Original subtitles

(dramatic music)

- [Kate] This is report 105

from Xeno Archeological Expedition, Team Seven.

Documentation Officer Kate Carson reporting.

The past two months of survey and research

have resulted in the discovery

of a vast, tomb-like complex.

This structure was unmentioned in any report made by

the previous and abandoned expedition to this planet.

Entry to the tomb has now been made.

And examination of the inner chambers may reveal

vital information about the extinction

of the previous race that inhabited this planet.

(dramatic music)

Despite the planet's two suns,

the surface temperature remains

a constant 89 degrees below zero.

However, life support systems and electrical installations

in the underground headquarters are fully operational.

Safety factor, 60%, conditions, tolerable.

(wind blowing)

(suspenseful music)

(breathing heavy)

- [Ricky] Wait a minute.

Will you take a look at that?

Dean, shine your torch over here for a minute.

This is terrific.

- [Dean] Looks like there's another section through here.

- [Ricky] Listen, Dean, don't wander off too far.

- [Dean] No, don't worry, I won't.

- [Ricky] I wanna be able to hear you at all times.

- [Dean] Yeah, I'll keep in touch.

Hey, this looks interesting.

- [Ricky] Dean, what have you found?

Dean?

- [Dean] Some kind of wall carving.

- [Ricky] Can you read it, can you make it out?

- [Dean] Means nothing to me.

- [Ricky] Can you recognize anything on it at all?

- [Dean] No, we'll have to get Mitch

to figure this one out.

(dramatic music)

- [Ricky] Well, listen, don't stay there too long.

Come back, and we'll have Mitch take a look at it.

Come back now.

- [Dean] Ricky, there's something here.

- [Ricky] Dean!

- [Dean] Ricky.

- [Ricky] Dean, can you hear me?

Dean, what have you found?

- Ricky?

Ricky, can you hear me?

- [Ricky] Dean, what's the matter?

- Ricky.

(alarm blaring)

- Move it!

- [Karl] Hang on.

- How long have we got?

- [Woman] I don't know.

- [Man In Suit] Can you hear me, Ricky?

Can you hear me, Ricky?

- I'll take him.

Come on. - Can you hear me?

- [Man In Suit] Sandy, get his legs up.

- Okay, get him up, come on.

- [Man In Suit] Come on, Sandy, let's go.

- Easy.

Okay, Sharon, come on, move it.

- What happened?

What about Dean?

- I don't know.

- Is there much damage?

- One sector's knocked out out there.

- Okay, you'd better get back there, too,

and see what you can do.

- The voice communicators don't work in there.

- Gary, this is Holly, respond.

Gary, will you answer me?

- Yes, what is it?

- Did you check the communicators in the suits

like you were supposed to?

- I did.

- Well, we've had a problem with the tomb,

and the communicators are all dead.

- It sounds to me like a frequency block.

- Damn it, that can't be right.

Get your ass up here on the double.

I want to know why we have this communications problem.

- "Get your ass up here on the double."

I know what I'd like to do with her ass.

- [Karl] 22.

- How is he?

- 31.

40, okay, let's get his suit off, please.

- How is he?

What's that in his hand?

- No, don't.

Get me an isolation unit.

Come on.

- What is it?

- Holly, give me half an hour, then you can talk to him.

- Okay.

- [Karl] I want to know what kind of crystals these are.

- I'll run some tests.

- Okay.

(rumbling)

(dramatic music)

(talking on radio)

- This is Xeno Sub-satellite Research Team Seven

Archeology Team Documentation Officer

conducting interview 273 with Commander Holly McKay.

Holly, what can you disclose about this accident?

- We have no idea what caused the explosion.

Our photographer, Ricky Williams, was there,

and narrowly escaped serious injury.

Dean White has yet to be located.

- But does this mean we have to extend?

- There's no way we can extend.

If we miss the pick-up, there's no telling how long it'll be

before Xeno can slot us in again.

That's all I can say for the moment.

- Well, thank you.

- Holly?

We've got Dean.

- Is he dead?

- Technically, he's still alive.

(raspy breathing)

- [Holly] Anything you can do?

- [Karl] I've done everything I can.

I'll just keep him alive until we get him back.

- Holly, we must get back into that tomb.

- That may prove unfeasible.

- Mitch has a theory that the planet was ruled by twins.

- That's right.

The inscriptions indicate

a very interesting belief in mythology.

