Original subtitles

HEY.

HEY, UNCLE FLOYD. NEPHEW.

SEE MY MAMA HERE?

DO I LOOK LIKE YOUR MAMA'S KEEPER?

WHAT? IS SHE STILL UPSET?

YES.

OH, YOU THINK I SHOULD TALK TO HER?

ABOUT WHAT?

YOU KNOW, TRY AND CHEER HER UP A LITTLE BIT.

AND WHAT YOU GONNA SAY?

I'LL TELL HER TO LISTEN TO HER HEART

AND FOLLOW HER DREAMS.

YOU BEEN READIN' THE BACK OF THAT CEREAL BOX AGAIN,

HAVEN'T YOU?

YEAH.

I GET A NEW T‐SHIRT NEXT WEEK.

HOO‐HOO‐HOO.

YEAH.

YOU REALLY DON'T KNOW WHAT TO SAY, DO YOU?

NO, I DON'T.

LEAVE YOUR MAMA ALONE.

MAN, BUT WE HAVE TO DO SOMETHING.

LIKE WHAT?

YOU KNOW, UH...

WELL, WHY DON'T YOU THINK OF SOME THINGS

THAT MAYBE YOUR GRANDMOTHER WOULD SAY.

OKAY.

[ Imitating Hattie ] LINDA, I'M GONNA KICK YOUR ‐‐

NAH, THAT WOULDN'T GO WELL.

[ Normal ] NO, THAT'S A BAD ONE.

NO. NO. UH...OOH! I GOT IT.

OKAY.

[ Imitating Hattie ] LINDA, GET YOUR SCAR‐‐

MNH‐MNH.

SHE DOESN'T SAY MANY POSITIVE THINGS.

YOU NOTICED THAT, TOO?

YEAH.

WELL, SINCE YOU CAN'T THINK OF ANYTHING TO SAY,

JUST LEAVE IT ALONE.

YOUR MOTHER WILL BE ALL RIGHT.

SHE GOT YOUR GRANDMOTHER.

[ LAUGHING ]

YOU OKAY?

[ COUGHING ]

LIFT YOUR ARMS. LIFT YOUR ARMS.

COVER YOUR MOUTH WITH ONE HAND, WE GOT CUSTOMERS.

THERE YOU GO.

[ Strained ] GOOD ONE, UNCLE FLOYD.

YOU SO FUNNY. SO FUNNY.

GEEZ, I KILLED ME ON THAT ONE.

I'M SORRY. WHOO.

WE GOT TO DO SOMETHING.

BRO, I'VE ALREADY TRIED TO TALK TO HER.

AND?

YOU SEE THIS SCAR?

HEY, MAN, I DON'T WANT TO... YEAH.

YEAH.

I JUST GOT THE BANDAGES OFF.

MM‐HMM.

SHE BITE YOU IN THE NIPPLE?

THAT'S A PREVIOUS INJURY. [ CHUCKLES ]

NO, SHE DIDN'T,

BUT SHE USED HER FRONT TOOTH TO DO THAT.

WHAT?

IF IT WASN'T FOR THAT SQUIRREL

RUNNIN' ACROSS THE STREET AND SHE CHASED IT.

SQUIRREL!

I WAS A GONER.

LOOK, JUST TALK TO HER ANOTHER TIME.

NO, WE GOT TO DO SOMETHING.

I MEAN, WILL WAS SO MEAN TO HER.

YEAH, HE KIND OF TALKED TO HER LIKE A DOG.

YEAH. SHOULD'VE SNATCHED HIS ASS UP.

WHAT? YEAH.

YOU KNOW, I SHOULD'VE JUST PUNCHED HIM RIGHT IN THE KISSER.

YOU ALMOST GOT ME. I DO.

THAT WAS QUICK. WHAT?

AND THEN I SHOULD'VE KICKED HIM IN THE CHIN.

ACTUALLY THE CHIN IS HIGHER.

NOT WHEN YOU ON THE GROUND ALREADY.

TRUE THAT.

YEAH.

THEN I SHOULD'VE PULLED HIS HAIR.

YOU KNOW HOW PEOPLE TRY TO CATCH IT,

I DON'T KNOW IF YOU COULD'VE.

