All language subtitles for 7 Mystery of Puma Punku

I'm in Tiwanaku,
Bolivia, where the

Incas say mankind was created.

Not far from here are the
mysterious ruins of Puma Punku,

which feature magnificent
megalithic blocks.

Today, most archaeologists
believe that Puma Punku was part

of an ancient temple complex,
but they are baffled by the

uniformly shaped and sharp edged
stone blocks found all over the

site.
They are also puzzled by an even

bigger mystery: What type of
structure did these blocks

actually form?
Could it be that the ruins of

Puma Punku offer evidence of
advanced, extraterrestrial

technology being used in the
ancient past?

For an ancient astronaut
theorist, there are few sites on

Earth more intriguing than this
one, and that's why I'm here

investigating the incredible
mystery of Puma Punku.

My name is Giorgio Tsoukalos.
I explore the world that exists

between reality and speculation,
the known and the unknown.

What we've been taught by
mainstream scholars is not the

whole picture.
But I'm convinced that every day

we are one step closer to the
truth.

High in the Andes Mountains, in
the Altiplano desert, is

Tiwanaku, one of the most rugged
and desolate places on Earth.

This region of Bolivia has seen
its fair share of warfare,

invasion and turmoil over the
years, but I'm here to see if it

also experienced contact with
extraterrestrials.

In 1549, while searching for the
capital of the Inca Empire,

Pedro Cieza de León and his
Spanish conquistadors discovered

the ruins of what looked like a
massive temple complex at what

is now called Tiwanaku.
Mainstream archaeologists

suggest that these ruins were
once the center of the Tiwanaku

civilization, with approximately
40,000 inhabitants, but little

is known about the people who
lived here or the structures

they left behind.
Of special interest are the

walls of this large
square shaped courtyard, which

features numerous carved stone
faces that suggest those of

extraterrestrial visitors.
But located just a half a mile

away from the temple at Tiwanaku
lie the ruins of what is thought

to be yet another temple
complex: the mysterious site

known as Puma Punku, "the
Gateway of the Puma."

The name was given by the local
Aymara people, who found

artifacts at the site depicting
imagery of warriors wearing

masks made of puma skulls.
But the Aymara have only

inhabited the area for around
800 years, and Puma Punku is

believed to have been built
thousands of years ago.

But what was it?
A temple?

A meeting place?
Some elaborate monument?

All of these possibilities have
been suggested, but to this day

no one knows just what this
place was, who built it, or

exactly how old it really is.
But what's even more intriguing

is that the blocks here don't
even look like those found at

Tiwanaku.
It is one of the places where

logic no longer makes sense,
because the blocks that we have

here are unique on this entire
planet.

This is the only place.

So check it out.
Here are the awesome, awesome

H blocks.
They're made from solid blocks

of precisely shaped andesite.
Whenever I see them, I I

and this is just this feeling
that you get at Puma Punku

I'm at a loss for words, because
this here is something that

can't be found anywhere else in
the world.

Mainstream archaeologists
believe that these H blocks were

created by hand, with primitive
stone and metal tools.

Tools, I should mention, that
they have never found examples

of.
But what's so very interesting

is that they seem as if they are
part of a larger picture.

That if you put them together,
they form a solid wall, which is

very incredible.
If another block was placed on

top or this was placed on top of
another rock, these are features

that make these two blocks fit
together seamlessly.

Because the one thing that we
have to remind ourselves with

this particular construction
style, no mortar, no binding

agent was ever used.
These pieces are so perfect that

they fit together interlockingly
in such a way that you don't

need anything with which to bind
together the two or three or

hundreds of pieces.
Other examples of this type of

precise, interlocking stonework
can be found in Cusco, at

Saksaywaman and even Machu
Picchu.

But nothing with the
sophistication of this place

right here.
I mean, it's incredibly

enigmatic.
Everywhere I turn, I see more

and more incredible blocks that
can't be explained by mainstream

scientists.
This is pretty amazing.

I mean, check this out.
If you look at this groove

right here...
I mean, forget chicken bones.

You simply cannot do this with
primitive tools.

And you've got these holes
drilled at an equidistant, as if

it's some type of a female piece
to a male piece.

So what was it that actually fit
into this?

Because one thing, to me, is
crystal clear, that this here

or any of these pieces they
have nothing to do with any type

of embellishments.
These look like technical

components, part of a larger,
almost industrial construction.

