Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
The fuck you want?
Hello, Marty.
A little over here.
Did you bake me a cake with a little file in it?
It's about the robbery.
Well, you have to be more specific.
I've robbed a lot of places.
Did you have anything to do with it?
Sadly, no.
And it's one of the great regrets of my life
that you assholes put me in here before I had the chance.
What's your relationship with Steve Baker?
Him.
Well, he-- he broke my heart.
Where's my fucking money?
I've got it.
Well, well, yeah, I mean, no, I--
I don't have it, but I will have it.
I'm just waiting on, like, a tuition check.
Are you fucking kidding me right now?
No.
Ow, fuck!
Two days.
OK.
Now, get the fuck out of here before I bleed you.
Yeah.
John Singer Copley.
John Singer Copley, the shark--
Watson and the Shark.
Watson and the Shark, John Singer Copley, painted in 17--
shit.
Oh, 1777.
Oh, John Singleton Copley.
Fucking idiot.
So how are things?
How-- how are thing-- how-- how are things?
Things-- how-- how-- how are things?
You want to give it a shot?
Copy that.
5 bucks.
Make it $10.
Sensor just picked you
up in the Rembrandt room, man. - Shit.
That's a $10 spot.
You owe me.
Smoke alarm in five.
Yeah.
You can't eat that in here.
Excuse me?
You can't bring your own food.
Yeah, but, I mean, like, no one in here.
It's policy.
I just bought the milk from you.
I don't think you can, like, let it slide?
Sorry, man.
You gotta go.
You some kind of poet.
You know, Dante, Keats, Ferlinghetti, Ted Hughes?
Oh.
No, they're-- they're just lyrics to a song.
I'm partial to Bukowski myself, patron
saint of the degenerate.
So you're in a band?
Sort of, yeah.
Er, I'm sorry, do I know you?
You don't have to be sorry.
We're just talking, aren't we?
Yeah.
Hey, I'm right here.
Yeah.
Are you confused?
A little.
Yeah, have-- have we met?
So you like to party?
No.
Mm?
Mm-mm.
You don't smoke a little weed?
- No. - Sacred herb?
Are you a police officer?
Because if you are, then--
You don't have to worry about me.
But what you do have to worry about is, how, on a night guard
salary, right, are you going to pay
for all that product you put up your nose
and give to your friends?
Where are you going to get the cash, Steve?
I will.
I will get it to you. I promise.
I just-- I need--
What do I look like, a piece-of-shit
drug dealer to you?
Now, here's the thing.
That piece-of-shit drug dealer that you do
owe all that money to, he doesn't know where
you work or live, but I do.
And all it takes is one phone call, and he does.
But today's your lucky day.
You do me a favor, I'll take care of your debt.
Let's take a ride.
Where?
Cicero said, "Live as brave men.
And if fortune be averse, face its blows with brave hearts."
You and I, we're going to be good friends.
So are you, like, a gangster?
Gangster? No.
Gangsters are like sheep.
They have to answer up for everything they do.
I want to do something, I do it.
But to operate in the world of gangsters, you-- you got to--
you got to make them think you're a little bit crazy.
You don't want to cross them.
Stealing from the mob, that's a death sentence.
There's not someone in the trunk, is there?
Don't worry about that.
So how'd you get into so much debt?
Uh, well, I've been looking out for my friends.
And they're not paying you back?
No.
Shut the fuck up, Albert!
I swear to God, I--
I'll hit every pothole between here and Billerica.
Who's back there?
Your drug dealer.
He's just a kid.
Are you in school?
I just got kicked out.
For selling drugs to your friends?
Yeah.
You know, that's not being a friend.
That's being a doormat.
Don't try to be friends with people you aspire to be.
Be friends with people who see you for who you are.
Wait here.
No, no, no, don't go.
I can see you through a little hole.
Hey, what's he going to do to me, man?
I don't know.
Please, let me out.
I gotta piss like a racehorse.
I'm scared, man.
But I can't.
Why not?
Because if I let you out, he might take
me and throw me in the trunk.
No, you're wrong. We can run away together.
I'll hide you.
I-- I'm a human being, man!
No, I know you are.
