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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:06,020 --> 00:01:13,552 THE EXILE OF GARDEL - TANGOS 2 00:05:38,882 --> 00:05:41,371 For my parents 3 00:05:55,693 --> 00:06:00,721 We're going to present 4 00:06:00,824 --> 00:06:04,476 Quite simply 5 00:06:06,414 --> 00:06:08,732 Quite simply 6 00:06:08,833 --> 00:06:15,867 The tangos of the exile of Gardel 7 00:06:18,846 --> 00:06:20,372 Just as they are 8 00:06:20,473 --> 00:06:24,921 We're going to tell you 9 00:06:25,479 --> 00:06:27,755 Quite simply 10 00:06:28,274 --> 00:06:30,597 As a start 11 00:06:31,736 --> 00:06:38,984 The tangos of our little dramas 12 00:06:43,834 --> 00:06:48,661 The tangos of the exile of Gardel 13 00:06:50,341 --> 00:06:55,916 Are tangos written with our flesh 14 00:06:57,599 --> 00:07:03,256 A topical "Tango-dy" still up to date 15 00:07:03,439 --> 00:07:07,222 I'm Maria. I've just turned 20. 16 00:07:08,152 --> 00:07:11,604 I arrived from Buenos Aires with my mother 8 years ago. 17 00:07:11,782 --> 00:07:14,308 And I'm still here. 18 00:07:15,411 --> 00:07:18,272 That's probably why I need to tell you 19 00:07:18,373 --> 00:07:21,693 what we and her friends have lived through in Paris. 20 00:07:21,794 --> 00:07:27,415 The capital of all exiles, miracles and misery. 21 00:07:30,472 --> 00:07:33,044 The story of the "Exile of Gardel" 22 00:07:33,851 --> 00:07:38,678 began in a suburban home for refugees and immigrants. 23 00:07:39,273 --> 00:07:44,515 It was called "Río de la Plata" as many Argentines and Uruguayans lived there. 24 00:07:45,823 --> 00:07:48,312 There was Gerardo. 25 00:07:48,702 --> 00:07:52,353 A writer-professor friend of Papa's who helped us a lot. 26 00:07:53,123 --> 00:07:57,611 Poor man! When he renewed his passport, the consulate made him 27 00:07:57,712 --> 00:07:59,738 shave his beard off. 28 00:07:59,839 --> 00:08:01,913 I asked for refugee status. 29 00:08:02,092 --> 00:08:06,753 I didn't want to cause trouble. But this is too much! 30 00:08:07,931 --> 00:08:11,543 They can go to hell! I'll have a beard! 31 00:08:11,644 --> 00:08:16,506 Down to here! Like Valle Inclán or Martín Fierro! 32 00:08:18,819 --> 00:08:21,807 El Negro and Susana also lived there. 33 00:08:22,532 --> 00:08:25,733 He was a lawyer and bass player. 34 00:08:26,954 --> 00:08:29,443 They were expecting their first child. 35 00:08:35,463 --> 00:08:39,331 Miseria was a Uruguayan musician. 36 00:08:39,511 --> 00:08:41,419 Everyone adored him. 37 00:08:42,473 --> 00:08:45,840 He knew how to use a public phone for free. 38 00:08:48,855 --> 00:08:52,306 Who screws up the phones? It's impossible to call from here! 39 00:08:55,739 --> 00:08:58,512 Alicia was the ex-wife of Juan Dos. 40 00:08:58,659 --> 00:09:02,477 She'd just arrived with their children Manuela and Carlitos. 41 00:09:08,962 --> 00:09:10,407 Juan Dos... 42 00:09:13,675 --> 00:09:16,996 ... a composer and Mama's lover. 43 00:09:22,310 --> 00:09:25,464 He'd formed a quintet and convinced his pianist Angel, 44 00:09:25,605 --> 00:09:29,056 also a choreographer, to help stage the Tango-Dy, 45 00:09:31,696 --> 00:09:35,183 which, said he, was the greatest tango opus ever written. 46 00:09:35,284 --> 00:09:38,687 I don't now how, but I'll do it. 47 00:09:40,957 --> 00:09:42,735 Pardon me, Maestro. 48 00:09:45,545 --> 00:09:47,870 Joker! 49 00:09:49,343 --> 00:09:56,125 We'll continue our story 50 00:09:56,226 --> 00:09:58,549 Our song 51 00:09:59,354 --> 00:10:05,429 By entering the Exile of Gardel... 52 00:10:07,239 --> 00:10:10,809 Thus, without realising it 53 00:10:11,828 --> 00:10:18,398 they had begun to live a real dog's life in the City of Lights. 54 00:10:32,017 --> 00:10:36,926 And there was Mariana, the Tango-dy's star... 55 00:10:39,359 --> 00:10:40,804 Divine... 56 00:10:41,445 --> 00:10:45,346 Unbearable... my mother. 57 00:11:16,278 --> 00:11:17,677 Are you there? 58 00:11:22,118 --> 00:11:25,106 No one came for the kids? 59 00:11:25,706 --> 00:11:28,274 I don't like to see them all over the flat. 60 00:11:28,375 --> 00:11:31,695 Turn the music down when I talk to you! 61 00:11:32,046 --> 00:11:34,239 Leave me alone! 62 00:11:43,184 --> 00:11:45,460 Seen my briefcase? 63 00:11:47,021 --> 00:11:49,007 I'm fed up! 64 00:11:49,108 --> 00:11:51,760 - You must've mislaid it. - Don't be sassy! 65 00:11:51,861 --> 00:11:54,220 The bank rang: You're overdrawn. 66 00:11:54,405 --> 00:11:57,808 My account? What did you tell them? 67 00:11:57,909 --> 00:12:00,565 Nothing. They want you to phone. 68 00:12:02,081 --> 00:12:05,617 Come on, kids... 69 00:12:27,821 --> 00:12:30,642 Still phoning that boy, Cool? 70 00:12:33,243 --> 00:12:36,979 A 1,800 franc phone bill! 71 00:12:37,498 --> 00:12:40,484 - Cool lives in Lille. - You call Buenos Aires! 72 00:12:40,585 --> 00:12:42,194 Don't talk nonsense! 73 00:12:42,295 --> 00:12:46,280 I'm taking 20 francs. I'll sleep at Teresa's. 74 00:12:47,801 --> 00:12:51,952 We're rehearsing late. They're waiting for me... 75 00:12:52,098 --> 00:12:55,959 - Skipping school again? - It's the last time, I promise! 76 00:12:56,060 --> 00:13:01,300 Grandma sends you money for your schooling and you don't study! 77 00:13:01,401 --> 00:13:03,469 Please don't exaggerate! That's enough! 78 00:13:03,570 --> 00:13:09,726 Enough? I make sacrifices like a fool and you do nothing, 79 00:13:09,827 --> 00:13:13,814 absolutely nothing about your diploma! 80 00:13:13,915 --> 00:13:15,397 What good it'll do me? 81 00:13:18,422 --> 00:13:22,157 I'll phone later. Have a nice evening! 82 00:13:30,560 --> 00:13:33,383 MISERIA IN PARIS 83 00:13:43,200 --> 00:13:49,771 At the station we'll find 84 00:13:53,086 --> 00:13:59,622 The heroes of the Exile of Gardel. 85 00:14:01,596 --> 00:14:04,370 Form a line, or we'll get caught! 86 00:14:17,949 --> 00:14:19,976 Now dial long distance. 87 00:14:20,118 --> 00:14:22,441 No, I need change! 88 00:14:26,251 --> 00:14:29,905 - Where'd you call? - Montevideo, last night. 89 00:14:30,006 --> 00:14:31,748 Who told you how to do it? 90 00:14:31,983 --> 00:14:33,283 An English girl, a model. 91 00:14:33,384 --> 00:14:36,705 A model! I need change! Fix it! 92 00:14:37,222 --> 00:14:41,123 10 people are freezing to death. Miseria, hurry up! 93 00:14:42,938 --> 00:14:44,716 Fix it! 94 00:14:45,691 --> 00:14:47,765 - How long will it take? - No idea! 95 00:14:48,027 --> 00:14:50,136 Why not simply use coins? 96 00:14:50,446 --> 00:14:52,805 Miseria! Miserable! 97 00:14:53,449 --> 00:14:56,770 Never mind, Gerardo, we'll have our pizzeria. 98 00:14:58,914 --> 00:15:02,400 Sure, Juan's mama is bringing the dollars in cash. 99 00:15:09,926 --> 00:15:12,000 A Lebanese... 100 00:15:12,679 --> 00:15:15,582 from Goteborg taught me this trick. It's simple. 101 00:15:15,683 --> 00:15:17,461 Pick up the receiver. 102 00:15:18,979 --> 00:15:22,798 I make contact and cut the dial tone. 103 00:15:22,942 --> 00:15:24,340 You didn't cut a thing! 104 00:15:24,819 --> 00:15:27,012 It's the same dial tone! 105 00:15:28,114 --> 00:15:30,354 Careful... the line... 106 00:15:38,795 --> 00:15:41,614 If you keep smoking, you'll burn up your lungs. 107 00:15:41,715 --> 00:15:43,824 Yes, everything'll burn. 108 00:15:46,261 --> 00:15:49,498 All my books... everything I have. 109 00:15:50,642 --> 00:15:52,877 He's not allowed to smoke! 110 00:15:52,978 --> 00:15:54,838 What's wrong, Gerardo? 111 00:15:54,939 --> 00:15:58,008 Everything, my dear. 112 00:15:58,109 --> 00:16:03,814 We've lost my house, my daughter, my books, my archives. 20 years of work. 113 00:16:04,116 --> 00:16:08,645 Don't exaggerate! They haven't burnt anything yet. 114 00:16:08,788 --> 00:16:11,231 2,000 books. What'll they do with them? 115 00:16:11,332 --> 00:16:14,486 Bury them? Destroy them? They'll burn them! 116 00:16:15,378 --> 00:16:17,488 You'll talk to them on the phone. 117 00:16:18,507 --> 00:16:21,951 The brother-in-law is to sell the house and empty it out. 118 00:16:22,052 --> 00:16:23,912 Can't they be stored elsewhere? 119 00:16:24,013 --> 00:16:27,666 2,000 books? Where? 120 00:16:28,102 --> 00:16:33,260 No one'll dare touch them. They're afraid. They'll burn them. 121 00:16:35,443 --> 00:16:37,303 I'll go get them. 122 00:16:38,405 --> 00:16:42,310 We've already discussed it. 123 00:16:42,411 --> 00:16:44,730 - I said I'll go! - Don't be stubborn! 