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GOIN' DOWN, BABY. IT'S GOING DOWN.
WHERE HE AT? HE AIN'T HERE, MAMA.
WHERE'S HE AT? HATTIE, WHERE HE AT?
IS HE IN THE KITCHEN, HATTIE? IS HE IN THE KITCHEN?
HATTIE, WHERE HE AT?
AUNT MADEA.
HATTIE, WHERE IS HE AT? WHERE HE AT, LINDA?
HE'S NOT ‐‐ HE'S ‐‐
LINDA, WHERE HE AT?
HE'S NOT HERE?
IS SHE LYING TO ME, HATTIE?
NO, SHE AIN'T LYING.
WELL, WHERE HE AT?
HE AT HIS HOUSE.
WELL, WHAT'S THE DAMN ADDRESS?
YOU BETTER GIVE ME THE DAMN ADDRESS!
I GOT IT. [ SPEAKS INDISTINCTLY ]
COME ON, LET'S ROLL.
NO! NO! WAIT! WAIT! WAIT! WAIT! HOLD ON.
WHAT?! HOLD ‐‐
[ BOTH STAMMERING ]
DID SHE JUST TRY TO TOUCH ME?
I KNOW DA‐‐ I KNOW DAMN WELL
SHE DIDN'T JUST TRY TO TOUCH ME.
DON'T DO THAT.
BUT I JUST WANT Y'ALL TO WAIT.
HOLD ON.
DON'T PUT YOUR HANDS ON ME, HONEY.
DON'T PUT YOUR HANDS ON ME.
DON'T PUT YOUR HANDS ON ME, OKAY?
IF YOU'RE GONNA TALK TO ME, TALK TO ME,
BUT DON'T PUT YOUR HANDS ON ME.
AUNT MADEA, WHAT ARE YOU EVEN DOING HERE?
I CAME HERE TO KICK SOME ASS AND TAKE SOME NAMES.
WAIT. COME ON, NOW.
WAIT, WAIT, WAIT, WAIT.
NOW, COME ON, COME ON. LET'S GO, HATTIE.
NO, WAIT, WAIT, WAIT, WAIT!
GIRL, I'M GONNA BUST YOU IN THE HEAD.
WHAT THE HELL'S WRONG WITH YOU?
ALL THIS "WAIT, WAIT, WAIT."
WHAT THE HELL IS THAT?
CALM ‐‐ CALM ‐‐ CALM DOWN.
CALM DOWN FOR WHAT?!
NO, MA! DON'T CALM DOWN, MA!
DON'T CALM DOWN!
PLEASE, PLEASE ‐‐
I AIN'T UPSET. I AIN'T CALMED UP YET!
THIS IS MY NATURAL CALM LOOK!
WHY ARE YOU EVEN HERE, AUNT MADEA?
I'M HERE FOR A RESET. WHAT'S THE ‐‐
HATTIE MAE CALLED ME, AND SHE TOLD ME
THAT THIS MAN THAT YOU WENT TO TALK TO
TOLD YOU THAT HE DIDN'T WANT TO BE BOTHERED WITH YOU,
AND I NEED TO FIND OUT WHERE HE IS.
I'M HERE TO KICK SOME ASS AND TAKE SOME NAMES.
WHERE THE HELL IS HE?
I GOT MY BRICKS AND I GOT MY WEAPONS OF MASS DESTRUCTION
RIGHT HERE ON MY CHEST. WHERE HE AT?
MAMA.
‐‐Captions by VITAC‐‐ www.vitac.com
CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS
WHAT'S THE ADDRESS? COME ON, LET'S GO.
WHAT? WHAT?
WHAT, LINDA?
LINDA, WHAT? COME ON ‐‐
WHAT, LINDA?
MM! WHAT?
COME ON, LET'S JUST SIT. LET'S JUST...
OH.
YOU'RE KIND OF STRONG.
YOU'RE DAMN RIGHT.
AS A MAN.
COME ON. COME ON, YOU...
YOU KIND OF STRONG, TOO.
LIKE A DAMN MULE.
COME ON.
I'M SICK OF YOU HAVING ALL THESE LITTLE UNDERHANDED COMMENTS
TALKING ABOUT ME 'CAUSE I'M SO BIG.
OKAY? ALL RIGHT, LOOK.
I'VE BEEN BULLIED ALL MY LIFE. I'VE BEEN BIG ALL MY LIFE.
I WAS BIG IN THE FIRST, SECOND, THIRD, FOURTH, FIFTH GRADE.
