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Original subtitles

Eߣ�B��B��B�B�B��matroskaB��B��S�gaM�t�M��S��I�fS��M��S��T�kS���M��S��S�kS����M��S��T�gS���O�I�f@�*ױ�B@M��libebml v1.4.7 + libmatroska v1.7.2WA�mkvmerge v102.0 ('Little Houses') 64-bitD��ACt-�Da� I�̊7�s��5�/�9��_uH�;PX�T�k���ׁsň�3�h Ճ�������S_TEXT/UTF8"���en�DC�u@��������PREVIOUSLY ON "THE MENTALIST"...���������GRACE AND I, WE ALWAYS THOUGHT��à�����THAT YOU AND LISBON WOULD GET TOGETHER.���C�u@��'q�����Lisbon: THIS IS SPECIAL AGENT MARCUS PIKE.��Ҡ¡���HE'S BEING ATTACHED TO OUR TEAM WHILE WE WORK THE CASE.�� ��ɡÁ�I LIKE YOU, AND I THINK YOU'RE A HELL OF A GOOD-LOOKING WOMAN,���C�u@��BM�����AND I'D LOVE TO GET TO KNOW YOU BETTER.��󠥡��IF THE OFFER STILL STANDS,�������� Cthe answer is yes.�������� LET'S GET MARRIED.���C�u��[K�����YES!��v�����WAIT!��C�u@��tt�����WHAT ARE YOU DOING HERE?��à�����THERE'S SOMETHING I NEED TO SAY.��͠���� �[ Voice breaking ] THE TRUTH IS...I LOVE YOU.�� �C�u�炋 WHAT YOU SAID?���������YES, I DID.��p����� iGOOD.���C�u��������[ DOOR OPENS ]���������Man: WHOO!��E����� C[ BOWLING PINS CLATTER ]��$C�u���+�����[ ENGINE TURNS OVER, REVS ]�� �C�u�� Woman: MORNING.��pC�u@�������HEY.��頖���YOUR COFFEE.���������THANK YOU.�������HIT'S A BEAUTIFUL DAY. YOU WANT TO SIT OUT HERE?��uC�u@��n�����YEAH, YOU CAN JUST PUSH ALL THAT STUFF TO THE SIDE.���������IT'S GOING IN THE GARAGE.��O�����HI'LL TAKE IT AROUND THERE IN A MINUTE.��WC�u��;9�����[ SIGHS ] IT'S A LOVELY DAY.��p������YEAH.��p����� 8[ SIGHS ]��@C�u��X�á��SHOULD THINK ABOUT GETTING YOU A KEY TO THIS PLACE, HUH?�� _�����bWELL, THAT'S A STEP. YEAH.��vC�u��r"�����UH, IT WOULD MAKE THINGS EASIER.���C�u���Ӡ����WELL, WHAT DO WE HAVE IN HERE?�� ����� .HMM?��$�����~VINTAGE CAR.��pC�u@���������WELL, THAT SHOULD DEFINITELY BE GARAGED.�� ��ġ�� �YOU DON'T REALLY STRIKE ME AS A VINTAGE-CAR KIND OF GIRL.���C�u���֠����IT WAS A GRADUATION GIFT FROM MY GRANDFATHER.�� ����� >I THINK IT WAS HIS FAVORITE.���C�u��Ҳ�����THANK YOU FOR HELPING MOVE ALL THIS.�� jC�u���������IT'S MY PLEASURE.�� ������ �IT'S BEEN NICE.��������MM.��qC�u���������WE'RE GONNA HAVE TO...��)�����UGET BACK INTO THE REAL WORLD AT SOME POINT, THOUGH.�� C�u��!�����[ Sighing ] YEAH.�� ܠ���� REALLY?���������REALLY.���C�u��&������YOU WANT TO...TALK�� ⠶��� ABOUT HOW WE'RE GONNA DO THAT, MAYBE, OR...�� �C�u��C젏���SURE.��󠏡��OKAY.��k����� �[ CELLPHONE RINGING ]�� �C�u��Y������SORRY.�� ���� �ABBOTT.�������[ CELLPHONE BEEPS ]��EC�u@��q%�����WHAT'S UP, BOSS?����ʡā�ABBOTT: Lisbon, I know you still have time left on your leave,���������but I need your help.��JC�u@���D�����You mind suiting up?��Ǡ�����NOT AT ALL. WHAT'S THE CASE?�������� �IT'S A HOMICIDE. IT'S COMPLICATED.�� �����I'LL TEXT YOU THE ADDRESS.��pC�u@���������Okay. YOU KNOW WHERE I CAN FIND JANE?��Ƞ�����I HAVE NO IDEA WHERE HE IS.��{����� �All right.���������I'LL TRACK HIM DOWN.��kC�u@���������OKAY.See you there.��O�����{BYE.��󠝡�� �[ CELLPHONE BEEPS ]��������YOU REALLY HAVE NO IDEA WHERE I AM?�� �C�u��ҏ�����IT JUST SEEMED LIKE THE THING TO SAY.�� ����� 8YOU EMBARRASSED?��頖���MNO! GOD, NO.���C�u���ʠ����IT'S OKAY IF YOU'RE EMBARRASSED.�������IT'S JUST, THINGS WITH MARCUS JUST SORT OF WENT DOWN,��}C�u���������AND I JUST WOULD LIKE TO KEEP MY PRIVATE LIFE�� i����� �PRIVATE JUST FOR THE MOMENT --��{C�u��͠����NOT FOREVER OR ANYTHING, AND...�� ����� 3IS THAT OKAY?�������� YEAH. SURE. THAT'S FINE. IT'S FINE.��)C�u��-,�����YOU'RE SURE? YEAH.��v������I UNDERSTAND.��Ƞ���� �OKAY.[ CELLPHONE RINGS ]���C�u��G�����MY TURN. [ CLEARS THROAT ]���������[ CELLPHONE BEEPS ]��@����� CHI, ABBOTT.��C�u��eq�����[ POLICE RADIO CHATTER ]���������HEY, CHO. HOW YOU DOING?���C�u��{`�����GOOD. YOU?�������@I'M GOOD.��O����� �NOT GOING TO WASHINGTON?��p�����WNO.��C�u���������NOT MARRYING PIKE?���������NO.��頏����OKAY.�������� �THE VICTIM'S NAME IS JEREMY GEIST. SHOT TWICE.���C�u@���h�����SOME CUSTOMERS FROM THE BOWLING ALLEY FOUND HIM���������A LITTLE AFTER 2:00 A.M.��l����� nAPPARENTLY, HE WAS A REGULAR.������LOOKS LIKE A RUN-OF-THE-MILL HOMICIDE.���C�u@��������CAN'T AUSTIN P.D. HANDLE IT? WHAT ARE WE DOING HERE?��z������GOT ME. ABBOTT JUST SAID GET HERE.��)������HEY, CHO.��uC�u��֫�����GIVE ME SOME SUGAR, BABY. MM-HMM.���������THERE WE ARE. MM-HMM.���C�u@���������LOOKING GOOD.THANKS.���������HEY, LISBON. JANE.�������� LOOK GOOD, TOO.�� �����GOT SOME PECAN NUTS. YOU WANT SOME?�� C�u�����UM, NO.��à�����I COULD...������YOU? NO, THANKS.��JC�u�������OKAY. MORE FOR ME.�� .����� YBOSS!��頜��� nHEY. HEY, ABBOTT.���C�u@��1t�����WELL, WE HAVE TO BE CAREFUL WITH THIS ONE.�� ����� .AUSTIN P.D. DOESN'T KNOW IT, BUT...�� �����aTHE VICTIM, GEIST, WAS FBI WORKING UNDERCOVER.�� _C�u@��O_�����[ PECANS CRUNCHING ]�������KAND WE ARE NOT RELEASING THAT.��T������SO, GATHER WHATEVER INFORMATION YOU CAN.�� �C�u@��i7�¡��GET BACK TO THE OFFICE. WE'RE BEING BRIEFED IN AN HOUR.�� ������ �CHO, LET'S GO TALK TO THE LEAD OFFICER IN CHARGE.�������� YEP.��JC�u@���������THAT WENT OKAY, HUH?