:20,922 [ Man #2 ] FOUR BUCKS, FOUR BUCKS. 104 00:07:20,922 --> 00:07:22,473 POLICE! HANDS OVER YOUR HEADS! 105 00:07:22,473 --> 00:07:26,894 GET BACK, EVERYBODY. BACK. TURN AROUND. HANDS AGAINST THE WALL. 106 00:07:26,894 --> 00:07:29,313 WHO'S THE DEAD GUY ON THE FLOOR? 107 00:07:29,313 --> 00:07:32,150 HUH? WHO'S THAT ON THE FLOOR? 108 00:07:32,150 --> 00:07:34,318 IT'S HIS PLACE, I GUESS. I GOT NOTHING TO DO WITH THIS. 109 00:07:34,318 --> 00:07:36,154 I JUST COME UP HERE TO BUY SOME STUFF. 110 00:07:36,154 --> 00:07:38,690 -[ Medavoy ] WHO'S AUCTIONING THIS STUFF OFF? - HIM. 111 00:07:38,690 --> 00:07:40,441 [ Medavoy ] HIM? GET DOWN. 112 00:07:40,441 --> 00:07:42,777 YOU? ME AND HIM. 113 00:07:42,777 --> 00:07:44,829 WHAT'S YOUR NAME? ARNIE SCHREIBER. 114 00:07:44,829 --> 00:07:46,998 WHAT HAPPENED HERE? HOW'D THAT MAN DIE? I DON'T KNOW. 115 00:07:46,998 --> 00:07:49,534 HEART ATTACK? 116 00:07:49,534 --> 00:07:51,753 GET DOWN. 117 00:07:52,253 --> 00:07:54,255 WHAT'S YOUR NAME, PAL? TOMMY MULLEN. 118 00:07:54,255 --> 00:07:56,507 YEAH? I WASN'T HERE. I DON'T KNOW WHAT HAPPENED TO HIM. 119 00:07:56,507 --> 00:07:58,876 IT DOESN'T BOTHER YOU? AUCTIONING OFF EFFECTS IN THE CORPSE'S PRESENCE? 120 00:07:59,377 --> 00:08:00,878 WE DON'T KNOW THE MAN. 121 00:08:00,878 --> 00:08:03,598 OH, OH! I DIDN'T KNOW YOU WEREN'T ACQUAINTED. 122 00:08:03,598 --> 00:08:07,518 YEAH, THAT'S WHY I WAS SETTING THE BAR TOO HIGH. GET DOWN. 123 00:08:27,655 --> 00:08:29,991 HEY, WHAT'S UP? NEW YORK CITY DETECTIVE. 124 00:08:29,991 --> 00:08:33,127 - WHAT'S IT ABOUT? - COME ON. OPEN THE DAMN DOOR HERE. 125 00:08:33,127 --> 00:08:35,880 HEY, WHY DON'T YOU KISS MY ASS? 126 00:08:38,416 --> 00:08:40,001 [ Groans ] FLATTEN OUT! 127 00:08:40,001 --> 00:08:43,254 [ Panting ] WHAT'S THIS ABOUT, MAN? 128 00:08:43,254 --> 00:08:46,591 ITWASABOUT YOUR NEXT DOOR NEIGHBOR GETTING A BULLET IN HER WALL. 129 00:08:46,591 --> 00:08:49,427 -I DON'T KNOW ABOUT NO BULLET. - NOW IT'S ABOUT YOU BEING A SMART-MOUTH. 130 00:08:49,427 --> 00:08:53,514 OH. YOU'RE GONNA POP ME FOR A PERSONALITY DISORDER? SIT DOWN OVER HERE. 131 00:08:55,099 --> 00:08:59,403 [ Sighs, Breathing Heavily ] 132 00:08:59,403 --> 00:09:01,906 NOW, TRY AGAIN HOW THAT BULLET GOT IN YOUR NEIGHBOR'S WALL. 133 00:09:03,775 --> 00:09:07,278 YOU EVER LOOK TO PROTECT A BROAD? YOU KNOW HOW THAT GOES? 134 00:09:07,278 --> 00:09:09,947 AND? 135 00:09:09,947 --> 00:09:14,869 THIS GIRL I'M SCREWING, SHE GETS CRAZY ON ME, THROWS A SHOT. 136 00:09:15,369 --> 00:09:18,923 NOW, I KNOW THIS BATTLE-AX AIN'T HURT, 'CAUSE HERE SHE COMES RUNNING OUT INTO THE HALL. 137 00:09:18,923 --> 00:09:21,759 SOLD HER ON THE TOASTER BLOWING UP, BUT I GUESS SHE FOUND THE EVIDENCE. 138 00:09:22,260 --> 00:09:26,631 SO, HERE'S PROTECTING SOMEONE BUYING ME A BROKEN NOSE. 139 00:09:29,801 --> 00:09:33,688 SURE HATE TO HAVE TO GIVE UP THE BROAD'S NAME. 140 00:09:33,688 --> 00:09:36,808 - WHERE ARE YOU GOING? - SOMEONE'S SCREAMING IN HERE. 141 00:09:36,808 --> 00:09:42,363 YOU DON'T NEED TO FLAKE ME. I'M NOT LOOKING TO JAM YOU FOR THE FACE-LIFT. 142 00:09:42,363 --> 00:09:45,066 SIT DOWN! 143 00:09:55,660 --> 00:09:59,630 THIS AN AK-47. WHAT ARE YOU? WITH THE RUSSIAN MILITARY? 144 00:09:59,630 --> 00:10:01,666 DA. 145 00:10:01,666 --> 00:10:05,169 GET UP AND TURN AROUND. 146 00:10:07,922 --> 00:10:11,142 THAT'S RIGHT. TURN AROUND. 'CAUSE YOU'RE A COLLAR. 147 00:10:13,477 --> 00:10:15,479 YOU THINK THIS IS HOLDING UP, UH, YOU'RE DREAMING. 148 00:10:15,479 --> 00:10:17,849 YEAH? WHAT YOU THINK? I'M PUNCHY? MAYBE SOMEBODY SLIPPED ME A MICKEY. 149 00:10:21,352 --> 00:10:23,487 COME ON. 150 00:10:35,499 --> 00:10:38,486 OKAY. I'M GONNA PUT ALL THE CARDS ON THE TABLE HERE, 151 00:10:38,936 --> 00:10:40,438 ABOUT WHAT HAPPENED IN THE APARTMENT, 152 00:10:40,438 --> 00:10:42,773 EVEN IF IT DON'T LOOK TOO GOOD FOR ME, OKAY? 153 00:10:42,773 --> 00:10:45,076 I LIKE YOUR ATTITUDE. 154 00:10:45,576 --> 00:10:51,082 NOW, I KNOW THIS DON'T LOOK GOOD, BUT, UH, WE WERE DOING DRUGS. 155 00:10:51,082 --> 00:10:52,867 [ Medavoy ] IS THAT RIGHT? YEAH. 156 00:10:52,867 --> 00:10:57,955 AND WE WERE SMOKING A LOT OF ROCK. ALL WEEKEND, WE WERE JUST SMOKIN' AND SMOKIN'. 157 00:10:57,955 --> 00:11:00,124 WHERE'D YOU GET THE MONEY FOR THE CRACK? YOU GOT A JOB? 158 00:11:00,124 --> 00:11:03,961 NO, I'M UNEMPLOYED, BUT ME AND TOMMY, WE, YOU KNOW, 159 00:11:04,462 --> 00:11:08,299 WE HAD A LITTLE MONEY AND-AND NEIL WORKED, SO HE BOUGHT MOST OF IT. 160 00:11:08,299 --> 00:11:11,686 BUT-BUT THEN, NEIL, HE HAD TO GO TO WORK. 161 00:11:11,686 --> 00:11:14,388 THAT'S WHEN ME AND TOMMY LEFT. 162 00:11:14,388 --> 00:11:18,309 BUT THEN WE CAME BACK, A-AND THAT'S WHEN WE FOUND HIM. 163 00:11:18,309 --> 00:11:21,696 HE JUST CRASHED ON HIS BED AND DIED. 164 00:11:23,447 --> 00:11:26,701 I-I'M SORRY WE SOLD THAT STUFF OF HIS. 165 00:11:26,701 --> 00:11:29,487 IT'S JUST WE WERE ALL SHOOK UP, AND WE WANTED TO MAKE ANOTHER BUY. 166 00:11:29,487 --> 00:11:31,489 - STRAIGHTEN OUR NERVES. - SURE. 167 00:11:31,489 --> 00:11:34,542 THAT'S THE TRUTH, WIN OR LOSE. 168 00:11:35,042 --> 00:11:37,828 MY GUESS-- HIS-HIS HEART JUST CONKED OUT. 169 00:11:37,828 --> 00:11:40,748 IN OTHER WORDS, UH, YOU'RE INNOCENT. 170 00:11:42,249 --> 00:11:44,251 GUILTY OF BAD JUDGMENT MAYBE, OTHERWISE, YES. 171 00:11:44,251 --> 00:11:47,838 YOU EVER OFFER ANYONE A BOOM BOX TO HANDLE YOUR JOHNSON, ARNIE? 172 00:11:47,838 --> 00:11:50,007 NOT TO MY RECOLLECTION. 173 00:11:50,007 --> 00:11:51,642 GIVE ME A SMILE. 174 00:11:55,513 --> 00:11:57,682 KEEP AN EYE ON HIM FOR A SECOND? RIGHT THERE. 