I've got a little paper clip,

ordinary paper clip that I've
just unfurled.

To see how deep they go, and
they actually go equidistant all

the way down.
I mean, that is something that

cannot be achieved with... with
chicken bones.

As far as I'm concerned, these
stone blocks had to have been

cut with some type of advanced
technology... but what?

Back in 2012, I met up with
machinist and toolmaker Chris

Dunn at his workshop in
Danville, Illinois, to put a

Puma Punku stone sample through
the ultimate test.

We've got a
sample of the laser cut.

This is the diamond wheel cut.
And the top surface is the

original cut surface from Puma
Punku.

So now we can compare the
difference between all three

cuts.
Looking at an actual

piece of precision cut stone
from Puma Punku under a

microscope, Chris compared the
two modern cutting techniques

with the part of the stone cut
thousands of years ago.

Even taking into account
centuries of time and weather,

Chris's comparison revealed
incredible differences.

You've got
vitrification...

upon the laser cut side...
and then, of course, you've got

circular tool marks on, uh...
the the side cut with the

diamond saw.
And then, whatever tool they

used to... cut the ancient
surface must have been a

different method.
Now, do you think

it's possible that some type of
a diamond precision tool was

used on the old surface, but
because it was such a long time

ago, that over time, the surface
became a bit more rough and

we're talking 10,000 or even
15,000 years ago?

That is a reasonable
speculation.

I think we have to start
examining, um...

a little more sophisticated
tools that no longer exist.

The cuts from the
diamond saw were the best

comparison to those found on the
stone blocks at Puma Punku...

so we're talking about the
sharpest, most sophisticated

cutting tool we have today.
So, how could a so called

"primitive society" have
achieved such sophisticated

stone carving techniques?
Check out this block right here.

There's something really cool
about this one.

First, I wanted to show you
true north on my compass...

which, as you can see...
this is true north.

Now, watch what happens.
All of a sudden...

true north is over there.
It's in the complete opposite

direction...
and here, even more so...

down there.
This is wild.

So... what is going on here?
Clearly, this rock has been

somehow magnetized.
So, was it exposed to some

electromagnetic waves?
Or is it like this because, at

some point, these blocks
underwent or came in contact

with something strange?
I mean, this whole place is

bizarre.
Below the plateau, where the

H blocks are located, are the
steps and walls marking the

edges of the Puma Punku mound.
Now I can truly see the scale of

the sight.
If you look down all the way,

you can see, it's perfectly
level, it's perfectly level.

This is a newly excavated area
that I haven't seen before

and again, it shows tremendous
precision.

Check out this, for example,
right here.

What's really interesting is
that you can't even put a

piece of paper in between
the fittings; and no mortar

was used.
So, I mean, this is really

incredible stuff and this is
very, very, very old.

But, at the same time...
it was just utter perfection.

The
Spanish conquerors were not able

to move such gigantic blocks.
And then the Inca ruler said,

"It was not us who made
Puma Punku.

It was the gods."

It was the gods."

just a half a mile from the
H blocks at Puma Punku, is a

giant stone structure called
"The Gate of the Sun."

Here you can find depictions of
the god Viracocha and his winged

children.
Look at those incredible

carvings.
It's one giant piece; a monolith

made of andesite.
It's incredibly difficult to

carve this with any type of
tool, because it has to be

harder than the current
andesite.

In the 1960s, at this
same location, a wall was

excavated to reveal a
fascinating array of stone

heads.
But who do these strange heads

represent?
There is one structure here that

may provide a clue.
This is a place where the

Bennett Monolith was discovered.
And it's a representation of

Pachamama 21 feet tall.
The largest monolith ever

uncovered here.
"Pachamama" essentially means

"the cosmic mother," because
"Pacha" means "cosmos" and

"mama"... well, I don't have to
explain that.

And so the idea is that this is
a place of creation.

And I find that interesting,
because if you look at the

different heads that are built
into the wall, some look, uh,

very different than others.
So the question arises are

these heads representing
different races of humans?

Or are they depictions of the
so called gods alien visitors

who came down from the sky?
It's fascinating to look around

and see these ancient monuments
at Tiwanaku and Puma Punku.

But I still wonder just how old
these ruins really are.

