Original subtitles

PREVIOUSLY ON "LOVE THY NEIGHBOR"...

I CAN'T BE UPSET WITH THE GUY. I MEAN, YOU'RE SO BEAUTIFUL.

I KNOW WHY HE WANTED TO KISS YOU.

DO YOU WANT TO KISS ME?

I WANT HIM OUT OF HERE.

WHY? I HAVE A MAN.

SO I DON'T UNDERSTAND WHAT'S THE PROBLEM WITH HIM BEING HERE.

I'M GOING TO BED.

I'VE DECIDED TO SIT IN THE LIVING ROOM.

GO ON IN THERE AND TALK TO HER.

YOU GOTTA ‐‐ YOU ‐‐ YOU GOTTA GO.

MNH‐MNH. MMM.

MMM. MMM.

WILL. YES, WILL.

WHAT ARE YOU ‐‐

I FORGOT TO GIVE YOU THESE FLOWERS THAT I BOUGHT YOU.

I WENT HOME, I TURNED AROUND

BECAUSE I WANTED TO GIVE THEM TO YOU.

OH, THEY'RE SO ‐‐

AND YOU PLAYED ME FOR THIS FOOL?

NO, NOT AT ALL. I... HEY. HEY, HEY, HEY, HEY.

LOOK, MAN, THIS IS ALL MY FAULT.

LOOK, I'M NOT TALKING TO YOU, PARTNER.

OH? WELL, I'M TALKING TO YOU, PARTNER.

Drew: PHILIP, HOLD ON! DON'T GET CRAZY.

WHAT EXACTLY ARE YOU DOING?

PHILIP! OW!

SOMEBODY TIME ME! WHOO!

OH, GOD! HEY!

HOLD ON NOW. WAIT! I GOT A CRAMP.

Y'ALL NEED TO TAKE IT EASY.

I'M ALREADY STAMPED. GET OFF THE ENVELOPE.

STAY PUT!

GET YOUR BOY, LINDA. [ CHUCKLES ]

AND YOU'RE PLAYING AROUND ON ME WITH THIS CLOWN?

WHO THE HELL YOU CALLING A CLOWN?

I'M CALLING YOU. DID I STUTTER BROTHER?

NO, NO, NO, NO, NO. HOLD UP ‐‐ UP ‐‐ UP. PLEASE.

PLEASE, PLEASE, PLEASE.

Hattie Mae: Y'ALL WAIT A MINUTE HERE.

WHAT IN THE DEVIL IS GOING ON 'ROUND HERE?

I CAN HANDLE THIS.

YOU KNOW WHAT? I THINK I BETTER GO.

YES, YOU SHOULD.

AND IF I DON'T?

BROTHER, DON'T.

WAIT A MINUTE HERE!

YOU DON'T PUT NOBODY OUT OF MY HOUSE.

MISS HATTIE, I WALKED IN

AND I SAW THIS CLOWN KISSING LINDA.

SHUT THE HELL UP, WILL!

THANK YOU, DREW.

WE ALL SAW.

NOW WHAT YOU GON' DO ABOUT IT?

ACTUALLY, IT WAS THE OTHER WAY AROUND.

I KISSED HER.

[ LAUGHS ]

FLIP FORWARD, FLIP WILLIAM, FLIP!

FLIP! AY!

IT'S PHILIP.

LIKE I SAID, "CLOWN."

OOH!

IT TAKES TWO TO KISS.

ACTUALLY,

PARTNERS, CLOWNS, WHATEVER...

NOT ALWAYS. I HAVE BEEN KNOWN ‐‐

DON'T FALL ASLEEP ON A ‐‐

STOP IT, SAM.

NO MEANS NO.

I'M LEARNING THAT.

YOU LITTLE McNASTY.

OKAY, YOU KNOW WHAT? THIS IS ALL MY FAULT.

UM, I CAME ON TO LINDA VERY AGGRESSIVELY,

AND SHE TRIED TO TURN ME DOWN.

AND THAT'S THAT.

