Original subtitles

Heat. Heat.

Heat. Heat.

Heat.

Heat.

Well, here's your lighthouse.

>> Yeah.

Homey little place, isn't it?

>> It'll be better when we get these lamps

hooked up to the generator.

Electric lamps. There never was lights

like those around this place.

Nothing but oil and candles.

There ain't been a human being around

here in 20 years except in the caretaker

once a month for inspection.

>> Captain Cop, what is it, mate?

>> Come here a minute, will you?

>> What is it, mate?

>> Look here, the on the candle. It's soft

and warm. Somebody's been here in the

last 5 minutes.

Right, Mr. Morgan.

It couldn't have been Hook. I left him

on the mainland.

>> Who's Hook?

>> Captain Hook.

>> He was in charge of this lighthouse.

Caretaker kind of before you bought it

from the government.

>> You say you're still on the mainland.

>> He may be on his way over here. He said

he was bringing the keys over.

>> He wanted to look your papers over from

the government.

Funny fell Hulk.

>> What's funny about him?

>> He's a little bit mixed up in the pilot

house. Does fun things

harmless mostly except when he hears the

ticking of a clock.

>> Why? Then what happens?

>> Then he goes plum out of his mind and

wants to kill somebody.

What's the idea of breaking your watch?

>> I'm a peaceloving artist. All I want is

quiet and my paintings. No desire to be

killed in cold blood.

>> I wish you told me what you're going to

do, mate. Okay. Don't pay no attention

to watches,

just talks.

>> Well, it's too late now. Where are the

stairs to the tower?

>> There ain't no stairs.

>> No stairs? No, they took them out when

they abandoned the place 20 years ago.

>> Did they take the lamp out, too?

>> They were supposed to.

>> Supposed to?

>> Maybe I shouldn't have said that.

>> What's that?

>> That's Captain Hook now.

mates. It's a wild night on deck. Who's

got the wheel?

>> He's Morgan, Captain.

>> You're Morgan, eh?

>> That's right.

>> How do I know you're Morgan?

>> Well, here are my credentials and a deed

from the government transferring the

lighthouse to me.

>> I I mate. Looks all right to me.

Do I hear a clock ticking?

No. No. No. Hello, Hookie. It ain't a

CLOCK WITH A SHUTTER MOUTH.

>> YOU blubbering old woman. You open your

yap again and I'll take this hook and

rip your tongue out.

>> Got any weapons with you?

>> Well, yes. I have a pistol in my bag.

Why?

>> You'll need it. Sometimes the seagulls

get too noisy outside.

Had a look around the place yet?

>> Not yet.

>> You better begin. Supposed to turn it

over to your ship shape.

shot over there. That's the galley.

>> Fool. Why'd you bring him here for?

>> Well, you told me on the phone.

>> You're lie. I never phon you.

>> I will fix you for this.

>> Captain, wonder who this wallet belongs

to.

>> Let me see it.

>> Empty. Where'd you find it?

>> On the floor in the kitchen. It has the

initials DDH, homie. DDH. Who in the

village has got them initials? Nobody's

got them initials. Unless it's David Dow

Haramman. That's DDH. Shut up, you fool.

Get that B of yours ready.

>> Wait a minute, Captain C. Captain Hook.

Who is David Da Haramman? A

>> rich fool from the city. You came to the

village about a year or so ago. All

alone. He invented it.

You're a paint agent.

>> Yes.

>> Stick to paint. Here's the keys. See

that? Everything's locked up.

>> Why? I thought you said nobody ever came

out to this rock.

>> Nobody ever does. But you found a wallet

in there with DDH on it. Add that up.

>> Come on, cop.

Pleasant dreams.

Why? That was a trip.

>> You know, if we night like this, we just

crying home with my wife.

>> Calling car 72. Car 72 somewhere on

Atlantic Highway.

>> That's us. That's us. Attention,

detectives Kelly and Dempsey in car 72.

>> That's us again. I wonder why they're

calling us when we're off duty.

>> Detective Kelly, proceed at once to the

14th Street Lying in hospital. Your wife

is about to present you with an air.

That is all.

>> That's enough. That's enough. Did you

hear that? Did you hear that? I'm about

to become a father. Woohoo. Step on it.

Step on it. Never seen that. Step on.

>> Oh no, Kelly. Nothing going. I'm not

driving any faster in this weather. Stop

eating those pills. Oh,

>> I got a right to be nervous, haven't I?

We'll fire that shot.

>> Put that thing away. That wasn't a shot.

It's a tie. We got a blowout.

>> Nice night for two.