175 00:11:57,682 --> 00:12:00,735 SARGE? I NEED A COUPLE OF VOUCHERS, PLEASE. OKAY. 176 00:12:05,656 --> 00:12:08,492 GINA. YEAH, IT'S DETECTIVE SIMONE. I'M CALLING FROM DOWNSTAIRS. 177 00:12:08,826 --> 00:12:11,329 WHAT INTERVIEWS ARE OPEN? 178 00:12:11,329 --> 00:12:13,581 OKAY. I'M GONNA TAKE THE POKEY. 179 00:12:13,581 --> 00:12:15,833 DO ME A FAVOR. 180 00:12:15,833 --> 00:12:19,170 TELL DETECTIVE RUSSELL TO BE IN THE LOCKER ROOM FOR THE NEXT FEW MINUTES... 181 00:12:19,170 --> 00:12:20,955 AND LET THE BOSS KNOW THAT I NEED TO SEE HIM. 182 00:12:20,955 --> 00:12:23,708 GREAT. 183 00:12:23,708 --> 00:12:25,626 UP THIS WAY. 184 00:12:25,626 --> 00:12:30,348 I'M JAMES LIERY! IT'S 11:24 A.M! REQUESTING AN ATTORNEY IN FRONT OF WITNESSES! 185 00:12:30,348 --> 00:12:32,183 TELL 'EM ABOUT YOUR NOSE. 186 00:12:32,683 --> 00:12:34,935 JAMES LIERY, DARLIN', ASKING FOR A LAWYER. 187 00:12:40,975 --> 00:12:42,560 HEY, BOSS. 188 00:12:42,560 --> 00:12:45,196 WHO'S THIS? THIS IS JAMES LIERY. 189 00:12:45,196 --> 00:12:47,948 I WAS INVESTIGATING A COMPLAINT ON A FIREARMS DISCHARGE. 190 00:12:47,948 --> 00:12:50,034 HE HAD AN AK-47 ON HIS BED. 191 00:12:50,034 --> 00:12:52,403 YEAH. I USE IT FOR A PILLOW. 192 00:12:52,903 --> 00:12:56,407 JAMES LIERY REQUESTING HIS PRECIOUS RIGHT TO COUNSEL. 193 00:12:56,407 --> 00:12:59,710 SET HIM UP WITH A PHONE. THEN COME TALK TO ME. ABSOLUTELY. COME ON. 194 00:13:01,545 --> 00:13:03,330 HEY, HAROLD, WOULD YOU GIVE ME A HAND HERE? 195 00:13:06,717 --> 00:13:09,220 [ Knocks ] 196 00:13:09,220 --> 00:13:11,005 WHY'D HE WANT ME OUT OF SIGHT? 197 00:13:11,005 --> 00:13:13,674 - HE JUST BROUGHT IN JIMMY LIERY. - WHAT? 198 00:13:13,674 --> 00:13:15,643 YOU DON'T KNOW ANYTHING ABOUT IT. 199 00:13:17,344 --> 00:13:20,231 - HANK'S BRINGING HIM A PHONE. - WHAT ARE YOU DOING, BOBBY? 200 00:13:20,231 --> 00:13:22,933 I WAS WORKING A COMPLAINT. LIERY ANSWERED THE DOOR. 201 00:13:22,933 --> 00:13:25,519 - SO YOU TURNED AROUND AND LEFT. - HE HAD A MACHINE GUN. 202 00:13:25,519 --> 00:13:27,688 IN PLAIN SIGHT. 203 00:13:27,688 --> 00:13:30,157 WE TOOK A COMPLAINT ON THIS ASSHOLE ABOUT A WEEK AGO, LIEU, 204 00:13:30,157 --> 00:13:32,493 FOR ALMOST BEATING A GUY HALF TO DEATH. 205 00:13:32,493 --> 00:13:35,996 YOU DON'T THINK THIS TOSS ON THE APARTMENT'S GONNA HOLD, THEN BRING IN THE VIC. 206 00:13:35,996 --> 00:13:37,915 HAVE HIM PICK OUT LIERY FOR THE ASSAULT. 207 00:13:38,416 --> 00:13:40,117 NEVER MIND I'M WORKING THE GUY UNDERCOVER. 208 00:13:40,618 --> 00:13:42,503 CALL JANE WALLACE. WE NEED TO FIGURE HOW WE'RE GONNA DO THIS. 209 00:13:42,503 --> 00:13:44,839 HOW WE SHOULD DO IT IS PUT THE GUY BACK OUTSIDE. 210 00:13:44,839 --> 00:13:47,425 I WANT TO TALK TO HER, DIANE. 211 00:13:50,511 --> 00:13:52,880 [ Sighs ] 212 00:13:52,880 --> 00:13:56,383 AND DON'T TRY TO SELL POPPING THIS GUY AS A COINCIDENCE, BOBBY. 213 00:13:56,383 --> 00:13:58,219 HE'S A PSYCHO, LIEU. HE NEEDS TO BE OFF THE STREET. 214 00:13:58,219 --> 00:14:02,523 I WANT TO TALK TO WALLACE. SHE'S REALLY GONNA 86 AN OPERATION THAT SHE PUT TOGETHER. 215 00:14:02,523 --> 00:14:05,943 I'M GOING TO TALK TO HER AND GET HER TO CLOSE AS QUICKLY AS SHE CAN. 216 00:14:05,943 --> 00:14:08,612 HOYT'S WIRED. 217 00:14:08,612 --> 00:14:12,616 ALL RIGHT, CATCH BOBBY UP. THEN THE TWO OF YOU TAKE HOYT TO PISCIOTTA'S RESTAURANT. 218 00:14:12,616 --> 00:14:15,786 - I'M NOT GOING TO BE HERE FOR THE OTHER CONVERSATION? - TAKE RUSSELL TOO. 219 00:14:15,786 --> 00:14:19,240 I BORROWED MEDAVOY AND MARTINEZ OFF THAT STIFF AUCTION. 220 00:14:19,240 --> 00:14:21,742 TAKE SIMONE AND RUSSELL TOO! 221 00:14:21,742 --> 00:14:23,744 SOFT CLOTHES. 222 00:14:27,081 --> 00:14:29,467 I COLLARED LIERY. THEY'RE GONNA LET HIM GO. 223 00:14:29,467 --> 00:14:32,720 THEY FIGURE THEIR WAY TO HIM THROUGH RUSSELL COLLARS HIM AND HIS CREW. 224 00:14:33,220 --> 00:14:36,724 FANCY DON'T KNOW THIS GUY DRUGGED HER. MADE HER CRAZY ENOUGH THAT SHE TOOK A SHOT. 225 00:14:36,724 --> 00:14:40,344 - WHAT DO YOU WANT TO DO? - [ Sighs ] 226 00:14:40,344 --> 00:14:42,346 I THOUGHT WE WERE SUPPOSED TO TAKE THIS PAINTER. 227 00:15:00,748 --> 00:15:04,368 I LIKE THIS GUY. HOPE HE DON'T GET KILLED. 228 00:15:04,368 --> 00:15:05,669 YEAH. 229 00:15:09,623 --> 00:15:12,126 [ Man On Radio ] WALTER HOYT LOOKING FOR FRANK PISCIOTTA. 230 00:15:12,126 --> 00:15:14,128 [ Man #2 ] YEAH. HANG ON. JUST A MINUTE. 231 00:15:14,128 --> 00:15:17,431 SYLVIA'S CATCHING TODAY AT THE 27. MIGHT HAVE A SITTER PROBLEM. 232 00:15:17,431 --> 00:15:21,519 - IS THAT RIGHT? - IF I'D BE UNABLE TO MAKE THE CEREMONY-- 233 00:15:21,519 --> 00:15:23,888 NO, I-- I UNDERSTAND. 234 00:15:28,526 --> 00:15:30,895 ANDY, YOU KNOW YOU'RE SUPPOSED TO BE GETTING IT TOO. 235 00:15:30,895 --> 00:15:36,200 [ Scoffs ] I GOT A FAN CLUB AT ONE P.P. MEETS IN A STORAGE CLOSET. 236 00:15:37,535 --> 00:15:39,370 ONLY THING, I'D HOPED THAT GUY PUT ME UP. 237 00:15:39,370 --> 00:15:41,989 - FANCY? - WHERE HE WAS PAST HATING ME. 238 00:15:43,457 --> 00:15:46,460 [ Sighs ] HE PUT YOU UP, ANDY. 239 00:15:47,878 --> 00:15:49,663 YOU KNOW THAT? 240 00:15:49,663 --> 00:15:51,966 HE WENT OUT OF HIS WAY TO SAY SO. 241 00:15:51,966 --> 00:15:56,220 DETECTIVE FIRST GRADE THAT YOU ARE, YOU KNOW HE'S TELLING THE TRUTH. 242 00:16:04,562 --> 00:16:08,566 IF YOU'RE THAT WORRIED ABOUT RUSSELL, MAYBE WE PUT SOME STINK ON LIERY WITH HIS PALS. 243 00:16:11,068 --> 00:16:14,572 I HEARD HER SAY THE BAR WHERE THEY'VE BEEN AT. 244 00:16:14,572 --> 00:16:18,075 WE STRAIGHTEN WALTER OUT, MAYBE WE MAKE A STOP. 245 00:16:18,576 --> 00:16:20,077 [ Man On Radio ] MR. HOYT. THAT'S RIGHT. 