124 00:16:44,831 --> 00:16:48,108 Don't yell. Besides, the mothers expect me. 125 00:16:48,209 --> 00:16:52,028 I'd hoped to enjoy my old age by doing nothing, 126 00:16:52,131 --> 00:16:55,285 not caring about obligations 127 00:16:55,718 --> 00:16:58,290 and devoting myself to creativity. 128 00:17:00,432 --> 00:17:01,913 But no... 129 00:17:03,060 --> 00:17:09,015 I had to accept this job as a guard at the Trade Center. 130 00:17:11,278 --> 00:17:15,690 Since they locked up my daughter Marta and her family, 131 00:17:16,575 --> 00:17:20,646 my wife and I have endured the worst ordeals, 132 00:17:20,747 --> 00:17:23,485 dangers and misfortunes. 133 00:17:26,795 --> 00:17:31,990 These notes are also meant to evoke the memory of San Martín 134 00:17:32,343 --> 00:17:36,874 and the exile of the great unfinished nation. 135 00:17:39,185 --> 00:17:44,882 Latin American people have lived in exile inside as well as outside, 136 00:17:44,983 --> 00:17:49,561 always under the hold of neo-colonial power. 137 00:17:50,573 --> 00:17:52,020 Yes, Mama. 138 00:17:53,036 --> 00:17:54,611 My best wishes! 139 00:17:55,288 --> 00:17:58,276 From the kids too! 140 00:17:58,834 --> 00:18:03,405 Is Juan Uno there? Did you get the dollars? 141 00:18:03,506 --> 00:18:05,497 Did you see El Negro's mother? 142 00:18:05,758 --> 00:18:11,665 I told you, I didn't want you to rent the flat, Mama! 143 00:18:11,766 --> 00:18:14,376 When they pay, I'll send you the money. 144 00:18:14,477 --> 00:18:17,251 I can't bear living here! I want to leave! 145 00:18:17,898 --> 00:18:19,640 I can't bear it anymore, Mama! 146 00:18:21,152 --> 00:18:26,643 Did you go to El Negro's mother? Hide them well. Don't get robbed! 147 00:18:27,033 --> 00:18:30,937 Then buy a plane ticket and come. 148 00:18:31,038 --> 00:18:33,773 They checked on it? Can I come back? 149 00:18:33,874 --> 00:18:36,610 Fernando saw the lawyer. 150 00:18:36,711 --> 00:18:39,402 You must wait 2 months more. 151 00:18:43,677 --> 00:18:46,955 How's Papa? Did he get the ECG done? 152 00:18:47,056 --> 00:18:52,334 Tell him to stop smoking. I want to see him alive. 153 00:18:53,522 --> 00:18:56,509 Hello? Goddamn exile! 154 00:18:58,194 --> 00:19:01,016 We were cut off! At least we got to talk. 155 00:19:01,157 --> 00:19:02,982 You! You talked! 156 00:19:03,535 --> 00:19:05,270 I'll get more change. 157 00:19:05,371 --> 00:19:07,029 What a phone! 158 00:19:08,916 --> 00:19:10,314 Let us talk! 159 00:19:12,754 --> 00:19:14,911 What a glutton! 160 00:19:17,384 --> 00:19:18,684 Wonderful! 161 00:19:19,721 --> 00:19:23,088 ANGEL'S TANGO-DY 162 00:20:47,656 --> 00:20:48,956 They're coming! 163 00:20:59,837 --> 00:21:03,122 It's starting any minute! 164 00:21:10,850 --> 00:21:12,924 What a beautiful set! 165 00:21:20,780 --> 00:21:22,080 Here they are. 166 00:21:22,323 --> 00:21:24,101 What are they dancing? Tango? 167 00:21:25,034 --> 00:21:26,812 Marvellous! 168 00:21:34,128 --> 00:21:35,739 I thought you might not come. 169 00:21:36,524 --> 00:21:37,824 Miss your Argentines? 170 00:21:37,925 --> 00:21:39,287 Are you crazy? 171 00:21:42,305 --> 00:21:44,544 This is Juan Dos. 172 00:21:44,766 --> 00:21:46,246 Not Gardel? 173 00:21:49,730 --> 00:21:51,922 Is that Florence Millet, the actress? 174 00:21:52,566 --> 00:21:55,436 - Is the Tango-dy on then? - Sure, dummy! 175 00:21:57,572 --> 00:21:59,314 Here's Mariana. 176 00:21:59,532 --> 00:22:01,308 Argentina's greatest actress. 177 00:22:01,409 --> 00:22:03,317 And the most beautiful! 178 00:22:05,956 --> 00:22:10,106 She did "The Respectful Prostitute". 179 00:22:10,378 --> 00:22:12,655 Yes, she fits the part! 180 00:22:14,984 --> 00:22:16,284 Coming... 181 00:22:16,385 --> 00:22:17,494 Are you the writer? 182 00:22:17,595 --> 00:22:20,547 Only of the music. The author is Juan Uno. 183 00:22:20,932 --> 00:22:23,125 I see - Juan Uno and Juan Dos. 184 00:22:23,310 --> 00:22:25,294 That's how they call us. 185 00:22:25,395 --> 00:22:27,505 But we're practically one. 186 00:22:28,607 --> 00:22:30,260 Juan Uno lives in Buenos Aires. 187 00:22:30,361 --> 00:22:32,104 He'll never leave. 188 00:22:33,406 --> 00:22:36,311 Loaded with talent, but raving mad! 189 00:22:37,619 --> 00:22:39,771 I love Argentine authors: 190 00:22:39,872 --> 00:22:42,065 Borges, Cortázar... 191 00:22:42,166 --> 00:22:44,651 And that famous one... with Solitude. 192 00:22:44,752 --> 00:22:46,362 García Márquez? 193 00:22:46,463 --> 00:22:47,572 Wonderful! 194 00:22:47,673 --> 00:22:49,241 He's Colombian! 195 00:22:49,342 --> 00:22:50,909 Doesn't matter. What's worse: 196 00:22:51,010 --> 00:22:52,705 They're not translated enough. 197 00:22:58,369 --> 00:22:59,669 Ready? 198 00:22:59,770 --> 00:23:01,429 Off we go into exile... 199 00:23:02,315 --> 00:23:04,673 You're going to see a Tango-dy. 200 00:23:05,193 --> 00:23:07,219 Tango-dy: Tango plus tragedy 201 00:23:07,320 --> 00:23:09,430 plus comedy. 202 00:24:49,483 --> 00:24:52,055 That Mariana's splendid! 203 00:24:53,737 --> 00:24:56,476 Is the musician her husband? 204 00:25:15,054 --> 00:25:16,705 Very interesting... 205 00:25:16,806 --> 00:25:18,916 You're kidding? It's more than that. 206 00:25:19,017 --> 00:25:22,882 It's loaded with talent, but... hard to understand. 207 00:25:23,605 --> 00:25:25,881 Like everything you love, darling. 208 00:26:01,359 --> 00:26:03,966 I'd have to see a finished version. 209 00:26:04,237 --> 00:26:07,189 But it's great. I love this Tango-dy. 210 00:26:22,049 --> 00:26:24,368 Can you help us out? 211 00:26:24,469 --> 00:26:25,997 Of course! 212 00:26:26,596 --> 00:26:28,456 When it's ready, call me 213 00:26:28,557 --> 00:26:30,500 and we'll show it to Jean-Marie. 214 00:26:35,982 --> 00:26:39,302 But it must be complete! 215 00:26:46,994 --> 00:26:50,106 - We didn't agree to that! - What do you mean? 216 00:26:50,207 --> 00:26:54,027 - It needs 2 more months of rehearsal! - Don't get excited? 217 00:26:54,128 --> 00:26:57,781 You said you had a theater, backing and... 218 00:26:57,882 --> 00:27:00,617 ...that Florence would sign her contract today. 219 00:27:00,718 --> 00:27:02,244 That's almost true. 220 00:27:02,345 --> 00:27:06,626 Almost? You're crazy! You got nothing that's real! 221 00:27:08,980 --> 00:27:11,548 The Angel is finished, finished! 222 00:27:11,649 --> 00:27:13,474 Angel, don't go! 223 00:27:14,402 --> 00:27:17,723 - The Angel's taking off... - You'll break your wings! 224 00:27:18,323 --> 00:27:23,269 For me, Tango-dy is over. 225 00:27:23,371 --> 00:27:26,983 We've rehearsed for three months and I dream of finishing it. 226 00:27:27,084 --> 00:27:29,324 I can't help you anymore. 227 00:27:31,548 --> 00:27:33,539 Do you think I'm not hurt? 228 00:27:34,175 --> 00:27:36,536 I've been in Paris for nine years! 229 00:27:36,637 --> 00:27:39,956 It's another flop. I'm a professional! 230 00:27:40,057 --> 00:27:43,377 Nine years! I've taken all the courses... 231 00:27:43,478 --> 00:27:47,296 With Béjart and Peter Brook... Do you think I'm not hurt? 232 00:28:37,292 --> 00:28:39,318 You're leaving us just like that? 233 00:28:39,419 --> 00:28:41,576 What are we going to do? 234 00:28:42,172 --> 00:28:43,781 Can you replace him? 235 00:28:43,882 --> 00:28:45,327 Me? 236 00:28:45,718 --> 00:28:47,116 Sure! 237 00:28:53,560 --> 00:28:55,384 We'll all help you! 238 00:28:58,315 --> 00:29:00,971 There's not much more to do... 239 00:29:06,866 --> 00:29:10,900 THE POETICS OF JUAN UNO 240 00:29:14,000 --> 00:29:17,320 How did you think of the Tango-dy? 241 00:29:18,338 --> 00:29:22,157 Back home, I was really in a shitty mess. 242 00:29:22,510 --> 00:29:24,953 Separated from my wife, no job, 243 00:29:25,054 --> 00:29:27,582 and banned on the radio. 244 00:29:28,810 --> 00:29:30,962 Juan Uno said: "If you played sax, 245 00:29:31,063 --> 00:29:33,303 you could stay here, 246 00:29:33,404 --> 00:29:34,633 but with the bandoneon: 247 00:29:34,734 --> 00:29:35,926 Go to Paris!" 248 00:29:36,027 --> 00:29:38,345 "And what'll I do in Paris?" 249 00:29:38,446 --> 00:29:39,746 I asked him. 250 00:29:40,490 --> 00:29:42,232 "The Tango-dy, Juan!" 251 00:29:42,785 --> 00:29:44,610 "The Exile of Gardel". 252 00:29:45,163 --> 00:29:47,189 "What's that, 253 00:29:47,290 --> 00:29:49,025 what's the Tango-dy?" 254 00:29:49,126 --> 00:29:51,444 "It tells of what's happening 255 00:29:51,545 --> 00:29:53,987 here in Buenos Aires". 256 00:29:54,340 --> 00:29:56,408 I said: "It's a terrible risk! 257 00:29:56,509 --> 00:29:58,577 They'll tear you apart!" 