OH ‐‐ OH, I WOULD HAVE AND THEN I JUST ‐‐

WOULD HAVE JUST ‐‐ JUST SCRATCHED HIS EYES OUT!

[ YOWLS ]

THAT WAS FAST. YEAH.

YOU FOUND YOUR INNER CAT...

WOMAN.

OOH!

THEN I'D HAVE GOT HIM WITH THE WINDMILL.

NOT THE WINDMILL. MM‐HMM.

SPEEDIN' UP. OOH, SLOW IT.

[ WHOOSHING ]

YEAH. GOT TO BREATHE.

YEAH. GOT TO BREATHE.

GOT TO PACE YOURSELF ON THAT.

YEAH. YEAH.

BUT YOU KNOW WHAT I WOULD'VE DONE AFTER THAT?

WHAT? I WOULD'VE WHOOPED YOUR ASS.

WHY?

AND THEN I'D WHOOP YOUR ASS FOR ASKIN' ME WHY.

THOSE ARE GREAT...MOVES.

YEAH, FOR A 12‐YEAR‐OLD LITTLE GIRL.

I'M GOIN' BACK THERE.

NO, NO, NO! I WOULDN'T DO THAT.

WHAT? LOOK.

LET ME TELL YOU THIS STORY.

AS A MATTER OF FACT, IT INVOLVES CATS.

[ GASPS ]

YOU DO NEED RITALIN.

ANYWAY, THERE WAS ONCE THIS LITTLE OLD BOY

AND HE REALLY LOVED LIONS.

AND SO ONE DAY, HE WENT TO THE ZOO

AND HE WANTED TO GET CLOSER TO THE LIONS.

YEAH.

SO HE JUMPED OVER THE CAGE,

HE OPENED THE DOOR AND CLOSED THE CAGE BEHIND HIM.

THEN OVER IN THE CORNER, THERE WAS THE LION SNARLIN'

AND DROOLIN' WITH LOVE IN HIS EYES ‐‐

IS THERE A POINT TO THIS?

YES.

THEN GET TO IT, MAN. DAMN!

LET ME TELL MY STORY HERE.

WELL, YEAH, THERE'S A POINT,

BUT I'M JUST SAYIN', DON'T GO BACK THERE.

I'M NOT LISTENIN' TO YOU.

FINE. YOU AIN'T GOT TO LISTEN TO ME.

[ SCOFFS ] I'M NOT.

GREAT STORY.

THAT WAS THE INJURED NIPPLE.

I LOVE THE CATS.

LOVE THE CATS.

[ CHUCKLES LIGHTLY ]

YOU WORRY ME.

MAMA... [ CHUCKLES LIGHTLY ]

IT'S DANNY.

GONNA GIVE YOU A HUGGY.

MARK.

[ METAL CLANGING ]

I SHOULDN'T HAVE TOOK MY ASS BACK THERE.

THAT'S WHAT THE LITTLE BOY SAID AT THE ZOO.

IT'S HOT AS HELL BACK THERE.

THAT STOVE ACTIN' UP AGAIN, HATTIE?

NO, BUT LINDA IS.

IT MUST BE HOT AS HELL BACK THERE

TO RUN SATAN OUT THE KITCHEN.

GRANDMA, IS MY MOM ALL RIGHT?

YEAH, SHE'LL BE FINE.

DANNY, JUST GO ON AND JUST LEAVE YOUR MOM ALONE.

I KNOW, BUT SHE'S STILL MY MAMA.

YOU KNOW WHAT, YOU COULD JUST BE LIKE FLOYD

AND NOT GIVE A DAMN ABOUT YOUR MAMA.

WHAT? WHAT ARE YOU TALKIN' ABOUT?

I LOVED MY MOTHER TO THE VERY DAY SHE DIE.

THAT INSURANCE POLICY.

WHAT?

YEAH.

FLOYD BURY HIS MAMA

IN ONE OF THEM BOXES OUT HERE BACK THERE IN THE BACK,

AND THEN KEPT THE REST OF THE MONEY FOR HIS OWN SELF.

UNCLE FLOYD.

I DON'T SEE THE POINT IN SPENDIN' ALL THAT MONEY

ON A CASKET THAT EVERYBODY AIN'T GONNA SEE BUT ONE TIME.