YOU BETTER BE GLAD I LIKE YOU.
AND ONE OF THE REASONS I LIKE YOU
IS BECAUSE WHEN I LOOK AT YOU,
I REALIZE YOU DON'T HAVE A MIRROR OR A FRIEND.
PLEASE JUST SIT DOWN.
SIT DOWN.
I'M FINE STANDING. I AM FINE STANDING.
ME TOO.
I NEED TO BE NEAR THE DOOR
SO I CAN GO OVER THERE AND DO SOME DAMN DAMAGE.
RUN OVER IN THERE LIKE A WRECKING BALL, MA!
YEP. I'M GOING UP IN THERE LIKE A SURFBOARD.
RIDING THEM.
GRINDING ON THAT.
[ LAUGHS ]
THAT'S THAT BEYONCé.
I LIKE THAT SONG.
I LIKE THAT, MA. [ LAUGHS ]
WE BE ALL NIGHT!
BEYONCé. ON MY BRAIN LIKE LIQUOR.
BROWN LIQUOR.
L‐LISTEN. YEAH.
LISTEN, AUNT MADEA, IT'S FINE. IS IT?
MY MOTHER SHOULD NOT HAVE BOTHERED YOU
AND CALLED YOU AND TOLD YOU ALL THIS STUFF.
I DON'T KNOW WHY. [ SPEAKS INDISTINCTLY ]
THAT'S RIGHT. I'M 10 PEOPLES.
WITH A RECORD.
SO, WHAT YOU TRYING TO SAY? I GOT RECORD, TOO.
GIRL, SHE WORKS THE CORNER.
CORNER BE ALL TRYING TO BE ALL EMBARRASSED
'CAUSE I GOT A RECORD, 'CAUSE I GOT A RAP SHEET.
GET YOU A RAP SHEET HERE,
THEN YOU WOULDN'T BE IN THIS SITUATION.
NOBODY BE SLAMMING NO DAMN DOOR IN YOUR FACE
IF YOU HAD A RAP SHEET.
THEY'D BE TOO SCARED TO SLAM A DAMN DOOR.
I'M NOT EMBARRASSED OR ASHAMED.
IT'S JUST THAT I CAN HANDLE THIS MYSELF.
YOU CAN HANDLE IT YOURSELF? YES.
YOU CAN HANDLE IT YOURSELF? YES.
OKAY, GREAT.
OKAY, SHE CAN HANDLE IT HERSELF.
OKAY, GREAT. ALL RIGHT.
WELL, I HAVE SOME QUESTIONS FOR...
THE WITNESS, YOUR HONOR.
WOULD YOU SWEAR THEM IN, PLEASE, DEPUTY?
AT THIS TIME, THE HONORABLE JUDGE MABEL SIMMONS...
THAT'S ME.
...IS THE JUDGE.
RAISE YOUR RIGHT HAND.
YES.
YOUR OTHER RIGHT HAND.
DON'T KNOW HER RIGHT FROM HER LEFT? DAMN.
RAISE YOUR HAND.
DO YOU PROMISE TO TELL THE TRUTH, THE WHOLE TRUTH,
YOU SWEAR BY BUT NOTHING BUT THE TRUTH?
YE‐‐ UM ‐‐
YES, GIRL!
YES, YES, YES, YES. OKAY, GREAT.
OKAY, GREAT.
I HAVE A QUESTION FOR THE WITNESS.
OKAY.
MY FIRST QUESTION IS...
ARE YOU...PREG‐A‐NANT?
YEAH, MA! SHE PREG‐A‐DINT.
YES, I'M...PREGNANT.
AND HOW DID YOU GET THAT WAY?
CAN YOU PLEASE EXPLAIN TO THE JURIES?
GO AHEAD. TELL HER.
EXPLAIN TO ALL THE JURY.
EXPLAIN TO ALL THE JURY HOW YOU GOT THAT WAY, PLEASE.
O‐OKAY, JURY.
WELL, FIRST THERE WERE BIRDS, AND THEN THERE WERE BEES.
UH, DO YOU WANT TO BE ON A DAMN "NANCY GRACE" EPISODE?
DO YOU WANT TO? "WHAT HAPPENED TO HER?"
"SHE WENT MISSING." "HOW THE HELL SHE GO MISSING?"
"I DON'T KNOW.
"SHE GOT SMART WITH MADEA, AND THE GIRL DISAPPEARED."
CALM DO‐‐ PLEASE...CALM DOWN.
