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[♪]
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-I DON'T GET IT.-NO.
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YOU'RE BREAKINGTHE RULE.
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I'M DOING THE RIGHT THING.
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I'M THE OLDESTAND I'M IN CHARGE.
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WELL, YOU'RE NOT DOINGA VERY GOOD JOB OF IT.
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JUST TRUST ME.
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HI, MR. EVERETT!
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WELL, HEY,IT'S PEGGY, MARY LOU AND BUNNY.
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MY FAVORITE FAMILY.
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WHAT CAN I DO YA FOR?
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HOW MUCH TO MAIL THISTO DENVER?
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IT HAS TO GET THERE FAST.
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WELL... LET ME SEE.
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SO HOW ARE YOU ALLGETTING ALONG THESE DAYS?
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[MARY LOU]: TWO OF THE COWSWOULDN'T GET UP THIS MORNING.
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I THINKIT'S MILK FEVER...
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BUT THE OTHER COWSARE FINE.
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WE'VE GOT PLENTY OF MILK
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AND SOME REAL GOODCHEESE THIS WEEK.
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WELL, I WILL JUSTHAVE TO STOP BY
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AND SOME REAL GOODAND PICK ME UP SOME.WEEK.
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DID YOU WANT TO SEND THATFIRST CLASS?
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YES.
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OKAY, THAT'LL BE $5.78.
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IS THERE A...SIXTH CLASS?
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LET ME SEE.
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HOW MUCH YOU GOT?
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$2.05.
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BY GOLLY, THAT'S GONNA DO IT.
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AND WITH TWO CENTSTO SPARE.
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ALL DONE!OUGHTA BE THERE BY FRIDAY!
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THANK YOU.
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BUNNY, GIVEMR. EVERETT A NICKEL.
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[MR. EVERETT]: THANK YOU.
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BUNNY, GIVEMR. EVEAND THIS...EL.
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IS FOR YOU.
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BUNNY, GIVE[MARY LOU]:MR. EVEAND THIS..THANK YOU.
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IS AND CAN YOU PLEASE
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MARK IT "FRAGILE"?
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WILL DO.
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WHAT DO YOU GOT IN HERE ANYWAY?
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HOPE.
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[♪]
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♪ IT'S NO SECRETI DON'T CARE ♪
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♪ GONNA SHOUT IT OUTEVERYWHERE ♪
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♪ I LOVE MY BABY ♪I DON'T CARE ♪
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♪ HOT, COLD, FAST OR SLOW ♪
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♪ I LOVE MY BABY ♪
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♪ GONNA TELL EVERYBODY I KNOW ♪
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[♪]
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♪♪ IN THE EVENING, IN MY BED ♪♪
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♪ I HEAR VOICES IN MY HEAD ♪
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♪♪ I♪ THEY SAY, "NEVER... ♪D ♪♪
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♪♪ NEVER EVER LET HER GO" ♪♪
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[♪]
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♪ I LOVE MY BABY ♪
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♪ GONNA TELL EVERYBODY I KNOW ♪
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♪ WELL, I LOVE MY BABY ♪
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♪ GOTTA TELL EVERYBODY I KNOW ♪
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♪ WELL, I [♪]E MY BABY ♪
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♪ OTHER WOMENDON'T MEAN A THING TO ME ♪
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♪ WELL, I [♪]E MY BABY ♪
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♪ YOU CAN PICK 'EM ALL UP ♪DON'T MEAN A THING TO ME ♪
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♪ DROP 'EM ALL IN THE SEA ♪
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[♪]
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♪ DROP 'EM ALL IN THE SEA ♪♪ IF I GOT NO MONEY ♪
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♪ SHE DON'T CARE ♪
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♪ DROP 'EM ALL IN THE SEA ♪♪ SHE'LL OPEN UP♪ HER POCKET BOOK ♪ ♪
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♪ AND PAY MY FARE ♪
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♪ I KNOW SHE LOVES ME ♪
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♪ UP, DOWN, HIGH OR LOW ♪
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[♪]
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♪ U♪ I LOVE MY BABY ♪OW ♪
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♪ GOTTA TELL EVERYBODY I KNOW ♪
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♪ I'LL SAY IT AGAIN ♪
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♪ I LOVE MY BABY ♪
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♪ GONNA TELL ALL Y'ALLTHAT I KNOW ♪
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-OH, ARE YOU FINISHED?-YES.
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OH, I LOVE THIS!
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I KNOWJUST WHERE THIS SHOULD GO.
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OH, I BELIEVEIT IS ALREADY THERE.
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I THOUGHT YOU LIKED ANTIQUES.
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I DO.
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TRUE ANTIQUES HAVE CHARACTER...
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AND PROVENANCE...
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PROVENANCE?
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A HISTORY.
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YES, A STORY, A PEDIGREE.
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BUT JUNK IS, WELL, JUST...
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TRASH WAITINGTO BE MADE
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INTO TREASURE.
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TRUST ME, THIS'LL LOOK GREAT
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ON ONE OF THOSE BLANK WALLSTHAT YOU KEEP STARING AT.
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TRUSI DON'T SEE THE POINTEATIN DECORATING A TEMPORARY SPACE.
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ON OLIVER, YOU'RE GOINGALLSTHATO HAVE TO FACE IT AT.
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SOONER OR LATER--
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THE OLD DLO SPACE IS NOWTHE NEW ONLINE SHIPPING ROOM.
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WE'RE NOT GOING BACK THERE.
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[♪]
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HMM...
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NOW, HOW DID I HAVE THIS BEFORE?
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HUM...
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HMM...
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UH... LET'S SEE.
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OH! HOW ABOUT...
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HERE?
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YOU WANT TO HANG ITWITHOUT ANYTHING IN IT?
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[SHANE]: RIGHT!
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IT'S VERY AVANT-GARDE.
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WHOEVER'S LOOKING AT IT
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WILL SEEWHATEVER THEY WANT TO SEE.
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I WOULD LIKE TO SEEA PICTURE IN IT.
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[SHANE]: YOU SAID YOU WANTEDTO BREAK OUT AND TRY NEW THINGS.
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I DID.
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[SHANE]: YOU SAIDYES, YOU DID.TO BREAK OUT AND TRY NEW THINGS.
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AT LEASTLET ME GET IT CENTERED.
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OH!
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DID YOU KNOW
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THAT FOUR OUT OF FIVEPOST OFFICE BRIDES
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MARRY OUTSIDEOF THEIR OWN ZIP CODE?
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IT'S A NEW WORLD, RITA.
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BELIEVE ITOR NOT,
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THERE'S NOTHING PENDINGIN THE PENDING BOX
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AND ALL THE BULK MAILVE ITHAS BEEN DEBULKED,NOT,
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SO IT LOOKS...
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LIKE A LIGHT DAY.
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WELL, I SUGGEST WE TAKEAN EARLY LUNCH!
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OH! WELL, RAMONLIGHT DAY.BOUGHT A NEW RESTAURANT.
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IT'S VERY COOL AND VERY CHIC.AN EARLY LUNCH!
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IT'S CALLED "BISTRO RAMON."
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WE COULD GO THERE.
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WHAT'S THE MATTERWITH THE MAILBOX GRILLE?
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NEW HORIZONS, OLIVER.
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JUST LET ME HANG THIS,AND THEN WE CAN...
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NEPERHAPSONS, OLIVER.WE SHOULD MEASURE FIRST
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AND THEN WE CAN FIND--
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OOH!
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...FIND THE STUD.
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OH...
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[NORMAN]: HUH!
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THERE'S A NEW HORIZON.
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WOW. WHAT IS THIS?SOME SORT OF SECRET ROOM?
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I HAVE NO IDEA.
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LOOKS LIKETHAT WATER LEAK'S
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GOTTEN INTO EVERYTHING.
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I WONDER.
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[SHANE]: OLIVER...
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THERE'S UNDELIVEREDMAIL HERE FROM 1999.
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ALL THE ZIP CODESARE ALL ADDRESSED TO...
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THERE'S UNDELIVEREDMAIL HERE FRO82474..
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HOW DID YOU KNOW?
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THIS...
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IS THE LOST MAILBAGOF HARRY SNAPP.
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[RITA]: HE'S REAL?
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I ALWAYS THOUGHTHE WAS JUST A LEGEND.
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[OLIVER]: OH, YES.
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WHO'S HARRY SNAPP?
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HARRY WAS A MAIL CARRIER,
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SOMETHING OFWHO'A DISAGREEABLE LONER,
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WHO SUDDENLY DISAPPEAREDABOUT 18 YEARS AGO.
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YEAH. POSTAL LORE HAS IT
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THAT HE WOULD SPENDHIS LUNCH HOURS
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HIDING SOMEWHEREIN THIS BUILDING,
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SCRATCHING OFF LOTTERY TICKETSAND ENTERING MAGAZINE CONTESTS.
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AND THEN ONE DAY,HE JUST DIDN'T SHOW UP.
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SCRATCHING OFF "YOU MAY ALREADYAND ENTERING MABE A WINNER...".
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SOUNDS LIKE HE FINALLYHIT THE JACKPOT.
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THEY NEVER FOUNDHIS LAST DELIVERY.
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'TIL NOW.
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IT'S MOSTLY JUST WATERLOGGEDRIGHT NOW,
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AND, WELL, MAGAZINESAND JUNK MAIL
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AND THE OCCASIONAL...
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AND, WELL, MAGAZINESWOW!ND JUNK MAIL
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...ANTIQUE PORCELAIN VASE.
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AND, WELL, MAGAZINESNO, JUST THE WALL.
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STRUCTURAL DAMAGE?
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DEFINE DAMAGE...
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ANY SIGN OF AN ADDRESS?
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NO. THE POSTMARKAND ADDRESS ARE GONE.
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THEN, WE ARE NOW OBLIGATEDTO RETURN IT TO THE SENDER.
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SENDERS.
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THERE'S A PARTIAL RETURN:
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"PEGGY, MARY LOU, AND BUNNY..."
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SOMETHING "COUNTY ROAD..."THSOMETHING, SOMETHING.N:
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WELL, FACILITIES"PEGGY, AND MAINTENANCEUNNY..."
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CAN HAVE A CREW HEREBY THE 13TH.
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EXCELLENT.
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NEXT YEAR.
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WELL, THEN WE SHALL
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TAKE MATTERSINTO OUR OWN HANDS.
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OH, MY.
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[OLIVER CHUCKLES]
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UH, NORMAN!
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EXTRACTION KIT, PLEASE.
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CAREFUL. IT'S WATERLOGGED,IT MAY DISINTEGRATE.
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NORMAN, HANDWRITING?
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IT'S DATED 18 YEARS AGO
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AND WRITTEN WITHA FOUNTAIN PEN,
200
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BUT THE HANDWRITINGIS ADOLESCENT FEMALE,
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10, MAYBE 11 YEARS OLD.
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BUT THEA CHILD WHO VALUESIS ADOLETHE WRITTEN WORD.
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WELL, WHY DON'T I START?
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BUT THEA CHILD WHO VALUESIS ADOLETHE"DEAR SIR,ORD.
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I AM SENDING YOU THIS VASE
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BECAUSE WE REALLY NEEDTO SELL IT.
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WHEN I CALLED YOU LAST YEAR,
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YOU SAID YOU THOUGHTMAYBE IT WAS WORTH SOME MONEY,
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BUT YOU'D HAVE TO SEE IT FIRST,
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SO HERE IT IS.
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YOU ALSO SAID YOU WOULD HAVEBUT YTO KNOW HOW OLD IT ISIRST,
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AND WHERE WE GOT ITAND THE WHOLE STORY OF IT.
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SO HERE IT GOES.
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WE LIVE ON A FARM.
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IT IS VERY HARD WORK
216
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AND HARDLY ANYBODYHAS A REAL FARM ANYMORE.
217
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BUT MY MOM SAYS THAT'S THE WAYWE'VE ALWAYS DONE IT
218
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AND THAT'S WHY OUR MILKIS THE BEST,
219
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AND THAT NOTHING BEATS
220
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AND THHAPPY COWSUR MILKAND HARD WORK AND HOPE.
221
00:09:12,108 --> 00:09:13,902
BUT THAT'S WHERETHE VASE COMES IN,
222
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AND THHAPPY COWSUR MILKBECAUSE TIMES ARE BAD AGAIN
223
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AND WE ARE ALMOSTOUT OF HOPE NOW.
224
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WE ARE A FAMILY OF FARMERS.
225
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OUR FAMILY HAS BEEN RAISING COWS
226
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AND SELLING MILKAND MAKING CHEESE
227
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FOR MORE THAN A HUNDRED YEARS.
228
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THE WOMEN IN OUR FAMILYALWAYS HAVE GIRLS,
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AND THEY ALL GROW UPTO BE FARMERS,
230
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EXCEPT EVERY ONCE IN A WHILE,
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A GIRL GETS BORNWHO JUST WANTS ADVENTURE.
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THAT WASGREAT-GRANDMOTHER BETTY.
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WHEN WORLD WAR II STARTED,
234
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GREAT-GRANDMA BETTYLEFT THE FARM
235
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AND JOINEDTHE WOMEN'S ARMY CORPS.
236
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EVERYBODY UNDERSTOOD
237
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WHY BETTY RAN OFFTO JOIN THE WAR,
238
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BUT ALL THE WOMEN IN OUR FAMILYARE FARM FOLK,
239
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AND MAYBE THEY WANDER SOMETIMES,
240
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BUT SOONER OR LATER,THEY ALL COME HOME.
241
00:10:01,365 --> 00:10:02,742
WHEN BETTY WENT TO WAR,
242
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SHE GOT MARRIEDTO AN ARMY CAPTAIN.
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AND THE MAN WHO MARRIED THEM
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GAVE THEM THIS VASEAS A WEDDING PRESENT.
245
00:10:09,498 --> 00:10:12,918
SHE DIDN'T BRINGHER HUSBAND HOME.
246
00:10:12,918 --> 00:10:14,419
GAVE THEM THIS VASEAS JUST THE VASE.ENT.
247
00:10:14,461 --> 00:10:15,504
AND A BABY.
248
00:10:15,504 --> 00:10:18,632
THAT BABYWAS OUR GRANDMA ISABEL.
249
00:10:18,632 --> 00:10:21,593
FIVE GENERATIONSHAVE LIVED ON THIS FARM,
250
00:10:21,593 --> 00:10:22,928
THAT BABYWAS WITH THIS VASE,BEL.
251
00:10:22,928 --> 00:10:26,348
AND WE ALL BELIEVED WHATGREAT-GRANDMA BETTY HAD SAID,
252
00:10:26,390 --> 00:10:29,434
THAT THE VASE WAS PROBABLY WORTHWAS A LOT OF MONEY.BEL.
253
00:10:29,434 --> 00:10:34,689
SHE CALLED ITOUR "JUST-IN-CASE-VASE."
254
00:10:34,731 --> 00:10:35,774
WE COULD ONLY SELL IT
255
00:10:35,774 --> 00:10:38,109
IF WE REALLY, REALLYDIDN'T HAVE A CHOICE--
256
00:10:38,109 --> 00:10:39,110
WE BUT IF WE WEREL IT
257
00:10:39,152 --> 00:10:42,989
THE STRONG AMERICAN WOMENDWE WERE RAISED TO BE,
258
00:10:43,031 --> 00:10:45,324
WE WOULD ALWAYSTHINK OF SOMETHING ELSE
259
00:10:45,367 --> 00:10:46,618
BEFORE IT CAME TO THAT.
260
00:10:46,618 --> 00:10:48,662
AND WE ALWAYS DID.
261
00:10:50,955 --> 00:10:53,583
ONE YEAR, WE PRACTICALLY LOSTA WHOLE HERD OF JERSEYS
262
00:10:53,625 --> 00:10:55,084
TO A COW EPIDEMIC.
263
00:10:55,084 --> 00:10:56,502
SOMETIMES, A BAD YEAR
264
00:10:56,502 --> 00:10:58,421
MEANT WE JUST ATEEGGS AND PEANUT BUTTER
265
00:10:58,462 --> 00:10:59,756
SOAND CANS OF SOUP,AR
266
00:10:59,798 --> 00:11:01,632
SO THE COWS COULD HAVE HAY,
267
00:11:01,674 --> 00:11:03,968
BUT THEY NEVER SOLD THE VASE.
268
00:11:03,968 --> 00:11:05,636
[SINGING]
269
00:11:05,636 --> 00:11:08,431
SOMETIMES, THERE WERETORNADOS, AND DROUGHTS,
270
00:11:08,431 --> 00:11:10,391
AND BLIZZARDS, AND FLOODS.
271
00:11:10,433 --> 00:11:12,143
SOMETSOMETIMES,E WEREWE HAD TO TRADE STUFF AWAY--
272
00:11:12,185 --> 00:11:14,770
BUT WE NEVER SOLD THE VASE.
273
00:11:17,148 --> 00:11:18,316
BUT SIX MONTHS AGO,
274
00:11:18,316 --> 00:11:22,069
DADDY DIED IN A TRACTOR ACCIDENTIN THE WEST PASTURE,
275
00:11:23,153 --> 00:11:26,657
AND THAT'S WHYWE ARE IN TROUBLE NOW.
276
00:11:26,657 --> 00:11:30,285
OUR MOM AND DADREALLY, REALLY...
277
00:11:30,328 --> 00:11:31,662
LOVED EACH OTHER,
278
00:11:31,662 --> 00:11:34,247
AND...
279
00:11:40,671 --> 00:11:43,674
OUR MOM AND DADREALLY, REALLY LOVED EACH OTHER,
280
00:11:43,716 --> 00:11:47,010
AND SHE'S STILL SO SAD,SHE CAN'T GET OUT OF BED,
281
00:11:47,010 --> 00:11:49,179
AND PEGGY AND I ARE TRYINGTO TAKE CARE OF BUNNY
282
00:11:49,221 --> 00:11:50,180
AND SHE'S STILL SO SAD,SHE CAAND THE COWSOF BED,
283
00:11:50,180 --> 00:11:51,473
AND GO TO SCHOOL
284
00:11:51,514 --> 00:11:53,266
AND...
285
00:11:53,308 --> 00:11:56,144
TRADE MILKTO PAY THE BILLS.
286
00:11:56,186 --> 00:11:57,062
THEN LAST WEEK,
287
00:11:57,104 --> 00:11:58,438
A LADY CAMEFROM THE SOCIAL SERVICES
288
00:11:58,438 --> 00:12:00,983
AND ASKED WHERE OUR MOTHER WAS.
289
00:12:01,024 --> 00:12:02,400
A LADY CAMEWE TOLD HER SHE WAS SLEEPING
290
00:12:02,442 --> 00:12:03,943
AND SHE SAIDSHE'D BE BACK NEXT WEEK.
291
00:12:03,985 --> 00:12:06,196
SO IF WE CAN JUST SELL THE VASE,
292
00:12:06,238 --> 00:12:07,155
WE CAN PAY THE BILLS,
293
00:12:07,197 --> 00:12:08,198
AND MAMA WILL FEEL BETTER
294
00:12:08,240 --> 00:12:09,991
BEFORE SOMEBODY COMESTO TAKE US AWAY."
295
00:12:18,375 --> 00:12:19,501
WELL, THAT'S ALL THERE IS.
296
00:12:19,501 --> 00:12:21,878
I HOPE THAT THEY'RE--
297
00:12:21,878 --> 00:12:23,129
WELL,THEY'RE STILL...E IS.
298
00:12:26,674 --> 00:12:27,717
HOW OLD WOULD SHE BE NOW?
299
00:12:27,717 --> 00:12:29,886
OH, ABOUT 28?
300
00:12:29,886 --> 00:12:30,970
MS. MCINERNEY,ULD SHE BE NOW?
301
00:12:31,012 --> 00:12:32,096
WOULD YOU DOSOME RESEARCH ABOUT 28?
302
00:12:32,138 --> 00:12:34,974
ON 100-YEAR-OLDFAMILY FARMS IN THE AREA?
303
00:12:34,974 --> 00:12:37,894
NORMAN, LET'SCLEAN UP THAT MESS
304
00:12:37,935 --> 00:12:39,854
ON 100-YEAND FIGURE OUTFAMIWHAT TO DO WITH THE ROOM.
305
00:12:39,896 --> 00:12:42,523
AND RITA, WILL YOUTAKE PHOTOGRAPHS OF THE VASE,
306
00:12:42,523 --> 00:12:43,524
AND MAKE A FEW COPIES,
307
00:12:43,565 --> 00:12:45,276
AND THEN LOCK THE VASE AWAYTAKE PHOIN THE SAFE?THE VASE,
308
00:12:45,317 --> 00:12:48,529
WHEREVER THE SAFE IS NOW.
309
00:12:48,570 --> 00:12:50,489
GOT IT.
310
00:12:51,907 --> 00:12:54,493
IF THE VASE TRULY ISFROM EUROPE,
311
00:12:54,535 --> 00:12:56,453
THEN I DOUBT WE'LL BE ABLETO TRACE IT
312
00:12:56,495 --> 00:12:57,913
BACK TO SOME DAIRY FARM IN--
313
00:12:57,954 --> 00:13:00,081
I'M ASSUMING COLORADO...
314
00:13:00,081 --> 00:13:02,584
IF IT WAS MISADDRESSEDAND RETURNED TO SENDER,
315
00:13:02,584 --> 00:13:04,836
THEN MARY LOU WOULDI'M ASSNEVER HAVE HEARD BACK
316
00:13:04,878 --> 00:13:06,379
IF IT WAS MISADDRESSEDAND RETFROM "DEAR SIR."
317
00:13:06,422 --> 00:13:09,257
SO WHOEVER"DEAR SIR" IS,
318
00:13:09,257 --> 00:13:11,718
I'M SURE SHE CALLED HIMOR WROTE HIM AGAIN
319
00:13:11,718 --> 00:13:13,428
TO TRY TO TRACK IT DOWN?
320
00:13:13,469 --> 00:13:16,139
I'M SURE SHE CALLED HIMAN ART DEALER, PERHAPS?IN
321
00:13:16,181 --> 00:13:17,265
THERE CAN'T BETHAT MANY IN DENVER.
322
00:13:17,307 --> 00:13:18,224
OH, WELL,
323
00:13:18,266 --> 00:13:20,226
THERE'S 87 IN DENVER PROPER.
324
00:13:20,268 --> 00:13:22,062
IN METRO-DENVER...
325
00:13:22,103 --> 00:13:23,271
POINT TAKEN, RITA.
326
00:13:23,313 --> 00:13:25,106
THEN LET'S NARROW THAT DOWN
327
00:13:25,106 --> 00:13:27,650
TO EUROPEANPORCELAIN SPECIALISTS.
328
00:13:29,569 --> 00:13:30,946
YOU GUYS REMEMBERMY COUSIN SERGE?
329
00:13:30,946 --> 00:13:31,946
[SHANE]: SERGE?
330
00:13:31,946 --> 00:13:34,615
THE ONE WHO ENTEREDA MONASTERY IN MINNESOTA?
331
00:13:34,615 --> 00:13:36,784
THE LITTLE BROTHERSOF PERPETUAL FROST. YEAH.
332
00:13:38,328 --> 00:13:40,871
HE'S RELEVANTTO THIS CONVERSATION BECAUSE...
333
00:13:40,871 --> 00:13:42,122
BECAUSE HE HASA TWIN, IGOR!
334
00:13:42,122 --> 00:13:44,083
HE'SAND HE'S THETO THIS CONVEASSOCIATE DIRECTOR
335
00:13:44,124 --> 00:13:45,335
OF DECORATIVE ARTS
336
00:13:45,335 --> 00:13:47,337
AT THE COLORADO MUSEUMOF FINE ARTS!
337
00:13:47,378 --> 00:13:50,005
HE ALWAYS LIKED BOWLS AND POTS.
338
00:13:50,005 --> 00:13:52,467
AND THEY'VE GOTLOTS OF POTS THERE.
339
00:13:52,467 --> 00:13:54,384
OH, LOOK.S LIKED BOWLS AND POTS.
340
00:14:01,308 --> 00:14:03,686
THEY USED IT FOR PACKING.
341
00:14:05,145 --> 00:14:07,147
"PERSEPHONE,3/4 BUCKET.
342
00:14:07,147 --> 00:14:08,190
DIDN'T DRINK.
343
00:14:08,232 --> 00:14:09,233
"PERSEPHONE,SEEMS DEHYDRATED.