>> Will you put those pills away? That's

the 10th one you've had today. We've got

to change a tire.

>> What do you mean we got to change a

tire? You got to change a tire. You got

to change a tire.

>> Listen, you ain't suggesting that I

change that tire alone and all this, was

it?

>> Oh, yes. It was your idea we take turns

if it's your turn now. Go ahead. Go

ahead. Go ahead. Oh, Kelly, this is

brutal.

HEY, WHAT?

>> COME HERE.

>> LOOK, I see by the paper we're going to

have a new commissioner, fell named

Clancy.

>> Oh, yeah.

>> Yeah.

>> What do you know about that?

>> Here, take a gander at that, please.

Patrick Alawishas Clansancy was sworn in

as police commissioner this afternoon at

city hall. In a statement issued as his

first official act, Mr. Clansancy

declared war on the giant octopus of

crime which grips the city.

>> What do you know about that class?

>> You know this fell Clansy?

>> Oh, but he's Irish, ain't he?

>> Sure.

>> About time the police department did

something with the Irish.

>> Try to do something without the Irish.

Hey, listen. Let's get going, will you?

They fix that tire. I got to get to the

hospital. Come on.

>> Oh, right. Calling all cars. Attention

all police boats. Attention all harbor

patrols. Attention, United States

revenue cutters.

>> Must be a war. There's nothing else.

Listen.

>> General alarm. Schooner Tessy has just

been picked up a drift off sailor's

light. Shortly before the Tessy was

picked up, a mysterious submarine was

seen in the vicinity. The captain and

crew of the Tessy are believed to have

been the victims of the octopus. Proceed

with caution. That is all.

>> Oh boy. The octopus. If we could only

catch him. Just think of it. 50,000

bucks reward for the capture of the

octopus alive.

>> 50,000 bucks.

What was that?

>> Sound like a wild animal. E

>> sound more like a woman.

>> Wild woman.

>> Ah, telly.

>> Come on, get out. We got to investigate.

>> All right.

Oh, wait a minute. I have a married man

here. So am I.

>> Yeah. Well, get her in the car here.

Give me that. Come on. Get her in the

car.

She's coming too, kids.

>> Where am I now?

>> Don't worry, lady. You're in safe hands.

This is a police car, and we're

detectives.

>> Oh, I remember. I was running through

the trees. I saw the lights of your car.

>> Who were you running from?

>> I don't know.

Oh, no. I remember. It was my stepfather

back there.

>> Back where?

>> In the lighthouse on the rock.

>> What lighthouse? What rock? What about

your stepfather?

>> I saw him in the lighthouse. Dead.

Murdered.

>> Murdered? It's like an appalling crime.

Where is this lighthouse of yours?

>> About 3 miles out on a little island. I

have a motorboat.

>> Good. Did you hear that, Kelly? Here's

our chance to get in good with the new

commissioner. A murder dropped right in

our laps. Come on.

>> Oh, just a minute. I I got to go to the

hospital. I got to go.

>> Duty first, Kelly.

>> Now, don't worry, lady. We'll get to the

bottom of this. The

>> bottom. The bottom of the lighthouse.

That's where it is.

>> That's where what is

>> the octopus.

>> The octopus. We're going to catch that

octopus and get that 50,000 buck reward.

Lead the way, lady.

>> By the way, who is your stepfather?

>> He's the inventor of a radium ray so

powerful that anyone who controls it

controls the world. Every nation is

seeking it.

>> You think that's your octopus's effort?

>> Yes, if he hasn't already got it.

>> Let's go. Let's go. Let's go. Let's go.

Show us your boat, lady. By the way,

what is your name?

>> Mr. B.

>> Okay, Miss V. Let's go.

Heat.

Heat.

Kitchen empty. Bedroom's empty.

Right.

Come here, man. Come here. Yeah. Go

right in there.

Now, lady, we got to get to the bottom

of this. Where is a corpus? Delicious.

No. What do you mean? Corporate collect

eye. Whatever. I mean, where is it?

>> It's up. OH MY GOD.

>> NO, NO, NO. CALM YOURSELF. You got to

tell us. Tempest fidgets. You mean

tempest fidgets? Time is a waste.

Where's the body? She just told you it's

upstairs.

Woohoo.

>> Why, Kelly? Who hit you? You're all

bloody. And we haven't even started yet.

Up. Up there. Up there.

It is a murder hanging by his feet just

like she says. Lock the doors, Kelly,

and search the place. Right now, listen,

you got to be brave. Just like us.

>> Door's locked.

>> Good. Now, we'll search the joint from

top to bottom. You start with the tower.

