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Eߣ�B��B��B�B�B��matroskaB��B��S�g��M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS���BM��S��T�gS���T�O�I�f@�*ױ�B@M��libebml v1.4.4 + libmatroska v1.7.1WA�mkvmerge v81.0 ('Milliontown') 64-bitD��AC�4Da� F)Zd��{��Doctor.Who.2005.S07E05.720p.BluRay.x264-GalaxyTVs��}�YS�X�i�H���P@ T�kȮ�ׁsňA䨟��H������S_TEXT/UTF8"���enSn�GalaxyTV - small excellence!�D,C�u�� �����New York.��d�����dThe city of a million stories.�� �������Half of them are true. The other half...�� xC�u��+�����just haven't happened yet.���C�u��C3�����Statues, the man said.��������Living statues that moved in the dark.�� XC�u�炂?�����So, will you take the case, Mr. Garner?�� ������hSure. Why not?���C�u�炚���Because you don't believe me.��h�͡ǁhFor $25 a day plus expenses, I'll believe any damn thing you like.��0C�u�炲������But you don't believe that statues can move.�� �C�u���!�����And you're right, Mr. Garner.��̠�����They can't.��r����� >Of course they can't...��cC�u��쉠����when you're looking.���������Good night, Mr. Grayle.���C�u@��zg�ϡɁThe address Grayle gave me was an apartment block near Battery Park.��������dHe said it was where the statues lived.�� C�u���_�����I asked him why he didn't go look himself.�� 𠛡�� �He didn't answer.���C�u���������Grayle was the scariest guy I knew.�� ������ �If something scared him...���C�u���͠����I kind of wanted to shake its hand.�� �C�u��r٠����Hello?��ؠ���� �Hello?���C�u��ё�����What the...���C�u��q������Hello?���������Anyone home?���C�u���預���Hello?���C�u��S�����Who are you?��Ġ¡�� �They're coming for you. They're going to send you back.�� DC�u��������Who's coming? Back where?��b�����bIn time.��h����� �Back in time.��HC�u��3!�����I'm you.��ߠ����8I'm you.�� �C�u�� 4�����You got to be kidding me.��SC�u���䠪���"New York growled at my window,�������� C"but I was ready for it.���C�u@����ʡā"My stocking seams were straight, my lipstick was combat-ready,����ˡŁ�"and I was packing cleavage that could fell an ox at 20 feet..."��@C�u�� ������Doctor, you're doing it again.��n�����nI'm reading. Aloud.�������� �Please, could you not?���C�u@��-W�����There's something different about you, isn't there?��ᠪ����What's the book? Melody Malone.��נ�����She's a private detective in old town New York.�� C�u��J�����She's got ice in her heart and a kiss on her lips�� j����� jand a vulnerable side she keeps well-hidden.�� EC�u@��c��Oh, you've read it? No, you read it. Aloud.���������And then went "Yowzah!"���������You know, only you could fancy someone in a book.�� ZC�u��|頶���I'm just reading it. I just like the cover.�� ������ �Can we see the cover? No, no, I'm busy.�� �C�u@���?�����It's your hair.��P�����PIs it your hair? Oh, shut up, it's the glasses.�� T�ʡā�I'm wearing reading glasses now, on my nose, see? There you go.���C�u���������I don't like them. They make your eyes look all liney.�� ������ 4No, actually, sorry.��>C�u@��������They're fine. Carry on.��v�����vOkay, I'm going to go and get us some more coffee.��z������Who wants more coffee? Me, too. I'll go. Rory...�� JC�u��蹠����do I have noticeable lines on my eyes now? Yes.�� J����� JNo.��x������You didn't look.��,C�u���������I noticed them earlier. Didn't notice them.�������I specifically remember not noticing them.�� �C�u��a�����You walk among fire pits, Centurion.�� 8����� 8Do I have to come over there? You can if you like.�� �C�u��)������Well, we have company.�� ����� I'll get a babysitter.���C�u��AT�����Do you know, it is so humiliating when you do that.��ߠ����-Coffee? Coffee.��C�u��`������Can I have a go?���C�u��vq�����Actually, that is much better.��Ơ�����That is exciting.�����Read to me.��VC�u@��_�����I thought you didn't like my reading aloud.�������Shut up and read me a story. Just don't go, "Yowzah!"�� �C�u@���Y�ɡÁWhy did you do that? I always rip out the last page of a book.�� 蠷��� �Then it doesn't have to end. I hate endings.�� &C�u���렣���"As I crossed the street,���������"I saw the thin guy, but he didn't see me.��C�u���Ѡ����"I guess that's how it began."