�����YEAH, I THOUGHT IT WENT VERY WELL.������� _I'M GONNA HEAD BACK TO THE OFFICE.��Ǡ����RUH...SEE YOU LATER.��C�u��� �����WHAT IS THAT IN YOUR POCKET?���������WHAT?��OC�u��♠����♪♪♪�� ������ �--Captions by VITAC-- www.vitac.com�� C�u�� ������[ ELEVATOR BELL DINGS ]��Ҡ����RALL RIGHT, CAN I HAVE EVERYONE'S ATTENTION, PLEASE?��C�u��)R�����THIS IS KEN SPACKMAN.��נ���� HE'S RUNNING THE JOINT FBI AND ATF TASK FORCE��&C�u@��B������THAT SENT JEREMY GEIST UNDERCOVER.��������$I JUST NOTIFIED HIS FAMILY IN PITTSBURGH.�� �����aTHIS IS A -- THIS IS SUCH A BLOW.�� �C�u��_堯���JEREMY WAS A FIRST-RATE AGENT, SO...�� d�á�� �BIG BLOW FOR THEM,I'M SURE. NOT SO MUCH FOR YOU, THOUGH.�� C�u@��u������YOU BARELY KNEW GEIST.��������THAT'S CORRECT.��E����� �UM, HE CAME TO US FROM THE SAVANNAH OFFICE��͠�����A FEW MONTHS BACK.���C�u@�����á��WE NEEDED SOMEBODY WHO WOULDN'T BE RECOGNIZED IN AUSTIN.�� ������ �WHAT WAS THE ASSIGNMENT?��v�����bTHERE'S A GANG THAT'S BEEN STEALING���C�u@���|�����MILITARY-ISSUE FIREARMS FROM ARMY BASES�������KAND SELLING THEM TO DRUG DEALERS.������� �SO, WE GOT A REPORT THAT THE ROCKET BOWL PARKING LOT�� �C�u@���֠����IS WHERE THE GUNS WERE CHANGING HANDS.�� �ȡ /WE FIGURED SOMEBODY THERE WAS INVOLVED, LIKELY AS A SALESMAN.�� ������ WE SENT GEIST IN UNDERCOVER���C�u@���٠����IN HOPES THAT HE COULD TELL US WHO IT WAS.��������$ANY LUCK?��@����� �NOT YET, BUT HE WAS GETTING CLOSE.�� �C�u@��������WE'RE GONNA SEND ANOTHER AGENT IN IN A COUPLE WEEKS.��)�¡��TIN THE MEANTIME, YOU CAN'T DISCLOSE THAT GEIST WAS FBI.��sC�u@�� �����IT'LL BLOW THE WHOLE THING.���������THAT'S NOT GONNA BE EASY.��E����� 8THERE'S A GOOD CHANCE GEIST WAS KILLED��à����'BECAUSE SOMEBODY BLEW HIS COVER.���C�u�� �����WE NEED TO BE ABLE TO ASK QUESTIONS ABOUT THAT.��P�����{YOU HAVE TO UNDERSTAND WHAT'S AT STAKE, OKAY?�� �C�u@��4g�����NOW, WE GET THE SALESMAN, WE CAN FLIP HIM,��͠�����WHICH MEANS WE CAN GET THE WHOLE GANG,��q����� �BUT IF IT GETS OUT��F�����THAT WE HAD AN UNDERCOVER AGENT IN PLACE,���C�u@��L������THEN THE OPERATION WILL SHUT DOWN���������AND THE WHOLE GANG WILL SCATTER.�������� �WELL, THAT'S NOT SO BAD.��l�����'AND FROM THE WAY HE'S ACTING,���C�u@��b������UH, THERE'S A CHANCE THAT SPACKMAN HERE IS THE KILLER.��T������HE'S PRACTICALLY IN OUR LAPS.��������I'M SORRY. WHAT DID YOU SAY?���C�u��v2�����OR NOT. COULD GO EITHER WAY.��͠�����POINT BEING... IT'S ALL FINE.�� ⠛���I'M SORRY. WHO --��vC�u@���ؠ����I-I THINK WE ALL UNDERSTAND HOW TO DO THE JOB HERE,���������SO LET'S GET READY TO ROLL OUT IN 15 MINUTES.��v�����tLET'S.���C�u@���G�����HEY.�������JHI. WELCOME BACK. WE MISSED YOU.�������� iTHANKS.��à����WWHERE'S FISCHER? IS SHE OUT SICK?���C�u@��占����NO. SHE TRANSFERRED.���������REALLY? WHERE?��$����� SEATTLE. HER MOTHER'S THERE.��󠽡��5SHE HAD A STROKE, SO SHE WENT TO TAKE CARE OF HER.���C�u��������OOH. SHE ASKED ME TO GIVE YOU THIS.�� _������ABBOTT SAYS THEY'RE ASSIGNING US��qC�u�������A ROOKIE FROM QUANTICO TO FILL OUT THE TEAM.���������THAT SHOULD BE INTERESTING.��$C�u��1������AWW. THAT'S SWEET.��������$THANK YOU. MM-HMM.�� .�����~[ KEYBOARD CLACKING ]��{C�u���Π����YOU'RE FBI, RIGHT? WHO'S CHO?�� ����� 3I AM.��K������HEY. MASON HUNSTON. I'M THE OWNER.��lC�u@��������ANYTHING WE CAN DO TO HELP.���������I MEAN, WE'VE HAD SOME FIGHTS FROM TIME TO TIME,��K�����HBUT NOTHING LIKE THIS.��C�u@���������WERE YOU HERE WHEN IT HAPPENED?���������UH, I WAS UP IN MY OFFICE.��J����� 9DIDN'T KNOW ANYTHING UNTIL THE POLICE ARRIVED.�� C�u@��������IT'S BIRTHDAYS AND BOWLING LEAGUES��󠽡��TILL ABOUT 9:00 P.M., THEN THE DRINKERS TAKE OVER.��{����� �IT'S A ROUGHER CROWD,��C�u@��������BUT WE HAVEN'T HAD ANY SERIOUS PROBLEMS UNTIL NOW.���������WHO WAS WORKING LAST NIGHT?��K�����!TISH AND SKYE. THEY WORK THE BAR.��C�u@��ꂠ����THEY'RE THERE NOW.��������WICK AMMON -- HE'S OUR BOUNCER. HE'S OVER THERE.���������AND, UH, ANDY THE SHOE GUY.�� C�u@�� ������ANYTHING ELSE?��Ƞ�����YEAH, I HAVE A QUESTION.������� 3UH, WHAT'S THE BEST WAY��@������TO TURN A 10-7 SPLIT INTO A SPARE?��UC�u�� ������UM...��{������LINE UP ON THE 7 PIN.�� �C�u�� 0䠸���AIM FOR THE FAR SIDE. HIT IT HARD AS YOU CAN.�� ������ �JUST... TRY TO GET THAT...���C�u�� Dq�����PIN ACTION.��@�����lI GOT IT.��������UMM.ANYTHING ELSE?��͠����MNO. THANKS FOR YOUR HELP.���C�u�� h������MR. AMMON?��頛��� �WICK AMMON? YES.��E�����WAGENT KIMBALL CHO, FBI.��C�u@�� ���¡��I UNDERSTAND YOU WERE WORKING SECURITY HERE LAST NIGHT.��Ҡ�����YOU MIND ANSWERING A FEW QUESTIONS?��J�����sAGENT KIMBALL CHO OF THE FBI,��PC�u@�� ���á��KNOW THAT I AM A SOVEREIGN CITIZEN OF THE STATE OF TEXAS��U������AND DO NOT RECOGNIZE��F����� �THE LEGITIMACY OF THE FEDERAL GOVERNMENT��C�u@�� �ɠ����OR ANY POLICE AUTHORITY YOU MAY CLAIM TO POSSESS.��"�����MNONETHELESS, I WILL ANSWER YOUR QUESTIONS VOLUNTARILY.���C�u@�� ������GREAT. DID YOU SEE JEREMY GEIST HERE LAST NIGHT?��͠�����I DID. HE ARRIVED A LITTLE AFTER 11:00.�������� �DIDN'T SEE HIM LEAVE, THOUGH.��q�����\MUST HAVE GONE OUT THROUGH THE SIDE DOOR.