Well, we know what's up there. Upstairs,

I said we have to have a balloon to get

up there.

>> What are you talking about?

>> Well, there no stairs. There's no

stairs.

>> No stairs.

>> No.

How did the body get up there? I don't

know why I came here with you.

>> Don't bother about going upstairs. Oh,

thanks. Thanks. Alice, we got to have

the facts. Why did you come here

tonight? I mean, before you met us.

>> Because I was afraid for him. For weeks,

he's been threatened on all sides. All

sorts of mysterious people called at the

house. There were mysterious phone calls

late at night, and he seemed to be

constantly in a state of terror.

>> Did your stepfather usually hang out in

this lighthouse? He certainly is hanging

out a lot around here now. All quiet,

Kelly.

>> What made you think he might be in

danger tonight?

>> This note? I found it on the floor of

his bedroom. And Nanny said he was

worried when he left.

>> Nanny? Who's Nanny? Nanny's a goat.

>> Nanny's a housekeeper. She's a companion

to me, too. And she's been with us over

a year.

be at the lighthouse at 10. Bring it

with you. Don't fail.

>> I can't make out that signature. Can

you, Kelly?

>> Yes. Short hand. Short hand. Oh, no. No.

Oh, that's one of those fish, you know,

with all the the legs and the arms. You

know, the

>> the octopus.

>> There. I saw it.

>> Saw what? Long arms like tentacles. They

are behind the curtain. It moved.

>> She's right.

Take a look, Kelly. And I'll come but

don't shoot.

I'm Kelly. I'm a Kelly.

There's no one there.

There's no one there. Come out or I

shoot.

>> Stick them up, Mr. Octopus, or I'll blow

your brains out.

>> Just a little low for my brains, don't

you think?

>> Hey, no wise cracks, Mr. Octopus. No

wise cracks.

>> Morgan is the name. Paul Morgan.

>> Paul.

>> S. You two know each other.

>> Never saw this woman before in my life.

Now, I'd like to ask a question. What

are you two gentlemen and this woman

doing in my lighthouse?

>> Your lighthouse? Little lighthouse

keeping?

>> Here, look this over. It's a transfer

from the federal government.

>> Looks like the real McCoy.

>> What about that body? Was that

transferred to the federal government,

too?

>> What body?

>> That body there.

>> How did that get you here?

>> I don't know. It's your lighthouse. And

get this straight. I'm a detective.

>> Yes, and so am I. And we're going to

search the place. Frisking, Kelly.

>> Oh, so you're armed, huh?

>> What's your business, mister?

>> I'm a marine painter. There's some of my

paintings behind you if you doubt it.

>> A painter, huh? Where's your pallet,

Kelly? See if you can find his palette.

>> Open your mouth there. Open your mouth.

>> No. What do you think he paints?

Tonsils? You know, an artist palette.

One of them stands that they put

paintings on.

>> Oh, you're thinking of a weasel. Oh,

skip it. You ain't got no artistic

knowledge. We're still going to search

the joint. Come on.

>> Hey, miss. Take this. Keep him cover

while me and Kelly do a little

exploring. If he makes one move, pull

the trigger.

>> Stop.

>> Don't you think you ought to put that

gun down?

>> And to think I trusted you.

>> You've got to go on trusting me. We're

in danger. All of us. I'm trying to help

you. You've got to believe that. You

must realize that every move I make is

to protect you.

>> I'd like to believe in you, Paul.

>> Put down that GUN AND LEND A HAND.

>> What happened to her?

>> Who is she?

>> I don't know. Her boat went to pieces on

the rocks. I fished her out.

So you're here, eh?

>> Yes. You know about

>> I know everything. Saves him, right? The

traitor.

>> That's enough out of you.

>> Paul, don't quarrel with him. He'll kill

you.

>> Oh,

so you know him, eh?

>> Yes.

>> Well, even if you do, it won't help you

any.

>> THAT LAUGH, IT TERRIFIES ME.

Hello everybody. Are you all right? I

was all right until I heard somebody

laugh.

What did I hit? A telephone pole?

>> You hit a reef.

>> But how did you happen to be alone in a

motorboat in this storm?

Where? Uh, a house party. Boyfriend

Fresh pushed him off here and ran away

with boat. Next thing I remember, a

grappling iron got me.

>> Who pulled me out anyway?

>> Captain Hook. Hook.

Oh, that's the grappling iron.

>> Why? It's Mr. Kelly.

>> Where's Lindsay?

>> Where's Bradic?

>> Where's Louis? Where's Louis? Who's

>> What happened?

>> What happened?

>> I was hit by the biggest spider you ever

threw in your life.