YEAH, YOU KNOW WHAT, I'M‐A REMEMBER THAT

WHEN IT'S TIME TO BURY YOUR MONKEY ASS.

THAT COMIN' FROM AN ORANGUTAN.

HELLO. HEY THERE, DREW.

SAM.

DANNY.

WHAT?

WHAT ARE YOU DOING HERE?

I'M HERE TO CHECK ON MY MAMA.

SHE'S FINE.

YOU DON'T KNOW THAT.

SHE WAS FINE LAST NIGHT.

AND HOW DO YOU KNOW IF SHE WAS FINE LAST NIGHT?

STRATEGICALLY PLACED CAMERAS.

STOP MAKIN' FUN OF ME. OKAY?

SHE WAS REALLY UPSET. SHE WAS REALLY HURT.

WELL, WE'RE HURTING.

YOU KNOW WE HAVE A PROJECT DUE, RIGHT?

AND YOU, YOU LEFT ME ALONE

WITH THIS ‐‐ THIS THING IN A CREEPY SWEATER.

YOU KNOW THIS SEXY THING IN A CREEPY SWEATER

IS YOUR FANTASY?

NO, MORE LIKE MY NIGHTMARE.

PLEASE. YOU LOVE ME.

YOU LOVE ME LONG TIME.

YEAH, I LOVE YOU.

I LOVE YOU LIKE A DOCTOR LOVES HIS SCALPEL.

HMM.

WILL YOU PLEASE COME BACK WITH US TO THE OFFICE?

YEAH.

NOT UNTIL I CHECK ON MY MAMA.

WELL, GO ON BACK THERE AND CHECK ON HER THEN.

I ALREADY WENT BACK THERE ONCE.

AND HOW'D THAT PAN OUT FOR YOU?

SOME REALLY NICE PANS, VERY CHOICE.

BUT YOU KNOW, I'LL JUST SHOOT HER A TEXT.

TAKE YOUR SCARY TAIL BACK THERE.

DON'T PUSH ME.

WHOA.

[ SCOFFS ] YOU CAUGHT THAT ONE, GRANDMA.

[ SCOFFS ]

THAT WAS REAL CUTE FOR YOU.

LOOKIN' LIKE A LITTLE 12‐YEAR‐OLD GIRL.

GO ON BACK THERE NOW.

LOOK AT HIM.

WHAT?

HE'S SCARED TO GO BACK THERE.

WHY?

WAIT. IS LINDA STILL UPSET ABOUT WILL?

SHE ALWAYS UPSET.

Danny: MAMA...

[ METAL CLANGING ]

DON'T SCRATCH HIS FACE!

DID SHE GET YOUR FACE, BOO?

UNH‐UNH.

THAT WAS FASTER THIS TIME.

WHAT HAPPENED?

YOU KNOW, I THINK WE SHOULD JUST GET TO WORK.

THAT'S EXACTLY WHAT I WAS TRYIN' TO TELL YOU.

WAS SHE HANGIN' UPSIDE DOWN IN THE FREEZER?

[ LAUGHS ] SHE PROBABLY WAS, FLOYD.

I KNEW IT. [ CHUCKLES ] YEAH.

I KNEW IT. DON'T TALK ABOUT MY MAMA.

SHE GET IT FROM HER MAMA.

AND I GOT IT FROM YOUR MAMA.

DON'T YOU TALK ABOUT MY MAMA.

YOU JUST MAD 'CAUSE I TOOK THAT CARDBOARD BOX.

HEY, I DON'T KNOW WHAT TO SAY TO HER.

THAT I'M SURE OF,

BUT MAYBE WE CAN GET THE SAGE ADVICE

FROM A WOMAN WHO'S ALWAYS REJECTED.

MMM. MMM.MMM.

AND LONELY.

OH!

AND DOESN'T...HAVE... ANYONE.

RIGHT ON.

GO AHEAD AND TALK MISS HATTIE, THAT'S ‐‐

THAT WOULD BE PROBABLY BE YOU, DREW.

NO, YOU GO AHEAD AND DO IT.

I THINK THEY BE TALKIN' ABOUT YOU IN THERE.

