Original subtitles

Heat. Heat.

Hello, Joe. I thought you were a senior

lawyer.

>> I was, but it didn't take long.

>> Well, what was it? The free path?

The lawyer didn't want to see me, Rogan.

I'm just the messenger boy.

>> What was the message?

>> Oh, wait. Sean, look, it's not my fault.

You being a political prisoner, he

couldn't visit you.

>> Come on, Joe. Come on.

>> Well, it was a message from somebody

called Colammore.

>> The patriot himself.

>> Oh, look, I don't want to know anything

about Irish politics.

>> What was the message, Joe?

>> You drew 15 years. Yes. M. and I've set

a date. With the emissions, I'll be out

in a couple of months.

>> Not now.

That was the message.

>> You do the full 15 years.

>> The rest of it, Joe.

>> Your remission's been turned down.

>> 7 years.

>> You Rogan, do it. There's a truck

waiting. Come on, jump to it.

Okay,

Logan.

What the hell are you playing yet?

>> One more stupid trick like that and

you're off privileges.

You're

>> right.

>> Well, get it fixed.

Sean, wrap it, Joe. But there's more.

Your friend Colo Moore, he says he'll

have a car waiting at the bridge every

Friday night at 7:30.

The rest is up to you.

Heat. Heat.

Heat.

Heat.

Heat. Heat.

Heat.

Heat.

I'm going

up.

Heat. Heat.

Heat. Heat.

Heat.

Heat.

Heat. Heat.

Heat. Heat.

Heat. Heat.

Requesting

heat.

Thanks.

>> Pleasure.

>> Yeah.

>> I've waited a long time to meet Shawn

Rogan.

I hope you know this road.

>> I should. I've driven it every night for

6 weeks.

>> All right. You're that sure. Eh,

>> of you?

>> Yes.

Come on. Back area.

>> Right. There's a space in the middle of

the load.

Heat. Heat.

Okay, Patty, rise and shine. Straighten

that door in front of you.

Good morning.

>> Oh. Uh, I'm the fellow that sent you the

parcel, remember?

>> Good. Here's your other five. Oops.

Go

go go.

Your name is Jenkins. Your luggage is

beside you.

We're going to Ireland. The boat leaves

in 2 hours.

>> Color Moore sends his regards. Are

>> you a friend of Colossus?

You could say so.

Colleague, more like it.

The name's Austin.

Morning.

>> Hello there.

>> Morning, sir. Nice to see you again. But

what's the trouble this weekend? Not a

thing. It must be my lucky day.

>> You wouldn't believe the trouble this

gentleman's had. Last week, it was an

nasty scratch on the paintwork there.

The week before that, somebody reversed

into his bumper. And before that, this

damn window jammed on the wetest day you

ever saw.

>> Okay.

Heat. Heat.

Okay.

Welcome home. Sean Roen or nearly

>> he talks as if you know me

>> after a year with Colam Moore. I do.

>> The wild man. The last of the heroes. It

was a long time ago.

>> Two more minutes.

>> Who are you?

Dan Costello's daughter,

>> the shotgun man, did his time with Colum

in the troubles and went to America.

Does his fighting with his wallet now?

>> There's no law against making money,

using it for what you believe in.

>> No,

except nobody ever sent a bank account

to prison.

Clear away.

Okay.

Morning,

Colum.

>> Colum himself, the patriot. God bless

him.

>> God bless us all. Is the no news nose

yet?

>> Ah, not yet, Colin. Not yet. The boat's

just only docking. Or not yet, John

Michael. Once we are sure Rogan has set

foot safe on his own, is the time to be

drinking to him.

>> Have you read the papers? I have indeed

the English one with the headline and

the sort of hero Rogan was the full

story.

>> The Irish pag with the item hidden away

in the middle calling him a terrorist, a

member of an illegal organization.

>> Answer it, ma'am.

>> Hello.

>> Nort 242.

>> Yeah, this is John Michael Larry

speaking. Pass the word John Michael.

Smooth as silk and your hero's home

again. The great days are back.

Now, Michael,

we worked and we schemed and we connived

and we did it. The great days aren't

gone. John, Michael, Larry, they'll be

back. We'll make them come back.