>> Kelly. KELLY.

>> WHY? It's mister.

>> Don't tell me it's Dempsey. What

happened, Dezy?

>> I was looking around a room in there

when the octopus SNUCK UP AND NEARLY

MURDERED ME.

>> THE OCTOPUS? Did you see it?

>> No, but I felt it.

>> Who's this guy? That's Captain Hook. He

used to watch the lighthouse for the

government.

>> Oh, yeah. Get his fingerprints, Kelly.

>> Hey, give me a second. Hey, look at this

guy's got no fingers. Look, he's got a

hook. A hook.

>> Get his footprints. What is he? A horse?

>> Yeah. No. Listen all of you. There's

been a murder committed here.

>> A murder?

>> Yes, a murder. And until me and Kelly

find the culprit, you're all under

suspicion. Now, there's the body up

there. How did it get there? There ain't

no stairs.

>> No stairs. What do you think that is? A

subway entrance?

>> Come on, Kelly.

QUICK, KELLY. UP THOSE STAIRS.

NO ONE GOES UP THEM STAIRS, you fools.

Don't you know it's a trap set by the

octopus.

>> Octopus? Woohoo! You know what the

octopus tried to do with that?

>> Never mind. Now, wait a minute, Hook.

I'm in charge here. You're in charge.

Oh, no. You're not my loudmouth friend.

The one in charge here breaks puny

policemen like you into tiny little

bits. He rips their tongues out. Hey.

Hey.

>> Just a moment. Can't talk that way about

my pelsey. No, no. Put that gun down or

out.

Grab him, KELLY. I GOT HIM. I GOT HIM.

OH. OH. OH. OH.

OH.

KELLY. KELLY.

>> YES.

>> IT'S ME, KELLY DEMPSEY.

>> I KNOW IT IS.

>> GET off of me, you [ __ ] I was just

trying to protect you, that's all.

>> The next time, keep your hands IN YOUR

POCKETS. WHERE'S THAT GUY WITH the steel

hand? He's gone. Do you THINK

>> I DON'T THINK I KNOW HE'S the octopus.

>> HANDS UP.

>> DON'T SHOOT. IT'S NANNY.

>> Who's Nanny? Nanny's a goat. Oh, you got

me all mixed up.

the darling. Thank goodness you're safe.

>> So, you're her companion and David

thman's housekeeper, huh?

>> I am. And who are you? May I inquire?

>> I'm a detective. Yes, so am I.

>> Detectives?

What's wrong, darling? What's happened?

>> Nanny, can you stand a shock?

>> Yes, my dear. What is it?

>> Up there in the tower.

Stick father.

>> You poor poor child.

>> Look,

Mr. M. How did you get here?

>> Someone struck me in the dark. I had a

note for Miss Vesta Bernoff. Is she

here?

>> I'm Vesta Bernoff.

>> Oh, here it is.

Wallet mark DDH inside pocket.

>> Here, I'll take charge of that.

>> DDH.

>> This is it. All right.

>> Step over there, you.

>> Now we're deducting.

>> Deduct number one.

>> You'll regret this, Dempsey.

>> Oh, no. You won't. Wise guy. Stick them

up. You stick them up. Aha. Another one.

Hey, there you are. How's that? You step

over there, too. We'll get to you later.

Deduct number two.

>> Can this be National Wallet Week by any

chance?

>> Quiet, lady.

Now we're getting somewhere. Step over

there, miss.

>> Deduct number three. Stick them up. You

stick them up. You

>> give me that wallet. Give me the

stand over there, lady. Stand over

there. Deduct number four.

>> For a small lighthouse, business is

very, very good.

>> Yeah. You're next.

>> What do you mean?

>> Give me that wallet or I'll HAVE KELLY

SEARCH YOU.

>> OH, NO. NO. I'm not much of a family

man. No. Maybe I am. Maybe I'm a father

right now. Maybe.

>> Well,

>> all right. You win.

>> Aha. Step over there.

>> Deduct number five. And do I like them

roasted on Sunday? Oh, yes. Like what?

Deduct.

>> Oh, Kelly.

Now, we got to find those stairs.

Quick, Kelly. The body. Not the body.

Kelly, quick over now. Listen, Kelly,

GO.

>> He's gone. Kelly.

>> Oh.

So, you're the guy that turned out those

lights.

>> No, no, no, no, no. I I turned them on.

I was standing over there when they went

off.

>> Hey, Dempsey. What do I do now? See if

you CAN PULL THE BODY BACK TO THE

PLATFORM.

>> Pull it back.

Hey. Hey. Hey. I'm up in the air. Up.