Hey, do I know you?
What's happening?
What are you doing?
I'm freaking out up here.
No, it's OK.
Relax.
Get out slowly.
Come around to the back of the car.
Pop the trunk.
And this will all be over.
Oh, god, here he comes.
Oh, he's going to kill me, isn't he?
Oh, I'm a dead man.
Just shut the fuck up, man!
I'm fucking dead!
I got you one.
I know you.
Hey, don't worry about him.
Focus on me.
I'm going to tell you who I am and why you're here.
And there's good news and bad news.
The bad news is I'm a cop.
The good news is I'm a dirty cop.
So as soon as you get me $30,000,
I'm going to let you go.
Man, I don't have $30,000.
Well, you better find it quick.
I'm in a cash business.
I buy the shit. I sell the shit.
I'm living week to week.
I don't have any savings.
He owes me $5,000.
Get it from him.
I told you, don't worry about him.
This is between you and me.
I just don't have $30,000, man.
Well, call a friend.
I'm a drug dealer, man.
I-- I don't have any friends.
If I had $30,000, man, I'd leave this shit, and I'd go
make some fucking friends.
Well, have you considered activities that
are outside your workplace?
You know, learn pick-up hockey league?
Pick-up hockey?
With teammates?
Hey, who are you calling?
Who's he calling?
You can do it.
You can do it.
Come on.
If you're going to say something, now's the time.
Trust me.
I used to have a dog, and I'd ride it like a horse.
It was a big German Shepherd.
And I was just a boy, maybe seven or eight.
And one day, the movers came to bring a rug
into my mom's living room.
It was really a lovely rug.
And my job was to hold the dog while the door was open.
But the dog was too strong for me.
It pulled out of my hands and just ran away.
It was winter, so I put on my hat and my gloves,
and I followed the tracks in the snow
all the way down to the end of the road
onto a golf course, where I looked
down and saw hundreds of dog tracks
crisscrossing everywhere.
People had been there walking their dogs.
And my dog, well, my dog, he was just gone.
Why the fuck did you just tell me that?
I don't know.
It's just sad.
No!
No!
No.
Please, please, make-- make him stop.
- I can't. - No, no!
No, no, no, no, no, no, no, no!
No!
Holy fuck!
Oh, my god.
Bob Ra, I think you shot your balls off.
Oh, my god!
How do I look?
Not good!
We gotta get him to a hospital.
I blame you for this, Albert.
See what happens when you bring chaos.
Just get me my $30,000.
I really need you to kick in the rent and everything else
you owe me.
Dude, stop being weird.
Is there coffee?
Yeah, I made some last night, but I--
I wouldn't trust it.
We got into a fight last night.
I think she's going to leave.
Yeah, yeah, I've heard that before.
Last night was--
Did I throw something at you?
Yeah, what was that?
What did you do last night?
You missed a pretty epic blowout, didn't he, babe?
Sure did.
Maybe Stevie can settle our little dispute.
- What do you think? - I didn't do it.
Do you think he's a lying fuck?
Honestly?
I'm not saying I'm a saint.
I just want him to say it.
My record is clean, Officer.
Is that true?
Have you ever seen anything, Stevie,
maybe you shouldn't have?
Go ahead.
You can tell her.
No, I haven't.
It was an ashtray.
- An ashtray? - Mm-hmm.
An ashtray, where I had duck out
of the way of your ashtray.
Thank you for that.
Good.
There's someone down there.
You banging her?
No.
Why not?
A friend.
She's dating my roommate.
Oh, what are we going to do with you?
Here, put this on.
Wait, where are we going?
To become a fully realized,
self-actualized person, conscious and aware,
you must live a life unencumbered, free
of possessions. You following me?
Yeah.
You have no fucking idea what I'm talking about.
Come, let's get this over with.
Come here. Come here.
Come here.
Come here.
Let's straighten you out here.
Yeah.
OK.
Try not to be nervous. Just tell the truth.
OK?
Put your game face on.
Let's do this.
What is this?
How long have you known Mr. Lyons?
And be specific.
Uh-- Well, uh, Mr. Lyons and I have--
have been friends for a long time.