DON'T GET SMART WITH ME, GIRL. MY PRESSURE'S ALREADY UP!
ALL RIGHT, LET ME ASK YOU SOMETHING.
DID YOU...
DID YOU GO OVER TO THAT MAN'S HOUSE.
DID YOU GO OVER TO ‐‐
[ GRUNTS ]
[ Voice breaking ] MA.
I‐I‐I'M SORRY, BABY.
I'M TRYING TO GET IT OUT, BUT IT'S JUST I'M FULL.
I'M FULL. I'M JUST FULL.
DID YOU GO OVER TO THAT MAN'S HOUSE
AND TELL HIM THAT YOU WERE PREGNANT?
AND HE IGNORED YOU? IS THAT WHAT HAPPENED?
YEAH, MADEA! WHAT HAPPENED?
OKAY. OKAY, WE GOT TO GO GIVE HIM HELL.
THIS IS WHAT WE'RE GONNA NEED.
I NEED MY GAS CAN. YEAH.
NO.
MA, WE GONNA NEED SOME LIME!
YEAH, A‐A‐A‐AND SOME PLASTIC.
I'M GONNA NEED SOME PLASTIC, TOO.
MA. MA, WE GONNA NEED A GARBAGE CAN.
YEAH. AND SOME ROPE.
YES, AND A SAW.
I'M GONNA NEED A SAW ‐‐ A REALLY GOOD ONE. THE JAGGED KIND.
THE ONE THAT [STAMMERS] ‐‐ THAT KIND.
AND I NEED A MULCHER.
I NEED A MULCHER SO WHEN YOU PUT THE LEGS IN,
IT [IMITATES MULCHER]
THAT'S WHAT YOU NEED. GOT TO HAVE A MULCHER.
GOT TO HAVE A MULCHER. WE NEED A MULCHER.
YEAH. GOT TO HAVE A MULCHER.
A‐A‐AND, MADEA, GOT TO HAVE THEM TRACK PHONES.
TRACK PHONES, YES. YES, 'CAUSE YOU CAN'T BE TRACED.
SEE, THAT'S WHY I LOVE DOING CRIMES WITH YOU.
YOU MY DOG. YOU MY DOG.
AND YOU KNOW WHAT ELSE WE GONNA NEED?
WHAT THAT?
SOME CHICKEN.
CHICKEN? YEAH.
TWO PIECES, FRIED WITH A BISCUIT AND A PEPPER.
WHAT WE GONNA DO WITH A ‐‐
I'M HUNGRY AS HELL, GIRL.
THIS VIOLENCE MAKE MY STOMACH ALL UPSET.
THIS VIOLENCE...
GOT MY PANTIES ALL IN A BUNCH AND MY BRA TIGHT.
MA! HUH?
YOU KNOW DAMN WELL YOU AIN'T WEARING NO PANTIES AND NO BRA.
[ LAUGHS ] YEAH, YOU RIGHT HERE,
'CAUSE I NEED TO BE FREE WHEN I'M FIGHTING.
I NEED 'EM FREE, GIRL.
THESE ARE WEAPONS OF MASS DESTRUCTION.
OW.
PLEASE. YOU TWO NEED TO STOP.
YOU HAVE IT UNDER CONTROL. I DO.
ALL RIGHT, LISTEN. UM...
CAN YOU ALL JUST RESPECT MY WISHES?
OH, YOU WANT US TO RESPECT YOUR WISHES?
YEAH.
WRITE ALL YOUR WISHES DOWN.
WISH UPON A STAR, AND ONE DAY, THEY'LL COME TRUE.
AND WHEN YOU'RE DEAD, THAT'S WHAT WE'LL DO FOR YOU,
BUT RIGHT NOW, WE GONNA GET THAT ASS.
COME ON.
NOW, LET'S RIDE. LET'S GO.
NO!
I REALLY DON'T WANT Y'ALL TO GO OVER THERE.
THAT MAN LEFT YOU.
OUT THERE.
PREGNANT.
YEAH.
BAREFOOT ON THAT STREET CORNER.
LISTEN, I GOT THIS, OKAY?
I‐I‐I NEED ‐‐ I WANT Y'ALL TO LET ME HANDLE IT.
I GOT IT.
YOU GOT IT? YES.
NO, THE HELL YOU DON'T. WE GOT IT, TOO.
SO ‐‐ OKAY. SO, YOU'RE NOT GONNA STAY OUT OF THIS?