Now, everything seemed to happen in pairs.

I've never come across anything like it.

- The planet has two suns.

Maybe that's the reason for the duplication?

- You know, the creation of the previous race fascinates me.

There seems to be a chemical intelligence present.

- You okay?

- Yeah, I'm fine.

- I want to know what caused that explosion first

- Look, we're not gonna change our departure time,

but Mitch is right.

I mean, this obviously needs to be investigated.

- Sharon, do you have any more information

about those crystals?

- Well, I've only just started the tests,

but there seems to be some sort of energy force

surrounding the crystals.

- Look, this team isn't prepared

for the contingencies we're facing now.

If it was up to me, I'd say abandon and get taking off.

- But it could be years before anybody was sent back here,

perhaps never, all our work would be wasted.

- Listen, I'm not feeling too hot.

I think I'd better get some rest.

- Take care of yourself, Rick.

- There's still the question of what caused the explosion.

- I think we'll leave it for someone else to find out.

Unknown energy fields are beyond the range of this team.

Barbra, let's tell Xeno to take us off, please.

- Can't for 72 hours, they're in orbit.

- Well, as soon as you can, then.

In the meantime, I don't want anyone

going near that site without my direct permission.

(phone ringing)

- Mm-hmm?

- [Gail] Gail here.

Sorry to bother you, Mark,

but I'm getting an electrical disturbance

coming from the lab.

- Right, I'll hurry down there and check it.

- [Gail] Okay.

- Gail? - Yes?

- Would you do me a favor?

Would you ask Sandy to meet me down there?

- [Gail] Yes, okay.

- Okay, thanks a lot.

(machines whirring)

- Hello.

- I love you.

- I love you, too.

(both laughing)

What's the matter with the lights?

- I don't know, but I think it's kinda great.

(chuckling)

(moaning)

(crackling)

(dramatic music)

- What exactly have you discovered

from the inscriptions inside the tomb?

- I found some very disturbing elements

which, at the moment, I don't fully understand.

Now, the previous inhabitants

were obviously highly intelligent,

but there seems to be a form of self-destruction.

- Mitch, sorry, Kate,

Holly wants to have some photographic evidence

of the damage caused by the explosion.

- Well, what's that got to do with me?

- You and I have been assigned to do it.

- Yesterday, Holly said

she didn't want anyone to go out there.

- Yep, that's more like it, we should get some evidence.

- Do you want to take some photographs, honey?

- Oh, I don't know.

I'll be glad when we go home.

- Yes, I know what you mean.

Hey, Ricky?

(dramatic music)

Well, what's wrong? - Ricky.

- Hey, what are you doing?

- I've got to find Dean!

- Ricky, come here. - Hey, where are you going?

- Hey Ricky, what's up with you, hmm?

- Get out of my way!

- Ricky, it's all right, it's all right.

- Listen, Ricky, listen to me, Dean's not in there.

(grunting)

- Let go, let go!

- Get him!

- No!

Stop it!

(alarm blaring)

(dramatic music)

(groaning)

(groaning)

- [Karl] I see him.

Ricky!

- Hey, Ricky.

(groaning)

- Are you okay?

- No, no, no, let's go.

What's down there?

- Where does it lead to?

- I don't know but I'm gonna find out.

- [Karl] Will you be all right?

- Yeah, I'm okay.

- Where does it go?

- The track.

- I'll check the other route.

- We'll get back to the monitors.

(dramatic music)

(dramatic music)

- Get to Operations, Barbra.

(breathing hard)

(groaning)

(screaming)

(breathing hard)

- Oh, no!

(dramatic music)

- He's left that outer door open.

- Well, he can't stay out there for long.

- Gary, do you see him?

- Yes, I can.

He's just wandering around,

as if he's lost his sense of direction.

I've lost him, Holly.

(talking on radio)

(dramatic music)

(dramatic music)

- [Gail] Ricky?

(screaming)

- [Holly] Gail, get over here, quickly!

(crying)

- I can't.

I can't, Holly, my foot's stuck.

- Gary, any way to override the lock on this door?

- I'm not sure, I'll get Barbra to check the main computer.

(dramatic music)

(crying)

- If Gary can get that inner door open

you could get out there, right?

- That's right.

- Okay, get this off.

How long have we got?

- I don't know

two to three minutes, maybe. - Let's go.

- Come on.

- Let's do it slow, come on.

That's it.