OKAY, YOU KNOW WHAT?

I APOLOGIZE FOR BEING TOO AGGRESSIVE.

I WON'T EVER BOTHER YOU AGAIN, ALL RIGHT?

WAIT A MINUTE NOW. HOLD ON, FLOP.

PLEASE BOTHER HER. BOTHER HER!

MM.

NO, MISS HATTIE, I THINK IT'S BEST I GO.

NO, NOW, FLIP, WAIT A MINUTE NOW.

PLEASE DON'T GO.

MMM.

MISS HATTIE, WHAT THE HELL?

OH, SHOOT. OOH! WHAT?

NO, THAT ‐‐ UH, DOES HE KNOW?

NO, HE DON'T KNOW. MNH‐MNH.

YEAH. WHAT?

Drew: WE DIDN'T JUST... Floyd: HE DON'T KNOW.

HE TALKING TO ME?

YEAH, HE DID. IN YOUR HOUSE.

Sam: WHAT?

YOU TRYIN' TO ROLL UP ON ME IN MY PLACE?!

MAMA.

GET THE HELL OUT THE WAY, LINDA.

NOW LIKE I SAID,

I WANT HER WITH HIM 'CAUSE I DON'T LIKE YOU.

NOW WHAT YOU GONNA DO ABOUT IT?

I DOUBLE DOG DARE YOU TO ROLL UP ON ME

AND DO ANYTHING TO ME, PARTNER.

I'LL BET YOU WON'T NOBODY PAY YOU TO ROLL UP ON ME.

THIS AIN'T WHAT YOU WANT RIGHT HERE, PLAYER.

LOOK, I NEED TO SPEAK WITH HIM ALONE, PLEASE.

THEN I 'SPECT YOU NEED YOUR OWN ADDRESS.

HEY, COME ON. LET'S ‐‐ LET'S GO BACK TO THE KITCHEN,

LET MY MOM TALK TO WILL.

YEAH, DON'T WORRY, GUYS.

WE'LL BE ABLE TO HEAR EVERYTHING

THROUGH THESE THIN, OLD, DUSTY, CRUSTY WALLS.

SLOW YOUR ROLL, DREW.

YOU KNOW WHAT?

THESE WALLS MAY BE THIN,

DUSTY, AND CRUSTY,

BUT SO ARE YOU.

VERY THIN,

AND IT DON'T GONNA TAKE NOTHING

FOR ME TO BLOW YOUR LITTLE ASS OVER.

[ LAUGHS ] THAT WAS A GOOD ONE, HATTIE.

MAMA, Y'ALL, PLEASE.

NO.

GRANDMA, GET YOUR OLD ASS IN THE KITCHEN!

OOH. OOH.

MNH‐MNH. MNH‐MNH. OH, NO.

WHO THE HELL YOU THINK YOU TALKING TO?

I'M SO ‐‐ I'M SORRY I SAID... GRANDMA, STOP, I'M SORRY I SA ‐‐

OHH! GRANDMA!

MNH‐MNH. NO. NO! [ LOUD CLATTER ]

HE IS NOT MY BABY DADDY!

[ PLATES SHATTER ] NO!

HE GOT ‐‐ HE GOT TO LEARN. HE GOT TO LEARN.

[ DOOR BANGS OPEN ] OOF!

OOH!

I GOT TO LEARN NOT TO BE IN FRONT OF THE DOOR.

THINK YOUR DOORKNOB HIT YOU

WHERE THE GOOD LORD SPLIT YA, FLOYD?

I THINK THE DOORKNOB IS MISSING.

[ GROANS ]

THEN I 'SPECT YOU NEED TO GO AND GET A COLOSTOSCOPY, FLOYD.

Danny: MY MAMA COULD USE A LITTLE PRIVACY, GRANDMA.

WELL, THIS IS NOT HER HOUSE, DANNY.

COME ON, HATTIE. LET'S ‐‐

LET'S JUST GO IN THE KITCHEN AND LET THESE PEOPLE TALK.