Hey, take her inside.

Oh, my hands. My hands. It

>> No, that ain't even a he.

>> Oh, don't tell me it's a woman.

>> No, that's a dummy.

>> Well, it's in good company.

>> Quiet. Yeah, it's made of straw and the

blood was ketchup.

and see if he's got a wallet. That's a

good idea. Stop. Stick them up,

everybody. All right, bet. Get the

wallets from Dempsey.

I'll get that one.

Don't open that. You'll blow us all off

the island. It's the ochre.

>> Octopus.

Silence.

Listen.

Look.

The lights. The lights on. That signal.

The [ __ ] hole. It always blows when the

octopus comes in his submarine.

>> Silence. You fool.

>> Is that a clock ticking? You mean I

guess you mean this?

>> It's only Watch me.

It's locked.

Hey,

come on.

It's locked. Yes,

>> another octopus.

Another octopus. And my wife's going to

have a baby, too. Come on.

That ain't loaded, KELLY.

He's got us. HE'S GOT US.

>> HE'S GOT US. CATCH THE SIGNAL TO

SOMEBODY.

>> Can we telephone? Can we telephone?

>> What's that?

>> It's gas. I'm going to be careful. WE'RE

15 MILES OFFSHORE.

>> OH. OH, MY EYES. I'M BLIND.

>> It's coming from above.

>> WE'VE BEEN TAPPED BY THE OCTOPUS.

>> NO, WE'RE NOT. THERE'S STILL A CHANCE.

DEMPSEY, PULL THAT RING.

NOW EVERYBODY down there

>> after you, Kelly.

>> No, no, you go ahead. I'll take care of

everything. Leave it to me. Come on

there, Branch.

>> I'm coming.

It's never dark enough.

>> What a terrible place.

>> A candle. Anybody got a match?

>> Yes, I have.

>> Oh, I like this one, too.

>> A cave. I used to play in a cave when I

was a little girl.

>> Oh, quiet, lady.

>> Hey, where's Kelly?

>> What's that?

>> Oh, Kelly. Kelly.

Why? Kelly, what happened? Oh, come on,

Kelly. You can't die on me now.

>> Whiskey. Give him some whiskey.

>> Who's got the whiskey? Who's got the

whiskey?

>> Nobody. I just said you needed some.

>> Come on, Kelly. On your feet. We got

work to do.

>> You've got a nice place to do it in.

>> Quiet now. I want you all to sit down

and be quiet while I do a little

deductive.

I'm just commencing to add two and two.

>> Tomorrow you'll be starting on the

alphabet.

>> That's enough out of you. By the way,

who are you? What's your name?

>> Who? Me?

>> Yes, you.

>> My name's Pauly Crane.

>> You know any of these people?

>> Never saw them before in my life.

>> Oh, pardon the intrusion. My name is

Kelly. This is my partner, Mr. Dempson.

>> I'm a detective.

>> Yes, and so am I.

>> Kelly,

we'll get to that later. Now, we're all

in a jam. We've got to pull together.

It's time we laid our cards on the

table. How about a little peuckle?

>> Oh, Kelly. Say, how did you happen to be

lying here?

>> Well, that's the fellow with the seal

flipper hit me on the nuts, knocked me

down the stairs.

>> Where is that guy?

>> I don't know. I came down alone. You

mean he's still up there with that

poison gas?

>> Come on. We can't let him die.

>> Hey, IT'S

the matter.

>> Over there.

>> Over there.

>> Somebody's hung himself.

>> Bring the candle, Kelly.

Why? It's a diamond soul.

>> Oh, thank goodness.

>> What? Thank goodness.

>> For a moment, I thought it was my

stepfather.

>> Never mind, madam. We'll find your

husband's body.

>> Stepfather.

>> We'll find his body, too.

>> Yes, Kelly. Yes. Now, we're going to

explore the joint.

>> Do you mind if Miss Bernoff and I wait

back there? This has all been a great

strain on Miss Bernoff. Well, it hasn't

been a clam break for Kelly either.

Kelly's going to have a baby. Ain't you,

Kelly? Yes. And so am I.

>> Maybe.

>> Well, if you promise not to pull any

monkey business.

>> You promise?

>> Okay. You take the flashlight and we'll

take the camera. Come on, Kelly. Follow

me. We'll see if we can't find a way out

of this place.

There it is.

>> Then it is true.

>> Yes. Everything I told you is true.

>> Pretty little picture, you two. Only

look better in a different frame.

>> What do you want?

>> Oh, nothing much. You play ball with me.

I'll play ball with you. What do you

say?