And how did you meet?
Mr. Lyons came to the museum one day.
And--
Can you speak up, please?
Sorry.
Er, we started to talk about, um, art.
He's very interested in art.
The parole board is well aware of Mr.
Lyons' interest in art.
Yeah.
Can I-- can I have a sip of water?
You're fucking this up.
Don't worry.
If this doesn't work out, there's
a couple of guys across the street with machine
guns ready to bust in here.
Over the course of your relationship with Mr. Lyons,
have you seen a change in him?
Um.
Yeah.
Party time!
Just like Paris.
Come on. Come on.
Steve.
Hey, how'd you make out last night?
I was up $1,200.
Yeah, but he lost it all.
But it wasn't his fault.
OK, here.
Have some champagne.
Oh, I got you some scratch tickets.
- Oh, boy. - Here you go.
Hahaha.
Hope this makes you well.
Guaran-- swaying-- tee.
Steve, come here.
Bob Ra. - Hey, boss.
How you feeling?
Like I got my balls blown off.
They give you meds?
- Yeah. - OK.
Well, here, in case you run low.
And try-- and try a couple of those with this.
It's as good as a cocktail.
- There you go. - Thanks, boss.
You bet.
Mooch, got you one of these Jane Fonda's.
Whoa!
I have no idea how to use it.
Fuck, yes!
Yeah, well, I suggest you don't try it while drinking.
Whoa.
OK, bring it in.
Everybody, bring it in.
So this-- this is Steve.
Now, Steve, he almost fucked up today, but he didn't.
To freedom.
And Bob Ra's balls.
May they rest in peace.
To freedom and balls.
We're going to rob the museum,
and we're going to need your help.
Yeah, what?
No, I-- I thought we were even now.
No.
But you do this for me, and your debt will be paid.
Yeah, no.
Yeah, I-- I-- I--
I don't know.
He's scared.
Of course, he's scared.
It's OK to be scared.
Scared is good.
It means you're on the edge of your unknown, open and curious.
It's where all great things happen.
So do you want to be great, or are you
happy with the way things are?
Take some time to think about it, but not too much.
Danny, hey.
Um, sorry.
Could I talk to you for a second?
One second. I'm sorry.
- I owe like a lot of money. - Mm-hmm.
For all this partying.
Sure, sure, yeah. Mm-hmm.
And I could use your help with--
Hey.
Come here. Wait, come here.
--what you owe me.
Look at this, huh.
This is a great party. - Yeah.
Right?
You did this.
You're the man.
Yeah?
Here, take a deep breath, huh.
Breathe in.
Breathe out.
Breathe in.
Breathe out.
Now, repeat after me.
It's all going to be cool.
It's all going to be cool.
Good.
Hey, did you get a call from a record label or something?
Uh, yeah.
But, like, it was just some bullshit.
Some bullshit?
Well, may-- maybe you could-- maybe
you could call them back, like, invite
them to the gig or something. - All right, yeah.
Yeah?
Now, chill, man. Party.
Try and have some fun, buddy. It's OK.
And can you keep an eye on Sara for me?
She seems a little, like--
you know?
Yeah.
Uh, how are things?
Should I be honest?
Yeah, let's be honest.
If we're being honest, about as
shitty as I could possibly be right now.
Mm.
I can't sleep.
Danny and I have broken up so many times,
I can't even keep track.
Whoa, whoa, no, Sara, you-- um, you-- you
can't sit on the furniture. - But it's furniture.
It's meant to be sat on.
I know.
We're just not supposed to do that.
But, I mean, what the fuck, right?
Yeah.
Yeah.
Let me ask you a question.
OK.
Do you think he's a bad guy?
Danny?
Mm.
Well, I mean, he stole band equipment to pay for drugs.
And he hasn't paid me rent in, like, six months.
But, no, I don't think he's a bad guy.
I don't get that.
Why do you always stand up for him?
Because I've known him since I was a kid.
And I wouldn't have a band if it weren't for him.
I-- I just think, like, deep down, he's--
you know.
I mean, you know, he--
he's, like, Danny.
You're such a nice guy.
You are so lucky to work around all this art.
Yeah.