��C�u@�� ڻ�����DID YOU TALK TO HIM?��k������SAID HELLO WHEN HE ARRIVED.��J����� LET ME ASK YOU SOMETHING, AGENT -- ARE YOU AWARE��������6THAT THE GOVERNMENT YOU'VE SWORN ALLEGIANCE TO���C�u@�� �������IS ILLEGITIMATE AND ILLEGALLY CONSTITUTED?���������YES. DID YOU NOTICE ANYTHING ABOUT HIM?��Ҡġ���JUST THAT HE KEPT TO HIMSELF, DIDN'T TALK MUCH TO PEOPLE.�� iC�u@�� �����YOU ALSO KNOW THAT FEDERAL INCOME TAX��נ���� IS GOVERNMENT-SANCTIONED THEFT��͠�����INTENDED TO PROP UP A GLOBAL CONSPIRACY OF BANKERS?�� �C�u�� 4ՠǡ��TISH, DID YOU NOTICE JEREMY ARGUING WITH ANYBODY LAST NIGHT?��H�����sNO.���C�u�� Jl�����HARDLY SPOKE TO ANYONE.����á��PRETTY FRIENDLY MOST DAYS, BUT HE DIDN'T SAY FIVE WORDS.���C�u@�� _������SO HE WASN'T DRINKING, THEN?���������CLUB SODA.��͠���� �AH.������WELL, I WOULD GUESS THAT'S UNUSUAL��EC�u�� wѠ����FOR A THREE-BEER-A-NIGHT KIND OF GUY.��������}YEAH.��C�u@�� �������IT IS.��@�����kWHAT ABOUT YOU, SKYE?��Ƞ���� ^DID YOU NOTICE ANYTHING ODD ABOUT JEREMY LAST NIGHT?��������0NOT LAST NIGHT SO MUCH.��KC�u�� �?�����THERE WAS SOMETHING STRANGE TWO NIGHTS AGO.��U������WHAT?�������� CJEREMY WAS FINE WHEN HE GOT HERE.��UC�u�� ������A LITTLE WHILE LATER, HE JUST SHUT DOWN.�� ������ �HE SAT AT THE BAR. HE WOULDN'T TALK TO ANYBODY.�� C�u�� ������DID HE SEEM ANGRY, SCARED, SAD?�� ������ �SPOOKED.��J�����&HE LOOKED REALLY SPOOKED.���C�u@�� �=�����YEAH, I GO TO THE BAR SOMETIMES WHEN MY SHIFT IS OVER.�� 砥��� [ AIR HISSES ]JUST TO HANG.��#�����bJUST TO HANG? YEAH.��C�u@�� 頾���DID YOU EVER, UH, DID YOU EVER TALK TO JEREMY GEIST���������WHEN YOU WENT OVER THERE, ANDY?������� YEAH. SURE. JEREMY'S A GOOD GUY.�� �C�u@�� % �����WHAT DID YOU TWO TALK ABOUT?�� Z����� �I DON'T KNOW.��������[ AIR HISSING ]SPORTS, I GUESS. I DON'T KNOW.��qC�u@�� :y�����SPORTS, YOU GUESS?��󠦡��BIKES. YOU KNOW, LIKE THAT.�� _�ġ���SO...WHAT DOES THIS HAVE TO DO WITH HIM GETTING MURDERED?���C�u@�� d������ARE YOU NERVOUS, ANDY?�����NO.�������� YOU SURE? YEAH.�������� �YOU SEEM KIND OF NERVOUS.��E�����\NOT AT ALL.���C�u�� |p�����Cho: HEY, SPACKMAN.�� ����}WILL YOU EXCUSE ME?���C�u�� �۠����SURE.���C�u@�� �������THIS ISN'T WORKING.I DON'T AGREE.��v�¡���OUR BOY ANDY OVER THERE, HE'S WOUND UP ABOUT SOMETHING.��������sI THINK HE'S ABOUT TO CRACK.���C�u@�� �������UH... HE'S CARRYING DRUGS.�� ݠ���� BUT IF YOU WANT TO BUST SOMEONE��Ƞ�����THAT HAS PAINKILLERS WITHOUT A PRESCRIPTION,��PC�u�� �p�����HE IS DEFINITELY YOUR MAN.�� Z����� �YOU'RE CALLING THAT FROM HERE?��J������YES.���C�u@�� �Z�����IT IS DIFFICULT TO GET ANYTHING�������EIF WE CAN'T TALK ABOUT WHY GEIST WAS HERE.��)����� �I CAN'T HELP YOU THERE.��à�����YOU'RE GONNA HAVE TO.��KC�u@�� �W�����I UNDERSTAND YOU WANT TO PROTECT YOUR INVESTIGATION,��v������BUT THIS IS A WASTE OF TIME.��󠷡�� �I THOUGHT YOU GUYS WERE SOME INNOVATIVE TEAM��UC�u@�� ������THAT WAS CAPABLE OF WORKING OUTSIDE THE BOX,��������*SO WHAT IS WITH YOUR WHINING?��󠧡��HDON'T TALK TO HER LIKE THAT.��qC�u@�� (|�����WE ARE NOT WHINING.���������YEAH, IT SOUNDS LIKE YOU'RE WHINING.������� YOU DON'T HAVE TO TALK TO HER LIKE THAT.�������GHEY. BACK OFF.I WON'T BACK OFF.��KC�u�� =9�����YOU NEEDN'T TALK TO HER LIKE THAT.���������LOOK, WE HAVE SPENT A LOT OF TIME AND ENERGY���C�u@�� U�¡��TRYING TO FIGURE OUT WHO IS SELLING GUNS IN THIS PLACE,��{������AND WE'RE NOT GONNA LET YOU GUYS COME IN��͠�����AND MESS UP OUR INVESTIGATION��vC�u@�� jF�����UNTIL THAT PERSON HAS BEEN IDENTIFIED AND ARRESTED.�� ������ �DO YOU GOT ME?��頏��� �FINE.��l������WHERE IS HE GOING?���C�u@�� �蠭���CAN I HAVE YOUR ATTENTION, PLEASE?�������JTHANK YOU.��P����� �THERE ARE THESE THINGS CALLED MICRO-EXPRESSIONS.�� �C�u@�� �h�ġ��THEY ARE WHAT SHOWS ON YOUR FACE WHEN YOU FEEL SOMETHING.���������THEY'RE AUTOMATIC. YOU CAN'T CONTROL THEM.��q����� nSO WHEN I TELL YOU THAT JEREMY GEIST�� �C�u@�� �������WAS AN FBI AGENT WORKING UNDERCOVER,��{������EVERYONE -- YES, THERE THEY ARE --�� ܠ�����SHOWED A BRIEF EXPRESSION OF SURPRISE.���C�u@�� �M�����WHAT THE HELL?!��頣���HIS WAS BIGGER THAN MOST.������� ^BUT WHEN I TELL YOU THAT JEREMY GEIST��������!WAS INVESTIGATING A GANG��qC�u@�� � �����SELLING ILLEGAL FIREARMS OUT OF THIS BAR,��������$ONLY ONE PERSON WILL SHOW FEAR --�� _������THE PERSON WHO IS AFRAID OF BEING CAUGHT.�� C�u�� 񠟡��AND THAT PERSON IS...�� _C�u��  �����IT'S YOU, TISH.����� �WHAT?��������IT'S LITERALLY ON YOUR FACE.��C�u�� -�����THERE IS YOUR SALESMAN.���C�u�� i������[ GLASS SHATTERS ]���C�u�� c�����WHOA, WHOA, WHOA.���C�u�� �Ϡ����WOW. SHE WAS FAST.��OC�u�� �校���[ ELEVATOR BELL DINGS ]��EC�u@�� �W�����Wylie: CAN I HELP YOU?��E�����qI'M LOOKING FOR SUPERVISORY AGENT ABBOTT.��������HYEAH, OH, UH, DOWN THAT WAY -- SECOND DOOR.���C�u�� �q�����THANKS.���C�u@��l�����YOU ASKED FOR THE SALESMAN. I FOUND THE SALESMAN.�� ����� .SALES-- THE WOMAN, THE SALESWOMAN.��K������YEAH. ONLY, WE DON'T HAVE HER NOW.��JC�u@��'������SEE, SHE'S IN THE WIND.��E�����qSHE'S PROBABLY ACROSS THE BORDER ALREADY.��̠���� iOH, NOW, SHE NEEDS TO GET READY��������1BEFORE SHE LEAVES THE COUNTRY.