344
00:14:09,274 --> 00:14:11,735
VENUS, WOULDN'T PASTURE.
345
00:14:11,776 --> 00:14:14,321
PENELOPE,MINERVA, ELECTRA..."
346
00:14:15,447 --> 00:14:16,323
SEEMS LIKE SOME SORT
347
00:14:16,365 --> 00:14:18,742
OF COW DIARY, I THINK.
348
00:14:18,783 --> 00:14:19,826
OH.
349
00:14:19,868 --> 00:14:23,747
IT SAYS"SEE ATTACHED VET PRESCRIPTION."
350
00:14:24,789 --> 00:14:27,584
WELL, MAYBE THE NAME OF THE VETCAN HELP US LOCATE THE FARM.
351
00:14:29,544 --> 00:14:31,296
THE SECOND PAGE IS MISSING.IT MUST HAVE FALLEN APART.
352
00:14:31,338 --> 00:14:32,756
THOUGH IT LOOKS LIKE
353
00:14:32,756 --> 00:14:33,840
IT WAS STUCK TOGETHERLONG ENOUGH
354
00:14:33,840 --> 00:14:35,759
FOR SOME IMPRESSIONSTO GET TRANSFERRED.E
355
00:14:35,800 --> 00:14:38,011
I MIGHT BE ABLETO PULL SOMETHING OFF OF THAT
356
00:14:38,052 --> 00:14:39,012
IF I HAD A BIGGER LAB
357
00:14:39,012 --> 00:14:41,681
AND A LASERAND A SPECTRAL-IMAGING SYSTEM.
358
00:14:41,681 --> 00:14:46,185
BUT THE BUDGET ONLY APPROVEDA PAPER SHREDDER THIS YEAR.
359
00:14:46,185 --> 00:14:48,521
WELL, THERE MUST BEAND SOME GOVERNMENT AGENCYTEM.
360
00:14:48,521 --> 00:14:50,439
TO WHOM WE CAN TURN.
361
00:14:50,481 --> 00:14:51,399
WHAT ABOUT DALE
362
00:14:51,440 --> 00:14:52,400
AT THE STATE DIVISIONOF INVESTIGATIONS?
363
00:14:52,400 --> 00:14:54,235
AH.
364
00:14:54,277 --> 00:14:56,029
AT WELL, THERE'S--IONTHERE'S A THOUGHT.
365
00:14:56,029 --> 00:14:58,865
SHE'S STILLA SPECIAL AGENT THERE, RIGHT?
366
00:14:58,907 --> 00:15:00,616
A VERY SPECIAL AGENT.
367
00:15:00,658 --> 00:15:01,951
[OLIVER]: I'M GOINGTO GIVE HER A CALL RIGHT NOW.
368
00:15:06,539 --> 00:15:08,291
DO YOU REALLY THINKIT'S A GOOD IDEA
369
00:15:08,332 --> 00:15:09,292
FOR OLIVER TO BE...
370
00:15:09,333 --> 00:15:11,377
REACHING OUT TO DALE?
371
00:15:11,419 --> 00:15:12,628
[SHANE]: OH, ABSOLUTELY.
372
00:15:14,004 --> 00:15:15,839
AND YOU GO WITH HIM.
373
00:15:15,881 --> 00:15:16,924
AH.
374
00:15:18,342 --> 00:15:19,635
[NORMAN]:AND SHE'S REALLY SMART.
375
00:15:19,677 --> 00:15:20,719
SHE HAS A PHOTOGRAPHIC MEMORY,
376
00:15:20,761 --> 00:15:21,929
AND SHE WASMISS SPECIAL DELIVERY,
377
00:15:21,970 --> 00:15:23,055
AND WE LIKE THE SAME THINGS,
378
00:15:23,055 --> 00:15:24,264
AND THE SAME MUSIC,
379
00:15:24,306 --> 00:15:25,933
AND THE SAME BOOKSAND EVERYTHING.
380
00:15:25,974 --> 00:15:26,892
SO WHEN'S THE WEDDING?
381
00:15:26,934 --> 00:15:28,143
WELL, IT'S STILL PRETTY NEW.
382
00:15:28,143 --> 00:15:29,144
I HAVEN'T EVEN MET HER FAMILY.
383
00:15:29,186 --> 00:15:31,271
JUST WAIT TILL THEY MEET OURS.
384
00:15:33,023 --> 00:15:34,191
WELL, THE STYLE
385
00:15:34,232 --> 00:15:37,652
CERTAINLY SEEMS TO BE18TH-CENTURY ROCOCO.
386
00:15:37,652 --> 00:15:41,782
SO IT'S EITHER QUITE VALUABLE...
387
00:15:41,824 --> 00:15:43,909
CERTAINLY SEEMS TO BEOR AN EXCELLENT REPRODUCTION.
388
00:15:43,909 --> 00:15:45,077
WE'RE NOTACTUALLY INTERESTED
389
00:15:45,077 --> 00:15:46,244
IN THE VALUE.
390
00:15:46,286 --> 00:15:47,245
WE'RE NOTI AM, KINDA.INTERESTED
391
00:15:47,245 --> 00:15:48,997
WE'RE LOOKING FOR
392
00:15:48,997 --> 00:15:50,748
AN ART DEALERIN THE DENVER AREA
393
00:15:50,748 --> 00:15:53,168
THAT MIGHT HAVE SPECIALIZEDIN 18TH-CENTURY PORCELAINOR
394
00:15:53,210 --> 00:15:54,752
AND BEEN INTERESTED
395
00:15:54,752 --> 00:15:56,171
IN BUYING OR SELLINGSOMETHING LIKE THIS
396
00:15:56,213 --> 00:15:57,297
18 YEARS AGO.
397
00:15:58,423 --> 00:15:59,591
WELL, THERE AREN'TA LOT OF THOSE AROUND HERE,
398
00:15:59,591 --> 00:16:00,508
BUT I CAN TRY
399
00:16:00,550 --> 00:16:02,260
TO PUT A LISTTOGETHER FOR YOU.
400
00:16:02,260 --> 00:16:03,135
THAT WOULD BE GREAT.
401
00:16:03,177 --> 00:16:04,346
TO PUT A LISTTOGETHETHANK YOU SO MUCH.
402
00:16:04,387 --> 00:16:06,180
JUST A QUICK QUESTION.
403
00:16:06,222 --> 00:16:09,767
IF WE WERE INTERESTEDIN THE VALUE OF THE VASE,
404
00:16:09,809 --> 00:16:12,520
WHAT WOULD BE A BALLPARK FIGURE?
405
00:16:12,562 --> 00:16:14,772
WELL, IF IT'S GENUINE,
406
00:16:14,814 --> 00:16:17,524
AND IT HASA VERIFIABLE PROVENANCE,
407
00:16:17,524 --> 00:16:20,152
IT COULD BE WORTH A GREAT DEAL.
408
00:16:23,114 --> 00:16:24,031
AND IT HASA VE500 OR 600 MAYBE?CE,
409
00:16:24,073 --> 00:16:26,784
OH, NO.NOT THAT MUCH.
410
00:16:26,784 --> 00:16:27,785
250...
411
00:16:27,827 --> 00:16:29,453
OH, NO.$300,000.NOT THAT MUCH.
412
00:16:31,622 --> 00:16:32,748
[GASPS FOR AIR]
413
00:16:37,586 --> 00:16:38,670
[OLIVER]:IF DALE CAN HELP US OUT,
414
00:16:38,712 --> 00:16:40,339
PERHAPS I'LL SEE ANOTHER FARM.
415
00:16:40,381 --> 00:16:41,340
I'VE ONLY BEEN TO ONE--
416
00:16:41,382 --> 00:16:43,634
ONCE, WHEN I WAS A BOY SCOUT.
417
00:16:45,051 --> 00:16:46,052
RITA?
418
00:16:46,845 --> 00:16:48,347
OH, I'M SORRY.
419
00:16:48,389 --> 00:16:50,307
SORRY. I WAS JUSTTHINKING ABOUT DALE.
420
00:16:51,308 --> 00:16:52,142
DALE?
421
00:16:52,183 --> 00:16:55,396
I IMAGINE SHE'LL BEBACK ANY MINUTE.
422
00:16:55,437 --> 00:16:56,772
YOU KNOW, I...
423
00:16:56,813 --> 00:16:58,106
I ALWAYS WONDERED IF...
424
00:16:59,399 --> 00:17:01,317
YOU TWO HAD BEEN A...
425
00:17:01,317 --> 00:17:02,653
"THING."
426
00:17:02,653 --> 00:17:04,696
A "THING"?
427
00:17:06,031 --> 00:17:07,615
"WELL...
428
00:17:07,658 --> 00:17:10,160
YOU KNOW,WE'VE ALWAYS BEEN GOOD FRIENDS,
429
00:17:10,160 --> 00:17:12,829
BUT THERE...
430
00:17:12,871 --> 00:17:16,582
MIGHT HAVE BEEN A TIMEWE'VE ALWAWHERE I...OD FRIENDS,
431
00:17:16,624 --> 00:17:18,960
BUT SHE DIDN'T...
432
00:17:19,002 --> 00:17:22,130
BUT THEN SHE...
433
00:17:22,172 --> 00:17:26,717
BUT THEN I WAS...
434
00:17:26,717 --> 00:17:28,428
DO YOU MINDIF WE CHANGE THE SUBJECT?
435
00:17:28,469 --> 00:17:29,720
BNO. SURE. OKAY..
436
00:17:31,556 --> 00:17:32,682
OH! MY PARENTSARE DRIVING THEIR RV
437
00:17:32,682 --> 00:17:34,517
UP FROM ALBUQUERQUETO MEET NORMAN TODAY!
438
00:17:34,517 --> 00:17:35,476
-REALLY?-MM-HMM.
439
00:17:35,476 --> 00:17:36,852
-DOES NORMAN KNOW?ETO MEET -NO.AN TODAY!
440
00:17:36,852 --> 00:17:37,853
-REALLY?IT'S SHORT NOTICE,
441
00:17:37,853 --> 00:17:39,939
AND MY PARENTSARE VERY SPONTANEOUS.
442
00:17:39,980 --> 00:17:41,023
AND IF I TOLD NORMAN,
443
00:17:41,023 --> 00:17:43,025
HE WOULD GETTHAT TUMMY THING HE GETS,
444
00:17:43,025 --> 00:17:44,527
YOU KNOW,
445
00:17:44,527 --> 00:17:45,570
WHEN HE'S TERRIFIED.
446
00:17:45,570 --> 00:17:46,445
YES.
447
00:17:46,445 --> 00:17:49,114
UNREMITTINGCONVULSIVE STOMACH SYNDROME.
448
00:17:49,156 --> 00:17:50,866
YES.YOU KNOW HIM SO WELL.
449
00:17:52,702 --> 00:17:54,036
ANYWAYS, I JUST THOUGHT
450
00:17:54,036 --> 00:17:55,620
IF I DIDN'T GIVE HIM TIMETO THINK ABOUT IT,
451
00:17:55,620 --> 00:17:57,331
THEN HE WOULDN'T HAVE TIME TO...
452
00:17:57,372 --> 00:17:58,373
IF I DIDN'T GIVE HIM TIMETO THCONVULSE. IT,
453
00:17:59,083 --> 00:18:00,417
THAT'S VERY THOUGHTFUL, RITA.
454
00:18:02,419 --> 00:18:03,712
THANK YOU.
455
00:18:06,090 --> 00:18:08,050
SO, SPECTRAL IMAGINGIS GOING TO TAKE SIX WEEKS.
456
00:18:08,050 --> 00:18:09,884
BUT I DO HAVE A FRIENDIN DIGITAL RESONANCE
457
00:18:09,926 --> 00:18:11,970
WHO WAS ABLETO PULL A FEW WORDS--
458
00:18:12,011 --> 00:18:12,929
"ANTIBIOTICS,"
459
00:18:12,971 --> 00:18:13,888
"APPETITE,"
460
00:18:13,930 --> 00:18:15,349
NOTHING THAT HELPFUL EXCEPT...
461
00:18:15,349 --> 00:18:16,558
A PARTIAL PHONE NUMBER!
462
00:18:16,558 --> 00:18:17,559
NOTHING THAT HELPOH, WONDERFUL.
463
00:18:17,559 --> 00:18:18,560
A PARTIAMM-HMM. NUMBER!
464
00:18:18,602 --> 00:18:20,604
AND THE PREFIX AND AREA CODEMATCHES BYERS COUNTY...
465
00:18:20,604 --> 00:18:24,399
OH, WELL,THAT NARROWS IT DOWN, AT LEAST.
466
00:18:24,399 --> 00:18:25,442
AND THE PREFIX AND AREA CODEMATCHETHANK YOU VERY MUCH.
467
00:18:25,484 --> 00:18:26,568
OH, WELL,THAT NARROWS ISO HAPPY TO HELP.
468
00:18:27,694 --> 00:18:29,529
-HOW'S NORMAN?-WE'RE ENGAGED!
469
00:18:29,529 --> 00:18:31,573
OH, THAT'S... WONDERFUL.
470
00:18:31,573 --> 00:18:32,574
-HOW'S NORMAN?-WECONGRATS!ED!
471
00:18:32,574 --> 00:18:33,492
THANKS.
472
00:18:33,533 --> 00:18:35,660
AND... AND...
473
00:18:35,702 --> 00:18:37,704
HOW IS SHANE?
474
00:18:37,746 --> 00:18:39,538
WELL, THINGS ARE GOOD.
475
00:18:39,580 --> 00:18:41,249
SHE'S GOOD.
476
00:18:41,290 --> 00:18:43,417
I'M GOOD.
477
00:18:46,420 --> 00:18:47,505
I'LL JUST MEET YOU OUTSIDE.
478
00:18:49,090 --> 00:18:50,216
-SURE.-BYE.
479
00:18:53,261 --> 00:18:55,679
OLIVER, IT'S OKAY TO SAY IT.
480
00:18:55,721 --> 00:18:57,848
YOU AND SHANE ARE...
481
00:18:59,642 --> 00:19:01,269
A "THING."
482
00:19:01,269 --> 00:19:02,270
AN EARLY THING.
483
00:19:02,270 --> 00:19:04,772
I FIGURED.
484
00:19:04,813 --> 00:19:05,981
AND, YOU KNOW WHAT, IT'S--
485
00:19:06,023 --> 00:19:07,149
I'M REALLY HAPPY FOR YOU.
486
00:19:08,191 --> 00:19:10,444
I THINK YOU NEEDSOMEBODY LIKE SHANE
487
00:19:10,486 --> 00:19:12,237
TO SHAKE YOU UP A LITTLE.
488
00:19:12,279 --> 00:19:14,031
DO YOU THINK I NEED SHAKING UP?
489
00:19:14,072 --> 00:19:16,199
ABSOLUTELY. YES.
490
00:19:17,159 --> 00:19:18,911
YOU AND I, WE...
491
00:19:18,911 --> 00:19:20,412
WE SOLVE OUR PROBLEMS
492
00:19:20,453 --> 00:19:23,707
BY KNOWING WHERE THE LINES AREAND FOLLOWING THE RULES.
493
00:19:24,875 --> 00:19:26,794
AND SHANE...
494
00:19:26,794 --> 00:19:29,212
WELL...
495
00:19:29,212 --> 00:19:31,423
SHE COLORS OUTSIDE THE LINES,
496
00:19:31,423 --> 00:19:34,342
IF YOU KNOWWELL...WHAT I MEAN.
497
00:19:34,384 --> 00:19:37,137
BUT IF YOU PUTSHE CTHE TWO TOGETHER...INES,
498
00:19:37,137 --> 00:19:38,346
YOU'VE GOT...
499
00:19:39,347 --> 00:19:40,473
A MESS?
500
00:19:41,975 --> 00:19:45,312
OR MAYBE SOMETHING BEAUTIFUL.
501
00:19:52,485 --> 00:19:56,072
[♪]
502
00:19:56,113 --> 00:19:57,824
WHERE'S RITA?
503
00:19:57,824 --> 00:19:59,241
OH, SHE'S ON HER WAY,
504
00:19:59,283 --> 00:20:02,829
SHE STOPPED BY THE DLOTO DROP OFF A PIECE OF EVIDENCE.
505
00:20:02,870 --> 00:20:04,664
EVIDENCE?
506
00:20:04,664 --> 00:20:06,583
SO YOU REALLY ARELIKE DETECTIVES.
507
00:20:06,624 --> 00:20:08,209
YES.
508
00:20:08,250 --> 00:20:09,460
BUT POSTAL.
509
00:20:09,460 --> 00:20:12,213
AND YOU'RE RITA'S BOSS?
510
00:20:12,254 --> 00:20:14,381
WELL, WE'RE ALLMORE LIKE COLLEAGUES.
511
00:20:14,381 --> 00:20:16,926
MS. MCINERNEY AND I,AND NORMAN AND...
512
00:20:16,968 --> 00:20:18,845
WELL, WE'RE ALLWHAT'S THE DEAL WITH NORM?
513
00:20:18,845 --> 00:20:22,556
HE'S A GOOD MANAND A DEAR FRIEND.
514
00:20:24,058 --> 00:20:26,518
I WOULD TRUST HIM WITH MY LIFE,MR. HAYWITH.
515
00:20:26,560 --> 00:20:27,894
YOU CAN CALL ME BILL.
516
00:20:27,894 --> 00:20:29,563
OH!
517
00:20:29,605 --> 00:20:32,316
I HAD AN UNCLE BILL..
518
00:20:32,358 --> 00:20:33,275
WILLIAM O'TOOLE--
519
00:20:33,275 --> 00:20:35,194
NO, "BILL" IS SHORT FOR "BILBO."
520
00:20:35,194 --> 00:20:37,112
YOU KNOW,LIKE INTHE HOBBIT.
521
00:20:40,115 --> 00:20:41,867
YOU HAVE TO ADDTHE GOAT'S MILK FIRST,
522
00:20:41,867 --> 00:20:43,034
THEN THE WHEY,
523
00:20:43,034 --> 00:20:44,411
YOU HAVE TO ADDAND THE CACTUS ROOT. FIRST,
524
00:20:44,453 --> 00:20:45,412
HMM.
525
00:20:45,454 --> 00:20:47,498
I'M A LITTLE SHORTON GOAT'S MILK.
526
00:20:47,539 --> 00:20:48,373
ALMOND MILK!
527
00:20:48,373 --> 00:20:49,249
GOATS, ALMONDS--
528
00:20:49,290 --> 00:20:50,751
THEY'RE ALL GOD'S CHILDREN,ALMRIGHT?LK!
529
00:20:50,792 --> 00:20:54,880
SO THIS IS A POPULAR COCKTAILIN ALBUQUERQUE YOU SAY?
530
00:20:54,880 --> 00:20:55,839
OH, YES.
531
00:20:55,839 --> 00:20:57,382
IT'S CALLED AN "AREA 51."
532
00:20:58,258 --> 00:20:59,259
YOU DON'T KNOWWHAT'S IN THERE,YES.
533
00:20:59,300 --> 00:21:00,176
BUT ONE DRINK,
534
00:21:00,218 --> 00:21:02,012
AND YOU KNOW SOMETHING WEIRDIS GOING ON.
535
00:21:03,221 --> 00:21:04,055
OH...
536
00:21:04,055 --> 00:21:06,724
AND THEN I MET EVELYN--SUNNY--
537
00:21:06,766 --> 00:21:08,268
AND WE DECIDEDTO CHANGE OUR NAMES
538
00:21:08,309 --> 00:21:10,645
THE SUMMER OF '69.
539
00:21:10,686 --> 00:21:12,897
EVERYTHING CHANGED IN '69.
540
00:21:12,897 --> 00:21:14,065
HOW IS IT
541
00:21:14,107 --> 00:21:16,859
YOU CAME TO CHOOSETHE NAME "SUNNY,"
542
00:21:16,901 --> 00:21:17,902
MRS. HAYWITH?
543
00:21:17,943 --> 00:21:19,028
WELL...
544
00:21:19,070 --> 00:21:21,697
WE MET DURINGTHE SUMMER OF LOVE IN '67,
545
00:21:21,739 --> 00:21:22,865
WHEN I WAS EVELYN,
546
00:21:22,907 --> 00:21:24,284
AND FOR AWHILE,
547
00:21:24,325 --> 00:21:26,452
I WAS "MYSTIC HARMONY..."
548
00:21:26,494 --> 00:21:29,163
AND IN '69,WE WENT TO WOODSTOCK,
549
00:21:29,204 --> 00:21:31,916
AND IT RAINED AND RAINED--
550
00:21:31,916 --> 00:21:34,460
AND WE DIDN'T SEEBLUE SKIES FOR DAYS.
551
00:21:34,460 --> 00:21:37,004
AND FINALLY,BILLY SAID ONE MORNING,
552
00:21:37,046 --> 00:21:39,214
"THE ONLY SUNRISE SEEWE'RE GOING TO SEE TODAYAYS.
553
00:21:39,256 --> 00:21:41,341
IS THE SUN IN YOUR EYES.
554
00:21:42,426 --> 00:21:44,428
AND I BECAME "SUNRISE."
555
00:21:44,428 --> 00:21:45,387
SUNRISE.
556
00:21:45,429 --> 00:21:46,722
SUNNY!
557
00:21:46,764 --> 00:21:47,765
THAT'S WONDERFUL.
558
00:21:47,807 --> 00:21:50,017
YOU SEE, NOW THERE REALLY ISA SUNRISE IN THERE.
559
00:21:50,059 --> 00:21:51,185
TAKE THEM OFF.
560
00:21:52,102 --> 00:21:52,978
SEE THAT LITTLE--
561
00:21:52,978 --> 00:21:54,939
SEE THAT LITTLE GOLD FLECKRIGHT THERE?
562
00:21:58,358 --> 00:21:59,401
SEE THAT LITTLE--SEE?
563
00:22:01,278 --> 00:22:02,279
-[NORMAN]: OLIVER!-NORMAN!
564
00:22:02,279 --> 00:22:03,363
OLIVER, YOU'RE NEVERGOING TO GUESS--
565
00:22:03,405 --> 00:22:04,448
[RITA]: NORMAN!
566
00:22:04,448 --> 00:22:06,116
-[WHIRS AND CRUNCHES]-[RITA]: I WANT YOU TO...
567
00:22:06,158 --> 00:22:07,201
[WHIRRING AND CRUNCHING]
568
00:22:07,242 --> 00:22:09,536
...MEET MY PARENTS.
569
00:22:18,211 --> 00:22:19,963
OH, YOU'RE JUSTSO ADORABLE...
570
00:22:21,339 --> 00:22:23,299
WHAT I CAN SEE OF YOU.
571
00:22:23,299 --> 00:22:24,258
I'M REALLY SORRY
572
00:22:24,300 --> 00:22:25,719
THAT I BLENDEDYOUR GLASSES, MRS. HAYWITH.
573
00:22:25,760 --> 00:22:26,678
[BILL]: HEY, SUNNY,
574
00:22:26,720 --> 00:22:29,013
THEY'VE GOT THE BYRDSON HERE.
575
00:22:29,055 --> 00:22:30,473
THE BEATLES, THE MONKEES,
576
00:22:30,473 --> 00:22:31,766
THE TURTLES...
577
00:22:31,808 --> 00:22:33,309
[LAUGHS] THE ANIMALS.
578
00:22:33,309 --> 00:22:35,353
ALL THE MUSICAL SPECIESOF THE '60S!
579
00:22:36,312 --> 00:22:37,313
IS THAT A JOKE?
580
00:22:37,313 --> 00:22:39,190
MAYBE.
581
00:22:39,232 --> 00:22:41,734
SO, YOU'RE FROM NEW MEXICO!
582
00:22:41,734 --> 00:22:43,652
[NORMAN]: LAND OF ENCHANTMENT.
583
00:22:43,694 --> 00:22:46,239
SOME ENCHANTINGLAND DEVELOPERFROM NEW MEXICO!
584
00:22:46,280 --> 00:22:47,573
WANTS TO TURNOUR RV PARK
585
00:22:47,615 --> 00:22:50,326
INTO WALLY'S WACKYWAFFLE WORLD.
586
00:22:50,368 --> 00:22:53,829
YOU KNOW, WE'RE SO THRILLEDFOR NORMAN AND RITA.