FL and a curse on the English.

>> As you wish, Inspector Sullivan. I'll

drink to that. Mhm.

>> And what's a big city policeman doing in

these parts?

>> Oh, strolling his baywick

keeping his ear to the ground and uh

chatting to the honest people he's

protecting.

>> And what would a conscientious guard

officer be having?

>> Well, the one out of columns bottle the

greatest of pleasure. Hey,

>> I see Rogan's out.

Blew down half a wall and kept on

running.

>> So they say

after 8 years.

Well, he took his time about it

or whoever was helping him did. He'll be

safe enough in Ireland. There's no

extradition for political offenses.

>> No. So, so long as he stays on this side

of the border, all he has to do is to

behave himself.

And if you see him, column,

tell him that martyrs are out of date.

Larry's bar. You know this place

>> like a prison cell. Inch by inch, day or

night, here and 100 miles around it.

>> That's good.

himself.

The patriot

Shan Roen.

Shaunie.

Back with us again. Thanks be to God.

John Michael.

>> Welcome, Sean. Welcome.

>> Oh, Sean.

>> Oh, darling.

>> Welcome

>> to Ireland.

>> Bless us all.

>> Thank you. Ireland.

>> One of our own. Sean, a fine girl.

Yes.

>> God bless all here.

>> Got the planning job.

>> Mr. Larry.

>> Yes. Oh, you'll be the two English

gentlemen for the rooms. Will you follow

me now? Just a minute. John Michael,

>> go and look after Mrs. Vani, will you?

>> All right.

It won't be long now.

What's all the mystery?

>> You'll see.

There it is. Sean,

what is it? An electronics factory? A

scab on the body of Ireland where our

young men have given over their

consciences

working on contracts with the British

army. Selling freedom's birthright for

the regular wage with its mortgages and

refrigerators,

cars, and the installment plan.

That's what they believe in now.

God in heaven. Sean, you and I didn't

fight for this soil to see it given back

for fat dividends. So, what are you

going to do?

We're going to wreck it to show the

people of Ireland that one organization

still cares about the soil that's

rightfully theirs. We'll blast our way

through into their minds and their

hearts. If that's the only way we can do

it, Sean, you and I

get somebody else. Colum, not me. There

isn't anybody else.

What about these two?

>> They tried. They worked on plan after

plan. But we need a specialist. You.

This won't beat you, Sean.

>> Get somebody else. Callum.

>> No.

>> Look, I've spent 8 years thinking about

this sort of violence. Eight years in a

cell thinking about where it got me.

>> They broke you then. The wild, legendary

Sha Rogan. They put you in an English

prison. And they broke column. I just

grew up. That's all.

>> Look, all I want is peace and quiet. I'm

going back to Mayor Mat and end to it.

>> And what about the cause?

You turn your back on the cause because

you want peace and quiet.

I have known better men than you who

wanted peace and they found it under 6

ft of earth for a cause. The cause you

once believed in. I still do and I

fought for it when it was right to

fight. But it's not the same battle

anymore.

Look, I won't do it. And you can't make

me.

Heat. Heat.

What about it, Patty? Do I keep going?

>> You're cross in seconds.

>> Back with the British.

>> Out another 20 years in prison.

>> I thought you'd stop being a hero.

>> That's it, John. There's your choice.

You do what you like. Finish with

violence. Plan it and plan it and

organize it. Show us what to do.

>> Oh, let's dump him over the border.

>> You do that? You're only one man, Sean.

in a cause where hundreds gave their

lives. Yes, I do it.

>> Do it now then. We can't trust him.

He'll say yes now and tomorrow he'll

take off.

>> Ah, no. He won't do that. Because if he

does, he'll need eyes in the back of his

head from now till the day he dies.

Because one night there'll come a wrap

at his door and the next thing you know,

he'll wake up on the other side of the

border.

Do

you guys

I thought you were never coming back.

>> Yeah, so did I.

>> Hey, Sean. Look who's here.

>> I told them I put that bloody fan back

on.

>> Hello, Danny.

Sean.

>> Oh, here you've been in England.

>> That's right.

I've got to go west. Danny,

>> well,

how was it? The prison.