258 00:29:58,678 --> 00:30:00,496 What did he say to that? 259 00:30:00,597 --> 00:30:02,582 He said: "Deciding to be 260 00:30:02,683 --> 00:30:04,792 is always a risk." 261 00:30:05,269 --> 00:30:08,338 Juan, we are both in danger, 262 00:30:08,439 --> 00:30:10,549 Living here is a risk, 263 00:30:10,650 --> 00:30:14,100 but leaving is also a risk. 264 00:30:14,696 --> 00:30:16,806 Success lies in resisting, 265 00:30:16,907 --> 00:30:21,106 and in staying united... here and over there." 266 00:30:21,997 --> 00:30:24,357 That's how he began to develop 267 00:30:24,458 --> 00:30:26,900 his strategy of risk: 268 00:30:27,127 --> 00:30:29,905 "We must invent a culture, 269 00:30:30,006 --> 00:30:32,875 a risk of poetics." 270 00:30:44,816 --> 00:30:47,139 The full power of desire! 271 00:30:47,861 --> 00:30:49,970 Gardel... the Angel... 272 00:30:52,659 --> 00:30:56,359 Some are gone, others have disappeared. 273 00:30:56,622 --> 00:31:01,698 We are buried in Corrientes and Talcahuano. 274 00:31:03,880 --> 00:31:05,325 That's Juan Uno? 275 00:31:05,465 --> 00:31:07,574 No, that's Discépolo. 276 00:31:09,344 --> 00:31:12,914 Here's Troilo, my master. 277 00:31:19,314 --> 00:31:21,803 Here's Arlt. 278 00:31:22,526 --> 00:31:24,220 Macedonio Fernández... 279 00:31:24,486 --> 00:31:27,523 Marechal... Homero Manzi... 280 00:31:31,078 --> 00:31:35,193 An anthology of Buenos Aires... a mythology... 281 00:31:35,374 --> 00:31:37,069 A cosmogony. 282 00:31:39,254 --> 00:31:40,948 A poem of love... 283 00:31:42,841 --> 00:31:44,502 But with blood. 284 00:31:48,975 --> 00:31:50,669 Listen: Juan Uno's exile... 285 00:31:53,605 --> 00:31:57,506 Alone like a zero 286 00:32:02,658 --> 00:32:05,942 Far away like a stray dog 287 00:32:06,554 --> 00:32:07,854 Do you like mate? 288 00:32:07,955 --> 00:32:11,322 Pulling my old bones together 289 00:32:13,378 --> 00:32:18,821 Alone, as for a suicide 290 00:32:23,639 --> 00:32:27,423 Nothing's too bitter for you. 291 00:32:30,772 --> 00:32:32,764 French wine? 292 00:32:43,454 --> 00:32:45,694 That's the truth. 293 00:32:52,423 --> 00:32:56,457 The poetics of Juan Uno, his exile. 294 00:32:58,890 --> 00:33:01,628 That's our Tango-dy. 295 00:33:08,001 --> 00:33:09,301 That's the show? 296 00:33:09,402 --> 00:33:11,477 That's it... 297 00:33:17,620 --> 00:33:20,608 Uno writes with no logic... 298 00:33:22,167 --> 00:33:25,238 In bars and restaurants. 299 00:33:26,714 --> 00:33:31,826 Oppose intellectual speculation with life's fantasy. 300 00:33:35,140 --> 00:33:37,834 Down with imitation, 301 00:33:37,935 --> 00:33:40,628 creativity's bureaucracy and dependency. 302 00:33:40,729 --> 00:33:42,175 Dare to decide. 303 00:33:42,481 --> 00:33:44,591 Decision is already success. 304 00:33:51,159 --> 00:33:54,360 Drawings too... 305 00:34:01,420 --> 00:34:04,458 We must find the overall logic. 306 00:34:05,260 --> 00:34:08,794 Beware of comfort and vanity. 307 00:34:13,602 --> 00:34:19,308 Throw esthetic rules out of the window. Mix styles. 308 00:34:19,859 --> 00:34:23,430 Smash ready-made formulas and invent our own. 309 00:34:25,241 --> 00:34:28,227 Creation means whim and disorder: 310 00:34:28,328 --> 00:34:30,901 It must be organised! 311 00:34:31,248 --> 00:34:34,485 We must risk ugliness to attain beauty. 312 00:34:37,171 --> 00:34:39,448 That's a Tango-dy's principle. 313 00:34:40,133 --> 00:34:44,877 Achieving perfection is death. Long live imperfection and life. 314 00:34:48,267 --> 00:34:52,548 It's Uno's hermeneutics. Understand, Pierre? 315 00:35:04,203 --> 00:35:10,027 We'll begin Act 2 316 00:35:12,086 --> 00:35:17,117 With letters from exile and the homeland 317 00:35:19,221 --> 00:35:24,843 We'll tell you 318 00:35:26,563 --> 00:35:31,510 What they lived through in Paris 319 00:35:33,655 --> 00:35:38,981 Letters from those in exile come and go 320 00:35:40,830 --> 00:35:46,107 Loaded with love 321 00:35:47,754 --> 00:35:52,700 With news and demands 322 00:35:54,845 --> 00:35:59,340 They prove everyone is back there 323 00:36:02,103 --> 00:36:06,848 Letters come and go 324 00:36:11,657 --> 00:36:17,694 Letters, more letters 325 00:36:20,583 --> 00:36:24,914 Letters come and go 326 00:36:30,305 --> 00:36:33,625 LETTERS FROM EXILE 327 00:36:40,942 --> 00:36:45,221 After what happened to Papa, we were to go to Europe 328 00:36:45,322 --> 00:36:48,014 and to come back after vacation. 329 00:36:48,910 --> 00:36:53,404 But Grandma wrote, telling Mama to wait a few months. 330 00:36:54,040 --> 00:36:56,399 It's been that way for several years. 331 00:36:57,211 --> 00:37:00,780 I lost a year at school, my pals 332 00:37:01,465 --> 00:37:04,536 and Diego, the boy I dated. 333 00:37:07,138 --> 00:37:11,292 Mama tries to help, but when I tell her what's happened, 334 00:37:11,393 --> 00:37:13,633 she doesn't know what to say. 335 00:37:18,193 --> 00:37:20,635 When I lost Papa, 336 00:37:21,405 --> 00:37:24,275 I felt like I'd lost Mama too. 337 00:37:27,120 --> 00:37:31,985 Every Saturday we go to a solidarity meeting 338 00:37:32,128 --> 00:37:34,819 in a theatre near Paris. 339 00:37:36,090 --> 00:37:39,243 What a bore! But for me it is 340 00:37:39,344 --> 00:37:41,288 as if I had a date with Papa. 341 00:37:42,055 --> 00:37:44,829 People are fed up with messages. 342 00:37:46,018 --> 00:37:47,377 People want to hear 343 00:37:47,478 --> 00:37:48,960 something positive: 344 00:37:49,523 --> 00:37:52,179 We have to win their attention. 345 00:37:52,318 --> 00:37:54,890 How many of us are here? 346 00:37:55,196 --> 00:37:56,847 Thank you for coming, 347 00:37:56,948 --> 00:37:58,726 Jean-Marie and Florence. 348 00:38:00,243 --> 00:38:02,812 We must make an united effort! 349 00:38:02,913 --> 00:38:05,320 To speak to people in a new language! 350 00:38:06,041 --> 00:38:08,360 Will it work with mannequins? 351 00:38:08,461 --> 00:38:10,237 It'll work better with them if there's music 352 00:38:10,338 --> 00:38:12,198 and a show, right? 353 00:38:13,633 --> 00:38:15,707 Yes, something positive! 354 00:38:16,511 --> 00:38:20,123 We're constantly torn between feelings 355 00:38:20,224 --> 00:38:25,218 of weariness and duty and pity, but we feel 356 00:38:25,773 --> 00:38:28,096 that things aren't coherent. 357 00:38:28,234 --> 00:38:32,513 What we need to know first of all is 358 00:38:32,614 --> 00:38:35,141 why the public isn't concerned anymore, 359 00:38:35,242 --> 00:38:37,602 why they're out of touch, 360 00:38:37,703 --> 00:38:39,395 why they've lost that curiosity 361 00:38:39,496 --> 00:38:41,233 and that passion... 362 00:38:41,334 --> 00:38:44,570 Why have we become amorphic? 363 00:38:44,671 --> 00:38:48,324 Why don't we ask any questions anymore? 364 00:38:48,425 --> 00:38:50,952 Why have we taken refuge 365 00:38:51,053 --> 00:38:53,661 in an egocentricity 366 00:38:54,181 --> 00:38:57,751 that's leading us to death... 367 00:38:59,939 --> 00:39:04,843 When I heard that France has over 400 committees 368 00:39:04,944 --> 00:39:07,850 of support for the Argentines, I was deeply moved. 369 00:39:08,115 --> 00:39:11,102 One group is called "Marta and Martita". 370 00:39:12,495 --> 00:39:14,020 I remember the day 371 00:39:14,121 --> 00:39:17,858 when Arlette and Céline arrived from the Alps in their 2CV, 372 00:39:17,959 --> 00:39:21,493 to organise Alcira's trip to Buenos Aires. 373 00:39:23,632 --> 00:39:25,374 "Dearest Martita, 374 00:39:26,719 --> 00:39:28,578 Soon you'll be 3 years old, 375 00:39:28,679 --> 00:39:30,671 far from your loved ones. 376 00:39:31,766 --> 00:39:34,007 It's been already three years, 377 00:39:35,188 --> 00:39:36,880 since you and your parents 378 00:39:36,981 --> 00:39:38,674 were snatched away. 379 00:39:38,775 --> 00:39:41,383 You, a baby full of life. 380 00:39:41,695 --> 00:39:46,771 For three years, we've done nothing but think of you, 381 00:39:47,410 --> 00:39:49,318 and try to find you. 382 00:39:52,042 --> 00:39:56,703 For three years, I've done nothing but dream of you. 383 00:39:59,592 --> 00:40:01,619 Where can you be? 384 00:40:02,011 --> 00:40:03,955 What are your eyes like? 385 00:40:04,848 --> 00:40:06,749 Like those of Marta? 386 00:40:06,850 --> 00:40:08,842 Or those of RaúI? 387 00:40:10,772 --> 00:40:12,590 What do the people 388 00:40:12,691 --> 00:40:14,599 you are with call you? 389 00:40:14,943 --> 00:40:19,391 Are you happy? Do you need anything? 390 00:40:20,700 --> 00:40:22,768 Do you know your Grandma 391 00:40:22,869 --> 00:40:25,026 would smash down all doors to find you? 392 00:40:25,288 --> 00:40:26,772 That we're going to Buenos Aires 393 00:40:26,873 --> 00:40:28,449 to find you? 394 00:40:37,427 --> 00:40:39,078 Don't be afraid: 395 00:40:39,179 --> 00:40:40,921 I'll recognise you. 396 00:40:41,223 --> 00:40:43,208 You're my daughter's daughter, 397 00:40:43,309 --> 00:40:45,336 the blood of my own blood. 