���C�u@�����ʡā"I followed the skinny guy for two more blocks before he turned���������"and I could ask exactly what he was doing here.�� �C�u@���ՠ¡��"He looked a little scared, so I gave him my best smile�� d����� d"and my bluest eyes."��������bAnd beware of the yowzah.���C�u���5�����Do not, at this point, yowz.�� 2C�u���7�����Doctor?��Ҡ�����What did the skinny guy say?��֠�����He said,���C�u���_�����"I just went to get coffees for the Doctor and Amy.�� @����� @"Hello, River."���C�u�� ݠ����Hello, Dad.���������Where am I?���������How the hell did I get here?��C�u�� !o�����I haven't the faintest idea,�������� ,but you'll probably want to put your hands up.���C�u�� N)�����Melody Malone? You're Melody?�� C�u@�� b֠����Get in.��G�š��GWhat's River doing in a book? What's Rory doing in a book?�� ^������He went to get coffee. Pay attention.���C�u@�� {�����He went to get coffee and turned up in a book.��J�����JHow does that work? I don't know, we're in New York.�� 5C�u�� �'�����What is going on?��������PWhere did you get this book?��BC�u@�� �������It was in my jacket. How did it get there?�������How does anything get there? I've given up asking.��^����� zDate, date, does she mention a date?��>C�u�� �q�����When is this happening? Yes, hang on.�� ����� Ooh, April 3rd, 1938.�� LC�u�� ������You didn't come here in the Tardis, obviously.�� 2����� 2Why? You couldn't have.�� nC�u�� ﯠ����Couldn't have? What does she mean? Couldn't have?�� 0����� 0This city's full of time distortions.�� TC�u�� 3�����It'd be impossible to land the Tardis here.�� ����� Like trying to land a plane in a blizzard.�� �C�u@�� E�����Even I couldn't do it.��"�����"Even who couldn't do it? Don't you two fall out,�� �������she's only in a book.���C�u�� 7�����1938. Easy one.�� ,C�u�� v������What was that?��h�����h1938. We just bounced off it.�� RC�u�� �������Well, how did you get here? Vortex manipulator.�� ��� �Less bulky than a Tardis.�� C�u�� �������A motorbike through traffic.�� ����� >You?���C�u�� �������I'm not sure.�� �C�u@�� ꋠ����The Weeping Angels?�������It makes sense. It makes what?����á�� �That's what happened to Rory. That's what the Angels do.��HC�u@�� �������It's their preferred form of attack.���������They zap you back in time, let you live to death.�� ��ơ��@Well, we've got a time machine. We can just go and get him.�� C�u@�� 頯���Well, tried that, if you've noticed,���������and we are back where we started in 2012.�� ��¡��8We didn't start in a graveyard. What are we doing here?��XC�u�� 3y�����I don't know. Probably causally linked somehow.�� ~����� ~Doesn't matter.��ؠ����VExtractor fans on!���C�u@�� H��ѡˁWell, we're going to get there somehow. We're in the rest of the book.�� 젝��� �I'm what? Page 43.�� �����You're going to break something. I'm what?�� �C�u@�� bǠ����"Why do you have to break mine?" I asked the Doctor.�� 8�١Ӂ 8He frowned and said, "Because Amy read it in a book and now I have no choice."�� @C�u�� w?�����Stop! No, no. Stop!�� `����� `You can't... You can't read ahead.���C�u@�� �?�ѡˁYou mustn't, and you can't do that. But we've already been reading it.�� ʠġ�� �Just the stuff that's happening now, in parallel with us.�� �C�u@�� �������That's as far as we go. It could help us find Rory.���������And if you read ahead and find that Rory dies?���C�u�� �������This isn't any old future, Amy, it's ours.�� ������ �Once we know what's coming, it's fixed.��C�u@�� �!�ԡI'm going to break something because you told me that I'm going to do it.���������No choice now. Time can be rewritten.�� `C�u�� 硠����Not once you've read it.�������� ^Once we know what's coming, it's written in stone.�� 8C�u�� $7�����Early Qin dynasty, I'd say.�� 8����� 8Correct.�������@Are you an archaeologist as well as a detective?�� C�u@�� J������Okay, landing a plane in a timey-wimey blizzard.�� ������ �I could push through, but if I'm out by a nanosecond,�� �C�u�� `#�����the engines will phase and I'll shatter the planet.�� ������ I need landing lights. Landing lights?���C�u@�� s砮���Yes, I need a signal to lock on to.��䠰����What did she say? Early what dynasty?