I AIN'T FITTIN' TO LET HER PUT ME OUT OF MY OWN LIVING ROOM

SO SHE CAN TALK TO HIM.

COME ON, LET'S GO.

[ MAKES KISSING NOISE ] COME ON, GIRL!

HERE, GIRL! COME ON!

COME ON, GIRL! ALL FOURS!

DON'T MAKE ME COME IN THERE AND BITE YOU. HEAR, FLOYD?

YEAH, I AIN'T HAD MY SHOTS.

MAMA, PLEASE.

FINE.

MOVE!

CLOSE MY DAMN DOOR,

LEAVIN' MY DAMN DOOR OPEN WITH MY AIR CONDITION RUNNIN'.

YOU CAN TELL WHAT PEOPLE AIN'T GOT,

AND THEN THEY JUST LET FLIES ALL IN THEY HOUSE.

I DON'T LIVE THAT WAY.

I DON'T GET WITH NO FLIES IN EVERYTHING.

Hattie Mae: [ SPEAKS INDISTINCTLY ]

PHILIP, DO YOU MIND?

YEAH, SURE, ALL RIGHT.

NH‐N‐N‐NO. NO. NO.

GO THAT ‐‐ THAT WAY.

YOU SURE YOU DON'T WANT ME TO STAY?

NO, SHE DON'T.

ACTUALLY, I WAS TALKING TO THE LADY, NOT THE LITTLE GIRL.

CHUMP.

THAT WAS A GOOD ONE.

HE JUST BE KIDDIN'.

SO...WE'RE BACK TO THIS AGAIN.

NO.

NO? THEN WHAT THE HELL IS GOING ON?

OH, WAIT A MINUTE, WILL. WHAT?

YOU BETTER CHANGE YOUR TONE 'FORE YOU LOSE YOUR TONGUE.

DON'T TELL ME TO CHANGE MY TONE.

WILL.

NO, YOU UP IN HERE KISSING THIS MAN'S UGLY FACE.

WELL...

HE AIN'T REALLY UGLY.

AT ALL.

EXCUSE ME?

LOOK, I DIDN'T ‐‐ WHAT YOU DIDN'T?

I DIDN'T ‐‐ YOU DIDN'T MEAN TO KISS HIM.

WILL. WHAT?

YOU NEED TO CALM DOWN.

NO, I DON'T.

I'M SI ‐‐ I'M SITTING HERE, FALLING FOR YOU.

I GO HOME, I TURN AROUND BECAUSE I'M THINKING ABOUT YOU,

AND I WALK INTO THIS?

LOOK, I KNOW YOU'RE UPSET.

YOU DAMN RIGHT I'M UPSET!

WILL, YOU COULD BE ALL THIS UPSET,

BUT WHAT YOU'RE NOT GONNA DO

IS STAND HERE AND TALK TO ME LIKE THIS.

AND WHY NOT, LINDA? HUH?

YOU KNOW HOW MUCH THIS UPSETS ME.

WELL, MAYBE YOU NEED TO GO HOME AND CALM DOWN

AND COME BACK TOMORROW, AND WE CAN TALK ABOUT THIS AGAIN.

NO, I DON'T NEED TO GO ANYWHERE AND CALM DOWN.

WILL. WHAT?

CALM DOWN.

HOW 'BOUT THIS?

WHAT I NEED TO DO IS NEVER SEE YOU AGAIN.

THIS IS OVER.

WILL.

OVER! NO, YOU KNOW WHAT?

YOU WANT TO PLAY THESE LITTLE HIGH SCHOOL GAMES, GO AHEAD,

'CAUSE I AM OUT.

WILL, PLEASE. GOOD‐BYE!

WILL!

AND THEN HE GOT THE AUDACITY TO LEAVE MY FRONT DOOR OPEN!

I'LL TELL YOU ONE THING, YOU HAD NOT ‐‐

BETTER NOT BRING YOUR ASS BACK HERE, OLD ASHY‐TOED BASTARD!

GET ON MY NERVE.