SO DEFINITELY YOU TALKIN' ABOUT DREW.

DREW. YEAH.

GUYS, LOOK.

WHAT ARE WE GONNA DO ABOUT MY MOTHER?

I ALREADY TOOK CARE OF THAT.

OH, LORD, WHAT'D YOU DO?

I PIXED IT.

WAIT A MINUTE. I DON'T LIKE THE SOUND OF THIS.

UNH‐UNH. YOU "PIXED" IT.

WHAT IS YOU TALKIN' ABOUT, FLOYD?

TALKIN' ABOUT YOU ALREADY PISSED.

YEAH, YOU ‐‐ YOU WANT ME TO CHANGE YOUR DIAPEY?

I AIN'T SAYIN' NOTHIN' ABOUT NO PISS, I ALREADY PISSED.

OH, SHE SAID IT AGAIN.

I KNOW. YOU GOT CUSTOMERS.

I TALKIN' ABOUT F‐I‐X‐E‐D, "FISSED" IT.

FIXED IT.

OH. OH.

THAT'S WHAT I SAID, "FISSED IT."

SHE MUST'VE ADDED THAT TO THE HATTIENESE DICTIONARY

WITHOUT ME. YEAH.

NOW THEN, I ALREADY TOOKEN CARE OF IT.

I DON'T LIKE THE SOUND OF THIS.

YEAH.

WHY YOU SAY THAT, FLOYD?

'CAUSE THE LAST TIME YOU SAID THAT

WE ALL ENDED UP IN COURT.

WHY YOU BRINGIN' UP THE PAST, DANNY?

THAT'S BEEN YEARS AGO.

I'D DONE LEFT THEM NARCOTICS AND THAT LIFESTYLE ALONE.

SOMEBODY SAY NARCOTICS?

WHAT'D YOU DO?

HIM. HEY.

Sam: OH.

OH, NO.

YOU SLEEPING' WITH PHILLIP?

OH, HELL NO.

PHILLIP CAN'T HANDLE ALL THIS HERE.

HE NEEDS HIM A NICE SORT OF CHURCH GIRL LIKE LINDA,

AND I DEFINITELY AIN'T THAT.

NO‐OH. YOU KNOW WHAT?

I'M AN OLD‐SCHOOL LOVER.

I HAVE HIM DRINKING' ON THAT DARK LIQUOR

AND SMOKING' ON ONE OF THEM FILTER KINGS,

SINGING' BOBBY BLUE BLAND.

MISS HATTIE. HUH?

THIS IS A VERY BAD IDEA.

GO ON NOW, PHILLIP.

GO ON BACK THERE AND TALK TO HER.

NO, I CAN'T.

GET YOUR BALD HEAD BACK THERE AND TALK TO HER NOW.

[ HISSES ] OOH!

HE ALMOST GOT IT. YEAH, I ALMOST GOT IT.

NOW QUICK, GET IN THERE.

COME ON, DANNY. LET'S JUST GO BACK TO WORK.

NO, I NEED TO SEE WHAT'S GONNA HAPPEN.

WELL, I'LL TELL YOU.

SHE'S DISMEMBERING HIS BODY BACK THERE.

NOT ON MY GOOD POTS AND PANS.

NOW LET'S GO.

NO, YOU TWO GO BACK.

I'M NOT COVERING FOR YOU AGAIN.

I DO THAT ALL THE TIME.

WHAT? YOU NEVER COVER FOR ME.

UH, YES, I DO.

WHEN?

OH. OH. YEP.

REMEMBER WHEN THE HEAT WAS OUT IN THE APARTMENT,

AND YOU NEEDED TO BE COVERED

AND THEN I COVERED YOU WITH MY BODICE.

OH, YOU KNOW WHAT? WHAT THE HELL?

UNH‐UNH. MNH‐MNH.

DON'T ENCOURAGE HIM TO FINISH THAT STORY, PLEASE.

YEAH, THAT AIN'T NO GOOD STORY THERE.

LOOK, DANNY. WE'LL COVER FOR YOU

FOR AN HOUR TOPS,

BUT THEN AFTER THAT,

I WANT YOU TO PUT SOME EFFORT INTO THIS PROJECT.

