Original subtitles

♪♪♪♪

OOH‐OOH.

THAT SMELLS SO GOOD.

THAT'S THAT SMELL OF PEACE AND QUIET.

OOH. [ KNOCK ON DOOR ]

Philip: MISS HATTIE!

LORD, IS THAT YOU?

MISS HATTIE! [ KNOCK ON DOOR ]

DON'T TAKE ME. I'M SO YOUNG.

[ KNOCK ON DOOR ] MISS HATTIE!

YES?

OPEN THE DOOR!

I AIN'T GONNA BE ABLE TO DO THAT.

THAT'S THAT GRIM REAPER!

MISS HATTIE, IT'S ME, PHILIP.

PHILIP?!

IT'S PHILIP, DAMN IT!

WHAT THE HELL YOU WANT?!

MISS HATTIE, IT'S ME AND LINDA.

I THOUGHT Y'ALL WAS AT THE HOSPITAL.

WE WERE, BUT WE'RE BACK NOW.

OKAY.

OKAY WHAT?

OKAY, GREAT.

MISS HATTIE, OPEN THE DOOR!

I AIN'T GONNA BE ABLE TO DO THAT, PHILIP.

WHY NOT?

'CAUSE Y'ALL GOT A HOUSE.

MISS HATTIE, LINDA WANTED ME TO BRING HER OVER HERE.

WHY?!

I DON'T LIKE HER.

NOW, MISS HATTIE, THAT IS YOUR DAUGHTER.

THE HELL IT AIN'T, NEITHER.

YES, IT IS!

WELL, WHERE SHE AT? WHY COME I DON'T HEAR HER?

SHE'S IN THE CAR, MISS HATTIE.

THAT'S A GOOD PLACE FOR HER. GO AND DROP HER OFF...

AT YOUR HOUSE.

MISS HATTIE, IF YOU DON'T OPEN UP THIS DOOR ‐‐

WHAT YOU GONNA DO, PHILIP?

WHAT YOU GONNA DO? NOT A DAMN THING.

JUST SIT OUT THERE AND TALK ALL THIS SH‐‐ MM!

OOH! MY MOTHER‐IN‐LAW. MNH.

[ KNOCKING ] MISS HATTIE!

WHAT THE HELL DO YOU WANT?

WELL, HELL. HOLD ON.

I SAID, WHAT DO YOU WANT?

CAN I COME IN?

NOW YOU MAY ENTER.

OOH. OOH.

DON'T WALK UP IN HERE FLIRTING LIKE YOU PAY THE RENT.

OOH.

IS YOU GONNA CHIP IN ON THIS HERE?

IF YOU AIN'T GONNA CHIP IN,

DON'T COME WALKING UP THROUGH HERE

LIKE YOU GONNA GIVE IN AND PAY FOR SOMETHING.

WHAT IS IT THAT YOU WANT?

LINDA WANTS TO STAY HERE.

[ SIGHS ] I'M MOVING IN.

[ SIGHS ]

♪♪♪♪

♪♪♪♪

OH, HELL, NO!

MAMA, WE WENT TO THE DOCTOR,

AND HE SAID I NEED TO BE ON BED REST AGAIN

UNTIL MY NEXT APPOINTMENT,

SO I'M GOING TO MOVE IN AND REST HERE.

PHILIP.

YES?

DON'T Y'ALL GOT A BED OVER THERE?

YES, MA'AM.

AND YOU GOT A HOUSE OVER THERE?

MISS HATTIE, YOU KNOW I GOT A HOUSE.

W‐W‐WHY CAN'T SHE REST OVER THERE?

BECAUSE I WANT TO BE HERE WITH YOU, MAMA.

LINDA.

WHAT?

WHY THE HELL ARE YOU HERE?

BECAUSE I WANTED TO BE WITH YOU, MAMA.

HEY, I DON'T KNOW THE BEST WAY TO PUT THIS TO YOU.

LIKE YOU ALWAYS DO, MAMA.

JUST SAY IT.

OKAY, GREAT.

I DON'T WANT YOUR MONKEY ASS IN MY HOUSE.

BUT MAMA, I'M YOUR CHILD, AND I NEED YOU.

NO, WHAT MY CHILD NEEDS TO DO IS GO THE HELL HOME.

MAMA!

I MEAN IT, LINDA.

STOP IT.

BABY, I‐I TOLD YOU I COULD HELP YOU.

NO, I NEED MY MAMA.

LINDA.

PHILIP, YOU DON'T UNDERSTAND.

THAT'S HOW IT'S ALWAYS BEEN.

