Original subtitles

Hattie: AHH!

AW, NO, HELL NO.

WHAT? I DID NOTHING, DAMN IT.

[ KNOCK ON DOOR ]

Floyd: HATTIE!

FLOYD?

WHO THE HELL ELSE IS IT?

FLOYD.

OPEN THE DOOR, HATTIE.

FLOYD.

FLOYD. ‐COME OVER HERE TO ‐‐

OH, GET THE HELL OFF OF ME.

I LOVE YOU SO MUCH FLOYD.

‐OH, NO. ‐WHAT?

THIS MUST BE BAD.

WELL, WHY YOU SAY THAT, FLOYD?

IT MUST BE REALLY BAD.

SHUT THE HELL UP, FLOYD.

OH, WHAT THE HELL YOU GOT ON, MAN?

THIS HERE'S MY NIGHTGOWN.

YOU LOOK LIKE COTTON CANDY.

MELT IN YOUR MOUTH.

AWW, OHHH.

NO, MA'AM.

YOU LOOK LIKE 50 SHADES OF UGLY.

FLOYD!

HATTIE, DON'T EVEN SAY IT. DON'T EVEN SAY IT.

SAY WHAT?

YOU CALLED ME OVER HERE THIS TIME OF THE NIGHT,

THIS LATE. WHAT IS IT?

I GOT A PROBLEM, FLOYD.

HELL, EVERYBODY KNOW THAT.

AND I NEED YOUR HELP, FLOYD.

I DON'T LIKE THE SOUND OF THAT.

THANK YOU FOR COMING, FLOYD.

HATTIE, WHAT IS IT?

I NEED YOU, FLOYD.

IT'S BAD, REAL BAD.

YOU KNOW WHAT? MNH‐MNH.

I'M NOT GONNA GIVE YOU MY BODY, HATTIE.

I'M SORRY.

AND I DRAW THE LINE RIGHT THERE.

MNH‐MNH.

FLOYD, I WOULDN'T TOUCH YOU WITH A 10‐FOOT POLE

IF SOMEBODY PAID ME.

WELL, YOU'RE DRESSED LIKE THIS, THIS TIME OF THE NIGHT

AND THEN YOU AIN'T TRYING TO SEDUCE ME?

HELL NO, BOY!

ARE YOU SURE?

YEAH, I'M SURE.

AND IF I'D HAVE WANTED YOU,

I WOULD HAVE HAD YOU AT HELLO.

YEAH, BUT YOUR BREATH WOULD'VE ME AT HELL NO!

FLOYD!

I NEED YOU, FLOYD.

FOR WHAT, HATTIE?

FLOYD, GO UPSTAIRS.

I'M GETTING THE HELL UP OUT OF HERE.

UNH‐UNH, UNH‐UNH, UNH‐UNH!

MOVE, HATTIE. COME ON NOW.

FLOYD, GO UPSTAIRS AND SEE.

I'M NOT GOING TO YOUR ROOM, HATTIE.

BUT YOU HAVE TO, FLOYD.

‐NO, MA'AM. ‐PLEASE, FLOYD.

NO, HATTIE.

PLEASE, PLEASE, FLOYD.

YOU KNOW, YOU DOWN LIKE THAT REMINDS ME

OF THIS SEXY YOUNG THING I WAS WITH ONE TIME.

‐FLOYD! ‐OOH.

DON'T NEVER REMEMBER ME ON MY KNEES, FLOYD.

FLOYD, FLOYD!

‐WHAT? ‐GO UPSTAIRS.

I SAID NO.

FLOYD, BUT THIS IS BAD ‐‐ REAL BAD.

OH...

OH...

OH, NO.

NO, NO, NO.

WHAT?

WHERE'S THE BODY?

GO UPSTAIRS, FLOYD.

♪♪♪♪

WHAT?

IT'S UPSTAIRS.

MNH‐MNH. I'M NOT GOING UP TO YOUR ROOM.

I'M SERIOUS. ‐BUT YOU HAVE TO, FLOYD.

THERE'S TWO THINGS I'M NOT GONNA DO,

ALL RIGHT? I'M NOT GOING UPSTAIRS.

AND I'M NOT GONNA HELP YOU HIDE A BODY.

‐THAT'S TWO? ‐THAT'S TWO, RIGHT.

WHAT MAKES YOU THINK IT'S ABOUT HIDING A BODY?