IS SHE STILL TALKING' ABOUT WORK?

NO. EFFORT. PROJECT.

SHE'S DREAMING ABOUT YOU.

THOUGHT SO.

YOU, UH, WANT TO SIP ON SOME BROWN LIQUOR?

SMOKE ONE OF THEM FILTER KINGS?

UH, BYE, DREW. SEE YA.

HOW LONG?

COME ON.

YOU'RE NOT GONNA KEEP REJECTING ME.

[ MUMBLES ANGRILY ]

HEY, COME ON, QUASI. YOU'RE GONNA BE MINE.

UH, YOU KNOW, HE'S BEEN BACK THERE QUITE A WHILE.

THAT'S 'CAUSE SHE KILLED HIM.

NO, SHE DIDN'T. RIGHT, GRANDMA?

JUST GO INTO WORK AND LET 'EM TALK.

UNCLE FLOYD?

LEAVE YOUR MAMA ALONE.

NO, I NEED TO SEE WHAT'S GOING ON.

GO IN THERE, HELL.

ALL RIGHT, I'M GOING BACK.

GO ON. YOU ON YOUR OWN.

SUIT YOURSELF.

PHILLIP!

Hattie: SO WHAT HAPPENED?

NOTHING.

WHAT IS THAT SUPPOSED TO MEAN?

SHE DIDN'T COME OUT OF THE OFFICE.

THIS HERE IS JUST RIDICULOUS.

MOVE!

SO IF SHE HAD OPENED THE DOOR, WHAT WOULD YOU HAVE SAID?

WELL, I WOULD HAVE APOLOGIZED TO HER.

[ BOTH GROAN ]

I DON'T THINK SHE READY TO HEAR THAT.

WELL, I NEED TO, OKAY?

I DID NOT MEAN TO MESS UP HER DATE WITH WILL.

WELL, YOU DID.

RIGHT ON TIME, TOO.

[ CHUCKLES ] SEALED WITH A KISS.

[ BOTH SMOOCH ]

[ CLANGING ]

WHAT WAS THAT?

A TORNADO NAMED LINDA.

YEAH, I WAS GOING BACK THERE

TILL I HEARD THAT. HMM.

WELL, I'LL TAKE MY CHANCES, ALL RIGHT?

'CAUSE I NEED TO TALK TO HER.

YEAH, YOU'S A BRAVE FOOL.

THEN, FLOYD, WHY DON'T YOU GO?

YOU WANT ME TO GO BACK THERE?

YES.

YOU KNOW HATTIE'S BACK THERE,

AND SHE'S MORE OF A MAN THAN ANY OF US.

YOU KNOW, SHE HAS BEEN BACK THERE FOR A LITTLE WHILE NOW.

THAT'S 'CAUSE SHE'S KILLING HER.

YOU KNOW WHAT, I'M GOING BACK THERE.

OH! OH.

WAIT. MAMA, YOU ‐‐ GET UP!

WHY YOU STANDING LIKE THAT? DON'T ECLIPSE THE PEOPLE.

STOP IT. THIS AIN'T THAT BAD.

DAMN, GET OFF.

AN ORANGUTAN AND A SILVERBACK AGAINST EACH OTHER.

NEXT TIME, I'LL KILL YOU.

Floyd: NO!

I DON'T WANT TO BE THE LETTUCE IN THIS SANDWICH.

THIS IS NASTY.

WE'RE GONNA STOP IT!

TOLD YOU. HATTIE WILL TRY TO TAME

THE SAVAGE BEAST OF THE SOUTHERN WILD.

CAREFUL, SHE EATS HER YOUNG.

PHILLIP.

HI.

HI.

HOW ARE YOU?

I'M GOOD.

GOOD.

WHAT DO YOU WANT?

I JUST WANTED TO APOLOGIZE.

OKAY, APOLOGY ACCEPTED.

SO CAN YOU NOW LEAVE, PLEASE?

NOT YOU, UNCLE FLOYD.

SURE.

AND SPEAK UP, TOO.

LINDA, I CAN CALL HIM AND TELL HIM AND JUST ‐‐

NO, YOU CAN'T.

LOOK ‐‐ HERE LOOK, LET ME TALK TO HIM.