You have a favorite?
Yeah.
The Manet is mine.
He kind of reminds me of you, like, the way he's looking out
at everybody, taking notes, sort of like he has a secret,
but he's not telling.
Yeah, Édouard Manet, um, 1875.
He used to sit in cafes and try to paint people,
but he never finished any because they would get up.
And then one day, he saw a reflection of himself,
and he painted it.
He says that in that moment, he realized
that he could be an artist because he
couldn't recognize himself.
The painting showed him who he truly was, you're something.
Wow.
Hey.
I'm going to help you get money from Danny.
Thanks.
What's wrong?
Nothing.
What?
I-- I just ordered one without onions.
So get another sandwich.
- It's fine. - No.
No, no, you should get the sandwich you want.
Really, it's fine.
What's your problem, then?
I just don't want to bother her.
She's on the night shift.
Oh.
My father was a Boston cop.
He played by the rules, everything
on the straight and narrow.
He went to mass almost every day.
You know, he moonlighted as a security guard
at the Forbes Museum, you know, the one in Quincy.
Mm.
One day, a bunch of antique guns were stolen.
So who do they blame?
The Irish Catholic cop from South Boston.
You know, they didn't know him.
He wouldn't have stole a Tic Tac.
I mean, they had no proof, but they had enough pull to get
him kicked off the force.
So I went over there, and I took everything.
I cleaned those motherfuckers out.
I mean, a few days later, I brought it all back,
left it out in the lawn.
So go ahead and play by the rules, but, believe me,
the game is not on the level.
Come on, let's get out of here. Leave it.
What about--
No, come on, come on.
Marty Lyons as I live and breathe.
How long have you been out?
- Long enough. - Ha.
Now, who are you?
He's my new driver.
That's funny because when I saw you pull in here,
you were driving.
Oh, yeah?
Are you following me?
No.
Paranoid?
So how are you doing?
I mean, are you working on your learner's permit or what?
Kevin McDonald.
Nice to meet you.
I'm Steve.
Steve.
So, Steve, what are your interests?
What do you like to do when you're not driving?
Um, well, I like to play guitar.
I'm just fucking with you.
I don't give a shit.
This guy is crazy, but you can learn a lot from him.
Come on, let's go.
Hey, good to meet you.
Yeah.
And don't let that bitch put onions in your sandwich.
OK.
Come to my office.
Uh, me?
Yeah?
Is that how you talk to your superior?
Yeah.
Now, I can't tell whether it's you
or your dunderhead partner who's been stealing,
but it's going to stop here and now.
Millions of dollars' worth of art.
Yet, they tell me there's no budget for security, fine,
but I will have discipline on my watch.
Paid for that out of my own pocket.
OK.
Not another candy bar.
What's up, handsome?
How's it going?
Going's good.
So we got that gig tonight.
Yep.
Cool.
I'm just going to guess you didn't call the label.
Good guess.
I'm going to need you to pay what you owe, or, I don't know,
we're going to have to figure something out.
She didn't tell you?
Tell me what?
I gave her your money.
You're such a fucking liar.
I have a joy in that, but that girl
is not who you think she is.
I just feel sorry for you, man, that you'd
choose her word over a friend.
But I get it.
You know, she's hot.
You're insecure.
You fucking kidding me?
A friend with-- a record label comes along,
like, a fucking record label.
But you know what that would mean to me or to us,
to the band, and you don't even bother to call him back?
The record label isn't interested in the rest
of the band.
They just want me.
That's why I didn't call them back.
You're-- stop fucking lying to me.
I'm sure Sara just forgot to mention the money, yeah?
She's got you wrapped around her finger, man.
No, no.
Oh, that's good.
Hi.
Hey.
Come on in.
Have a seat.
- What are you doing here? - I was in the neighborhood.
I thought I'd stop by.
I'm getting to know your lovely roommate, Sara, here.
This guy's so rad.
I'm just a middle-aged guy with a job.
You, however, both of you, you got
the whole future ahead of you.
Not a care in the world.
Number four, fuckin' Bobby Orr.
How about you?
Are you two romantically involved?
Um, no.
I have a boyfriend.
Hmm.