- There must be a way of overriding that lock.

- [Holly] Gail, you must get here quickly.

We need to close the airlock.

- My thermal unit's gone.

- Okay, Gail, Gail?

This is Gary.

Now, listen to me.

You must connect the blue and yellow leads.

Repeat, connect the blue and yellow leads.

That will bypass the thermostat.

- We can't get to you, Gail.

You have to do it yourself.

- [Gary] Come on, Gail.

- Oh, Gary.

I can't do it.

You've gotta help me.

- I can't help you, Gail, you've gotta help yourself.

The blue and yellow leads.

- Oh, Christ, I'm freezing.

- [Holly] Gary, her body temperature's dropped.

- [Gary] Connect the leads, Gail!

- [Gail] Bloody gloves!

- [Holly] Down to 36.5.

- Gary, I can't do it!

- Can't is a word I don't understand, now do it, Gail!

You can't give up now. - 36.2.

- Oh, Gary, I'm gonna die out here.

- [Holly] She'll go into hypothermia at this rate.

- I can't help you, sweetheart, it's up to you.

- [Gail] Help me, Gary.

- [Holly] 35.6,

35.5.

- You must do it, Gail, connect the wires.

The blue and the yellow.

Gail, listen to me!

(dramatic music)

- [Holly] She'll go unconscious any minute.

- Gail!

No, Gail, Gail!

Reconnect the life support!

- [Holly] 34.8.

- Gail!

This is Gary, listen to me, Gail.

- [Holly] 34.7.

(breathing hard)

- Gail.

Gail!

(buzzing)

Bypass the thermostat, woman, damn you, woman!

- [Holly] No, my God!

(crying)

(somber music)

(dramatic music)

- [Man] It's hot.

(talking)

Come back here!

(dramatic music)

(gasping)

- Kate, come here and shut the door.

- Oh.

God.

- [Holly] Kate, come over here, that's an order!

(dramatic music)

- Oh.

Get out of my way.

(breathing hard)

Ricky, get out of my way.

Ricky!

(beeping)

(dramatic music)

(groaning)

Well, what would you have done?

You didn't see him in that tomb, he was.

Then I just,

I just freaked.

- [Woman] But did you have to kill him?

- It's very easy for you to talk

here in the Operations room.

He was out of his mind, that outer door was open.

What would've happened if he'd opened the inner one?

Look, any of you could've found yourself

in the same situation, what would you have done?

- All right, Kate, all right, calm down, it's all right.

(crying)

- What do you make of Ricky's behavior?

- Well, he was obviously exposed to something out there.

What it is, I've got no idea.

There is a chance it has something to do with the crystals.

- Ah, so a contamination problem?

- No, not necessarily.

You see, the crystals have been in the station

about 24 hours, but Ricky was showing symptoms

long before that.

No, I think whatever it is must break the skin,

as in Ricky's case, or at least have some form

of close physical contact.

- My tests don't show any organic matter.

What do you think they could contain?

- Well, we're gonna have to get samples of that stuff,

because people are gonna want to look at it.

- Holly, surely there's no obligation

to continue with any of this?

- I know, Kate, but it's my job.

(dramatic music)

- You want to be careful with that, Mitch.

- Yeah.

You know, there's something about these crystals

that we just haven't discovered yet.

Now, their energy must have something to do with

a life source.

- Do you mean there might be something out there

feeding on them?

(rumbling)

(dramatic music)

- We'll lose audio here.

- Okay, stay close, huh?

- Don't worry, I will.

(talking)

(dramatic music)

(dramatic music)

(talking)

(dramatic music)

- Sandy! Sandy!

(screaming)

(air blowing)

(dramatic music)

(dramatic music)

(dramatic music)

(gasping)

- It's okay, it's all right, come on.

(yelling)

- [Woman] Can't you help her?

(crying)

- Shh, ssh, Sandy, Sandy.

Okay, that's all right, come on.

She's calming down.

- What happened out there?

(screaming)

- We shouldn't have brought him in here.

- Sharon, I have to examine him.

- No!

- Give her one of your shots, and clear her head.

Sandy, do you hear me?

- She's in no condition to talk.

- I'll put her in condition.

- She needs to rest.

(yelling)

- Sandy,

- [Sandy] No. - we have to know

what's out there.

Try, Sandy, try. - No.

No. - Leave her alone,

she can't hear you.

- Listen, Sandy's in a deep trauma.