398 00:40:45,437 --> 00:40:49,136 Trust me: I'll find you! 399 00:40:49,983 --> 00:40:52,472 See you soon, grand-daughter!" 400 00:40:59,538 --> 00:41:01,066 What can we do? 401 00:41:01,682 --> 00:41:02,982 A campaign of support 402 00:41:03,083 --> 00:41:04,383 for our trip: 403 00:41:05,294 --> 00:41:06,903 We'll send 10,000 letters 404 00:41:07,004 --> 00:41:08,747 to the Argentine government 405 00:41:08,899 --> 00:41:10,199 demanding that Martita 406 00:41:10,300 --> 00:41:11,614 be returned. 407 00:41:12,135 --> 00:41:13,829 But the trip... 408 00:41:15,472 --> 00:41:16,788 Is it already arranged? 409 00:41:17,517 --> 00:41:20,294 We've collected enough money 410 00:41:20,395 --> 00:41:23,265 to go with Alcira. 411 00:41:27,695 --> 00:41:29,935 I don't know what to say! 412 00:41:31,241 --> 00:41:32,683 I can't keep my wife 413 00:41:32,784 --> 00:41:34,313 from going... 414 00:41:35,913 --> 00:41:37,605 But to land like that in Buenos Aires: 415 00:41:37,706 --> 00:41:39,484 Totally crazy! 416 00:41:43,129 --> 00:41:45,197 It's not our first trip 417 00:41:45,298 --> 00:41:47,491 to defend human rights. 418 00:41:47,968 --> 00:41:50,291 We've always obtained a result. 419 00:41:51,389 --> 00:41:53,124 We have the support 420 00:41:53,225 --> 00:41:55,085 of many world organisations. 421 00:42:00,066 --> 00:42:03,386 UNO IN BUENOS AIRES 422 00:43:15,988 --> 00:43:17,288 Ok, hold on! 423 00:43:17,698 --> 00:43:19,063 Good, good, good... 424 00:43:21,955 --> 00:43:23,317 Come here, Inés! 425 00:43:23,748 --> 00:43:26,486 This is very important. 426 00:43:35,137 --> 00:43:36,915 Your hands like this... 427 00:43:39,600 --> 00:43:42,338 This is the transition. 428 00:43:42,979 --> 00:43:44,757 Let's try it again! Come on! 429 00:45:13,084 --> 00:45:15,652 We don't have 7, 8 and 9 and the finale. 430 00:45:15,753 --> 00:45:17,068 Not number 8! 431 00:45:17,630 --> 00:45:19,699 It's beyond me! 432 00:45:19,800 --> 00:45:21,952 I can't imagine how! 433 00:45:22,053 --> 00:45:26,037 Don't worry. Listen: 434 00:45:28,602 --> 00:45:32,966 Juan Uno changes the Tango-dy daily 435 00:45:33,315 --> 00:45:39,098 because he's discovering the fullness of exile. 436 00:45:39,199 --> 00:45:41,024 His exile. Understand? 437 00:45:41,618 --> 00:45:43,812 There are terrible things: 438 00:45:43,913 --> 00:45:45,213 Massacres... 439 00:45:46,290 --> 00:45:48,775 I can't do a show 440 00:45:48,876 --> 00:45:51,362 without a finale! 441 00:45:51,463 --> 00:45:53,572 Ok, I'll call him... 442 00:45:58,430 --> 00:46:02,628 Either you connect me with Buenos Aires or I'll kill you! 443 00:46:03,811 --> 00:46:07,131 I have no dial tone! I must talk with Juan Uno in Buenos Aires! 444 00:46:07,232 --> 00:46:08,215 This is Juan. 445 00:46:08,316 --> 00:46:10,092 We need grounding! Pass me the wires! 446 00:46:10,193 --> 00:46:13,095 You're so dumb, Miseria! 447 00:46:13,196 --> 00:46:15,932 It's an "antimatic" phone booth. 448 00:46:16,033 --> 00:46:18,977 "Antimatics" require a ground line. 449 00:46:19,078 --> 00:46:21,688 It's the sole secret. 50 francs each. 450 00:46:21,789 --> 00:46:25,690 - 50 francs... - 50 francs to talk to Juan Uno. 451 00:46:26,294 --> 00:46:28,864 50 francs, that's cheap! 452 00:46:28,965 --> 00:46:30,445 I'm doing it only for you. 453 00:46:30,759 --> 00:46:33,497 We mustn't be seen! 454 00:46:33,887 --> 00:46:36,163 Come here. I'll give you some juice! 455 00:46:36,640 --> 00:46:40,168 Stand there. As soon as you got some juice... 456 00:46:40,269 --> 00:46:42,925 connect the wires. 457 00:46:51,075 --> 00:46:53,434 I got the dial tone! 458 00:46:53,995 --> 00:46:57,896 Hand me the pliers. Ok, see you later... 459 00:47:10,055 --> 00:47:11,584 What's going on here? 460 00:47:13,100 --> 00:47:15,002 You know, the ending... Juan Uno... 461 00:47:15,103 --> 00:47:17,260 You're under arrest. 462 00:47:23,195 --> 00:47:24,510 Ana! 463 00:47:27,867 --> 00:47:29,312 It's been three years! 464 00:47:31,913 --> 00:47:36,901 You're divine! You haven't changed at all! 465 00:47:37,002 --> 00:47:39,576 Neither have you! 466 00:47:40,424 --> 00:47:43,791 - How's my Buenos Aires? - Worse than ever! 467 00:47:45,846 --> 00:47:50,626 Everything's too expensive to buy! A disaster! 468 00:47:50,727 --> 00:47:54,426 - What're you doing? Any theatre? - On TV, as always. 469 00:47:55,859 --> 00:48:01,055 - Look at that, darling! - What a country! 470 00:48:03,410 --> 00:48:07,021 And you want to leave? Look where you are! 471 00:48:07,122 --> 00:48:09,730 Close your eyes and look! 472 00:48:11,252 --> 00:48:13,410 How odd people are here! 473 00:48:14,214 --> 00:48:17,575 Mariana, you don't meet with the refugees, I hope? 474 00:48:17,676 --> 00:48:20,704 I'm serious? You'd be done for. 475 00:48:20,805 --> 00:48:26,510 Upon your return, you'd be finished. Be careful! 476 00:48:31,150 --> 00:48:32,513 Picasso! 477 00:48:33,569 --> 00:48:35,145 No, Picabia. 478 00:48:38,408 --> 00:48:40,565 What a resemblance! 479 00:48:42,913 --> 00:48:48,571 Such a flat! It's divine! 480 00:49:01,309 --> 00:49:03,134 What is it? 481 00:49:05,691 --> 00:49:07,683 They're fucking. 482 00:49:09,988 --> 00:49:13,023 Fucking? Incredible! 483 00:49:15,428 --> 00:49:16,728 Get dressed! 484 00:49:16,829 --> 00:49:18,488 I'm with Cool, Mama! 485 00:49:19,165 --> 00:49:20,480 Exactly! 486 00:49:21,501 --> 00:49:24,279 Don't push! Where'll I do it? 487 00:49:24,380 --> 00:49:26,371 I don't know... in school... 488 00:49:28,009 --> 00:49:31,958 - In my own home! - They fuck here? 489 00:49:35,225 --> 00:49:38,211 Marvellous! That's Europe for you! 490 00:49:38,312 --> 00:49:40,885 Where else should they fuck? In the street? 491 00:49:44,277 --> 00:49:47,263 I'm sick of living here! 492 00:49:47,364 --> 00:49:50,435 So go home. Nothing happens there anymore. 493 00:49:51,285 --> 00:49:54,688 Nothing? What about Adela's boy? 494 00:49:55,456 --> 00:49:57,899 Who knows what he'd been up to. 495 00:49:59,003 --> 00:50:03,996 People here exaggerate so. There's no torture like before. 496 00:50:05,635 --> 00:50:10,373 It's awful, but you get used to it. 497 00:50:10,474 --> 00:50:13,461 - I doubt it. - You want to go back or not? 498 00:50:15,231 --> 00:50:17,967 - Sure! - Then go! 499 00:50:18,068 --> 00:50:20,510 - What do you mean by "go"? - Susana went back. 500 00:50:20,654 --> 00:50:22,052 She's delighted. 501 00:50:23,032 --> 00:50:26,566 Sure! She talked to a general. 502 00:50:29,747 --> 00:50:32,701 You should see Ricardito. 503 00:50:34,045 --> 00:50:35,654 Explain to him. 504 00:50:35,755 --> 00:50:42,203 Why should I explain myself to him? They're the ones with explaining to do! 505 00:50:42,304 --> 00:50:46,170 You exaggerate so! You dramatise everything. 506 00:50:49,479 --> 00:50:50,877 I have to run. 507 00:50:52,983 --> 00:50:54,511 I'll call you... 508 00:51:04,204 --> 00:51:06,978 - For your phone bill. - I don't want it. 509 00:51:07,792 --> 00:51:11,860 I know, but I pay it anyway. So I can phone you tomorrow. 510 00:51:36,576 --> 00:51:37,876 Juan... 511 00:51:41,416 --> 00:51:42,991 I'm leaving. 512 00:51:43,293 --> 00:51:46,613 I'm quitting the Tango-dy, the "Exile"... 513 00:51:48,257 --> 00:51:49,655 What? 514 00:51:50,342 --> 00:51:55,882 - I'm going back to Buenos Aires. - You can't. 515 00:51:57,767 --> 00:52:00,461 I miss my family, home, 516 00:52:00,562 --> 00:52:03,298 friends, the theatre, everything... 517 00:52:03,399 --> 00:52:10,101 Yes, darling, but you're here with me. We'll do "The Exile" together. 518 00:52:10,406 --> 00:52:13,358 - We'll find an ending. - Never! 519 00:52:14,161 --> 00:52:18,905 I swear we'll put the show on! 520 00:52:19,501 --> 00:52:24,447 Don't tell me no tales! Go sing that one to Gardel! 521 00:52:24,924 --> 00:52:27,200 And you'll marry me, Mariana. 522 00:52:27,969 --> 00:52:31,205 The day I'll love you! 523 00:52:33,977 --> 00:52:35,969 The day you'll love me, 524 00:52:36,689 --> 00:52:39,012 we'll go back together. 