587
00:22:53,829 --> 00:22:57,082
NORMAN ACTUALLY REMINDS MEOF A SMALL WOODLAND CREATURE.
588
00:22:57,124 --> 00:22:58,208
YOU KNOW, WE'RE SO THRILLEDFOR NTHANK YOU.RITA.
589
00:22:58,251 --> 00:22:59,167
[RITA]: ALL RIGHT,
590
00:22:59,167 --> 00:23:01,003
SO I FOUND A GLASSES PLACEDOWN THE STREET
591
00:23:01,044 --> 00:23:02,505
THAT'S OPEN 'TIL 5:00.
592
00:23:02,546 --> 00:23:04,882
PERFECT.
593
00:23:04,882 --> 00:23:06,133
[SUNNY]: NOW, HONEY,LEMME SEE THAT RING.
594
00:23:08,636 --> 00:23:10,345
THE RING THAT NORMAN GOT ME?
595
00:23:10,387 --> 00:23:12,180
WELL, WHO ELSEWOULD GIVE YOU ONE?
596
00:23:12,222 --> 00:23:13,849
[RITA LAUGHING] RIGHT.
597
00:23:13,849 --> 00:23:16,184
WELL...
598
00:23:16,226 --> 00:23:18,771
HE HASN'T GIVENME IT YET.
599
00:23:18,812 --> 00:23:19,730
I HAVE IT.
600
00:23:19,772 --> 00:23:20,773
I BOUGHT IT.
601
00:23:20,814 --> 00:23:22,190
I JUST, UH...
602
00:23:22,190 --> 00:23:23,025
I PUT ITIN MY PANTS.
603
00:23:23,025 --> 00:23:24,026
I MEAN, I PUT IT
604
00:23:24,026 --> 00:23:25,485
IN MY PANT POCKET,
605
00:23:25,527 --> 00:23:27,029
AND THEN I CHANGED MY PANTS
606
00:23:27,029 --> 00:23:28,906
WHEN I WENT TO SEE RITATO GIVE IT TO HER,
607
00:23:28,906 --> 00:23:30,365
AND THEN WHEN I GOT HOME,I WAS SO HAPPY,
608
00:23:30,407 --> 00:23:31,533
WHEN I WENT TO SEE RITATO GII FORGOT,HER,
609
00:23:31,533 --> 00:23:32,742
AND I SENT ALL MY PANTSTO THE LAUNDRY THE NEXT DAY--
610
00:23:32,784 --> 00:23:34,619
WELL, NOT ALL MY PANTS,OF COURSE!
611
00:23:34,661 --> 00:23:35,745
[EVERYONE LAUGHING]
612
00:23:37,705 --> 00:23:39,124
WE'VE CONTACTEDTHE LAUNDRY SERVICE
613
00:23:39,166 --> 00:23:42,335
AND THERE'S BEENA RATHER EXTENSIVE SEARCH
614
00:23:42,335 --> 00:23:43,711
OVER THE LAST FEW WEEKS...
615
00:23:43,711 --> 00:23:45,880
AND THERE'S BEENA RATSO, IT'S LOST?SEARCH
616
00:23:45,880 --> 00:23:47,715
[SHANE]: NO. NO.
617
00:23:47,715 --> 00:23:49,050
NO, NO, NO, NO, NO.
618
00:23:49,050 --> 00:23:50,092
WE'RE FAIRLY CERTAIN
619
00:23:50,134 --> 00:23:51,886
THAT IT'S SOMEWHEREAT TONY'S TIP TOP CLEANERS.
620
00:23:52,845 --> 00:23:55,222
[NORMAN]: YEAH. I GO THEREA LOT TO LOOK AROUND.
621
00:23:55,222 --> 00:23:56,766
[RITA]: NORMAN DESCRIBED ITTO ME, DADDY,
622
00:23:56,808 --> 00:23:59,686
AND IT SOUNDS VERY BEAUTIFUL.
623
00:23:59,727 --> 00:24:00,687
IT'S IN THE SHAPE OF AN OWL.
624
00:24:00,728 --> 00:24:03,147
AN OWL!OH, HOW PRECIOUS?
625
00:24:03,147 --> 00:24:04,231
HONEY, YOU'VE ALWAYS LOVED OWLS.
626
00:24:04,231 --> 00:24:06,025
BILLY, HASN'T SHE ALWAYSOH,LOVED OWLS?US?
627
00:24:06,067 --> 00:24:07,651
YES.
628
00:24:09,445 --> 00:24:11,113
WILL YOU EXCUSE ME A MOMENT?
629
00:24:11,155 --> 00:24:12,573
I HAVE TO WALK AROUND A LITTLE.
630
00:24:13,407 --> 00:24:14,533
[SUNNY]: OF COURSE, DARLING.
631
00:24:16,118 --> 00:24:17,203
IS HE OKAY?
632
00:24:17,244 --> 00:24:18,829
YEAH. YEAH. IT'S JUST USUALLYHE'S A LITTLE MORE....
633
00:24:18,829 --> 00:24:19,871
[OLIVER]: ENGAGING.HE JUST...
634
00:24:19,913 --> 00:24:22,666
YEAH. YEAHSOMETIMESST USUALLYWHEN HE'S SURPRISED, HE...
635
00:24:22,708 --> 00:24:24,251
HE GETS THE ERKS.
636
00:24:24,251 --> 00:24:25,877
ERKS?
637
00:24:25,919 --> 00:24:28,297
UNREMITTINGCONVULSIVE STOMACH SYNDROME.
638
00:24:28,297 --> 00:24:30,507
YOU'RE MARRYINGA GUY WHO CONVULSES?
639
00:24:33,302 --> 00:24:35,721
HEY, WHAT'S--CONVULSIWHAT'S THAT?YNDROME.
640
00:24:36,597 --> 00:24:37,889
[BILL]: OH, NOTHING.
641
00:24:37,931 --> 00:24:38,932
COME ON, SUNNY.
642
00:24:38,974 --> 00:24:41,434
LET'S... ORDER YOUR GLASSES.
643
00:24:43,311 --> 00:24:44,605
[SUNNY]: WE'LL SEE YOU LATER.
644
00:24:44,605 --> 00:24:45,939
[RITA]: OKAY.
645
00:24:45,939 --> 00:24:47,565
THIS WAY, THIS WAY.E YOU LATER.
646
00:24:51,903 --> 00:24:54,239
MAYBE I SHOULD HAVE GIVENNORMAN A LITTLE MORE NOTICE.
647
00:24:54,280 --> 00:24:55,281
OH, I DON'T THINK
648
00:24:55,281 --> 00:24:57,700
YOU COULD HAVE PREPAREDANYONE FOR THIS, RITA.
649
00:24:58,451 --> 00:25:00,328
[SHANE'S CELL PHONE RINGS]
650
00:25:02,288 --> 00:25:03,623
SHANE MCINERNEY.
651
00:25:03,623 --> 00:25:04,958
YES, HI!
652
00:25:04,958 --> 00:25:06,584
OKAY.
653
00:25:06,584 --> 00:25:08,336
CAN YOU SEND THOSE TO ME?
654
00:25:08,336 --> 00:25:11,172
GREAT. THANKS.THANKS SO MUCH, IGOR.
655
00:25:11,964 --> 00:25:14,800
WELL, NORMAN'S COUSINCHAS SOME LEADS FOR US.E?
656
00:25:14,842 --> 00:25:16,176
OH. GREAT.
657
00:25:28,481 --> 00:25:30,941
[SHANE]: WE HAVEONE MORE LEFT ON THIS STREET.
658
00:25:42,661 --> 00:25:43,871
SO THIS IS THE VASE?
659
00:25:43,913 --> 00:25:45,414
WOW.
660
00:25:45,455 --> 00:25:46,916
NO WONDER SHE WANTED IT BACK.
661
00:25:47,832 --> 00:25:49,584
WAY BACK IN '99 OR SO,
662
00:25:49,626 --> 00:25:51,295
MY DAD STARTED GETTINGCALLS AND LETTERS
663
00:25:51,295 --> 00:25:52,337
FROM THIS LITTLE GIRL,
664
00:25:52,379 --> 00:25:54,173
WHO SAID THAT SHE'D SENT USCA VASE TO SELL.S
665
00:25:54,173 --> 00:25:56,341
DAD DIDN'T KNOWANYTHING ABOUT IT,
666
00:25:56,383 --> 00:25:58,343
BUT SHE SWORE SHE'D SENT IT.
667
00:25:59,344 --> 00:26:01,513
LOOKS LIKE IT GOT LOSTIN THE MAIL AFTER ALL.
668
00:26:01,555 --> 00:26:02,764
WE ARE TRYING TO CORRECT THAT.
669
00:26:02,764 --> 00:26:04,140
HE SAID SHE'D CALLEVERY WEEK,
670
00:26:04,140 --> 00:26:06,059
WE ARAND THEN EVERY MONTH,HAT.
671
00:26:06,100 --> 00:26:07,060
HE SAID SHE'D CALLAND THEN EVERY COUPLE OF YEARS,
672
00:26:07,060 --> 00:26:08,812
UNTIL THE CALLSJUST KIND OF STOPPED.
673
00:26:08,853 --> 00:26:09,979
HE SAID SHE'D CALLADID SHE EVER LEAVE A NUMBER?S,
674
00:26:12,982 --> 00:26:14,484
ACTUALLY, YEAH,
675
00:26:14,526 --> 00:26:18,029
AND DAD KEPT IT PINNED UPBEHIND THE COUNTER FOREVER,
676
00:26:18,071 --> 00:26:20,114
BUT WHEN I TOOK THIS PLACE OVER,
677
00:26:20,156 --> 00:26:21,282
I SORT OF CLEANED HOUSE.
678
00:26:22,533 --> 00:26:23,910
[SHANE]:WE HAVE A PARTIAL PHONE NUMBER
679
00:26:23,952 --> 00:26:25,369
FROM THE SAME AREA.
680
00:26:25,369 --> 00:26:26,495
IS THERE ANY CHANCE
681
00:26:26,537 --> 00:26:29,373
THAT YOU MIGHT REMEMBERTHE AREA CODE OR THE PREFIX?
682
00:26:30,708 --> 00:26:31,792
PROBABLY NOT.
683
00:26:31,792 --> 00:26:32,877
IT WAS UP THEREFOR SO LONG,
684
00:26:32,877 --> 00:26:34,212
IT WAS JUST KIND OFPART OF THE WALLPAPER,
685
00:26:34,253 --> 00:26:36,297
IT WAS UP THEREFOR SOYOU KNOW?
686
00:26:36,339 --> 00:26:40,134
WAIT, ISN'T THIS THE AREA CODEFOR BYERS COUNTY?
687
00:26:40,176 --> 00:26:41,385
YES. YES, IT IS.
688
00:26:42,386 --> 00:26:43,846
EDGEWOOD'S IN BYERS COUNTY,ISN'T IT?
689
00:26:43,887 --> 00:26:44,888
[OLIVER]: EDGEWOOD. YES.
690
00:26:44,888 --> 00:26:47,558
OKAY, BECAUSE I DOREMEMBER MY DAD SAYING,
691
00:26:47,558 --> 00:26:49,643
"THAT KIDFROM EDGEWOOD CALLED AGAIN."
692
00:26:50,853 --> 00:26:52,187
DOES THAT HELP?
693
00:26:52,229 --> 00:26:53,647
VERY MUCH.
694
00:26:54,523 --> 00:26:56,567
I'D REALLY LIKE TO KNOWHOW A KID FROM EDGEWOOD
695
00:26:56,609 --> 00:26:59,277
MANAGED TO GET AHOLDOF SOMETHING LIKE THAT.
696
00:27:00,529 --> 00:27:01,614
WELL, ALL WE CAN TELL YOU
697
00:27:01,655 --> 00:27:04,241
IS THAT IT HADA VERY LOVING HOME.
698
00:27:04,241 --> 00:27:05,367
WELL...
699
00:27:05,408 --> 00:27:07,327
TAKE GOOD CARE OF THAT VASE.
700
00:27:07,327 --> 00:27:08,662
IT PROBABLY BELONGS IN A MUSEUM.
701
00:27:08,704 --> 00:27:10,789
AND IF YOU DO FIND THE OWNER,
702
00:27:10,831 --> 00:27:12,457
AND SHE IS STILL INTERESTED,
703
00:27:12,499 --> 00:27:14,501
WE'LL BUY THATIN A NEW YORK MINUTE.
704
00:27:17,004 --> 00:27:17,963
[OLIVER]:MY DAD'S COMING IN TODAY
705
00:27:17,963 --> 00:27:19,797
TO SEE WHAT WE CAN DOABOUT THAT ROOM
706
00:27:19,839 --> 00:27:22,217
[OLIVER]:YOU SMASHED YOUR WAY INTO.AY
707
00:27:22,217 --> 00:27:23,260
[SHANE]: DON'T YOU MEAN
708
00:27:23,301 --> 00:27:26,263
"THE ROOMYOINTO WHICH I SMASHED MY WAY"?
709
00:27:26,304 --> 00:27:29,307
OR HAVE I FINALLYBROKEN YOU DOWN
710
00:27:29,349 --> 00:27:32,435
AND RUINED YOUR LOVE AFFAIRWITH THE ENGLISH LANGUAGE?
711
00:27:32,435 --> 00:27:34,771
I CAN'T IMAGINE YOURUINING ANYTHING.
712
00:27:36,814 --> 00:27:39,233
ANYWAY, RITA'S PARENTSARE DROPPING BY TODAY,
713
00:27:39,275 --> 00:27:41,361
SO THAT'S PERFECT.
714
00:27:41,403 --> 00:27:43,738
WHAT IS PERFECT?
715
00:27:43,780 --> 00:27:45,448
DID YOU NOTICE YESTERDAY
716
00:27:45,448 --> 00:27:46,783
MR. HAYWITH HAD
717
00:27:46,824 --> 00:27:48,701
A PRESENT THATDID YOHE WANTED TO GIVE,
718
00:27:48,743 --> 00:27:50,286
AND THEN AFTERHE MET NORMAN,
719
00:27:50,327 --> 00:27:52,664
HE DECIDEDNOT TO GIVE IT?
720
00:27:52,705 --> 00:27:55,082
MR. HAYWITHDOESN'T LIKE NORMAN.
721
00:27:55,124 --> 00:27:56,751
WELL, EVERYONELIKES NORMAN.
722
00:27:56,793 --> 00:27:59,503
NORMAN ISN'T ENGAGEDTO EVERYONE'S DAUGHTER.
723
00:27:59,545 --> 00:28:00,797
JUST BILL'S.
724
00:28:00,797 --> 00:28:01,798
AND EVERY FATHER
725
00:28:01,839 --> 00:28:03,340
WANTS WHAT'S BESTFOR THEIR DAUGHTER.
726
00:28:03,382 --> 00:28:04,884
NORMAN IS THE BEST.
727
00:28:04,926 --> 00:28:06,593
NORMAN IS WHAT'SBEST FOR RITA
728
00:28:06,635 --> 00:28:08,762
BECAUSE HE GETS HER.
729
00:28:08,804 --> 00:28:09,888
AND RITA GETS HIM.
730
00:28:09,930 --> 00:28:10,972
BUT MR. HAYWITHDOESN'T GET THAT
731
00:28:10,972 --> 00:28:12,558
BECAUSE HE DOESN'TGET NORMAN,
732
00:28:12,599 --> 00:28:13,809
AND HE'S NOTGOING TO GET THAT
733
00:28:13,809 --> 00:28:14,935
WITHOUT HELP.
734
00:28:14,976 --> 00:28:16,853
SO I HAVE AN IDEA.
735
00:28:18,855 --> 00:28:20,482
PERFECT.
736
00:28:20,482 --> 00:28:22,818
YES, MAY I SPEAK WITHTHE POSTMASTER, PLEASE?
737
00:28:23,694 --> 00:28:27,280
YES, I'M CALLING FROMTHE USPS DLO IN DENVER.
738
00:28:27,322 --> 00:28:30,451
MAY I ASK HOW LONG YOU'VE WORKEDAT THE EDGEWOOD BRANCH?
739
00:28:30,492 --> 00:28:32,828
AND THIS ISTHE UNATTACHED OBJECTS AREA,
740
00:28:32,828 --> 00:28:34,037
WHERE THE CONTENTS
741
00:28:34,079 --> 00:28:35,163
HAVE BECOME SEPARATEDFROM THEIR ADDRESS
742
00:28:35,163 --> 00:28:37,082
AND THEY REQUIRESPECIAL HANDLING.
743
00:28:37,123 --> 00:28:37,999
[RITA]: OH, YEAH.
744
00:28:37,999 --> 00:28:40,752
NORMAN IS VERY GOODAT SPECIAL HANDLING.
745
00:28:43,671 --> 00:28:45,173
-IS THAT A GUITAR?-[RITA]: OH, YEAH.
746
00:28:45,173 --> 00:28:46,341
YOU WOULDN'T BELIEVE
747
00:28:46,341 --> 00:28:47,592
WHAT PEOPLE PUT IN THE MAILWITH JUST A STAMP.
748
00:28:47,633 --> 00:28:48,509
COCONUTS, BRICKS--VE
749
00:28:48,509 --> 00:28:51,637
NORMAN EVEN DELIVEREDA GIANT BEAR ONCE.
750
00:28:51,679 --> 00:28:52,973
OH, STUFFED.
751
00:28:52,973 --> 00:28:54,015
I REALLY MISS THAT BEAR...
752
00:28:54,015 --> 00:28:55,391
[OLIVER]: GOOD NEWS.
753
00:28:55,433 --> 00:28:58,019
WE MAY HAVE A LEADI REON OUR DAIRY FARM.R...
754
00:28:58,019 --> 00:29:00,313
THE EDGEWOOD POSTMASTERIS EXPECTING US AT 2:00.
755
00:29:00,355 --> 00:29:01,272
WONDERFUL.
756
00:29:01,314 --> 00:29:02,565
OH, DID YOU KNOW
757
00:29:02,607 --> 00:29:03,774
THAT EDGEWOOD, COLORADO
758
00:29:03,816 --> 00:29:04,734
IS THE SITE OF
759
00:29:04,775 --> 00:29:05,860
THE SMALLEST MUSEUMIN THE STATE?
760
00:29:05,901 --> 00:29:07,237
THE INTERNATIONAL MUSEUMOF BARBED WIRE.
761
00:29:07,237 --> 00:29:09,405
16 SQUARE FEET.WELL WORTH THE DRIVE.
762
00:29:11,657 --> 00:29:13,993
THE INRITA, HOW FARUSEUMWOULD THAT DRIVE BE?
763
00:29:14,034 --> 00:29:15,035
OH, UM...
764
00:29:15,077 --> 00:29:17,455
87.5 MILES,WITHOUT THE TOLL ROADS.
765
00:29:17,497 --> 00:29:19,039
[NORMAN]: THERE ISN'TMUCH WE COULD DO AROUND HERE
766
00:29:19,039 --> 00:29:20,290
WITHOUT RITA.
767
00:29:20,332 --> 00:29:22,084
WHERE DID SHE GETHER PHOTOGRAPHIC MEMORY?
768
00:29:22,126 --> 00:29:23,168
[SUNNY]: WELL, HER GRANDMOTHER
769
00:29:23,210 --> 00:29:25,630
MEMORIZED THE ENTIRE1972 FEDERAL TAX CODE,
770
00:29:25,630 --> 00:29:27,131
SO I GUESS IT RUNSIN THE FAMILY.
771
00:29:27,172 --> 00:29:28,674
MEMORIZED THE ENTIRE1972 F[LAUGHING] CODE,
772
00:29:30,550 --> 00:29:32,052
DO YOU LIKEKIDS, NORMAN?
773
00:29:32,052 --> 00:29:33,220
OH, YES.
774
00:29:33,220 --> 00:29:34,429
I WAS ONE ONCE.
775
00:29:34,471 --> 00:29:35,973
I LIKED IT.
776
00:29:37,141 --> 00:29:39,393
IS THERE ANY INSANITYIN YOUR FAMILY, NORMAN?
777
00:29:39,393 --> 00:29:40,936
UM...
778
00:29:42,021 --> 00:29:43,230
IS THERE ANY INSANITY[MR. O'TOOLE]: ANYBODY HERE?N?
779
00:29:43,272 --> 00:29:46,108
THE CLEAN-UP COMMITTEEHAS ARRIVED!
780
00:29:46,150 --> 00:29:47,692
MR. O'TOOLE!
781
00:29:47,734 --> 00:29:49,778
WELCOME, WELCOME!
782
00:29:49,778 --> 00:29:52,614
RITA'S WEIRD HIPPIE PARENTSARE VISITING
783
00:29:52,656 --> 00:29:54,157
AND NORMAN BROKEHER MOTHER'S GLASSES
784
00:29:54,198 --> 00:29:55,575
AND HER FATHERDOESN'T LIKE HIM. HELP!
785
00:29:55,617 --> 00:29:57,243
GOT IT.
786
00:29:57,286 --> 00:29:58,412
[OLIVER]: DAD!
787
00:29:58,453 --> 00:29:59,788
THESE ARERITA'S PARENTS,
788
00:29:59,829 --> 00:30:01,289
SUNNY AND BILL HAYWITH.
789
00:30:01,330 --> 00:30:02,290
THIS IS JOSEPH O'TOOLE.
790
00:30:02,331 --> 00:30:04,751
BILL! JUST CALL ME JOE.
791
00:30:04,793 --> 00:30:05,919
AND SUNNY!
792
00:30:05,919 --> 00:30:07,045
LOVELY TO MEET YOU!
793
00:30:07,045 --> 00:30:08,129
SAME HERE.CONGRATULATIONS!
794
00:30:08,129 --> 00:30:10,339
WHEN I HEARD THE NEWSLOVELY TABOUT THESE TWO,
795
00:30:10,381 --> 00:30:11,841
SAME HERE.I GOTTA TELL YOU...TIONS!
796
00:30:11,883 --> 00:30:13,802
HEY! HENDRIX!
797
00:30:13,843 --> 00:30:15,261
WERE YOUAT THAT CONCERT?
798
00:30:15,261 --> 00:30:16,262
FRONT ROW.
799
00:30:16,262 --> 00:30:18,389
WERE YOUNO KIDDING! ME, TOO!NCERT?
800
00:30:18,431 --> 00:30:19,223
F[LAUGHS].
801
00:30:19,265 --> 00:30:20,558
[SUNNY]: FOR HEAVEN'S SAKES!
802
00:30:20,599 --> 00:30:22,018
YOU'RE PRACTICALLY FAMILY!
803
00:30:23,144 --> 00:30:24,145
CAN YOU HANDLE A DRILL, BILL?
804
00:30:24,187 --> 00:30:26,647
I BUILD FURNITUREIN ALBUQUERQUE. YES.
805
00:30:26,689 --> 00:30:28,107
[SUNNY]: I WEAVE.
806
00:30:28,107 --> 00:30:29,108
I'M A WEAVER.
807
00:30:29,108 --> 00:30:31,110
WELL, PERFECT!
808
00:30:31,152 --> 00:30:32,945
WHADDYA SAY WE OLD PEACENIKS
809
00:30:32,945 --> 00:30:34,488
SHOW THESE KIDSHOW IT'S DONE,
810
00:30:34,530 --> 00:30:35,823
IF YOU'VE GOTA LITTLE TIME?
811
00:30:35,864 --> 00:30:37,241
NORMAN, WHY DON'T YOUJUST TELL US
812
00:30:37,283 --> 00:30:38,284
WHERE YOU WANT US TO START?
813
00:30:38,326 --> 00:30:39,202
OH, WELL...
814
00:30:39,202 --> 00:30:40,953
I THOUGHT WE COULD CLEAN UPTHE NEW ROOM
815
00:30:40,994 --> 00:30:42,538
AND TURN IT INTOA NICE OFFICE FOR RITA.
816
00:30:42,580 --> 00:30:43,456
AW!
817
00:30:43,456 --> 00:30:44,540
[OLIVER]:AN EXCELLENT IDEA, NORMAN.
818
00:30:44,582 --> 00:30:45,458
BRILLIANT.
819
00:30:45,499 --> 00:30:46,667
AND MAYBE A MEDITATION SPACE?
820
00:30:46,667 --> 00:30:47,710
HMM!
821
00:30:49,127 --> 00:30:50,212
AND MYEAH, I'M THINKINGSPACE?