WHENEVER I'M SICK, MY MAMA TAKES CARE OF ME.

LINDA!

LET'S TALK ABOUT THIS HERE.

YOU'RE NOT REALLY SICK NOW.

I MEAN, KIND OF.

WHAT DO YOU CALL THIS?

YOU'RE JUST PREGNANT AS HELL.

MAMA, I'M SICK, AND THE DOCTOR SAID

THAT I NEED TO BE ON BED REST UNTIL MY NEXT APPOINTMENT

SO THAT I CAN GET SOME REST AND BE STRESS‐FREE,

SO I'M GONNA STAY HERE AND REST SO I CAN BE...STRESS‐FREE.

FIRST OF ALL, WATCH YOUR TONE.

DON'T HOLLER AT ME 'CAUSE I'M REAL SENSITIVE RIGHT NOW.

SECOND OF ALL, SINCE YOUR DOCTOR MADE THAT STATEMENT,

YOU NEED TO GO AND MOVE IN WITH HIM OVER THERE

SO YOU CAN ALREADY BE THERE WHERE YOU GET STRESSED OUT,

AND HE'LL KNOW VERY WELL WHAT TO DO FOR YOU

WHEN YOU'RE STRESSED.

BUT RIGHT NOW,

IN THE MEANTIME AND IN BETWEEN TIME,

PHILIP, YOU BETTER TAKE YOUR WIFE ON TO THE HOUSE.

[ CHUCKLES ] THAT'S PRETTY GOOD.

THAT'S PRETTY GOOD.

[ CHUCKLES ]

BABY, GO GET MY STUFF AND BRING IT TO MY ROOM, PLEASE.

UH‐HUH. UNH‐UNH, PHILIP!

PHILIP.

NOW, HERE YOU WON'T.

MAMA!

WHAT?! I'M SERIOUS.

LOOK AT ME.

I AM LOOKING AT YOU.

I AM YOUR ONLY CHILD, AND I'M PREGNANT.

YOU GONNA PUT ME OUT?

TURN ME AWAY?

YOU'RE NOT MY ONLY CHILD.

I'M NOT?

OOPS.

I TOLD YOU ABOUT TALKING OUT OF TURN.

YES, I AM. BABY, GO GET MY STUFF, PLEASE.

ALL RIGHT.

UNH‐UNH‐UNH, PHILIP!

UNH‐UNH! UNH‐UNH! ‐WHAT THE HELL? MISS HATTIE.

MISS HATTIE. ‐UNH‐UNH!

NOW, UNH‐UNH! UNH‐UNH!

OH! DAMN.

STEPPED ON MY DAMN FOOT.

WELL, PUT IT IN YOUR POCKET.

LINDA. WHAT?

I MEAN IT. YOU NEED TO GO ON HOME NOW.

UGH.

LINDA.

DON'T DO THIS TO ME.

LINDA, DON'T MAKE ME CUT YOU.

YOU JUST GONNA WAKE UP, AND YOU'RE GONNA BE CUT ALL UP,

AND I AIN'T GONNA BE ABLE EXPLAIN THAT TO NOBODY.

M‐MAMA ‐‐

MAMA, STOP IT.

YOU KNOW WHAT, BABY?

I'M JUST GONNA GO HOME, GET MY BAGS,

AND THEN I'M GONNA BRING ALL OUR BAGS IN TOGETHER.

NO, NO, NO, NO, NO, NO, NO.

NO?

I‐I DON'T WANT YOU HERE.

AND I DON'T WANT NEITHER ONE OF Y'ALL HERE.

SAY WHAT? WHY NOT?

I WANT TO BE HERE, BUT I DON'T WANT YOU HERE.

WHY NOT? BABY ‐‐

BABY, YOU HAVE TO WORK,

AND YOU COME IN SO LATE.

AND I NEED TO BE TAKEN CARE OF.

BY WHO? BY HER?

YEAH, MY MAMA. SHE'LL TAKE CARE OF ME.

NO, HER WON'T.

YES, YOU WILL, MAMA.

[ Voice breaking ] LINDA, PLEASE DON'T MAKE ME GO TO JAIL.

I DON'T WANT TO GO TO JAIL.

PLEASE, PLEASE, PLEASE.

MAMA, STOP IT.

UH ‐‐

I'LL SEE YOU LATER, BABY.

ARE YOU SURE? YEAH.

BUT ‐‐ NO BUTS.

JUST GO.

ALL RIGHT. I LOVE YOU.

LOVE YOU MORE.

ALL RIGHT, BYE, MISS HATTIE.