525 00:52:47,284 --> 00:52:53,571 Don't tell me no tales Go sing it to Gardel 526 00:52:54,460 --> 00:52:58,613 - I say I'll take you away - I love you and it scares me 527 00:52:58,714 --> 00:53:02,910 - I can't go on anymore - I love you and I'm not playing 528 00:53:03,011 --> 00:53:06,829 - I'll take you away - I believe you and it scares me 529 00:53:07,015 --> 00:53:11,379 - I love you - I believe you and I'm scared 530 00:53:11,979 --> 00:53:17,933 Exile adds to your natural madness 531 00:53:19,738 --> 00:53:26,476 Like a drizzling rain that goes on, never ending 532 00:53:28,248 --> 00:53:34,618 Exile goes on like a carnival of sadness 533 00:53:40,887 --> 00:53:44,838 DAILY-DRAMA TANGOS 534 00:53:52,110 --> 00:53:54,184 Winter vacation arrived... 535 00:53:54,905 --> 00:53:57,477 With Christmas trees... visits... 536 00:53:59,328 --> 00:54:03,442 Grotesque as it was, I'll never forget Christmas 1979. 537 00:54:05,751 --> 00:54:09,947 As if the dying year meant to end Mama's dream of returning... 538 00:54:10,048 --> 00:54:12,620 Or Juan and El Negro's pizzeria. 539 00:54:14,803 --> 00:54:19,749 It all began the night of the arrival of Pepa, the mother of Juan Dos. 540 00:54:20,643 --> 00:54:23,334 She came loaded with letters and gifts 541 00:54:24,439 --> 00:54:26,762 and the savings of El Negro and Juan. 542 00:54:31,322 --> 00:54:35,058 Afraid of being searched or losing them, 543 00:54:35,160 --> 00:54:37,982 she'd put the 6,000 dollars in a handkerchief, 544 00:54:38,497 --> 00:54:41,319 which she hid in her bloomers. 545 00:54:44,587 --> 00:54:46,496 They got away from her. 546 00:54:51,764 --> 00:54:54,290 My God! 547 00:55:05,363 --> 00:55:06,891 The money... 548 00:55:11,245 --> 00:55:14,945 Gone with the handkerchief! 549 00:55:25,887 --> 00:55:27,795 She flushed the toilet, Juan! 550 00:55:37,358 --> 00:55:41,176 The dollars are up shit creek! 551 00:56:53,740 --> 00:56:56,810 Look how the French dance! 552 00:57:22,165 --> 00:57:23,465 Thank you! 553 00:57:23,566 --> 00:57:26,093 Now I'd like to introduce the quintet 554 00:57:26,194 --> 00:57:28,847 of Juan Dos. 555 00:57:28,948 --> 00:57:32,560 They're going to premiere for you 556 00:57:32,661 --> 00:57:36,361 some numbers from "The Exile of Gardel". 557 00:57:36,791 --> 00:57:41,695 In homage to Gardel and Discépolo, 558 00:57:41,796 --> 00:57:44,156 two great tango composers 559 00:57:44,257 --> 00:57:46,699 whose work was banned by the dictatorship. 560 00:57:56,354 --> 00:58:00,591 No need to introduce you: Eduardo, my husband, Hector Lobotrico, 561 00:58:00,692 --> 00:58:03,012 Norma Lobotrico from the embassy. 562 00:58:03,113 --> 00:58:05,723 Ernesto Figueroa and his wife. 563 00:58:05,824 --> 00:58:08,726 He works at the Ministry of Economy. 564 00:58:08,827 --> 00:58:10,438 It's best we left. 565 00:58:10,913 --> 00:58:13,485 We've no reason to be here, Ana. 566 00:58:14,751 --> 00:58:16,986 Is something wrong? 567 00:58:17,087 --> 00:58:20,740 Wrong? Are you joking? 568 00:58:22,136 --> 00:58:23,787 I don't understand... 569 00:58:23,888 --> 00:58:28,168 The Exile of Gardel? As if he'd been exiled! 570 00:58:29,102 --> 00:58:31,128 It's just the title of the play... 571 00:58:31,229 --> 00:58:33,506 Like slandering our nation! 572 00:58:33,607 --> 00:58:36,050 What did you say? 573 00:58:36,151 --> 00:58:38,891 You heard me. I'm notjoking. 574 00:58:40,657 --> 00:58:44,936 It's your fault the country is in such a state! 575 00:58:45,037 --> 00:58:47,277 It's your fault! 576 00:58:47,498 --> 00:58:48,899 Shut up! 577 00:58:49,000 --> 00:58:51,068 - Never! - Subversive! 578 00:58:51,169 --> 00:58:53,077 - Fascist! - Terrorist! 579 00:58:54,631 --> 00:58:56,575 Throw him out! 580 00:59:27,169 --> 00:59:28,567 I love you... 581 00:59:33,928 --> 00:59:35,788 ...and you know it. 582 00:59:45,858 --> 00:59:48,099 TWO EXILES 583 01:02:12,531 --> 01:02:16,434 Pierre! The show needs to end, 584 01:02:16,535 --> 01:02:18,228 but not the play! 585 01:02:18,329 --> 01:02:20,901 Cause exile continues here and at home! 586 01:02:21,040 --> 01:02:23,943 That feeling'll go on with the public. 587 01:02:24,044 --> 01:02:25,952 We must give them an ending... 588 01:02:27,506 --> 01:02:29,449 I'm a director! 589 01:02:29,550 --> 01:02:32,751 You don't understand. It must be left open... 590 01:02:34,347 --> 01:02:38,711 It's the South, like our lives, our encounters... 591 01:02:41,272 --> 01:02:43,132 It's the pampas, see? 592 01:02:43,233 --> 01:02:45,058 Enormous... infinite... unending... 593 01:02:45,360 --> 01:02:47,762 Brilliant! A pampas show! 594 01:02:47,863 --> 01:02:49,389 I never heard such nonsense! 595 01:02:49,490 --> 01:02:51,018 I want an ending! 596 01:02:51,158 --> 01:02:53,393 No adventures for me! 597 01:02:53,494 --> 01:02:55,395 That's not true! 598 01:02:55,496 --> 01:02:57,905 You won't take any risks! 599 01:02:58,168 --> 01:03:00,695 It's not disorder but a different order. 600 01:03:00,796 --> 01:03:04,448 Not a lack of style, but a different style and form. 601 01:03:07,303 --> 01:03:10,373 No creation without risks. Bureaucrat! 602 01:03:10,474 --> 01:03:14,459 And the creativity and talent you mentioned? Joker! 603 01:03:16,356 --> 01:03:18,925 You're scared, that's all. 604 01:03:19,026 --> 01:03:22,346 Scared to break the shell you're wrapped in! 605 01:03:26,117 --> 01:03:27,692 Me? Afraid? 606 01:03:27,827 --> 01:03:30,438 Scared! Scared to death! 607 01:03:30,539 --> 01:03:32,982 I've been here ten years... 608 01:03:33,083 --> 01:03:35,276 When did you get here? 609 01:03:35,377 --> 01:03:38,247 I quit and walked out on everything. 610 01:03:38,464 --> 01:03:40,324 I'm the exile, not you! 611 01:03:40,425 --> 01:03:42,117 Think you must take a ship 612 01:03:42,218 --> 01:03:44,043 to be in exile? 613 01:03:44,888 --> 01:03:48,207 I left everything, my work, the theatre, 614 01:03:48,308 --> 01:03:51,713 so that I could be free! 615 01:03:54,358 --> 01:03:55,756 That's my exile... 616 01:04:02,992 --> 01:04:05,185 Any story has an end. 617 01:04:26,355 --> 01:04:31,969 Tango, tango to dance together 618 01:04:32,070 --> 01:04:35,721 Two more... complicity tango 619 01:04:36,491 --> 01:04:41,733 I search for my country, tango with you, my love 620 01:04:42,164 --> 01:04:47,739 I dream of my country, tango with you 621 01:04:58,266 --> 01:05:04,968 A land that helps you live 622 01:05:05,441 --> 01:05:08,845 And above all respects you 623 01:05:09,779 --> 01:05:12,731 Even at the age of lollipops 624 01:05:15,621 --> 01:05:21,160 A land where you can vote freely 625 01:05:23,296 --> 01:05:27,283 Where you're gladly listened to 626 01:05:27,384 --> 01:05:31,333 even if you're only a little mouse 627 01:05:33,017 --> 01:05:35,126 A land 628 01:05:35,436 --> 01:05:38,471 Where I can be myself 629 01:05:40,859 --> 01:05:43,135 Without letting myself be stepped on 630 01:05:44,404 --> 01:05:47,178 Or having to drop my pants 631 01:05:50,494 --> 01:05:55,902 Where will this country be 632 01:05:57,294 --> 01:06:03,533 Where you can work without having to beg? 633 01:06:07,347 --> 01:06:12,091 Tango, tango... The daily-drama tango 634 01:06:14,981 --> 01:06:19,844 Dance the tango with all your soul 635 01:06:23,199 --> 01:06:25,607 ABSENCES 636 01:06:30,959 --> 01:06:33,697 The land we left exists no more. 637 01:06:35,064 --> 01:06:36,364 It's changed, 638 01:06:36,465 --> 01:06:38,208 theatre... the people... everything. 639 01:06:41,262 --> 01:06:45,083 We must accept that in order to go on living. 640 01:06:45,184 --> 01:06:47,294 That's what counts. 641 01:06:51,400 --> 01:06:53,260 I know. 642 01:06:56,238 --> 01:06:58,515 But I can't forget... 643 01:07:02,078 --> 01:07:04,437 I miss him... 644 01:07:09,879 --> 01:07:11,359 I see him... 645 01:07:13,925 --> 01:07:15,785 I see Hernán. 646 01:07:17,722 --> 01:07:20,757 I see the house... 647 01:07:23,478 --> 01:07:25,920 Angela... the plants... 648 01:07:30,778 --> 01:07:33,303 I can't accept the thought 649 01:07:35,035 --> 01:07:37,477 of having lost it all. 650 01:07:43,169 --> 01:07:44,697 We have all lost 651 01:07:48,007 --> 01:07:50,699 something very dear and valuable. 652 01:07:55,141 --> 01:07:59,671 But we must admit that. It's the only way to go on living. 653 01:08:01,148 --> 01:08:03,092 It's all that counts. 654 01:08:05,862 --> 01:08:10,392 I don't feel like it. Understand? 655 01:08:11,618 --> 01:08:14,356 I don't feel like it anymore. 656 01:08:14,830 --> 01:08:18,530 You think I feel like writing? 657 01:08:18,709 --> 01:08:21,661 What a chore it is to get up each day. 658 01:08:24,049 --> 01:08:26,206 At times I'd like to die... but no... 659 01:08:30,307 --> 01:08:34,043 Cortázar was right: We must find ourselves a goal... 660 01:08:34,144 --> 01:08:37,879 A project... we must invent things to do... 661 01:08:42,028 --> 01:08:44,104 What is it to be old, Gerardo? 