Before I began my investigation,
I made a trip to Switzerland to

talk with my good friend and
mentor Erich von Daniken, who

gave me some great insights into
the history behind these

incredible and mysterious sites.
So, Erich, tell me about Puma

Punku, because what I find
interesting is according to some

translations, somebody suggested
there is a calendar there.

And this calendar goes back some
20,000 or so years.

Now, this calendar,
Giorgio, you are referring to,

is clearly proven.
There are scientific books

written by Dr. Edmund Kiss,
that's 50, 60 years ago, uh,

by Dr.... Professor Bellamy.
I knew him personally.

Brilliant explorers, and they
absolutely deciphered this

calendar of Tiwanaku, and it
dates back at least 24,000 years

in the past.
But our modern archaeology does

not accept these dates because
it contradicts our evolution.

In 1928, German
explorer Edmund Kiss drew

elaborately detailed
re creations of what he believed

once stood at both Tiwanaku and
Puma Punku.

He became one of the first to
suggest that the ancient

structures were far older than
the traditionally accepted date

of 200 AD.
Another German researcher,

Professor Hans Schindler
Bellamy, dated Puma Punku to

before 10,000 BC and theorized
that it was destroyed by a

flood.
The Spanish

conquerors, when they arrived,
they were up there with their

soldiers and they took the Inca,
the ruler of them, and they

showed them these ruins of Puma
Punku and they asked them,

"How did you make this?
Because we, from Spain, we were

not able to move such gigantic
blocks."

And then the Inca ruler said,
"It was not us who made it.

It was the gods who made it in
one simple night."

Mainstream
archaeologists who dismiss the

local stories of gods
constructing Puma Punku have

long argued that ancient people
could have moved these

megalithic stones through sheer
manpower alone.

During an experiment conducted
in 1966, members of the Bolivian

army attempted to drag a two ton
megalithic block and raise it

using only rope.
They barely managed to shift it

by a few inches.
But assuming that the ancient

people here really were able to
somehow raise these giant blocks

using nothing more than rope and
manpower, how did they get them

here in the first place?
Mainstream archaeologists say

the massive stones were hewn at
quarries over 60 miles away and

then they were rolled to Puma
Punku on logs.

But there is one major problem
with this theory.

We're at an altitude of over
12,000 feet, which means there

are no trees, because trees only
grow to a certain altitude.

And if somebody proposes that
this whole place was deforested

and they just cut down the trees
in order to move around these

blocks, then they don't know
what they're talking about.

So the idea of wooden rollers
falls by the wayside.

Like that.

While I'm in
Bolivia, I want to find out what

the local people know and
believe about both Puma Punku

and Tiwanaku.
Right next to the ruins is the

town of Tiwanaku, home to the
native Aymara people.

The Aymara have inhabited
Bolivia as well as Peru and

Chile for at least 800 years,
descending from other cultures

in the area that go back as far
as 5,000 years.

They continue to speak the
native language of their

ancestors, and have kept alive
the oral traditions of their

people for centuries.
With the help of my translator

and guide, Juan Carlos, I've
arranged to meet Rene Quispe, an

Aymara elder and local
historian.

So what can he tell me about the
legends how, for example,

Tiwanaku was built?

The sun god
Viracocha is the Andean creator

and destroyer of worlds.
According to ancient legends,

Viracocha was born on the Isle
of the Sun on nearby Lake

Titicaca.
Eventually, Viracocha

disappeared "over the water as
if it were land, without

sinking," never to return.
Like that.

Yes.
I'm shocked to hear

this Aymara elder mention the
term "Watchers," because the

Watchers are a key component of
the ancient astronaut theory, so

to hear this term associated
with the ancient stories of

Bolivia is pretty awesome.
According to the Book of Enoch,

an ancient Hebrew text found
among the Dead Sea Scrolls, the

Watchers were a group of 200
angels sent to Earth to watch

over the early humans.
But when they mated with human

women and created a race of
giant hybrids, known as the

Nephilim, they angered God and
were banished from returning to

Heaven.
Now, what's really interesting

is that the Inca also tell of
Viracocha creating a race of

giants.
So, hearing an Aymara elder and

historian say that Viracocha was
also considered a Watcher is

incredibly fascinating.
Was there a particular reason

why it was built?

Yeah. Also...
Giants jumped out of

the lake.
Giants.

Oh, they were
shaving off the stones.

Okay, yeah, yeah, yeah.
No?