YOU CALL ME OVER HERE THIS TIME OF NIGHT,

OH, IT'S ABOUT A BODY.

WE'VE DONE THIS BEFORE.

NO, IT'S NOT.

HATTIE, WHO DID YOU KILL?

NOBODY.

HATTIE.

I DIDN'T. I DIDN'T KILL ANYBODY.

HATTIE.

I DIDN'T DO IT ON PURPOSE, FLOYD.

WHAT?

HE BECAME WEAK AS HELL.

WHAT?

YEAH, SO, FLOYD.

WELL, WHO IS IT?

VERNON.

VERNON?

YEAH. HE DEAD.

HATTIE.

YEAH.

YOU'RE GETTING TOO OLD FOR THAT.

YEAH, HE WAS TOO.

WELL, HOW DID HE DIE?

ON TOP OF ME.

[ GAGS ]

I KNOW, FLOYD, I KNOW.

I KNOW, FLOYD.

HATTIE!

FLOYD!

YOU KNOW I'M STILL JUBILANT AND VIBRANT.

[ SPUTTERS ]

JUBILANT AND VIBRANT?

THAT'S WHAT I SAID, JUBILANT AND VIBRANT.

HATTIE!

NOW, YOU KNOW, I'M INTO THE DOMINATRIX AND EVERYTHING.

YOU ‐‐ YOU KNOW WHAT? JUST STOP IT.

DON'T SAY THAT EVER AGAIN. JUST STOP IT.

YEAH, BUT HE LIKED THE WHIPS.

‐HATTIE. ‐AND THE CHAINS.

‐JUST STOP. ‐AND THE CORN BREAD.

YOU GO EAT YOUR CORN BREAD.

NOT THE CORN BREAD.

YEAH, HE LIKES THAT FROM THE RESTAURANT.

BUT HE COULDN'T REMEMBER THE SAFE WORD.

WHAT THE HELL WAS THE SAFE WORD?

BITCH, YOU'RE CHOKING ME.

CORN BREAD? THAT'S KINKY AS HELL.

SAFE WORD?

YEAH.

‐HATTIE. ‐HUH?

VERNON IS MARRIED.

I KNOW.

AND I TOLD THE LORD, IF HE HIT ME,

I WOULD NOT BE A BAD WHORE.

I WOULD NOT BE A BAD WHORE.

I WOULD NOT BE A BAD WHORE ANYMORE.

I WOULD BE A GOOD WHORE.

THAT PRAYER DIDN'T GET NO HIGHER THAN THE CEILING.

OHH.

THAT'S WHY I'M NOT GONNA HELP YOU.

BUT YOU HAVE TO.

MNH‐MNH, NO, I'M CALLING THE POLICE.

‐UNH‐UNH! ‐MM‐HMM.

UNH‐UNH, FLOYD. DON'T CALL THE POLICE.

IF YOU ‐‐ IF YOU CALL THE POLICE,

THEY'RE GONNA TAKE ME TO JAIL.

[ LAUGHS ]

I KNOW.

WHY THE HELL YOU LAUGHING, FLOYD?

I MEAN, JUST THE THOUGHT OF SEEING YOU BEHIND BARS

JUST MAKES ME LAUGH.

FLOYD, I'M IN A BAD PREDICAMENT.

‐OKAY. ‐THIS HERE A BAD SITUATION.

OKAY, ALL RIGHT, ALL RIGHT.

OKAY.

GO UPSTAIRS.

STILL, WHY DO I HAVE TO GO UPSTAIRS AND SEE HIM?

'CAUSE HE'S DEAD.

ARE YOU SURE HE'S DEAD?

I KNOW A DEAD MAN WHEN I SEE ONE.

WELL, DID YOU CHECK HIM OR SOMETHING?

I DID. I CHECKED HIM FOR A PULSE.

CAN YOU STOP BEING A FREAK FOR A MINUTE?

WHAT? I'M NOT BEING A FREAK.

I WAS JUST CHECKING FOR A PULSE.

YOU KNOW WHAT, I DON'T EVEN WANT TO HEAR THIS.

I REALLY DON'T. I'M CALLING THE POLICE.

BUT, FLOYD, DON'T CALL THE PO‐PO ON ME, PLEASE.

I DON'T WANT TO HEAR THIS, HATTIE.

FLOYD, GO CHECK FOR THE PULSE.

‐NO WAY. ‐PLEASE, FLOYD.