246 00:16:20,578 --> 00:16:25,082 YEAH, SORRY TO HOLD YOU UP. HERE, COME HERE WITH ME. THIS WAY. 247 00:16:25,916 --> 00:16:28,586 WHAT'S YOUR NAME? WALTER? YEAH. 248 00:16:28,586 --> 00:16:31,205 RIGHT THIS WAY, WALTER. I'M NOT GOING ANYPLACE WITHOUT MY WORK. 249 00:16:31,705 --> 00:16:33,424 WE'RE GONNA PICK YOUR STUFF UP ON THE WAY. 250 00:16:33,424 --> 00:16:35,542 PISCIOTTA SAID THE WORK WOULD BE IN THE CAR. IT'S IN THE TRUNK. 251 00:16:35,542 --> 00:16:37,177 GET YOUR HANDS OFF ME! GET IN THERE. 252 00:16:37,177 --> 00:16:40,631 THEY'RE GONNA WHACK HIM. JAMES, PULL UP AND BLOCK THE STREET. 253 00:16:41,131 --> 00:16:42,683 [ Martinez On Radio ] 10-4. 254 00:16:49,189 --> 00:16:50,691 [ Tires Screech ] 255 00:16:50,691 --> 00:16:52,142 [ Tires Screech ] 256 00:16:55,029 --> 00:16:58,899 - HEY! OPEN THE DOOR! - GET OUT OF THE CAR! GET ON THE TRUNK! 257 00:16:58,899 --> 00:17:01,068 - GET OUTTA THERE! - GET DOWN ON THE TRUNK! 258 00:17:01,068 --> 00:17:02,870 ON THE HOOD! ON THE HOOD! 259 00:17:02,870 --> 00:17:04,872 - YOU ALL RIGHT? - MY HEART'S NOT BEATING RIGHT. 260 00:17:04,872 --> 00:17:06,156 [ Martinez ] ALL RIGHT, SIT DOWN. 261 00:17:06,156 --> 00:17:08,292 [ Simone ] DON'T YOU MOVE! THEY DON'T HAVE MY PAINTINGS. 262 00:17:08,292 --> 00:17:10,210 - I GOT A GUN. - WALTER, YOU OKAY? 263 00:17:10,210 --> 00:17:12,663 I THINK I'M OKAY. MY HEART'S FLUTTERING. CAN WE CHECK THE TRUNK? 264 00:17:12,663 --> 00:17:15,382 - DIANE, POP THE TRUNK. - YOU GOT SOME SET OF BALLS THERE, WALTER. 265 00:17:16,717 --> 00:17:19,470 [ Walter ] THEY'RE NOT THERE. 266 00:17:19,470 --> 00:17:22,556 - CAN YOU HELP ME FIND MY PAINTINGS? - YEAH, WE'LL HELP YOU, WALTER. 267 00:17:22,556 --> 00:17:25,476 LET'S GET OUT OF HERE BEFORE THE GUYS IN THE RESTAURANT SEE WHAT'S GOING ON. 268 00:17:25,476 --> 00:17:27,645 I'LL TAKE THIS BACK TO THE HOUSE. 269 00:17:41,992 --> 00:17:44,411 ANDY, THIS IS A MISTAKE. 270 00:17:44,411 --> 00:17:46,413 THEN GET THE HELL OUT. I'M TELLING YOU. IT'S A MISTAKE. 271 00:17:46,413 --> 00:17:48,699 NOW YOU WANT TO TELL ME IN CHINESE? 272 00:17:48,699 --> 00:17:50,701 WELL, WHAT DO YOU NEED? YOU TO PAY ATTENTION. 273 00:17:50,701 --> 00:17:53,120 I'M ALL EARS. YEAH? 274 00:17:53,120 --> 00:17:56,423 AND YOUR PAL'S ALL MOUTH, THEN HE BITCHES UP IN A MINUTE AND A HALF. 275 00:17:57,841 --> 00:17:59,927 - I DON'T FOLLOW. - HEY, GIVE US A SECOND, HUH? 276 00:18:00,427 --> 00:18:01,428 WE DON'T NEED NO SECONDS. WALK AWAY. 277 00:18:01,428 --> 00:18:03,714 WHAT DID YOU GUYS? BUY A CONTROLLING INTEREST IN THIS PLACE? 278 00:18:03,714 --> 00:18:07,518 WALK TO THE OTHER SIDE OF THE BAR THERE, OR I'M GONNA WIND UP PADLOCKING THIS RATHOLE! 279 00:18:15,275 --> 00:18:17,277 ANDY, I'M SAYING THIS ONE LAST TIME. 280 00:18:17,277 --> 00:18:21,532 YOU ARE GONNA BUY YOURSELF EVERY JACKPOT YOU CAN IMAGINE TRYING TO GIVE THIS ASSHOLE UP. 281 00:18:21,532 --> 00:18:23,367 WHERE AM I ON THE CASE NOW, HUH? 282 00:18:23,367 --> 00:18:26,370 LIERY'S A COLLAR. HE'S GIVING UP THIS DOUCHE BAG. 283 00:18:26,370 --> 00:18:29,957 O.C.C.B.'s GONNA TAKE ALL THE CREDIT IN THIS, AND MY HAND'S ON MY JOINT. 284 00:18:29,957 --> 00:18:32,960 IF THIS GUY DOESN'T WORK WITH YOU, WHAT ARE YOU GONNA DO? LIVE IN SWITZERLAND? 285 00:18:32,960 --> 00:18:37,247 I'M NO WORSE OFF THAN I AM NOW. HEY, YOU DON'T LIKE IT, TAKE OFF. 286 00:18:37,247 --> 00:18:40,417 I'M GETTING CROCKED, AND I'M MAKING MY PLAY. HEY, TUBE STEAK! GET OVER HERE. 287 00:18:45,756 --> 00:18:51,311 YOU HEAR IT ONCE. WE COLLARED UP ON YOUR PAL, JIMMY LIERY. VERY TOUGH GUY. 288 00:18:51,311 --> 00:18:55,766 TOOK 14 SECONDS TO STICK THE PIN IN YOUR DONKEY-ASS FOR THOSE AK-47's... 289 00:18:55,766 --> 00:18:57,651 AND THE FUN COMING UP AT THE AIRPORT. 290 00:18:57,651 --> 00:19:00,437 IGNORANT AS YOU LOOK, LIERY'S PROBABLY GOT ANOTHER PARTNER... 291 00:19:00,437 --> 00:19:02,606 AND YOU'RE JUST HOLDING THE BAG. 292 00:19:02,606 --> 00:19:06,276 NOW, YOU GIVE UP A NAME AND GET OUT OF THE MIDDLE. 293 00:19:06,276 --> 00:19:10,914 NO. NO, HUH? TWO DONKEYS BUT ONLY ONE RAT? 294 00:19:10,914 --> 00:19:12,866 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 295 00:19:12,866 --> 00:19:15,369 ARE YOU HAPPY NOW? SURE. PERFECT. 296 00:19:15,369 --> 00:19:19,506 'CAUSE IF YOU HAD HALF A BRAIN, I'D HAVE HALF A CHANCE AT A CAREER. 297 00:19:19,506 --> 00:19:23,877 - SO, YOU GUYS ARE COPS, HUH? - [ Scoffs ] 298 00:19:25,295 --> 00:19:27,131 GIVE ME A BOTTLE OF SCOTCH. 299 00:19:32,603 --> 00:19:35,472 YOU MUST HAVE ANOTHER SOURCE OF INCOME. 300 00:19:35,472 --> 00:19:38,308 DUMP ON MY PLAY ANDBREAK MY BALLS? 301 00:19:38,308 --> 00:19:40,527 I DON'T KNOW ANY JIMMY LIERY. 302 00:19:40,527 --> 00:19:43,730 WELL, HE KNOWS YOU, PAL, AND HE TURNED YOU OVER GOOD. 303 00:19:45,783 --> 00:19:48,652 OH, MAN. 304 00:19:48,652 --> 00:19:50,988 DO WHAT YOU GOTTA DO. 305 00:19:50,988 --> 00:19:55,042 WE GOING, OR YOU WANT TO WRING YOUR HAND SOME MORE? 306 00:19:55,042 --> 00:19:58,545 YOU'RE A PAIN IN THE ASS. MUST BE WHY I NEVER GET PROMOTED. 307 00:19:59,546 --> 00:20:02,549 [ Siren Wails In Distance ] 308 00:20:13,760 --> 00:20:16,513 [ Door Opens ] I WANNA GET OUTTA HERE. 309 00:20:16,513 --> 00:20:19,800 OKAY. I GOT SIDETRACKED A LITTLE WHILE, MARCO. 310 00:20:19,800 --> 00:20:23,387 I GOT SOME PICTURES I WANNA SHOW YOU AND TELL ME IF YOU RECOGNIZE ANYBODY, OKAY? 311 00:20:23,387 --> 00:20:25,389 THANKS, JOSH. 312 00:20:29,309 --> 00:20:32,029 THIS IS THAT DIRTY BASTARD THAT BEAT ME OUT THE BOOM BOX. 313 00:20:33,397 --> 00:20:35,649 HE'S A DOPE FIEND. HE GIVE YOU THE DOPE? 314 00:20:35,649 --> 00:20:38,952 JUST ONE HIT. HE SMOKED ALL THE REST HAVING HIMSELF A MASTER BLASTER. 315 00:20:38,952 --> 00:20:42,372 WHAT'S THAT? A B.J. AND A PIPE. 316 00:20:42,372 --> 00:20:46,994 A B.J. AND A PIPE? KIDS DOING WHAT YOU'RE DOING, THEY DON'T LAST LONG, MARCO. 