MISS HATTIE!

[ Normal voice ] SO, YOU JUST GONNA LEAVE LIKE THAT?

MISS HATTIE, YOU THE ONE THAT TOLD ME TO JUST AGREE.

NOT IN THIS CASE.

SHE IS IN DANGER, AND SO ARE YOU.

MISS HATTIE, WE AIN'T IN NO DANGER.

DO YOU SEE THIS FACE, PHILIP?

THIS IS THE FACE OF DANGER.

WELL, MISS HATTIE, UM,

THIS IS THE FACE... OF GONE.

LINDA.

YES, MAMA?

WHAT'S GOING ON HERE?

NOTHING. IT'S JUST ME AND YOU.

AND WHAT'S YOUR PLAN?

H‐HOW LONG YOU PLANNING ON BEING HERE?

OH [SCOFFS] MAMA, JUST A FEW...WEEKS.

WHAT'D YOU SAY?

OR UNTIL THE BABY'S 6 MONTHS OLD.

UNH‐UNH!

UNH‐UNH, LINDA.

I'LL BE BACK.

I NEED TO GO TALK TO GOD ABOUT THIS.

I'M GONNA GO STABBING ME SOMEBODY.

SOMEBODY GONNA BE CUT RIGHT HERE.

♪♪♪♪

♪♪♪♪

ALL RIGHT, THAT'S $5.

THAT'S ALL I GOT.

I OWE YOU MORE THAN THIS, FLOYD. TAKE THE WHOLE THING.

LOOK AT YOU, PAYING ON TIME.

WELL, THAT'S...DIFFERENT.

YES, IT IS.

MM! I SUPPOSE YOU'RE TIRED

OF GIVING IT UP TO THE OLD CREEPER, EH?

EH.

THAT WOULD BE YOUR GRANDMA.

DON'T TALK ABOUT MY GRANDMAMA!

WHAT ARE THEY TALKING ABOUT?

I'LL TELL YOU LATER, BABY.

NO, DON'T.

WHAT HE DOES TO EAT HERE IS DISGUSTING.

ACTUALLY, DREW, WHAT YOU DO

AFTER YOU EAT HERE IS DISGUST‐‐

MNH‐MNH. MNH‐MNH.

ALL RIGHT. COME ON, BABE, LET'S GO.

YEAH, WE NEED TO GET BACK TO WORK.

MM‐HMM.

I'M GONNA SEE YOU LATER, RIGHT?

OH, YES, YOU ARE. [ SMOOCHES ]

SEE YOU OUTSIDE THIS DINER!

[ LAUGHS ] SO CUTE.

"I'LL SEE YOU AFTER WORK." FOREHEAD.

[ Laughing ] OH, NICE.

THEY MAKE ME SICK.

ME, TOO.

YOU TWO REALLY DON'T LIKE TRUE LOVE, DO YOU?

HEY, FLOYD, HOW'S YOUR WIFE AND KIDS?

OH, WAIT. YOU DON'T HAVE ANY.

REALLY? REALLY?

SO, WHAT YOU KNOW ABOUT REAL LOVE?

I‐I KNOW ABOUT LOVE.

NOW, GET YOUR ASS UP OUTTA HERE!

[ LAUGHS ]

BUT, FLOYD, YOU REALLY DON'T, THOUGH.

YEAH.

JUST WANTED TO REITERATE THAT.

BUT WE GONNA KEEP PRAYING FOR YOU.

‐MM‐HMM. ‐HE WILL PROVIDE.

‐YES, HE WILL. ‐YES, HE WILL.

INCLUDING WEIGHT.

COME ON. LET'S GO.

HE WILL PROVIDE AN APPETITE FOR YOU ONE DAY.

I'LL SEE YOU AT REAL LOVE AT 6:00?

‐ALL RIGHT, SIR. ALL RIGHT. ‐ALL RIGHT.

FLOYD!

YES, SATAN?

FLOYD, WHY IS YOUR CAR

PARKED ACROSS THE WHITE LINE?

WHAT?

THE WHITE LINE, FLOYD.

WHAT ARE YOU TALKING ABOUT?

I COULDN'T GET IN MY CAR IN THIS MORNING.

[ SCOFFS ] I AM NOT PARKED ACROSS THE WHITE LINE.

MOVE YOUR DAMN CAR.

YOU DONE WOKE UP ON THE WRONG SIDE

OF THE BROOMSTICK THIS MORNING.

FLOYD, I'M GONNA WAKE UP ON THE WRONG SIDE OF YOUR ASS

IF YOU KEEP TALKING AT ME!