I'M TELLING YOU I'M CALLING THE POLICE.

FLOYD, DON'T TURN ME IN TO THE PO‐PO.

I WON'T BE ABLE TO DO IT.

I JUST, I AIN'T GONNA BE ABLE TO DO IT.

I'M SORRY. IT'S TOO LATE.

OH, I THOUGHT YOU'RE MY ACE COOM BOOM.

I WAS YOUR ACE COOM BOOM BUT NOT ANYMORE.

THIS IS HORRIBLE. PLEASE, FLOYD.

OKAY. ALL RIGHT. FINE.

‐AT LEAST GO CHECK HIM FOR ME. ‐OKAY, NOW, LOOK.

NOW, IF I GO UP HERE, IS THERE ANYTHING

THAT I DON'T NEED TO SEE BEFORE I GO UP THERE NOW?

I CAN'T MAKE NO PROMISES.

WHAT DO YOU MEAN BY THAT? ‐YOU KNOW WHAT?

NEVER MIND. I SHOULDN'T SEE YOU IN ALL THIS.

HELL NO.

SOMEBODY SOLD YOU THAT.

NO, I MADE IT MYSELF.

A BIGGER CRIME.

‐GO UP THERE. ‐ALL RIGHT, I'M GOING.

QUIT ACTING LIKE A LITTLE OLD BIATCH.

WELL, YOU COME UP HERE THEN.

GO ON NOW, FLOYD. GO ON UPSTAIRS.

COME ON. TAKE ANOTHER STEP. COME ON.

GET GOING. ASSESS THE SITUATION.

ARE YOU SURE HE'S DEAD?

[ SHUDDERS ]

I CAN'T DO IT.

I CAN'T DO IT.

I CAN'T DO IT.

‐FLOYD! ‐WHAT?

GO ON NOW. GO.

COME ON UP HERE. COME ON.

JUST CHECK AND SEE IF THE MAN IS DEAD.

WHAT THE HELL DID YOU JUST SAY?

I KNOW I DID ‐‐ I PUT IT DOWN AND ALL

BUT I DIDN'T MEAN ‐‐ MEAN IT TO THE DEATH.

I DIDN'T MEAN IT LIKE THAT, HOMEY.

OH, FLOYD, GO SEE.

I DON'T WANT TO GO.

HERE I GO.

GOING IN.

AAAH!

HELL NO. I THINK I SAW HIM MOVE.

OOH‐HOO! HATTIE, GO GET HIM.

COME ON, BRO. COME ON.

FLOYD, GET THE HELL OFF ME.

I AIN'T HEARD THAT DOOR SQUEAKING.

EVERY DOOR IN MY HOUSE SQUEAKS.

I NEED TO OIL THEM.

YOU SHOULD'VE OILED HIM UP.

I DID.

BUT HE WAS JUST LIKE THE TIN MAN.

HE HAD NO HEART, NO OIL...

WELL...

HE WAS AN OLD FREAK.

YEAH.

HEY, ARE YOU SURE?

YEAH. I LIKES TO GET IT ON.

BUT I DIDN'T MEAN TO GET IT ON THAT MUCH.

OHH, HOOO, HOOOO.

HATTIE, I HATE YOU.

I LOVE YOU, FLOYD.

‐I'M GOING IN. ‐OKAY. GO HARD.

IS HE ALL RIGHT, FLOYD?

FLOYD!

FLOYD?

YOU'RE GOING TO HELL.

IS HE ALL RIGHT?

WHAT HAPPENED UP THERE?

DUCT TAPE, HATTIE? REALLY?

IT'S ‐‐ IT'S ‐‐ IT'S BETTER THAN CHICKEN WIRE.

NO, HE AIN'T ALL RIGHT. HE'S DEAD.

DAMN!

YOU KNOW WHAT?

SEE WAS HE WAS TAKING THAT LITTLE PILL,

A LITTLE BLUE PILL.

YES, FLOYD, HE WAS.

FLOYD?

FOR REAL?

YEP, HE'S DEAD.

DAMN!

WHAT DID YOU DO TO HIM?

I DIDN'T DO ANYTHING TO HIM.

YOU HAD TO HAVE DONE SOMETHING.

I DIDN'T DO NOTHING BUT PUT THIS BIG BODY OVER HIM.

[ GAGS ]

WELL, THAT'S ENOUGH [GAGS]

TO KILL A MAN.

