Original subtitles

Yes,

yes, yes!

You make a five with five.

Stand up.

Poor devil.

What was he, Colonel?

An engineer.

English. Shot down by patriots.

Looks like plain murder to me. Yeah.

The men who do this haven't the courage to face anyone.

Unless they've got a gun in their hands.

Well, there's the answer.

Stop guns getting to places like this before the damage is done.

Oh, Brady, we do our best.

But the gun runner is the most vicious of all of them. He doesn't even press

the trigger. All he does is to sell arms to a bunch of fanatics who haven't got

the legal right to buy them.

Tell me, how do they get the weapons in this particular case?

Do you really want to know? Yeah.

All right.

Miss Fleming.

Mr. Brady.

How do you do, Mr. Brady?

How do you do?

Am I glad to have you with me.

Not so fast, Miss Fleming. I haven't even told him yet.

I don't get it. What's going on?

Well, you see, it's like this. Oh, please let me.

I just got back from the Mediterranean, Mr. Brady, from Bay Arkeen.

It's a pocket-sized state, but they've caused an awful lot of trouble.

I was sent out there with an international commission to investigate

accusations of gun running. I happened to read about it.

Your commission found no evidence. Oh, believe me, Brady, they're selling guns,

all right.

Can you prove this, Miss Fleming?

No, if I could, it would be in the report.

No, I can't prove it. That's why I'm going back.

You are? The point is, I need your help.

Badly. In Bay Hakeem. You need me?

Well, I need a friend.

And there's no friend like an invisible one.

Now, let's get this straight, Miss Fleming.

You've been serving on an international commission to investigate gun running,

right? Right.

And the commission found in favor of this place, Bay Hakim. But you

disagreed. That's true.

Now you want to go back to prove you're right, with no authority.

And you want me to go with you?

I don't give a darn for red tape, Brady.

Those people are selling guns, and guns do this.

You coming with me?

Yes. I'm coming with you.

I gambled on that.

I've got a flight book, special charter plane. And travel invisible.

No one needs to know.

Oh, I'll get them this time.

This time I'll have eyes in the back of my head.

We were very surprised to see you again so soon, Miss Fleming.

But, um, please, I trust.

Of course.

You like these rooms?

Yes, they're quite all right, thank you.

This time we give you two, as you ask.

Thank you.

Oh, and what about the car that I ordered? At the front of the hotel.

Good.

Oh, I nearly forgot. There is a visitor waiting for you downstairs.

Monsieur Sardi.

Well, I'm honored.

Ask him to come up.

Yes, madame.

Oh, you hear that, Brady?

Stardy's the Minister of Customs and Export.

Uh-huh.

I see.

Oh, things are going to move a lot faster now that I'm on my own. Yeah.

Any reason why you should call?

The honor of this country is at stake.

Come in.

My dear Miss Fleming, welcome to our little country once more.

This time you are not diplomatic.

No.

Just a simple visitor.

Just a simple visitor with a simple American passport.

Yes.

I come to tell you, Miss Fleming, that we were very hurt at what you said in

your report.

Well, I had to say what I thought.

Very unfriendly.

Oh, nothing rotten in the state of Bay Hakeem, eh, monsieur?

Trifles, Miss Fleming, trifles, like any other country.

But gun running, no, no, that's too despicable.

Anyway, I should be the first to hear of it.

Well, if you do hear anything, you'll pass the information on to me, won't

you? You're sincere, and I admire you for it.

But you're hot-headed, and you may make enemies.

Miss Fleming, if you are in any trouble, please come and see me.

I will be able to help you.

Thank you, monsieur.

Goodbye.

Goodbye.

So that's the Minister of Customs, huh?

Good afternoon, Mr. Zardy. Good afternoon.

There goes Sardy.

What do you think of him?

He seemed pretty concerned for your safety.

Maybe he's right. You have enemies here.

Well, if I have, it's for only one reason.