���C�u@��?������SHE'LL NEED A LITTLE TIME. WE'LL FIND HER, KEN.���������SEE? EVERY-- EVERYTHING'S FINE.���������NO. NO. IT IS NOTFINE.�� �C�u@��Z������FIRST OF ALL, YOU HAVEN'T GOT ANY EVIDENCE.��v������AND, YOU KNOW, EVEN IF WE DO MANAGE TO BRING HER IN,���������WHAT AM I GONNA DO -- PRESSURE HER WITH YOUR SAY-SO?�� �C�u@��u �����I CAN'T EXACTLY GET HER TO GIVE UP THE NAMES��T������OF THE PEOPLE THAT SHE'S WORKING WITH.��E����� �WHY -- JUST BECAUSE YOU SAY SHE DID IT?���C�u���Ϡ����ALL I CAN DO NOW IS HOLD HER FOR TWO DAYS�� ᠷ��� WHILE HER LAWYER SITS THERE AND LAUGHS AT ME���C�u@���������AND WHILE THE REST OF HER CREW DISPERSES.��Ǡ�����SO THIS IS NOT OKAY. THIS IS A DISASTER.���������HE'S NOT WRONG.��PC�u���������WELL, IT'S -- IT'S POSSIBLE THAT I WAS A TAD HASTY,��������"BUT YOU GOT MY IRE UP.��EC�u@��ш�����[ KNOCK ON DOOR ]CAN I HELP YOU?�������EMICHELLE VEGA.��󠼡�� dI WAS TOLD TO REPORT FOR ASSIGNMENT TO YOUR UNIT.��������VEGA. RIGHT.��C�u@���{�����AGENT VEGA, PATRICK JANE. WELCOME.��נ���� THANK YOU. PLEASED TO BE HERE, SIR.��p������OH, YOU DON'T HAVE TO CALL ME "SIR."��EC�u@���������IN FACT, PLEASE DON'TCALL ME "SIR."��k������SAVE IT FOR HIM.��E����� CONGRATULATIONS. FIRST ASSIGNMENT, HUH?�� �C�u��y�����I ALSO SEE THAT YOU'RE, UH, FORMER MILITARY.�������,UH...NO.���C�u��+w�����INTERESTING THAT YOU WOULD LIE TO ME�� ܠ���� SO EARLY IN OUR ACQUAINTANCE.��{������[ CLEARS THROAT ]��@C�u��A������UH, I-I WOULDN'T. I MEAN, I'M NOT.�� _����� �MY DAD WAS ARMY -- CAREER, 37 YEARS.�� iC�u��X������DENNIS.��Ƞ�����VEGA, COULD YOU GO OUT INTO THE BULLPEN�� �������AND, UH, LOOK FOR CHO OR LISBON?���C�u��r0�̡ƁTHEY'LL SHOW YOU AROUND, AND I'LL BE OUT IN A FEW MINUTES, OKAY?�� Y����� �YES, SIR.�� .C�u���(�����SO...GENTLEMEN.�� _����� �WHAT ARE WE DOING?��̠�����SPACKMAN... [ INHALES DEEPLY ]���C�u���}�����I'M GONNA MAKE THIS UP TO YOU.�� ������ �WHEN THIS IS OVER, IT'S GONNA BE YOUR BIRTHDAY.�� �C�u���E�����[ SCOFFS ] REALLY?��������)CANDLES ON THE CAKE AND ALL, KEN.�� �C�u��� �����AND THIS IS AGENT CHO.��{������HI. WELCOME.��E����� IT'S A PLEASURE.��Ƞ���� TERESA LISBON.HI.��OC�u@��󐠸���AND THEN THERE'S ABBOTT. AND JANE, OF COURSE.�� ᠵ��� JANE -- IS THAT THE GUY IN ABBOTT'S OFFICE��������6WITH THE, UH...SHIRT?��pC�u�� b�����IS HE AN AGENT?���������NO, BUT HE'S PART OF THE TEAM.�� =�����1HE'S...UH... DIFFERENT.���C�u@��$������ANYTHING I SHOULD KNOW ABOUT HIM?��󠩡��THERE'S PROBABLY A FEW THINGS.��T������CHO, WYLIE, YOU'RE WORKING WITH SPACKMAN���C�u@��9򠠡��ON TRACKING DOWN TISH.�� �����YOU THINK SHE KILLED GEIST?������� 8PROBABLY NOT -- IF SHE DID,��Ƞ����+SHE WOULDN'T HAVE BEEN SURPRISED HE WAS FBI.��$C�u@��Rm�����WHICH MEANS WE'RE STILL LOOKING FOR���������A VIABLE SUSPECT FOR THE MURDER.��p����� iI'LL CALL AUSTIN P.D.��J�¡���TO SEE IF THEY CAN TRACK DOWN THE CUSTOMERS IN THE BAR.���C�u@��m�����I'M RUNNING BACKGROUND CHECKS��Ǡ�����ON EVERYBODY WHO WORKS IN THE BOWLING ALLEY.��@����� _THAT'S GOOD.��������6ANYTHING I CAN DO, SIR?���C�u���G�����UH, YEAH.���������RELAX, WE'LL TALK, AND THEN I'LL PUT YOU TO WORK.�� ܠ�����YES, SIR.���C�u@���������Abbott: OH. WHERE YOU HEADED?���������OVER TO GEIST'S APARTMENT -- POKE MY NOSE AROUND.��נ�����YEAH, BOTH THE BARTENDER AND THE WAITRESS SAID��$C�u@���Ԡ����THAT HE WAS ACTING WEIRD.��@�����lANY IDEA WHAT THAT WAS ABOUT?�������� .NO, I DON'T.�������tWELL, GREAT.�� C�u@���{�����YOU KNOW, I DON'T KNOW WHAT'S GOING ON�����BETWEEN YOU AND LISBON, BUT, UH --��Ǡ���� NOTHING'S GOING ON.���C�u@��ꕠ����RIGHT. RIGHT. I UNDERSTAND.�������ETHAT'S THE PARTY LINE, RIGHT?�������� [ LAUGHS ] IT'S FINE. [ CHUCKLES ]��Ǡ�����IT'S ALL GOOD.���C�u@��������BUT ON THE OFF CHANCE THAT SOMETHING ISGOING ON,��O�����{I THOUGHT YOU MIGHT WANT TO KNOW����� �THAT MARCUS PIKE IS IN THE BUILDING,���C�u@�� A FEDERAL PROSECUTOR.�� .����� Y[ ELEVATOR BELL DINGS ]JUST AN F.Y.I.��͠����R[ ELEVATOR DOORS OPEN ]���C�u��,`�����[ INDISTINCT CONVERSATIONS ]���C�u��R̠����OKAY, 324...�� 8����� dGEIST. GEIST.��k������322. HERE.���C�u��kɠ����LET ME KNOW WHEN YOU'RE OUT.��{������I WILL. THANK YOU.��{C�u���������[ DOOR CLOSES ]���C�u���������[ TELEPHONE RINGS ]�������� nVEGA.��������WAGENT VEGA -- PATRICK JANE.���C�u@��������HOW YOU DOING? SETTLING IN?��p������YES. THANK YOU.��E����� IS THERE SOMETHING I CAN DO FOR YOU, AGENT?���C�u���)�����YEAH, YOU CAN STOP CALLING ME "AGENT," FOR STARTERS.�� i����� �NOW, YOUR FATHER WAS ARMY, BUT YOU WEREN'T?�� C�u@���������YES, SIR.�������E[ Singsong voice ] I DON'T BELIEVE YOU.�������� iYOU HAVE MILITARY IN YOUR POSTURE, VEGA.��)C�u���������THAT IS NOT GENETIC.�������EUM...��U����� �YES. I WAS AT THE POINT -- WEST POINT.�� C�u��������BUT I DIDN'T GRADUATE.���������OH, I'M SO SORRY.��������sIT WASN'T THAT BIG A THING.�� �C�u@��0۠����NO, NOT ABOUT THE POINT -- Y-YOUR FATHER.�� ����� 3I, UH...���������I'M SURE THAT WAS A VERY DIFFICULT TIME FOR YOU.�� YC�u@��Q�����HOW DID YOU KNOW ABOUT THAT?