>> Quiet.

It's been that way here, too.

It's lucky they didn't nab you that

night, isn't it?

>> Yeah.

How are you, Danny?

>> What do you have to drink, Sean?

>> You're looking prosperous, Danny.

Peaceful. Not like the old days. The

wet.

>> Yes.

>> It's quiet and peaceful here now.

>> You get to like it.

>> Well, I'll drink to that.

Will you have tea or coffee with your

breakfast, Mr. Fletcher?

>> Coffee.

>> Morning, Bridges.

>> Morning, Sean. I'll have your breakfast

for you in a minute.

>> I don't bother.

>> Of course, I'd bother.

>> Somebody locked my door last night.

>> That's right. We don't want you

wandering about. Somebody might

recognize you.

>> Fletcher.

I don't want this job. I'm stuck with

it.

>> I'll do it my way.

>> Really?

What's this about? I'll see you again,

buddy. And soon. And soon.

No hater.

>> Go after him. Get his face washed. When

he goes out, go with him. Hang on to his

arm. Make it look normal.

You all know you're good, Joe. But one

more stroke like that and you've got a

single ticket back to England. Then try

finding work when you get there.

was ugly like two animals.

>> I thought you knew about violence. I

thought you approved of it.

>> It depends upon what it's for.

>> Well, you only pretend it's for

something else. It's for its own sake

most of the time.

Hello, Dan. Hello, Pat. Hello, John.

>> Go one into the certain room. I wait

here for the others.

>> Morning, Mr. Larry.

>> Morning.

>> I've told you before, John Michael. I do

not want the IRA meeting here.

>> How would you have the meeting in barns

and fields like they used to have to do

when the place was alive with police

boys?

>> Anywhere you like, John Michael, just

not in my house.

>> You ought to be ashamed

>> or frightened.

>> Look, when we were young, we started

this work. We can't leave it now.

You look great.

>> The affluent society.

>> Call it what you like.

Need Sunday clothes. George and meat

cooking for them to go home to. It's

good to see.

Columor says you don't want to do the

job.

>> How long have you been in Ireland?

>> I've been back about a year.

>> And before that, they sat in the chimney

corner and they filled your head with

legends. Am I right?

>> Yes, that's right. You were one of the

legends.

>> Oh, yes. I sat in the chimney calling

him myself, listening to the tales of

the heroes.

Khalin of the red branch, the barefoot

men running from Comwalth's

horseholders, the black and tan

ambushes.

All that blood soaking into the wet use

was ground.

>> Useless?

You didn't think it was useless, then?

>> Hannah, go back where you'd be long.

Otherwise, you'd be wearing this old

man's dreams of glory around your neck

for the rest of your life, and the

trouble that goes with them.

>> Solan.

>> Hello, son.

>> Hello, John. How are you?

>> Good morning, Miss Costello.

>> Good morning. Do I know you?

>> Well, it would be a civil pretense to

say you did. Uh, I'm Inspector Sullivan

and you're Colomor's assistant. Uh,

working as typewriter and sorting out

those long fiery words for his speeches.

>> I enjoy my work. He's a great man.

>> Ah, yes. A patriot. Um, that was a nice

looking fellow you met just now.

>> My cousin.

>> He's an island full of large families

for just that. His name is Rogan.

>> No.

>> Oh, that's a pity. I had a question to

ask him. Oh, well, never mind. Hm.

>> Uh uh.

>> Maybe you can help me. Why in the name

of everything that's sane should a man

like Rogan break out of prison one month

before his remission came to you. And he

could have walked out the door like a

gentleman with £5 in a train ticket in

his pocket.

>> Perhaps he thought his parole wouldn't

come through.

>> Then he was wrong. And I've seen the

papers that prove it.

>> Well, I'm not really interested.

>> Of course you're not.

>> Good day, Miss Goslo.

All right.

>> Yes.

>> What are you saying?

>> Nothing much.

>> We bought what freedom there is in this

country with blood and violence. And

that's how we need to go on till we have

the full freedom. Why have we to be

meeting here like traitors under a lick

government that do nothing about the six

counties belonging to us? We'll get them

back. Column,

>> but our way, not yours.