NO, I'M SURE THE HELL NOT GONNA STAY OUT OF NOTHING.
I AM FOR JUSTICE AND LIBERTY
AND STATUE FALL AND LIBERTATION AND LIBERACE.
AUNT MADEA, I DON'T WANT TO THREATEN YOU ‐‐
OH, HOLD ON, HOLD ON, HOLD ON.
I'M JUST ‐‐ I'M AWARE OF SOME OF YOUR WARRANTS.
GIRL, DID SHE CALL THE PEOPLE? SHE GOING TO THE PEOPLE?
SHE WENT TO THE GOVERNMENT.
SHE SAID IT.
SHE SAID THE GOVERNMENT.
SHE ‐‐ SHE TRYING TO THREATEN ME WITH THE GOVERNMENT.
I'M ‐‐ JUST DON'T ‐‐ JUST DON'T MAKE ME CALL THE POLICE.
I AIN'T SCARED OF NO PO‐PO, HO.
THREE STRIKES, AUNT MADEA. THREE STRIKES.
MA. YEAH.
KIND OF GOT A POINT RIGHT NOW.
YEAH, I KNOW. THEY TOLD ME THAT.
LAST STRIKE. TOLD ME THAT.
A‐AND, MAMA. HUH?
YOU KNOW YOUR BOOKS AREN'T IN ORDER.
WHAT? OH.
[ Laughing ] OH. YOU COOKING THE BOOKS, HATTIE?
[ LAUGHS ]
I DON'T WANT TO HAVE TO CALL THE IRS.
OOH.
GIRL, DON'T YOU NEVER TOUCH ME LIKE THAT!
THEN YOU ALL JUST LET ME HANDLE THIS,
AND I WON'T HAVE TO CALL THE POLICE OR THE IRS.
ALL RIGHT, GREAT.
WE'LL LE‐‐ WE'LL LET YOU HANDLE IT YOUR WAY.
YOU DO IT THE INTELLIGENT WAY.
OKAY, WELL, I GOT TO GO TO WORK.
OKAY, YOU GOT TO GO TO WORK. GO INTO WORK.
OKAY. WE'LL SEE YOU LATER.
OKAY. OKAY.
OKAY. HAVE A GREAT DAY.
HAVE A WONDERFUL DAY.
LET THE LORD USE YOU.
OKAY. ALL RIGHT.
OKAY, I'M GOING. GO ON.
Y'ALL STAYING.
GO ON, NOW.
HAVE A GREAT DAY.
DON'T GET UP. SHE AIN'T GONE.
YOU SEE THAT?
YEAH, TURN THE TV ON FIRST, HATTIE.
TURN THE TV ON FIRST.
[ SPEAKS INDISTINCTLY ]
YEAH, WE GONNA WATCH THE TV.
OKAY. YEAH, OKAY.
OKAY. OKAY.
HATTIE, NO. SHE AIN'T GONE YET. SHE AIN'T GONE YET.
YOU'RE MOVING TOO FAST.
LOOK AT THAT.
[ CHUCKLES ] OOH, YES, INDEED.
[ LAUGHS ] THAT'S SOMETHING THERE.
I LOVE THAT. OH, YOU STILL HERE?
OKAY. ALL RIGHT. ALL RIGHT.
ALL RIGHT, GOOD TO SEE YOU. OKAY.
[ LAUGHS ]
[ CHUCKLES ]
YEAH, YEAH.
SHE AIN'T GONE. COME ON. COME ON.
SHE AIN'T GONE. SHE AIN'T GONE YET.
YEAH, I WAS SAY‐‐ OOH, YOU SCARED US LITTLE OLD LADIES
SITTING HERE TRYING TO WARM UP SOME TEA.
WE GONNA WARM UP SOME TEA.
JUST A SPOT OF TEA.
WARM UP SOME TEA.
OKAY.
OKAY. OKAY. ALL RIGHT.
GONNA WARM UP SOME TEA.
WAIT, SHE AIN'T GONE YET. SHE AIN'T GONE YET.
[ INDISTINCT CONVERSATION ]
OH, MY.
JUST WANT TO WATCH ‐‐ GIRL, YOU RUNNING AROUND, AIN'T YOU?
WHEW.
WHEW.
WHY SHE DOING THAT? WHAT'S THE MATTER?
STAY. YOU ‐‐ OKAY.
ALL RIGHT. STAY HERE.
OKAY, BABY. ALL RIGHT.
I GOT TO GO TO... GO TO WORK.