��E�����qWELL, YOU DON'T STRIKE ME��Ǡ���� dAS THE TYPE OF PERSON THAT WOULD GIVE UP ON THINGS,���C�u��e��ġ��AND WHAT ELSE WOULD KEEP YOU FROM FINISHING AT THE POINT?��sC�u��zϠ����HE HAD LIVER CANCER.�� ������ �IT WAS VERY FAST.�� 8C�u������AFTER THAT, UM...�� B����� nJUST WASN'T THAT INTERESTED IN THE MILITARY ANYMORE.���C�u@���������OF COURSE NOT.��������)[ CLEARS THROAT ] IS THERE SOMETHING I CAN DO FOR YOU?��O������UH, YES, THERE IS.��OC�u@���������UH, WHEN YOU WERE AT QUANTICO,��E�����qDID THEY DO SOME SORT OF PSYCHOLOGICAL��)����� �OR, UH, EMOTIONAL-PROFILE TEST THING?���C�u@��i�����YES -- A PRETTY EXTENSIVE ONE.�������KEXCELLENT.������� �I NEED JEREMY GEIST'S PSYCHOLOGICAL PROFILE.���C�u���������DO YOU THINK YOU COULD GET THAT FOR ME?��$�����PYES. YES, OF COURSE.�� 3������I WILL GET RIGHT ON IT.���C�u��������EXCELLENT WORK, AGENT VEGA.��������$AS YOU WERE.��pC�u@��������[ TELEPHONE RINGING ]��J�����vHEY, CHO. YES?������� �AUSTIN P.D. JUST CALLED.�������A LICENSE-PLATE SWEEP FOUND A TRUCK��C�u@��4ˠ����REGISTERED TO TISH DELAURIO�������FIN A PARKING GARAGE IN TRAVIS HEIGHTS.��Ǡ���� 9ANYBODY SITTING ON IT?�����STWO UNIFORMS, BUT IT'S ALL THEY CAN SPARE.���C�u@��K�����ALL RIGHT. I'LL GET A TEAM OUT THERE TO PICK HER UP.�� �������SIR, I HEARD YOU SAY YOU'RE GONNA PICK SOMEBODY UP.�� C�u@��h#�¡��WOULD IT BE ALL RIGHT IF I CAME ALONG? JUST TO OBSERVE.��נ���� YOU DON'T HAVE SOMETHING ELSE TO DO?���������NO.���C�u@�������AGENT -- I MEAN, MR. JANE ASKED FOR SOMETHING,��{������BUT IT'S ON ITS WAY.�������� jSURE. YOU CAN COME.��J������THANKS.���C�u@���d�á��WYLIE TOLD ME YOU WORKED WITH AGENT LISBON IN CALIFORNIA�� Y����� �BEFORE YOU CAME HERE.��)������JANE WAS THERE, TOO?��)C�u���������YEAH.��J�����sWYLIE TOLD ME HE WAS A PSYCHIC.�� C�u���>�����NO, THERE'S NO SUCH THING.��O�á��{JANE'S JUST GOOD AT READING PEOPLE, AMONG OTHER THINGS.�� �C�u���Р����HOW GOOD?��󠴡��AS GOOD AS YOU CAN BE. GOT RICH DOING IT.�� �C�u�������HOW DOES SOMEONE LIKE THAT END UP WORKING FOR THE FBI?��!�����MIT'S A LONG STORY.���C�u@��-�ɡÁWoman on radio: WE SPOTTED HER. SHE'S COMING UP THE RAMP ALONE.�� ������ �ALL RIGHT, LET'S MOVE IN.��q�����aYOU STAY HERE.���C�u��M#�����TISH DELAURIO! GET ON THE GROUND RIGHT NOW!�� ����� 3DON'T MOVE! STAY WHERE YOU ARE!��{C�u��dm�����TURN AROUND AND GET DOWN ON THE GROUND!��K�����vDelaurio: DON'T SHOOT!����� �I'M NOT ARMED.�� 8C�u��{a�����[ DOOR OPENS ]��O����� n[ SCREAMS ]STAY BACK.��������DON'T HURT ME.STAY BACK.���C�u@���)�����PLEASE DON'T HURT ME!SHUT UP.��͠�����[ Voice breaking ] PLEASE -- PLEASE DON'T HURT ME!�� �������[ HORN HONKS ]���C�u��������[ TIRES SCREECH ]��������)[ GRUNTS ]���C�u��������[ GRUNTS ] AAH!�� C�u���U�����[ HANDCUFFS CLICK ]��U������YOU OKAY?������� �SORRY. YOU TOLD ME TO STAY.�� C�u���H�����I DID.��{������NICE JOB.������� �COME ON.��{C�u��ՠ����[ GRUNTS ]���C�u@��2N�����YOU HAVE LOST YOUR MIND, ABBOTT.��)�����UYOUR PEOPLE HOUNDED MY CLIENT,��$������ABUSED HER WHEN THEY TOOK HER INTO CUSTODY.��$C�u��IB�����NOW YOU WANT HER TO COOPERATE?��������#THERE WAS NO ABUSE, ELLEN.��{������I GOT BRUISES.���C�u��^٠����YOU RAN, TISH.��������$WHEN PEOPLE DO THAT, WE CHASE AFTER THEM.�� Y������OF COURSE SHE DID.���C�u@��t������SHE WAS FALSELY ACCUSED��E�����pOF A CRIME SHE HAS NOTHING TO DO WITH.��v����� WAIT, WAIT -- YOU'RE NOT SERIOUSLY SUGGESTING��������6THAT SHE RAN BECAUSE, WHAT, SHE'S INNOCENT?��)C�u���&�����KEN.��������$WE BELIEVE THAT YOUR CLIENT IS INVOLVED���������WITH THE SALE OF ILLEGAL WEAPONS.��TC�u@���v�����IT'S A VERY SERIOUS CRIME.��Ǡ�����WHAT'S YOUR EVIDENCE --���������THE LOOK ON HER FACE WHEN SHE WAS ACCUSED?�� �C�u��������WE'VE BEEN CHECKING INTO TISH'S BANK ACCOUNT,�� 4����� _AND THERE ARE SOME SUBSTANTIAL CASH DEPOSITS.�� _C�u��������I'M A BARTENDER. I GET TIPS.�� d����� �OH. YEAH.��������WSOME OF WHICH WERE SEVERAL THOUSAND DOLLARS.��$C�u������THAT'S YOUR ARGUMENT? SHE'S A BAD BARTENDER?��'�����RLOOK, WE KNOW YOU DIDN'T STEAL THE GUNS.�� dC�u@�� ������YOU JUST WORK FOR THE PEOPLE THAT DID.�� ᠭ��� THOSE ARE THE PEOPLE THAT WE WANT,��k������SO IF YOU GIVE US THEIR NAMES,���C�u@�� ������THIS WON'T BE SO BAD.��p������LET HER GO RIGHT NOW,��k����� 3OR I'M GOING IN FRONT OF A JUDGE,��O������DEMANDING HER IMMEDIATE RELEASE,��OC�u��:(�����AND FILING CHARGES FOR HARASSMENT AND FALSE ARREST.�� ������ �I GUESS WE'LL SEE YOU IN COURT.�� C�u��b�����LET'S GO.��qC�u@��E�����SEE THIS? THIS IS EXACTLY WHAT I WAS AFRAID OF.�� ����� 8SO YOU BE SURE TO TELL JANE I SAY "THANKS A LOT."�� oC�u��������[ SIGHS DEEPLY ]�� ������Cho: THINK A JUDGE WILL LET HER GO?���C�u���~�����IN A HEARTBEAT. WE GOT NOTHING.�� ������ �WE KNOW WHERE JANE IS?��E�����RUH, ABOUT A HALF-HOUR AGO,��JC�u@���F�á��HE SAID HE WAS GOING OUT TO READ A REPORT I GOT FOR HIM.�� 3����� _AND LISBON?��������1UH, SHE JUST LEFT -- SAID SHE WAS GOING FOR A WALK.�� C�u�� o�����IMAGINE THAT.�� ������ �HEY.��q�����yI'VE BEEN LOOKING ALL OVER FOR YOU.��uC�u��!������WHAT ARE YOU DOING OUT HERE?