That is some delicious lemonade.
Do you want some more?
Not too much trouble?
Yeah, not at all.
- Let me help you. - No, no, no, I got it.
You guys stay and chat.
Do you want anything?
No.
Lovely.
What did you say to her?
She thinks I'm charming, but that's a problem, isn't it?
By the time you get to my age, you've figured out
how to talk to women, but it doesn't
matter because they'll go with you just for the money.
So the sex is just--
makes me feel more lonely.
Yeah, well, I don't really--
This-- this is my best friend's tongue.
I keep it to remind me what happens
when you break your word.
Now, I'm going to need your word.
We know that Marty's going to rob the museum, and we want in.
You need to consider this very seriously because if you don't,
the people that I work for will not hesitate to harm
you or anyone you care about.
Lemonade for the mystery man.
Mm.
Awesome.
I'm going to go.
To your future.
Did he just take the glass?
Hey, have you had any luck with the money?
What money?
From Danny.
Sorry.
You know how he is.
He's useless.
1, 2, 3, 4, 5, 6.
With the radio on
I'm in love with Massachusetts
And the neon when it's cold outside
And the highway when it's late at night
I've got the radio on
Just rolling on
Well, all right
Woo, woo, woo
Hey!
Hey.
I'm going to tell you a story.
Come on, Steve.
Steve Baker.
That was fucking awesome!
Yeah, rock and roll.
So what's it going to be, Steve?
You're either in, or you're out because tomorrow's today.
- You mean-- - Yeah.
Are you kidding me?
That was incredible.
Oh, yeah.
- Yeah. - Do I know you?
No, but I know you.
Do you?
Yeah, I've known girls like you all my life.
Oh, girls like me?
Oh, yeah, yeah.
I even married a few.
Always the same-- same problem.
- Oh. - Yeah.
And what's that?
You take no responsibility for your life.
Well, wait a minute. I mean, you can't--
I mean, who can blame you?
You're beautiful.
So you can roll with that for a while.
And you think you're out of his league?
Well, you are.
What?
But check back in about six years,
when you're stuck with all the choices
you were afraid to make.
We'll see what's what.
Fuck you, old man.
Sara.
Why'd you have to say that?
Because you needed to hear it.
Don't listen to him, OK?
He-- he doesn't know what he's talking about.
No, he's right.
I'm exactly the person he described,
and I fucking hate it.
No, you're not.
You're not at all.
I mean, you-- you have everything going for you.
You know that?
You're-- you're smart.
You're talented.
You're beautiful.
Er, no.
I took the money, Steve.
I was going to pay you back, but honestly, I
probably wouldn't have.
Why?
Um.
I was going to go out West or something.
You should cut it.
You don't want anything to do with this.
Sara, you can, uh, you can keep the money,
but only if you use it for you.
Fuck.
You ruined my life.
Well, I got news for you.
It was already ruined.
I just opened your eyes.
But if it makes you feel any better, you never had a choice.
Mm.
Come on, let's get out of here, have some fun.
Cleansed by blue
She's using you.
You don't know anything about her, so just
don't talk about her, OK?
All right.
Jesus Christ!
This is a Muramasa blade, 15th century Japanese
Samurai blade, very rare.
Now, the first quality you look for in a blade is the hamon.
You see that frosted part right there?
You see it? - Mm.
That's the hamon.
The second part you look for is the grain.
You see how it looks like a mountain range?
Yeah, that particular grain is called gunomi.
So Muramasa had a student named Masumoto, also very talented.
And a dispute arose as to whether the Masumoto
blade was superior to the Muramasa,
so they did an experiment.
They put the Masumoto blade in a stream.
And a leaf came by, like, a maple leaf.
And the Masumoto blade cut it in half.
And then they put this blade, the Muramasa
blade, and the leaf came by and went around the blade.
And to think that it was just laying there
in the basement of the Met.
Nobody gave two shits about it.
It shows you what they know.
Grab the flowers.
Hey, Celia.
Hey.
How are you, honey?
How are you?
Feeling OK?
Aunt Celia is the only one in the family that supported
me through thick and thin.
And she gave me a great life lesson.