>> I don't care for ball games.

>> Suit yourself. We'll see what happens.

>> Well, did you find anything interesting?

No, nothing but a stone wall. Now, let's

discuss ways and means. We got to get

out of this joint.

>> Or does somebody want to give me an

argument?

>> Hey, did you forget what we came after?

>> What?

>> Them pucker books. She's got all of

them.

>> I haven't got them.

>> Darling, what are you saying?

>> I mean it.

>> Well, if you haven't got them, where are

they?

>> That's none of your business.

>> Is that any way to talk to him and me

after we come over here to help you out?

>> Help me. A fine lot of help you've been

both of you. One blunder AFTER ANOTHER.

NOTHING BUT TALK TALK. WHY DON'T YOU DO

SOMETHING?

Make them do something.

>> Oh, I'm going to drop the whole thing

>> there. There, my dear. Don't let

yourself go. But I do think you officers

should do something.

>> She didn't mean anything. She didn't

mean anything. Then make her stop

heckling me now. Madam, you got to stop

heckling my friend. You ought to be

ashamed of yourself.

>> Come on, Harold.

Did you hear anything? No. Neither did

I. Shh. Take it easy, Kelly. We'll get

that $50,000 reward for it. Look, here's

a door. Try it.

My pass key won't open it. All right.

Step aside. I'll break it now.

>> Okay. Stand back and take a run at it.

>> My weight's not big enough for me. You

better try. Hey.

Oh, no. It's too much. No, both of us

will try. Let the both of us try. All

right, let's get it over with. Let's go.

Hey,

>> where are we? Where are we?

>> We're out in the ocean under a

lighthouse. A lot of screw balls.

>> Come on, Kelly. We got work to do.

Well, you find anything?

>> Oh, much excitement, but could learn

nothing.

>> Hey, wait a minute. I got an idea.

>> Unusual. Let's hear it.

>> Oh, no wise packs, m. No wise cracks.

>> Take that diving suit in there, you two.

>> Diving suit. What are you going to do?

>> Take it in and I'll show you.

>> What do you suppose the old dope's up

to? I don't know. Keep your eye on me.

If anything happens, I'll give you the

signal.

>> Wow. Now we're getting somewhere. This

is the air machine. Quick, Kelly, into

that suit.

>> But me into that?

>> Oh, no.

>> Sure. You've got to get down below and

explore to see if there's a way out of

this place.

>> I can't swim. I never swam my life

before.

>> What difference does that make?

>> Difference does it make if I meet one of

those seed with a big climb in, I sad.

See, come along.

>> Yeah. This is too big. It's too big for

me. I'm telling you. They're wearing

that way this season.

>> Well, they are. They are. Well, how am I

going to breathe? I'll tell you as soon

as we get the thing on. Oh, wait a

minute, fellas. Maybe I better test the

air hose before he goes overboard.

>> Yeah, that'd be a good idea. I might

want to breathe a little bit.

>> Test the air.

>> It's okay.

Everything all right?

>> Okay. Okay.

>> One more thing. Listen. If anything

happens to me, see, and a little baby

comes and it's a little boy, I want it

named after me. Harold Kelly Jr.

>> Yes, Kelly. Yes.

Get on the pump.

Okay, Kelly, go ahead. Sit down. Go

ahead.

Stop holding your breath, Kelly. Here,

I'll help you.

GO ON, KELLY. I'LL STOP FLOWING.

Come on. down.

Yeah, there it's slacking off now.

What's that?

>> Sounds that if it came from that wall.

>> Come out of there, whoever you are. I'll

shoot.

>> Anybody got a match? Yes. Here.

Flashlight.

>> Where is everybody? Must have found a

way out. Oh, yeah. KELLY. NOBODY'S

APPOINTMENT FOR KELLY.

What's that?

Somebody cut THE AIR HOSE. SOMEBODY

TRIED TO MOUNT IT. COME ON. Come on.

Let's pull out alive.

Trying

to find a white cloud. Kelly never hurt

his soul. Not even a murderer.

>> It ain't Kelly. It's Hookie. Captain

Hook, where did you come from?

>> A submarine. They shot me OUT OF A

TORPEDO TUBE.

>> BUT KELLY, WHERE'S KELLY? I DON'T KNOW.

I DIDN'T see it.

>> Hey,

hurry up, folks. Get out of that thing.

Hey. Hey, Deep.

Hey, Deep.

Quick, Kelly. Help your feet. All right.

Come on, Kelly. Kelly, go.

Get that headpiece off quick.

>> Where are your pants? Nothing in the

water. Don't want to look at it.