WHAT IS WRONG WITH YOU?

YOU KNOW WHAT?

YOU AIN'T GOT TO MOVE IT

'CAUSE I ALREADY KEYED ON THE SIDE.

"BASTARD, DON'T DO IT A‐DAMN‐GAIN."

YOU GOT ME?

HATTIE.

DON'T TRY ME, FLOYD!

DON'T EVER DO IT AGAIN! YOU GOT ME?!

MOVE YOUR DAMN CAR.

I HEARD YOU.

DON'T PUSH ME TODAY.

I FEEL DEATH ALL AROUND ME, FLOYD.

GET YOUR ASS IN THERE. [ SHOUTING ]

[ CLANGING, CRASHING ]

HATTIE!

SO SORRY. THIS IS NOT NORMAL.

GEEZ!

GOTTA FIND ME A NEW JOB.

‐HEY, FAMILY. ‐WHOA!

HEY. HEY, BRO.

THE HELL'S WRONG WITH YOU? HEY.

YOUR TIMING IS OFF. WHOO.

YEAH, MAN. HOW YOU DOING?

OH, I'M GREAT.

GOOD. SO AM I.

YEAH, YEAH, YES. YOU LOOK REAL RESTED.

YEAH? YEAH.

[ LAUGHS ] THAT'S BECAUSE I AM.

[ LAUGHS ]

WELL, HOW IS THAT?

[ LAUGHS MOCKINGLY ]

I'M SORRY? HOW IS THAT?

OH, WELL, YOU KNOW. [ LAUGHS ]

I MEAN, WITH LINDA BEING PREGNANT AT ALL.

OH, LINDA AIN'T AT THE HOUSE NO MORE.

SHE NOT? NO.

SHE AT HER MAMA HOUSE. WHAT?

DOCTORS PUT HER ON BED REST,

SO SHE AT HER MAMA'S HOUSE.

THAT'S WHAT WRONG WITH BEELZEBUB.

WHO ‐‐ WHO'S BEELZEBUB?

[ CLANGING, CRASHING ] [ HATTIE SHOUTING ]

WHAT?!

[ SHOUTING ]

[ CLANGING, CRASHING ]

I WILL BEAT YOU!

DO I LOOK LIKE I PAY YOU TO DO THIS?!

[ CLANGING, CRASHING CONTINUES ]

WHOA! OH!

GONNA WHUP ME SOME ASS 'ROUND HERE.

COME ON. CALM DOWN, CHUCKY.

OH. HEY, HEY, HEY!

HEY!

COME ON, MAN. HEY, MISS HATTIE.

FLIP.

UM, IT'S PHILIP.

NOT TODAY. NOT TODAY.

FLIP, YOU LOOK MIGHTY RESTED.

YOU LOOK SO ‐‐ SO FRESH AND REVIVED.

[ FAKE YAWNS ]

I'M SO GLAD YOU GOT SOME SLEEP.

YOU GOT RESTED? UH ‐‐

I'M GLAD SOMEBODY DID

'CAUSE I DIDN'T GET A WINK OF SLEEP.

REALLY? WH‐‐

YOU ASK ME WHY.

BECAUSE YOUR WIFE IS AT MY DAMN HOUSE.

THAT IS WHY.

FLIP.

‐YES, MA'AM. ‐COME GET YOUR WIFE.

SHE IN DANGER.

WHAT?

COME GET YOUR DAMN WIFE.

I WAS UP WITH YOUR DAMN WIFE ALL NIGHT.

WHAT?

YOU KNOW, SHE SO DAMN NEEDY.

SHE NEEDS EVERY DAMN THING.

I AIN'T NEVER SEEN NOBODY NEED EVERY DAMN THING.

ME, NEITHER.

FLIP. HMM?

COME GET HER.

'CAUSE SHE IN DANGER.

YOU GOT ME? YEAH.

IF SHE AIN'T GONE BY THE TIME I GET HOME,

I'M JUST GOING UP THROUGH THERE ‐‐

I'M GOING UP THROUGH THERE BLASTING.

JUST AGREE.

[ SHOUTING ]

OH, GEEZ.

[ CLANGING, CRASHING ]

[ SHOUTING CONTINUES ]

UM, IS SHE SERIOUS?

I BELIEVE SHE IS SERIOUS.

UM...

I SUGGEST TO YOU

THAT YOU GET YOUR WIFE OUT OF THAT HOUSE REAL SOON.

YOU REALLY THINK SHE IN DANGER?