She told me, always keep dancing.
So I'm dancing as far as I can, Celia.
Sit down. Sit down.
Sit down.
I got you some--
some milk, and some fruit, and some chicken
salad that you like.
And-- and I-- and I got you an avocado.
Try it.
You might like it.
Here's a little-- here, here's a little pin money, honey.
OK.
Where are the cameras?
Uh.
I mean, don't worry.
She's going to forget everything in five minutes.
Are they just on the outside or on the inside, too?
Huh?
Uh, er, the outside.
So just on the outside.
And the sensors are on the inside?
Just sensors, right? - Mm-hmm.
And the alarm button is under the desk?
Mm-hmm.
Is that a yes?
Yeah.
Steve here, he's in love with a girl,
but they're just friends.
I mean, do you want to break it to him, or should I?
I don't know what to tell him.
Honey, we got to go, though.
I love you.
I'm going to see you on Thursday,
and I'll bring you some Chinese food.
Let's go.
Oh, uh, nice to meet you.
Don't let that girl lead you around by your dick.
She doesn't know it, but sometimes I
stash paintings under her bed.
Rembrandt's only seascape, bang for your buck,
this is the jewel of the collection.
How does it make you feel?
Yeah?
I-- I don't know.
Well, you better have an opinion because it's
about to be yours.
I mean, to me, it says, life is a series of problems,
and you're always a cunt hair away from falling into the sea.
Take this one, definitely this one.
But not that.
That's a lesser work.
Not bad, Ra.
Thank you.
Your form is good.
Thanks.
$20 I can hit one further.
You don't have $20.
Because you know I'm right.
Man, you still owe me $20 from the time
of Anne Marie Haskell.
You said that she blew you in the back of your dad's LeBaron.
That was 10 years ago.
Doesn't matter.
A lie's a lie.
It doesn't have any expiration date.
Did it happen, Beak?
You weren't there.
Neither were you.
Fuck you!
Fuck you.
Remember, this is a gentleman's game.
20 bucks.
I can't take your money.
Then the other thing.
Oh, the other thing.
Oh, not the other thing.
Oh, the other thing.
No, Beak, don't do it.
What's the other thing?
It's the other thing.
You got the honor, Mooch.
Let's go already.
That's in the fairway.
Fuck!
New guy, come fluff my ball for me, will you?
Me?
Go ahead.
Well, where-- where do you want?
Uh, I prefer it a little to the left.
Uh, there?
Little back to the right now.
Come on, come on, come on.
OK.
Uh, there?
- Come on, let's go! - There you go.
Take your time.
Keep your eye on it, guys.
This one's going downtown.
Oh, Billy, Billy, Billy.
Whoa!
Fuck yeah!
Fuck, fuck, fuck, fuck, fuck, fuck, fuck, yeah, Beak!
Beak, Beak, Beak, Beak, Beak, Beak, Beak.
Buck, buck, buck, buck, Beak.
So what's the bet?
Don't touch me.
You're like a mentally challenged Jack Nicklaus.
Fucking shot of your life, asshole.
Let's take a peek.
Ooh, it looks wet.
It's so nice.
Ready?
Up you go.
Night swim.
# We used to go to a motel, a motel,
Better go get his clothes.
What?
Go get his fucking clothes, man.
No.
Go get his fucking clothes!
Fuck you!
Woo!
Come on, get in!
Woo!
Fuck, yeah, Steve.
Let's go. Here we go.
Woo!
Woo-hoo!
Go, Mooch!
Go!
Yeah!
Fuck yeah!
Go, Mooch!
So we understand that you've been spending a lot
of time with Marty Lyons.
Well, I mean, we're just, like, friends.
Yeah, I don't know what he told you,
but that man is not your friend.
He shot a cop.
Did he-- did he mention that?
He's a very dangerous man, Steve.
You don't know what you've gotten yourself into.
See, this is what he does.
He's setting you up.
He identifies an inside man, he brings you in,
and then he leaves you to take the fall.
That's right.
You're a patsy, Steve.
Do you want to talk to some of those inside men?
We can make a call.
It's just the main line at Devens.
Is that what you want, Steve?
To go to Devens Correctional Facility?