��T�����8Early Qin, just as you say.�� FC�u@�� ������You're very well-informed.�������And you're very afraid.��"����� &That's an awful lot of locks for one door.�� �C�u�� �'�����River, I'm translating.���������It's a gift of the Tardis, it hangs around.��������BThis one...��,C�u�� ϕ�����put him somewhere uncomfortable.�� L����� LWith the babies, sir?��r������Yes, why not?���C�u�� �������Give him to the babies.���C�u�� ߠ����The lights are out.��@�����@You'll last longer with these.���C�u�� -נ����What do you care?��x����� `It's funnier.��C�u�� U᠐���Hello?���C�u�� {C�����Ah, hello, yes.�� �頯���Special commission from the Emperor.��NC�u�� �נ����Hello, sweetie!�� ����� �Let's see...��$������crime boss with a collecting fetish.�� �C�u�� �ՠӡ́Whatever you don't want anyone else to see has got to be your favourite.��ڠ�����Or possibly...��RC�u�� ������your girlfriend.���C�u�� �y�����So, girlfriend, then.�����What are you doing? Oh, you know,�� C�u��5�����texting a boy.���C�u�� Locking on.��C�u��^��ơ��These things are all over, but people don't seem to notice.�� f�����It never moves while you're looking.�� $C�u��x������Oh, I know how they work.��������pSo I understand.��栘����Melody Malone,��C�u���������the detective that investigates Angels.�� ,�����Badly damaged. I wanted to know...�� C�u���/�����if it could feel pain.��P�����PYou realise it's screaming?��@����� The others can hear.���C�u��Ż�����Is that why you need all the locks?�� �C�u���o�����You're going to tell me all about these creatures.���������And you're going to do it quickly.�� 8C�u��9)�����Hello, is someone there?��C�u���������Come on. Oh, come on!�� iC�u���Ѡ����The Angels are predators. they're deadly.�� 2����� 2What do you want with them? I'm a collector.�� �C�u@��ᠭ���What collector could resist these?�� ������ �I'm only human.��֠�����That's exactly what they're thinking.��fC�u��.;�����What's that?�� ����� What's happening?��𠞡�� �Is it an earthquake?��C�u��Y������What is it?������� �Oh, you bad boy. You could burn New York.�� �C�u��x�����What does that mean?��ࠟ����It means, Mr. Grayle,���������just you wait till my husband gets home.�� �C�u��������Come on!��j�����jJust a moment, final checks.�� V����� �Since when?���C�u���������Rory?�������� 6Rory?���C�u�� �����Rory?�� Not if I can get loose.�� �C�u@��o_�����So where are we now, Dr. Song? How's prison?��x�ǡ��xOh, I was pardoned ages ago. And it's Professor Song to you.���C�u���堙���Pardoned? Mmm.��R�ʡāRTurns out the person I killed never existed in the first place.�� C�u���W�����Apparently, there's no record of him.��Рá���It's almost as if someone's gone around deleting himself�� C�u���)�����from every database in the universe.�� ������ �Mmm, you said I'd got too big.�� �C�u@���i�ΡȁAnd now no one's ever heard of you. Didn't you used to be somebody?�� ����� Weren't you the woman who killed the Doctor?���C�u���i�����Doctor who? Ha.�� �She's holding you very tight.��bC�u@���a�ѡˁAt least she didn't send me back in time. I doubt she's strong enough.�� ������ �Well, I need a hand back, so which is it going to be?�� �C�u�����Are you going to break my wrist or hers?�� '������Oh, no. Really?�� �C�u��2�ȡWhy do you have to break mine? Because Amy read it in a book.�� Ԡ���� �And now I have no choice.�� �C�u@��S������You see?��d�����dWell, what book?�������� �Your book.���������Which you haven't written yet, so we can't read.�� �C�u@��r������I see. I don't like the cover much.��>�ϡɁ>But if River's going to write that book, she'd make it useful, yeah?�� �C�u@���o�ѡˁWell, I'll certainly try. But we can't read ahead, it's too dangerous.�� ����� I know, but there must be something we can look at.���������What, a page of handy hints, previews, spoiler free?��C�u��������Chapter titles.���C�u���!�����He's in the cellar. Give me.��zC�u���1�����Doctor?��������rDoctor, what is it? What's wrong? Tell me.�� C�u��������Doctor?���������Doctor, what is it? Tell me.���C�u��+������Okay, I know that face. Calm down.��⠙����Calm down! No!���C�u@��?)�����Talk to me. Doctor! No!