>> What exactly do you want, Tommore?

>> I want the sort of gesture I can use as

a banner. I want an act of blood in

defiance. I want to remind the people

that a free and united Ireland has

stealed the one cause worth blood, the

one cause worth dying for.

We've all shed our blood for it, column.

We've all hidden in the ditches and

dodged our share of the bullets. But

those methods are dead now.

>> Ah, the old days. The old days are dead

and gone. Times have changed.

>> Cuz you have changed. You didn't have a

soft job then. You weren't fat in the

belly and fighting with your mouth.

>> You're just an old man who shed blood

for so long. You can't lose your taste

for it.

I'm not bringing names down on you,

Denny Garity.

There's too much to be done. I've seen

your leaflets and your meetings and your

pamphlets.

I've seen the people of Ireland smile at

us like they smile at the clowns in the

Marat town circus. I've seen your ways

and they don't work.

Give me one act,

one gesture.

Let me put the one true flag where all

the people of Ireland will recognize the

men and the cause that put it there.

Grant me that, I beg you.

>> No, Colum. No.

Formally, I'm speaking for this area.

No.

We're all getting old, aren't we?

The men who say no.

Where are the young men? The heroes like

Sean Rogan. All right, Omore. You have

Rogan, but I warn you, just don't use

him.

It's time to take a look at the ground.

>> Suppose we seen

>> Well, a fellow and his girl on a Sunday

stroll.

>> Sounds nice.

>> Oh, it's popular. A bus to the country.

Handholding. A bit of a kiss. You sure

it's private? And God help the fella if

the girl has brothers.

>> You're all right. You don't have any

brothers.

>> But you still have a cause.

>> Yes. At least that gives us something in

common.

>> Do you think I'd need that?

>> No, I don't think I would either.

>> When is the electrified fence switched

on?

>> When the men leave? About the same time

as the perimeter lights. That means

you'll be seen before you got to the

electric fence.

>> Is that a soap station up there?

>> Yes. All the power for the factory comes

in through there.

>> What? The primit?

>> Yes, but you can't touch that power

station because Austin said they'd be

suspicious.

>> How did Colum get tied up with Austin

and Fletcher?

>> They're professionals. He needed them to

get you out and then they uh they stayed

on for this.

>> Yes. Well, men like men like Austin

don't work for promises. How much?

>> £5,000.

>> Where did Callum get it?

From you?

>> No, from my father. I asked him.

>> That's quite a price.

>> Feel your freedom.

>> Thanks.

Was

that for me or the legend?

>> I don't know.

>> Ah, you're too honest.

>> Are you?

>> Well, I try to be.

>> Well,

>> well, I've been knocked away from him

for ages, you know.

That's a detailed plan of the factory

from a patriotic architect, an idealist

like you.

>> When we get in there, it'll be time to

do the job between patrols.

>> That's a full security timetable and the

job is simple enough.

>> Electronics manufacturer depends upon

what they call controlled environment.

Dustfree, anti-atic, that sort of thing.

Now, the department that controls all

this lies in the service room between

the two main blocks.

>> Like that, the factory is useless.

>> I want to go back there tonight and take

a closer look at that escarment.

Is that house on gas or electricity?

>> Murphy's they have both.

>> I know because we tell them not sin.

>> We'll make a phone call tomorrow. Tell

the fellas in the peak caps there's been

a strong smell of gas. Get a few of them

proddding around a bit.

>> What time is it?

>> There's no need to worry, Bridget. It's

just a bit of a ride

>> with two London Hooligans and your

desperate Shawn Rogan.

>> John Michael knows what he's doing.

Didn't he always?

>> You fuss too much, Biddy.

>> The women always do.

I've been there too often, Colum.

Waiting for your tap on the door.

>> Don't worry about your husband, Bridget.

They're just looking.

>> That's what he was doing when they

crippled him.

>> Oh, yes. Yes, indeed. I know what he'll

tell you when the drink's in him. Lead

in a raid. man in a last machine gun.

She's a hell and the wife, but it

doesn't matter.

The organization was good to us. They

bought this place and set us up here.

But I had the washing and the cleaning

and the feeding of him for 2 years.