No.
No.
Tell him about Henry Ziegland.
Mm.
Let me tell you about a man named Henry Ziegland.
You see, around 1900, a man named Henry Ziegland
breaks up with his fiance.
Now, she's so distraught that she goes and she kills herself.
Now, her brother tracks Ziegland down, shoots him,
then kills himself.
Right, but the thing is, is that he misses Ziegland.
He just kind of grazes his temple,
and the bullet lodges in a nearby tree.
20 years later, Ziegland goes to cut this tree down,
only the wood is too, um--
what's the word?
Dense.
So he decides to blast the tree with dynamite, which
dislodges the bullet, striking Ziegland in the temple,
killing him instantly.
Fate's a bitch, my man, and it's coming for you.
You see, Stevie, what we're offering you is a way out.
Now, if you don't help us, we're
going to arrest you and all your little drug
buddies, including the little hottie you got eyes for.
Oh, she is so far out of your league.
I'm just-- I'm saying.
This is the part where you save yourself.
Peace offering.
Ah.
I'm sorry.
I know.
1 hour 20 minutes, and we're out of there, 8-0 minutes,
not a minute more.
We focus on the Rembrandt room.
We unscrew the paintings from the frame
and only take what's on the list.
Let's just fucking cut them out of the frame.
No, it-- it ruins the value.
100% right.
And if the alarm goes, which it fucking
won't, drop everything and run.
What about him?
We tie him up.
We tape him up.
We leave him overnight.
Hey, are you all right?
Come here.
Yeah.
Because you're sweating bricks.
Yeah.
I mean, that-- that's just because I'm, you know, nervous.
What do you mean, nervous?
What do you got to be nervous about?
I-- I swear to God, I just want to do
this and get it over with.
What are you talking about God?
Oh, shit.
I'm going to speak plainly.
You fuck me, and I will burn you to the ground.
Are you sure I can take this?
I'll buy a new one.
OK.
Yeah, it's just-- it's too depressing to show up
in a new city without a bed.
What if I'm the same fucked-up
person when I get there?
You should get going.
Of course, he didn't show.
Asshole.
Asshole.
Don't worry.
I'll take care of him.
Yeah, he's like a plant, you know?
So give him water.
Feed him once a day.
Hey, when that guy asked if we were dating and I laughed,
it didn't mean anything.
Yeah?
Mass Pike is going to be a nightmare.
Promise you'll visit?
- Yeah. - Promise?
I promise.
OK.
I'm sad.
I know.
OK.
Love how you move
Ah.
Hello?
How you doing, kid?
What time is it?
MARTY It's time.
Are you ready?
I don't know, I guess.
Listen, I'm sorry about the girl.
I've never been any good at matters of the heart, you know?
You know, it's-- it's a puzzle I
have never been able to solve.
Yeah.
So we're good?
We're good.
Are you scared?
Yeah.
Well, of course, you're fucking scared.
But no more mystical advice from me, except this.
There's is only one known cure for loneliness.
Get a dog.
OK, Marty.
Yeah, OK.
I'll see you over at the place.
Thanks.
Bob Ra, you got five fucking cars.
What are you doing?
I'm playing five cards.
We're playing two card--
where the fuck is he? - I'll put three down.
I don't know.
I swear.
May-- maybe he's late.
What do you mean, he's late?
He's never fucking late, Beak.
That is a parole violation, Marty.
Hello, ladies.
I've got two pieces of news.
The first is that Marty was arrested this morning.
The second is that the robbery will go ahead as planned,
but now you work for me.
And, you, don't try to rat your way out of this one
because the people that I work for do not take kindly to rats.
So what's the plan?
Boston Police.
Open up.
Open the fucking door!
Call the other one.
Uh, Ian, you-- you better get down here.
What is it?
Uh, the police are here, and they want to talk to us.
OK.
All right.
Get the fuck up.
Oh!
Shit!
You little piece of shit!
What's happening?
Let me see your ID.
Ah!
Dude, what the fuck?
You're being robbed.
Do what we say, and you get to see the sunrise.
Take them to the basement.
Hey, you shouldn't do that, Beak.