COME BACK HERE!

I'M GONNA DUSTY RHODES YOU.

KEEP ON PLAYING WITH ME, HEAR?

MAKE ME SICK.

[ DOORKNOB RATTLES ]

[ RATTLES ]

LINDA.

LINDA?

I LOCKED MYSELF OUT, LIN.

LINDA, I'LL LET YOU STAY TWO MORE WEEKS.

LIN!

LI ‐‐

LIN, DON'T STAND THERE AND LOOK ME AT ME LIKE THAT.

OPEN THE DOOR FOR ME. LET ME COME IN.

I SEE THAT FACE YOU MAKING, BUT I'LL GET YOU.

I'M SORRY. JUST OPEN THE DOOR, LIN.

IT DIDN'T TAKE YOU THAT LONG TO UNLOCK THAT DOOR.

WELL, I DIDN'T WANT YOUR AIR CONDITIONING TO RUN OUT.

WHAT IF I'D HAVE LEFT YOUR OLD RED TAIL OUT THERE

ALL THAT TIME THEM MA ‐‐ THEM MANY YEARS?

NEVER MIND.

I CAN'T BELIEVE WILL.

I NEED TO CALL HIM.

GIRL, SIT YOUR TAIL DOWN.

YOU AIN'T FITTIN' TO BE BEGGING HIM.

Linda: I'M NOT BEGGING HIM.

YEAH, WE HEARD HIM.

YOU KNOW, I WAS 'BOUT ‐‐ I WAS 'BOUT TO COME IN HERE.

NO, YOU WEREN'T.

YES, I WAS. YOU WERE IN THERE

PUTTING SOME RAINBOW SPRINKLES ON SOME ICE CREAM.

THEY'RE MY FAVORITE, OKAY,

AND I NEED TO KEEP MY STRENGTH UP!

SORRY.

[ Voice breaks ] I'M TIRED OF GETTING BEAT UP ALL THE TIME

BY MY... GRANDMOTHER?

MM‐HMM.

THAT'S EXACTLY WHAT'S GONNA HAPPEN

IF Y'ALL DON'T GET OUT MY HOUSE.

THAT'S MY CUE.

YOU ALL RIGHT?

YEAH, I'M GOOD, BABY.

YEAH, WELL, I'LL SEE YOU TOMORROW.

OKAY.

LINDA. YOU CHEER UP, OKAY?

I'M NOT SAD, UNCLE FLOYD.

WELL, HELL, CHEER DOWN THEN.

TRYIN' TO HELP YOU OUT.

[ Whispers ] GO, GO.

MAKE ME SICK. THEY AIN'T GOT THE SENSE GOD GIVE A BILLY GOAT.

WHAT YOU LOOKING AT ME LIKE THAT FOR?

'CAUSE THIS IS YOUR FAULT.

WHAT?

WITH HAVING PHILIP HERE.

HOW IS IT MY FAULT?

WHY WAS HE HERE PLAYING CARDS?

FLOYD INVITED HIM OVER HERE.

AND IT JUST SO HAPPEN TO BE

THE SAME NIGHT I'M OUT WITH WILL?

I JUST WANTED TO PLAY SOME CARDS.

MAMA, YOU HAVEN'T PLAYED CARDS IN YEARS.

MY HANDS STARTED ITCHIN'.

SO I THOUGHT MAYBE I CAN WIN ME SOME MANNEY.

YOU NEED TO STAY OUT OF MY BUSINESS.

NO, YOU NEED TO GET YOUR OWN PLACE

SO YOU CAN PUT YOUR BUSINESS OVER IN THERE.

I'M SERIOUS.

AND I'M NOT?

GIRL, DON'T GET MAD AT ME

'CAUSE THAT MAN BUSTED YOU KISSING FLOP.

I WASN'T.

YES, YOU WERE!

ADMIT IT, LINDA.

YOU LIKE FLUP.

I DON'T.

LINDA.

GO AHEAD.

WHY IS IT SO HARD FOR YOU TO ADMIT THAT?