822
00:30:50,253 --> 00:30:53,173
A WATERFALL OF HANGING BEADSTO DIVIDE THE SPACE UP.
823
00:30:53,215 --> 00:30:55,342
OLIVER WOULD LOVE THAT.
824
00:30:55,342 --> 00:30:57,552
[JOE]: WELL, I THINKWE HAVE A PLAN.
825
00:30:57,595 --> 00:30:58,971
OLIRITA, DO YOU MINDAT.
826
00:30:59,012 --> 00:31:00,097
IF I STEALYOUR FOLKS FOR AWHILE?
827
00:31:00,138 --> 00:31:01,014
[RITA]: PLEASE!
828
00:31:01,056 --> 00:31:03,308
I MEAN, OF COURSE.OF COURSE.
829
00:31:03,308 --> 00:31:04,559
GREAT!
830
00:31:04,601 --> 00:31:06,561
I MEAYOU GUYS,RSE.GO DELIVER SOMETHING!
831
00:31:06,603 --> 00:31:07,645
WE'LL... WE'VE GOT THIS.
832
00:31:07,645 --> 00:31:09,982
FOLLOW ME. COME ON.
833
00:31:10,023 --> 00:31:11,524
THIS WAY?
834
00:31:11,566 --> 00:31:14,569
THEY'RE SO GREAT, AREN'T THEY?
835
00:31:18,490 --> 00:31:19,991
[MR. EVERETT]:HERE IT IS RIGHT HERE.
836
00:31:20,032 --> 00:31:21,159
SIGN THERE, AND YEAH.
837
00:31:22,160 --> 00:31:23,161
THANK YOU.
838
00:31:28,333 --> 00:31:29,166
MR. EVERETT?
839
00:31:29,208 --> 00:31:32,879
AH, I'M GUESSINGYOU MUST BE MR. O'TOOLE?
840
00:31:32,920 --> 00:31:34,589
YES, AND THESE AREMY ASSOCIATES.
841
00:31:35,840 --> 00:31:37,341
WHAT CANI DO YOU FOR?
842
00:31:37,341 --> 00:31:39,176
WELL, WE ARE ATTEMPTINGTO DELIVER AN OBJECT
843
00:31:39,218 --> 00:31:40,177
THAT MAY HAVE SHIPPED
844
00:31:40,177 --> 00:31:41,387
FROM THIS POST OFFICE18 YEARS AGO.
845
00:31:41,428 --> 00:31:43,723
OH, I CANHARDLY REMEMBER
846
00:31:43,765 --> 00:31:45,850
WHAT WE SHIPPEDYESTERDAY!
847
00:31:45,892 --> 00:31:47,018
DO YOU KNOW WHO SHIPPED IT?
848
00:31:47,059 --> 00:31:48,394
IT'S A SMALL COMMUNITY.I DON'T FORGET MY NEIGHBORS.
849
00:31:48,435 --> 00:31:49,896
[SHANE]: WE ONLY HAVEFIRST NAMES.
850
00:31:49,937 --> 00:31:52,023
PEGGY, MARY LOU...
851
00:31:52,023 --> 00:31:52,982
AND BUNNY.
852
00:31:52,982 --> 00:31:54,025
YEAH. THE KELLSER FAMILY....
853
00:31:54,025 --> 00:31:55,026
OH, YOU KNOW THEM?NY.
854
00:31:55,026 --> 00:31:56,485
YEBEEN AROUND FOREVER.LY....
855
00:31:56,527 --> 00:31:58,320
OH, YOU ARE THEY STILL A FAMILY?
856
00:31:58,362 --> 00:32:01,032
YEAH, THE FAMILY'SDOWN ON COUNTY ROAD 119.
857
00:32:01,032 --> 00:32:01,948
CAN'T MISS IT.
858
00:32:01,948 --> 00:32:03,992
AND THEY STILLLIVE ON THE FARM?
859
00:32:04,035 --> 00:32:05,619
WELL...N'T MISS IT.
860
00:32:05,661 --> 00:32:07,829
AT LEAST UNTIL SATURDAY.
861
00:32:31,561 --> 00:32:34,731
[♪]
862
00:32:42,948 --> 00:32:44,074
WOW.
863
00:32:45,075 --> 00:32:46,076
[NORMAN]: HELLO?
864
00:32:47,743 --> 00:32:49,120
[SHANE]: HELLO?
865
00:32:49,162 --> 00:32:50,080
WOW.
866
00:32:50,080 --> 00:32:52,415
"COLORADO CAMEMBERT."I WANT TO TRY THAT.
867
00:32:52,415 --> 00:32:53,499
COOL.
868
00:32:53,541 --> 00:32:55,585
OH, NORMAN, LOOK.
869
00:32:55,626 --> 00:32:56,961
YES. IT'S LIKE BEING HEREA HUNDRED YEARS AGO.
870
00:32:57,920 --> 00:33:00,423
THIS SEEMS LIKEYOUR KIND OF PLACE.
871
00:33:03,133 --> 00:33:05,177
ARE YOU GOING STEADY?
872
00:33:05,219 --> 00:33:06,261
OH!
873
00:33:06,261 --> 00:33:08,388
UH...
874
00:33:08,431 --> 00:33:09,765
OH!WE ARE!
875
00:33:09,765 --> 00:33:10,766
WE'RE ENGAGED!
876
00:33:10,766 --> 00:33:12,101
CAN I SEE YOUR RING?
877
00:33:13,185 --> 00:33:14,436
WE'RE UH...ED!
878
00:33:14,436 --> 00:33:15,354
THAT'S A LONG STORY.
879
00:33:15,354 --> 00:33:17,439
I PUT THE RINGIN MY POCKET
880
00:33:17,439 --> 00:33:19,859
AND THEN I LOST IT..
881
00:33:19,900 --> 00:33:21,610
WAS THERE A HOLE?
882
00:33:21,651 --> 00:33:22,737
A WHAT?
883
00:33:22,778 --> 00:33:23,946
I HAD CHICKEN FEED
884
00:33:23,946 --> 00:33:25,280
IN MY POCKET ONE TIME,
885
00:33:25,322 --> 00:33:26,448
BUT THERE WASI A HOLE IN MY POCKET,
886
00:33:26,490 --> 00:33:28,700
AND THE SEEDS WENTALL OVER THE FLOOR.
887
00:33:28,742 --> 00:33:30,660
OH... HUH.
888
00:33:30,702 --> 00:33:32,621
-WANNA SEE THE COWS?-OH...
889
00:33:32,621 --> 00:33:34,206
OH...
890
00:33:34,206 --> 00:33:35,624
WELL, YOU KNOW,WE WOULD LOVE TO,
891
00:33:35,665 --> 00:33:38,252
BUT WE REALLY NEEDTO TALK TO YOUR MOM.
892
00:33:38,293 --> 00:33:41,255
MY MOM DROVE TO THE DRUGSTORE,BUT SHE'LL BE RIGHT BACK.
893
00:33:41,296 --> 00:33:42,964
YOU CAN MEET AUNT BUNNY.
894
00:33:43,006 --> 00:33:45,008
SHE'S RIGHT ON THE WAYTO THE COWS.
895
00:33:45,967 --> 00:33:47,636
OH. GOOD.
896
00:33:47,677 --> 00:33:49,846
WELL, WE'LL JUST STAY HEREAND WAIT FOR YOUR MOM.
897
00:33:49,888 --> 00:33:51,473
WHAT DID YOU SAYHER NAME WAS AGAIN?
898
00:33:51,473 --> 00:33:52,807
PEGGY.
899
00:33:52,807 --> 00:33:54,142
I'M ABBY.
900
00:33:56,144 --> 00:33:57,270
OKAY...
901
00:34:02,817 --> 00:34:04,277
AND THIS IS SOOKIE.
902
00:34:04,318 --> 00:34:08,197
SHE'S VERY STUBBORN.SHE LIKES TO BE MILKED LAST.
903
00:34:08,239 --> 00:34:11,075
AND ARABELLEIS ALWAYS WANDERING OFF.
904
00:34:12,243 --> 00:34:13,577
POLLY'S REALLY SWEET,
905
00:34:13,619 --> 00:34:14,996
BUT SHE HAS TO BE THE FIRSTONE OUT OF THE PARLOR
906
00:34:15,038 --> 00:34:18,166
OR SHE'LL STAYIN THERE ALL NIGHT.
907
00:34:18,166 --> 00:34:21,419
UH... YOU ALLOW POLLYTO SLEEP IN YOUR LIVING ROOM?
908
00:34:22,878 --> 00:34:24,046
OR SHE'LL STAYNO, SILLY! ALL NIGHT.
909
00:34:24,046 --> 00:34:25,756
THE PARLORIS WHERE THE COWS GET MILKED.
910
00:34:27,258 --> 00:34:28,301
OR SHE'LL STAYSILLY. SILLY! ALL NIGHT.
911
00:34:30,344 --> 00:34:31,929
YOU CAN PET HER IF YOU WANT.
912
00:34:44,692 --> 00:34:45,984
[OLIVER]:CAREFUL OF YOUR FOOT THERE.
913
00:34:46,026 --> 00:34:47,527
[ABBY]: IT'S ALL RIGHT.
914
00:34:48,570 --> 00:34:49,529
[COW BELLS JINGLING]
915
00:34:49,529 --> 00:34:50,948
THERE'S AUNT BUNNY!
916
00:34:50,989 --> 00:34:52,449
RACE YOU TO THE FARMHOUSE!
917
00:35:01,499 --> 00:35:04,669
[SHANE]:I AM VERY PROUD OF YOU.
918
00:35:04,711 --> 00:35:06,129
I KNOW THAT WASN'T EASY
919
00:35:06,171 --> 00:35:07,380
AND ALL YOU WANT TO DO
920
00:35:07,380 --> 00:35:10,592
IS WASH YOUR HANDSRIGHT NOW, RIGHT?
921
00:35:10,633 --> 00:35:12,135
WAS I THAT OBVIOUS?
922
00:35:12,177 --> 00:35:13,720
NO.
923
00:35:13,761 --> 00:35:15,555
I JUST...
924
00:35:15,555 --> 00:35:17,139
KNOW YOU THAT WELL.
925
00:35:23,563 --> 00:35:25,815
MS. MCINERNEY?I JUST...
926
00:35:25,815 --> 00:35:27,775
WOULD YOU LIKE TO GOSTEADY WITH ME?
927
00:35:27,817 --> 00:35:30,820
MS. MCINERNEY?WHY, MR. O'TOOLE!
928
00:35:30,820 --> 00:35:33,489
THIS IS ALLSO VERY SUDDEN!
929
00:35:36,826 --> 00:35:38,244
MS. MCINERNEYOH, YOU'RE SERIOUS?
930
00:35:38,244 --> 00:35:40,579
NO, NO.
931
00:35:40,621 --> 00:35:42,248
I MEAN...
932
00:35:42,248 --> 00:35:44,250
WELL... I...
933
00:35:45,209 --> 00:35:48,045
I TOLD DALEWE WERE "A THING."
934
00:35:49,588 --> 00:35:51,215
"A THING."
935
00:35:51,257 --> 00:35:52,299
IS THAT...
936
00:35:52,299 --> 00:35:54,843
IS THAT DIFFERENTTHAN GOING STEADY?
937
00:35:54,885 --> 00:35:56,303
I'M NOT SURE.IS THAT...
938
00:36:07,063 --> 00:36:10,942
[♪]
939
00:36:10,942 --> 00:36:12,528
AUNT BUNNY SAYSYOU CAN SIT ON THE PORCH
940
00:36:12,569 --> 00:36:13,570
AND SHE'LL MAKESOME LEMONADE.
941
00:36:13,612 --> 00:36:16,072
I'LL GO GET YOUR FRIENDS.
942
00:36:16,114 --> 00:36:17,616
OH! I FORGOT TO MENTION
943
00:36:17,616 --> 00:36:19,993
THAT POLLY LIKES TO HEAR MUSICWHEN SHE HAS HER BABIES,
944
00:36:20,035 --> 00:36:21,536
SO DON'T FORGET TO SING TO HER.
945
00:36:24,956 --> 00:36:26,207
OH, NO.
946
00:36:26,249 --> 00:36:29,627
SHE... SHE THINKS WE'REHERE TO BUY THE PLACE.
947
00:36:45,935 --> 00:36:47,978
[BIRDS TWITTERING]
948
00:36:48,020 --> 00:36:49,355
[SHANE]: LISTEN TO THAT.
949
00:36:57,447 --> 00:37:00,450
THIS MUST BEWHAT HEAVEN IS LIKE.
950
00:37:01,992 --> 00:37:03,368
I HOPE NOT.
951
00:37:03,410 --> 00:37:04,662
IT'S TOO MUCH WORK.
952
00:37:04,662 --> 00:37:05,663
OH, MY GOODNESS.
953
00:37:05,663 --> 00:37:06,538
IT'S TOO MUCHHELLO!
954
00:37:06,538 --> 00:37:09,499
[SHANE]: YOU MUST BEOH, ABBY'S GRANDMOTHER?
955
00:37:09,499 --> 00:37:10,500
IT'S TOO MTHAT'S RIGHT.
956
00:37:10,542 --> 00:37:12,252
[SHANE]: YOU MUST BEKIM KELLSER.ABBY'S GRANDMOTHER?
957
00:37:12,252 --> 00:37:14,671
ABBY SAYS YOUR NAME IS O'TOOLE?
958
00:37:14,671 --> 00:37:15,464
[SHANE]: YOU MUST BEKIM KELLSER.YES, OLIVER O'TOOLE.
959
00:37:15,464 --> 00:37:16,799
THIS IS MS. MCINERNEY.
960
00:37:16,841 --> 00:37:17,967
[SI'M AFRAID MUST BEKIM KELLSER.YEYOUR GRANDDAUGHTER
961
00:37:18,008 --> 00:37:18,926
THINKS WE'RE HERE
962
00:37:18,926 --> 00:37:20,177
ABOUT THE SALEOF YOUR FARM,
963
00:37:20,177 --> 00:37:21,303
THIBUT WE'RE NOT.
964
00:37:21,345 --> 00:37:22,887
OH.
965
00:37:22,887 --> 00:37:24,389
ACTUALLY,THAT'S A BREATH OF FRESH AIR.
966
00:37:25,557 --> 00:37:27,684
WHAT BRINGS YOU HERE, THEN?
967
00:37:27,726 --> 00:37:29,186
WE ARE FROMTHE DEAD LETTER OFFICE
968
00:37:29,228 --> 00:37:30,312
OF THE U.S. POSTAL SERVICE.
969
00:37:30,354 --> 00:37:31,271
WE FOUND SOMETHING
970
00:37:31,313 --> 00:37:32,231
YOUR CHILDRENMAY HAVE MAILED
971
00:37:32,231 --> 00:37:35,066
TO A DENVER ART DEALER18 YEARS AGO.
972
00:37:37,235 --> 00:37:38,236
YOUR CHILDRENTHE VASE?HAVE MAILED
973
00:37:38,278 --> 00:37:39,195
YES.
974
00:37:39,195 --> 00:37:41,280
IT IS SAFE ANDIN GOOD CONDITION.
975
00:37:41,322 --> 00:37:42,782
WE JUST HAVEA FEW DETAILS
976
00:37:42,782 --> 00:37:43,992
THAT WE NEEDTO CLEAR UP FIRST.
977
00:37:45,368 --> 00:37:47,370
DO YOU BELIEVE IN GOD,HAVEMR. O'TOOLE?EW DETAILS
978
00:37:47,370 --> 00:37:49,288
I DO.
979
00:37:49,330 --> 00:37:52,541
GOOD, BECAUSE YOU JUST MIGHT BETHE ANSWER TO OUR PRAYERS.
980
00:37:59,173 --> 00:38:00,716
[KIM]: APPARENTLY, THEY'D SENTTHE VASE TO AN ART DEALER
981
00:38:00,759 --> 00:38:03,177
MARY LOU HAD FOUNDIN THE PHONE BOOK.
982
00:38:03,219 --> 00:38:04,053
IT TOOK A LOT OF COURAGE
983
00:38:04,095 --> 00:38:05,889
FOR THEM TO ADMITWHAT THEY'D DONE.
984
00:38:07,348 --> 00:38:09,100
BUT MARY LOU TOOK THE BLAME,
985
00:38:09,100 --> 00:38:12,061
AND ALL SHE SAIDIN HER DEFENSE WAS...
986
00:38:12,061 --> 00:38:14,313
WAS THAT SHE WAS TRYINGBUT MTO SAVE THE FAMILY.AME,
987
00:38:15,564 --> 00:38:17,566
THAT'S THE DAY I GOT OUT OF BED,
988
00:38:17,608 --> 00:38:18,859
I GOT MY ACT TOGETHER,
989
00:38:18,901 --> 00:38:20,569
AND I NEVER LOOKED BACK,
990
00:38:20,611 --> 00:38:23,322
I NEVER CAREDIF I EVER SAW THAT VASE AGAIN.
991
00:38:23,364 --> 00:38:24,365
UNTIL NOW.
992
00:38:24,407 --> 00:38:25,741
'CAUSE WEHAVE TO MOVE.
993
00:38:25,783 --> 00:38:28,702
[KIM]: I NEVER THOUGHTI'D HEAR MYSELF SAY THIS,
994
00:38:28,702 --> 00:38:34,542
BUT IF THERE WAS EVER A TIMEI WAS TEMPTED TO SELL THAT VASE,
995
00:38:34,583 --> 00:38:36,334
[KIM]: I NEVER THOUGHTI'IT WOULD'VE BEEN NOW.S,
996
00:38:36,376 --> 00:38:38,587
BUT I DIDN'T HAVE IT TO SELL.
997
00:38:38,587 --> 00:38:41,924
AND THEN YOU FOLKSCOME UP THE ROAD.
998
00:38:41,965 --> 00:38:47,888
SO IF IT REALLY ISWORTH SOME MONEY,
999
00:38:47,930 --> 00:38:50,849
THERE WOULDN'T BEA BETTER TIME TO FIND THAT OUT.
1000
00:38:50,891 --> 00:38:56,021
WELL, IT WILL NEEDTO BE APPRAISED, OF COURSE,
1001
00:38:56,063 --> 00:38:57,105
AND WE DO HAVE SOME INDICATION
1002
00:38:57,105 --> 00:39:00,275
THAT IT MAY BE WORTHQUITE A GREAT DEAL...
1003
00:39:01,609 --> 00:39:03,027
...IF IT IS GENUINE.
1004
00:39:04,028 --> 00:39:06,406
AND, OF COURSE,WE'LL HAVE TO COME UP WITH
1005
00:39:06,448 --> 00:39:09,200
SOME SORT OF WAYTO AUTHENTICATE OWNERSHIP.
1006
00:39:09,242 --> 00:39:10,327
THERE AREN'T ANY RECEIPTS.
1007
00:39:10,327 --> 00:39:12,579
IT WAS A WEDDING GIFTTO MY GRANDMOTHER.
1008
00:39:12,620 --> 00:39:13,955
THERE AREN'WE HAVE A PICTURE.
1009
00:39:13,955 --> 00:39:15,039
THAT'S RIGHT!
1010
00:39:15,081 --> 00:39:17,792
ABBY, WOULD YOU GO FINDTHAT OLD SCRAPBOOK, PLEASE?
1011
00:39:17,834 --> 00:39:19,293
MM-HMM.
1012
00:39:20,294 --> 00:39:21,879
A PHOTO WOULD BE GREAT,
1013
00:39:21,921 --> 00:39:25,216
AND THEN WE WOULD JUSTHAVE SOME FORMS TO BE SIGNED
1014
00:39:25,257 --> 00:39:26,425
BY ALL THREE SENDERS.
1015
00:39:26,467 --> 00:39:27,760
WHAT DO YOU MEAN, ALL THREE?
1016
00:39:27,802 --> 00:39:29,887
WELL, THE BOX WAS MARKED"RETURN TO SENDER,"
1017
00:39:29,929 --> 00:39:30,972
AND IN THE CASE
1018
00:39:31,013 --> 00:39:33,140
OF SOMETHINGSO POTENTIALLY VALUABLE,
1019
00:39:33,182 --> 00:39:35,517
WE WOULD NEEDTHE SIGNATURES
1020
00:39:35,559 --> 00:39:37,811
OF ALL THREE NAMESON THE RETURN ADDRESS.
1021
00:39:40,564 --> 00:39:42,108
PEGGY, MARY LOU, AND BUNNY.
1022
00:39:47,529 --> 00:39:50,907
WE HAVEN'T SEEN MARY LOUFOR OVER TWO YEARS.
1023
00:40:04,170 --> 00:40:06,923
[OLIVER]: MARY LOUHAS QUITE A WAY WITH WORDS.
1024
00:40:06,965 --> 00:40:08,508
SHE WROTE A BEAUTIFUL LETTER.
1025
00:40:09,551 --> 00:40:11,261
YEAH, SHE DID.
1026
00:40:11,302 --> 00:40:14,014
IF IT'S NOT SWEET ENOUGH,YOU CAN PUT IN MORE SUGAR.
1027
00:40:15,098 --> 00:40:16,516
-IT'S JUST RIGHT THERE.-THANK YOU.
1028
00:40:16,557 --> 00:40:18,935
IF YOU PUT INTOO MUCH AT FIRST,
1029
00:40:18,977 --> 00:40:19,811
YOU CAN'T FIX IT,
1030
00:40:19,853 --> 00:40:21,229
BUT YOU CAN ALWAYS PUT IN MORE.
1031
00:40:21,271 --> 00:40:23,314
THAT'S JUST THE WAYI MAKE IT, TOO.
1032
00:40:29,195 --> 00:40:30,196
PEGGY!
1033
00:40:34,242 --> 00:40:35,160
PEGGY!
1034
00:40:35,201 --> 00:40:36,369
GUESS WHAT!
1035
00:40:36,411 --> 00:40:38,579
THE MAIL PEOPLEFOUND OUR VASE!
1036
00:40:43,167 --> 00:40:44,043
[PEGGY]: SO YOU'RE SAYING
1037
00:40:44,043 --> 00:40:45,169
THERE'S ACTUALLYSOMEONE IN DENVER
1038
00:40:45,169 --> 00:40:46,587
WITH AN OFFER TO BUY IT?
1039
00:40:46,629 --> 00:40:48,338
THER[OLIVER]:LLYI BELIEVE THE EXACT QUOTE WAS
1040
00:40:48,381 --> 00:40:50,257
"IN A NEW YORK MINUTE."
1041
00:40:50,257 --> 00:40:51,551
WELL, THEN IT MUST BEWORTH SOMETHING.
1042
00:40:51,592 --> 00:40:54,512
[OLIVER]: IF IT'S AUTHENTICAND NOT A REPRODUCTION.
1043
00:40:54,554 --> 00:40:55,763
AN AUTHENTIC WHAT?
1044
00:40:55,805 --> 00:40:57,682
[SHANE]:WE'RE NOT ACTUALLY SURE,
1045
00:40:57,723 --> 00:40:59,266
BUT OUR FRIEND AT THE MUSEUM
1046
00:40:59,308 --> 00:41:02,019
SAID IT COULD DATEFROM THE 1700S.
1047
00:41:02,061 --> 00:41:02,937
WOW.
1048
00:41:02,978 --> 00:41:05,480
AND THEN THERE'S THE MATTEROF OWNERSHIP.
1049
00:41:05,522 --> 00:41:07,024
WELL, IT'S OURS.
1050
00:41:07,066 --> 00:41:08,525
THAT PICTURE WILL PROVE IT.
1051
00:41:08,567 --> 00:41:09,860
[OLIVER]: NEVERTHELESS,THE RETURN ADDRESS INDICATES
1052
00:41:09,902 --> 00:41:12,779
THAT THE VASE WAS MAILEDBY THREE INDIVIDUALS,
1053
00:41:12,821 --> 00:41:15,699
SO WE REQUIRE A SIGNATUREFROM ALL THREE
1054
00:41:15,740 --> 00:41:16,908
IN ORDER TO RELEASE IT.
1055
00:41:16,950 --> 00:41:17,951
[BUNNY]:WELL, I'LL SIGN SOMETHING.
1056
00:41:17,951 --> 00:41:22,164
BUNNY, THEY NEEDYOU AND ME AND MARY LOU.