317 00:20:46,994 --> 00:20:49,997 I WANNA GET YOU IN SOME KIND OF PROGRAM. I DON'T WANT NO PROGRAM. 318 00:20:49,997 --> 00:20:52,583 YOU'RE GOING INTO ONE, OR ELSE. I DON'T WANT NO PROGRAM. 319 00:20:52,583 --> 00:20:55,419 I CAN'T GO HOME. 320 00:20:55,419 --> 00:20:57,254 OH, SO YOUR PARENTS ARE ALIVE? 321 00:20:57,254 --> 00:21:00,057 [ Sighs ] MY OLD MAN'S ALWAYS BEATING ON ME. 322 00:21:00,057 --> 00:21:03,844 GOT SO BAD, I HAD TO TAKE OFF. HE'S GOIN' CRAZY. 323 00:21:04,344 --> 00:21:05,846 YOU TELL HIM WHAT I'VE BEEN DOING, HE'S GONNA KILL ME. 324 00:21:05,846 --> 00:21:09,316 WELL, WE WON'T TELL HIM. IS YOUR MOTHER WITH HIM? 325 00:21:09,316 --> 00:21:11,068 YEAH. YOU WANT TO SEE HER? 326 00:21:11,068 --> 00:21:13,937 SOMETIMES. 327 00:21:13,937 --> 00:21:15,822 WHAT'S HER NAME? ANGELA ROMERO. 328 00:21:15,822 --> 00:21:18,692 THAT'S YOUR NAME? ROMERO? 329 00:21:18,692 --> 00:21:20,444 YEAH. RAMIREZ IS MY FAKE NAME. 330 00:21:20,444 --> 00:21:24,081 WHERE DO YOUR PARENTS LIVE? 119th STREET. 331 00:21:24,081 --> 00:21:28,835 ALL RIGHT. WRITE DOWN YOUR ADDRESS AND THE APARTMENT NUMBER, OKAY? 332 00:21:29,336 --> 00:21:31,088 [ Knocks ] JAMES. 333 00:21:31,088 --> 00:21:33,624 YEAH. 334 00:21:35,042 --> 00:21:37,844 UH, THAT DEAD GUY ON THE FLOOR? 335 00:21:37,844 --> 00:21:43,934 NEIL RUTLEDGE? UH, M.E. SAYS THAT HE DIED FROM A FRACTURED SKULL AND A CEREBRAL HEMATOMA. 336 00:21:43,934 --> 00:21:47,437 GOT THAT CRACKED ON THE BACK OF THE HEAD WITH SOME KIND OF BLUNT OBJECT, DIDN'T BREAK THE SKIN. 337 00:21:47,437 --> 00:21:50,440 GOOD THING WE HAD CRIME SCENE PROCESS THE PLACE. YEAH. 338 00:21:50,440 --> 00:21:53,393 ANYWAYS, WE GOTTA GO BACK AT THOSE TWO SKELLS. 339 00:21:53,393 --> 00:21:56,863 OKAY. MARCO, YOU MIND STAYING HERE A LITTLE WHILE LONGER? 340 00:21:56,863 --> 00:22:00,067 HANG ON. THERE'S SOME, UH, COMIC BOOKS IN ONE OF THOSE CABINETS OUT IN THE HALLWAY. 341 00:22:00,067 --> 00:22:01,702 YEAH, OKAY. 342 00:22:04,037 --> 00:22:06,707 THAT COULD'VE BEEN THE MURDER WEAPON, THAT BOTTLE WE FOUND ON THE FLOOR. 343 00:22:06,707 --> 00:22:09,543 CHAMPAGNE BOTTLE. WHAT WAS THE BRAND? 344 00:22:11,044 --> 00:22:14,131 I DON'T REMEMBER. COLD DUCK? 345 00:22:14,131 --> 00:22:16,967 ITWASCOLD DUCK. LET'S GO AT MULLEN WITH THAT. 346 00:22:18,418 --> 00:22:20,671 HERE'S THE COMIC BOOKS. 347 00:22:22,556 --> 00:22:25,142 RIGHT THIS WAY, WALTER. I'M NOT GOING ANYPLACE WITHOUT MY WORK. 348 00:22:25,142 --> 00:22:27,144 WE'RE GONNA PICK YOUR STUFF UP ON THE WAY. 349 00:22:27,144 --> 00:22:29,646 PISCIOTTA SAID THE WORK WOULD BE IN THE CAR. IT'S IN THE TRUNK. 350 00:22:29,646 --> 00:22:31,648 GET YOUR HANDS OFF ME! GET IN THERE. 351 00:22:31,648 --> 00:22:33,150 [ Tape Squealing ] 352 00:22:33,650 --> 00:22:35,986 [ Simone ] HEY! OPEN THE DOOR! [ Sipowicz ] GET OUT OF THE CAR! 353 00:22:35,986 --> 00:22:38,739 THAT'S YOU BUSTING 'EM? THAT'S NOTHING ON PISCIOTTA. 354 00:22:38,739 --> 00:22:40,490 HE DOESN'T EVEN SAY HE'S BUYING A TICKET. 355 00:22:40,490 --> 00:22:43,944 I GUESS WE COULD CHARGE THE TWO IN THE CAR WITH UNLAWFUL IMPRISONMENT. 356 00:22:43,944 --> 00:22:46,413 UNLAWFUL IMPRISONMENT THE BEST YOU CAN DO... 357 00:22:46,413 --> 00:22:48,999 OFF OF GETTING ONE MOPE TELLING THE OTHER, "DON'T DO NOTHING HERE"? 358 00:22:49,499 --> 00:22:51,785 YOU FIGURE HE'S SAYING, "DON'T TAKE A LEAK OUTSIDE THE RESTAURANT"? 359 00:22:51,785 --> 00:22:54,371 THOSE GUYS INTENDED TO KILL ME. I DON'T HAVE ANY DOUBT ABOUT IT. 360 00:22:54,371 --> 00:22:56,506 I UNDERSTAND THAT'S HOW YOU'RE FEELING MR. HOYT, 361 00:22:56,506 --> 00:22:58,709 BUT MY BEST LOOK AT A CONVICTION'S PROSECUTING THE BUSBOYS... 362 00:22:58,709 --> 00:23:00,761 WHO ACTUALLY DID KILL THAT GRAFFITI ARTIST. 363 00:23:00,761 --> 00:23:03,130 THAT IS GONNA GUARANTEE I'M NOT GONNA GET MY PAINTINGS. 364 00:23:03,130 --> 00:23:07,184 TRUTH IS, WALTER, LOOKING TO CROAK YOU HOW THEY WERE, 365 00:23:07,184 --> 00:23:11,938 THAT MEANS THEY ALREADY DESTROYED THE PAINTINGS-- GETTING RID OF THE EVIDENCE. 366 00:23:11,938 --> 00:23:13,940 TRY FLIPPING ONE OF THE BUSBOYS AGAIN? 367 00:23:13,940 --> 00:23:17,027 - OFF WHAT NEW LEVERAGE? - IT'S WHAT WE GOT, ALL RIGHT, COHEN? 368 00:23:17,027 --> 00:23:20,614 MEANWHILE, WE WANT GUARDS WITH WALTER AROUND THE CLOCK. 369 00:23:20,614 --> 00:23:22,866 I'LL GET A DETAIL FROM THE D.A.'s SQUAD. 370 00:23:22,866 --> 00:23:25,702 I'M DUCKING A CALL FROM A STEVEN MONOHAN OF COUNCIL TO JIMMY LIERY? 371 00:23:25,702 --> 00:23:28,205 [ Fancy ] YEAH, I SPOKE TO INSPECTOR WALLACE AT O.C.C.B. 372 00:23:28,205 --> 00:23:30,207 WE'RE GOING TO VOID LIERY'S ARREST. 373 00:23:30,707 --> 00:23:33,410 FOLKS OUGHT TO GET YOUR LEFT AND RIGHT HANDS INTRODUCED. 374 00:23:39,332 --> 00:23:42,219 I CAN GET THE ONE BUSBOY IN WITHOUT HIS LAWYER WRAPPED AROUND HIM. 375 00:23:42,219 --> 00:23:43,420 PANETTI. 376 00:23:43,420 --> 00:23:46,390 KEEP MR. HOYT WITH YOU TILL THE D.A.'s SQUAD SHOWS UP. 377 00:23:46,723 --> 00:23:49,593 REALLY BOTHERS ME TO LOSE EVERYTHING I WORKED FOR OFF TRYING TO HELP. 378 00:23:49,593 --> 00:23:52,763 I CAN APPRECIATE YOUR FEELINGS. 379 00:23:52,763 --> 00:23:54,598 YOU UNDERSTAND HOW PEOPLE COME TO VIOLENCE. 380 00:23:55,982 --> 00:23:58,735 COME ON, WALTER. 381 00:24:04,274 --> 00:24:07,944 - TURN LIERY LOOSE. - YEP. 382 00:24:09,946 --> 00:24:11,865 YOU GONNA RELEASE HIM NOW? YEAH. 383 00:24:27,931 --> 00:24:29,800 YOU CAN GO. 384 00:24:29,800 --> 00:24:32,552 YOU LOSE THE MACHINE GUN. 385 00:24:32,552 --> 00:24:36,773 MUST'VE BEEN A REAL SLOW MORNING. SIGN FOR THAT. 386 00:24:41,061 --> 00:24:44,064 [ Takes Deep Breath ] 387 00:24:44,064 --> 00:24:49,820 YOU SAID SOMETHING BEFORE. SOMEONE SLIPPED YOU A MICKEY? 