If he'd been a straight and peaceful

man, I'd have been nesting his babies

instead.

Drink up your coffee, girl, before it

gets cold.

Look, I know what I'd like to do. It'll

all depend on how good you two think you

are.

>> Don't worry about us, Patty. We invented

it.

>> Come here.

>> You see those two cracks there towards

the right of the pipes?

>> Yeah, where the concrete joints?

>> That's it. Well, remember where they

are.

>> Why me?

>> Because you'll be doing the job. I'll

just be planning it. Remember?

Sullivan told me that Sha's parole was

due and that all the papers were signed.

Now, you told Shawn it had been refused.

>> Do you believe Sullivan or do you

believe me?

>> Oh, Colum, I've loved and trusted you. I

think I have a right to know.

>> I've already told you the remission was

turned down.

>> Listen, I don't want to play any part of

cheating Shawn Rogan.

>> Cheat Rogan? He'd still be in prison if

we hadn't gotten him out. He's a free

man. The price is what he's doing now.

I'm going to tell Sha and let him decide

for himself.

>> No, he's the instrument I've waited for

to build, to construct a new spirit.

There's a foundation been laid down for

this work by the dead men of my

generation and your father's generation.

Would they ask me to stop building? Can

you ask me?

>> He doesn't want to do it, Colum. Surely

you can see the change in him.

>> Change? There is no change. The violence

is deep in him and it never ends. He can

hide in his farm for the rest of his

life, but it won't change him.

>> It'll be like sliding down a pole and

the clever London fellas with faces on

them as long as Fiddle.

>> It's not as easy as that.

>> Not for them it isn't, Sean. But for

you. Ah,

>> you found a way in.

>> Is it risky, Sean?

>> Not if they do exactly as I tell them.

But for you, I mean,

>> I won't be there on the night.

>> Thank you.

>> Oh, John Michael.

>> Yeah.

>> I'll need to get inside those factory

gates tomorrow. Huh? But you can't.

>> You are the fixer.

>> Morning, Shamus.

>> You're a bit early for the SW today.

>> Well, the appet I have are not worried

about time. Go up, daddy. Go up. Get up.

Go up.

Jean, what are you up to? Uh,

collect and swim.

>> Yeah. Well, this happens to be a

security area. You know, the canteen is

that way.

>> You must have taken the wrong turn.

>> Sean, there's a thousand Irish men

working here on good wages. I'm not

going to let any of Colammore's gestures

stop that.

>> You believe the same as us once, Danny.

>> I still do, Sean, but not the methods.

No more.

>> Oh, by the way, Sean,

if anything happens, you know,

I'll remember where I saw you

and the security people change the shift

at midnight. The first patrol punches

the clock around 12:45.

Now, we've made the phone call and they

all know there's a suspected leak from a

gas man over by the escarment. Now, you

move in at 1:00.

Now, remember the cracks in the pipes.

>> I can find it again.

>> Well, scrape in as deep as you can. Put

these in. Set them for 5 minutes.

>> Seven's nearer. We'll be on foot.

>> All right. Seven.

>> There's not enough here to blow our cat

out of its basket.

>> You put them where I showed you and

we'll drop that substation about 20 ft.

So there'll be no electricity and no

telephones. It look like a landslide.

>> There's still not enough.

>> You're not getting anymore.

>> There are people asleep in those

cottages. I'm not going to kill them in

the beds.

>> Take his word for it, Joe.

>> To the gate.

>> And this?

>> Well, there's an alarm at the side of

the service room door. Use that to

bypass it before you cut the wires.

>> But there won't be any electricity.

>> There might be a direct police link. And

you should be able to get in the door

with this. No thanks, Patty. I've seen

the plans as well. This isn't Mother

Mulligan's outhouse. It's a steel door

and a steel frame. I'll use these.

How long will it take? A minute.

>> He can do it. I've seen him.

>> Well, if you say so.

When you get inside, place these between

the gear and the wall and try and blow

everything into the middle. There's

enough wire here to connect them from

outside.

Don't try and connect them while it's

still in there.

>> We have seen Jelign Knight before,

Patty. We may not have won the Nobel

Prize for it, but we have seen it.

>> What about transport?