Somebody's running guns.

Well, don't bother to knock.

Come right in.

Miss Fleming?

That's right.

I, uh, seem to be popular here.

You are wrong, Miss Fleming.

There's an aircraft leaving in a half an hour.

So what?

You will be on it.

Just, uh, close the door after you, mister.

Take your things and get out.

I, uh, I see what you mean.

What is the matter?

Don't you open the door for a lady?

Stop! My arm!

Just as a matter of interest, who sent you here?

No one. I can't myself.

Try again, mister.

Who sent you? Stop!

Stop!

Who sent you here?

Arosa.

Arosa, he sent me.

Arosa?

Manager of Citrus Export.

Yes, yes, that is the truth.

I'm going to surprise you, mister.

I believe you.

Now take my advice and go to the country for a few days, mister.

You do this to me?

You want me a woman? You stay where you are.

Saudi was right.

You've got enemies.

Yeah, looks like it.

Let's see who it is.

Hassan Malia, truck driver, Citrus Export Company.

Maybe we'd better tie him up and keep him here, eh?

That'll keep Mr. Malia out of harm's way.

You know, I think we'd better get down to the export office before the rest of

the day shift shows up.

Do you know where it is?

Sure, they showed it to us when I was here on my official visit.

But this time, they won't expect me.

Come on, let's go.

Thank you.

Good afternoon, madame.

No, she does not look upset.

She has no baggage.

I'm quite certain.

Yes, she's quite alone.

She has driven off in her car.

There it is. Straight ahead.

Citrus export coming.

Are the officers there as well?

Everything's there, and it's probably guarded. Let's try a look at the back.

Let me go first.

You never know what sort of a reception we might get.

We'll take this with us. It could be useful.

Come on.

Let's see what's here.

Stay here.

I'm gonna have a look around.

Yes?

Oh, no.

Well, Mr. Roser is not back yet.

Yes, everything's all right.

All the special crates are in the back.

Yes, they're well out of sight.

All right.

Come on, get on with your work.

Special crates, huh?

Brady? Take a look at this.

I guess this is what we've been looking for.

Special crates.

Yes.

Don't you see them go out today?

And they're somewhere here.

Down at the back.

They'll take a bit of finding, won't they?

Yeah. Let's start.

It says they have a special mark.

Could be.

Citrus export.

Brady, look!

The X in export is bigger than the other lens.

Let's take a look inside.

Orange. I wonder.

Here's your proof, Zena.

What? I was right.

Run for it, Zeena. What about you?

I said run for it. I'll see you back at the hotel.

Get out of that.

What is going on? What is all this?

It's the American woman, Mr. Arosa. She's been here, she's seen everything

and now she's got away and the door is jammed. Don't worry.

She can't do us any harm.

It has all been arranged.

We've been very patient, Miss Fleming. But now we insist.

You must stop spreading these vicious accusations about our country.

But they're all true, Mrs. Hardy.

I have the evidence now.

Look. What is it?

It's from the files of the citrus export company.

Where did you get this?

From their offices.

How?

I can't tell you that.

So they have special cases of oranges.

Is this all your evidence, Miss Fleming? No, I've seen the guns at the warehouse.

This is hard to believe.

Well, then come and see for yourself.

And hurry before they have a chance to get rid of them.

All right.

We must inform the police.

Have you told them?

Not yet.

I came to you first.

That was wise, Miss Fleming.

All right.

Show me this evidence.

And you will have my complete support.

Thank you.

Ah, Mr.

Fleming, Mr. Sade, this is an honor.

You are the manager here?

Yes. I have reason to believe your company is engaged in gun running.

But this is ridiculous.

We have certain crates marked with a large X in the export.

Well, that means nothing.

I wish to inspect them.

Of course.

Oh, no, no, no, Mr. Arosa. The ones we want to see are this way.

Hackman, come with us.

Zena?

Zena, are you back yet? Is Peter Brady here?