FLOYD, DON'T SAY THAT.

WHY'D YOU HAVE TO TIE HIM UP?

HE LIKES IT. HE LIKES IT.

BUT THE CAR BATTERY AND THE JUMPER CABLES?

HEY, SHOCK VALUE, DUDE.

YOU OLD‐SCHOOL FREAK.

LOOK, I'M CALLING THE POLICE.

‐FLOYD. ‐MNH‐MNH. DAMN THIS.

WE NEED TO GET YOU OFF THE STREETS.

FLOYD, DON'T CALL THE PO‐PO ON ME.

LOOK, I'M CALLING THEM NOW.

WELL, GUESS IT'S ABOUT TIME TO GO ON UP THE RIVER.

WHILE YOU'RE GOING, MAKE SURE YOU WASH IN IT.

THIS IS JUST TERRIBLE.

‐LOOK, THE MAN WAS OLD. ‐YEAH.

HE PROBABLY HAD A BAD HEART OR SOMETHING.

‐HE DID. ‐HE DID?

YEAH, HE DID.

HOW YOU KNOW?

HE TOLD ME SO.

‐HATTIE! ‐WHAT?

AND YOU STILL SLEPT WITH HIM?

IT'S EXCITING.

HATTIE!

YOU NEVER KNOW WHEN HE'S GONNA KICK OUT.

WELL, I GUESS NOW YOU KNOW.

FLOYD.

I'M CALLING THE POLICE. FORGET THIS.

DON'T TOUCH ME, NASTY.

OKAY. OKAY.

I GUESS I HAVE TO DO WHAT I HAVE TO DO.

‐THAT'S RIGHT. ‐FLOYD.

‐WHAT? ‐CATCH.

AHH!

YOUR FINGERPRINTS IS ON IT.

WHAT THE HELL?

YOU DID IT, FLOYD.

HATTIE.

HEY, I HAD NOTHING TO DO WITH IT.

IT WAS HIM MISTER, I SWEAR.

DON'T TAKE ME TO JAIL.

I HAD NOTHING TO DO WITH ANY OF THESE THINGS.

‐HEY. ‐HEY.

MAMA.

HEY, BABY GIRL.

GRANDMA?

HEY, BABY DANNY.

WHAT YOU GOT ON?

OH, THIS JUST MY NIGHTGOWN.

THAT'S A NIGHTGOWN?

OH, YEAH, IT'S A NIGHTGOWN.

I MADE IT MY OWN SELF.

WELL, IT KIND OF LOOK LIKE A BIG ‐‐

NOT ‐‐ NOT A NIGHTGOWN.

SO, WHAT ARE Y'ALL DOING HERE?

WE JUST LEFT CHURCH.

‐THIS TIME OF NIGHT? ‐YES.

AND THE MINISTER SAID DO SOMETHING NICE

FOR SOMEONE YOU LOVE.

[ LAUGHS ] WHY THE HELL Y'ALL HERE?

VERY FUNNY, UNCLE FLOYD.

WE BROUGHT SOME GROCERIES FOR GRANDMA.

‐AIN'T THAT NICE? ‐YEAH, THAT'S NICE.

‐AIN'T THAT NICE? ‐THAT'S NICE.

AIN'T THAT NICE? THAT'S SO NICE.

YEAH, SO I GOT TO GO AND PUT THEM AWAY BEFORE IT GOES BAD.

OH, NO, THANK Y'ALL FOR COMING. GOD BLESS YOU. GOOD NIGHT.

GRANDMA, WAIT A SECOND.

WHAT IS UNCLE FLOYD DOING HERE?

YEAH, AND WITH THE WHIP BEHIND YOUR BACK?

OOH.

YEAH, FLOYD.

WHAT YOU DOING WITH THAT WHIP, BUDDY?

OH, WHAT CHURCH LETS OUT THIS LATE AT NIGHT ANYWAY?

WE'RE HAVING LATE‐NIGHT REVIVAL SERVICE.

‐OH. ‐WHAT IS GOING ON?

NOTHING.

GRANDMA?

GO HOME.

ACTUALLY DANNY,

I DON'T THINK I WANT FOR US TO KNOW.

WHAT'S GOING ON HERE WITH MY MOTHER...

YEAH.

...AND MY FATHER'S BROTHER.

GIRL, YOU CRAZY.

REALLY?

MAMA, SAY IT'S NOT SO.