388 00:24:50,320 --> 00:24:52,072 SLIPPEDMEA MICKEY? YEAH. 389 00:24:53,874 --> 00:24:56,576 NAH. YOU DIDN'T SAY THAT? 390 00:24:56,576 --> 00:25:00,213 "I MUST BE PUNCHY. SOMEBODY SLIPPED ME A MICKEY." 391 00:25:00,213 --> 00:25:02,215 IN YOUR APARTMENT? YEAH. 392 00:25:02,215 --> 00:25:04,134 YEAH, I SAID IT. YEAH? 393 00:25:04,634 --> 00:25:06,336 BUT NOBODY SLIPPED ME A MICKEY. 394 00:25:06,837 --> 00:25:08,972 JUST AN EXPRESSION. JUST AN EXPRESSION. 395 00:25:18,849 --> 00:25:21,184 DONE WITH THE POKEY, BOBBY? YEAH. 396 00:25:21,184 --> 00:25:26,072 YOU KNOW, MAYBE I OUTTA PUT SOME PAPER ON YOU AND THE MAYOR, COST YOU FOR THE SUCKER PUNCH. 397 00:25:26,072 --> 00:25:28,909 OR WE CAN GO OUTSIDE. I'LL GIVE YOU SOMETHING TO SUE ABOUT. 398 00:25:44,591 --> 00:25:46,877 GONE? MM-HMM. 399 00:25:46,877 --> 00:25:50,046 STAY AWAY FROM HIM FOR A FEW DAYS, DIANE. 400 00:25:50,046 --> 00:25:53,133 - WHY? - JUST LET IT QUIET DOWN. 401 00:25:53,133 --> 00:25:58,021 IT COULD CLOSE IN THE NEXT FEW DAYS. BOBBY, JUST STAY OUT OF IT. 402 00:25:58,021 --> 00:25:59,856 [ Sighs ] YEAH, I'M THE WORRIED EX-BOYFRIEND... 403 00:26:00,357 --> 00:26:02,609 THAT DOESN'T REALIZE THAT EVERYTHING HERE IS UNDER CONTROL. 404 00:26:02,609 --> 00:26:07,647 EX, HUH? THANKS FOR LETTING ME KNOW. 405 00:26:07,647 --> 00:26:11,201 WE'RE TALKING ABOUT A GUY WHO DRUGGED YOU, WHO COULD DO ANYTHING ELSE... 406 00:26:11,201 --> 00:26:14,871 AND IS IN YOUR HEAD ENOUGH THAT YOU'RE DOING STUFF THAT COULD COST YOU YOUR SHIELD. 407 00:26:14,871 --> 00:26:16,790 WHAT ARE YOU TALKING ABOUT? 408 00:26:17,290 --> 00:26:19,042 THE BULLET IN THAT LADY'S WALL, IS THAT FROM YOUR GUN? 409 00:26:21,545 --> 00:26:25,131 I DON'T KNOW WHY YOU WOULD HURT YOURSELF OVER THIS GUY, 410 00:26:27,918 --> 00:26:30,420 BUT I'M ASKING YOU TO LET IT SIT. 411 00:26:31,421 --> 00:26:34,424 AS MY EX-BOYFRIEND. [ Sighs ] 412 00:26:35,926 --> 00:26:38,762 IF I'M YOUR BOYFRIEND, WILL YOU LET IT SIT? 413 00:26:42,349 --> 00:26:45,352 LOOK, MY THING IS, I DON'T WANT SOMETHING STUPID TO HAPPEN... 414 00:26:45,352 --> 00:26:48,355 BEFORE IT HAS A CHANCE TO GET STRAIGHTENED OUT, OKAY? 415 00:26:48,355 --> 00:26:52,609 OKAY. I'LL STAY AWAY FROM HIM FOR A FEW DAYS. 416 00:26:58,248 --> 00:27:01,585 YOU TELL ME NEIL DIED UNNATURALLY, I SAY I'M UNINVOLVED. 417 00:27:01,585 --> 00:27:04,204 - THAT'S YOUR STORY. - IT'S GOD'S TRUTH. 418 00:27:04,204 --> 00:27:06,957 YEAH? WELL, WE KNOW YOU'RE LYING, AND THAT MAKES YOU A MURDER SUSPECT. 419 00:27:06,957 --> 00:27:08,375 WHAT ARE YOU TALKING ABOUT? 420 00:27:08,375 --> 00:27:11,177 LOOK, WE NOT ONLY KNOW THAT SOMEONE FRACTURED RUTLEDGE'S SKULL-- 421 00:27:11,678 --> 00:27:13,763 WE KNOW WHOSE PRINTS CAME OFF THAT COLD DUCK BOTTLE, TOMMY. 422 00:27:14,264 --> 00:27:16,383 WE WERE ALL THREE OF US DRINKING FROM THAT BOTTLE. 423 00:27:16,883 --> 00:27:19,135 HOW IT LOOKS NOW, TOMMY, YOU'RE GONNA GET CHARGED WITH THIS HOMICIDE. 424 00:27:19,135 --> 00:27:23,890 YOU'RE GONNA DRAW SOME BEAT-UP LEGAL AID LAWYER COULDN'T GET A WALK FOR ST. FRANCIS. 425 00:27:24,391 --> 00:27:28,728 NOW, IF YOUR PAL ARNIE WAS THE BAD GUY, YOU GOTTA GET IN FRONT OF THAT FAST. 426 00:27:28,728 --> 00:27:33,450 WHAT MUST'VE HAPPENED, NEIL MUST'VE FELL ON THE STAIRS AND HIT HIS HEAD, 427 00:27:33,450 --> 00:27:35,702 AND COME BACK UP AND LAY DOWN AND DIED. 428 00:27:35,702 --> 00:27:37,954 THE MORE CRAP YOU MAKE UP, THE MORE I FIGURE IT'S YOU THAT DID IT. 429 00:27:37,954 --> 00:27:40,624 NOBODY CAN WALK EVEN A STEP WITH A HEAD INJURY LIKE THAT. 430 00:27:40,624 --> 00:27:44,044 WE GOT HIS PRINTS. I'M READY TO CHARGE THIS GUY. COME ON. 431 00:27:44,044 --> 00:27:46,830 - COME ON. GET UP. GET UP! - NO, NO, NO! I'M GONNA GIVE YOU ARNIE! 432 00:27:49,582 --> 00:27:53,420 TH-THERE WAS A BIG STINK OVER MONEY. 433 00:27:53,420 --> 00:27:56,423 NEIL STILL HAD SOME LEFT, BUT HE WOULDN'T MAKE ANOTHER BUY. 434 00:27:56,423 --> 00:27:58,808 HE WANTED TO GO TO WORK, AND ARNIE WANTED TO KEEP BINGEING. 435 00:27:58,808 --> 00:28:02,979 SO... WE WERE GONNA TIE HIM UP AND ROB HIM. 436 00:28:02,979 --> 00:28:05,315 IT WAS ARNIE'S IDEA. 437 00:28:05,315 --> 00:28:10,103 ONLY ARNIE TURNS OUT TO BE SCARED OF HIM, SO HE HITS HIM WITH THE COLD DUCK BOTTLE. 438 00:28:10,103 --> 00:28:13,106 IT JUST KNOCKED NEIL ON HIS KNEES, AND HE DIDN'T SEEM THAT OUT OF IT. 439 00:28:13,106 --> 00:28:18,278 SO ARNIE JUST LET GO WITH THIS BIG SWING, AND IT WAS JUST TOO MUCH. 440 00:28:19,779 --> 00:28:22,365 GOD. ARNIE'S SO STUPID, YOU WOULDN'T BELIEVE IT. 441 00:28:24,284 --> 00:28:26,286 SO, HERE'S WHAT HE GETS ME IN. 442 00:28:26,286 --> 00:28:29,789 YEAH, YOU'RE A REAL HARD-LUCK GUY. COME ON. 443 00:28:37,547 --> 00:28:39,049 SIT DOWN, PANETTI. 444 00:28:39,549 --> 00:28:41,851 OVER HERE? 445 00:28:41,851 --> 00:28:45,722 GETTING READY FOR THE BIG DAY? WHAT? THE TRIAL? 446 00:28:47,724 --> 00:28:49,726 I JUST WANT TO GET MY NAMED CLEARED. THAT'S IT. 447 00:28:49,726 --> 00:28:54,731 FRANKIE PISCIOTTA BUY YOU THESE CLOTHES? NO. I PAID FOR 'EM. 448 00:28:55,231 --> 00:28:59,369 YEAH, THESE DAYS, YOU'RE PROBABLY THE BEST-PAID BUSBOY IN AMERICA, HUH, JERRY? 449 00:28:59,369 --> 00:29:02,372 IS FRANK PISCIOTTA A STAND-UP? YES. 450 00:29:02,372 --> 00:29:05,208 WHAT THE HELL ARE YOU GUYS LOOKING TO DO, MAKE A CRIME OF THAT TOO? 451 00:29:05,208 --> 00:29:08,495 [ Sipowicz ] JERRY, WE'RE LOOKING TO TAKE THE DICE OUT OF YOUR HANDS. 452 00:29:08,495 --> 00:29:10,830 WHERE "A," YOU'RE FOUND GUILTY, 453 00:29:10,830 --> 00:29:13,333 OR EITHER ONE NIGHT FRANKIE PUTS FOUR LINES EXTRA UP HIS NOSE... 454 00:29:13,333 --> 00:29:16,720 AND HE DECIDES THAT YOU AND PAUL BELLINI'D LOOK BETTER IN A DITCH. 