��E�����qOH, I JUST NEEDED SOME AIR.�� 栟����WHAT ARE YOU READING?���C�u��;������FBI's PSYCHOLOGICAL REPORT ON JEREMY GEIST.�� ����� 4ANYTHING INTERESTING?��������COUPLE OF THINGS.���C�u��R������ANY THINGS TO DO WITH THE CASE?��������)MAYBE.��󠏡��HJANE.��kC�u��iʠ����YOU DON'T NEED TO WAIT UNTIL I NEED TO KNOW���������TO TELL ME THINGS, OKAY?���������NOT ANYMORE.���C�u��������YOU'RE RIGHT.��$�����OI-IT'S OKAY.��@����� �NO. NO. PLEASE. LET ME, UH...�� 3C�u@���6�����LET ME APOLOGIZE. I'M SORRY.��Ҡ�����IT'S FINE.�������� �WHAT'S UP?���������WELL, I WENT TO JEREMY GEIST'S APARTMENT,��OC�u@���9�����AND I NOTICED THAT HE MAKES HIS BED ON THE FLOOR...�� ܠ���� [ PAPER RUSTLES ]��͠����...AND SLEEPS WITH A LITTLE NIGHT-LIGHT NEXT TO HIM.���C�u@���6�����REALLY?�����MM.�������� SOME KIND OF TRAUMA?��J�����yCHILDHOOD TRAUMA, I IMAGINED, SO I CHECKED IT OUT.��JC�u���%�����AND?�� �����AND FEAST YOUR EYES... ON THAT.��EC�u��������WHOA.�� ������ �Lisbon: 16 YEARS AGO, THERE WAS A KIDNAPPING�� .�����6IN GEIST'S HOMETOWN -- PITTSBURGH.���C�u@�� 㠱���A 12-YEAR-OLD BOY NAMED JUSTIN KELLOGG���������WAS TAKEN BY TWO KIDNAPPERS.���������THEY ASKED FOR $3 MILLION IN RANSOM.���C�u@��9������THE FAMILY PAID IT, BUT THEY KILLED THE BOY ANYWAY.�� Y����� �THEY FOUND HIS BODY A COUPLE WEEKS LATER.���������Abbott: AND WHAT DOES THAT HAVE TO DO WITH GEIST?���C�u��R������GEIST WAS A FRIEND.��נ���� HE WAS STAYING OVER THE NIGHT KELLOGG WAS TAKEN.�� C�u��l������[ SCREAMING]��q����� �HELP! [ MUFFLED SHOUTING]���C�u@��������Man: SHUT UP, KID! OR I'LL HAVE YOUR ASS IN A SLING!��������)Lisbon: HE TOLD THE POLICE HE DIDN'T SEE ANYTHING,��Ҡ����&BUT HE HEARD SOMETHING.��*C�u@���������[ BREATHING SHAKILY]��������$ONE OF THE KIDNAPPERS CURSED AT KELLOGG.��U������FOUR MONTHS LATER, A BODY TURNS UP SHOT IN THE HEAD���C�u@��� �����WITH SOME OF THE RANSOM MONEY ON IT.���������THAT'S ONE OF THE KIDNAPPERS.��E����� 8HIS PARTNER MUST HAVE KILLED HIM.��������THEY EVER GET ANYTHING ON HIM -- THE PARTNER?���C�u���ՠ����NEVER FOUND OR IDENTIFIED.��������)THE WAITRESS SAID GEIST WAS SPOOKED ABOUT SOMETHING.�� CC�u@���l�š��YOU THINK GEIST RAN INTO THE MISSING KIDNAPPER AT THE BAR?�� ����� .WHO THEN KILLED HIM -- YES.��͠����'IT'S KIND OF A STRETCH.I KNOW. I KNOW.��TC�u@��������BUT I LOOKED INTO GEIST'S PHONE RECORDS.��󠻡��YESTERDAY, HE CALLED THE DETECTIVE IN PITTSBURGH��נ����!WHO INVESTIGATED THE KELLOGG KIDNAPPING.���C�u�� X�����DO YOU KNOW WHAT HE SAID?���������LEFT A MESSAGE. SAID HE WANTED TO TALK TO HIM.�������� �OKAY.���C�u��堩���YEAH, I DON'T KNOW. IT'S THIN.��������$AND WE HAVE A MORE PRESSING PROBLEM.��נ����'OH, WHAT'S THAT?��EC�u@�5|�����TISH DELAURIO IS BEING RELEASED TOMORROW.�� d�¡�� �AND WE HAVE TO FIGURE OUT A WAY TO KEEP HER IN CUSTODY.���C�u@��I5�����OTHERWISE, SPACKMAN'S CASE IS REALLY DEAD.�� ������ �AND WE KILLED IT.���������WELL, IF SHE'S SELLING GUNS,���C�u��`������SHE MUST HAVE A SUPPLY SOMEWHERE.�������� CWE FIND THAT, WE CAN HOLD HER.��C�u@��t8�����WELL, WE'D BETTER DO IT IN THE NEXT 18 HOURS.��������)HOW DO WE DO THAT? SHE'S NOT GONNA TELL US ANYTHING.���������EXACTLY, AGENT VEGA -- WHICH IS HOW��C�u@���}�����WE'RE GONNA CRACK TWO CASES FOR THE PRICE OF ONE.��נ���� I DON'T UNDERSTAND.��������,YOU DID A SEARCH FOR THE GUN THAT KILLED GEIST, RIGHT?���C�u@���������YEAH. SEARCHED A 10-BLOCK RADIUS.��̠�����DIDN'T FIND A THING.�������� �PERFECT.���������JANE, WHERE HAVE YOU BEEN?��C�u@���������GETTING THIS.��E�����qA HAMMER?�������� 8THAT'S RIGHT. IT'S A HAMMER.���ġ���AND WITH THIS, WE ARE GONNA NAIL TISH AND GEIST'S KILLER.�� �C�u���͠����PARDON THE PUN.��q������OH, AND SOMEONE'S GONNA HAVE TO STAY UP LATE.�� _�����'HOW LATE?���C�u��� �����VERYLATE.�� C�u��5�����[ LOCK CLICKS ]���C�u��X������[ LOCK DISENGAGES ]���C�u@���ؠ����MORNING, TISH.��k������WHAT IS THIS? WHAT ARE YOU DOING?��{����� =WE'RE GONNA FIND THOSE GUNS YOU HAVE HIDDEN AWAY.�� _C�u@��ӟ�����DON'T KNOW HOW YOU'RE GONNA DO THAT.�������KI'M NOT SAYING A WORD.������� �THAT'S WHAT I'M RELYING ON.���C�u��������LET'S GO.��@C�u@��,^�����WYLIE, VEGA, YOU STAY OUT HERE.��������)CHO WILL GIVE YOU THE SIGNAL.��������MYOU HAVE THE HAMMER? GOOD.��C�u@��@𠑡��RADIOS?��@�����kALL RIGHT. [ CLAPS HANDS ]�������� [ DOOR OPENS ]�������\WHY IS JANE TELLING EVERYONE WHAT TO DO?��{C�u��Z󠪡��I THOUGHT ABBOTT WAS IN CHARGE.�������JHE IS. EXCEPT WHEN JANE IS.��Ҡ����HAND WHEN IS THAT?��{C�u��pᠫ���I-IT KIND OF DEPENDS. IT'S OKAY.���������ABBOTT TRUSTS HIM, AND JANE KNOWS WHAT HE'S DOING.�� C�u@���񠒡��USUALLY.��Ǡ���� �[ BOWLING BALL ROLLS ]Cho: EXCUSE ME.�������� LADIES AND GENTLEMEN, WE'RE WITH THE FBI.�� �C�u@���ܠ����WE'RE CONDUCTING A SEARCH FOR SOME ILLEGAL����ǡ���AND HIGHLY DANGEROUS WEAPONS WE BELIEVE ARE ON THE PREMISES,�� C�u@����¡��UNLESS YOU WORK HERE, I ASK THAT YOU LEAVE IMMEDIATELY.�� 3����� _THANK YOU.��Ҡ����\SIR, YOU CAN, UH, COLLECT YOUR SHOES LATER. THANK YOU.���C�u���K�����WHAT WEAPONS?��E�����qUH, THE ONES TISH HERE HAS BEEN SELLING.���C�u@���������I NEED A WITNESS.