662 01:08:45,743 --> 01:08:47,105 To have no more desires. 663 01:08:47,828 --> 01:08:50,068 Simply to have no more desires. 664 01:08:54,085 --> 01:08:58,864 When I think of old San Martín. 25 years here. 665 01:09:00,092 --> 01:09:04,077 25 years alone. 666 01:09:09,103 --> 01:09:10,962 Such ingratitude! 667 01:09:11,063 --> 01:09:14,431 The man who liberated half a continent. 668 01:09:15,485 --> 01:09:19,897 The house of General San Martín Boulogne-sur-Mer 669 01:09:24,579 --> 01:09:27,272 "You will acknowledge 670 01:09:27,373 --> 01:09:30,147 as the nation's sole legitimate government 671 01:09:31,294 --> 01:09:40,334 only that which has been elected by the spontaneous free will of the people." 672 01:09:49,566 --> 01:09:51,474 He died in this room. 673 01:10:01,498 --> 01:10:03,738 Exile is absence. 674 01:10:06,879 --> 01:10:11,576 And what is death, if not a prolonged absence? 675 01:10:22,814 --> 01:10:26,680 Who among us hasn't died a bit these past years? 676 01:10:34,118 --> 01:10:36,857 Who hasn't lost his dreams... 677 01:10:37,664 --> 01:10:39,656 ...and his hopes? 678 01:10:47,092 --> 01:10:50,911 I know I'll never see the land of my dreams. 679 01:10:51,430 --> 01:10:54,548 The same as San Martín and Vallejo. 680 01:10:58,647 --> 01:11:02,014 "There are so many hard times in life..." 681 01:11:13,040 --> 01:11:15,031 Why didn't Papa go into exile? 682 01:11:20,508 --> 01:11:23,875 He thought nothing could happen to him. 683 01:11:24,929 --> 01:11:26,873 But he's been threatened! 684 01:11:28,308 --> 01:11:30,133 Like everyone else. 685 01:11:36,192 --> 01:11:41,303 When Hernán took on Martita's case, there were six more. 686 01:11:44,284 --> 01:11:46,810 No lawyers would take them. 687 01:11:48,956 --> 01:11:54,911 Twenty lawyers had already been killed or imprisoned. 688 01:11:56,340 --> 01:11:59,874 They were killed or they had to flee. 689 01:12:02,097 --> 01:12:03,495 But why? 690 01:12:07,227 --> 01:12:08,527 Why? 691 01:12:15,030 --> 01:12:17,515 We've decided to do a performance 692 01:12:17,616 --> 01:12:20,224 of the Tango-dy here. 693 01:12:22,705 --> 01:12:24,068 Tango-dy? 694 01:12:24,290 --> 01:12:26,862 Yes, in 10 days. Is it possible? 695 01:12:28,670 --> 01:12:30,069 Pierre agrees, 696 01:12:30,214 --> 01:12:31,949 if the group regroups 697 01:12:32,050 --> 01:12:34,124 and you get an ending. 698 01:12:36,138 --> 01:12:37,452 The ending? 699 01:12:38,932 --> 01:12:40,959 Every story has an end... 700 01:12:41,953 --> 01:12:43,253 What'd Florence say? 701 01:12:43,354 --> 01:12:50,886 People from the Cultural Centers are coming, critics, producers. They'II... 702 01:12:51,446 --> 01:12:54,599 Please! There are kids all over the place! 703 01:12:54,700 --> 01:12:56,643 It's not my fault. Come... 704 01:12:56,744 --> 01:12:59,020 We've got to finish it... 705 01:13:01,291 --> 01:13:03,567 - We'll do it together. - We need an ending! 706 01:13:04,086 --> 01:13:05,612 So let's do it! 707 01:13:05,713 --> 01:13:08,321 No, the Tango-dy! Idiot! 708 01:13:10,260 --> 01:13:13,538 - Pierre wants... - All he wants is to see me dead. 709 01:13:13,639 --> 01:13:15,962 What are you doing? Please, no! 710 01:13:18,102 --> 01:13:19,844 Get out! 711 01:13:20,772 --> 01:13:22,633 Seen Frédéric? 712 01:13:22,734 --> 01:13:26,434 No, close the door. 713 01:13:27,531 --> 01:13:29,226 I'm going in the bath. 714 01:13:51,059 --> 01:13:53,382 I love you, I love you! 715 01:14:03,447 --> 01:14:05,439 What's the kid doing here? 716 01:14:05,742 --> 01:14:07,400 Hello, madam! 717 01:14:19,591 --> 01:14:23,245 Who's better? King Juan Carlos or Giscard? 718 01:14:23,346 --> 01:14:24,708 Stop it, Manuela! 719 01:14:26,557 --> 01:14:30,174 The last one: Which is easier? French or Spanish? 720 01:14:30,731 --> 01:14:32,259 Spanish. 721 01:14:33,776 --> 01:14:35,435 How lucky! 722 01:14:36,946 --> 01:14:38,890 We're going to Barcelona. 723 01:14:41,284 --> 01:14:42,584 On foot? 724 01:14:43,704 --> 01:14:45,315 In a week. 725 01:14:47,876 --> 01:14:51,741 We're going to Barcelona. 726 01:14:51,880 --> 01:14:53,990 Are you crazy? No one told me! 727 01:14:54,300 --> 01:14:56,374 I don't know. Ask Mama. 728 01:15:02,809 --> 01:15:04,552 Why didn't you tell me? 729 01:15:06,563 --> 01:15:08,388 I couldn't, Juan. 730 01:15:11,110 --> 01:15:14,430 Couldn't you have asked for my opinion? 731 01:15:15,615 --> 01:15:19,730 Ask you if I can leave Paris? 732 01:15:23,792 --> 01:15:26,277 We separated seven years ago. 733 01:15:26,378 --> 01:15:27,989 I know, Alicia. 734 01:15:31,217 --> 01:15:34,787 It's my firstjob offer since I came to Europe. 735 01:15:34,888 --> 01:15:36,247 It's not in France. 736 01:15:36,348 --> 01:15:38,457 I know it's not. 737 01:15:38,767 --> 01:15:42,718 But France won't give me a work permit. 738 01:15:43,107 --> 01:15:45,347 So why stay in Paris? 739 01:15:45,693 --> 01:15:48,304 The kids shouldn't be hauled from town to town anymore. 740 01:15:48,405 --> 01:15:51,143 Buenos Aires, Paris, and now where? 741 01:15:52,117 --> 01:15:54,606 You're the one who sent for us. 742 01:15:56,205 --> 01:16:00,235 You'd been thrown out of the school, right? You felt persecuted. 743 01:16:00,336 --> 01:16:01,995 You're right... 744 01:16:02,213 --> 01:16:05,032 But you said that I'd have a job. 745 01:16:05,133 --> 01:16:06,875 No, that I'd help you. 746 01:16:09,596 --> 01:16:11,504 Please don't go, I beg you. 747 01:16:15,978 --> 01:16:21,216 I'm not being selfish. I want us to stay together. 748 01:16:21,317 --> 01:16:26,227 I cannot bear the thought of being separated from the kids again. 749 01:16:29,869 --> 01:16:32,857 I must seize this opportunity. 750 01:17:28,229 --> 01:17:30,339 A kiss, my love. 751 01:18:15,285 --> 01:18:18,404 CRAZY MILONGA 752 01:20:40,081 --> 01:20:42,320 Seen the group Juan Uno sent? 753 01:20:54,972 --> 01:20:57,541 You can't imagine what life's like back there. 754 01:20:57,642 --> 01:20:59,585 Someone disappears daily. 755 01:20:59,853 --> 01:21:02,591 But our first strike was a success. 756 01:21:07,152 --> 01:21:09,892 The beat us up, but the struggle goes on. 757 01:21:19,125 --> 01:21:20,819 Nothing from Uno? 758 01:21:22,546 --> 01:21:23,908 A little something. 759 01:21:26,761 --> 01:21:28,538 What is it? A bass drum? 760 01:21:28,971 --> 01:21:30,286 He's crazy! 761 01:21:30,473 --> 01:21:31,773 No letter? 762 01:21:33,435 --> 01:21:35,002 "United we shall win." 763 01:21:35,103 --> 01:21:36,798 What about the ending? 764 01:21:48,995 --> 01:21:51,689 But who is it? Who is Juan Uno? 765 01:21:51,790 --> 01:21:53,400 The guy'll kill me. 766 01:22:35,756 --> 01:22:37,156 Snapped. 767 01:22:39,220 --> 01:22:41,247 Totally snapped. Nothing to do. 768 01:22:44,476 --> 01:22:46,052 I don't want to! 769 01:23:35,202 --> 01:23:39,316 THE SINGER'S GHOST 770 01:23:47,342 --> 01:23:50,543 Juan... someone's coming. 771 01:23:58,438 --> 01:24:00,013 A man! 772 01:24:07,616 --> 01:24:09,690 He's watching us. Let's go! 773 01:24:13,372 --> 01:24:15,114 He looks like a cop. 774 01:24:17,043 --> 01:24:20,328 He's laughing, Juan, he's laughing at us! 775 01:24:23,175 --> 01:24:24,655 He's coming over! 776 01:24:31,059 --> 01:24:33,002 You're not doing it right... 777 01:24:38,610 --> 01:24:40,090 Wait... 778 01:24:47,953 --> 01:24:49,253 There! 779 01:24:56,548 --> 01:25:00,200 What a guy! Brilliant! 780 01:25:02,346 --> 01:25:04,089 What a character! 781 01:25:05,308 --> 01:25:07,465 If I talk about this, no one'll believe me! 782 01:25:10,063 --> 01:25:11,674 The Café "Universal"? 783 01:25:12,817 --> 01:25:14,595 Is Juan Uno there? 784 01:25:18,532 --> 01:25:20,061 Is this "Los Angelitos"? 785 01:25:21,118 --> 01:25:22,647 Is Juan Uno there? 786 01:25:24,080 --> 01:25:26,154 Juan Dos from Paris. 787 01:25:27,709 --> 01:25:29,783 You old beanpole! 788 01:25:32,047 --> 01:25:35,581 Mariana's with me. I'll put her on! 789 01:25:53,072 --> 01:25:55,977 Send me the ending! 790 01:25:58,494 --> 01:26:00,983 I'm serious. We're staging "Gardel". 791 01:26:16,308 --> 01:26:18,086 He's crazy. He hung up! 792 01:26:18,519 --> 01:26:20,961 Impossible. Call him back! 793 01:26:25,069 --> 01:26:26,369 May I? 794 01:26:27,989 --> 01:26:29,897 Don't insist. 795 01:26:31,743 --> 01:26:33,561 He's scared. That's normal. 796 01:26:33,662 --> 01:26:38,820 Aren't you Discépolo, our deceased poet? 797 01:26:39,251 --> 01:26:41,409 Discépolo... himself. 798 01:26:41,837 --> 01:26:43,236 Come on. 799 01:26:45,383 --> 01:26:48,620 Uno wants the play on stage. It's his greatest dream, but... 800 01:26:50,138 --> 01:26:54,376 It's easy here to talk about it. But he's back there. 