I was down here a bit mid of a mare mate

and her husband came.

>> Oh, what are you talking about, Kelly?

>> What? You fools.

>> That music will be your funeral march

when you hear it again.

>> Quick, Kelly, get out of that frame. We

got work to do. Now, listen, fellas. I'm

in charge here and we got to do

something about this right now.

>> Wait a minute. Now, I'm in charge.

>> What do you mean in charge? Who are you?

>> Frell.

>> A buzzer. A federal dick, huh?

>> That's right. Any question now about my

taking charge?

>> Yeah.

I challenge your right to take charge.

>> You challenge?

>> Who are you?

Even intelligence department.

>> Another cop, huh?

>> That's right. I have been working on

this case for 9 years.

>> Any clues?

What's that? Trap door. Somebody's open.

>> Are you fellas going to stay down there

forever? Would you like some coffee?

>> Oh, it's that wise Kraken Dame. How did

you get up there? Wait till I look

things over.

>> How about it, Mr. Morgan? Still off a

ball games or do you want to play now?

I'll

>> play. Did you get it?

>> Not yet, but it won't be long.

>> Coming up, boys.

>> Come on, man. It looks all right to me.

>> Wait a minute, Kelly.

>> H

>> Maybe it's a trap.

>> What about the guy's going to drown us?

>> That's why I suspected it's a trap. Now

you stay here while I go up and

investigate. I got to find out what's

going on down here.

>> What's matter of you staying down here

and me going upstairs investigate?

>> Listen, Kelly, you're a good cop, ain't

you?

>> Okay, then a good cop always does his

duty. Here's a couple of candles in case

you have to stay down here longer than I

fear.

>> Oh, [ __ ] What about my nervous

condition? What about my baby?

>> Oh, stop beefing and stay here. Now, if

anything goes wrong, fire your pistol.

But don't shoot unless it's important.

Who would I shoot at? Anybody? I'll

carry

Hey, hey,

I'm safe.

Let's

do it.

Boy, Boy,

Woohoo!

Woohoo! Hot! Hot!

Woohoo!

Now, what do you say? We're all cops

together. We'll make a deal and we'll

split the dole three ways.

>> Hold it, boys. What about little Polly?

Read that. I represent the peace lead.

We want that David Al Haramman death

ray.

>> Oh. Oh, you know about that formula, do

you?

>> YES.

>> YOU'RE DOUBLE CROSSING.

>> TAKE IT EASY, MR. GREEN.

>> GREEN?

>> SO, you're Martin Green and you betrayed

my stepfather. Mr. Green, I'm going to

kill you.

>> Professor, you can't. You'll spoil

everything.

>> Done. Don't you dare CALL ME DARLING. I

HATE YOU.

>> COME, DEAR. You're all upset. Better lie

down for a while in the bedroom.

>> So, you're a green of the International

Police, eh?

>> That's right. And I probably have more

clues in this case than any of it. What

do you say? Work together.

>> Well, I guess it'll have to be all right

with me.

>> Let it settle. We work together and

divide the reward evenly.

>> Okay, good.

And here's my friend.

>> I wish Dempsey would hurry up and come

back. I've been here for two years. I'll

have rumatism and everything in the damn

s.

>> Don't be alarmed, Mr. Kelly. It's only

me. A harmless old woman.

>> Oh, yeah. That's familiar. I thought I

thought you were the octopus. I thought

you were the octopus.

>> You're a very smart man, Mr. Kelly.

>> You could help me if you would. I'm in

trouble. I'm in fear of my life.

>> There's nothing to be worried about as

long as Kelly's on the job.

>> That's what you think.

>> Terrible neighbors around here.

>> Oh, in this horrible place, somebody

always sees you or hears you. That's

what terrifies me. Please help me, Mr.

Kelly. You must help me.

>> Oh, those pocket books again. Those

pocket books. What? Don't throw those

away. Those are good pocket books,

madam. Say you can put your money in

there if you got any money to put in

there.

>> Will help me.

>> Huh?

What are you looking for?

>> I found it.

>> Found it at

>> last. What is it? What is it? What' you

find? Papers.

>> What tape? What tape? What table?

>> The deed to my little farm.

>> Your little farm.

>> Oh, Mr. Kelly, I'm so grateful.

>> Oh, that's all right. That's all right,

M. Just a little matter of deduction.

Little detective work. That's all.

>> Here. Here. Keep it safe for me. You're

the only person I trust around this

awful place.

>> Yeah. Thank you.

>> Come. Let's go upstairs.