YEAH, AND I BELIEVE YOU BETTER TRY HARDER

TO MAKE SURE YOU GET HER UP OUT OF THERE

BEFORE THE END OF THE DAY.

OKAY, I'M GONNA DO THAT. I'M GONNA TRY HARDER.

ALL RIGHT.

DAMN.

‐FLOYD. ‐OOH!

HEY, GO AHEAD ON, PHILIP. GO AHEAD ON.

‐ALL RIGHT. ‐LOOK, JUST GET HER

OUT THE HOUSE, ALL RIGHT?

OKAY.

DIDN'T I TELL YOU TO MOVE YOUR DAMN CAR?

I AIN'T HAD TIME. I'M GONNA MOVE THE CAR, HATTIE.

UNH‐UNH, UNH‐UNH, YOU AIN'T GOT TO MOVE IT.

YOU AIN'T GOT TO MOVE IT.

WHAT YOU TALKING ABOUT? I CAN DO IT FOR YOU.

ALL RIGHT. THE KEY'S BACK UP THERE.

I GOT THIS, HERE.

OKAY, THE KEY'S RIGHT THERE IN THE BACK.

BELIEVE THAT, FLOYD! I GOT THIS HERE!

OH, WELL, THANK YOU. THANK YOU SO MUCH.

♪♪♪♪

[ KNOCK ON DOOR ]

HEY, BABY.

HEY.

HOW ARE YOU?

I'M GOOD.

GOOD.

I THOUGHT YOU WERE GOING TO WORK.

I WAS, BUT I NEEDED TO COME BY HERE

AND TALK TO YOU.

ABOUT WHAT?

WELL, UM, BABY, I MISS YOU.

HUH?

I'M NOT GONNA MAKE IT IN THAT HOUSE BY MYSELF.

WHAT?

BABY.

BABY, I'M ‐‐ I'M NOT SLEEPING.

I'M TIRED.

WELL, YOU LOOK WELL‐RESTED.

YOU ‐‐ YOU LOOK GOOD.

[ CLEARS THROAT ]

REAL GOOD.

[ LAUGHS ]

[ CLEARS THROAT ]

WELL, BABY,

THAT'S 'CAUSE I'M SITTING OUT HERE TALKING TO YOU.

BABY.

BABY...

COME HOME.

BUT I'M SO COMFORTABLE HERE.

WITH YOUR MAMA?

YEAH.

BABY. BABY, I NEED ‐‐

I WANT YOU TO COME HOME, BABY.

I'M REALLY NOT SLEEPING.

I'M NOT GONNA MAKE IT BY MYSELF WITHOUT YOU.

PLEASE, PLEASE, PLEASE.

PLEASE! PLEASE!

♪♪ OH, PLEASE ♪♪

WELL, IF YOU PUT IT LIKE THAT.

YEAH?

BABY, YOU KNOW, I LOVE YOU.

I DO. I LOVE YOU.

I LOVE YOU, TOO.

AND I'LL TAKE CARE OF YOU.

YOU WILL?

BETTER THAN YOUR MAMA WILL.

YOU WILL?

♪♪♪♪

COME ON, BABY.

OKAY. OKAY, GREAT. YOU GOING HOME?

YEAH. ALL RIGHT, COME ON, LET'S GO.

WHOA, WHOA, WHOA.

WHY YOU RUSHING ME? I GOTTA GET MY BAGS.

DAMN THEM BAGS.

WE GOT TO GO!

WE GOT TO GO, COME ON NOW, CHILD.

WE GOT TO GO. GOT PEOPLE TO GO, GOT PLACES TO SEE.

GOT TO GO, BABY. GOT TO GO NOW.

COME ON. OKAY? WAIT A MINUTE, WAIT A MINUTE, WAIT A MINUTE.

‐NOW, WE GOT TO LOCK THE ‐‐ ‐DAMN. WAIT A MINUTE.

OH, HELL. COME ON. WHAT IS WRONG ‐‐

WE GOT TO GO OUT THE BACK DOOR.

WATCH YOUR STEP, WATCH YOUR STEP.

CLOSE THE FRONT DOOR.

ALL RIGHT, COME ON, LET'S GO.

LET'S GO, COME ON, COME ON, COME ON. [ CLAPPING ]

LOCK THE ‐‐

DON'T CLAP AT ME.

COME ON, BABY. OOH, OOH, OOH.

BABY.

FLIP!

LINDA!

BETTER BE GLAD YOU GONE.

I WAS GONNA TEAR THE CLUB UP THEN.

[ SNIFFS ]

OOH.

IT SMELLS LIKE PEACE AND QUIET.