455 00:29:16,720 --> 00:29:18,671 IT'S NOT GONNA HAPPEN. 456 00:29:18,671 --> 00:29:21,174 JERRY, SAY, "IT'S NOT GONNA HAPPEN, I DON'T THINK," OKAY? 457 00:29:21,174 --> 00:29:23,893 OTHERWISE, YOU SOUND LIKE A MORON. 458 00:29:23,893 --> 00:29:26,730 DO THESE CLOTHES LOOK LIKE FRANKIE DON'T LOOK OUT FOR US? 459 00:29:26,730 --> 00:29:30,350 ALL RIGHT, HERE'S A LITTLE QUIZ FOR YOU, JERRY. WHERE ARE THEY NOW? YOU READY? 460 00:29:31,568 --> 00:29:33,820 WHERE'S SAMMY "THE BULL" GRAVANO, PRESENT TIME? 461 00:29:33,820 --> 00:29:38,108 I WISH I KNEW. GOTTI WOULD SEND ME A MILLION BUCKS FROM PRISON. 462 00:29:38,108 --> 00:29:41,111 SO, THE ANSWER TO THE CATEGORY, "WHERE ARE THEY NOW?" 463 00:29:41,111 --> 00:29:43,113 YOU DON'T KNOW WHERE THE BULL IS. CORRECT, JERRY? 464 00:29:43,613 --> 00:29:45,415 CORRECT IS CORRECT. 465 00:29:45,415 --> 00:29:47,951 WHEREAS JOHN GOTTI, YOU KNOW HIS EXACT LOCATION. 466 00:29:47,951 --> 00:29:50,286 YEAH, HE'S IN THE JOINT. 467 00:29:50,787 --> 00:29:54,674 BECAUSE GOTTI ROLLED THE DICE, AND THE BULL TOOK THE SURE THING. 468 00:29:55,175 --> 00:29:57,710 GOTTI GOT CONVICTED, WHICH YOU'RE ELIGIBLE TO GET TOO. 469 00:29:57,710 --> 00:29:59,546 AND GRAVANO, THAT GAVE HIM UP, 470 00:29:59,546 --> 00:30:05,602 HE'S SUNBATHING WITH SOME BROAD ON A BEACH SOMEWHERES AND NOBODY KNOWS WHERE THE HELL IT IS. 471 00:30:06,386 --> 00:30:08,721 JERRY, YOU GOTTA ASK YOURSELF, 472 00:30:09,222 --> 00:30:12,942 ARE YOU EVER GONNA BE SAFE FROM ONE DAY FRANK PISCIOTTA DECIDING, 473 00:30:12,942 --> 00:30:16,146 "YOU KNOW, THERE ARE TWO GUYS OUT THERE THAT CAN PUT ME AWAY... 474 00:30:16,146 --> 00:30:19,065 "JUST LIKE THE BULL PUT GOTTI AWAY. 475 00:30:19,065 --> 00:30:21,568 "NOW, THESE TWO GUYS, THEY'RE BETTER OFF LYING DEAD SOMEWHERE... 476 00:30:21,568 --> 00:30:26,156 IN A DITCH WITH THEIR HEADS BEATEN IN, COVERED UP WITH LYE." 477 00:30:26,156 --> 00:30:29,793 YEAH, THAT'S A SITUATION THAT YOU DON'T NEED TO BUY NO NEW WARDROBES. 478 00:30:32,629 --> 00:30:35,465 THIS IS A CONSPIRACY, WHAT YOU GUYS'RE DOING. JERRY! 479 00:30:35,465 --> 00:30:40,420 THE BULL DID 18 MURDERS HE ADMITS TO, AND HE'S KICKING BACK ON A BEACH... 480 00:30:40,420 --> 00:30:43,423 'CAUSE HE HAD WHAT THE GOVERNMENT WANTS MORE THAN THEY WANT HIM. 481 00:30:43,423 --> 00:30:47,844 YOU KNOW HOW MUCH MORE THE GOVERNMENT WANTS PISCIOTTA THAN YOU, JERRY? 482 00:30:47,844 --> 00:30:50,230 YOU KNOW WHAT KIND OF DEAL THEY'D GIVE YOU IN WITNESS PROTECTION? 483 00:30:50,230 --> 00:30:54,567 THE "A" DEAL, JERRY. A GRAVANO-TYPE DEAL. 484 00:30:54,567 --> 00:30:56,519 OTHERWISE, YOU ROLL THE DICE. 485 00:30:57,020 --> 00:30:59,405 DOES THE JURY CONVICT YOU OR WAIT FOR PISCIOTTA TO BEAT YOUR HEAD IN? 486 00:31:04,861 --> 00:31:10,283 THEY'D WRITE A DEAL OUT, THEORETICALLY? CHAPTER AND VERSE? 487 00:31:10,283 --> 00:31:12,502 A GRAVANO-TYPE DEAL. 488 00:31:15,455 --> 00:31:18,458 I'D TELL YOU WHATI'DDEMAND-- 489 00:31:18,458 --> 00:31:21,961 GRAVANO'S TYPE OF DEAL, WORD FOR WORD. 490 00:31:22,462 --> 00:31:23,963 BUT I'M NOT SAYING I'M GOING FOR IT. 491 00:31:23,963 --> 00:31:27,717 - HOW COULD THEY SAY NO? - HE'S GOT FISTFULS OF THEIR SHORT HAIRS IN EITHER HAND. 492 00:31:27,717 --> 00:31:30,019 THIS MAN IS COMPLETELY IN THE DRIVER'S SEAT. 493 00:31:46,969 --> 00:31:50,472 IT'S NOT THE FIRST TIME HE'S DONE THIS. HE DOESN'T CARE IF HIS MOTHER'S WORRYING. 494 00:31:50,472 --> 00:31:52,474 [ Scoffs ] THREE MONTHS, WE DON'T HEAR NOTHING. 495 00:31:52,474 --> 00:31:54,276 WERE YOU ROUGH ON HIM, MR. ROMERO? 496 00:31:54,276 --> 00:31:56,195 WE TREAT HIM GOOD, LIKE ALL OUR KIDS. 497 00:31:56,195 --> 00:31:58,113 I'M ASKING YOU. DID YOU PERSONALLY BEAT HIM A LOT? 498 00:31:58,614 --> 00:32:00,899 I DON'T NEED NO LECTURES FROM YOU, ALL RIGHT? I'M A TAXPAYER. 499 00:32:01,200 --> 00:32:02,951 I'M NOT ON THE STREET. 500 00:32:02,951 --> 00:32:05,788 MARCO'S IN THERE. [ Knocks ] 501 00:32:07,623 --> 00:32:11,360 MARCO, YOUR FATHER'S GONNA TAKE YOU HOME. 502 00:32:11,360 --> 00:32:14,947 - IS MY MOTHER HERE? - NO, IT'S JUST ME. LET'S GO. 503 00:32:14,947 --> 00:32:16,865 - CAN I TAKE THE COMIC BOOKS? - YEAH, YOU CAN HAVE 'EM. 504 00:32:16,865 --> 00:32:19,902 NO, DON'T GO BUMMING THINGS, ALL RIGHT? THEY DON'T BELONG TO YOU. 505 00:32:19,902 --> 00:32:21,487 THAT HOW YOU GET ALONG ON THE STREET, BEGGING? 506 00:32:21,487 --> 00:32:24,073 HE CAN HAVE THE COMIC BOOKS. 507 00:32:24,073 --> 00:32:27,376 WHAT ABOUT MY SLEEPING BAGS? CAN WE GO DOWN TO FIRST AND PICK UP MY SLEEPING BAGS? 508 00:32:27,376 --> 00:32:29,661 NO. FORGET YOUR JUNK. 509 00:32:30,879 --> 00:32:33,665 YOU KNOW, I SAID YOU CAN'T TAKE THOSE. HEY. 510 00:32:33,665 --> 00:32:36,585 LET'S GO BACK OUTSIDE A MINUTE. 511 00:32:38,387 --> 00:32:42,141 WHAT'S THE MATTER WITH YOU? HOW MANY LOVED ONES YOU THINK YOU GOT? 512 00:32:42,141 --> 00:32:44,143 YOU BETTER NOT LAY HANDS ON ME. 513 00:32:44,143 --> 00:32:46,145 MR. ROMERO, I'M GONNA BE KEEPING IN TOUCH WITH MARCO, 514 00:32:46,145 --> 00:32:48,147 AND IF I FIND OUT YOU'RE KNOCKING THAT KID AROUND, 515 00:32:48,147 --> 00:32:50,599 I'M GONNA COME BACK AND LOCK YOU UP FOR CHILD ABUSE. 516 00:32:50,599 --> 00:32:53,352 NOW, GO BACK IN THERE AND TAKE YOUR KID HOME. 517 00:33:02,077 --> 00:33:05,614 - SO, COME ON. - CAN I? 518 00:33:05,614 --> 00:33:07,783 YEAH. TAKE 'EM. 519 00:33:20,879 --> 00:33:24,216 [ Chattering ] 520 00:33:24,216 --> 00:33:26,685 I'M JACK PALERMO, COUNSEL FOR FRANK PISCIOTTA. 521 00:33:26,685 --> 00:33:29,471 MR. PISCIOTTA'S BEEN ASKED TO TURN HIMSELF IN. THAT'D BE OUR CASE. 522 00:33:29,471 --> 00:33:32,307 THIS IS A SICK PERVERSION ON AMERICAN JUSTICE. ALL RIGHT, FRANK. 