1057
00:41:24,458 --> 00:41:26,293
LEAVE IT TO HERTO COMPLICATE THINGS FOR US,
1058
00:41:26,335 --> 00:41:27,586
EVEN WHEN SHE'S NOT HERE.
1059
00:41:27,586 --> 00:41:28,795
PEGGY...
1060
00:41:30,505 --> 00:41:32,882
IS THERE A WAY THATWE COULD CONTACT MARY LOU?
1061
00:41:32,882 --> 00:41:34,759
WELL, SHE'S REALLY BUSY.
1062
00:41:34,801 --> 00:41:37,471
IS TH[PEGGY]: WE SEND EMAILSWE COTHAT NEVER GO THROUGH.
1063
00:41:37,512 --> 00:41:39,055
WE SEND LETTERS TO A P.O. BOX
1064
00:41:39,097 --> 00:41:41,515
THAT SHE'S NEVER IN THE COUNTRYTO CHECK.
1065
00:41:41,558 --> 00:41:44,102
SHE SENDS US POSTCARDS,FRUIT BASKETS.
1066
00:41:45,269 --> 00:41:48,106
NO, SHE HASN'T QUITE THOUGHTTO SEND US AN ACTUAL ADDRESS.
1067
00:41:48,106 --> 00:41:51,692
AND EVEN IF SHE DIDGET A LETTER THAT WE SENT HER,
1068
00:41:51,734 --> 00:41:53,319
NO,AND EVEN IF SHE STOPPEDHTTO S"FOLLOWING HER HEART"ESS.
1069
00:41:53,361 --> 00:41:54,445
LONG ENOUGH TO READ IT,
1070
00:41:54,487 --> 00:41:56,489
AND EVENIF SHE DID SIGN YOUR PAPERS,
1071
00:41:56,530 --> 00:41:58,782
AND EVEN IFSHE MANAGED TO SEND IT BACK,
1072
00:41:58,824 --> 00:42:02,078
I DOUBT ANY OF THAT WOULD HAPPENIN TIME FOR US TO SELL THE VASE
1073
00:42:02,120 --> 00:42:03,037
AND GET THE MONEY
1074
00:42:03,079 --> 00:42:04,622
SO THAT WE CAN PAY OUR TAXESAND OUR BILLS
1075
00:42:04,663 --> 00:42:06,207
AND SAVE OUR FARMHOUSE
1076
00:42:06,249 --> 00:42:07,916
AND LET OUR MOTHER DIE IN PEACE!
1077
00:42:13,464 --> 00:42:14,548
[ABBY]: I FOUND IT!
1078
00:42:15,799 --> 00:42:17,300
[NORMAN]: COULD YOUSHOW IT TO US?
1079
00:42:17,343 --> 00:42:19,428
MAYBE INSIDE,WHILE THE GROWN-UPS ARE TALKING.
1080
00:42:21,680 --> 00:42:23,056
WOW. THAT LOOKS OLD.
1081
00:42:25,643 --> 00:42:26,769
[BUNNY]:OKAY. BYE.
1082
00:42:26,810 --> 00:42:27,895
[KIM]: OKAY. THANKS, BUNNY.
1083
00:42:29,521 --> 00:42:32,816
[KIM]: PEGGY, OUR PROBLEMSARE NOT THEIR PROBLEMS.
1084
00:42:32,858 --> 00:42:34,484
THEY'RE JUST TRYING TO HELP.
1085
00:42:34,526 --> 00:42:37,905
AND FOR THE RECORD,YOU ALL FOLLOWED YOUR HEART.
1086
00:42:37,946 --> 00:42:39,072
YOU FOLLOWED YOUR HEART,
1087
00:42:39,072 --> 00:42:40,532
AND WHEN YOUR HEART GOT BROKEN,
1088
00:42:40,573 --> 00:42:42,159
YOU BROUGHT ALL THE PIECESYOU FOLBACK HERE, HEART,
1089
00:42:42,159 --> 00:42:44,411
AND THIS PLACEPUT YOU BACK TOGETHER AGAIN.
1090
00:42:46,079 --> 00:42:48,623
YOU BUNNY HAS FOLLOWEDECESHER SWEET, LITTLE HEART,
1091
00:42:48,665 --> 00:42:50,875
EVEN IF IT ONLY GOESAS FAR AS THE BACK FENCE.
1092
00:42:52,043 --> 00:42:55,130
BUT SHE LOVES THE ANIMALSAND THE PEACE
1093
00:42:55,172 --> 00:42:56,506
AND IT MAKES HER HAPPY.
1094
00:42:57,632 --> 00:42:58,841
AND YOU'D DO WELL, MISSY,
1095
00:42:58,841 --> 00:42:59,842
TO FIND A WAY
1096
00:42:59,842 --> 00:43:01,553
TO MAKE THAT KIND OF PEACEAND WITH YOUR SISTER.SSY,
1097
00:43:03,638 --> 00:43:05,432
I APOLOGIZE.
1098
00:43:06,891 --> 00:43:08,851
IT'S BEEN A TOUGH...
1099
00:43:08,851 --> 00:43:11,187
WE UNDERSTAND.
1100
00:43:11,187 --> 00:43:12,313
IOKAY.EEN A TOUGH...
1101
00:43:20,154 --> 00:43:22,698
WE UNDERPEGGY ACTS ANGRY,
1102
00:43:22,698 --> 00:43:24,575
BUT, REALLY, SHE JUST MISSESHER LITTLE SISTER.
1103
00:43:24,616 --> 00:43:29,038
THEY WERE SO CLOSEWEUNTIL THAT VASE WENT MISSING,
1104
00:43:29,038 --> 00:43:31,040
AND THINGS CHANGED.
1105
00:43:31,082 --> 00:43:33,292
MAYBE NOW...
1106
00:43:37,629 --> 00:43:39,340
DO YOU DRIVE A STICKSHIFT,MR. O'TOOLE?
1107
00:43:41,133 --> 00:43:42,551
OH...
1108
00:43:42,593 --> 00:43:44,220
WELL, I'M...
1109
00:43:44,220 --> 00:43:45,721
I'M A BIT RUSTY.
1110
00:43:45,721 --> 00:43:46,805
WELI CAN....
1111
00:43:46,847 --> 00:43:48,307
-YEAH?-MM-HMM.
1112
00:43:48,349 --> 00:43:50,183
-YEAH?-MM-HMM.
1113
00:43:53,645 --> 00:43:56,857
[KIM]:IT DOESN'T KILL YOU RIGHT AWAY.
1114
00:43:56,898 --> 00:43:58,734
BUT IT KILLS YOU.
1115
00:43:58,734 --> 00:44:00,986
AND THERE'S NO CURE.
1116
00:44:01,027 --> 00:44:02,946
EVEN IF WE COULD FINDTHE RIGHT DOCTOR,
1117
00:44:02,946 --> 00:44:06,992
AND THE RIGHT TREATMENTTO SLOW IT DOWN,
1118
00:44:07,033 --> 00:44:08,827
EVEN IF WE COULD FINDSOONER OR LATER,,
1119
00:44:08,869 --> 00:44:12,372
THE BONE MARROW JUST STOPSMAKING RED BLOOD CELLS.
1120
00:44:12,413 --> 00:44:17,919
AND SOME FANCY, EXPENSIVE VASEISN'T GOING TO CHANGE THAT.
1121
00:44:17,919 --> 00:44:19,837
BUT, IF IT'S TRUE,
1122
00:44:19,879 --> 00:44:22,298
IF WE COULD SELL IT,
1123
00:44:22,340 --> 00:44:25,385
AND POSTPONE THE AUCTION,
1124
00:44:25,385 --> 00:44:27,303
IT SURE WOULD BE NICE
1125
00:44:27,345 --> 00:44:28,513
TO BE LOOKING AT ALL THIS
1126
00:44:28,554 --> 00:44:31,098
WHEN MY TIME COMES.
1127
00:44:31,140 --> 00:44:33,684
IT IS A TRULY BEAUTIFUL PLACE.
1128
00:44:33,726 --> 00:44:36,729
ABBY SAYS
1129
00:44:36,729 --> 00:44:38,814
THAT SOOKIE IS STUBBORN,
1130
00:44:38,856 --> 00:44:40,650
POLLY LIKES TO STAYIN THE PARLOR,ABBY SAYS
1131
00:44:40,691 --> 00:44:43,193
AND, WELL,ARABELLE LIKES TO WANDER.
1132
00:44:44,403 --> 00:44:46,030
THAT'S JUST WHO THEY ARE.
1133
00:44:46,071 --> 00:44:47,489
THEY'RE ALL DIFFERENT.
1134
00:44:49,449 --> 00:44:50,660
MARY LOU ALWAYS--
1135
00:44:50,701 --> 00:44:53,954
ALWAYS HAD CRAZY IDEASGROWING UP.
1136
00:44:53,954 --> 00:44:56,957
AND ALWAYS MANAGEDTO MAKE THEM WORK.
1137
00:44:56,999 --> 00:44:58,125
THAT'S WHY IT WAS SO HARD ON HER
1138
00:44:58,167 --> 00:45:01,128
WHEN HER BIGGEST DREAMDISAPPEARED IN THE U.S. MAIL.
1139
00:45:01,170 --> 00:45:03,422
WE ARE SO SORRY ABOUT THAT.
1140
00:45:03,463 --> 00:45:04,756
IT MADE US STRONGER.
1141
00:45:04,798 --> 00:45:07,967
AND IT MADE MARY LOUDETERMINED TO PROVE HERSELF.
1142
00:45:07,967 --> 00:45:08,968
SHE WENT TO COLLEGE,
1143
00:45:08,968 --> 00:45:12,722
SHE WORKED FOR A NEWSPAPERDETEAND A RADIO STATION,ELF.
1144
00:45:12,722 --> 00:45:15,058
AND NOW SHE RUNSSHAROUND THE WORLD,,
1145
00:45:15,099 --> 00:45:18,102
SHE WORKED FOR A NEWSPAPERDEFOLLOWING WAR AFTER WAR,F.
1146
00:45:18,144 --> 00:45:19,354
AND TELLS STORIES
1147
00:45:19,396 --> 00:45:21,648
ABOUT FOLKSWHO'RE FIGHTING TO SURVIVE
1148
00:45:21,690 --> 00:45:23,483
IN A LOT WORSE CIRCUMSTANCESTHAN OURS.
1149
00:45:23,483 --> 00:45:26,403
WHEN WAS THE LAST TIMEYOU SAW HER?
1150
00:45:26,445 --> 00:45:28,237
THREE CHRISTMASES AGO.
1151
00:45:29,989 --> 00:45:31,074
SHE AND PEGGY
1152
00:45:31,115 --> 00:45:33,451
GOT INTO AN ARGUMENT ABOUT SOMETHING SILLY,
1153
00:45:33,492 --> 00:45:34,869
AS USUAL,
1154
00:45:34,911 --> 00:45:36,663
AND IT ENDED UP WHERE THINGS ALWAYS ENDS UP.
1155
00:45:36,705 --> 00:45:37,789
I CAME BACK.
1156
00:45:37,831 --> 00:45:39,916
WHAT DO YOU WANT FROM ME?I'M NOT A FARMER, OKAY?
1157
00:45:39,916 --> 00:45:40,959
OH, YES. WELL,THAT IS THE TRUTH!
1158
00:45:41,000 --> 00:45:42,668
WHA-IF YOU HAD BEEN...ME?I'M-YOU'RE JEALOUS.KAY?
1159
00:45:42,668 --> 00:45:44,170
OH, GREAT,WE'RE BACK TO THE VASE!
1160
00:45:44,170 --> 00:45:45,171
[PEGGY]: YES!
1161
00:45:45,171 --> 00:45:46,755
[MARY LOU]:WI'M SORRY, I'M SORRY,!
1162
00:45:46,797 --> 00:45:48,007
AND I'M SORRY!
1163
00:45:48,049 --> 00:45:49,968
I WAS A 10-YEAR-OLD KID.
1164
00:45:51,010 --> 00:45:52,345
I CAN'T KEEP COMING BACK HERE
1165
00:45:52,386 --> 00:45:55,848
JUST TO BE PUT ON TRIALOVER AND OVER AGAIN.
1166
00:45:56,890 --> 00:45:58,309
I'M OUT OF HERE.
1167
00:46:01,187 --> 00:46:03,021
[KIM]:AND NOW THERE'S ALWAYS A REASON
1168
00:46:03,021 --> 00:46:05,274
WHY SHE CAN'T MAKE IT BACK HERE.
1169
00:46:05,316 --> 00:46:06,191
SHE'S ALWAYS...
1170
00:46:06,191 --> 00:46:07,275
"EMBEDDED" WITH SOME TROOPS
1171
00:46:07,318 --> 00:46:10,112
IN SOME COMBAT ZONE SOMEWHERE.
1172
00:46:12,239 --> 00:46:14,783
DOES SHE EVEN KNOWYOU'VE BEEN SICK?
1173
00:46:17,703 --> 00:46:18,829
I... I DON'T KNOW.
1174
00:46:20,163 --> 00:46:21,331
I DON'T EVEN KNOW WHERE SHE IS.
1175
00:46:26,795 --> 00:46:28,338
IT'S SO...
1176
00:46:28,338 --> 00:46:30,173
IT'S SO PEACEFUL HERE.
1177
00:46:31,133 --> 00:46:32,592
IT'YEAH...
1178
00:46:32,634 --> 00:46:34,636
THIS IS MY FAVORITE TIME OF DAY.
1179
00:46:35,720 --> 00:46:38,348
WHEN THE COWSCOME HOME FOR THE NIGHT.
1180
00:46:38,390 --> 00:46:39,932
THE SUN STARTS TO SET,
1181
00:46:39,974 --> 00:46:42,810
THE EVENING COMES,
1182
00:46:42,852 --> 00:46:46,689
AND SOMEHOW, THEY JUST KNOWIT'S TIME TO COME HOME.
1183
00:46:48,275 --> 00:46:50,610
SOMEDAY, SO WILL I.
1184
00:46:50,610 --> 00:46:52,695
I JUST HOPE WE'RE ALL TOGETHERWHEN I DO.
1185
00:47:00,745 --> 00:47:02,329
[KIM]: I LOVE THAT ONE.
1186
00:47:02,371 --> 00:47:03,414
OH, LOOK AT THAT.
1187
00:47:03,414 --> 00:47:05,291
THERE'S MY GRANDMOTHERBEFORE SHE ENLISTED.
1188
00:47:05,332 --> 00:47:06,375
[PEGGY]:I'M STILL NOT CLEAR
1189
00:47:06,417 --> 00:47:09,295
EXACTLY HOW YOU GUYS AREALL INVOLVED IN THIS.
1190
00:47:09,336 --> 00:47:11,923
[KIM]: THIS IS HERWHEN SHE WAS A BABY.
1191
00:47:11,923 --> 00:47:13,299
[RITA]: OH, WOW.SHE'S VERY PRETTY.
1192
00:47:13,340 --> 00:47:14,884
SHE LOOKS A LOT LIKE MARY LOU.
1193
00:47:14,926 --> 00:47:16,177
OH.
1194
00:47:17,845 --> 00:47:20,097
SO, CAN YOU MAKEAN EXCEPTION?
1195
00:47:20,139 --> 00:47:23,725
I MEAN, WE CAN PROVETHAT THE VASE IS OURS,
1196
00:47:23,725 --> 00:47:25,144
AND YOU HAVE ME AND BUNNY,
1197
00:47:25,186 --> 00:47:27,354
AND THAT'S TWO PROVEOUT OF THREE SIGNATURES.
1198
00:47:27,396 --> 00:47:30,107
YES. HOWEVER,
1199
00:47:30,107 --> 00:47:33,444
THE ACCOMPANYING LETTERWAS WRITTEN BY MARY LOU.
1200
00:47:35,111 --> 00:47:36,655
I UNDERSTANDTHE URGENCY.
1201
00:47:36,697 --> 00:47:39,157
THIS IS OBVIOUSLY...
1202
00:47:39,199 --> 00:47:42,453
AN UNUSUALSET OF CIRCUMSTANCES, BUT--
1203
00:47:42,453 --> 00:47:43,745
OKAY.
1204
00:47:43,787 --> 00:47:45,246
AN UNUSUALSET OF CII GET IT.ES, BUT--
1205
00:47:47,373 --> 00:47:48,291
BUT...
1206
00:47:48,333 --> 00:47:50,627
CAN YOU HELP USTRACK DOWN MARY LOU?
1207
00:47:52,087 --> 00:47:55,048
WELL, FROM WHAT I HEAR,
1208
00:47:55,090 --> 00:47:58,551
MARY LOU COULD BE ANYWHEREIN THE WORLD RIGHT NOW.
1209
00:47:58,593 --> 00:48:00,762
BUT YOU FOUND US.
1210
00:48:00,804 --> 00:48:01,847
YOU MUST BE GOOD.
1211
00:48:03,014 --> 00:48:04,432
I'VE GOT A CARD.
1212
00:48:10,480 --> 00:48:14,317
SHE'S AN ASSOCIATE NEWS PRODUCERAT A NEWS AGENCY IN NEW YORK.
1213
00:48:14,317 --> 00:48:16,986
SHE'S NEVER ACTUALLY THERE,BUT IT'S A START.
1214
00:48:18,821 --> 00:48:19,822
COULD YOU JUST TRY?
1215
00:48:21,031 --> 00:48:22,408
PLEASE?
1216
00:48:23,243 --> 00:48:26,078
EVEN IF IT ENDS UP BEINGTOO LATE FOR THE AUCTION,
1217
00:48:26,120 --> 00:48:28,706
THE TRUTH IS...
1218
00:48:28,748 --> 00:48:32,585
IT MIGHT JUST BE ENOUGHTO BRING MARY LOU HOME...
1219
00:48:32,627 --> 00:48:33,753
IN TIME FOR MOM.
1220
00:48:36,171 --> 00:48:37,131
[KIM]: OH, HERE IT IS.
1221
00:48:37,172 --> 00:48:39,216
[RITA]: OLIVER, LOOK!
1222
00:48:40,050 --> 00:48:42,344
THIS IS BETTYON HER WEDDING DAY.
1223
00:48:42,344 --> 00:48:44,346
THERE SHE IS,
1224
00:48:44,388 --> 00:48:46,181
THERE'S HER HUSBAND,OHOLDING THE VASE,.
1225
00:48:46,181 --> 00:48:48,225
AND THEIR COMMANDING OFFICERWHO MARRIED THEM.
1226
00:48:48,267 --> 00:48:50,519
THE ONE WHO GAVETHEM THE VASE.
1227
00:48:50,560 --> 00:48:51,686
WHERE WAS THAT TAKEN?
1228
00:48:51,728 --> 00:48:53,563
FRANCE.
1229
00:48:53,605 --> 00:48:54,523
SHE WAS STATIONED IN LONDON
1230
00:48:54,564 --> 00:48:57,026
AND ALLIED HEADQUARTERSIN PARIS.
1231
00:48:57,067 --> 00:48:58,027
[RITA]: WOW.
1232
00:48:58,027 --> 00:49:00,195
IMAGINE BEINGIN THE MIDDLE OF ALL THAT.
1233
00:49:00,195 --> 00:49:01,446
YEAH.
1234
00:49:01,488 --> 00:49:02,656
SHE WAS QUITEA CHARACTER.
1235
00:49:02,656 --> 00:49:03,990
TO TELL YOU THE TRUTH,
1236
00:49:04,032 --> 00:49:05,409
SHE WAS QUITEA CHARAI ALWAYS SUSPECTED
1237
00:49:05,450 --> 00:49:06,951
SHE'D EXAGGERATEDTHE VALUE OF THE VASE
1238
00:49:06,993 --> 00:49:09,704
JUST TO GIVE US SOME HOPE.
1239
00:49:09,704 --> 00:49:12,749
WOULDN'T IT BE SOMETHINGIF IT TURNS OUT SHE'S RIGHT?
1240
00:49:12,791 --> 00:49:14,959
YES. YES, IT WOULD.
1241
00:49:16,378 --> 00:49:17,629
SO, IS THAT WHAT YOU NEEDED?
1242
00:49:17,671 --> 00:49:19,964
YOU KNOW, WE...
1243
00:49:20,006 --> 00:49:21,716
WE'LL HAVE TO COMPARE THIS VASE
1244
00:49:21,758 --> 00:49:24,052
WITH THE ONE WE HAVEAT THE OFFICE.
1245
00:49:24,093 --> 00:49:25,511
COULD WE TAKE THIS WITH US?
1246
00:49:25,553 --> 00:49:28,056
OR PERHAPS GET A COPY OF IT?
1247
00:49:28,097 --> 00:49:29,057
I HAVE A COPIER IN THE BACK.
1248
00:49:29,057 --> 00:49:30,349
PERFECT.
1249
00:49:30,391 --> 00:49:31,517
I HAVEHERE, SWEETHEART.BACK.
1250
00:49:31,559 --> 00:49:32,560
THANKS.
1251
00:49:34,728 --> 00:49:35,771
WE NEED TO LEAVE.
1252
00:49:35,814 --> 00:49:36,814
HEY!
1253
00:49:37,731 --> 00:49:38,732
I MILKED MY FIRST COW!
1254
00:49:38,732 --> 00:49:40,818
OH! WOW!
1255
00:49:43,654 --> 00:49:45,281
WE MIGHT HAVE A PROBLEM.
1256
00:49:50,911 --> 00:49:53,080
[BILL, SUNNY AND JOE SINGING]:♪ ...BEFORE YOU CALL HIM A MAN ♪
1257
00:49:53,080 --> 00:49:58,210
♪ AND HOW MANY SEASMUST A WHITE DOVE SAIL ♪
1258
00:49:58,251 --> 00:50:02,840
♪ BEFORE SHE CAN SLEEPIN THE SAND? ♪
1259
00:50:02,881 --> 00:50:08,428
♪ YES, AND HOW MANY TIMESMUST THE CANNON BALLS FLY ♪
1260
00:50:08,470 --> 00:50:13,058
♪ BEFORE THEY AREFOREVER BANNED? ♪
1261
00:50:13,100 --> 00:50:18,814
♪ THE ANSWER, MY FRIENDIS BLOWING IN THE WIND ♪
1262
00:50:18,856 --> 00:50:23,944
♪ THE ANSWERIS BLOWING IN THE WIND ♪
1263
00:50:23,944 --> 00:50:24,945
ALL RIGHT.
1264
00:50:24,945 --> 00:50:27,155
OH, HEY!
1265
00:50:27,155 --> 00:50:28,240
BRAVO!
1266
00:50:28,281 --> 00:50:30,325
WELCOME TO THE FLOWER POWERSING-ALONG HOUR!
1267
00:50:30,367 --> 00:50:32,535
[SUNNY]: I'M NOT A LOT OF HELP'TIL I GET NEW GLASSES,
1268
00:50:32,577 --> 00:50:33,911
SO I'M THE MUSE.
1269
00:50:33,953 --> 00:50:35,330
[OLIVER]: IT'S CLEARLY WORKING.
1270
00:50:35,330 --> 00:50:37,290
WOW!
1271
00:50:37,290 --> 00:50:38,583
[OLIVELOOK AT THIS PLACE!RKING.
1272
00:50:41,961 --> 00:50:43,463
IT'S COMING ALONG, RIGHT?
1273
00:50:44,297 --> 00:50:45,382
WE NEED YOUR EXPERTISEWITH SOMETHING.
1274
00:50:45,423 --> 00:50:46,341
DO YOU MIND?
1275
00:50:46,383 --> 00:50:47,467
[JOE]: SURE.
1276
00:50:50,177 --> 00:50:51,471
GREAT SONG.
1277
00:50:51,471 --> 00:50:52,429
RITA SAYS THAT
1278
00:50:52,472 --> 00:50:53,681
SHE USED TO SING THAT
1279
00:50:53,723 --> 00:50:54,807
TO HER IMAGINARYCHILDHOOD FRIEND,
1280
00:50:54,849 --> 00:50:56,267
HUDSON.
1281
00:50:56,267 --> 00:50:57,977
HUDSON THE INVISIBLE OWL.
1282
00:50:59,145 --> 00:51:00,021
SHE TOLD YOU ABOUT HUDSON?ON.
1283
00:51:00,021 --> 00:51:02,523
OH, YEAH.WE TELL EACH OTHER EVERYTHING.
1284
00:51:04,776 --> 00:51:06,152
SHE TOLD YOUOH!OUT HUDSON?ON.