801 01:26:54,477 --> 01:26:57,347 That's a bad thing... terrible! 802 01:26:59,441 --> 01:27:03,011 If his name's on the Tango-dy, he'll be in trouble. 803 01:27:03,488 --> 01:27:05,889 It's best he stay there. 804 01:27:05,990 --> 01:27:08,476 We never meant to mention his name. 805 01:27:08,577 --> 01:27:11,315 You must understand. Fear is terrifying: 806 01:27:11,955 --> 01:27:15,277 It follows us everywhere like our own shadow. 807 01:27:15,378 --> 01:27:18,496 Like a mad dog before it bites! 808 01:27:19,007 --> 01:27:22,535 What would become of us if Uno disappeared? 809 01:27:22,636 --> 01:27:26,164 But he can't abandon us before the ending. 810 01:27:26,265 --> 01:27:28,125 We'll find one. 811 01:27:28,601 --> 01:27:32,052 The Tango-dy will be our revenge! 812 01:27:55,340 --> 01:27:59,206 Bandied about by life, a wandering bohemian 813 01:27:59,511 --> 01:28:02,998 I am Buenos Aires, anchored in Paris 814 01:28:03,099 --> 01:28:06,467 O distant Buenos Aires, keep your splendor 815 01:28:06,771 --> 01:28:09,841 It's already been 10 years since you saw me go away 816 01:28:09,982 --> 01:28:14,011 If you only knew my desire to see you again! 817 01:28:14,112 --> 01:28:17,348 Here a penniless prisoner without hope 818 01:28:17,449 --> 01:28:21,350 Perhaps one night Death will take me by surprise 819 01:28:21,704 --> 01:28:25,904 And, farewell, Buenos Aires, I'll never see you anymore. 820 01:30:16,047 --> 01:30:19,699 THE FINAL TANGO-DY 821 01:30:39,699 --> 01:30:41,477 It was great! 822 01:30:41,578 --> 01:30:44,439 Especially the music! 823 01:30:44,540 --> 01:30:46,149 Well done, Pierre! 824 01:30:46,250 --> 01:30:47,648 And the tangos! 825 01:30:48,169 --> 01:30:49,862 "The Exile of Gardel" is beautiful! 826 01:30:49,963 --> 01:30:51,787 I always knew it was! 827 01:30:53,508 --> 01:30:56,452 And Gardel was such a great character! 828 01:30:56,553 --> 01:31:01,666 It's a pity. Why don't we get to see Gardel, Pierre? 829 01:31:02,936 --> 01:31:05,260 But he's present all the time. 830 01:31:06,273 --> 01:31:09,676 A pity! A great idea! 831 01:31:09,777 --> 01:31:11,679 An entire era. 832 01:31:11,780 --> 01:31:13,771 A great man. 833 01:31:14,574 --> 01:31:16,893 I met him one day at the studio. 834 01:31:16,994 --> 01:31:19,312 I was a young film extra. 835 01:31:19,413 --> 01:31:21,314 He'd arrive each morning, 836 01:31:21,415 --> 01:31:23,358 with a hideous broad, 837 01:31:23,459 --> 01:31:25,277 a filthy rich American, 838 01:31:25,378 --> 01:31:27,322 the widow of Chesterfield. 839 01:31:27,672 --> 01:31:29,532 So he'd arrive in a huge car 840 01:31:29,633 --> 01:31:31,576 and said to us: 841 01:31:31,969 --> 01:31:34,743 Muchachos - with his Toulouse accent - 842 01:31:35,390 --> 01:31:37,500 Get rid of this big cow for me, 843 01:31:37,601 --> 01:31:39,753 and I'll take you to dinner." 844 01:31:39,854 --> 01:31:41,505 Know where he took us? 845 01:31:41,606 --> 01:31:43,298 Us, the cinema hobos? 846 01:31:43,399 --> 01:31:45,094 To the Plaza! 847 01:31:45,235 --> 01:31:47,720 Fabulous Gardel! What a pity... 848 01:31:47,821 --> 01:31:49,138 Interested? 849 01:31:49,239 --> 01:31:51,434 Yes, it's very good. 850 01:31:52,578 --> 01:31:55,448 It's wonderful, a very beautiful show! 851 01:32:00,170 --> 01:32:02,488 I don't see 852 01:32:02,589 --> 01:32:05,031 how it could interest our audiences. 853 01:32:06,093 --> 01:32:07,744 It's a bit local. 854 01:32:07,845 --> 01:32:09,914 Yes, the music, the characters, 855 01:32:10,015 --> 01:32:12,083 even the tangos... 856 01:32:12,184 --> 01:32:14,294 ...it's too Argentine for us! 857 01:32:14,771 --> 01:32:16,338 Would people understand? 858 01:32:16,439 --> 01:32:18,173 Are you serious? 859 01:32:18,274 --> 01:32:19,383 Yes, why? 860 01:32:19,484 --> 01:32:24,263 What did you expect? An Eskimo tango? 861 01:32:25,324 --> 01:32:27,433 Don't be upset! 862 01:32:34,167 --> 01:32:35,467 What? 863 01:32:36,044 --> 01:32:38,363 The Tango-dy is really southern, 864 01:32:38,464 --> 01:32:40,870 from Río de la Plata. 865 01:32:41,258 --> 01:32:44,165 That doesn't mean much to us... 866 01:32:48,643 --> 01:32:50,043 We're not used 867 01:32:50,144 --> 01:32:51,587 to this theatrical form. 868 01:32:51,688 --> 01:32:54,557 That's no reason to reject it. 869 01:32:55,025 --> 01:32:57,802 Pierre, explain what it is. 870 01:32:57,903 --> 01:32:59,645 It's a Tango-dy. 871 01:33:01,075 --> 01:33:03,644 A work the author conceived 872 01:33:03,745 --> 01:33:06,401 without consulting you. 873 01:33:07,082 --> 01:33:08,942 Why'd you invite us? 874 01:33:09,835 --> 01:33:12,320 If we judge this by what we usually 875 01:33:12,421 --> 01:33:14,948 see here, we won't understand it. 876 01:33:15,049 --> 01:33:17,575 I liked it, but the ending... 877 01:33:18,512 --> 01:33:20,290 I didn't quite grasp it. 878 01:33:20,640 --> 01:33:22,249 The ending... is a risk 879 01:33:22,350 --> 01:33:24,044 that we must take. 880 01:33:24,644 --> 01:33:27,338 In France we tend to want 881 01:33:27,439 --> 01:33:30,213 people to do what we expect of them. 882 01:33:30,609 --> 01:33:32,387 You believe in it, Nathalie? 883 01:33:32,611 --> 01:33:35,219 I'm interested. 884 01:33:35,907 --> 01:33:38,100 I'd like to have the show 885 01:33:38,201 --> 01:33:40,524 for our festival in Amiens. 886 01:33:53,177 --> 01:33:58,799 They don't know what we feel. 887 01:33:59,100 --> 01:34:00,710 Don't exaggerate. 888 01:34:00,811 --> 01:34:02,553 The public's the public! 889 01:34:05,065 --> 01:34:07,757 Aren't we running a risk 890 01:34:09,111 --> 01:34:11,306 of finding no finale at all, 891 01:34:13,660 --> 01:34:15,355 if there's no return home? 892 01:34:17,623 --> 01:34:19,365 We must fight back! 893 01:34:23,671 --> 01:34:27,538 The Tango-dy has found its conclusion... 894 01:34:31,723 --> 01:34:35,008 ...and we, the 2 Juans, have become of no use. 895 01:34:36,228 --> 01:34:38,670 Don't be depressed, my love. 896 01:34:39,273 --> 01:34:43,341 Juan... don't fall apart... 897 01:35:00,755 --> 01:35:08,335 Let's continue the exile and song 898 01:35:09,057 --> 01:35:14,383 Looking for an outcome, a finale 899 01:35:15,857 --> 01:35:21,895 Tales transformed into fiction 900 01:35:23,284 --> 01:35:28,395 In all their painful humanness 901 01:35:30,375 --> 01:35:35,866 Europe has offered solidarity 902 01:35:37,509 --> 01:35:42,502 In all sincerity or out of guilt 903 01:35:44,350 --> 01:35:49,046 The North has provided its complicity 904 01:35:51,524 --> 01:35:56,221 Loneliness from East to West 905 01:35:56,905 --> 01:35:59,431 Nothing new to announce. 906 01:36:00,201 --> 01:36:03,520 It was incredible to see the courts again, 907 01:36:03,621 --> 01:36:06,147 the police stations, the barracks. 908 01:36:06,875 --> 01:36:09,233 And think every moment 909 01:36:09,795 --> 01:36:14,742 that Marta and Martita might have been hauled through them. 910 01:36:23,102 --> 01:36:27,383 We were afraid we'd find ourselves alone in Buenos Aires. 911 01:36:29,778 --> 01:36:32,973 But the mothers and grandmothers awaited us. 912 01:36:33,074 --> 01:36:38,150 I realised so many people have been fighting for the same cause. 913 01:36:38,747 --> 01:36:41,105 And that gave me new hope. 914 01:38:06,475 --> 01:38:08,334 Ladies and gents! 915 01:38:08,435 --> 01:38:09,752 El Negro and Susana 916 01:38:09,853 --> 01:38:11,212 have something to show you! 917 01:38:11,313 --> 01:38:13,673 An act for the life 918 01:38:13,774 --> 01:38:16,176 we've dreamed of, we've invented! 919 01:38:16,277 --> 01:38:20,606 Unique! Little Victoria! 920 01:39:04,250 --> 01:39:05,994 ALONE 921 01:39:30,572 --> 01:39:31,872 Hello, Mama? 922 01:39:34,744 --> 01:39:40,070 Papa? What'd you say? How are you? Better? 923 01:39:48,385 --> 01:39:49,685 Who? 924 01:39:53,182 --> 01:39:54,482 Who, Papa? 925 01:39:56,646 --> 01:39:57,946 Mama? 926 01:40:38,360 --> 01:40:40,518 Wait for me! Don't go! 927 01:40:42,615 --> 01:40:44,891 Mama, I'd want... 928 01:40:45,827 --> 01:40:50,157 Wait! I want to say things I never told you before! 