��Ơ���� 2You get your wrist out. You get your wrist out���������without breaking it.���C�u��\�����How? I don't know, just do it.���������Change the future!�� $C�u��������Rory?��Ҡ����No! They're Angels.���C�u��������Baby Angels.��2����� �Did they get Rory?��������Where is he? Did they take him?���C�u��œ�����Yes, I think so, yes.���C�u@��Ϡ����So, is this what's going to happen?���ءҁWe just keep chasing him back in time and they keep pulling him further back?�� �����%He isn't back in time.�� C�u@��-��ɡÁI'm reading a displacement, but there are no temporal markers.�� ���� �He's been moved in space, but not in time,�� by the look of it.�� ������>You got out.���C�u��^w�����So, where is he?���C�u@��������Well, come on, come on, come on. Where is he?���������If it was that easy, I'd get you to do it.��������LHow did you get your wrist out without breaking it?�� "C�u���s�����You asked, I did. Problem?�� ����� \You just changed the future.��@C�u@��������It's called marriage, honey. Now, hush, I'm working.�� ������ �She's good, huh?��֠�����Have you noticed? Really, really good.���C�u@������Wherever it is, it's within a few blocks.���������There's a car out front. Shall we steal it?��������$Show me!���C�u��k������Okay, when all those numbers�� ��ȡ �on both units go to zero, that's when we've got a lock, okay?�� HC�u���o�����It's how we find Rory. Got it.�� �����0Why did you lie to me?���C�u@�������When one's in love with an ageless god�� Z����� Zwho insists on the face...��p������of a twelve-year-old,��lC�u���e�����one does one's best to hide the damage.�� ������zIt must hurt. Come here.��pC�u���O�����Yes.�� ����� �The wrist is pretty bad, too.��NC�u��/������No. No, no.�������No, stop that. Stop that. Stop it!�� C�u��JW�����There you go.��ɠ���� �How's that?���C�u��`#�����Well...���������let's see, shall we?��l�����^That was a stupid waste of regeneration energy.�� C�u@��}������Nothing is gained by you being a sentimental idiot.�� ����� River! No, you embarrass me.��Ơ�����River!���C�u���E�����Tell you what. Stick to the science part.�� "C�u���w�����Okay.��a������Why did you lie?��M����� Never let him see the damage.���C�u��砜���And never, ever...�� ����� let him see you age.��4C�u��E�����He doesn't like endings.���C�u��4g�����There you are.��0����� �Got it. He's at a place called Winter Quay.�� C�u��J �����The car, yes, let's go.��C�u@��������Why would they send him here?���������Why not zap him back in time like they normally do?�� M������We'll know that when we know what this place is.�� C�u���a�����Winter Quay.���C�u���Š����Rory? He's close.������� �Rory!���C�u���Ϡ����Rory! Amy.��젓����Doctor...���C�u��/�����look at this.������� NWhy is it smiling?��bC�u��2g�����Amy, Rory!��h�¡��hGet out of here! Don't look at anything. Don't touch...�� �����vWho's that?���C�u��R�����Amy...��ՠ���� Amy, please...�� C�u���������Amy...��Z����� 2Please.��C�u���W�����Please.��C�u��������Rory?���C�u���ߠ����He's you.��:C�u�������Amy...��C�u��7/�����Someone, please, tell me what is going on.�� rC�u��]������I'm sorry, Rory.��̠���� �But you just died.���C�u@��������This place is policed by Angels.��n�š��nEvery time you try to escape, you get zapped back in time.��
�����xSo this place belongs to the Angels? They built it?�� JC�u���Ѡ����Displacing someone back in time creates time energy,�� "����� "and that is what the Angels feed on.�� DC�u���7�����But, normally, it's a one-off, a hit-and-run.�� H����� HIf they could keep hold of their victims,��RC�u���Ѡ����feed off their time energy over and over again...��2C�u�� ������This place is a farm. A battery farm.�� X�����|How many Angels in New York?���C�u@��������It's like they've taken over every statue in the city.���������Yeah, the Angels take Manhattan because they can.��*������Because they've never had a food source like this one.���C�u��6������The city that never sleeps.���������What was that?���C�u��[�����I don't know.��@������But I think they're coming for you.���C�u��q������What does that mean?��>�͡ǁ �What is going to happen to me? What is physically going to happen?