1285
00:51:06,152 --> 00:51:08,279
I BROUGHT YOUSOME FRESH RAW MILK.
1286
00:51:08,320 --> 00:51:10,156
MILKED IT MYSELF.
1287
00:51:10,156 --> 00:51:11,865
I KNOW YOU LIKEHEALTHY THINGS, SO.
1288
00:51:11,908 --> 00:51:14,826
CAME FROM A COWNAMED PETULA. YUM!
1289
00:51:14,868 --> 00:51:15,911
THANKS.
1290
00:51:18,164 --> 00:51:20,249
I'LL PUT ITIN THE FRIDGE.
1291
00:51:23,043 --> 00:51:25,629
THAT WAS SO THOUGHTFUL OF HIM,WASN'T IT, BILL?
1292
00:51:27,130 --> 00:51:28,924
HE MILKED IT HIMSELF!
1293
00:51:28,965 --> 00:51:30,342
BILL?
1294
00:51:35,681 --> 00:51:37,558
[JOE]: WELL, IT'S POSSIBLE.
1295
00:51:37,599 --> 00:51:38,975
[SHANE]: ALL WE KNOW
1296
00:51:39,017 --> 00:51:41,352
IS THAT SHE BROUGHT IT BACKFROM FRANCE AFTER THE WAR.
1297
00:51:41,394 --> 00:51:43,104
[JOE]: IT LOOKS LIKETHE SAME VASE.
1298
00:51:43,146 --> 00:51:45,523
BUT EVEN IF IT WAS A GIFT,
1299
00:51:45,565 --> 00:51:46,692
IF IT COMES THROUGH THIS OFFICE,
1300
00:51:46,733 --> 00:51:49,569
YOU'RE OBLIGATED TO CONFIRMWHAT YOU'RE DELIVERING.
1301
00:51:49,610 --> 00:51:51,612
[NORMAN]: REGULATION 87K,PARAGRAPH B.
1302
00:51:51,654 --> 00:51:52,989
"THE MAIL RECOVERY AGENT
1303
00:51:53,031 --> 00:51:55,408
MUST PURSUEALL AVENUES OF IDENTIFICATION,
1304
00:51:55,450 --> 00:51:58,536
RESTITUTION, AND REPATRIATION."
1305
00:51:58,578 --> 00:52:01,539
NORMAN IS VERY GOODAT RULES AND REGULATIONS.
1306
00:52:01,539 --> 00:52:02,457
THIS IS SO EXCITING
1307
00:52:02,498 --> 00:52:03,666
TO BE RIGHTIN THE MIDDLE OF THE ACTION.
1308
00:52:03,708 --> 00:52:05,543
NORMALLY, I WOULDN'T SHAREPOSTAL BUSINESS,
1309
00:52:05,543 --> 00:52:06,502
BUT, FRANKLY,
1310
00:52:06,544 --> 00:52:08,879
I NEED SOME FEEDBACKON HOW BEST TO PROCEED.
1311
00:52:08,921 --> 00:52:11,048
WELL, THE VASE IS WORTHA LOT OF MONEY, RIGHT?
1312
00:52:11,048 --> 00:52:12,800
MOST LIKELY.
1313
00:52:12,842 --> 00:52:14,927
AND THE PEOPLE IT BELONGS TOREALLY NEED THE MONEY?
1314
00:52:14,969 --> 00:52:16,721
REALLY, REALLY NEED IT.
1315
00:52:16,762 --> 00:52:21,476
THE QUESTION IS,DOES IT REALLY BELONG TO THEM?
1316
00:52:21,517 --> 00:52:23,436
WELL, WHEN I SAWTHE FRENCH FLAG IN THE PICTURE,
1317
00:52:23,436 --> 00:52:25,688
I REMEMBERED A COURSE I TOOKIN COLLEGE
1318
00:52:25,730 --> 00:52:28,065
ABOUT THE ART THAT WENT MISSINGTHE FDURING WORLD WAR II.CTURE,
1319
00:52:29,274 --> 00:52:32,277
SOME OF IT WAS STOLENDURING THE GERMAN OCCUPATION
1320
00:52:32,319 --> 00:52:34,905
FROM MUSEUMS OR PRIVATE HOMES,
1321
00:52:34,905 --> 00:52:37,366
AND THEN IT WAS SOLD,OR TRADED,
1322
00:52:37,407 --> 00:52:38,408
OR HIDDEN AWAY.
1323
00:52:38,408 --> 00:52:41,036
NOW, SOME OF ITHAS BEEN RECOVERED AND RETURNED,
1324
00:52:41,078 --> 00:52:44,581
BUT THERE'S A LOT OF ITTHAT'S STILL OUT THERE,
1325
00:52:44,623 --> 00:52:46,416
AND PEOPLE ARE LOOKING FOR IT.
1326
00:52:47,251 --> 00:52:50,545
FAMILY HEIRLOOMS,OLD MASTERPIECES...
1327
00:52:50,587 --> 00:52:51,755
AND YOU THINK THIS COULD BE
1328
00:52:51,755 --> 00:52:54,133
ONE OF THOSESTOLEN PIECES OF ART?
1329
00:52:54,133 --> 00:52:56,593
WELL, IF IT'S FROM EUROPEAFTER THE WAR
1330
00:52:56,593 --> 00:52:59,596
AND IT'S AS VALUABLEAS WE THINK IT COULD BE,
1331
00:52:59,638 --> 00:53:02,307
THEN THERE'SA VERY, VERY GOOD CHANCE
1332
00:53:02,349 --> 00:53:05,727
THAT IT BELONGEDTO ANOTHER FAMILY...
1333
00:53:05,727 --> 00:53:06,895
THAT IT WAS TAKEN FROM.
1334
00:53:10,439 --> 00:53:13,192
THAND WHO KNOWSDWHAT HAPPENED TO THEM.
1335
00:53:21,993 --> 00:53:24,037
[BILL]: LET'S GO GAS UPTHE STARCRUISER.
1336
00:53:24,078 --> 00:53:25,496
WE'RE BACK AT IT AGAIN TOMORROW?
1337
00:53:25,538 --> 00:53:26,831
YOU GOT IT.
1338
00:53:27,957 --> 00:53:29,792
-GOODNIGHT.-GOODNIGHT.
1339
00:53:29,792 --> 00:53:32,045
-GOODNIGHT.-GOODNIGHT, NORMAN, DEAR.
1340
00:53:33,046 --> 00:53:34,463
-GOODNIGHT, DADDY.-GOODNIGHT, SWEETIE.
1341
00:53:34,505 --> 00:53:36,590
MR. HAYWITH,DON'T FORGET YOUR...
1342
00:53:37,591 --> 00:53:39,302
OH...
1343
00:53:39,302 --> 00:53:40,469
MILK.
1344
00:53:45,974 --> 00:53:47,184
OH...[SIGHS]
1345
00:53:49,853 --> 00:53:54,567
[♪]
1346
00:53:58,195 --> 00:54:00,155
SIR, I DIRECTA GOVERNMENT TASK FORCE
1347
00:54:00,155 --> 00:54:01,990
THAT IS QUITE FAMILIARWITH THE...
1348
00:54:02,032 --> 00:54:04,451
[♪]
1349
00:54:04,492 --> 00:54:07,162
GREAT. THANK YOU SO MUCH.
1350
00:54:09,331 --> 00:54:12,000
IT'S VALUEDAT OVER HALF A MILLION.
1351
00:54:12,000 --> 00:54:13,460
[RITA]: WOW.
1352
00:54:13,501 --> 00:54:14,419
IT'S VALUED[OLIVER]: ...OF COURSE,
1353
00:54:14,461 --> 00:54:15,503
IT IS QUITE FAMILIAR
1354
00:54:15,503 --> 00:54:17,130
WITH THE MANAGEMENTOF SENSITIVE MATERIAL,
1355
00:54:17,172 --> 00:54:18,756
AND I CAN ASSURE YOU THAT...
1356
00:54:18,798 --> 00:54:25,012
ALRIGHT, THEN PLEASE TRANSFER METO THE INTERNATIONAL DESK.
1357
00:54:25,012 --> 00:54:29,016
[♪]
1358
00:54:35,231 --> 00:54:37,149
THANK YOU.
1359
00:54:37,191 --> 00:54:39,527
SO?
1360
00:54:39,527 --> 00:54:40,820
MARY LOU'S NEWS CREW
1361
00:54:40,862 --> 00:54:42,780
IS EMBEDDEDWITH AN UNDISCLOSED COMBAT UNIT
1362
00:54:42,822 --> 00:54:45,032
IN AN UNDISCLOSED COUNTRY,
1363
00:54:45,032 --> 00:54:48,160
SHOOTING FOOTAGEFOR A TELEVISION NEWS SPECIAL.
1364
00:54:48,202 --> 00:54:50,705
DOES SHE HAVEAN UNDISCLOSED PHONE NUMBER?
1365
00:54:50,747 --> 00:54:54,208
SHE COMMUNICATES OCCASIONALLYTHROUGH SATELLITE CONFERENCING,
1366
00:54:54,250 --> 00:54:57,003
BUT SOMETIMES,THAT DOESN'T EVEN WORK.
1367
00:54:57,044 --> 00:54:58,754
OLIVER, THAT'SNOT GOING TO HELP.
1368
00:54:58,796 --> 00:55:00,131
THE AUCTIONIS IN THREE DAYS.
1369
00:55:02,591 --> 00:55:04,635
HOWEVER...
1370
00:55:04,676 --> 00:55:07,971
THE NEWS DIRECTOR WAS WILLINGTO TRY ANOTHER CALL,
1371
00:55:07,971 --> 00:55:10,224
IF I CAN MAKE IT TO NEW YORK.
1372
00:55:11,808 --> 00:55:16,062
MS. MCINERNEY, WOULD YOU BOOK METOA FLIGHT TONIGHT?,
1373
00:55:16,062 --> 00:55:17,022
SURE.
1374
00:55:17,063 --> 00:55:18,732
IF IT DOESN'T FALL UNDERTHE TASK FORCE BUDGET,
1375
00:55:18,732 --> 00:55:20,942
I'LL COVER ITWITH THE O'TOOLE FOUNDATION.
1376
00:55:23,194 --> 00:55:25,196
IF IT DYOU ARE NOT UNDERGOING TO BELIEVE THIS!
1377
00:55:25,238 --> 00:55:27,574
MR. BENSHAN SAYSIT'S AT LEAST 200 YEARS OLD.
1378
00:55:27,574 --> 00:55:29,242
AND IT WAS PROBABLY MADEFOR A DUKE,
1379
00:55:29,242 --> 00:55:31,494
OR A PRINCE,OR A KING IN AUSTRIA.
1380
00:55:31,537 --> 00:55:34,414
[NORMAN]: AND IT WAS PROBABLYGIVEN TO A LOYAL SUBJECT
1381
00:55:34,414 --> 00:55:35,999
AND HANDED DOWNTHROUGH THE GENERATIONS TO...
1382
00:55:36,041 --> 00:55:37,625
[NORMAN]: A-TO...?AS PROBABLYGI-[NORMAN]: SOMEBODY.CT
1383
00:55:37,668 --> 00:55:39,294
BUT IT'S DEFINITELY WORTHAT LEAST A FARM
1384
00:55:39,335 --> 00:55:41,504
AND A FEW YEARS' WORTH OF STATEAND LOCAL PROPERTY TAXES.
1385
00:55:41,546 --> 00:55:43,673
SO HE CALLED A COLLECTOR WHO...
1386
00:55:43,673 --> 00:55:44,757
-WANTS TO BUY IT!-WANTS TO BUY IT!
1387
00:55:44,757 --> 00:55:45,675
SO HE CA[RITA LAUGHING]R WHO...
1388
00:55:45,716 --> 00:55:47,343
-OH, LET'S GO TELL MY PARENTS!-WA-OH, OKAY! IT!
1389
00:55:49,179 --> 00:55:51,181
I CAN BOOK YOU ONA REDEYE THAT LEAVES TONIGHT
1390
00:55:51,222 --> 00:55:53,933
AND RETURNS...
1391
00:55:53,933 --> 00:55:55,060
AS SOON AS I'M ABLE.
1392
00:55:59,605 --> 00:56:02,983
OH! YOU GUYSHAVE GOT TO SEE THIS.
1393
00:56:03,025 --> 00:56:04,068
WHERE DID OLIVER GO?
1394
00:56:04,109 --> 00:56:05,445
HOLD ON.
1395
00:56:07,613 --> 00:56:09,239
UM...
1396
00:56:09,281 --> 00:56:11,909
DO YOU MIND IF I TAKE OFFAND WORK FROM HOME?
1397
00:56:11,951 --> 00:56:14,704
IT'S GONNA BE A LONG NIGHT.
1398
00:56:14,745 --> 00:56:16,539
NO, NO, OF COURSE NOT.
1399
00:56:16,581 --> 00:56:18,207
WE'LL BE FINE.
1400
00:56:18,248 --> 00:56:19,625
-GOODNIGHT.-'NIGHT.
1401
00:56:30,970 --> 00:56:32,304
SAY "SPECIAL DELIVERY!"
1402
00:56:32,304 --> 00:56:34,514
SPECIAL DELIVERY!
1403
00:56:34,556 --> 00:56:36,183
[CAMERA SHUTTER CLICKS]RY!"
1404
00:56:36,183 --> 00:56:37,559
HEY!
1405
00:56:37,601 --> 00:56:40,729
I THOUGHT WE COULD ALL MEET UPFOR DINNER AT RAMON'S LATER.!"
1406
00:56:40,729 --> 00:56:42,272
I JUST NEED TO RUNAN ERRAND FIRST.
1407
00:56:42,314 --> 00:56:43,315
I THOUGHT WE COULD ALL MEET UPFOR DIOH, LET ME GUESS.ATER.!"
1408
00:56:43,315 --> 00:56:45,609
YOU'RE GONNA STOP BYTHE TIP TOP CLEANERS?
1409
00:56:45,650 --> 00:56:47,319
I THOUGHT WE COULD ALL MEET UPFOR DIOH, LUH, NO.UESS.ATER.!"
1410
00:56:47,319 --> 00:56:48,820
BUT I SHOULD RUN.
1411
00:56:48,820 --> 00:56:50,029
I THOUGHT WE COULD ALL MEET UPFOR DTHEY CLOSE AT 5:00.TER.!"
1412
00:56:50,071 --> 00:56:51,197
JOE, WILL YOU JOIN USFOR DINNER?
1413
00:56:51,240 --> 00:56:52,282
I'D LOVE TO,
1414
00:56:52,324 --> 00:56:54,158
BUT I HAVE AN APPOINTMENTWITH MY ACCOUNTANT.
1415
00:56:54,158 --> 00:56:55,034
RAINCHECK?
1416
00:56:55,076 --> 00:56:57,036
SURE. HERE, LET ME HELP YOU.
1417
00:56:58,538 --> 00:56:59,873
THANKS.
1418
00:57:05,169 --> 00:57:06,254
YOU COMING, DADDY?
1419
00:57:08,923 --> 00:57:10,424
YOU GO AHEAD.I'LL CATCH UP.
1420
00:57:11,760 --> 00:57:12,761
DADDY.
1421
00:57:14,012 --> 00:57:15,513
[SIGHS]
1422
00:57:15,554 --> 00:57:16,931
LOOK...
1423
00:57:16,973 --> 00:57:18,057
I KNOW YOU DON'T LIKE NORMAN.
1424
00:57:18,099 --> 00:57:21,435
I NEVER SAID I DIDN'T LIKE HIM.
1425
00:57:21,477 --> 00:57:22,520
I DON'T GET HIM.
1426
00:57:23,896 --> 00:57:25,939
WELL, YOU WOULDIF YOU TRIED.
1427
00:57:25,982 --> 00:57:27,275
YOU JUSTDON'T WANT TO.
1428
00:57:27,316 --> 00:57:29,943
EVERY SINCEYOU GUYS GOT HERE,
1429
00:57:29,985 --> 00:57:32,780
ALL HE'S DONEIS TRIED TO BE NICE.
1430
00:57:32,821 --> 00:57:34,157
THE ERRAND HE'S GOING ONRIGHT NOW
1431
00:57:34,198 --> 00:57:35,824
IS TO PICK UP MOM'S GLASSES.
1432
00:57:35,824 --> 00:57:38,369
HE INVITED YOU FOR DINNER.
1433
00:57:38,369 --> 00:57:39,287
IS TO PICKI MEAN... GLASSES.
1434
00:57:39,328 --> 00:57:41,622
HE MILKED A COW.
1435
00:57:42,748 --> 00:57:44,625
HE LOST YOUR ENGAGEMENT RING.
1436
00:57:44,625 --> 00:57:46,084
WHAT DOES THAT SAY ABOUT A GUY?
1437
00:57:48,128 --> 00:57:49,046
HE LOST YOUR ENGAGEMI'M SORRY,
1438
00:57:49,046 --> 00:57:52,716
IT'S JUST-- IT'S NOTWHAT I IMAGINED FOR YOU.
1439
00:57:56,553 --> 00:57:59,681
YOU WANT TO KNOWWHAT I IMAGINED FOR ME, DADDY?
1440
00:57:59,723 --> 00:58:06,813
SOMEBODY SWEET AND KINDAND GENEROUS AND UNSELFISH.
1441
00:58:06,854 --> 00:58:08,565
SOMEBODY WHO'S RIGHT THERE
1442
00:58:08,606 --> 00:58:11,901
TO PITCH IN AND HELPWHEN YOU NEED IT,
1443
00:58:11,943 --> 00:58:14,904
SOMEBODY WHO THINKSTHAT I MAKE SENSE,
1444
00:58:14,946 --> 00:58:17,240
NO MATTER WHAT I SAY.
1445
00:58:18,575 --> 00:58:20,202
SOMEBODY WHO DOESN'T CARETHAT I WEAR GLASSES
1446
00:58:20,243 --> 00:58:24,247
BECAUSE HE SEES THE WORLDTHE SAME WAY I DO
1447
00:58:24,247 --> 00:58:27,792
AND HE ALWAYS TRIES TO FINDSOMETHING BEAUTIFUL IN IT.
1448
00:58:29,085 --> 00:58:32,630
HE'S EXACTLYWHAT I IMAGINED, DADDY.
1449
00:58:37,509 --> 00:58:39,428
BECAUSE I IMAGINEDSOMEBODY LIKE YOU.
1450
00:58:50,772 --> 00:58:52,733
FORGOT MY KEYS.
1451
00:58:56,070 --> 00:58:58,280
DID YOU HEAR ANY OF THAT?
1452
00:58:58,280 --> 00:58:59,865
SURE DID.
1453
00:58:59,906 --> 00:59:01,283
AND I'M THINKING
1454
00:59:01,283 --> 00:59:04,328
MAYBE YOU'RE THE ONEWHO NEEDS THE GLASSES.
1455
00:59:15,964 --> 00:59:19,300
[RAMON]: MRS. HAYWITH!YOUR GLASSES!
1456
00:59:19,342 --> 00:59:23,138
I SEE YOU ARE ONCE AGAINA WOMAN OF GREAT VISION!
1457
00:59:23,179 --> 00:59:24,264
OH, RAMON!
1458
00:59:24,305 --> 00:59:26,808
YOU'RE... SO...
1459
00:59:26,850 --> 00:59:28,476
...SO RAMON.
1460
00:59:28,476 --> 00:59:32,230
I HAVE A VERY SPECIAL TABLEFOR MY LITTLE POSTAL FAMILY.
1461
00:59:32,230 --> 00:59:33,982
IT WILL BE READYIN A FEW MINUTES.
1462
00:59:35,775 --> 00:59:38,069
SO, ANYWAY, I LOOKED ACROSSFOR THE WASHINGTON MALL,ILY.
1463
00:59:38,111 --> 00:59:39,237
AND THERE HE WAS,
1464
00:59:39,279 --> 00:59:41,239
HANDING A DAISYTO A NATIONAL GUARDSMAN,
1465
00:59:41,281 --> 00:59:42,282
AND I JUST KNEW.
1466
00:59:42,323 --> 00:59:43,616
SAME WITH ME!
1467
00:59:43,658 --> 00:59:45,160
IT WAS LOVE AT FIRST SIGHT.
1468
00:59:45,160 --> 00:59:47,370
OF COURSE, WE HADA LOT OF THINGS TO WORK OUT.
1469
00:59:47,412 --> 00:59:49,747
THE WAR, WATERGATE,
1470
00:59:49,789 --> 00:59:51,166
THE BEATLES BREAKING UP...
1471
00:59:51,207 --> 00:59:52,250
VERY HARD.
1472
00:59:52,292 --> 00:59:53,668
OH, YEAH.
1473
00:59:53,668 --> 00:59:55,586
AND, OF COURSE,THERE WAS THE MOON LANDING.
1474
00:59:55,586 --> 00:59:57,338
I WAS FOR, BILLY WAS AGAINST...
1475
00:59:57,338 --> 00:59:59,006
AND, OF COURSE,THEREOH, INTERESTING.NDING.
1476
00:59:59,048 --> 01:00:02,092
LOOK, HE'S A GOOD MAN, NORMAN..
1477
01:00:02,092 --> 01:00:03,969
HE'S JUST A SAD DAD RIGHT NOW.
1478
01:00:04,011 --> 01:00:04,970
LOOK, HWHAT DO YOU MEAN?ORMAN..
1479
01:00:05,012 --> 01:00:07,848
HE USED TO BE HER HERO.
1480
01:00:07,848 --> 01:00:10,475
NOW SHE HAS TWO.
1481
01:00:13,520 --> 01:00:14,521
I WISH OLIVER WAS HERE.
1482
01:00:14,521 --> 01:00:16,190
HE KNOWS HOW TO HANDLETHESE THINGS.
1483
01:00:17,232 --> 01:00:18,567
SO DO YOU.
1484
01:00:20,694 --> 01:00:22,863
WELL, I DON'T THINKHE'S COMING.
1485
01:00:25,199 --> 01:00:26,241
HE MAY SURPRISE YOU.
1486
01:00:27,659 --> 01:00:29,578
OR WE'LL SURPRISE HIM.
1487
01:00:37,836 --> 01:00:39,713
[BILL CHUCKLES]
1488
01:00:42,507 --> 01:00:46,010
SAY, THAT WASA SHORT DINNER.
1489
01:00:46,010 --> 01:00:48,638
I, UH...CANCELED IT.
1490
01:00:50,557 --> 01:00:51,390
SAY, THAT WASWELL, SEE, I...A SHORT DINNER.
1491
01:00:51,390 --> 01:00:55,353
WANTED US ALL TOGETHERFOR A REASON,
1492
01:00:55,353 --> 01:00:58,231
BUT OLIVER HAD TO LEAVE,
1493
01:00:58,272 --> 01:01:00,316
WANTED US ALL TOGETHERAND JOE HAD AN APPOINTMENT,
1494
01:01:00,358 --> 01:01:01,860
AND SHANE HAD...
1495
01:01:01,901 --> 01:01:03,611
ANYWAYS,
1496
01:01:03,652 --> 01:01:05,404
THINGS DON'T ALWAYS END UPTHE WAY WE PLAN.
1497
01:01:05,404 --> 01:01:09,158
YOU PUT ALL YOUR HOPEINTO A VASE,
1498
01:01:09,158 --> 01:01:10,451
AND IT GETS LOSTIN THE MAIL.
1499
01:01:10,493 --> 01:01:14,247
YOU YOU PUT A NAIL IN A WALL,IAND THE WHOLE THING FALLS DOWN.
1500
01:01:14,247 --> 01:01:15,748
YOU FALL IN LOVE
1501
01:01:15,748 --> 01:01:17,750
WITH THE MOST AMAZINGWOMAN IN THE WORLD.
1502
01:01:17,750 --> 01:01:19,668
YOU BUY HER A RING,
1503
01:01:19,710 --> 01:01:21,462
YOU PUT IT IN YOUR POCKET,
1504
01:01:21,504 --> 01:01:23,005
AND IT DISAPPEARS.
1505
01:01:23,005 --> 01:01:25,299
YOU THINKYOU KNOW WHAT HAPPENED.
1506
01:01:25,341 --> 01:01:28,386
THEN ONE DAY,AA LIGHT GOES ON,.