'CAUSE I DON'T.

ALL RIGHT, KEEP ON LYING TO YOURSELF.

I'M NOT.

YES, YOU ARE.

ADMIT IT.

OKAY. FINE.

I LIKE HIM.

NOW WAS THAT SO HARD TO DO?

YES.

WHY?

MAMA, WHY DOES HE EVEN LIKE ME?

WHAT IS WRONG WITH YOU, LINDA?

MAMA, HE IS CUTE AND SEXY.

HE COULD HAVE ANY WOMAN HE WANTS.

AND YOU'RE CUTE

AND YOU'RE SEXY

AND YOU CAN HAVE ANY MAN YOU WANT.

MAMA, LOOK AT ME.

I'M NOT A SIZE 6.

I KNOW THAT.

I'M NOT 25 YEARS OLD.

HE HAS A HOME AND A FAMILY AND A GOOD JOB.

HE COULD HAVE ANY WOMAN HE WANTS.

WHY WOULD HE WANT TO BE WITH ME?

MAYBE YOU NEED TO ASK HIM THAT QUESTION.

I CAN'T.

WHY?

'CAUSE.

WHY NOT, LINDA?

STOP BEATIN' YOURSELF DOWN.

HAVE YOU BEEN THAT BEATEN IN ALL OF YOUR RELATIONSHIPS?

YOU DEALIN' WITH A GROWN‐ASS MAN.

THAT MAN IS 40 YEARS OLD AND HE'S SETTLED.

AND HE'S LOOKING FOR A WOMAN THAT'S SETTLED,

AND THAT'S YOU.

HE AIN'T RUNNIN' 'ROUND HERE LOOKING FOR NO 20‐YEAR‐OLD

THAT'S TRYIN' TO FIGURE OUT WHO THE HELL SHE IS.

YOU KNOW WHO YOU ARE.

HE NEED A STRONG, CONFIDENT WOMAN.

A WOMAN THAT'S STABLE.

AND WHETHER YOU KNOW IT OR NOT, THAT'S YOU.

NOW STOP BEATING YOURSELF DOWN.

PICK YOURSELF UP AND GO GET YOUR MAN.

[ KNOCK ON DOOR ]

HEY, FLIP!

DANNY.

HOW ARE YA?

I'M GOOD. HOW YOU GET MY ADDRESS?

OH. UH...PHONE BOOK.

W‐WHAT ARE YOU DOING HERE?

I JUST CAME TO SEE HOW YOU'RE DOING.

HOW ARE YA?

I'M GOOD. I'M GOOD. AND YOU?

OH, I'M GOOD. YOU KNOW, PRETTY LOOSE IN THE CAGE.

ALL RIGHT. YEAH. YEAH.

GOOD. HOW ARE YOUR KIDS?

MY KIDS ARE GREAT. COME ON IN HERE.

OH.

WHAT A NICE PLACE.

THANK YOU.

GREAT COLORS. NICE AND WARM.

WOW, GREAT DECOR. [ CHUCKLES ]

IS THAT CHENILLE?

THAT'S A BLANKET.

YEAH. A NICE ONE.

LOOK, I KNOW WHY YOU'RE HERE.

OH. WELL, WHY AM I HERE?

YOU LIKE DECORATING, TOO?

[ CHUCKLES ] YEAH.

REALLY GOOD AT IT.

[ SNAPS FINGERS ]

AND THE LADIES LOVE IT. [ CLICKS TONGUE ]

I HOPE IT'S LADIES THAT DON'T HAVE A BEARD.

[ CHUCKLES ]

ME, TOO.

[ CLEARS THROAT ]

ANYWAY... I KNOW WHY YOU'RE HERE.

YOU WANT ME WITH YOUR MOTHER, RIGHT?

OKAY.

YEAH, BUT YOUR MOTHER DOESN'T WANT ME.

OKAY.

SO YOU'RE HERE TO TRY

AND TALK ME INTO CONTINUE PURSUING HER, RIGHT?