523 00:33:32,307 --> 00:33:35,778 YOU HOUND WORKING PEOPLE TILL THEY GIVE UP THEIR DEAR ONES LIKE NAZI FASCIST GERMANY. 524 00:33:35,778 --> 00:33:39,448 YOU GET TOLD HOW YOU LOOK LIKE HITLER, FRANK? AND A LITTLE BIT BONGO THE CHIMP. 525 00:33:39,448 --> 00:33:42,701 YOU TELL ME TO ACT LIKE A GENTLEMAN, THEN YOU EXPOSE ME TO THIS? 526 00:33:42,701 --> 00:33:45,587 ALL RIGHT, COME ON IN HERE. 527 00:33:45,587 --> 00:33:49,591 GREG, WHY DON'T YOU TAKEMR.PISCIOTTA TO ARREST PROCESSING? 528 00:33:49,591 --> 00:33:52,895 OH, YEAH, SURE. THIS WAY. WHERE WE GOING? 529 00:33:52,895 --> 00:33:55,063 WE CAN TAKE THIS ROUTE HERE. 530 00:33:57,900 --> 00:33:59,902 I GOT A MESSAGE TO BRING HIM BACK. 531 00:33:59,902 --> 00:34:04,523 NOW, MY SQUAD, SIPOWICZ, WE'RE ON THIS GUY, WE'RE OFF THIS GUY OR WHAT? 532 00:34:04,523 --> 00:34:07,743 WHY? WE THROW OFF YOUR MEAL PATTERN? WALTER, COME ON. SIT OVER HERE. 533 00:34:09,244 --> 00:34:11,246 WHAT'S GOING ON? 534 00:34:11,246 --> 00:34:13,832 I'VE GOT SOME GOOD NEWS, BUT THERE'S NO POINT IN PISSING THIS GUY OFF. 535 00:34:13,832 --> 00:34:16,618 - WHERE'S YOUR COFFEE ROOM? - OVER THERE. 536 00:34:16,618 --> 00:34:20,255 - DID YOU FIND MY PAINTINGS? - NO. 537 00:34:20,255 --> 00:34:23,592 BUT, UH, ONE OF THEM BUSBOYS, HE'S GOING FOR THE HOMICIDE. 538 00:34:23,592 --> 00:34:26,011 WHY WOULD HE DO THAT? 539 00:34:26,512 --> 00:34:31,016 HE GETS A DEAL FOR, UH-- FOR GIVING UP PISCIOTTA ORDERED THE WHACK. 540 00:34:31,016 --> 00:34:35,220 IT'S A-- IT'S A NICE PACKAGE FROM WITNESS PROTECTION. 541 00:34:35,220 --> 00:34:38,474 [ Clears Throat ] THAT'S PISCIOTTA GETTING TAKEN TO BE BOOKED. 542 00:34:38,474 --> 00:34:41,360 I SEE. 543 00:34:43,729 --> 00:34:47,950 YOU WON'T GET YOUR WORK BACK OR SO FORTH. 544 00:34:49,735 --> 00:34:51,954 I'M GONNA TRY MORE DIRECT EXPRESSION IN MY WORK. 545 00:34:51,954 --> 00:34:57,626 A LONG TIME, MY PAINTING'S BEEN INFERENTIAL-- DEFINE THINGS BY WHAT THEY'RE NOT. 546 00:34:59,628 --> 00:35:02,130 BUT MY HEART IS SO FULL NOW, 547 00:35:02,130 --> 00:35:07,002 IF I DON'T ENGAGE THE CANVAS MORE, THIS THING'S GONNA BEAT ME. 548 00:35:08,971 --> 00:35:12,808 DOES THAT MAKE THAT PAINTING YOU GAVE ME WORTH MORE OR LESS? 549 00:35:12,808 --> 00:35:16,178 DEPENDS ON WHAT HAPPENS NEXT. 550 00:35:16,178 --> 00:35:18,931 YEAH, I GUESS THAT'S TRUE GENERALLY. 551 00:35:20,516 --> 00:35:22,768 MR. HOYT'LL BE GOING TO BROOKLYN. 552 00:35:23,986 --> 00:35:27,489 -BROOKLYN. - THANKS. 553 00:35:39,451 --> 00:35:41,954 HEY. HOW YA DOIN'? 554 00:35:41,954 --> 00:35:43,705 HEY, GINA. 555 00:35:43,705 --> 00:35:45,340 HEY, JAMES. HOW YOU DOING? 556 00:35:45,340 --> 00:35:47,626 ARE YOU GOING TO DETECTIVE SIMONE'S PROMOTION CEREMONY? 557 00:35:47,626 --> 00:35:53,181 YEAH, IN JUST A LITTLE BIT. I, UH-- I FELT BAD FOR THIS KID'S SITUATION, CASE WE WORKED TODAY. 558 00:35:53,181 --> 00:35:56,802 - THE BOY WHO REPORTED THE BODY? - YEAH, HIS REAL NAME'S MARCO ROMERO. 559 00:35:56,802 --> 00:35:58,937 HE'S, UH, INVOLVED WITH THINGS ON THE STREET. 560 00:35:58,937 --> 00:36:01,607 KINDA REMINDS ME OF THE MISTAKES MY BROTHER MADE. 561 00:36:01,607 --> 00:36:05,110 HAS YOUR BROTHER STRAIGHTENED OUT? NO, HE, UH, PASSED AWAY. 562 00:36:05,110 --> 00:36:08,063 I CAN IMAGINE WHY YOU'RE UPSET. 563 00:36:08,063 --> 00:36:10,866 YEAH, MY FATHER HAD PROBLEMS GIVING ROBERTO GUIDANCE, 564 00:36:10,866 --> 00:36:13,318 NOT WANTING TO KNOW WHAT HE WAS INTO. 565 00:36:13,318 --> 00:36:15,120 THAT'S HARD FOR PARENTS. 566 00:36:15,120 --> 00:36:17,539 IT'S NOT EXACTLY SIMILAR. 567 00:36:17,539 --> 00:36:21,410 THIS BOY'S FATHER SEEMS MORE LIKE JUST A JERK. 568 00:36:23,045 --> 00:36:27,249 ANYWAYS, UM, GUESS I'LL HEAD OVER TO ONE POLICE PLAZA. 569 00:36:27,249 --> 00:36:29,635 OKAY, JAMES. YEAH. 570 00:36:31,136 --> 00:36:33,722 I APPRECIATE YOU LETTING ME SHARE THIS WITH YOU. 571 00:36:52,407 --> 00:36:54,743 EXCUSE ME. 572 00:36:56,662 --> 00:36:58,780 HOW'S IT GOING? ALL RIGHT, SARGE. HOW ARE YOU? 573 00:36:58,780 --> 00:37:01,283 GOOD. HE WANTS TO TALK TO YOU. YEAH, HUH? 574 00:37:01,283 --> 00:37:02,868 DON'T WORRY. HE'S A NICE GUY. 575 00:37:02,868 --> 00:37:06,588 COMMISSIONER, THIS IS DETECTIVE BOBBY SIMONE. 576 00:37:06,588 --> 00:37:09,291 GOOD TO MEET YOU, BOBBY. CONGRATULATIONS. THANK YOU VERY MUCH. 577 00:37:09,291 --> 00:37:11,293 ORDINARILY, WE WOULD HAVE DONE THIS YESTERDAY, 578 00:37:11,293 --> 00:37:13,629 BUT I WAS UPSTATE VISITING FRANK LATTIMER. HOW'S HE DOING? 579 00:37:14,129 --> 00:37:17,099 HE'S GOT A LONG WAY TO GO. ALL HE TALKS ABOUT IS COMING BACK TO THE JOB. 580 00:37:17,099 --> 00:37:19,184 I'LL HAVE A GOOD THOUGHT FOR HIM, SIR. SIT DOWN. 581 00:37:23,138 --> 00:37:26,975 BOBBY, SOMETIMES PROMOTION TO FIRST GRADE IS BASED ON A SPECIFIC CASE. 582 00:37:26,975 --> 00:37:28,860 MY UNCLE GOT IT FOR ARRESTING WILLIE SUTTON. 583 00:37:28,860 --> 00:37:32,648 IS THAT RIGHT? BUT YOU'RE BEING RECOGNIZED FOR A SERIES OF CASES. 584 00:37:32,648 --> 00:37:34,533 YOUR LIEUTENANT SPECIFICALLY POINTED OUT... 585 00:37:35,033 --> 00:37:36,952 THE MULTIPLE HOMICIDES AT THE SIXTH STREET PLAYGROUND. 586 00:37:37,452 --> 00:37:38,954 COMMISSIONER, NOT TO SPEAK OUT OF TURN, 587 00:37:39,454 --> 00:37:43,041 BUT MY PARTNER WORKED THOSE HOMICIDES AS WELL AS EVERY OTHER CASE THAT I'VE BEEN ON. 588 00:37:43,041 --> 00:37:44,960 UH-HUH. ANDY SIPOWICZ. 