- No.

- I think she's been literally scared out of her senses.

- No.

(dramatic music)

(sighing)

- How do you feel?

- Thirsty.

- I'll get you a drink.

- Hi.

You got any pain?

- No.

Thanks.

(gulping)

I feel sick.

- Hang on.

Come on.

(gagging)

Back we go.

Get your legs up.

- Sandy, I want you to take these.

- Oh, I couldn't.

Ooh.

(groaning)

- Does that arm hurt?

- Yes.

You gave me an injection, didn't you?

- Yes, I did, but in the other arm.

Let's have a look.

- Ooh.

(screaming)

- Come on, Sandy, come on.

It's all right, indeed, come on, come on, back you come.

There we are, it's all right.

It's all right.

- Now listen, Sandy, we're going to give you

a thorough examination, hmm?

Holly?

- Yes, Karl?

Problem?

- Yes, it's Sandy.

- Oh, how is she?

- Well, she's fine as long as I keep her sedated.

But do you remember the marks I found on Ricky's hand?

- Yes?

- She has one on her arm.

- Oh, Christ.

- Yeah, but that's not all.

As you know, Holly,

I perform certain prescribed medical duties.

- What are you getting at?

- Including quarterly injections to restrict inopportune--

- Are you trying to tell me she's pregnant?

- Two months.

- That can't be, we had our injection the same time.

(dramatic music)

(groaning)

(gasping)

- Please, no, no, no!

(rumbling)

(growling)

- Jesus.

- Now we'll never know what happened.

- That's the end of our project.

- All right, what's Xeno's position, Barbra?

- We should be able to make contact in six hours.

- Well, then all we can do is wait.

(dramatic music)

(crackling)

(groaning)

(dramatic music)

- Hi, feeling better?

I tell you, I can't wait to go home.

Don't know about you, but, I've had this mission.

I don't know what's going on but whatever it is, it's weird.

I agree with Kate completely.

We should abandon and go home.

I can't wait to go home.

(screaming)

(glass breaking)

(dramatic music)

(groaning)

(screaming)

(gasping for air)

(soft music)

(crying)

- Go away, go away!

I said, go away!

Holly, go away!

Go away!

(dramatic music)

(screaming)

- Wait.

Hey, there's Sandy.

- What are they up to?

Sandy?

- Ah.

Ow.

Ooh.

- [Mark] Pay attention, please.

Secure all stations, remain just where you are.

Secure all doors, do not admit anyone.

Repeat, do not admit any personnel.

- [Holly] Mark?

- Yeah, Holly?

- [Holly] Mark?

- What's going on?

- [Holly] Sandy's killed Barbra.

- What are you talking about?

- [Holly] Listen, she's killed Barbra.

- I don't understand this.

- [Holly] No time to explain,

you gotta reach Sharon right now.

- Well, where's Sharon?

- [Holly] In her quarters, I hope.

Mark, please be careful.

(suspenseful music)

(groaning)

- Who is it?

- [Mark] It's Mark.

- What do you want?

- Open the door.

- No.

- Hey, quit screwing around, Sharon, and open the door.

- We've all had instructions to keep our doors locked.

- [Mark] Sharon, I'm ordering you to open this door.

- My instructions came from Holly.

- Well, get Holly on the damn communicator, then!

- Control?

I've got Mark outside the door, and--

- [Holly] Well, open it!

(sighing)

- Come on, Sharon.

(phone ringing)

- [Holly] Are you there?

- Yeah, hello?

- [Holly] Mark, you with Sharon?

- Yeah, I'm here, she's here.

- [Holly] Bring her up here now.

No, no, no, go to the mess hall first.

- What for?

- [Holly] We may need food.

- Okay.

- [Holly] Be careful.

- Yeah.

- What's going on?

- That's not important, come on, I'll tell you later.

(switch clicking)

(switch clicking)

- Number three scanner's gone dead.

Damn it, four is gone now.

- At least she's nowhere near those two.

(clanking)

- [Sharon] What's that?

- I don't know, come on.

I'll take that, thank you.

- Can't you fix it?

- I'm trying, Holly, I'm trying.

- Is there something wrong with the videos, Gary?

- You've got it, we've lost six.

- Did Sandy do that?

- Yes, she did. - Sandy did.

- Why would she knock out the videos?

- All right, I'll take care of this, Gary.

- That was a smart idea.