OKAY.

AM I RIGHT?

NO.

SO THEN WHY ARE YOU HERE?

I JUST CAME BY TO SAY "HEY, FLIP!"

IT'S PHILIP!

OKAY, I CAME BY TO TELL YOU TO NOT TO GIVE UP ON HER.

DANNY, LOOK,

WHEN A WOMAN IS PUSHING THAT HARD AGAINST YOU,

SHE DOESN'T WANT YOU.

TRUST ME.

THAT DOESN'T STOP SAM.

THAT BOY GOING TO JAIL.

PROBABLY.

SO...WHAT IS IT?

SHE'S ‐‐ SHE'S JUST SCARED.

LOOK, I UNDERSTAND THAT, BUT I'M SCARED, TOO.

YOU ARE?

YEAH, I DON'T WANT MY HEART TO GET DUMPED ON.

I KNOW. NEITHER DOES SHE.

DANNY, WHAT IS IT THAT YOU'RE TRYING TO SAY?

DAMN, MAN!

[ SIGHS ]

I'M TRYING TO SAY THAT MY MOTHER'S WORTH WAITING FOR.

REALLY?

YEAH.

SHE'S THE KINDEST, SWEETEST,

FUNNIEST, CUTEST... [ CHUCKLES ]

MOST BEAUTIFUL PERSON IN THE WORLD.

AND SHE LOVES.

SHE LOVES LIFE. SHE LOVES PEOPLE.

SHE LOVES HER DANNY. [ CHUCKLES ]

SHE LIKES HER MOM A LITTLE BIT.

UH‐HUH.

[ SIGHS ] BUT WHEN SHE LOVES, SHE LOVES REALLY HARD,

AND THE LAST COUPLE GUYS SHE'S BEEN WITH

HAVE BEEN REALLY AWFUL.

YEAH, SHE TOLD ME THAT.

THEN YOU SHOULD UNDERSTAND.

I MEAN, YOU SAID YOU WERE RAISED BY A SINGLE MOM, TOO.

YEAH.

YOU'RE RIGHT. I SAID THAT.

THEN FIGHT FOR HER. COME ON. BE HER KING.

DANNY, IN ORDER FOR ME TO BE YOUR MOTHER'S KING,

SHE'S GOT TO SURRENDER.

I KNOW, AND SHE WILL, BUT SHE JUST NEEDS MORE TIME.

OKAY. [ CLEARS THROAT ] OKAY.

WAIT.

WHAT?

SURRENDER WHAT?

HER HEART.

AH.

OKAY. THOUGHT YOU WAS TALKIN' 'BOUT THAT ASS.

NO, DANNY, I WAS TALKING ABOUT HER HEART.

I'M JUST CHECKIN'.

YOU KNOW HOW YOU OLD MEN THINK. [ CHUCKLES ]

[ CHUCKLES ] I'M NOT OLD.

YOU DON'T EVEN HAVE HAIR. YOU OLD.

IT'S A CHOICE, DANNY.

NO, YOUR HAIR RAN TO THE BACK OF YOUR HEAD,

AND IT'S A CHOICE TO SHAVE THE REST OF IT,

KIND OF LIKE A STADIUM.

ALL RIGHT.

OKAY, DANNY, I‐I HEAR YOU.

LOOK, JUST DON'T GIVE UP ON HER, OKAY?

ALL RIGHT, SON.

THANKS...DAD.

[ CHUCKLES ]

AWKWARD?

YEAH. YEAH, A BIT.

OKAY, ALL RIGHT. UM...GOOD NIGHT.

GOOD NIGHT. ALL RIGHT.

I'M A HUGGER. [ CHUCKLES ]

OKAY. ALL RIGHT.

DON'T DO THAT TO TOO MANY PEOPLE.

OKAY.

ALL RIGHT.

ESPECIALLY STRANGE MEN.

STRANGE MEN NEED IT THE MOST.

GOOD NIGHT, DANNY.

PEACE OUT.

GET OFF MY GRASS!