Like that. No?
The question I would

like to ask is, if we look at
the Gate of the Sun with

Viracocha in the center and all
those winged beings, what is the

significance of it?

No? Pacahacas.
They were... they

were Viracocha's court.
Yeah.

According to the
Anales de Cuauhtitlan, a

document from 1570, Viracocha
said, "If my subjects were ever

to see me, they would run away."
Now, when I hear that, I'm

tempted to ask, "Did Viracocha
need a mask because he didn't

look anything like his
subjects?"

Could he have been a real,
flesh and blood

extraterrestrial?
How does he react when people

say, for example, that this
place here could have been built

more than 10,000 years ago?

I agree that this
place existed before the flood.

It's really interesting to hear this
Aymara elder mention Posnansky when

talking about the date of
Tiwanaku.

Arthur Posnansky spent over 40
years in Bolivia researching and

writing about pre Inca
archaeological sites.

Posnansky proposed that Tiwanaku
was around 17,000 years old, and

he developed his theory after
examining the connections

between the ancient temple
complex and sophisticated

astronomical alignments.
According to his theory, the

structure at Tiwanaku called
"Kalasasaya" was built so that

the sun would rise directly over
the cornerstones on the summer

and winter solstices, and based
on the changing tilt of the

Earth, you'd have to go back at least
17,000 years for that to happen.

Today, many people say that

Posnansky's theories are
miscalculations...

Yeah.
...and that it was

just fantasy.

Yeah.
Hmm?

Right.

Right.

to meet Aymara elder Rene Quispe
and to ask him about the

Aymara traditions.
The three things that stuck out

were, one the giants.
That's amazing stuff that

they came out of Lake Titicaca
and that they used stones with

which to whittle down the giant
blocks.

And then the second one was the
stories about the Watchers.

And that is interesting to me
because the stories of the

Watchers exist worldwide.
And then the third one was that

he completely agrees with the
theories of Arthur Posnansky.

After coming here and seeing
this place firsthand once again,

I'm more and more convinced that
Posnansky was correct and that

the local stories about Tiwanaku
being built by some kind of

extraterrestrial beings might be
more than just mythology.

Much, much more.
I really do think that something

really weird happened at
Puma Punku.

When you see
the articulation of the stones,

they're doing things that are
way beyond.

There was nothing they
couldn't do.

I'm in Peru, meeting
with author and ancient

astronaut theorist David
Childress, a prolific author

on the topic of ancient
technology.

He has spent most of his life
traveling the world and

challenging established
assumptions about mankind's

history.
He's just the person I need to

help me sift through the
evidence and connect all the

dots.
I really do think that, uh, Puma

Punku is one of the few places
in the world where common sense

no longer applies.
Something really weird happened

at some point at Puma Punku.
I mean, when was the last time

you were there?
I was there, uh, just,

uh, about six months ago or so.
David has studied

Puma Punku for decades, and he
believes that it is the key to

showing the connection between
ancient civilizations and

ancient space travelers.
One of the things that I enjoy

talking about is that when we
look at these stones that

obviously have been cut in a
very precise fashion that, in

your opinion, it had to have
been done in an easy fashion

with easy means.
What do you mean by that?

One of the things is
when you see the articulation of

the stones at Puma Punku and
the H blocks are such a good

example the stonemasons were
getting very fancy and they're

doing things that are way beyond
what they need to do.

But it would seem as if, with
the power tools that that I

think they must have had, there
was nothing they couldn't do.

They could be as fancy as they
wanted, because it was easy for

them.
Exactly like this.

It's unnecessary elaboration and
decoration.

You're thinking, oh, this must
be so much labor and moving the

stones and cutting the stones.
Yet it had to be easy for them.

And moving the stones, too, must
have been easy for them.

It's not something that's so
incredibly difficult as as we

would imagine that primitive
architects and engineers would

be doing.
It has been

suggested that some sort of
antigravity technology may have

been used at Puma Punku to lift
and place the massive stone

blocks.
But if that were true, it would

certainly suggest that some sort
of highly advanced technology

was in play here.
You have, also, the

areas with keystone cuts.
And the the poured clamps of

molten metal that went into
those cuts.

Yeah, just like these.
Yeah, right.

And that's such an unusual way
of fitting stones.

And that is something that you
see at the sun temple,

Coricancha in Cusco you'll
find, also, these keystone

cuts and at Ollantaytambo
on the way to Machu Picchu.