��Ƞ�����I'M HERE AGAINST MY WILL, WITHOUT AN ATTORNEY.�� �������IT'S A VIOLATION OF MY RIGHTS.���C�u@��2�����SMILE, AGENTS. YOU'RE ON-CAMERA.��)�����TWHAT'S GOING ON?��K������WE BELIEVE TISH IS INVOLVED WITH A GROUP���C�u@��������THAT'S SELLING ILLEGAL WEAPONS��E�����pAND THAT THEY'RE BEING STORED HERE.������� �HERE?YES, AND WE'RE GONNA FIND THEM.�� 8C�u@��-�ɡÁLITTLE THING CALLED THE FOURTH AMENDMENT. YOU NEED A WARRANT.�� Y����� �DON'T YOU?��󠣡���YES. AND WE CAN GET ONE.��C�u@��C�����BUT WE'D HAVE TO SHUT YOU DOWN AND TEAR THE PLACE UP.��������$BUT IF YOU'LL ALLOW MR. JANE HERE TO CONDUCT A SEARCH,�� Z������WE CAN BE DONE IN 10 MINUTES.FIVE, EVEN.��OC�u��[&�����DON'T DO IT, MASON.�� .������DON'T THINK IT SHOULD BE A PROBLEM.���C�u@��o䠭���ALL RIGHT. [ CLAPS HANDS ] THANKS.��p������UH, UNCUFF HER, PLEASE.��E����� WE NEED HER TO BE ABLE TO MOVE AROUND.�� C�u@��������WHATEVER IT IS YOU'RE LOOKING FOR,��������$I DON'T KNOW ANYTHING ABOUT IT.��u����� �THEN YOU HAVE NOTHING TO LOSE.��JC�u���Z�����TAKE MY HANDS.������� �IF YOU DON'T, IT'S AS GOOD AS CONFESSING.���C�u���~�����WHATEVER.���������THANK YOU.�������� �YOU THINK YOU CAN KEEP A SECRET,���C�u���꠵���BUT THE HARDER YOU TRY, THE MORE YOU SHOW.�� ������ �FOR EXAMPLE, ANDY OVER THERE DOESN'T WANT ME TO KNOW�� �C�u��ܲ�����ABOUT THAT FOIL-WRAPPED PACKAGE OF COCAINE�� ����� 8IN HIS RIGHT-FRONT PANTS POCKET.��UC�u@���j�����THAT'S CRAZY!��������$DON'T WORRY. WE'RE NOT NARCS.�� ������YOU DON'T WANT ME TO KNOW WHERE THE GUNS ARE,���C�u�� m�����BUT YOU CAN'T HELP REACT WHEN I GET CLOSE.�� _����� �I'M NOT.��$������NO, NOT OVER HERE.���C�u��%�����THERE'S SOMETHING GOING ON OVER HERE.�� ZC�u��8������WE'RE NOT JUST DANCING.�������HHERE SOMEWHERE.��uC�u��[.�����[ CUSHION THUDS ]���C�u@��s������[ BAG THUDS ]��E�����q[ ZIPPER OPENS ]��k����� Hunston: WHAT THE HELL IS THAT?��頚���[ BAG RUSTLING ]���C�u���Ҡá��MILITARY-ISSUE 45s. LOOKS LIKE THERE'S ABOUT 20 OF THEM.�� d�����'OH, WAIT A DAMN MINUTE.��$C�u���H�����IS THAT A RIFLE?��頜���DISASSEMBLED MK-4.������� _VOILà.��qC�u@���������YOU'RE A BUNCH OF LIARS.��k������I DON'T KNOW WHAT'S GOING ON,��E����� BUT I GOT NOTHING TO DO WITH THIS.��������,THEN HOW COME YOU RAN WHEN HE CALLED YOU OUT?���C�u@��Ч�����EXCUSE ME? IF --���������HEY, HEY, HEY. NO. LET GO!��q����� dLET GO! LET GO OF ME!I'M GONNA TAKE HER OUTSIDE.��������'YOU FINISH HERE WITH JANE.��C�u@��������Delaurio: LET GO!OKAY, THAT WAS FUN.��Ƞ�����SERIOUSLY! LET GO!SHALL WE DO A TWO-FOR-ONE?��{����� �WHAT DO YOU MEAN?��������WE'RE GONNA SOLVE A SECOND CRIME.���C�u@�������TWO CONNECTED CRIMES, ACTUALLY --��󠹡��THE KIDNAPPING AND MURDER OF A 12-YEAR-OLD BOY�� ^������AND THE SHOOTING OF AN FBI AGENT.�� �C�u@��Ѡ����THE MAN THAT COMMITTED THOSE CRIMES IS HERE.�� ����� .AND THE GUN HE USED IS, TOO.��J������I'M GONNA FIND BOTH OF THEM.�� .C�u@��5Ϡ����[ GUNSHOTS ]WHAT WAS THAT?!�������JNOBODY MOVE. JUST STAY CALM.��$�á�� �Cho: LISBON! TISH GOT VEGA'S GUN! KEEP EVERYONE INSIDE!�� ZC�u��L���YOU HEARD HIM. STAY PUT.��͠�����THIS IS THE COOL PART.�� YC�u@��kߠ����[ GUNSHOT ]OH, MY GOD.��J�����uSHE'S TRYING TO SHOOT AT US. WE GOT TO GET SOME COVER.��v����� KITCHEN! COME ON! GET IN THE KITCHEN!���������Patrick: GET IN THE KITCHEN! QUICK!��kC�u���U�����COME ON! COME ON![ GUNSHOT ]��TC�u��� �����MR. HUNSTON, PUT DOWN THE GUN! DO IT NOW!�������� >[ DOOR CREAKS ]��pC�u���N�����THAT'S THE GUN THAT KILLED JEREMY GEIST, ISN'T IT?�� .����� ZTHE GUN AND THE MAN WHO USED IT.�� �C�u���������DID I CALL IT OR DID I CALL IT?�� iC�u�� 㠨���YOU KIDNAPPED JUSTIN KELLOGG.�� �ơ���AND JEREMY GEIST RECOGNIZED YOU. THAT'S WHY YOU KILLED HIM.�� ZC�u�� '8�����YOU KNOW WHAT THEY SAY ABOUT KARMA.��T������IT'S A BITCH.��͠����x[ SCOFFS ]���C�u�� JUST ANOTHER BARFLY.�� nC�u�� Rf�����BUT [SIGHS] THE OTHER NIGHT, I SAID SOMETHING TO TISH.�� ����� >I WAS PISSED, I GUESS.���C�u@�� g{�����TISH! DAMN IT!���������I AM SICK AND TIRED OF PICKING UP SLACK FOR YOU!�� ܠ�����NOW, DO IT NOW, OR I'LL HAVE YOUR ASS IN A SLING!�� �C�u�� ���á��I COULD TELL IT WAS SOMETHING I SAID, THE WAY I SAID IT.��������"HE KNEW.��pC�u�� �y�����HE CAME UP LATER, ASKED ME WHERE I WAS FROM,�� ܠ���� WHAT I USED TO DO.��J�����~WASN'T SUBTLE.��pC�u�� ɓ�����SO WHEN HE CAME IN THE OTHER NIGHT,��v������I KEPT AN EYE ON HIM.���C�u�� ⼠����[ SCOFFS ] SURE ENOUGH, HE BROKE INTO MY OFFICE --�� ������ �LOOKING FOR EVIDENCE, I GUESS.�� YC�u�� �(�����NOT THAT HE WAS GONNA FIND ANY.�������HBUT THAT WAS IT.�� ����6[ GRUNTS]��C�u��!Y�����I KNOW YOU.��������$3 MILLION IS A LOT OF MONEY.���C�u��!1������YOU KILLED THE OTHER KIDNAPPER�������SO YOU COULD KEEP THE RANSOM FOR YOURSELF, DIDN'T YOU?���C�u��!E������NOT SAYING I DID, NOT SAYING I DIDN'T.�� ������ �BUT HEDIDN'T GET IT, DID HE?���C�u@��!_�����TISH [SIGHS] I WANT TO APOLOGIZE TO YOU�� ����� >FOR EARLIER TODAY.�����XWE DIDN'T TELL YOU WHAT WAS GOING ON.���C�u��!xW�����HOPE IT WASN'T TOO UNCOMFORTABLE.���������DON'T WORRY. IT'S ALL GOING INTO THE LAWSUIT.�� �C�u@��!