Zena? Zena?

Look, all these crates have the special mark. Why don't they open them?

Open the crates, please. But I assure you... Please open them.

You brought me here on a fool's errand, Miss Fleming. I don't understand. If

there were guns here, I saw them. I have no more patience with you. Please come

with me.

Just a minute, Mr. Soddy. Please, Miss Fleming.

Well,

do you need any more proof, Mr. Soddy?

No, Miss Fleming.

This is terrible.

Will you please come with me to the office?

Please, Mr. Sardy.

Well? Oh, please, Miss Fleming, forget what you have seen.

I'll make it worth your while.

$5,000.

Oh, 10,000. Don't be silly. Where are you going? I'm taking the first plane

back to New York, and I'm recalling the commission as well. No one will believe

you. Oh, it's not just my word this time.

Don't forget I have Mr. Sardi as a witness, too. Don't count on that, Miss

Fleming.

I don't understand.

First I had to find out if we could bribe you into silence, but we have no

success, it seems.

You mean you knew about this all the time?

I'm not as stupid as you, Miss Fleming.

I realize that if people are determined to buy guns, they'll get them.

Why should we turn our backs on the money offered?

Hand back.

Passport.

Let us be on the safe side.

We must have proof that she left Bergheim before she disappears. You

can't... You know what to do with the passport?

Yes. Then get back to her hotel and destroy all evidence she was ever there.

Zina Fleming.

I understand.

So don't forget, she's left the country.

Is that clear?

Yes, Mr. Elhose.

Hello, reception.

Has Miss Fleming come back to the hotel yet? Miss Fleming?

She's gone, sir.

You mean she's left the country?

Yes, she left the country by air.

Are you sure?

Quite sure.

Just one moment.

Who's speaking, please?

Never mind that.

Put me through to the airport, will you?

Yes?

What name did you say?

Zina Fleming.

Just a moment, please.

I can't understand it. There's a call from Miss Fleming's room.

Who is it? A man. He's calling the airport.

Cut him off. Come on.

She's just gone on board.

Hello?

Hello? Operator. Hello?

There's no one here.

Look!

Malia, what are you doing in that bed?

Who did this?

The American woman. What? But there was a man in it, too.

A man?

What man? I did not see him, but he was here just now, on the telephone.

Look in there.

Happy.

Nobody. Get her luggage.

We must tell Sade.

He thinks the girl was on her own. Come on.

You know you'll never get away with this.

Why not, Miss Fleming?

At this very moment, someone is flying out of the country under your name.

When she gets to Rome, she'll disappear.

There will be nothing to connect your disappearance with us.

We've got our things.

You must destroy them.

Mr. Estardi?

There is someone else working with her.

What? A man. He was on the telephone, but nobody has seen him yet.

The sooner we get this over, the better.

What is he doing, all this noise?

Is all this necessary?

She's only a girl, tied in a chair.

He won't give us any more trouble.

Oh, it's nice to have you back, Brady. Here, let me untie you.

Oh, thanks.

Leave the suitcase.

Okay. Come on, let's go.

What has happened to Merlin?

Stop him!

I said stop him!

Come

out!

Come out, Bob!

Where to?

The airport, Cena.

But I...

Mr. Sardi is going to guarantee your safe conduct out of the country. Now

he's taken your passport.

I refuse... If you know what's good for you, Sardi.

Yes. Yes, I agree.

What do you think you are doing? Oh,

Monsieur Sardy. I did not know it was you, sir.

Miss Fleming must get on the plane.

But I'm afraid it's too late. It's about to take off.

This is an order.

Very well.

Follow me.

I beg you to be careful with her gun.

There is no need to use it now.

Look. Look, she's safe on the plane.

There's nothing to worry about.

Please, please, it might go off.

With

the

compliments of the company, madam.

Oh, thank you.

Oh, and, uh, steward, may I have another glass, please?

I'm, uh, celebrating.