�� �C�u���w�����The Angels will come for you.����̡Ɓ�They'll zap you back in time to this very spot, 30, 40 years ago.�� C�u���Ǡơ��And you will live out the rest of your life in that room...��D�����juntil you die in that bed.�� �C�u@���O�����And will Amy be there?���������No. How do you know?�� ܠ����pBecause he was so pleased to see you again.�� C�u���A�����Okay.��2�����2Well, they haven't taken me yet.��\������What if I just run?���C�u@���̡ƁWhat if I just get the hell out of here? Then that never happens.�� ������ �It's already happened, Rory.��T������You've just witnessed your own future.�� ZC�u��+�����Doctor, he's right. No, he isn't.�� ������ �If Rory got out, it would create a paradox.�� �C�u@��A������What is that? This is the Angels' food source.�� r����� rThe paradox poisons the well. It could kill them all.�� JC�u��W������Oh, this whole place would literally un-happen.�� T����� TIt would be almost impossible.�� �C�u��ni�����Loving the "almost".��(�͡ǁ(But to create a paradox like that takes almost unimaginable power.���C�u���7�����What have we got, eh? Tell me, come on, what?�� hC�u���A�����I won't let them take him. That's what we got.�� �C�u@���S�����Whatever that thing is, it's getting closer.���������Rory, even if you got out,�� ������you'd have to keep running for the rest of your life.�� (C�u��� �����They would be chasing you forever.���������Well, then...��������Bbetter get started.��@C�u��冗���Husband, run!��@C�u�� W�����River, I'm not sure this can work.��z�����zHusband, shut up.��:C�u��H�����Up. What good's up?���������Better than down.��F������We can't keep doing this. Any ideas?��\C�u��aC�����Yeah, the usual.�������Run!���C�u���O�����Okay. Fire escape.��̠���� �I always wanted to visit the Statue of Liberty.�� �C�u���������I guess she got impatient.���C�u���٠á��What? What is it, what? You just keep your eyes on that.�� ����� Oh, God. Is there a way down?���C�u��砍���No.��蠠����But there's a way out.��������What are you doing?��+C�u��+7�����Rory, what are you doing?�� ������Rory...��8C�u@��Cݠ����Stop it. You'll die. Yeah, twice.�� ������ �In the same building on the same night.�� ������Who else could do that? Just come down, please.�� �C�u��_S�����This is the right thing to do.��̠���� .This will work. If I die now, it's a paradox, right?�� PC�u��tѠ����The paradox kill the Angels. Tell me I'm wrong.�� @����� �Go on, please, because I'm really scared.�� PIt's the one time you can't manage it.��lC�u���������Amy.��Π�����I'm going to...��ڠ����rneed a little help here.���C�u@���g�����Just stop it. No, just think it through.�� ����� This will work. This will kill the Angels.��X�����rIt will kill you, too. Will it?�� .C�u@�� �͡ǁRiver said that this place would be erased from time, never exist.�� j����� jIf this place never existed, what did I fall off?��������hYou think you'll just come back to life? When don't I?���C�u��#/�����Rory... And anyway, what else is there?�� ⠿��� �Dying of old age downstairs, never seeing you again?�� �C�u��:'�����Amy,���������please,��F����� �if you love me,��"������then trust me and push.�� LC�u��d������I can't. You have to!��⠔����Could you?�������� �If it was me, could you do it?�� XC�u���K�����To save you...��|����� I could do anything.���C�u���Š����Prove it. No, I can't take you, too.��4�����4You said we'd come back to life.��>C�u�� ˠ����Money where your mouth is time. Amy... Shut up.�� C�u�� "V�����Together...��j������or not at all.���C�u�� 6������What the hell are you doing?��Ҡ�����Changing the future.��6C�u�� Q_�����It's called marriage.�������XAmy!�� C�u�� j������Amy!��d������Amy!���C�u�� �y�����Doctor!���C�u�� ����What's happening?��P����� 6The paradox.��j������It's working.���C�u�� �k�����The paradox is working.��mC�u@��!D�����Where are we? Back where we started.�������� �You collapsed the timeline. The paradox worked.��Р����vWe all pinged back where we belong.���C�u@��!\q�����What, in a graveyard?���������This happened last time. Why always here?��0����� �Does it matter? We got lucky.