IT'S ALL RIGHT. OKAY.
ALL RIGHT. HAVE A GREAT DAY.
HEY, HAVE A GREAT DAY.
WE CAN GO NOW. THAT ASS TIRED.
SHE AIN'T COMING BACK UP IN HERE.
[ BOTH LAUGH ]
COME ON, HATTIE. LET'S GO.
LET'S GO ‐‐ GO DO SOME DAMAGE.
YOU GOT THE ADDRESS? I GOT IT.
AGAIN, I SAY, WHY DO WE EAT HERE?
BROKE!
SPEAKING OF BROKE!
Y'ALL NEED TO PAY YOUR TABS.
OH, NO, NOT AGAIN.
SAM, WE JUST GOT PAID.
HERE IT IS.
FRIDAY NIGHT ALREADY?
HERE YOU GO, FLOYD.
OH, OKAY.
[ CHUCKLES ] MAKE IT FUN.
[ BOTH LAUGH ]
THANK YOU, BOTH. [ CHUCKLES ]
UH, SAM?
OH, I HAVE TO CALL YOUR GRANDMOTHER.
YOU ARE SUCH A LOSER.
TOLD YOU, DANNY!
I KNOW. I KNOW.
CAN WE TALK ABOUT THIS PROJECT A LITTLE?
[ GASPS ] OH, I DIDN'T TELL YOU GUYS.
OUR CUSTOMER SERVICE LEVELS ARE DROPPING,
SO WE REALLY NEED TO PAY MORE ATTENTION TO THE CUSTOMER.
YOU KNOW WHAT?
'CAUSE THE CUSTOMER IS ALWAYS RIGHT.
OW.
WHAT'S WRONG WITH THIS?
SHE GAVE ME THE HAND.
PINK IS THE NEW WELL DONE!
HELL, AS HARD AS YOU HIT ME, YOU DON'T NEED NO MORE PROTEIN.
BELIEVE THIS.
MIKE!
[ POT CLANGS ]
GET YOUR SCARY ASS OUT HERE.
I THOUGHT I TOLD YOU I WANTED TO COOK THIS WELL DONE.
OH, I'VE BEEN COOKING IT FOR FOUR HOURS.
WHAT? I SAID 4½½.
LOOK HERE, YOU PUT THAT THING BACK ON THE GRILL,
AND DON'T YOU BRING IT OUT HERE UNTIL IT'S YOUR COMPLEXION.
HARD TO FIND GOOD HELP NOWADAYS.
WHAT WAS THAT ALL ABOUT?
SHE ORDERED A BEAUTIFUL PIECE OF STEAK, THE OLD IDIOT.
AND SHE ORDERED IT WELL DONE,
AND ‐‐ AND NOW SHE AIN'T EVEN WANT TO PAY FOR IT
AND WALKED OUT.
THAT STEAK WAS SAYING "MOO!"
I HAD HIM COOK IT FOR FOUR HOURS.
THIS PLACE IS SLOWLY FALLING APART.
KIND OF LIKE YOUR BODY. [ CHUCKLES ]
YOU KNOW WHAT?
ONE OF THESE DAYS, ALL OF Y'ALL ARE GONNA ADMIT I'M SEXY.
[ LAUGHTER ]
IS SHE KIDDING ME?!
I MEAN, YOU LOOK LIKE A TEENAGE BOY IN THOSE PANTS.
OOH.
AND IN THAT JACKET.
AND WITH THAT FACE!
WHOO!
IS IT TURNING HIM ON OR NOT?
OBVIOUSLY.
CLEARLY.
NO.
YOU TWO STOP IT?
UNCLE FLOYD, DIDN'T YOU JUST SAY THE ‐‐
THE CUSTOMER IS ALWAYS RIGHT?
NOT THAT ONE.
WELL, IT'S BUSY IN HERE.
YEAH, I KNOW, AND YOUR MAMA IS LATE.
WELL, WHERE IS SHE?
HELL, I DON'T KNOW. WHY DON'T YOU CALL HER?
SURPRISED YOU GET OUT IN THEM TIGHT PANTS.
SHE HAS ANY SENSE, SHE WENT TO FIND HERSELF A REAL JOB.
A REAL JOB, EH?
KIND OF LIKE WHAT YOU'RE GONNA HAVE TO FIND
IF YOU DON'T START PAYING ATTENTION TO THE DETAILS.
HEY.
HEY, I AM VERY GOOD AT PAYING ATTENTION TO MY D.