- Switch on emergency.

- Where's Kate?

(machine whirring)

(switch clicking)

(glass breaking)

(dramatic music)

(dramatic music)

(groaning)

(yelling)

(groaning)

- Kate?

She's very strong!

- What weapons have you got?

- We've got to stop her, not hurt her, Kate.

- There's only one way to stop her, and that is to kill her.

- [Mark] What do you suggest, what do you suggest?

Do you know anything about that, Kate?

- Explosives.

- You wouldn't know where to detonate.

With the videos out, she could be anywhere.

- Unless you were on the spot.

- We could use the touch burner.

- What's that?

- It's used for heat sealing, burn right through her brain.

(machines whirring)

- What do you suggest? - We've got to keep her alive!

- Keeping her alive!

He's the doctor, ask him how to keep her alive.

- [Karl] I could inject her with a drug.

- Shall I hold her arm while you do it?

- [Karl] She's pregnant, Kate.

- That'll look great on the report.

"The team were terrorized by an expectant mother."

- She's blowing up the place.

- Transmitter's out, she's thinking fast.

- What about Xeno?

- We're out of contact.

- [Sandy] Someone help me.

- Sandy?

- She's in the exercise room.

- Holly, I'm going to her.

- Don't be a fool, Karl.

- Holly, I'm a doctor, and she's in pain.

- [Mark] Look it, she might have gotten hurt in that.

- I'll decide who goes!

- Well?

- If I can restrain her with the burner,

can you sedate her?

- I'll get my things.

- Where's the touch burner?

- Preparation chamber.

- Stay here, Gary, please.

- Yes, sir.

- What's happening to me?

Help me.

(crying)

Someone, please.

(yelling in pain)

Help,

please.

(soft music)

(dramatic music)

(Sandy crying)

- [Holly] Come on.

(Sandy crying)

- It's all right, Sandy, it's all right, come on.

It's all right.

- Now, Sandy.

Now come on, take it easy.

I'm here, okay? - All right, Sandy,

you're okay. - All right, now just relax.

Give me your hand. - Come on.

- That's it,

now take it easy, come on. - Ssh.

- [Karl] That's right, now.

- [Sharon] It's okay.

- Come on now, just relax.

- [Sharon] No, don't worry.

- Now take it easy, that's it.

- Don't worry, - Hold her, Sharon.

- [Sharon] it's all right.

- Just relax,

come on. - All right, come on.

- It's not gonna.

(dramatic music)

- No!

(groaning)

- Come here, Sandy. Come on.

(groaning)

(buzzing)

Come on, Holly.

- You've got to keep steady, Karl.

- Holly!

- [Holly] Out of my way!

- Holly!

(Karl screaming)

- Karl!

- No!

No!

No, please, no.

- Sharon, help me!

(screaming)

Sharon, Sharon help me.

(screaming)

Sharon!

Help, Sharon,

help, help!

(crying)

- [Sharon] Help!

- [Gary] Watch it, Mark.

(crying)

Can you get up, - Help me.

- Can you get up? - I fell.

- Okay, come on, watch out, watch your leg.

Put your arm around me.

- [Sharon] Please, help me.

- Are you okay?

Come on, we'll go sit you in a chair.

Come on Kate, get her to the chair.

- [Kate] Have you seen her?

What is it?

- [Mark] It's her leg.

- [Kate] Come on, let me have a look.

- Where are the others?

- [Kate] Come on, it's all right.

- Gary, I don't know.

- [Kate] She'll be okay, it's not broken.

- [Mark] How are we gonna stop this?

- Well, if we can get to the space preparation chamber,

we've still got picks there.

- Oh, it's no good.

- Look, we've got to try something, there are chainsaws.

(scoffing)

- She's too strong.

- You can't get away from me, you know?

(dramatic music)

It doesn't matter what you do,

you'll have to come out sometime.

There's no other way.

So why don't you

all just come out now?

Mark?

Mark.

I'm waiting for you.

- This is our chance.

- [Sandy] For you.

You needn't be like the others.

- What do you think?

- You keep her occupied, we'll get the equipment.

- Why don't you just open the door?

It would be so easy.

Mark?

Mark.

I'm waiting for you.

Mark,

I'm waiting for you.

- Our best bet's the derelict passages.

She won't look for us there.

- Mark!

Mark, I'm waiting for you!

Mark!

Please, help me!

- Sandy, Sandy, can you hear me?