589 00:37:44,960 --> 00:37:47,129 I KNOW OF SIPOWICZ, BUT THIS IS YOUR DAY. 590 00:37:47,129 --> 00:37:49,798 LET'S WORRY ABOUT YOU. MAYBE HE'LL GET LUCKY DOWN THE ROAD. 591 00:37:49,798 --> 00:37:52,467 YEAH. 592 00:37:54,970 --> 00:37:58,674 I'M REALLY GLAD WE HAD AN OPPORTUNITY TO TALK A LITTLE. I APPRECIATE WHAT YOU DO. 593 00:37:58,674 --> 00:38:00,676 THAT MEANS A LOT TO ME, COMMISSIONER. THANK YOU. 594 00:38:03,679 --> 00:38:05,313 CONGRATULATIONS. THANK YOU. 595 00:38:19,661 --> 00:38:22,447 JIMMY LIERY GOT MURDERED. SHOT OUTSIDE PATRICK'S BAR. 596 00:38:22,447 --> 00:38:24,416 OH, YEAH? MM-HMM. 597 00:38:24,916 --> 00:38:27,836 THEY COLLARED HIS PARTNER, A GUY NAMED HABIB. O.C.C.B. HAD THE PLACE UP. 598 00:38:28,336 --> 00:38:30,672 THEY GOT THE WHOLE THING ON TAPE. SO, EVERYBODY'S HAPPY. 599 00:38:30,672 --> 00:38:34,126 JANE WALLACE SAID 0.C.C.B. HAD YOU AND ANDY ON TAPE TOO. 600 00:38:34,126 --> 00:38:35,877 GOING INTO PATRICK'S EARLY THIS AFTERNOON. 601 00:38:35,877 --> 00:38:38,513 DID YOU TELL 'EM LIERY WAS COOPERATING? 602 00:38:38,513 --> 00:38:40,432 TELL WHO? I NEVER HEARD ABOUT THE PARTNER. 603 00:38:40,432 --> 00:38:44,386 DID YOU AND ANDY CHAT IT UP IN FRONT OF THE BARTENDER, BOBBY? LET HIM PUT IT OUT? 604 00:38:44,386 --> 00:38:49,891 THE GUY WHO KILLED LIERY, WHOEVER HE IS, HE HAD A HEART TO DO MURDER, DIANE. 605 00:38:51,393 --> 00:38:53,862 ME AND ANDY, WE JUST HAD A CONVERSATION IN A BAR. 606 00:38:53,862 --> 00:38:56,815 HMM. EXCUSE ME, BOBBY. 607 00:38:56,815 --> 00:38:59,067 YEAH. 608 00:38:59,067 --> 00:39:03,622 IF I'M SUPPOSED TO FEEL BAD ABOUT LIERY'S DEATH, 609 00:39:03,622 --> 00:39:06,374 I DON'T THINK YOU SHOULD COME IN. 610 00:39:12,547 --> 00:39:14,382 HEY, ANDY. 611 00:39:14,382 --> 00:39:16,501 I GOT A SITTER. THANKS, MAN. 612 00:39:25,510 --> 00:39:28,346 [ Commissioner ] TO THE RANK OF DETECTIVE SECOND GRADE, 613 00:39:28,346 --> 00:39:31,266 THIRD GRADE DETECTIVE LOUIS ANNUNZIATO. 614 00:39:34,069 --> 00:39:36,488 CONGRATULATIONS. 615 00:39:45,447 --> 00:39:49,668 WE HAVE ONE PROMOTION TO A RANK SOME PEOPLE CONSIDER THE MOST PRESTIGIOUS... 616 00:39:49,668 --> 00:39:52,003 AND DIFFICULT TO ACHIEVE IN THE DEPARTMENT... 617 00:39:52,003 --> 00:39:55,090 AND SYMBOLIC OF ITS HIGHEST TRADITIONS AND STANDARDS. 618 00:39:55,590 --> 00:39:59,961 TO FIRST GRADE DETECTIVE, DETECTIVE SECOND GRADE BOBBY SIMONE. 619 00:40:07,552 --> 00:40:10,388 CONGRATULATIONS. THANK YOU. 620 00:40:20,866 --> 00:40:24,319 LADIES AND GENTLEMAN, THIS CONCLUDES OUR PROMOTION CEREMONY. THANK YOU FOR COMING. 621 00:40:36,131 --> 00:40:39,084 [ No Audible Dialogue ] 622 00:40:55,817 --> 00:40:58,153 [ Knocking ] 623 00:41:17,422 --> 00:41:20,425 - HEY. - HI. 624 00:41:28,049 --> 00:41:31,303 - GIVE ME YOUR COAT? - NO. I DON'T KNOW, UM-- 625 00:41:34,272 --> 00:41:36,524 I'M SO SCARED. 626 00:41:36,524 --> 00:41:38,777 ABOUT WHAT? 627 00:41:44,532 --> 00:41:48,370 THE WIND USED TO SCARE ME, SNOW COMING OUT OF THE DARK. 628 00:41:52,540 --> 00:41:58,546 FRIDAY NIGHTS IN HIGH SCHOOL, MY DAD'D BE WORKING UP HIS WEEKEND BENDER, 629 00:41:58,546 --> 00:42:02,050 GOING OFF ON MY MOM AND DOUGIE, MAKING ME HIS PRETTY PET. 630 00:42:04,552 --> 00:42:10,058 AFTER SUPPER, I'D-I'D GET OUT OF THERE AND WALK BACK TO SCHOOL FOR THE HOCKEY GAME. 631 00:42:13,061 --> 00:42:16,064 MY LEATHER JACKET WASN'T WARM ENOUGH, 632 00:42:17,565 --> 00:42:20,819 BUT I WOULDN'T WEAR ANYTHING COVERED UP MY FIGURE. 633 00:42:20,819 --> 00:42:23,104 YOU WANT SOMETHING WARM NOW? 634 00:42:23,104 --> 00:42:24,906 I CAN MAKE YOU SOME TEA. 635 00:42:24,906 --> 00:42:27,409 - NO. - NO? WHY NOT? 636 00:42:29,361 --> 00:42:31,446 OKAY. 637 00:42:37,919 --> 00:42:39,788 HOW DID ANDY SEEM? 638 00:42:41,256 --> 00:42:43,008 WHAT DO YOU MEAN? 639 00:42:43,008 --> 00:42:45,126 HE DIDN'T RIDE YOU HOME? 640 00:42:45,126 --> 00:42:48,046 UM, HE SEEMED OKAY. 641 00:42:48,046 --> 00:42:51,016 WHY? WHAT WAS THE MATTER? 642 00:42:51,016 --> 00:42:53,518 MATTER? [ Scoffs ] 643 00:42:53,518 --> 00:42:57,022 I GOT PROMOTED, AND HE DIDN'T. 644 00:42:57,022 --> 00:42:58,890 HE'S GOT A LICENSE TO BE PISSED OFF. 645 00:42:58,890 --> 00:43:04,312 WELL, ANDY'S GOT TO KNOW HE'S AN ORPHAN OFF HIS TIME DRINKING. 646 00:43:09,734 --> 00:43:14,289 I REALIZE, WITH LIERY, YOU WERE TRYING TO HELP ME. 647 00:43:16,124 --> 00:43:17,959 YEAH. 648 00:43:20,829 --> 00:43:22,714 I CRY FOR YOU EVERY DAY. 649 00:43:22,714 --> 00:43:27,085 I DON'T KNOW WHY I COULDN'T SAY YES. 650 00:43:30,055 --> 00:43:32,057 [ Sighs ] 651 00:43:34,059 --> 00:43:36,561 AT THE, UM-- 652 00:43:36,561 --> 00:43:41,066 AT THE HOCKEY RINK, WE ALL STOOD ON THE BENCHES THROUGH THE WHOLE GAME. 653 00:43:43,068 --> 00:43:45,070 THE BOYS HAD CRUSHES ON ME AND-- 654 00:43:46,571 --> 00:43:48,573 WALKING HOME, I-I-- 655 00:43:53,078 --> 00:43:57,582 ALWAYS FELT LIKE I COULD NEVER STOP BEING COLD. 656 00:44:01,086 --> 00:44:02,871 YOU JUST NEEDED A WARMER COAT. 657 00:44:02,871 --> 00:44:06,758 [ Sighs, Sniffles ] I COULDN'T PUT ONE ON. 658 00:44:08,510 --> 00:44:11,796 I WAS AFRAID TO COVER UP MY FIGURE. 659 00:44:11,796 --> 00:44:14,799 I THOUGHT-- 660 00:44:14,799 --> 00:44:17,268 I THOUGHT I WAS ALWAYS JUST GONNA BE COLD. 661 00:44:21,272 --> 00:44:23,525 [ Sighs ] 662 00:44:23,525 --> 00:44:28,229 [ Sniffles ] YOU MAKE ME WARM, AND I COULDN'T MAKE YOU HAPPY. 663 00:44:31,116 --> 00:44:32,901 YOU MADE ME HAPPY. 664 00:44:33,401 --> 00:44:35,653 I COULDN'T SAY YES. I WANTED TO, AND I COULDN'T. 665 00:44:35,653 --> 00:44:37,956 IT'S OKAY, DIANE. 666 00:44:37,956 --> 00:44:43,745 I DIDN'T KNOW I COULD LOVE ANYBODY LIKE THIS AND THEN-- NOT TO BE ABLE TO SAY YES. 667 00:44:45,547 --> 00:44:47,499 [ Whistling ] 668 00:44:52,003 --> 00:44:53,838 YOU WANT THIS? 669 00:44:53,838 --> 00:44:56,091 YEAH. 670 00:44:58,009 --> 00:44:59,811 SEE? THAT WASN'T SO HARD. 671 00:45:03,481 --> 00:45:05,850 [ Whistling Continues ] 58041

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