�������WELL, THERE'S STILL THE MATTER OF THE GUNS.��נ���� DON'T WASTE YOUR TIME.��$�����RWE KNOW SHE WON'T TALK.���C�u@�!�o�á��UH, TISH, WHAT I DID WITH YOU EARLIER TODAY WAS A FRAUD.�� B����� nWE, IN FACT, PLACED THE GUNS IN THE BAR.��C�u��!�%�¡��IT'S A TRICK THAT WORKS, AND I'M GONNA PROVE IT TO YOU.��Ҡ�����THIS...IS A MAP OF THE NEIGHBORHOOD...�� nC�u��!ؼ�����[ PAPER RUSTLING ]����� ...AROUND THE BAR.��J������WE KNOW YOU HAVE THE GUNS HERE.�� �C�u@��!�G�á��SO WHAT I'M GONNA DO IS, I'M GONNA MOVE MY HANDS AROUND,�� ������ �AND YOUR REACTIONS ARE GONNA SHOW ME WHERE.�� �C�u@��" �����[ SCOFFS ] WHAT THE HELL IS THIS?���������SEE, THIS IS THE DEAL.��U�����SIF TISH AGREES TO COOPERATE WITH AGENT SPACKMAN�� cC�u@��"&𠺡��AND TELL HIM WHERE THE LOCATION OF THE GUNS ARE�� .����� ZAND WHO SHE'S BEEN WORKING WITH,��͠����RSHE'LL PROBABLY GET A GOOD DEAL -- MINIMAL TIME.�� >C�u��"C������DEFINITELY...IN HERE.��M�����yBUT IF SHE REFUSES TO COOPERATE��$C�u��"Zs�����AND JANE FINDS THE GUNS ON THIS MAP HERE, WELL...��s������ALL BETS ARE OFF.��OC�u��"p������SHE GETS THE MAX -- 25 TO LIFE.�� ������ �HERE.���C�u��"������CHOICE IS YOURS.��v������AH. [ CHUCKLES ]�� ������XIN HERE.�� �C�u��"�j�����THIS IS ABSURD. COME ON, TISH. LET'S GO.���������ALMOST THERE.��TC�u��"�۠����TISH!��󠚡��[ PEN CIRCLING ]���C�u��"�w�����WHAT DO YOU WANT?��l������NAMES?���C�u@��"������YES.�����THE PEOPLE WHO HAVE BEEN STEALING�������� CTHE GUNS THAT YOU SELL --�������� EVERY ONE OF THEM.��pC�u��# ������AND THE LOCATION OF THE GUNS.��������$WHATEVER YOU SAY --�������� �Shh!��kC�u��#5@�����ALL RIGHT.��p����� �YOU WIN.��J�����GOOD CALL.���C�u��#N�����SEE?�������JIT'S YOUR BIRTHDAY.���C�u��#})�����UH, EXCUSE ME. CAN I HELP YOU?�� 9C�u��#�"�����JANE.��T������PIKE. HELLO.�� .C�u��#������I WAS, UH, LOOKING FOR TERESA.�� _����� �[ INHALES DEEPLY ]��p�����'YEAH, I'M SURE SHE'S, UM...��vC�u��#�ݠ����SURE SHE'S AROUND HERE SOMEPLACE.��{������YEAH, SHE PROBABLY IS.��������yBEARD LOOKS GOOD.���C�u��#�(�����IT'S FOR AN UNDERCOVER THING.�� C�u��#¢����SO, IT'S, UH...�� i����� �YOU AND HER.���C�u��$f�����YEAH.���������UM...���C�u��$������I'M SORRY.�������JWE -- WE DIDN'T INTEND FOR IT TO HAPPEN LIKE THIS.�� .������[ INHALES DEEPLY ]��EC�u��$3�����I KNOW IT WAS THE LAST THING ON HER MIND --��Ҡ�����THE IDEA OF HURTING YOU.���C�u��$F������I KNOW.��u������I KNOW THAT.���C�u��$`v�����SO, DO YOU HAVE A PLAN?��)C�u@��$�Ҡ����I-I DON'T REALLY UNDERSTAND.��)�����UWELL, I WAS OFFERING HER A LIFE --��������,A HOME, A FAMILY IF SHE WANTED IT,�� .C�u��$�X�����A FUTURE.��$�����OHAVE YOU THOUGHT ABOUT ANY OF THAT?��)C�u��$������I HAVEN'T THOUGHT THAT FAR AHEAD YET.��)�����TWELL...��������WELL, WHAT ARE YOU OFFERING HER?�� C�u��$�7�����I MEAN, OTHER THAN PATRICK JANE?�� �C�u��$췠����HEY.��������bEXCUSE ME.���C�u��%+�����WHAT ARE YOU DOING HERE?�� .����� YWELL, I WAS UPSTAIRS... GIVING A DEPOSITION,�� �C�u��%A6�����AND, UH...��u������I THOUGHT I WOULD SAY HI.���C�u��%[������STUPID IDEA.��K�����v[ CHUCKLES LIGHTLY ]��E����� �[ Chuckling ] NO.��q������IT'S FINE.��C�u��%z������ANYWAY...���C�u��%�砨���IT'S GOOD TO SEE YOU, TERESA.�� .����� CYOU TOO, MARCUS.�� C�u��%�Π����JANE.��EC�u��%ρ�����[ ELEVATOR BELL DINGS ]�������� �THAT WAS WEIRD. WHAT'D HE SAY?���C�u��%�p�����UH, HE ASKED ME IF I HAD A PLAN FOR YOU.��6�����aPLAN?���C�u��%�ɠ����YEAH.�������KUM...��������tI DON'T.��������I...��qC�u@��&�����[ INHALES DEEPLY ]���������WELL, I-I-I THINK I-I KNOW WHAT FEELS --�� 3�����'I-I THINK WEKNOW WHAT FEELS RIGHT,�� 8C�u��&3������AND I THINK THAT -- THAT THAT SHOULD BE OUR GUIDE.���C�u��&M$�����SO DO I.�������� �I DO HAVE ONE THING FOR YOU.��uC�u��&a������WHAT?��E�����qTURN AROUND AND LOOK OUT THERE.��������[ GASPS ]���������OH!��C�u��&zߠ����IT'S A 1930 CADILLAC V-16, MINT CONDITION.�� Š���� �RENTED IT FOR THE DAY.���C�u��&�A�����[ ENGINE TURNS OVER ]�������� �LAST CHANCE. YOU SURE YOU DON'T WANT TO DRIVE?��TC�u��&�������I'M POSITIVE. OKAY.�������JYOU DO KNOW HOW TO DRIVE THIS?��������I'LL FIGURE IT OUT.��OC�u��&�D�����[ HORN HONKS ]���������[ Chuckling ] OH.����� I'M AFRAID TO ASK HOW YOU GOT THIS.�� �S�k Wl�������������������� Y��������1��û���G��������\��׻���'q�����n����һ���/n�����n��;�� �����9J�����n����׻���BM�����>����󻔳�Hl�����>��8�������O������>��_�������UW�����>��}��Ȼ���[K����������v����ig��������������tt����� ����û���yb����� ��(��ͻ����Z����� ��U�� ������ �������������������������-������ͷ�������C��u����n��������������";�������E��O����)��������j��W����;9����������p����@շ�������.��p����Fq��������?��@����X��������� _����k��������J��v����r"����������һ����ӷ��������� �������������0��$�����Q��������@��p��������������� ������ӷ������:��׻����ַ��������� �������������?��̻���Ҳ����� ���� j�����������G���� ������Է����G��"��������������G��=��q����������������)����鷎������'�� ����!��������� ܻ���)�������"�������!췎�����5�������&������Q���� ⻕��1������Q��#�� 绕��C췎��������󻕳�J ����������k����N���������'�� 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