>> Yeah, you'll take the station wagon

along. Yours is just a getaway car.

>> How do we get there?

>> We've got a gasboard van.

>> Nice. I like that.

>> Mhm.

>> So, no one's going to bother you if they

see it around.

>> Not bad, Petty. That's really not bad.

Good morning, madam. I've come to

collect the red, but I'm open to any

offer you care to make.

>> It's very clever.

>> I in the old days, every job he did for

the cause had his hallmark on it.

>> Well, then they'll know. Sullivan will

know.

>> Not if I'm somewhere else at the time.

>> Well, we're set for tomorrow night.

>> Tomorrow night's Tuesday, isn't it?

>> Yep. Oh, and I always wash my hair on

Tuesday.

>> Don't fool with this boy. You'll do it

when I tell you.

>> We're going in on Thursday.

>> No, there's no need to wait that long.

>> Thursday's always been our lucky night.

>> Yeah.

>> What are you two up to?

>> We're making a big political bang for

you, Omore. We're doing it because you

can't get anybody else. Even your hero

had to be forced.

>> And after all that trouble we went

through breaking him out.

>> You told me his remission had been

turned down.

>> The message he got was from you, Omar.

It'll be your ancient head that gets

torn off if he ever finds out.

Thursday.

>> Look, he only worked for that one day on

the swill cart. I checked.

>> He's a fine job. You must have so much

time to be snooping on your old

comrades.

>> I know your feelings about the factory

column. I'd know what you'd love to

Well, you're talking treason. Now, can

any Irishman join in?

>> Oh, treason, of course. Inspector, you

know our sympathies.

>> Well, as long as you keep it to the

talking.

>> It's quiet, John. Michael ask your boy

Thursday. They've no money left now.

It's four hands I've been needing for

them to quench that thirst.

>> Yes. All that beautiful money from the

factory flowing down their throats. Oh,

get me a genotonic.

>> You're uh spending a lot of your time

with us these days, inspector.

>> Well, there are such fine interesting

people here about column here stay for

weeks this time.

>> Yeah, but he'd be going home next week,

won't you, Colum?

>> Yes. I wouldn't be surprised if uh Shawn

Rogan will be going back to Mayo at

about the same time.

Try it again.

Cortex the detonator. That's good. Nice

and tight. Right.

Okay.

>> Mhm.

Detonation to firing line.

I'm one here tonight.

Okay. Yeah. The other one. Yeah.

Separate the wires so it doesn't show.

That's right.

Okay. You'll do it. It's midnight. Let's

check the stuff.

Keep that separate from the explosives.

>> What's this? the spare explosive. You

got enough there to do the job.

>> Listen, you if it only blows a few

pebbles down and people think his

fireworks night, it isn't you that gets

into trouble.

I want you to take this and leave it

where the morning light can tell the

world why this night's deed was done.

The one true flag.

God bless it.

Look at the end of the bridge.

>> Is that normal?

>> No.

That must be Sullivan's doings. Keeping

a watchful eye on Rogan.

>> H. This is going to be the ground gone

that they marked on their calendars.

The gas fire is at the back door.

>> Just leaving.

Good luck, boys.

It's not like I thought it would be. Not

as important.

The small orange band just left, sir.

>> From Liies.

>> Well, it came from the alleyway, but I

couldn't see who was in it.

>> Uh-huh. Anything else?

>> The lights are still on the bar.

Are they now?

>> If you want me when the factory goes up,

I'll be kicking at the station master's

door. Drunk and painfully ticket and

pennies.

>> So quite some.

>> I'm glad all the blowing up has put some

sense into your head at last. Sean, God

bless you.

>> There's one thing, love. When you're out

there, just do as they tell you. Don't

get your Roy.

>> What's the plan when we start riding?

>> I come back here and hand over to

Fletcher. Uh, John Michaels fixed a boat

somewhere. I don't know where.

>> A boat? What do they want with a boat?

>> I don't think that's got anything to do

with you, Sean.

>> Well, then thank your father for me. The

freedom price. I hope tonight squares

it.

>> Yeah. Yeah. See you again.

>> The millionaire's daughter can take her

choice and Mayo's not a big place.