929 01:40:52,836 --> 01:40:55,076 Don't go, Mama... 930 01:41:07,271 --> 01:41:09,879 I love you, Mama! 931 01:41:46,565 --> 01:41:50,466 Alone and on the fringe like a zero 932 01:41:51,112 --> 01:41:55,690 Like those thrust aside I struggle on, alone 933 01:41:57,494 --> 01:42:02,441 Lost in the distance, like a stray dog I fight against oblivion 934 01:42:03,168 --> 01:42:06,820 Pulling my old bones together 935 01:42:07,673 --> 01:42:11,243 Alone and penniless, as for a suicide 936 01:42:11,344 --> 01:42:15,414 All I have left is the tango to tell of my exile 937 01:42:27,114 --> 01:42:31,228 Alone and haunted in my Buenos Aires 938 01:42:31,869 --> 01:42:36,199 I wander aimlessly like a shot in the air 939 01:42:46,720 --> 01:42:51,084 Alone and hidden with the saga of my people 940 01:42:51,767 --> 01:42:56,380 That they have banned, living on, engraved in my memory 941 01:43:21,969 --> 01:43:25,836 I hang up my heart in the closet 942 01:43:26,017 --> 01:43:31,093 My poor heart shot full of holes 943 01:43:59,180 --> 01:44:01,254 The clock... so beautiful! 944 01:44:03,309 --> 01:44:05,170 Hands off, María. 945 01:44:07,606 --> 01:44:09,298 Papa's pictures! 946 01:44:09,399 --> 01:44:11,801 Please don't touch them! 947 01:44:11,902 --> 01:44:14,095 Let me see. Don't be selfish. 948 01:44:15,239 --> 01:44:17,267 Look! Papa, when he was young! 949 01:44:18,244 --> 01:44:22,193 Please, María, close that! 950 01:44:25,627 --> 01:44:30,406 Don't you understand that's all mine? 951 01:44:31,050 --> 01:44:33,871 You're such a pain! 952 01:44:34,514 --> 01:44:37,039 How long are you going to keep this up? 953 01:44:38,143 --> 01:44:40,378 I don't like you pawning through my things! 954 01:44:40,479 --> 01:44:43,799 I know... but what are you going to do with your life? 955 01:44:45,568 --> 01:44:48,010 Leave! 956 01:44:48,363 --> 01:44:50,931 Then go! Once and for all! 957 01:44:51,032 --> 01:44:53,606 Because I want to live my life too! 958 01:44:54,996 --> 01:44:57,148 I'm going and you're going with me. 959 01:44:57,249 --> 01:45:01,862 No, you go! I'm renting a studio with Teresa. 960 01:45:04,965 --> 01:45:06,533 What'd you say? 961 01:45:06,634 --> 01:45:09,871 You heard me. I want to live alone. 962 01:45:10,305 --> 01:45:13,506 I want to have something of my own! 963 01:45:14,393 --> 01:45:15,693 Shut up! 964 01:45:17,354 --> 01:45:19,097 Don't talk to me that way! 965 01:45:19,231 --> 01:45:20,974 I talk to you however I can. 966 01:45:21,567 --> 01:45:23,051 If your papa had lived... 967 01:45:23,152 --> 01:45:25,889 He'd have opposed your whims! 968 01:45:25,990 --> 01:45:28,183 And I'd never have lived through years of shit! 969 01:45:28,284 --> 01:45:29,765 Shut up! 970 01:45:32,747 --> 01:45:37,361 You're so selfish you're unable to enter my room. 971 01:45:38,295 --> 01:45:40,535 Because you know I'd be crying! 972 01:45:53,314 --> 01:45:54,629 My darling... 973 01:45:57,903 --> 01:46:02,892 Forgive me, sweetheart, you're all I have, 974 01:46:02,993 --> 01:46:04,817 the only one I love. 975 01:46:07,623 --> 01:46:10,148 But your father is always here, 976 01:46:11,419 --> 01:46:15,070 he's present and waiting for me. 977 01:46:17,884 --> 01:46:21,833 I wish he'd disappear once and for all, understand? 978 01:46:26,018 --> 01:46:27,594 Yes, Mama. 979 01:46:29,105 --> 01:46:31,927 But how long'll I understand you? 980 01:46:32,692 --> 01:46:35,099 You never spoke to me like this. 981 01:46:36,865 --> 01:46:39,852 You never told me how you felt about Papa. 982 01:46:41,703 --> 01:46:43,777 I can't forget him either. 983 01:47:11,031 --> 01:47:14,267 After all you've been through, you're still causing trouble? 984 01:47:15,244 --> 01:47:17,484 - Who are you? - A friend. 985 01:47:18,581 --> 01:47:22,818 Keep it up and you'll never see your daughter or grand-daughter again. 986 01:47:22,919 --> 01:47:24,612 Don't dare give me your name? 987 01:47:24,713 --> 01:47:26,906 - Understand? - Hoodlum! 988 01:47:27,007 --> 01:47:30,411 You'll never see your daughter and grand-daughter again. 989 01:49:08,500 --> 01:49:11,657 For you who remained 990 01:49:14,884 --> 01:49:19,414 For Gaby, Tito and Diego 991 01:49:21,684 --> 01:49:26,964 For you who went into exile in your neighbourhood 992 01:49:27,065 --> 01:49:32,427 or in your hovel 993 01:49:35,241 --> 01:49:39,570 For you who underwent 994 01:49:41,457 --> 01:49:45,406 the general's interrogations 995 01:49:48,006 --> 01:49:51,741 For you who endured 996 01:49:52,552 --> 01:49:59,420 the cops and manhunts 997 01:50:00,937 --> 01:50:04,554 For you that they dragged 998 01:50:07,320 --> 01:50:11,470 by the hair, poor suspect 999 01:50:13,410 --> 01:50:17,359 For you that they humiliated 1000 01:50:17,998 --> 01:50:23,112 and abandoned naked 1001 01:50:25,968 --> 01:50:29,869 My song flies out to you 1002 01:50:31,390 --> 01:50:36,419 In search for its roots 1003 01:50:38,274 --> 01:50:41,890 We are children of exile 1004 01:50:42,570 --> 01:50:48,394 In this land or anywhere else 1005 01:50:57,253 --> 01:50:59,696 GOING HOME 1006 01:51:17,986 --> 01:51:19,286 Who's there? 1007 01:52:01,913 --> 01:52:05,779 - San Martín? - It's me. 1008 01:52:06,251 --> 01:52:08,658 Not going to give us a scare, are you? 1009 01:52:11,549 --> 01:52:13,291 I'm not very well... at all. 1010 01:52:16,638 --> 01:52:19,457 Don't you think it's time to go home? 1011 01:52:19,558 --> 01:52:21,252 But how, General? 1012 01:52:21,852 --> 01:52:25,007 I'm very weary and very poor. 1013 01:52:26,066 --> 01:52:31,096 I understand, Gerardo. I don't have a peso either. 1014 01:52:31,197 --> 01:52:34,351 They've even forgotten my pension. 1015 01:52:35,785 --> 01:52:40,199 But we must go back... even if we don't feel like it. 1016 01:52:40,417 --> 01:52:44,200 For a century and a half I've been waiting... 1017 01:52:44,505 --> 01:52:48,406 to see the fatherland we've dreamt about. 1018 01:52:49,636 --> 01:52:53,122 Great... united... 1019 01:52:55,017 --> 01:52:56,497 To go back... 1020 01:52:56,685 --> 01:53:00,303 Yes... with a furrowed brow. 1021 01:53:04,403 --> 01:53:05,802 Gardel! 1022 01:53:08,950 --> 01:53:11,558 Of course... to go back. 1023 01:53:12,204 --> 01:53:13,863 Have no doubts. 1024 01:53:14,540 --> 01:53:18,608 It'll soon be time... The country's decaying. 1025 01:53:19,504 --> 01:53:20,804 You think so? 1026 01:53:24,050 --> 01:53:28,414 It saddens me to see they're not very patriotic. 1027 01:53:35,230 --> 01:53:36,593 And you, Carlos? 1028 01:53:36,732 --> 01:53:39,969 As you see, I'd like to go back. 1029 01:53:42,238 --> 01:53:44,181 Will you sing us something? 1030 01:53:44,282 --> 01:53:47,602 I don't sing anymore, General. I'm old. 1031 01:53:55,547 --> 01:54:00,952 Going back... with a furrowed brow 1032 01:54:01,053 --> 01:54:05,168 My temples are silvered by the snows of time 1033 01:54:05,808 --> 01:54:12,095 To feel... that life is but a gust of wind 1034 01:54:12,775 --> 01:54:15,680 That 20 years last but a flash of lightning 1035 01:54:21,368 --> 01:54:23,193 I wasn't bad, was I... 1036 01:54:33,382 --> 01:54:37,369 I fear to meet the past that is returning 1037 01:54:37,470 --> 01:54:40,505 To confront my life. 1038 01:54:41,433 --> 01:54:45,714 I fear the nights peopled with memories 1039 01:54:45,980 --> 01:54:49,098 That enchain my dreams 1040 01:54:49,526 --> 01:54:52,217 But the voyager who flees 1041 01:54:52,571 --> 01:54:55,476 Sooner or later ends his run 1042 01:54:56,492 --> 01:55:00,359 Though oblivion which destroys all 1043 01:55:00,623 --> 01:55:04,442 May shatter my old illusions 1044 01:55:04,544 --> 01:55:08,161 I keep deep within me a humble hope 1045 01:55:08,340 --> 01:55:12,585 That is my heart's entire fortune... 1046 01:55:15,432 --> 01:55:19,845 Years have slipped by since those events. 1047 01:55:20,605 --> 01:55:25,966 But so many things have happened that the time seems very short. 1048 01:55:29,114 --> 01:55:33,313 I've saved the memory of one night before the cabin. 1049 01:55:33,911 --> 01:55:37,563 When they all swore together to return to Argentina. 1050 01:55:38,792 --> 01:55:41,614 With songs and other magic 1051 01:55:41,754 --> 01:55:47,624 and their longing to return, thus went the nostalgia of the exile of Gardel. 1052 01:56:05,990 --> 01:56:09,692 Almost all have returned with their tangos and daily dramas. 1053 01:56:10,288 --> 01:56:14,652 Carrying away to their land their exile in their flesh. 1054 01:56:20,758 --> 01:56:22,583 I barely know what I'll do. 1055 01:56:23,803 --> 01:56:27,089 I come and go. I'm still here. 1056 01:56:28,393 --> 01:56:31,428 One day I'll leave, when I know who I am. 1057 01:56:32,940 --> 01:56:36,805 But I've learnt this from exile and suffering: 1058 01:56:37,820 --> 01:56:40,179 We have so many years to live... 1059 01:56:42,200 --> 01:56:44,772 No tragedy ever lasts... very long! 75987

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