Right here.
That's Ollantaytambo right

there.
Right, right.

That's an indication that the
same builders of Puma Punku and

Tiwanaku are also the builders
of the sun temple in Cusco and

at Ollantaytambo and
Saksaywaman, even Machu Picchu.

But then you can go around the
world and find this unusual

keystone cuts in Egypt, in
Greece.

This is at the Giza
Temple.

Okay.
There at at Giza and the Sphinx

temple.
You're also gonna find these at

Borobudur in Java, at Angkor Wat
in Cambodia and at the

megalithic site of My Son
in Vietnam.

These mysterious
keystone cuts exist at a

surprising number of ancient
sites all over the world.

It's a building technique that
involves pouring metal into cut

rock on both sides of a joint.
And it has been suggested that

the clamps that went inside them
were made of copper, bronze,

silver, or a mixture of silver
and gold.

Curiously, in nearly every case
where keystone cuts have been

found, the clamps have been
removed.

Or, possibly, the structures are
so old that the metal has eroded

completely.
But some still contain remnants

of metal, which leaves no doubt
that the architects had at least

rudimentary knowledge of
metallurgy.

You know, stuff like that is
sensational, because it would

imply one of two things.
Either, as you say, they were

the same builders.
Or that they were the same

teachers.
Because, clearly, it is not a

similar construction style; it's
identical.

It's it's not
something that could really have

been developed independently,
and and so the mainstream

archaeologists are basically
just ignoring this.

Because if they were to discuss
this, it would completely wreck

their whole theories that these
people are... are isolated from

each other.
I mean, they had to be made by

the same kind of engineers
and and architects.

Here we have blocks
that some have estimated to be

100 metric tons.
How would you move a 100 ton

block without a crane?
I don't know.

I'm in Peru with

fellow ancient astronaut
theorist David Childress.

We've been discussing the
precision cut stone blocks found

all over Puma Punku.
Many of the blocks contain

keystone cuts, which are also
found at other megalithic sites.

But these aren't the only
striking similarities that exist

between Puma Punku and other
ancient sites found throughout

the world.
There are so many

similarities, including the
monolithic doors that you have

at Puma Punku and Tiwanaku where
these doors are just cut out of

one solid piece of granite.
And you find that, too, uh, at

Persepolis in in Iran, for
instance.

And then, on top of all that,
you've got the Fuente Magna bowl

that's now in the Precious
Metals Museum in La Paz.

Thought to be over
5,000 years old, the Fuente

Magna bowl was discovered near
Lake Titicaca by a local farmer

in the 1950s.
It features hundreds of

triangular carvings that are
strangely similar to the

cuneiform text used by the
ancient Sumerians.

But what is a bowl featuring
Sumerian text doing more than

8,000 miles from Sumeria or, as
we know it today, Iraq?

Could it be further evidence
that what ancient astronaut

theorists have been saying for
decades might be true?

Could early humans, at one time,
really have been influenced by

visitors from another planet?
That bowl has two

forms of Sumerian writing on it,
Sumerian hieroglyphs and

Sumerian cuneiform.
It's been authenticated by

Bolivian archaeologists, and all
that mainstream archaeologists

can do at this point is ignore
it.

It's not something they could
ever address because it would

completely blow all of their
theories out of the water.

What makes a
Bolivian archaeologist less

mainstream than all the other
mainstream archaeologists?

In my opinion, nothing.
So why aren't they confirmed by

the rest of archaeology?
It would change

history.
The Fuente Magna bowl is

basically proof that the
Sumerian Anunnaki were coming to

South America.
I believe that Tiwanaku and

Puma Punku, uh, were were mining
centers.

The idea of Sumerian
writings being discovered near

Lake Titicaca would relate to
the theories of author Zecharia

Sitchin and his proposal that
the Sumerians were interacting

with a highly advanced
extraterrestrial race known as

the Anunnaki.
History has to be rewritten.

Eventually, they'll
have to address these things.

I look forward to, uh, whatever
results you come up with.

I'll definitely keep
you posted on my my findings.

After speaking with David
Childress, I'm more convinced

than ever that Puma Punku was
constructed with the assistance

of extraterrestrials, but my
questions of what these blocks

actually formed and how the
structure was destroyed still

remain unanswered.
To get a better picture of just

what this incredible site might
have looked like when it was

first built, I returned home to
meet with Casey Hemmatyar, a

forensic structural engineer
based in Los Angeles.