(crying)

Sandy?

- Mark,

I need you.

- Sandy, I promise you, I'll help you.

I promise you.

Can you hear me?

(crying)

- Oh!

(screaming)

- Kate!

- What was that?

- Mark?

- [Kate] No, no.

- Kate, quiet, woman.

- Sandy, Sandy?

- You can't escape me.

(warbling)

Is that hot?

Sandy?

Is that off?

- I don't know.

- Sandy?

(dramatic music)

- Quickly, let's get out of here.

(groaning)

(dramatic music)

(groaning)

(groaning)

- Oh.

(screaming)

(dramatic music)

(breathing hard)

(gasping)

(screaming)

(grunting)

(suspenseful music)

- Kate!

(gasping)

Move, woman!

(grunting)

(clanking)

(dramatic music)

(yelling)

- Mark?

- [Mark] Yeah, Gary, you all right, where are you?

- Outside the airlock.

- What the hell are you doing out there?

- She chased me out.

I'm okay, but I don't know how long I can stay out here.

- Is your air system functioning?

- It's fine, you worry about yourself, Harvard.

(chuckling)

(gasping)

Oh, no.

- Gary, what's the matter?

- She's breathing the atmosphere.

- She's what?

- Oh, no.

(groaning)

- Gary! Gary!

(Gary coughing)

(breathing hard)

- No.

Help me.

(gasping)

(screaming)

- [Sharon] Oh.

(crying)

- Gary!

Gary?

- [Sandy] He's here with me, Mark.

- Damn it, we're dead!

We're dead! - What are you gonna do?

What are you gonna do?

- I'm gonna kill her.

I am going to kill her.

Now!

Get those lights,

get the lights on! - No, don't leave us.

(dramatic music)

(breathing hard)

(groaning)

(screaming)

(screaming)

(breathing hard)

(groaning)

(screaming)

(screaming)

- No! No!

No!

No, no, no,

no, no, no, no.

(screaming)

(dramatic music)

No! No! No!

No, no!

(gurgling)

(screaming)

(gurgling)

(screaming)

(dramatic music)

(Sandy screaming)

(gurgling)

(alarms blaring)

(dramatic music)

Mark!

- Kate, what the hell are you--

- Jesus,

what have you got in there? - Kate, come on, Kate!

- In there.

- All right, Kate, get her in here.

Can you carry that?

I'll get the door, let her go.

- Over there.

- [Kate] She's gonna come looking for them.

- That's right.

Lock the door.

- Lock it, Sharon.

- [Sandy] No!

(dramatic music)

(crying)

(dramatic music)

(groaning)

(grunting)

(growling)

(yelling)

(yelling)

(groaning)

(Kate groaning)

(groaning)

Mark!

(dramatic music)

(dramatic music)

(yelling)

(gasping)

(yelling)

- Sharon?

Sharon?

(dramatic music)

(gurgling)

(dramatic music)

- 75 TX Xeno Two,

this is Auxiliary Module 047, reply, please.

- [Man] I receive you, 047, this is Xeno Two.

Please advise your status.

- I have the location, and am approaching planet surface.

- [Man] Received, 047.

Lock on approach, channel 505.

- When was the last transmission?

- Nothing for 28 days.

- 094 and closing.

- Acknowledged, Xeno Two closing.

- Hey, Horseshit, get us down

the right way up this time, yeah?

- Yeah, take it easy.

- [Corin] Okay, Roy, cover me.

(dramatic music)

- [Roy] Corin, I have a body here, mutilated.

- [Corin] So have I,

strangled.

This is unbelievable, all the records have been destroyed.

- [Roy] 047, this is remote.

- Yeah, I'm reading you, Roy.

- We've completed preliminary survey.

Record center defunct, main power circuits destroyed,

we have extensive explosive damage, several levels.

Also several bodies, incomplete, three unaccounted for.

- What do you make of it?

- Huh, internal disturbance of some kind.

No readings of disease.

Main loading bay compartments seem complete.

Request clearance for return.

- Yeah, stand by, Roy.

75 TX Xeno Two, this is Auxiliary Module 047.

Combat unit reports preliminary survey completed.

Classification five.

(suspenseful music)

Request clearance to return for pick-up.

- [Man] Acknowledged, 047.

Confirm your clearance to return.

Your take-off is scheduled for 1800 hours standard time.

(dramatic music)

(dramatic music)