>> No. No. No. I can't. I can't. I promised

Dempsey I'd stay here. I got to stay

here. You know, I'm the detective. I'm

so dense. You know,

>> Mr. Kenny, look. It's a sub the octopus

here.

>> I can't find anything. I got to go

upstairs. I guess I got to go upstairs

ANY

octopus is down here in the submarine.

The octopus music. He said he'd play our

funeral march.

AND THE LIGHTS, THE LIGHTS are flashing.

It's the signal.

>> Good evening.

>> Good evening.

>> I'm looking for officers Dempsey and

Kelly.

>> Oh, somebody to see you, Kelly.

>> Oh, no. You're the voice. You talk to

him.

>> Who are you?

>> I'm police commissioner Clansancy.

>> Oh, the commissioner. It's the

commissioner.

>> How do we know you're police

commissioner Clansancy?

>> Well, I haven't got my credentials with

me. I was just sworn in.

>> Oh, no credentials, eh? Stick them up,

Mr. Octopus. Stick them up.

>> You'll regret this, Kelly.

>> Yeah, you'll regret it, too, if you

don't stick them up.

>> I'll have you pounding a beat so far out

in the sticks, you have to get a carry a

pigeon to talk to your wife.

>> Dempsey, I'll give you a chance.

>> Oh, you will. You will. Huh?

>> There's a priest boat anchored off the

rock. Report to Lieutenant Phil.

>> Oh, yes, ma'am.

>> Wait a minute. Dempsey, don't leave.

>> Father.

>> Vetor.

>> My goodness, you're saying.

>> So, he ain't Commissioner Clancy after

all. He's a phony. I told you he was a

phony all along. Vtor, is this your

stepfather? Yes, it is. Paul David Dao

Haramman.

>> Haramman. Yes, I'm Haramman.

>> Then tell me this. Is the dep formula

safe?

>> I don't know.

>> Is it safe, dear?

>> Yes, it is. I have the plans.

>> You have them? You're sure?

>> Yes, Paul. I'm sure.

>> No, she isn't sure. I'll tell you why

she is.

The first to move will die like that

fool Captain Hook who thought he

couldn't match wits with me.

>> You're the octopus.

>> You're right, Mr. Morgan.

I have a pair of arms for each of you.

Arms that will strangle.

Get over by that wall.

I've always hated you, you fool. I'd

have killed you long ago if I hadn't

wanted your invention. And now that I

have it, I'll control the world. And now

you can die. I see you.

>> Is there anyone else dares to question

my power?

>> Not me. Not me. Oh,

>> you're a wise man, Mr. Kelly.

>> Oh, so am I.

>> Watch

on that switchboard, my fools. are

hundreds of sweeties. One of them will

open the doors of this place and give

you freedom. Another, if you pull it,

we'll blow this lighthouse into bits.

The plans, Kelly.

>> I got no plans except to get in the

hospital. My wife's going to have a

baby.

>> That's right.

>> The wallet you Oh, give a torch. the

wallet.

Come my dears and help me rule the

world.

I got to go. I got Let's GO. LET'S GO.

COME ON, GIRLS. Come on.

Come on, GIRLS. HURRY UP. CHARLIE, GET

AWAY FROM ME. YOU'LL BLOW US UP.

>> YEAH, BUT ONE OF THESE LETTERS OUT, TOO.

>> OH, YEAH.

>> YEAH. Which one I try?

>> Stop.

I can't breathe. I can't breathe. Oh,

the octopus. Octopus has got me

>> now. Telly, take it easy. Nothing's got

you.

>> You You're the octopus. You're the

octopus.

>> You silly boy. I'm your mother-in-law.

It's those pills again.

>> Oh, you're the octopus. You admitted it.

You killed him and him and him.

>> Oh, Kelly, what are you talking about?

>> It's just a shock. She's right. He's

been taking too many of those pills.

>> Shock is right. I'm going to get out of

this lighthouse right now. Lighthouse?

This is no lighthouse.

>> No. Where am I? Where am I?

>> It's a hospital.

>> Yeah.

>> You're fainted.

>> You're a father.

>> What?

>> Dempsey. I'm a father.

>> Your twins are here. I suppose you want

TO SEE THEM.

>> TWINS. WOOHOO. WOOHOO. TWINS. WHERE are

my children? Where are my children?

Oh, your babies certainly are cute. And

now your wife would like to see you, Mr.

Dempsey.

>> Mr. Dempsey. I'm not Dempsey. I'm not

Dempsey. There's De. This is Dempsey.

All we need is

>> Oh, so you're the proud father.

>> Me? My wife? TWINS?

>> YES.

>> OH, THE PUNK. The pump. The punk. The

pump.