�� C�u@��!re�����We could have blown New York off the planet.��J�ԡJI can't ever take the Tardis back there, the timelines are too scrambled.�� JC�u��!�K�����I could have lost you both.�������� Don't ever do that again.�� PC�u��!�������What did we do?�������We fixed it, we solved the problem.��������I was talking to myself.��{C�u��!������It could do with a repaint.��6����� �I've been busy.��������Does the bulb on top need changing?�� 8C�u��!�ᠵ���I just changed it. So, Rory and Amy, then.��h�����hYes, I know, I know.��C�u@��"X�����I'm just saying.��Q�ʡāQThey're going to get terribly bored hanging round here all day.�� |������Doctor. Ha!���C�u@��"������Look, next time, can we just go to the pub?��0�����0I want to go to the pub right now.�� B�����rAre there video games there? I love video games.�� C�u��"9�����Right, family outing, then.���C�u@��"\/�����Amy.���������Come and see this. What?����ʡā bThere's a gravestone here for someone with the same name as me.�� �C�u��"vo�����What?��{������Doctor!���C�u@��"�堭���Where the hell did that come from?��4�����4It's a survivor.�������� �It's very weak, but keep your eyes on it.�� .C�u��"�ɠ����Where's Rory?��VC�u��"�%�����I'm sorry.������� TAmelia...��������>I'm so, so sorry.�� �C�u��#?�����No. No, we can just go and get him in the Tardis.�� ������ �One more paradox... Would rip New York apart.�� �C�u��#��á��That's not true, I don't believe you. Mother, it's true.�� �C�u@��#7?�����Amy, what are you doing?��֠Сʁ�That gravestone, Rory's, there's room for one more name, isn't there?�� �������What are you talking about? Back away from the Angel.��C�u@��#Q٠����Come back to the Tardis. We'll figure something out.��v�š��vThe Angel, would it send me back to the same time, to him?�� 2������I don't know. Nobody knows.���C�u@�#n1�����But it's my best shot, yeah? No!�������Doctor, shut up! Yes. Yes, it is.��Ԡ�����Amy... Well, then.��xC�u@��#�������I just have to blink, right? No!�� R����� RIt'll be fine. I know it will.��:������I'll be with him, like I should be.�� C�u��#�������Me and Rory together.���C�u��#������Melody?��j�����jStop it, just, just stop it!�� �C�u@��#ߑ�����You look after him.��v�����vAnd you be a good girl, and you look after him.�� ������You are creating a fixed time.�� �C�u��#�������I will never be able to see you again. I'll be fine.���������I'll be with him. Amy, please...�� JC�u��$������just come back into the Tardis.�� ����� Come along, Pond, please.��PC�u��$H������Raggedy Man...�������� Ngoodbye.��C�u��$�i�����River...��2�����they were your parents.���C�u��%��Sorry.���������I didn't even think.���������It doesn't matter.���C�u��%+ �����Of course it matters. What matters is this.�� 2����� 2Doctor...��P�����4don't travel alone.��6C�u��%QK�����Travel with me, then.��C�u��%es�����Whenever and wherever you want...�� �C�u��%z������but not all the time.�������One psychopath per Tardis, don't you think?�� C�u@��%�������Okay.���������This book I've got to write, Melody Malone.��>����� �I presume I send it to Amy to get it published?�� 8C�u��%����Yes. Yes.���C�u��%�[�����I'll tell her to write an afterword.���������For you.���C�u��& �����Maybe you'll listen to her.���C�u��&-_�����The last page!��(C�u��&{�����Afterword, by Amelia Williams.�� t����� JHello, old friend.�������\And here we are,��|C�u@��&�ߠ����you and me,��P�����Pon the last page.���ʡā�By the time you read these words, Rory and I will be long gone.���C�u��&�������So know that we lived well, and were very happy.�� 䠝���rAnd above all else,���C�u��&�O�����know that we will love you always.�� t�����8Sometimes I do worry about you, though.�� �C�u@��&�Y�����I think, once we're gone,���������you won't be coming back here for a while,�� t������and you might be alone,��lC�u��&�������which you should never be.��Ԡ�����Don't be alone, Doctor.���C�u��'������And do one more thing for me.�� B����� �There's a little girl waiting in a garden.�� �C�u@��'.?�����She's going to wait a long while,��X�����Xso she's going to need a lot of hope.�� ܠ����4Go to her. 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