SAY IT AIN'T SO, MAMA.

DANNY, AIN'T NOTHING GOING ON

BETWEEN ME [GAGS] AND YOUR GRANDMAMA.

[ GAGS ]

I HOPE NOT. [ GAGS ]

AIN'T NOTHING WRONG WITH MY BERRIES.

ARE YOU CRAZY?

YOUR BERRIES SOUR.

YOU WANT TO BET, FLOYD?

BET I CAN MAKE A BERRY PIE.

YOU KNOW WHAT, DANNY?

I THINK WE NEED TO GO AHEAD AND GO,

BEFORE ALL OUR GOOD CHURCHING GOES TO WASTE.

‐YEAH, I'M WITH YOU MAMA. ‐LOOK, JUST A MINUTE, Y'ALL.

NO, I'M NOT. WE GOING.

YOUR MAMA GOT A MAN UPSTAIRS ALL RIGHT, IN THE BED,

HE'S DEAD AND SHE CALLED ME OVER HERE THIS LATE AT NIGHT,

SO THAT I CAN HELP HER DUMP THE BODY.

THERE YOU HAVE IT.

[ HATTIE SCOFFS ] ‐WHAT?

YEAH. FOR REAL.

SERIOUSLY.

STOP KIDDING.

SERIOUSLY, GO UP THERE AND SEE FOR YOURSELF.

THERE'S NO WAY.

I'M GONNA GO LOOK.

I'M GONNA GO.

YOU. I'M GONNA GO LOOK.

OKAY.

[ Singsong voice ] YOU'LL BE SORRY.

NO, NO, REALLY, UNCLE FLOYD.

WHAT'S GOING ON? ‐I JUST TOLD YOU.

DEAD MAN IN THE BED. DEAD MAN IN THE BED. DEAD MAN IN THE BED.

DEAD MAN TIED UP IN THE BED.

WHAT?

WAS HE STILL READY FOR ACTION?

PART OF HIM.

MM.

OH, NO WAY.

I'M SORRY.

I WAS JUST FREAKING HIM.

LOOK, YOU GOT TO STOP DOING THAT.

BABY DANNY?

Danny: GO CALL AN AMBULANCE.

OH, AIN'T NO, NO NEED FOR THAT.

I ALREADY CALLED THE POLICE.

NO, HE'S NOT DEAD. CALL THE AMBULANCE.

HE'S NOT?

NO, I'M GIVING HIM CPR. GET UP HERE AND HELP ME.

[ LAUGHS ]

NO, SIR. YOU ON YOUR OWN, BROTHER.

I'M SORRY. MNH‐MNH.

THAT MAN'S LIPS HAVE BEEN ON YOUR GRANDMA.

Danny: GET OUR ASS UP HERE AND HELP ME SAVE THIS MAN'S LIFE!

OKAY, I'M SORRY.

I'M COMING.

AHHHHHHHHHHHH!

DANNY, YOU'RE BLOWING THE WRONG END.

MY BABY SAVED A MAN'S LIFE.

YES, I DID.

YEAH, HE SAVED MINE TOO.

HOW?

I DIDN'T HAVE TO GO TO JAIL, MAN.

YOU SHOULD HAVE.

NO, I SHOULD NOT HAVE.

YOU SHOULD BE UNDER THE JAIL

FOR WHAT YOU HAVE ON ALONE.

YEAH, AND ALSO FOR TRYING TO DO WHAT YOU DID WITH HIM

AND HOW YOU TRIED TO DO IT WITH HIM.

‐RIGHT. ‐RIGHT.

[ SCOFFS ]

OH, I DON'T WANT TO HEAR IT. I'M GONNA BE SICK.

[ GAGS ]

UM, ME TOO.

BUT DANNY, YOU GOT A REASON TO BE SICK.

UM...

SO, YOU WERE TRYING GIVE THIS BROTHER MOUTH TO...

STOP BEING SO SILLY, UNCLE FLOYD.

I SAVED THE MAN'S LIFE.

YEAH, YEAH.

I COULDN'T HAVE DONE IT, BRO.

MNH‐MNH. NO, MA'AM.

WELL, I'M PROUD OF YOU BABY.

YOU SAVED A MAN'S LIFE.

YEAH BUT THOSE SAME LIPS ON THAT MAN,

WERE ALSO THE SAME LIPS ON YOUR GRANDMA.

[ GAGS ]