With more than 30 years of
experience investigating all

types of structures and building
materials, I knew that Casey

would be the perfect person to
analyze what Puma Punku was

built to be and what violent
forces might have led to its

destruction.
Mr. Hemmatyar?

Hello. I'm Giorgio.
Great pleasure to meet you.

So, in your opinion, how do you
think something like this was

cut?
The first thing is

that how these people, uh,
several thousand years ago had

this ability and this precision
and the knowledge to create such

a structure.
Is it impossible to use a copper

tool in order to create these?
Um, probably, yes.

Because you need a material that
has a much higher hardness in

order to achieve these goals.
In modern days, we do these type

of, uh, structures.
We call them tilt up.

Let's say this wall is
three story, okay?

So what we do, we come right
next to that particular site, we

place wood forms all around it.
Once we place the reinforcing,

then we pour concrete into this
and we flatten the surface and

we let it stay there to cure for
several days.

Then we have special cranes that
come, and then we lift them.

They bring down.
Now, we're doing this at the

same time on four sides.
So what you're

telling me is the way it works
is that the whole thing is

raised by a crane, like this.
Yes.

So in reference to
Puma Punku with all of this, I

mean, here we have blocks that
some have estimated to be around

100 metric tons, and we're also
at an altitude of almost 13,000

feet, so the air is rarified.
You know, it's, uh, kind of a

dicey place up there if you're
not in physical shape.

So how would you move a 100 ton
block without a crane?

Uh... I don't know.

Even to an expert
like Casey Hemmatyar, the

methods used to carve the stones
at Puma Punku and then lift them

into place remain a mystery.
But now I'm even more eager to

find out not only how Puma Punku
was built but why.

I'm in Southern
California in the offices of

Forensic Structural Engineer
Casey Hemmatyar.

Using CGI technology, Casey has
spent the last three weeks

constructing a three dimensional
model of Puma Punku.

And now he's about to show me
not only what he believes it

might have looked like but how
it was ultimately destroyed.

Here we've got some
visualization of what potential

combination of putting these
together to create the platform.

Man, I'm blown away
by what Casey is showing me, a

three dimensional model of what
Puma Punku might have looked

like more than 10,000 years ago.
It's unlike any other model I've

ever seen.
It even has a large platform

area that I can imagine being
used as some kind of a launching

pad.
Was Puma Punku some type of

spaceport for ancient
astronauts?

Or the headquarters for a team
of alien engineers and

scientists sent to explore the
Earth?

This is cool looking.
Really awesome.

But now I'm more puzzled than
ever.

How could such a large and
magnificent structure have been

so completely destroyed?
As a forensic structural

engineer, do you think that an
explosion might have been a

reason for the destruction of
Puma Punku?

The size of these, uh,
stones, the weight of them, the

mass and the way I look at the
pictures of the remains of

these, it's my opinion that
it it would be very remote that

that would've been the cause.
Okay, so then what

does that leave us with?
The concept of flood

would make more sense to me.
Casey's computer

animation of Puma Punku is
consistent with various theories

which suggest that the enormous
stone blocks were somehow lifted

up and then dropped down.
It's also consistent with what

I've been hearing from everyone
I've spoken with so far that

Puma Punku was built sometime
before the Great Flood.

The soil becomes
almost liquid.

Getting saturated by water, it
loses its stability, and

therefore it's not capable of
providing support to the

structure above anymore.
And with the movement of water

itself, that can cause movement
of those objects.

The idea that Puma
Punku was destroyed by a flood

makes perfect sense because
seashells and fossils of fish

have been found here, even
though the nearest body of

water is more than ten miles
away.

The cataclysm or the flood is
strong enough to jumble up the

original place of these blocks
right away.

Every legend, every mythology
has a core of truth, and that is

my quest.
Casey, thank you very much for

your time.
My pleasure.

There is now very
little doubt in my mind that

Puma Punku was built with some
sort of extraterrestrial

technology and that its
destruction was probably caused

by a great flood, perhaps the
same flood that is described in

the Old Testament.
This has been an amazing

journey.
And while I'm even more

convinced that mankind had alien
ancestors, I need to find more

evidence.
And so this is why I'm off once

again in search of aliens.
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