1507
01:01:28,427 --> 01:01:30,388
AND YOU REALIZE
1508
01:01:30,429 --> 01:01:32,305
THAT IT FELLTHROUGH A HOLE IN YOUR PANTS,
1509
01:01:32,348 --> 01:01:33,432
AND GOT KICKED UNDER THE BED,
1510
01:01:33,474 --> 01:01:36,309
AND YOU FIND IT WEEKS LATERIN YOUR SNOWBOOT.
1511
01:01:36,351 --> 01:01:37,811
[GASPS] OH!
1512
01:01:37,811 --> 01:01:40,648
[NORMAN]: YOU KNOW,A MIRACLE LIKE THAT,
1513
01:01:40,648 --> 01:01:42,733
YOU WANT TO SHARE ITWITH EVERYBODY YOU LOVE
1514
01:01:42,733 --> 01:01:44,484
[NORMAN]: YOU KNOW,A MIRAOVER A NICE DINNER...
1515
01:01:44,526 --> 01:01:46,695
YOU WANT TO SHARE ITWITH EVERYBTOGETHER...E
1516
01:01:46,737 --> 01:01:49,907
BUT LIKE I SAID,
1517
01:01:49,948 --> 01:01:52,575
SOMETIMES PLANS CHANGE,
1518
01:01:52,617 --> 01:01:53,451
AND I DON'T THINK
1519
01:01:53,493 --> 01:01:54,577
THAT I CAN LET ANOTHER MINUTEGO BY
1520
01:01:54,577 --> 01:01:57,205
WITHOUT DOING THIS, SO...
1521
01:02:01,209 --> 01:02:02,127
THAT I CAN LET ANOTHER MINUTEGO BYRITA?
1522
01:02:02,127 --> 01:02:04,087
MM-HMM?
1523
01:02:04,129 --> 01:02:05,630
THIS RING LOOKS LIKE AN OWL,
1524
01:02:05,630 --> 01:02:07,632
NOT JUST 'CAUSEI KNOW THAT YOU LIKE OWLS,
1525
01:02:07,632 --> 01:02:10,385
BUT...
1526
01:02:10,385 --> 01:02:11,928
NBECAUSE OWLSSEI KNOARE BEAUTIFUL...OWLS,
1527
01:02:13,305 --> 01:02:15,348
AND WISE,BUT...LIKE YOU.
1528
01:02:16,683 --> 01:02:19,143
THEY'RE SMARTLIKE YOU,
1529
01:02:19,185 --> 01:02:22,564
AND THEY ARE SO BRAVE.
1530
01:02:22,564 --> 01:02:23,773
IT DOESN'T MATTERHOW DARK IT GETS,
1531
01:02:23,815 --> 01:02:26,275
THEY JUST KEEP FLYINGANTHROUGH THE NIGHT,E.
1532
01:02:26,317 --> 01:02:31,072
BECAUSE THEY CAN SEEWHAT NOBODY ELSE CAN...
1533
01:02:33,532 --> 01:02:35,451
AND SO DO YOU,
1534
01:02:35,492 --> 01:02:38,537
PROBABLY BECAUSESOMEONE ELSE WHO'S WISE
1535
01:02:38,579 --> 01:02:41,916
AND SMART AND BRAVE...
1536
01:02:43,292 --> 01:02:44,335
TAUGHT YOU HOW...
1537
01:02:48,714 --> 01:02:52,426
AND NOW I GET TO FLYRIGHT ALONGSIDE YOU FOREVER...
1538
01:02:54,720 --> 01:02:57,889
AND I AM SO GRATEFUL FOR THAT.
1539
01:03:04,771 --> 01:03:06,940
WITH THIS OWL RING,
1540
01:03:06,982 --> 01:03:08,900
I THEE...
1541
01:03:08,942 --> 01:03:10,193
ENGAGE YOU.
1542
01:03:10,193 --> 01:03:11,528
[LAUGHING]
1543
01:03:15,616 --> 01:03:17,200
MM...
1544
01:03:20,411 --> 01:03:21,872
I LOVE YOU.
1545
01:03:23,373 --> 01:03:24,582
[LAUGHING]
1546
01:03:24,582 --> 01:03:25,666
OKAY.
1547
01:03:30,922 --> 01:03:32,173
[NICE JOB.
1548
01:03:32,215 --> 01:03:33,383
THANKS.
1549
01:03:34,925 --> 01:03:35,885
THANK YOU.
1550
01:03:35,926 --> 01:03:37,762
THANK YOU!
1551
01:03:37,803 --> 01:03:39,389
I LOVE YOU!
1552
01:03:42,725 --> 01:03:43,726
[WOMAN]: I GUESSIF YOU FLEW ALL THIS WAY,
1553
01:03:43,768 --> 01:03:44,852
IT MUST BE IMPORTANT.
1554
01:03:44,894 --> 01:03:45,978
IT IS.
1555
01:03:48,564 --> 01:03:49,815
OKAY, MR. O'TOOLE.
1556
01:03:49,857 --> 01:03:50,733
IF SHE'S ON SCHEDULE,
1557
01:03:50,733 --> 01:03:52,818
SHE SHOULD BE UPIN ABOUT 30 SECONDS.
1558
01:03:52,860 --> 01:03:53,944
THANK YOU.
1559
01:03:53,986 --> 01:03:54,987
IT'S A CHOPPY FEED,
1560
01:03:55,029 --> 01:03:56,614
AND YOU ONLY HAVEA FEW MINUTES
1561
01:03:56,656 --> 01:03:57,782
BEFORE THE SATELLITE PASSES,
1562
01:03:57,823 --> 01:03:59,491
SO IF YOU COULD KEEP IT SHORT,THAT WOULD BE GREAT.
1563
01:04:01,118 --> 01:04:03,037
HERE WE GO.
1564
01:04:03,078 --> 01:04:04,579
GIVE ME SOME CONTRAST.
1565
01:04:06,248 --> 01:04:08,292
HEY, YOU GUYS. YOU THERE?
1566
01:04:08,333 --> 01:04:09,626
GOT YOU LOUD AND CLEAR, M.L. YOUOKAY?
1567
01:04:09,668 --> 01:04:10,544
[MARY LOU]:YEAH.
1568
01:04:10,585 --> 01:04:12,212
I GOT THE B-ROLL YOU WANTED.
1569
01:04:12,254 --> 01:04:13,422
WE'RE JUST WRAPPING UP HERE,
1570
01:04:13,422 --> 01:04:14,756
AND THEN WE'RE HEADING STATESIDE.
1571
01:04:14,798 --> 01:04:16,716
CHECK.IT'S UPLOADING.RAPPING UP HERE,
1572
01:04:16,758 --> 01:04:18,760
COMING THROUGH NOW.
1573
01:04:18,760 --> 01:04:20,762
YOU GOT A VISITORFROM THE POST OFFICE.
1574
01:04:20,804 --> 01:04:22,181
THE WHAT?
1575
01:04:22,222 --> 01:04:26,268
UH, THE UNITED STATESPOSTAL SERVICE, MS. KELLSER.
1576
01:04:26,268 --> 01:04:27,311
IT IS A LONG STORY,
1577
01:04:27,352 --> 01:04:30,939
BUT WE'VE LOCATED THE VASEYOU MAILED 18 YEARS AGO
1578
01:04:30,939 --> 01:04:33,275
TO A MR. SAMBENSHAN IN DENVER.
1579
01:04:33,275 --> 01:04:34,734
YOU'RE KIDDING ME.
1580
01:04:34,776 --> 01:04:35,569
I'M NOT.
1581
01:04:35,610 --> 01:04:37,946
UM, IT'S INGOOD CONDITION,
1582
01:04:37,946 --> 01:04:41,115
AND IT'S POSSIBLY WORTHA GREAT DEAL OF MONEY.
1583
01:04:41,157 --> 01:04:43,076
WOW!
1584
01:04:43,117 --> 01:04:44,285
THIS IS LIKE...
1585
01:04:44,285 --> 01:04:47,831
THIS IS LIKE THE ULTIMATE DO-OVER.
1586
01:04:47,872 --> 01:04:49,958
WHEN I WAS A KID, I MESSED UP BIG TIME,...
1587
01:04:49,958 --> 01:04:51,626
AND I LOST THAT THING,
1588
01:04:51,626 --> 01:04:53,336
AND I NEVER REALLY FORGAVE MYSELF.
1589
01:04:54,420 --> 01:04:56,047
I DON'T THINK MY FAMILY DID, EITHER.
1590
01:04:56,047 --> 01:04:57,966
WELL, I CAN'T SPEAKFOR THEM,
1591
01:04:57,966 --> 01:04:59,884
I DON'T THIBUT THEY CERTAINLY ESEEMED PLEASED.
1592
01:04:59,926 --> 01:05:01,802
YOU SAW THEM?
1593
01:05:01,802 --> 01:05:02,929
HOW ARE THEY?
1594
01:05:04,472 --> 01:05:05,556
UH, MS. KELLSER,
1595
01:05:05,598 --> 01:05:07,058
WE NEED A SIGNED CONSENT
1596
01:05:07,100 --> 01:05:08,309
TO RELEASE THE VASE
1597
01:05:08,351 --> 01:05:10,018
AND RETURN IT TO YOUAND YOUR FAMILY.
1598
01:05:10,018 --> 01:05:10,978
YEAH.
1599
01:05:10,978 --> 01:05:13,147
JUST SEND ME SOMETHING IT TO YOU IN CARE OF THE NEWSROOM,ILY.
1600
01:05:13,189 --> 01:05:15,274
AND I'LL SIGN IT AND SEND IT RIGHT BACK.
1601
01:05:15,316 --> 01:05:18,068
UNFORTUNATELY, WE'RE UNDERAN URGENT TIME CONSTRAINT.
1602
01:05:18,110 --> 01:05:19,570
UNDER THE CIRCUMSTANCES,
1603
01:05:19,570 --> 01:05:21,822
I CAN ACCEPTA VERBAL CONSENT,
1604
01:05:21,822 --> 01:05:23,324
UNDEIF YOU ARE AMENABLE.
1605
01:05:23,324 --> 01:05:24,241
AMENABLE?
1606
01:05:24,282 --> 01:05:26,660
YEAH, I'M AMENABLE.
1607
01:05:26,702 --> 01:05:28,161
GO FOR IT,
1608
01:05:28,203 --> 01:05:29,830
AND, UM,
1609
01:05:29,830 --> 01:05:32,833
CAN YOU GIVE MY MOM AND MY SISTERS MY LOVE?
1610
01:05:32,875 --> 01:05:36,336
AND TELL ABBY AUNTIE MOO SAYS HI.
1611
01:05:36,378 --> 01:05:37,963
I WILL.
1612
01:05:38,005 --> 01:05:39,256
THANKS.
1613
01:05:39,297 --> 01:05:40,673
UH, MS. KELLSER!
1614
01:05:40,673 --> 01:05:41,549
YEAH, YEAH?
1615
01:05:41,549 --> 01:05:45,262
UH, I WAS TOLDTHAT SOONER OR LATER,
1616
01:05:45,303 --> 01:05:48,098
ALL THE KELLSER WOMENFOLLOW THEIR HEARTS BACK HOME.
1617
01:05:48,140 --> 01:05:51,851
IF IT'S AT ALL POSSIBLE...
1618
01:05:51,893 --> 01:05:55,772
PERHAPS YOU SHOULD...MAKE THAT SOONER.
1619
01:05:55,813 --> 01:05:58,483
WHY? WHAT'S GOING ON?
1620
01:05:58,525 --> 01:06:01,819
UH, WELL, UM...
1621
01:06:01,861 --> 01:06:02,904
YOUR FAMILY IS...
1622
01:06:02,945 --> 01:06:05,156
YOUR MOTHER'S NOT..
1623
01:06:05,197 --> 01:06:06,366
HELLO?
1624
01:06:06,366 --> 01:06:08,326
HELLO, CAN YOU...?
1625
01:06:08,368 --> 01:06:10,495
[STATIC]
1626
01:06:11,954 --> 01:06:14,416
WE'RE OUT OF RANGE.
1627
01:06:25,009 --> 01:06:27,511
[DALE]: GREAT.APPRECIATE IT.
1628
01:06:35,186 --> 01:06:37,939
[DALE]: WELL...
1629
01:06:37,980 --> 01:06:39,523
INTERPOL,GERMAN RESTITUTION FILES...
1630
01:06:39,565 --> 01:06:40,857
IT'S ALL THERE.
1631
01:06:40,857 --> 01:06:43,069
I WAS HOPINGI WAS WRONG.
1632
01:06:43,069 --> 01:06:44,195
IT'S WELL,HERE.
1633
01:06:44,236 --> 01:06:46,113
MOST PEOPLE WOULDN'T EVENHAVE MADE THE CONNECTION.
1634
01:06:46,155 --> 01:06:47,823
I GUESS...I DON'T KNOW...
1635
01:06:47,864 --> 01:06:49,200
I JUST...
1636
01:06:49,241 --> 01:06:51,827
THINK OUTSIDE THE BOX...
1637
01:06:51,868 --> 01:06:54,580
WHICH IS A GOOD THING!
1638
01:06:54,580 --> 01:06:57,248
ONLY THING IS,NOW YOU'RE STUCK WITH THE TRUTH.
1639
01:06:59,710 --> 01:07:01,545
YEAH, AND NOWWE HAVE FIND A WAY
1640
01:07:01,587 --> 01:07:04,339
TO BREAK ITTO THE KELLSERS.
1641
01:07:04,380 --> 01:07:05,340
YOU'LL FIND IT.
1642
01:07:05,381 --> 01:07:07,593
YOU AND OLIVER.
1643
01:07:07,593 --> 01:07:09,761
YOU'LL DO JUST FINE.
1644
01:07:14,975 --> 01:07:16,642
[KIM]: I'D FORGOTTENWHAT IT LOOKED LIKE.
1645
01:07:16,684 --> 01:07:17,602
[OLIVER]:WELL, WE WERE HOPING
1646
01:07:17,602 --> 01:07:18,644
IT WAS WORTHA GREAT DEAL OF MONEY,
1647
01:07:18,686 --> 01:07:20,271
FOR YOUR SAKE,AND IT IS.
1648
01:07:20,313 --> 01:07:21,814
UM, HOWEVER...
1649
01:07:23,108 --> 01:07:25,943
WE ALSO FOUND OUTTHAT IT'S QUITE RARE,
1650
01:07:25,943 --> 01:07:26,944
AND MR. BENSHAN
1651
01:07:26,944 --> 01:07:30,615
WE ALHAS AN ARDENT COLLECTORTHATOF 18TH-CENTURY PORCELAIN
1652
01:07:30,656 --> 01:07:32,950
WHO MADE AN OFFERAND MTO ACQUIRE IT FROM YOU
1653
01:07:32,950 --> 01:07:34,827
ONCE YOU WERETO TAKE POSSESSION.
1654
01:07:34,869 --> 01:07:37,997
ONCE WE "WERE"TO TAKE POSSESSION?
1655
01:07:37,997 --> 01:07:39,790
DOES THAT MEANYOU DIDN'T FIND MARY LOU?
1656
01:07:39,790 --> 01:07:41,584
ONCE WE "WERE"UH, ACTUALLY, I DID.
1657
01:07:41,626 --> 01:07:43,628
DOES THAT MEANI SAW HER BRIEFLYND MARY LOU?
1658
01:07:43,669 --> 01:07:44,795
ON A VIDEO CONFERENCE CALL.
1659
01:07:44,795 --> 01:07:47,757
DID SHE ASK ABOUT US,OR THE FARM, OR ANYTHING?
1660
01:07:47,798 --> 01:07:48,633
OH, YES.
1661
01:07:48,633 --> 01:07:50,635
WE DIDN'T HAVE MUCH TIMETO ELABORATE,
1662
01:07:50,635 --> 01:07:52,094
BUT YES.
1663
01:07:53,137 --> 01:07:54,138
MRS. KELLSER,
1664
01:07:54,138 --> 01:07:55,848
AH...
1665
01:07:55,848 --> 01:07:59,727
IN THE COURSEOF PROCESSING THIS RETURN,
1666
01:07:59,769 --> 01:08:01,728
WE'VE DISCOVERED A LITTLE BITABOUT THE PROVENANCE
1667
01:08:01,771 --> 01:08:03,022
OF THIS VASE.
1668
01:08:03,063 --> 01:08:05,983
WELL, IF IT MEANSTHAT IT'S WORTH A LOT OF MONEY,
1669
01:08:06,025 --> 01:08:08,152
THAT COULD REALLY SOLVEOUR PROBLEMS, RIGHT?
1670
01:08:09,819 --> 01:08:11,655
WELL, UM...
1671
01:08:11,655 --> 01:08:13,032
THE VASE WAS CREATED
1672
01:08:13,073 --> 01:08:15,325
FOR A MEMBEROF THE AUSTRIAN ROYAL FAMILY
1673
01:08:15,325 --> 01:08:17,577
IN 1748,
1674
01:08:17,619 --> 01:08:19,163
AND IT STAYEDWITH THAT FAMILY
1675
01:08:19,163 --> 01:08:22,832
UNTIL IT WAS GIVEN, IRONICALLY,AS A WEDDING GIFT,
1676
01:08:22,832 --> 01:08:24,668
TO A VERY PROMINENTPOLITICAL FAMILY
1677
01:08:24,668 --> 01:08:26,002
IN FRANKFURT, GERMANY
1678
01:08:26,002 --> 01:08:27,003
TO A VERY PROMINENTNAMED RUBEL.MILY
1679
01:08:27,003 --> 01:08:29,839
IT REMAINEDIN THE RUBEL FAMILY'S POSSESSION
1680
01:08:29,881 --> 01:08:32,341
FOR THE NEXT 72 YEARS,
1681
01:08:32,341 --> 01:08:34,886
PASSED DOWNFROM FATHER TO SON
1682
01:08:34,928 --> 01:08:38,848
UNTIL 1939,WHEN, UM...
1683
01:08:40,934 --> 01:08:42,143
[OLIVER CLEARSHIS THROAT]
1684
01:08:42,143 --> 01:08:46,022
WHEN THE, UH, FAMILY HOME
1685
01:08:46,064 --> 01:08:48,482
[OLIVER CLEARSAND ITS ENTIRE CONTENTSHROAT]
1686
01:08:48,524 --> 01:08:50,651
WERE CONFISCATED,
1687
01:08:50,693 --> 01:08:56,699
AND ALL BUT ONE MEMBEROF THE RUBEL FAMILY...
1688
01:08:56,699 --> 01:08:57,992
UH, DISAPPEARED.
1689
01:08:58,034 --> 01:08:59,660
MY LORD.
1690
01:08:59,702 --> 01:09:00,619
[SHANE]:YES, THAT, UM...
1691
01:09:00,661 --> 01:09:04,457
THAT PERSONWAS JOHANN RUBEL,
1692
01:09:04,498 --> 01:09:05,624
A TEENAGER AT THE TIME,
1693
01:09:05,666 --> 01:09:08,419
WHO MANAGEDTO ESCAPE TO FRANCE
1694
01:09:08,419 --> 01:09:10,504
WITH NOTHINGBUT THE CLOTHES ON HIS BACK
1695
01:09:10,504 --> 01:09:13,382
WHO MANAGEDAND A FAMILY PHOTOGRAPH.
1696
01:09:17,761 --> 01:09:18,554
WITH NOTHINGAFTER THE WAR,S ON HIS BACK
1697
01:09:18,596 --> 01:09:20,388
HE MADE HIS WAYTO THE UNITED STATES.
1698
01:09:20,388 --> 01:09:22,057
HE WORKED HIS WAYTHROUGH COLLEGE,
1699
01:09:22,057 --> 01:09:24,017
HE STARTED A FAMILY,
1700
01:09:24,017 --> 01:09:25,310
AND HE SPENT HIS FREE TIME
1701
01:09:25,352 --> 01:09:27,813
SEARCHINGFOR HIS LOST RELATIVES.
1702
01:09:28,772 --> 01:09:31,316
THE ONLY RECORDTHAT HE FOUND
1703
01:09:31,358 --> 01:09:34,194
WAS AN INVENTORY OF EVERYTHINGTAKEN BY THE GERMANS
1704
01:09:34,194 --> 01:09:36,696
FROM HIS CHILDHOOD HOME.
1705
01:09:36,738 --> 01:09:37,614
WAS AN INVENTORY OF EVERYTHINGUM...TAKEN BY THE GERMANS
1706
01:09:37,655 --> 01:09:40,242
THE VASEWAS PART OF A SHIPMENT
1707
01:09:40,242 --> 01:09:42,160
INTENDEDFOR THE PRIVATE COLLECTION
1708
01:09:42,160 --> 01:09:44,912
OF A GERMAN OFFICERIN FRANCE,
1709
01:09:44,954 --> 01:09:48,416
BUT THE SHIPMENTWENT MISSING,TE COLLECTION
1710
01:09:48,458 --> 01:09:51,461
AND THE VASEFOUND ITS WAY TO FRANCE,
1711
01:09:51,503 --> 01:09:55,423
AND EVENTUALLYTO THE AMERICAN OFFICER,
1712
01:09:55,465 --> 01:09:57,425
AND INTO BETTY'S HANDS.
1713
01:09:57,467 --> 01:09:59,761
MR. RUBEL IS NOWIN HIS 90S,
1714
01:09:59,802 --> 01:10:01,804
AND, UM...
1715
01:10:03,431 --> 01:10:06,433
AND WE THOUGHT YOU MIGHT WANTSEE TO SEE THE VASE...
1716
01:10:06,433 --> 01:10:07,560
ONE MORE TIME.
1717
01:10:08,269 --> 01:10:10,146
AND WE THOUGHT YOU MIGHT WANTSEE TO SAY GOODBYE....
1718
01:10:13,274 --> 01:10:14,566
[PEGGY]: SO WE'VE LOST IT?
1719
01:10:14,608 --> 01:10:16,485
I DON'T BELIEVE THIS.
1720
01:10:16,527 --> 01:10:17,945
I UNDERSTANDTHIS MUST BE
1721
01:10:17,945 --> 01:10:20,281
A DIFFICULT BLOW...
1722
01:10:20,281 --> 01:10:21,407
BUT...
1723
01:10:21,448 --> 01:10:23,784
THERE HAS TO BE A POINTWHEN YOU HAVE IT FOR SO LONG,
1724
01:10:23,784 --> 01:10:24,743
IT JUST...
1725
01:10:24,785 --> 01:10:26,662
IT'S YOURS!
1726
01:10:26,662 --> 01:10:27,914
I MEAN, IT WAS A GIFTTO OUR FAMILY.
1727
01:10:27,914 --> 01:10:30,874
WE DID NOT STEAL THIS.OURS!
1728
01:10:30,916 --> 01:10:32,959
I MEAN, IT WAS A GIFTNO, WE DIDN'T,Y.
1729
01:10:33,001 --> 01:10:34,503
BUT THAT DOESN'T MEANIT BELONGS TO US.
1730
01:10:36,172 --> 01:10:40,634
I'D RATHER LOSE THIS FARMTHAN LOSE MY SOUL, PEGGY.
1731
01:10:43,595 --> 01:10:47,558
I'D IMAGINEDYOU MIGHT SAY THAT.
1732
01:10:49,976 --> 01:10:52,479
WE ARE SO VERY SORRY.
1733
01:10:54,397 --> 01:10:55,982
PLEASE TELL MR. RUBEL
1734
01:10:55,982 --> 01:10:58,777
IT WAS AN HONORTO HAVE A PIECE OF HIS FAMILY
1735
01:10:58,777 --> 01:11:00,486
LIVING WITH USFOR A WHILE.
1736
01:11:00,486 --> 01:11:02,238
IT WAS AN HONORTO HAVE A PIECE OFI'LL TELL HIM.
1737
01:11:04,908 --> 01:11:06,827
LIVING WITH USSO WHAT DO WE DO NOW?
1738
01:11:07,994 --> 01:11:09,620
WE'LL GET UPIN THE MORNING
1739
01:11:09,662 --> 01:11:11,414
AND AUCTION OFF OUR FARM
1740
01:11:11,456 --> 01:11:12,916
AND PAY OFF OUR BILLS,
1741
01:11:12,958 --> 01:11:14,750
AND YOU'LL CLOSE THINGS UP,
1742
01:11:14,792 --> 01:11:16,586
AND I'LL TAKE MY MEDICINE...