...TAILS.
HEY, BUDDY? HMM?
EYES UP HERE.
BUT YOUR BREAST FEATURES RIGHT AND LEFT THERE.
IT'S A WIN‐WIN SITUATION, BABY.
PUT THOSE AWAY.
HEY, MAMA. NO, UNCLE FLOYD WAS JUST LOOKING FOR YOU.
NO, NO. WE'RE AT THE DINER.
OKAY. OKAY.
WHAT SHE SAY, FUCHSIA?
SHE'S PARKING NOW.
OKAY, GOOD.
SHE DIDN'T SOUND GOOD.
DID SHE SOUND CELIBATE?
NO, THAT'S CLEARLY OUT THE WINDOW.
[ SCOFFS ]
SHE JUST SOUNDED... DIFFERENT.
HEY, MAMA.
HEY, BABY. HEY.
YOU OKAY?
YEAH, I'M GOOD.
YOU SOUNDED STRESSED ON THE PHONE.
WELL ‐‐
SHE IS PREGNANT. [ CHUCKLES ]
AND ALONE.
AND HEAVY ‐‐ MM.
AND SHE GONNA HAVE TO HAVE THIS BABY ON HER OWN.
WOULD Y'ALL STOP IT? I'M STANDING RIGHT HERE.
OH, LET US HAVE A LITTLE FUN. WHAT'S WRONG WITH YOU?
WELL, I SOUNDED OUT OF BREATH
BECAUSE I HAD TO KEEP RUNNING BACK TO THE HOUSE
TO MAKE SURE MY MAMA AND HER "SURPRISE GUEST"
STAYED AT THE HOUSE.
THAT'S WHY I'M LATE, UNCLE FLOYD.
WAIT, W‐WHAT SURPRISE GUEST?
SHE CALLED SOMEBODY TO TALK TO PHILIP.
TALK TO HIM HOW?
THREATEN HIM WITHIN AN INCH OF HIS LIFE.
SHE DIDN'T CALL...
THE ONE?!
SHE DID.
WHO'S THE ONE?!
NOT HER.
WHO?
WHO DID SHE CALL?
MA TO THE DANG D‐E‐A.
WHAT?
YOU BETTER GO CHECK ON HIM.
MA TO THE D‐‐ WHAT'S A MADEA?
ONLY THE MOST NOTORIOUS B.I.G. YOU'LL EVER MEET.
UM, B. I. G.?
"BIG INTENSE GRANNY."
OH, YEAH, HE'S DEAD.
NO, HE'S NOT DEAD,
BECAUSE I THREATENED THEM WITHIN AN INCH OF THEIR LIVES...
WITH THE POLICE AND THE IRS.
[ LAUGHS ]
GIRL, PLEASE, YOU KNOW MADEA AIN'T SCARED OF NO PO‐PO.
YEAH, WELL, MY MAMA IS SCARED OF THE IRS.
THAT MAY BE TRUE, BUT YOU KNOW WHAT?
I THINK THE TWO OF THEM BE WILLING TO RISK IT THIS TIME.
NO, THEY WON'T.
I'M TELLING YOU THEY WILL.
WHO IS MADIA?
IT'S MADEA.
ONLY THE MEANEST...
BADDEST...
...LOUDEST...
...RUDEST...
...HEARTY...
...OBNIXIOUNISTIS...
GLAD YOU AIN'T HAD NO GAP. [ CHUCKLES ]
ARE WE STILL TALKING ABOUT A WOMAN?
SOME WONDER.
YOU KNOW WHAT?
I JUST KNOW THEY BETTER NOT GO OVER THERE.
GUESS SHE TOLD THEM.
YOU KNOW DAMN WELL THEY WENT OVER THERE.
I KNOW.
YOU KNOW THEY GONNA KILL HIM.
HERE PHILIP, THERE PHILIP, EVERYWHERE A PHILIP, PHILIP.
I DON'T CARE.
HE SHOULDN'T HAVE DISRESPECTED MY MAMA,
THE BALD‐HEADED BASTARD!
HEY!
YOU GONNA HAVE TO CONTROL THAT INNER CAT.
OH, YEAH, HE'S REGRETTING IT NOW.
HE GOT TWO WOMEN WITH BREASTS...
...THAT HAVE PROSTATE EXAMS.
AND HAD KIDS.
YOU'RE A DESCENDANT OF ONE.
THAT'S WHERE ALL THAT INNER CAT COMES FROM.
THAT EXPLAINS IT.
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