What you did to Marty was awful.
You know, in my line of work, you
get to see people as they really are, not the face
they put on for the world, but who
they are at home, in repose.
Fear takes off the mask.
No, no, no, no, don't.
No.
Please, please, please.
You are a piece of shit.
Found one in the basement.
Who did this, you little shit?
You better start talking.
I want a lawyer.
Thieves made off late last night
with 11 works of art from Boston's Isabella
Stewart Gardner Museum.
Among the rare masterpieces by Rembrandt, Degas, and Manet,
gone is the only seascape Rembrandt ever painted,
The Storm on the Sea of Galilee.
Also stolen, a self-portrait by Manet.
Boston Police say they believe the thieves were
highly skilled professionals who knew exactly
what they were looking for.
Fuck, oh.
Where is the Manet?
Please don't hurt me.
Where the fuck is it?
I don't know what you're talking about!
May-- maybe it got lost in the shuffle.
What?
The shuffle?
You cannot be this fucking stupid!
I'm not stupid!
I'm-- I'm just scared and confused.
I don't know what you're talking about.
Open up.
Open up.
If you are lying to me, I swear I will have your tongue.
We will be watching you for the rest of your life.
Steve?
Yeah.
JACK WIGGINS : This is
Jack Wiggins from the museum.
It's my distinct pleasure to inform you that you're fired.
- Here's your watch. - All right.
And your bracelet.
Hey, too bad you missed out on that museum job, huh?
Yeah.
Well, thanks to you assholes, I had a rock-solid alibi.
Hey, give me that. Give me that.
Oh, you going to be a priest now?
I am a priest Hey, wait.
Where-- where-- OK, there it is.
There it is. I got it.
All right, fuck it.
OK, fuck you.
Sucks to be you, huh.
Open the fucking door.
See you next time, Marty.
Fuck you.
Fuck, yeah.
Yeah.
I thought they, like, took the tapes.
They did.
That's one of the things that bothers me.
How did they know to do that?
So I went back, and I checked the tapes
from the previous night.
See there?
You left the side door open for six minutes.
Why?
I'd rather not say.
Well, we'd rather you did.
You have to.
Will I get in trouble if it doesn't have anything
to do with the robbery?
You'll be in a lot more trouble if you don't.
OK.
Um.
See the smoke in the top right there?
Sometimes I like to, you know, like--
but you guys don't have, like, evidence of that, right?
Get the fuck out of here.
Hey, we're not through with you.
Yeah.
Have you heard from Sara?
Couldn't even say goodbye to her?
OK.
What the fuck's wrong with you, bro?
Look, man, you know I'm not good at that kind of stuff,
all right? - Yeah, I know.
It's the same reason you never called the record label.
It's never because you were protecting me.
You didn't call because you were scared.
Oh, yeah?
Yeah.
It's why you don't show up to gigs, why
you can't commit to anything.
It's honestly why you lost Sara.
Are you high right now?
Yeah.
Yeah, that's not the point.
What is the point?
You can't sing.
You can't play guitar.
But you have a quality that not a lot of people have.
I'm not going to let you waste it.
What the fuck is this?
These are the guys from the label.
Take care of him.
He tends to wander from his vocal range.
How's Aunt Celia?
She's still dancing.
Go ahead.
You earned it.
How much of what you said to me was real?
And how much of it was just an act to get what you wanted?
Don't worry about it.
Mm.
Count it.
I trust you.
Mm.
You shouldn't trust me about money.
Want to tell me about the Manet?
Look, Marty, you can do whatever you want,
but I did everything you asked me to.
So either way, you still owe me this money.
Whoever took it must have had an awfully good reason.
They must have.
They've taken a lot of risk.
Sure did.
Go ahead, take it, before I change my mind.
Hey, Marty.
Hmm?
I'm going to need a favor.
Yeah?
I need to borrow your car.
Oh, yeah?
Yeah.
Sure, OK.
Yeah, hey, sure.
Here you go.
Hot damn.
Oh, no.
Not you guys.
It's just me.
You want an egg roll?
No.
Now we're even.
You want to count it?
Man, get the fuck out of here before I shoot you.
And myself.
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.