Bridget, see who it is.

>> Sullivan,

>> let him in. You better stay, Sean. It's

best you be seen.

>> Drinks, John. Michael, said her.

Hello, inspector.

>> Hello.

I saw your lights on and uh

I thought I might have a night cap.

>> Would you be wanting me to lose me

license?

>> Hello, Sean.

>> Hello, Inspector.

I'm mine.

>> Thanks.

Well, here's to your freedom.

Though I'll never understand why you

couldn't wait another month and walk out

a free man.

I saw the sign remission.

Is it true? Sean, listen. Is it true?

>> Yes, but I didn't know.

>> No, Hannah leaving.

>> Well,

thanks for the drink.

Good night.

It's time you were leaving for the

factory.

>> Is she gone?

>> Yes.

Wait,

>> no. Sean,

>> that just has taken the spare

explosives. You killed the people in

those caravans.

Go to the nation pace. I'll see you

there.

>> Right.

Use your stupid head, Joe.

6 minutes before the cliff goes up.

You think you can stop him in that time?

Let's use him.

Okay.

Come on.

Heat. Heat.

Change the explosive.

>> Yeah, you better get to the gate.

>> You're going with us. And

>> remember, if you bungle anything, your

girl's in the getaway car. She gets

caught, too.

30 seconds.

Give me the cutters

and you can put that thing away. We work

a lot faster.

We'll put them away when we're all

inside.

Hey,

Is everybody all right down there? It's

just a fall of rock. No need to worry.

>> Well, no thanks to you and your security

precautions.

>> Hey, you go telephone into the guard in

case we have to clear these caravans.

And you Riley, get back to the guard

room.

It's still working.

>> Standby generator. You separate the

wires.

the vault. Bastards.

>> You've got to live.

>> Take the bags. Join the wires. I'll get

him out.

>> Why don't we just leave him?

>> Oh, no. It's better for the police to

find a live patriot than a dead flag.

just 10 minutes to go before the next

patrol comes past.

Five when they hear this and start

running.

Ready?

Fillette.

It's time to go.

Nobody.

That was no gas man.

>> Get out. I'll drive.

>> Where's Sean?

>> Accident. Tell you later.

>> Follow his head. Happens to the rest of

us.

>> You've got to wait for Sean.

>> You wait.

Wait.

Oh,

>> Hannah.

>> Oh, Johnny wouldn't wait. I asked him to

wait.

>> Go get the van. Go get the van. Right.

>> There's a car road about a quarter of a

mile up on the left. I'll see you there.

All right. Yes. Go on.

>> See you there.

Come on, Fixer. You're going with us.

Oh,

>> how did it go?

>> Don't argue. Get your coat. But

>> what do you want to You don't want me.

You know where the boat is.

>> You got one bad leg friend. Do I make it

too?

>> What do you want to go acting like that

for you? We've only been helpful to you,

that's all.

>> Where are you going at this time?

>> Come on, Bridget. Come on.

>> John Michael.

>> Bridget.

>> Call them. Call them.

They've taken John Michael.

>> Back to leaders.

>> What?

>> They've robbed the vault. We've got to

find out where they've gone.

>> No. Let's tell Sullivan.

>> Not without the money. I'm not going

back to prison.

>> Will you wait? I'll tell Sullivan.

>> Look, you're going to drive this car. Do

I take the keys?

>> I'll drive.

Get upstairs. Turn all the rooms over.

Then the stores. You better have a very

good reason.

>> You know the reason as well as I do.

They've blown up a new factory. The

grand international project where they

make arms on Irish soil for other

soldiers to use. Oh, if that's the case,

this is the night for Ireland to

rejoice.

>> Not when criminal robbery is the motive.

Shawn Rogan political is one thing.

Shawn Rogan heap is another.

>> The people you work for have a longer

history of robbery than us. They rob the

whole country. Don't point the finger at

me.

>> You're a sad old man, Colum. You belong

in a museum. But I'm going to send you

to prison. And heaven help every IRA man

and sympathizer who can't prove for his

bin for the past hour.

Let's leave the car here and go to Lis.

I'll find you later.

>> Right.

Damn, you take the side street.