PHILLIP... LINDA...

WILL AND I BROKE UP.

HUH?

REALLY? [ WHIMPERS ]

THAT'S...

YOU SORRY?

I'M SO SORRY.

THEN WHY YOU SMILING?

I WAS JUST HAVING AN INNER THOUGHT.

PHILLIP, LOOK. LOOK. LOOK. LOOK. LOOK.

LET ME ‐‐ LET ME ‐‐ LISTEN. LISTEN.

WHAT'S WRONG WITH ME?

NOTHING.

YOU SURE?

YES.

THEN WHY DO YOU RESIST ME SO?

YOU KNOW I'VE BEEN HURT.

OKAY, WE'VE HAD THIS CONVERSATION.

YES. YOU'VE BEEN HURT. YES, I HAVE.

SO ARE YOU AFRAID I'M GONNA HURT YOU?

NO.

THEN WHAT IS IT?

IS IT MY KIDS?

NO, I LOVE YOUR KIDS.

IS IT MY JOB?

LOOK AT WHERE I WORK.

LIN, WATCH YOURSELF, PRECIOUS.

AIN'T NOTHING' WRONG WITH THIS PLACE RIGHT HERE.

THEN WHAT IS IT?

WHY ARE YOU PUSHING' THIS SO HARD?

BECAUSE I WANT THIS.

I WANT YOU.

WHY?

I TOLD YOU, YOU'RE BEAUTIFUL.

AND I HAVEN'T FELT THIS WAY ABOUT ANYONE SINCE ‐‐

YOUR WIFE.

YES.

OH, THAT'S IT.

WHAT? MY WIFE.

WHAT ABOUT HER?

YOU HAVE A PROBLEM WITH ME BEING MARRIED.

NO. THEN WHAT IS IT?

SHE'S ALL OVER YOU.

AND SHE'S PROBABLY ALL OVER YOUR KIDS,

AND THE DRAPES, AND THE CARPET, AND THE SOFA.

IT'S ALL HERS.

YES.

I KNOW.

OKAY. SO...

HOW DO YOU KNOW?

BECAUSE I SEE HER ALL OVER THERE.

AND I SEE HER ALL OVER YOU.

YOU'RE STILL IN LOVE WITH YOUR WIFE, PHILLIP,

AND I CAN'T FILL IN FOR HER.

I WON'T DO THAT TO YOU. AND I WON'T DO THAT TO ME.

SO... LINDA.

...NOW, IF YOU'LL EXCUSE ME, I NEED TO GET BACK TO WORK.

LINDA, LISTEN, JUST ‐‐ NO, PHILLIP. NO.

LINDA.

DAMN IT.

[ SIGHS ] GOT SHOT DOWN AGAIN, HUH?

YOU NEED A BULLETPROOF VEST.

YEAH.

MAN, YOU GET SHOT DOWN MORE THAN I DO,

AND I NEVER REALLY TRY.

AND WHY IS THAT, DANNY?

I LIKE BEING SINGLE, UNCLE FLOYD.

IS THERE SOMETHING WE NEED TO TALK ABOUT?

IS THERE SOMETHING YOU NEED TO SHUT UP ABOUT?

OKAY. OKAY. OKAY. LOOK. I'M SERIOUS, ALL RIGHT?

I MEAN, HOW ‐‐ WHAT DO I NEED TO DO

TO LET THIS WOMAN KNOW THAT I'M INTO HER?

BEAT HER.

[ LAUGHS ]

I WISH SHE WOULD, YOU BALD‐HEAD BASTARD.

OKAY. Y'ALL STOP PLAYING, I'M SERIOUS.

I'M SERIOUS.

LOOK. JUST GIVE IT SOME TIME.

LOOKS LIKE HIS TIME IS UP.

UM, OKAY. YOU KNOW WHAT? I'LL SEE Y'ALL AROUND.

HEY, DID YOU ORDER SOMETHING?

NO.

I'M GONNA BILL HIM ANYWAY.

HE'LL NEVER FIGURE IT OUT, HE ALWAYS ORDERS COFFEE.

THEN THAT MEANS THE PRICE WILL BE THE SAME.

I'M GONNA PUT HIM DOWN FOR 20 COFFEES.