1743
01:11:18,379 --> 01:11:20,673
AND WE'LL TEACH ABBYHOW A KELLSER WOMAN LIVES...
1744
01:11:24,177 --> 01:11:25,553
AND HOW SHE LEAVES.
1745
01:11:35,730 --> 01:11:37,482
HI, MAMA!
1746
01:11:37,523 --> 01:11:39,399
HI, HONEY.
1747
01:11:51,161 --> 01:11:53,831
I LOVE IT!SUCH AN ELEGANT PARADOX.
1748
01:11:53,873 --> 01:11:59,294
A WORLD OF POSSIBILITYINSIDE A SIMPLE FRAME.
1749
01:11:59,336 --> 01:12:03,257
SO VERY SHANEAND OVILEAR.
1750
01:12:03,298 --> 01:12:05,175
SUCH A THOUGHTFUL GIFT.
1751
01:12:05,217 --> 01:12:07,802
IT WAS "OVILEAR'S" IDEA.
1752
01:12:08,720 --> 01:12:09,888
[BILL]:HEY, RAMON,
1753
01:12:09,929 --> 01:12:11,723
ANOTHER ROUND OF AREA 51,PLEASE.
1754
01:12:11,723 --> 01:12:12,724
OF COURSE!
1755
01:12:12,724 --> 01:12:13,725
ANOTHER ROUND OF[BILL]:1,PLEASE.THANKS, MAN.
1756
01:12:13,725 --> 01:12:14,768
EXCUSE ME.
1757
01:12:16,603 --> 01:12:17,896
ANOTHER ROUND OF[BILL]:1,PLEASE.TH"OVILEAR?"
1758
01:12:17,896 --> 01:12:19,439
OVILEAR.
1759
01:12:20,565 --> 01:12:21,816
ANOTHER ROUND OF[BILL]:1,[LAUGHS]PLEASE.TH"OVILEAR?"
1760
01:12:21,858 --> 01:12:24,653
WHAT IS THIS?
1761
01:12:24,694 --> 01:12:26,112
IT'S FROM YOUR DAD.
1762
01:12:27,321 --> 01:12:28,364
OH...
1763
01:12:31,325 --> 01:12:32,285
OH...
1764
01:12:33,494 --> 01:12:34,746
HUDSON!
1765
01:12:39,167 --> 01:12:40,209
OH...
1766
01:12:43,254 --> 01:12:45,214
THANK YOU, DAD.
1767
01:12:48,884 --> 01:12:49,927
LOOK!
1768
01:12:51,387 --> 01:12:52,596
HUDSON THE INVISIBLE OWL?
1769
01:12:52,596 --> 01:12:53,931
WELL,ONE DAY WHEN SHE WAS SIX,
1770
01:12:53,972 --> 01:12:56,434
SHE DIDN'T WANT HUDSONTO BE INVISIBLE ANYMORE,
1771
01:12:56,434 --> 01:12:59,144
SO I WENT TO THE TOY STORE,AND I MADE HIM VISIBLE.
1772
01:12:59,187 --> 01:13:00,771
SHE DIDN'T WANT HUDSONTO BE INVISMM.E ANYMORE,
1773
01:13:00,813 --> 01:13:03,106
FOUND HIM IN THE ATTICA COUPLE OF WEEKS AGO.
1774
01:13:03,148 --> 01:13:04,608
I JUST THOUGHTSHE SHOULD HAVE IT,
1775
01:13:04,650 --> 01:13:06,902
SO THAT...
1776
01:13:06,944 --> 01:13:08,612
WELL, YOU KNOW.
1777
01:13:10,280 --> 01:13:11,865
YOU TRYTO TEACH YOUR KIDS TO LOVE,
1778
01:13:11,865 --> 01:13:13,450
AND THEN YOU TURN INTO A JERK
1779
01:13:13,450 --> 01:13:14,952
WHEN THEY FINALLY GO OUTTO TEACIN THE WORLDTO LOVE,
1780
01:13:14,952 --> 01:13:16,286
AND DO IT.
1781
01:13:16,286 --> 01:13:18,080
WHEN THEY FINALLY GO OUTTO TEACIN THE WORLD[CHUCKLES]
1782
01:13:19,206 --> 01:13:21,709
I'M SORRYI WAS SO TOUGH ON YOU.
1783
01:13:23,877 --> 01:13:25,963
I'M SORRY I BLENDEDYOUR WIFE'S BIFOCALS.
1784
01:13:26,004 --> 01:13:28,381
IT WOULDN'T HAVE BEENTHE FIRST TIME.
1785
01:13:28,423 --> 01:13:30,217
[LAUGHING]
1786
01:13:30,258 --> 01:13:31,634
HEY, YOU GUYS.
1787
01:13:31,676 --> 01:13:32,760
HI, HONEY.
1788
01:13:35,888 --> 01:13:37,515
SO?
1789
01:13:37,557 --> 01:13:38,475
SO?
1790
01:13:38,475 --> 01:13:40,768
OH, I GOT A PRESENTFOR YOU, TOO.
1791
01:13:40,810 --> 01:13:42,312
[KEYS JINGLING]
1792
01:13:43,813 --> 01:13:45,273
[RITA GASPS, LAUGHS]
1793
01:13:46,274 --> 01:13:47,442
YOU'RE GIVING US AN RV?
1794
01:13:47,484 --> 01:13:50,027
SORT OF LIKEA HONEYMOON PRESENT.
1795
01:13:50,069 --> 01:13:51,529
WE'RE THINKING OFGETTING OFF THE ROAD
1796
01:13:51,571 --> 01:13:53,698
AND SETTLING DOWNAROUND HERE.
1797
01:13:53,698 --> 01:13:54,782
OH!
1798
01:13:54,824 --> 01:13:55,825
AND SETTLING DOWNMAYBE FIND OURSELVES
1799
01:13:55,825 --> 01:13:58,786
A NICE ROCKY MOUNTAINGEOPONIC COLLECTIVE,
1800
01:13:58,828 --> 01:14:00,538
GET BACK TO OUR ROOTS.
1801
01:14:01,664 --> 01:14:02,915
YOU WERE FARMERS?
1802
01:14:02,957 --> 01:14:04,709
OH, YEAH.WE LIVED OFF THE LAND.
1803
01:14:04,751 --> 01:14:07,086
WE GREW EVERYTHINGOURSELVES.
1804
01:14:07,128 --> 01:14:08,629
IT WAS COMPOST HEAVEN.
1805
01:14:09,505 --> 01:14:12,174
COMPOST HEAVEN.
1806
01:14:12,174 --> 01:14:14,176
[LAUGHS]
1807
01:14:14,176 --> 01:14:16,303
[LAUGHING]OST HEAVEN.
1808
01:14:17,513 --> 01:14:18,347
[GAVEL BANGS]
1809
01:14:18,347 --> 01:14:19,890
[AUCTIONEER]:LADIES AND GENTLEMEN,
1810
01:14:19,932 --> 01:14:22,976
WE WILL BEGIN THE BIDDINGAT $265,000.
1811
01:14:23,019 --> 01:14:24,186
[FAST AUCTION PATTER]$265,000. DO I HAVE 270?
1812
01:14:24,186 --> 01:14:27,022
I'VE GOT 265, I'VE GOT 270,DO I HAVE 275?
1813
01:14:27,022 --> 01:14:28,857
275, I'VE GOT 275.DO I HAVE 280?
1814
01:14:28,899 --> 01:14:30,609
280, I'VE GOT 280.280.
1815
01:14:30,609 --> 01:14:31,735
DO I HAVE 300?DO I GOT 280?
1816
01:14:31,735 --> 01:14:33,612
2GOT 300. GOT 300.DO I HAVE 310? 310.
1817
01:14:33,612 --> 01:14:35,113
THANK YOU, SIR.I'VE GOT 310.
1818
01:14:35,155 --> 01:14:36,573
2GOT 300. GOT 300.310, DO I HAVE 320?
1819
01:14:36,573 --> 01:14:38,074
I'VE GOT 310.I'VE GOT 320 OVER THERE.
1820
01:14:38,116 --> 01:14:39,910
320. DO I HAVE 330?310, DO3...AVE 320?
1821
01:14:39,951 --> 01:14:41,495
330 FROM THE GENTLEMANIN THE BACK.
1822
01:14:41,495 --> 01:14:42,788
GOT 330.HOW ABOUT 340?
1823
01:14:42,829 --> 01:14:45,123
33I'VE GOT 330, 330.ANDO I HAVE 340? 340.
1824
01:14:45,165 --> 01:14:46,542
FROM THE GENTLEMAN IN THE FRONT.THANK YOU, SIR.
1825
01:14:46,583 --> 01:14:48,084
WE'VE GOT 340.INTO A 345.
1826
01:14:48,126 --> 01:14:49,544
GOT 340.DO I HAVE 345?
1827
01:14:49,544 --> 01:14:51,546
WE GOT 340 GOING ONCE,GOING TWICE...
1828
01:14:51,587 --> 01:14:53,173
[MAN'S VOICE]:400.
1829
01:14:53,214 --> 01:14:55,717
[AUCTIONEER]: $400,000FROM THE GENTLEMAN IN THE BACK!
1830
01:14:55,759 --> 01:14:57,052
NOW $400,000.DO I HAVE FOUR AND FIVE?
1831
01:14:57,093 --> 01:14:59,554
$400,000 GOING ONCE,$400,000 GOING TWICE...
1832
01:14:59,595 --> 01:15:00,847
SOLD...
1833
01:15:00,889 --> 01:15:03,183
[BANGS GAVEL]TO THE GENTLEMAN IN THE BACK.
1834
01:15:11,566 --> 01:15:13,984
[KIM]: I'M NOT SUREI UNDERSTAND WHAT JUST HAPPENED.
1835
01:15:14,026 --> 01:15:15,403
MRS. KELLSER,YOU'RE NOT JUST LOOKING
1836
01:15:15,445 --> 01:15:16,612
AT THE DEAD LETTER OFFICETASK FORCE
1837
01:15:16,654 --> 01:15:18,072
OF THE UNITED STATESPOSTAL OFFICE.
1838
01:15:18,072 --> 01:15:19,907
WE ALSO COMPRISETHE EXECUTIVE COMMITTEE
1839
01:15:19,907 --> 01:15:21,992
OF THE BOARD OF TRUSTEESOF THE O'TOOLE FOUNDATION.
1840
01:15:22,034 --> 01:15:23,869
IT'S A PHILANTHROPICORGANIZATIONE COMMITTEE
1841
01:15:23,911 --> 01:15:25,287
BEGUN WITH FUNDSGIVEN TO ME
1842
01:15:25,329 --> 01:15:26,831
BY A FATHER I NEVER KNEW,
1843
01:15:26,831 --> 01:15:29,249
WHOSE UNUSUAL SUCCESSRESULTED
1844
01:15:29,291 --> 01:15:31,085
IN A RATHER REMARKABLE FORTUNE,
1845
01:15:31,126 --> 01:15:33,253
OF WHICH I AM THE CUSTODIAN.
1846
01:15:33,253 --> 01:15:34,254
SO, YOU'RE RICH?
1847
01:15:34,254 --> 01:15:35,255
WELL...
1848
01:15:35,297 --> 01:15:36,256
OH, YEAH.
1849
01:15:36,298 --> 01:15:37,883
[LAUGHING]
1850
01:15:38,634 --> 01:15:40,510
MRS. KELLSER?
1851
01:15:40,510 --> 01:15:43,347
WITH YOUR PERMISSION,OF COURSE,
1852
01:15:43,388 --> 01:15:45,432
THE O'TOOLE FOUNDATION. KELLSER?
1853
01:15:45,474 --> 01:15:48,352
WOULD LIKE TO HELP YOUPUT THE KELLSER FAMILY FARM
1854
01:15:48,393 --> 01:15:50,770
INTO A LIVING LANDSCONSERVANCY,
1855
01:15:50,812 --> 01:15:53,773
AND THIS WOULD GUARANTEE,OF COURSE,
1856
01:15:53,773 --> 01:15:55,109
THAT IT COULD NEVER
1857
01:15:55,150 --> 01:15:57,527
AND THIS WOULD GUARANTEE,BE SOLD OR DEVELOPED.
1858
01:15:58,695 --> 01:15:59,654
WOW.
1859
01:15:59,696 --> 01:16:02,407
[PEGGY]:THANK YOU...
1860
01:16:02,449 --> 01:16:04,075
UM...BUT WHAT'S THE CATCH?
1861
01:16:04,117 --> 01:16:05,369
[KIM]:OH, PEGGY,
1862
01:16:05,369 --> 01:16:07,996
FOR ONCE,STOP BEING SO SUSPICIOUS.
1863
01:16:07,996 --> 01:16:09,331
[KIM]:[RITA]: WELL,OH,THERE IS ACTUALLY A CATCH.
1864
01:16:09,373 --> 01:16:11,791
FOR THE FARM TO STAYAS IT IS,G SO SUSPICIOUS.
1865
01:16:11,833 --> 01:16:13,627
IT HAS TO REMAIN A SUSTAINABLEAND WORKABLE FARM
1866
01:16:13,668 --> 01:16:17,130
AND HAS TO EXPANDINTO AN EDUCATION CENTER
1867
01:16:17,171 --> 01:16:19,173
THAT TEACHESRESPONSIBLE AGRICULTURE.
1868
01:16:20,216 --> 01:16:21,134
OKAY.
1869
01:16:21,175 --> 01:16:23,511
UM, WE HAVE NO IDEAHOW TO TEACH ANY OF THAT.
1870
01:16:23,552 --> 01:16:24,971
[NORMAN]:SO WE'VE FOUND
1871
01:16:25,013 --> 01:16:26,597
A VERY INTERESTINGAND LOVELY COUPLE
1872
01:16:26,639 --> 01:16:30,309
WHO'VE AGREED TO BUILDAND RUN THE EDUCATION CENTER.
1873
01:16:30,351 --> 01:16:31,477
THEY'RE ACTUALLY MY PARENTS!
1874
01:16:31,519 --> 01:16:32,979
[LAUGHING]
1875
01:16:32,979 --> 01:16:34,230
BUT THEY KNOWALL SORTS OF THINGS
1876
01:16:34,272 --> 01:16:35,982
ABOUT EXPERIMENTAL FARMING.
1877
01:16:36,024 --> 01:16:37,483
SO, YOU'REBUYING THE FARM,
1878
01:16:37,525 --> 01:16:38,817
BUT YOU'RE NOTBUYING THE FARM?
1879
01:16:38,817 --> 01:16:40,819
EXACTLY.
1880
01:16:40,861 --> 01:16:42,488
BUT YOU'RE NOTTHE O'TOOLE FOUNDATION
1881
01:16:42,488 --> 01:16:44,740
HAS ASSUMEDALL FINANCIAL RESPONSIBILITY,
1882
01:16:44,740 --> 01:16:46,992
AND YOU ARE FREETO LIVE HERE...
1883
01:16:46,992 --> 01:16:49,370
HAS ASSUMEDALL FINWELL, UNTIL...IBILITY,
1884
01:16:49,412 --> 01:16:50,663
AND YOU ARE FREEUNTIL THE COWS COME HOME.
1885
01:17:00,338 --> 01:17:02,132
[SHANE]: THE VASEIS ON ITS WAY HOME.
1886
01:17:02,174 --> 01:17:05,511
MR. RUBEL SENT YOU AN EMAIL.
1887
01:17:09,682 --> 01:17:11,224
[CAR HORN HONKING]
1888
01:17:22,945 --> 01:17:24,696
MARY LOU![LAUGHS]
1889
01:17:27,240 --> 01:17:28,158
YOU CAME BACK!
1890
01:17:28,200 --> 01:17:29,534
I KNEW YOU'D COME!
1891
01:17:29,534 --> 01:17:31,078
[MARY LOU]:I WAS WORRIED ABOUT YOU GUYS,
1892
01:17:31,119 --> 01:17:33,496
AND I MISSED MY BABY SISTER.
1893
01:17:33,538 --> 01:17:34,914
[BUNNY]: I MISSED YOU, TOO.
1894
01:17:37,959 --> 01:17:39,210
MAMA!
1895
01:17:39,210 --> 01:17:40,545
WHAT'S GOING ON?
1896
01:17:40,587 --> 01:17:43,631
EVERYTHING,BUT WE'RE OKAY.
1897
01:17:43,673 --> 01:17:44,882
WHAT'S THIS FOR?
1898
01:17:45,758 --> 01:17:48,761
TAKING WALKSAROUND THE FARM,
1899
01:17:48,803 --> 01:17:51,889
WHICH I PLAN TO DOFOR A NICE, LONG TIME...
1900
01:17:51,889 --> 01:17:53,725
AND I PLANTO TAKE SOME OF THOSE WALKS
1901
01:17:53,725 --> 01:17:55,893
WITH YOU.
1902
01:17:55,935 --> 01:17:58,688
I'M SO SORRYIT TOOK ME SO LONG TO GET HOME.
1903
01:17:58,730 --> 01:18:00,689
[KIM]:OH, BUT YOU DID...
1904
01:18:02,691 --> 01:18:04,485
AND IT'S STILL HERE FOR YOU.
1905
01:18:11,951 --> 01:18:14,161
HEY.
1906
01:18:19,082 --> 01:18:20,417
THE VASE IS BACK?
1907
01:18:20,417 --> 01:18:21,335
YEAH...
1908
01:18:21,377 --> 01:18:22,753
AND IT'S GONE AGAIN.
1909
01:18:22,753 --> 01:18:23,629
WHAT?
1910
01:18:23,670 --> 01:18:25,005
WE DIDN'T NEED IT.
1911
01:18:25,046 --> 01:18:26,256
WE NEVER NEEDED IT.
1912
01:18:26,256 --> 01:18:28,675
WHEN ARE YOU TWO GOINGTO GET THAT THROUGH YOUR HEADS?
1913
01:18:30,093 --> 01:18:31,512
WE JUST NEEDED EACH OTHER.
1914
01:18:31,553 --> 01:18:36,016
NOTHING BEATS HARD WORK,HAPPY COWS, AND HOPE, RIGHT?
1915
01:18:36,057 --> 01:18:37,392
[LAUGHING]
1916
01:18:38,894 --> 01:18:41,021
SO, WHAT HAPPENED?
1917
01:18:42,522 --> 01:18:44,482
OH, WELL...
1918
01:18:48,945 --> 01:18:50,947
"MY DEAR MADAME KELLSER...
1919
01:18:50,947 --> 01:18:52,949
I CANNOT BEGINTO EXPRESS MY JOY
1920
01:18:52,949 --> 01:18:55,911
WHEN I WAS INFORMED TODAYOF YOUR KIND UNDERSTANDING,
1921
01:18:55,952 --> 01:18:57,828
BUT I AM DEEPLY GRATEFULFOR YOUR WILLINGNESS
1922
01:18:57,828 --> 01:19:00,748
TO SAY GOODBYETO OUR FAMILY TREASURE,
1923
01:19:00,790 --> 01:19:04,169
AND I'M SO TOUCHED TO HEARTHAT WHILE IT WAS IN YOUR CARE,
1924
01:19:04,169 --> 01:19:06,837
IT WAS A SOURCE OF HOPEAND INSPIRATION
1925
01:19:06,879 --> 01:19:08,298
AND I'M SO TOUCHED TO HEARTHATO YOU AND YOUR CHILDREN.RE,
1926
01:19:08,298 --> 01:19:11,759
THE RETURN OF THE VASEWAS A NOBLE AND RIGHTEOUS ACT
1927
01:19:11,759 --> 01:19:13,469
AND I'M SO TOUCHED TO HEARTHATTHAT SHALL BE BLESSED.N.RE,
1928
01:19:13,469 --> 01:19:15,137
THE RETURN OF THE VASEWAS APLEASE, BE ASSUREDUS ACT
1929
01:19:15,137 --> 01:19:17,598
THAT IT SHALL BE PLACEDIN A PROPER MUSEUM
1930
01:19:17,640 --> 01:19:21,143
TWITH A LETTER TRACINGITS EXTRAORDINARY PROVENANCE,
1931
01:19:21,143 --> 01:19:23,395
FROM A GREAT CASTLEIN AUSTRIA..."
1932
01:19:23,437 --> 01:19:25,648
[MR RUBEL]:TO A LITTLE FARM IN AMERICA,
1933
01:19:25,648 --> 01:19:28,483
TO REMIND FUTURE GENERATIONS OF A TIME AND A PEOPLE
1934
01:19:28,525 --> 01:19:31,278
THAT MUST NEVER BE FORGOTTEN.
1935
01:19:31,278 --> 01:19:32,654
I SHALL NOT FORGET YOU,
1936
01:19:32,697 --> 01:19:36,491
AND I SEND MY BEST WISHES THAT M TO YOUR FAMILY.GOTTEN.
1937
01:19:36,533 --> 01:19:38,953
MAY YOU CHERISH EVERY MOMENT YOU HAVE TOGETHER
1938
01:19:38,953 --> 01:19:41,205
FOR AS LONG AS YOU LIVE.
1939
01:19:41,246 --> 01:19:44,624
MAY YO RESPECTFULLY,Y MOMENT Y JOHANN RUBEL.ER
1940
01:19:44,666 --> 01:19:46,001
[SHANE]:I WISH WE'D BEEN THERE
1941
01:19:46,043 --> 01:19:47,794
WHEN HE PUT THAT RINGON HER FINGER.
1942
01:19:47,836 --> 01:19:49,171
OH, I DON'T KNOW.
1943
01:19:49,171 --> 01:19:50,339
I THINK...
1944
01:19:50,339 --> 01:19:52,882
I THINK HE JUSTNEEDED TO GO SOLO.
1945
01:19:52,924 --> 01:19:54,133
[SHANE]: MAYBE SO,
1946
01:19:54,176 --> 01:19:58,137
BUT GOING SOLOISN'T ALWAYS EASY, THOUGH.
1947
01:20:00,014 --> 01:20:02,266
ARE YOU SAYINGYOU MISSED ME?
1948
01:20:06,646 --> 01:20:07,856
YOU WERE ONLY GONE
1949
01:20:07,897 --> 01:20:09,899
FOR ONE DAY,
1950
01:20:09,941 --> 01:20:11,359
BUT...
1951
01:20:11,359 --> 01:20:14,195
IT DID GIVE MESOME TIME TO THINK.
1952
01:20:14,195 --> 01:20:15,822
ABOUT?
1953
01:20:15,864 --> 01:20:18,532
WELL, LIKE, UH...
1954
01:20:18,574 --> 01:20:22,161
WHAT ONE DOES TO GOFROM BEING "A THING"
1955
01:20:22,203 --> 01:20:25,706
TO "GOING STEADY,"YOU KNOW.
1956
01:20:25,706 --> 01:20:27,083
UH, I DON'T KNOW.
1957
01:20:27,083 --> 01:20:29,961
ARE THERE REALLY"GOING STEADY" RULES?
1958
01:20:29,961 --> 01:20:32,296
OH... SEVERAL.I LOOKED IT UP.UH, I DON'T KNOW.
1959
01:20:32,338 --> 01:20:33,172
ARE THERE REALLY"GOHMM.STEADY" RULES?
1960
01:20:33,172 --> 01:20:35,341
YEAH. PRETTYSERIOUS STUFF.
1961
01:20:35,383 --> 01:20:37,050
ARE THERE REALLYSTUFF LIKE...OHMM.STEADY" RULES?
1962
01:20:37,050 --> 01:20:40,388
NO HANGING PICTURE FRAMESWITH ANYBODY BUT ME.
1963
01:20:40,429 --> 01:20:42,055
I CAN PRETTY MUCHGUARANTEE THAT.
1964
01:20:42,097 --> 01:20:45,559
NO HANGING ANY BEAD DIVIDERSWITHOUT PRIOR APPROVAL.
1965
01:20:45,559 --> 01:20:49,229
HMM. I THINKI CAN PROBABLY LIVE WITH THAT.
1966
01:20:52,983 --> 01:20:54,735
AND...
1967
01:20:54,777 --> 01:20:58,530
WHEN RITA AND NORMANGET MARRIED,
1968
01:20:58,572 --> 01:21:02,367
YOU HAVE TO DANCETHE FIRST DANCE WITH...
1969
01:21:02,409 --> 01:21:03,451
ME.
1970
01:21:07,539 --> 01:21:10,292
I ONLY DANCE WITH YOU.
127436
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