>> Colin, you've got to tell me where they

are. Don't you see? They left Shawn

there to take the blame. They're safe

and he isn't.

>> The safety of one man doesn't concern

me. Not when the newspapers tomorrow

will be full of that man's walk and what

it means to the freedom of this country.

>> It means nothing. It is the work of

thieves and criminals.

>> I can remember when to be a patriot was

to be called a criminal.

Now

you'll tell me where they've gone,

Colin.

I'm an old man. Do you think it matters

to me how I died?

Get out.

>> Now, where are they?

>> John Michael fixed Sweeny's boat at

Draa, but then they came back here and

forced him to go with them. He must have

changed the plan.

>> Sullivan will have got to Sweenies by

now.

>> Every IRA man he said.

>> Thanks Bridget.

Sean wants to talk to you.

He's in the van.

>> For the love of God, Sean, the police

have already been in there.

>> Do you know what's happened?

>> Is it true about the money?

>> Yes, that's why I'm here.

>> And you had nothing to do with it.

>> Look, they made John Michael find a boat

for them. Now I'm out of touch. Who

would he use? Oh god, the sweenies are

hot. The rinds of Draada.

>> No, no, no. It'd be somebody Sullivan

wouldn't check on. No politics. Somebody

half crooks.

>> Finbo.

>> Well, I never thought I'd see the day

when I get a job with you, John.

Michael,

>> you have high qualifications for this

job. Finbo.

>> These are the gentlemen.

>> Let's have a drink and start talking.

>> No need for you to come. Wait in the

car.

now. Where do you want to go?

>> England.

>> Whereabouts?

>> We'll tell you when we get going.

>> Well, I don't know now. It's a long way.

Might cost you a lot of money.

How much is a lot?

>> Well, I'll be honest with you. I've got

other commitments.

Couldn't do it for under a thousand.

>> It's one thing I like about lasting. It

never kids itself.

>> 500 now, the rest when we get there.

>> Okay, Patty. You tap the till. Now,

let's get going.

>> The name's Finnbo. And we can't. Not for

a couple of hours. We've got to wait for

the tide.

>> The what?

>> The tide? You buff? We got to wait for

the water to come up.

>> All right, Joe. We can afford to wait

for a couple of hours and it'll give you

time to take John Michael home.

Okay, take him back.

>> Sean, if I go back, I'm getting

Sullivan.

>> Then you're not going back. Oh, yes I

am. If you looked at him, he's badly

hurt.

>> Look, I've got to stop them.

>> What? With more violence, more killing?

>> No more violence. I promise.

>> I'm getting Sullivan. I mean it.

What about fuel? Lenty. I mean, take

these stairs.

>> Let's do it now.

You can stick them in the boat there now

if you want to.

>> Really? Thanks.

>> I was wondering maybe the price is a

little low with you hanging on to those

hammer sacks and all. I thought maybe a

thousand now. And

>> don't try putting the screws on us,

Petty. Where I come from, we wouldn't

even let you sell peanuts.

>> You're not sitting in the cheap seats

this time. No one single-handed ever

beats two determined men with a gun

each.

>> If what you're telling me is true, Miss

Kosel, or your party to prison escape

and violent robberies? Yes,

>> I know all that, but I've told you why.

And now I'm trying to help.

>> You've told me nothing. So start now.

>> No, not until I know what's going to

happen to Shawn Ro.

>> Mother of God, woman, we're dealing with

police business now, not haggling over a

cauliflower.

Where is he? Tell me what is going to

happen to Shaun.

>> What he deserves. No more, no less.

The same goes for you.

>> He can't go back to prison.

>> Nobody said he would. If he's doing what

you say he's doing, it will go on the

record with a recommendation for a

suspended sentence.

But no promises for either of you. Now,

where is he?

>> Fingers booked.

How much longer, Bimbo?

>> Another 10 minutes and the tide should

be up.

>> Yeah.

the soda milkman.

Heat. Heat.

Shut

up.

Come

on.

Come on.

Sean,

Sean,

Sean,

Sean.

Sean.

Sean.

When you've got your breath back, Rogan,

you can tell us the tale. Who knows? I

might even believe you.

Come on Elvis.